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Negative (photography)
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<h2 id="negative-image">Negative image</h2> <table><tbody><tr><th>Positive color</th><th>Negative color</th></tr><tr><td></td><td></td></tr><tr><td></td><td></td></tr><tr><td></td><td></td></tr><tr><td></td><td></td></tr><tr><td></td><td></td></tr><tr><td></td><td></td></tr><tr><td></td><td></td></tr><tr><td></td><td></td></tr><tr><td></td><td></td></tr><tr><td></td><td></td></tr><tr><td></td><td></td></tr><tr><td></td><td></td></tr></tbody></table> <p>A <a href="/facts/Positive_(photography)/D16X6aAI">positive</a> image is a normal image. A negative image is a total inversion, in which light areas appear dark and vice versa. A negative color image is additionally <a href="/facts/Complementary_colors/XDAx27pR">color-reversed</a>,<a class="footnote-ref" id="fnref:6" href="#fn:6"><sup>6</sup></a> with red areas appearing cyan, greens appearing magenta, and blues appearing yellow, and vice versa. </p><p>Under a phenomenon known as the 'negative picture illusion', a negative image can be briefly experienced by the human visual system where an <a href="/facts/Afterimage/C93egAYk">afterimage</a> persists subsequent to a prolonged gaze. </p><p>Film negatives usually have less contrast, but a wider <a href="/facts/Dynamic_range/zxcuI4Fn">dynamic range</a>, than the final printed positive images. The contrast typically increases when they are printed onto <a href="/facts/Photographic_paper/7P6Q8H6D">photographic paper</a>. When negative film images are brought into the digital realm, their contrast may be adjusted at the time of scanning or, more usually, during subsequent post-processing.<a class="footnote-ref" id="fnref:7" href="#fn:7"><sup>7</sup></a> </p> <h2 id="negative-film">Negative film</h2> <p class="note">Main article: <a href="/facts/Photographic_film/37aFq6ls">Photographic film</a></p> <p>Film for cameras that use the <a href="/facts/135_film/UWGpI8k5">35 mm still format</a> is sold as a long strip of <a href="/facts/Photographic_emulsion/qhu1MQ4F">emulsion</a>-coated and perforated <a href="/facts/Plastic/Kla5QItn">plastic</a> spooled in a light-tight cassette. Before each <a href="/facts/Exposure_(photography)/Rzr0aGMd">exposure</a>, a mechanism inside the camera is used to pull an unexposed area of the strip out of the cassette and into position behind the <a href="/facts/Camera_lens/TkL6sd1b">camera lens</a>. When all exposures have been made the strip is rewound into the cassette. After the film is chemically <a href="/facts/Photographic_processing/6VTxcPMA">developed</a>, the strip shows a series of small negative images. It is usually then cut into sections for easier handling. <a href="/facts/Medium_format_(film)/gWghbVj9">Medium format</a> cameras use <a href="/facts/120_film/Klj2xUvp">120 film</a>, which yields a strip of negatives 60 mm wide, and <a href="/facts/Large_format_(photography)/oWa3GmYG">large format</a> cameras capture each image on a single sheet of film which may be as large as 20 x 25 cm (8 x 10 inches) or even larger. Each of these photographed images may be referred to as a negative and an entire strip or set of images may be collectively referred to as "the negatives". They are the master images, from which all positive prints will derive, so they are handled and stored with special care. </p><p>Many photographic processes create negative images: the chemicals involved react when exposed to light, so that during development they produce deposits of microscopic dark silver particles or colored dyes in proportion to the amount of exposure. However, when a negative image is created from a negative image (just like multiplying two <a href="/facts/Negative_numbers/LzErzCmI">negative numbers</a> in mathematics) a positive image results. This makes most chemical-based photography a two-step process, which uses <a href="/facts/Color_print_film/1XsMboGP">negative film</a> and <a href="/facts/C-41_process/t91aD4Vu">ordinary processing</a>. Special films and development processes have been devised so that positive images can be created directly on the film; these are called positive, or slide, or (perhaps confusingly) <a href="/facts/Reversal_film/7gcu9F4b">reversal films</a> and <a href="/facts/E-6_process/eE8GEnj5">reversal processing</a>. </p><p>Despite the market's evolution away from film, there is still a desire and market for products which allow fine art photographers to produce negatives from digital images for their use in alternative processes such as <a href="/facts/Cyanotype/M7b2HhFM">cyanotypes</a>, <a href="/facts/Gum_bichromate/U2zX5pMM">gum bichromate</a>, <a href="/facts/Platinum_prints/T4pRzRtW">platinum prints</a>, and many others.<a class="footnote-ref" id="fnref:8" href="#fn:8"><sup>8</sup></a> Such negative images, however, can have less permanence and less accuracy in reproduction than their digital counterparts.<a class="footnote-ref" id="fnref:9" href="#fn:9"><sup>9</sup></a> </p> <h2 id="negative-images-and-digital-processing">Negative images and digital processing</h2> <p>A negative image can allow a different perception of an everyday scene, perhaps highlighting spatial relationships and details that are less obvious in the positive image. For example, the photographer <a href="/facts/Andrew_Prokos/fVH8MD9l">Andrew Prokos</a> has produced an award-winning series of photographs under the "inverted" banner.<a class="footnote-ref" id="fnref:10" href="#fn:10"><sup>10</sup></a> The advent of <a href="/facts/Digital_image_processing/zenalNCf">digital image processing</a> has expanded the possibilities. In a physical photograph the colour and luminance can only be inverted in tandem, but digital processing allows each to be inverted separately. If the <a href="/facts/Hue/9qufc1ap">hue</a> of an image is rotated by 180 degrees, then the colour of the image is inverted but not its luminance. The negative of such an image has the luminance inverted but not the colour. Whereas a physical image can be either 'inverted' or 'not inverted', a digital image can exhibit a partial degree of colour inversion<a class="footnote-ref" id="fnref:11" href="#fn:11"><sup>11</sup></a> in so far as the hue can be altered by plus or minus some number of degrees which is greater than zero degrees but less than 180 degrees. </p> <h2 id="external-links">External links</h2> Wikimedia Commons has media related to Negative photography. <ul><li><a href="https://web.archive.org/web/20120628230605/http://www.copyscan.co.il/information.html">Scanning film negatives (Hebrew)</a> at the <a href="/facts/Wayback_Machine/nmQ3a6JC">Wayback Machine</a> (archived 28 June 2012)</li></ul> <h2 id="references">References</h2> <ol> <li id="fn:1"><p>"Negative - National Portrait Gallery". www.npg.org.uk. Retrieved 13 August 2023. <a href="https://www.npg.org.uk/collections/explore/glossary-of-art-terms/negative" target="_blank">https://www.npg.org.uk/collections/explore/glossary-of-art-terms/negative</a> <a href="#fnref:1" class="footnote-back-ref">↩</a></p></li> <li id="fn:2"><p>"Orange in Negative Film | Shutha". shutha.org. Archived from the original on 8 September 2023. <a href="https://web.archive.org/web/20230908005129/https://shutha.org/node/814" target="_blank">https://web.archive.org/web/20230908005129/https://shutha.org/node/814</a> <a href="#fnref:2" class="footnote-back-ref">↩</a></p></li> <li id="fn:3"><p>"What is a Negative?". Ilford Photo. 28 March 2017. Retrieved 13 August 2023. <a href="https://www.ilfordphoto.com/what-is-a-negative/" target="_blank">https://www.ilfordphoto.com/what-is-a-negative/</a> <a href="#fnref:3" class="footnote-back-ref">↩</a></p></li> <li id="fn:4"><p>"Photos from Negatives: A Snapshot in the History of Photography". Southtree. <a href="https://southtree.com/blogs/artifact/photos-from-negatives-a-snapshot-in-the-history-of-photography" target="_blank">https://southtree.com/blogs/artifact/photos-from-negatives-a-snapshot-in-the-history-of-photography</a> <a href="#fnref:4" class="footnote-back-ref">↩</a></p></li> <li id="fn:5"><p>Raso, Michael (30 October 2021). "Negative Film vs Reversal (Positive) Film? What's the Difference?". The Film Photography Project. <a href="https://filmphotographyproject.com/negative-film-vs-reversal-positive-film-whats-the-difference/" target="_blank">https://filmphotographyproject.com/negative-film-vs-reversal-positive-film-whats-the-difference/</a> <a href="#fnref:5" class="footnote-back-ref">↩</a></p></li> <li id="fn:6"><p>Padova, Ted; Murdock, Kelly L. (11 February 2008). Adobe Creative Suite 3 Bible. John Wiley & Sons. ISBN 978-0470130674. Retrieved 2 November 2017. <a href="978-0470130674" target="_blank">978-0470130674</a> <a href="#fnref:6" class="footnote-back-ref">↩</a></p></li> <li id="fn:7"><p>"How to Scan B&W Negatives: Adjusting Levels". The Aware Writer. 17 December 2009. <a href="https://awarewriter.wordpress.com/2009/12/16/how-to-scan-bw-negatives-adjusting-levels/" target="_blank">https://awarewriter.wordpress.com/2009/12/16/how-to-scan-bw-negatives-adjusting-levels/</a> <a href="#fnref:7" class="footnote-back-ref">↩</a></p></li> <li id="fn:8"><p>"HP Introduces Large Format Photo Negative Application for Fine-art Quality Professional Photo Edition". Bespoke News Archive. 6 July 2010. Retrieved 2 November 2017. <a href="http://archive.bespoke.co.uk/press-room?option=com_content&view=article&id=1921" target="_blank">http://archive.bespoke.co.uk/press-room?option=com_content&view=article&id=1921</a> <a href="#fnref:8" class="footnote-back-ref">↩</a></p></li> <li id="fn:9"><p>"Negatives | Deterioration and Preservation of Negatives, Autochromes, and Lantern Slides | Articles and Essays | Genthe Collection | Digital Collections". Library of Congress. Retrieved 7 September 2023. <a href="https://www.loc.gov/collections/genthe/articles-and-essays/deterioration-and-preservation-of-negatives-autochromes-and-lantern-slides/negatives/" target="_blank">https://www.loc.gov/collections/genthe/articles-and-essays/deterioration-and-preservation-of-negatives-autochromes-and-lantern-slides/negatives/</a> <a href="#fnref:9" class="footnote-back-ref">↩</a></p></li> <li id="fn:10"><p>"IPA 2020 Winner / Inverted / Andrew Prokos Fine Art / Andrew Prokos". photoawards.com. Retrieved 14 August 2023. <a href="https://www.photoawards.com/winner/zoom.php?eid=8-203787-20" target="_blank">https://www.photoawards.com/winner/zoom.php?eid=8-203787-20</a> <a href="#fnref:10" class="footnote-back-ref">↩</a></p></li> <li id="fn:11"><p>Johnson, Terry (11 July 2022). "Colour Inversion in Photoshop". Medium. Retrieved 13 August 2023. <a href="https://medium.com/@terence.johnson/colour-inversion-in-photoshop-13c42d98f3cf" target="_blank">https://medium.com/@terence.johnson/colour-inversion-in-photoshop-13c42d98f3cf</a> <a href="#fnref:11" class="footnote-back-ref">↩</a></p></li> </ol>