Signoret grew up in Paris in an intellectual atmosphere and studied English, German and Latin. After completing secondary school during the Nazi occupation, Simone was responsible for supporting her family and forced to take work as a typist for a French collaborationist newspaper Les nouveaux temps, run by Jean Luchaire.
During the occupation of France, Signoret mixed with an artistic group of writers and actors who met at the Café de Flore in the Saint-Germain-des-Prés quarter. By this time, she had developed an interest in acting and was encouraged by her friends, including her lover Daniel Gélin to follow her ambition. In 1942, she began appearing in bit parts and was able to earn enough money to support her mother and two brothers as her father, who was a French patriot, had fled the country in 1940 to join General De Gaulle in England. She took her mother's maiden name for the screen to help hide her Jewish roots.
Signoret's sensual features and earthy nature led to type-casting and she was often seen in roles as a prostitute. She won considerable attention in La Ronde (1950), a film which was banned briefly in New York City as immoral. She won further acclaim, including an acting award from the British Film Academy, for her portrayal of another prostitute, Amélie Élie, in Jacques Becker's Casque d'or (1951). She appeared in many French films during the 1950s, including Thérèse Raquin (1953), directed by Marcel Carné, Les Diaboliques (1954), and The Crucible (Les Sorcières de Salem; 1956), based on Arthur Miller's The Crucible.
Signoret identified as Jewish. She was a supporter of a variety of Jewish causes, including the Zionist movement and the Soviet Jewry movement. She maintained relationships with many Israeli leaders and was critical of antisemitism in the French Communist Party. Because she was of patrilineal Jewish ancestry and was therefore not considered Jewish under traditional halakha, there was no religious ceremony at her funeral.
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"Nostalgia Isn't What It Used to Be (Paperback)". The Guardian. 7 August 2000. Signoret was descended from Polish/Hungarian Jews
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Tied with Shirley MacLaine for Desperate Characters. /wiki/Shirley_MacLaine
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Tied with Jane Fonda for Julia. /wiki/Jane_Fonda
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Tied with Tzvetana Arnaudova for Urok istorii.
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Source: "What Happened, Miss Simone", documentary on Nina Simone's life, 2015