Decision to Leave

<h2 id="plot">Plot</h2>
Insomniac detective Jang Hae-jun works in <a href="/facts/Busan/rHbfkIA3">Busan</a> and only sees his wife, Jung-an, a nuclear power plant manager residing in Ipo, once a week. Hae-jun and his partner, Soo-wan, investigate a case involving a retired immigration officer, Ki Do-soo, found dead at the foot of a mountain he often climbed. They interview his much younger wife Song Seo-rae, an emigrant from China who works as a caretaker for seniors. They suspect her because of her lack of displays of grief, a scratch on her hand, bruises on her legs and torso, broken ribs, and a tattoo of Ki's initials resembling the monogram he used to mark his belongings.
Hae-jun conducts further interviews with Seo-rae and conducts nightly stakeouts outside of her apartment building, becoming infatuated with her in the process. Seo-rae observes him outside her building, and witnesses him on one of his other investigations. Seo-rae's Monday client says Seo-rae was with her on the day Ki died, and camera footage shows Seo-rae outside her Monday client's home shortly before Ki's time of death. Questioned about her background, Seo-rae admits that in China she killed her terminally ill mother with <a href="/facts/Fentanyl/MMD9GdD3">fentanyl</a> pills at her request. Before dying, she told Seo-rae to go to Korea to climb the mountain her Korean grandfather, an independence fighter in <a href="/facts/Manchuria/XTv2sK1o">Manchuria</a>, had left her. Seo-rae gives Hae-jun letters written by Ki admitting to corrupt business dealings, including a letter sent to a subordinate that Hae-jun interprets as a suicide note. Hae-jun rules the death a suicide, despite Soo-wan's doubts, and informs Seo-rae that she is no longer a suspect.
Seo-rae and Hae-jun go on a date at a Buddhist temple, visit each other's homes, and become close. At his apartment, Seo-rae burns Hae-jun's evidence photos from her husband's case, reasoning that Hae-jun's insomnia is caused by his disturbing cases haunting him. When Hae-jun fills in for a visit to Seo-rae's Monday client, Hae-jun learns that Seo-rae and the client have the same model of cell phone, and that the client has dementia and does not know what day of the week it is. On the client's phone, he sees that the housebound woman apparently walked the distance equivalent to 138 flights of stairs on the day of Ki's death. Hae-jun realizes Seo-rae switched her phone for her client's and then climbed the mountain to push Ki off. Confronting Seo-rae in her apartment, he concludes that she also forged the suicide note and, to her consternation, accuses her of getting close to him to destroy his evidence. Hae-jun says Seo-rae has destroyed his pride in his job and that, since meeting her, he has become "shattered"; nevertheless, he has covered up the evidence and instructs her to throw the incriminating phone into the sea before leaving.
Thirteen months later, Hae-jun has moved to Ipo to live with Jung-an after developing depression and more severe insomnia. At a fish market with Jung-an, he encounters Seo-rae with her new husband Im Ho-Shin, a business investor. The next day, Ho-Shin is found dead in his mansion's swimming pool. Hae-jun takes on the case and is convinced Seo-rae is the culprit. She admits only to draining the pool so that Hae-jun would not be disturbed by the blood. Sa Cheol-seong, a Chinese immigrant, soon confesses to killing Ho-Shin for defrauding his late mother of millions of dollars. Sa denies that Seo-rae played any role and reveals he had installed a tracker on Seo-rae's phone so he could find where Ho-Shin lived.
Hae-jun confronts Seo-rae at the mountain her grandfather left her. She rushes at Hae-jun after he scatters her grandfather and mother's ashes at the edge of the mountain, only to hug him as she did at her apartment. She reveals that she kept the phone with the incriminating evidence from Ki's case, and proposes that he use it to "reinvestigate" her. They kiss passionately. Hae-jun returns home to fund that Jung-an, who suspects him of having worked with Seo-rae to murder Ho-shin, is leaving him.
The next day, Hae-jun learns from Sa that Seo-rae visited Sa's mother in the hospital on the day that she died. He concludes that Seo-rae slipped Sa's mother the remaining fentanyl pills she had in her possession, knowing Sa would kill Ho-Shin as soon as his mother died. Hae-jun tracks Seo-rae's phone via the tracker Sa installed and chases her to a beach. Over the phone, she tells him that Ho-Shin discovered a phone recording of Hae-jun telling Seo-rae that he loved her, and that Ho-Shin had planned to expose their illicit relationship. Hae-jun does not recall telling Seo-rae that he loved her, though she says she began loving him the moment he stopped loving her. At the beach, he finds her empty car and the cell phone, which contains the recording of his instructions to Seo-rae to destroy the phone with evidence from Ki's case. Further out on the shore, Seo-rae digs a pit in the sand and climbs into it as the tide rises, letting it drown and bury her. Hae-jun arrives at the beach and is unable to find Seo-rae, unaware that she is buried in the sand beneath him. He searches desperately for her and cries in anguish.

<h2 id="cast">Cast</h2>

<ul><li><a href="/facts/Tang_Wei/uBoeJjHJ">Tang Wei</a> as Song Seo-rae</li>
<li><a href="/facts/Park_Hae-il/3Vg4xttj">Park Hae-il</a> as Det. Jang Hae-jun</li>
<li><a href="/facts/Lee_Jung-hyun/kcxIyuL4">Lee Jung-hyun</a> as Jung-an</li>
<li><a href="/facts/Go_Kyung-pyo/KpyLBGRs">Go Kyung-pyo</a> as Soo-wan</li>
<li><a href="/facts/Park_Yong-woo/QuEeASpF">Park Yong-woo</a> as Im Ho-shin</li>
<li><a href="/facts/Kim_Shin-young/kMtSYoSx">Kim Shin-young</a> as Yeon-su<a class="footnote-ref" id="fnref:12" href="#fn:12">12</a></li>
<li><a href="/facts/Jung_Yi-seo/1EHAN8XS">Jung Yi-seo</a> as Yoo Mi-ji<a class="footnote-ref" id="fnref:13" href="#fn:13">13</a></li>
<li>Jung Young-Sook as Granny Hae Dong a.k.a. "Monday granny"<a class="footnote-ref" id="fnref:14" href="#fn:14">14</a></li>
<li><a href="/facts/Yoo_Seung-mok/VvNll38I">Yoo Seung-mok</a> as Ki Do-soo<a class="footnote-ref" id="fnref:15" href="#fn:15">15</a></li>
<li><a href="/facts/Park_Jeong-min_(actor)/Y6S5vgIn">Park Jeong-min</a> as San-oh<a class="footnote-ref" id="fnref:16" href="#fn:16">16</a></li>
<li><a href="/facts/Seo_Hyun-woo/PadnCURR">Seo Hyun-woo</a> as Sa Cheol-seong "Slappy"<a class="footnote-ref" id="fnref:17" href="#fn:17">17</a></li>
<li><a href="/facts/Teo_Yoo/vQVEm75V">Teo Yoo</a> as Director Lee<a class="footnote-ref" id="fnref:18" href="#fn:18">18</a></li>
<li><a href="/facts/Go_Min-si/5N5axk1v">Go Min-si</a> as Shaman<a class="footnote-ref" id="fnref:19" href="#fn:19">19</a></li>
<li><a href="/facts/Lee_Hak-joo/dWIwHWpy">Lee Hak-joo</a> as Lee Ji-gu<a class="footnote-ref" id="fnref:20" href="#fn:20">20</a></li>
<li><a href="/facts/Jeong_Ha-dam/IwvGtelz">Jeong Ha-dam</a> as Oh Ga-in<a class="footnote-ref" id="fnref:21" href="#fn:21">21</a></li>
<li><a href="/facts/Choi_Dae-hoon/k4MN0pB9">Choi Dae-hoon</a> as sleep clinic doctor<a class="footnote-ref" id="fnref:22" href="#fn:22">22</a></li>
<li><a href="/facts/Joo_In-young/JG1S2BrL">Joo In-young</a> as caregiver company director</li>
<li><a href="/facts/Lee_Ji-ha/PoY36Hlc">Lee Ji-ha</a> as Apartment woman</li>
<li>Jung So-ri as 'Oppa' PC room part-timer<a class="footnote-ref" id="fnref:23" href="#fn:23">23</a></li></ul>
<h2 id="production">Production</h2>
The film is produced by Moho Film and is financed and distributed by <a href="/facts/CJ_Entertainment/arHfakdp">CJ Entertainment</a>. It began principal photography in October 2020.<a class="footnote-ref" id="fnref:24" href="#fn:24">24</a><a class="footnote-ref" id="fnref:25" href="#fn:25">25</a>

<h2 id="release">Release</h2>
Decision to Leave was selected to compete for the <a href="/facts/Palme_d%2527Or/R57obDSr">Palme d'Or</a> at the <a href="/facts/2022_Cannes_Film_Festival/QnqD5bJE">2022 Cannes Film Festival</a> to be held from 17 to 28 May 2022.<a class="footnote-ref" id="fnref:26" href="#fn:26">26</a> It screened for the first time at the Lumière Grand Theater on 23 May 2022 and was subsequently released theatrically in South Korea on 29 June 2022.<a class="footnote-ref" id="fnref:27" href="#fn:27">27</a> According to <a href="/facts/CJ_E%2526M/tc8KJFJw">CJ E&M</a>, the film was sold to 192 countries ahead of its premiere in competition at Cannes.<a class="footnote-ref" id="fnref:28" href="#fn:28">28</a><a class="footnote-ref" id="fnref:29" href="#fn:29">29</a>
In April 2022, streaming service <a href="/facts/Mubi_(streaming_service)/8GsGtsP4">Mubi</a> acquired distribution rights to the film in North America, the United Kingdom and Ireland, India, and Turkey, with a theatrical release preceding its streaming debut.<a class="footnote-ref" id="fnref:30" href="#fn:30">30</a>
Decision to Leave held its North American premiere at the <a href="/facts/2022_Toronto_International_Film_Festival/jgaJ182k">Toronto International Film Festival</a> in September 2022,<a class="footnote-ref" id="fnref:31" href="#fn:31">31</a> and its US premiere at <a href="/facts/Fantastic_Fest/4lkBWQPV">Fantastic Fest Film Festival</a> took place in the same month.<a class="footnote-ref" id="fnref:32" href="#fn:32">32</a> It was released theatrically in the United States and United Kingdom on 14 October 2022,<a class="footnote-ref" id="fnref:33" href="#fn:33">33</a> and was released in Australia theatrically by <a href="/facts/Madman_Entertainment/nFmKQ7GH">Madman Films</a> on 20 October.<a class="footnote-ref" id="fnref:34" href="#fn:34">34</a>

<h2 id="reception">Reception</h2>
<h3>Box office</h3>
The film was released on 29 June 2022 on 1,374 screens.<a class="footnote-ref" id="fnref:35" href="#fn:35">35</a><a class="footnote-ref" id="fnref:36" href="#fn:36">36</a> It opened at first place on Korean box office with 114,592 admissions.<a class="footnote-ref" id="fnref:37" href="#fn:37">37</a><a class="footnote-ref" id="fnref:38" href="#fn:38">38</a> On 13 July, after two weeks of release, the film surpassed one million cumulative admissions.<a class="footnote-ref" id="fnref:39" href="#fn:39">39</a>
As of 7 January 2023, it is the <a href="/facts/List_of_South_Korean_films_of_2022/5BDrJo8Y">tenth highest-grossing Korean film of 2022</a>, with a gross of US$15,589,120 and 1,893,954 admissions.<a class="footnote-ref" id="fnref:40" href="#fn:40">40</a>

<h3>Critical response</h3>
On <a href="/facts/Rotten_Tomatoes/rLs7ktSY">Rotten Tomatoes</a>, 94% of 239 reviews of the film are positive, with an average rating of 8.30/10. The website's critics consensus reads: "If Decision to Leave isn't quite on the same level as Park Chan-wook's masterpieces, this romantic thriller is still a remarkable achievement by any other metric."<a class="footnote-ref" id="fnref:41" href="#fn:41">41</a> <a href="/facts/Metacritic/Wve8EJFd">Metacritic</a> assigned the film a weighted average score of 85 out of 100 based on 44 critic reviews, indicating "universal acclaim".<a class="footnote-ref" id="fnref:42" href="#fn:42">42</a>
David Rooney of The Hollywood Reporter, praising the director <a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, wrote: "A world-class artist at the top of his game...all while navigating multilayered plots that continue to deliver surprises right up until the end. It's a luxury to put yourself as a viewer in such capable hands."<a class="footnote-ref" id="fnref:43" href="#fn:43">43</a>
Peter Howell of Toronto Star rated the film four out of four, and wrote: "Every frame is like a painting, with hints to character motivation and plot twists."<a class="footnote-ref" id="fnref:44" href="#fn:44">44</a>
Rafael Motamayor of <a href="/facts/%2fFilm/mWDuSSrw">Slashfilm</a> rated the film seven out of ten, and wrote: "This [the film] is not as surprising or innovative as director Park's earlier work, but it is still a fascinating and exquisitely directed film about desire, regret, and love."<a class="footnote-ref" id="fnref:45" href="#fn:45">45</a>
Luke Goodsell of the <a href="/facts/Australian_Broadcasting_Corporation/9AYG0XA4">Australian Broadcasting Corporation</a> called the film "a testament to Park's undimmed talent...Decision to Leave is one of his best".<a class="footnote-ref" id="fnref:46" href="#fn:46">46</a>
Wendy Ide gave it five stars out of five in <a href="/facts/The_Observer/mY7AHeEp">The Observer</a>, describing it as an "enthralling, serpentine crime drama" that possesses "dangerously handsome cinematography, as precise as it is playful, is full of layers and flipped mirror images.<a class="footnote-ref" id="fnref:47" href="#fn:47">47</a>

<h3>The Mountains and the Sea</h3>
Park Chan-wook has said that with Decision to Leave, he "wanted to film a Korean movie."<a class="footnote-ref" id="fnref:48" href="#fn:48">48</a> This is clear in that much of the movie is driven by imagery of either the sea or mountains, both very common elements on the Korean peninsula. The imagery is also made explicit by Seo-rae's character when she tells Hae-jun the following line from <a href="/facts/Confucius/HrrVtjJp">Confucius</a>: "The wise man admires water, the kind man admires mountains." In <a href="/facts/Eastern_philosophy/nkrrXEFz">Asian philosophy</a>, the mountain symbolizes Confucius and upright virtuousness; meanwhile, water is the symbol of <a href="/facts/Laozi/H5PsnoQG">Lao Tzu</a> and <a href="/facts/Taoism/Bk79rd9J">Taoism</a>. The two elements, despite complementing each other, are also opposed to each other and unable to come together, like the symbols of <a href="/facts/Yin_and_yang/b0YQXM7U">Yin and Yang</a>. However, ultimately, the sea has the ability to beat the mountains by eroding them over time. Seo-rae's character is symbolized by the sea. Despite her role in killing four other people (her and Sa's mothers and her two husbands) she is not captured by the detective. Notably, she kills her first husband atop a mountain and her second in a swimming pool. She then ultimately takes her own life at the end in the sea. Hae-jun, meanwhile, is the previously upright character symbolized by the mountains but now shattered. The two locations, <a href="/facts/Busan/rHbfkIA3">Busan</a> and Ipo, are also referenced as a sea and mountainous town, respectively. This imagery has been analyzed and debated online, including by both Korean and Chinese participants in the Korea Deconstructed series.<a class="footnote-ref" id="fnref:49" href="#fn:49">49</a>

<h3>Accolades</h3>
Name of the award ceremony, year presented, category, nominee(s) of the award, and the result of the nomination<table><tbody><tr><th scope="col">Award ceremony</th><th scope="col">Year</th><th scope="col">Category</th><th scope="col">Nominee / Work</th><th scope="col">Result</th><th scope="col">Ref.</th></tr><tr><th scope="row"><a href="/facts/Academy_Awards/CwTxYuNQ">Academy Awards</a></th><td><a href="/facts/95th_Academy_Awards/BMBxuFtK">2023</a></td><td><a href="/facts/Academy_Award_for_Best_International_Feature_Film/RlmvINvk">Best International Feature Film</a></td><td>Decision to Leave</td><td>Shortlisted</td><td><a class="footnote-ref" id="fnref:50" href="#fn:50">50</a></td></tr><tr><th scope="row"><a href="/facts/Alliance_of_Women_Film_Journalists/PxRFhoDq">Alliance of Women Film Journalists</a></th><td>2023</td><td>Best Non-English Language Film</td><td>Decision to Leave</td><td>Won</td><td><a class="footnote-ref" id="fnref:51" href="#fn:51">51</a></td></tr><tr><th scope="row"><a href="/facts/Asia_Pacific_Screen_Awards/aGJxU2SC">Asia Pacific Screen Awards</a></th><td><a href="/facts/15th_Asia_Pacific_Screen_Awards/6srVESbo">2022</a></td><td><a href="/facts/Asia_Pacific_Screen_Award_for_Best_Screenplay/Pwk30JNw">Best Screenplay</a></td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, <a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>Nominated</td><td><a class="footnote-ref" id="fnref:52" href="#fn:52">52</a></td></tr><tr><th scope="row" rowspan="10"><a href="/facts/Asian_Film_Awards/Rzgk9CwS">Asian Film Awards</a></th><td rowspan="10"><a href="/facts/16th_Asian_Film_Awards/bPdp2Lke">2023</a></td><td><a href="/facts/Asian_Film_Award_for_Best_Film/DKtM9kwN">Best Film</a></td><td>Decision to Leave</td><td>Nominated</td><td rowspan="10"><a class="footnote-ref" id="fnref:53" href="#fn:53">53</a><a class="footnote-ref" id="fnref:54" href="#fn:54">54</a></td></tr><tr><td><a href="/facts/Asian_Film_Award_for_Best_Director/GBrj9lVT">Best Director</a></td><td>Park Chan-wook</td><td>Nominated</td></tr><tr><td><a href="/facts/Asian_Film_Award_for_Best_Actor/1X7nnsrG">Best Actor</a></td><td>Park Hae-il</td><td>Nominated</td></tr><tr><td><a href="/facts/Asian_Film_Award_for_Best_Actress/wRqmbepP">Best Actress</a></td><td>Tang Wei</td><td>Won</td></tr><tr><td>Best Screenplay</td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, <a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>Won</td></tr><tr><td>Best Editing</td><td><a href="/facts/Kim_Sang-bum_(film_editor)/5F0WxTMT">Kim Sang-bum</a></td><td>Nominated</td></tr><tr><td>Best Cinematography</td><td>Kim Ji-yong</td><td>Nominated</td></tr><tr><td>Best Music</td><td>Jo Yeong-wook</td><td>Nominated</td></tr><tr><td>Best Production Design</td><td><a href="/facts/Ryu_Seong-hui/kpQp8RH3">Ryu Seong-hui</a></td><td>Won</td></tr><tr><td>Best Sound</td><td>Kim Suk-won</td><td>Nominated</td></tr><tr><th scope="row">Asian Journalists Association</th><td>2022</td><td>AJA Awards</td><td><a href="/facts/Park_Hae-il/3Vg4xttj">Park Hae-il</a></td><td>Won</td><td><a class="footnote-ref" id="fnref:55" href="#fn:55">55</a></td></tr><tr><th scope="row" rowspan="2"><a href="/facts/Austin_Film_Critics_Association/LMJqT0mx">Austin Film Critics Association</a></th><td rowspan="2"><a href="/facts/Austin_Film_Critics_Association_Awards_2022/1kGWrQDx">2023</a></td><td>Best Director</td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a></td><td>Nominated</td><td rowspan="2"><a class="footnote-ref" id="fnref:56" href="#fn:56">56</a><a class="footnote-ref" id="fnref:57" href="#fn:57">57</a></td></tr><tr><td>Best International Film</td><td rowspan="3">Decision to Leave</td><td>Won</td></tr><tr><th scope="row" rowspan="8"><a href="/facts/Baeksang_Arts_Awards/vNpeuobv">Baeksang Arts Awards</a></th><td rowspan="8"><a href="/facts/59th_Baeksang_Arts_Awards/GvjlKJTV">2023</a></td><td><a href="/facts/Baeksang_Arts_Award_Grand_Prize_%25E2%2580%2593_Film/jtwIm8kC">Grand Prize – Film</a></td><td>Won</td><td rowspan="8"><a class="footnote-ref" id="fnref:58" href="#fn:58">58</a><a class="footnote-ref" id="fnref:59" href="#fn:59">59</a></td></tr><tr><td><a href="/facts/Baeksang_Arts_Award_for_Best_Film/1fRNano1">Best Film</a></td><td>Nominated</td></tr><tr><td><a href="/facts/Baeksang_Arts_Award_for_Best_Director_%25E2%2580%2593_Film/GHkGCnTe">Best Director</a></td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a></td><td>Won</td></tr><tr><td><a href="/facts/Baeksang_Arts_Award_for_Best_Actor_%25E2%2580%2593_Film/4tNBSolp">Best Actor</a></td><td><a href="/facts/Park_Hae-il/3Vg4xttj">Park Hae-il</a></td><td>Nominated</td></tr><tr><td><a href="/facts/Baeksang_Arts_Award_for_Best_Actress_%25E2%2580%2593_Film/r8MJr6Vs">Best Actress</a></td><td><a href="/facts/Tang_Wei/uBoeJjHJ">Tang Wei</a></td><td>Won</td></tr><tr><td><a href="/facts/Baeksang_Arts_Award_for_Best_Screenplay_%25E2%2580%2593_Film/AGj0lAhF">Best Screenplay</a></td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, <a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>Nominated</td></tr><tr><td rowspan="2">Technical Award</td><td><a href="/facts/Ryu_Seong-hui/kpQp8RH3">Ryu Seong-hui</a> (Art direction)</td><td>Nominated</td></tr><tr><td>Cho Young-wook (Music)</td><td>Nominated</td></tr><tr><th scope="row" rowspan="14"><a href="/facts/Blue_Dragon_Film_Awards/2qn2MhDt">Blue Dragon Film Awards</a></th><td rowspan="14"><a href="/facts/43rd_Blue_Dragon_Film_Awards/GW23hHVj">2022</a></td><td><a href="/facts/Blue_Dragon_Film_Award_for_Best_Actor/CkRRBMzJ">Best Actor</a></td><td><a href="/facts/Park_Hae-il/3Vg4xttj">Park Hae-il</a></td><td>Won</td><td rowspan="14"><a class="footnote-ref" id="fnref:60" href="#fn:60">60</a><a class="footnote-ref" id="fnref:61" href="#fn:61">61</a></td></tr><tr><td><a href="/facts/Blue_Dragon_Film_Award_for_Best_Actress/vBcDP5yy">Best Actress</a></td><td><a href="/facts/Tang_Wei/uBoeJjHJ">Tang Wei</a></td><td>Won</td></tr><tr><td><a href="/facts/Blue_Dragon_Film_Award_for_Best_Director/MeD2LK2p">Best Director</a></td><td>Park Chan-wook</td><td>Won</td></tr><tr><td><a href="/facts/Blue_Dragon_Film_Award_for_Best_Film/QCVMBx5W">Best Film</a></td><td>Decision to Leave</td><td>Won</td></tr><tr><td><a href="/facts/Blue_Dragon_Film_Award_for_Best_Music/87K9SD4P">Best Music</a></td><td>Jo Yeong-wook</td><td>Won</td></tr><tr><td><a href="/facts/Blue_Dragon_Film_Award_for_Best_Screenplay/zBwV1IXz">Best Screenplay</a></td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, <a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>Won</td></tr><tr><td>Popular Star Award</td><td><a href="/facts/Go_Kyung-pyo/KpyLBGRs">Go Kyung-pyo</a></td><td>Won</td></tr><tr><td><a href="/facts/Blue_Dragon_Film_Award_for_Best_Art_Direction/NILndrp8">Best Art Direction</a></td><td><a href="/facts/Ryu_Seong-hui/kpQp8RH3">Ryu Seong-hui</a></td><td>Nominated</td></tr><tr><td><a href="/facts/Blue_Dragon_Film_Award_for_Best_Cinematography_and_Lighting/A0IYtcJw">Best Cinematography and Lighting</a></td><td>Kim Ji-yong, Shin Sang-yeol</td><td>Nominated</td></tr><tr><td><a href="/facts/Blue_Dragon_Film_Award_for_Best_Editing/5aMFKng7">Best Editing</a></td><td><a href="/facts/Kim_Sang-bum_(film_editor)/5F0WxTMT">Kim Sang-bum</a></td><td>Nominated</td></tr><tr><td><a href="/facts/Blue_Dragon_Film_Award_for_Best_New_Actress/PmlgfnSQ">Best New Actress</a></td><td><a href="/facts/Kim_Shin-young/kMtSYoSx">Kim Shin-young</a></td><td>Nominated</td></tr><tr><td><a href="/facts/Blue_Dragon_Film_Award_for_Best_Supporting_Actor/VCo5IDkq">Best Supporting Actor</a></td><td><a href="/facts/Go_Kyung-pyo/KpyLBGRs">Go Kyung-pyo</a></td><td>Nominated</td></tr><tr><td><a href="/facts/Blue_Dragon_Film_Award_for_Best_Supporting_Actress/Mll7AMyR">Best Supporting Actress</a></td><td><a href="/facts/Lee_Jung-hyun/kcxIyuL4">Lee Jung-hyun</a></td><td>Nominated</td></tr><tr><td><a href="/facts/Blue_Dragon_Film_Award_for_Technical_Award/dSQjn9Ak">Technical Award</a></td><td>Kwak Jeong-ae</td><td>Nominated</td></tr><tr><th scope="row"><a href="/facts/Boston_Society_of_Film_Critics/YKU0eKlJ">Boston Society of Film Critics</a></th><td><a href="/facts/Boston_Society_of_Film_Critics_Awards_2022/q5rwH3zM">2022</a></td><td><a href="/facts/Boston_Society_of_Film_Critics_Award_for_Best_Editing/tGmf8FPI">Best Editing</a></td><td><a href="/facts/Kim_Sang-bum_(film_editor)/5F0WxTMT">Kim Sang-bum</a></td><td>Won</td><td><a class="footnote-ref" id="fnref:62" href="#fn:62">62</a></td></tr><tr><th rowspan="4" scope="row"><a href="/facts/British_Academy_Film_Awards/GszEPR7E">British Academy Film Awards</a></th><td rowspan="4"><a href="/facts/76th_British_Academy_Film_Awards/TcAMtFX5">2023</a></td><td><a href="/facts/BAFTA_Award_for_Best_Direction/rtyRub9c">Best Director</a></td><td>Park Chan-wook</td><td>Nominated</td><td rowspan="2"><a class="footnote-ref" id="fnref:63" href="#fn:63">63</a></td></tr><tr><td><a href="/facts/BAFTA_Award_for_Best_Film_Not_in_the_English_Language/rsASXHyI">Best Film Not in the English Language</a></td><td>Park Chan-wook, Ko Dae-seok</td><td>Nominated</td></tr><tr><td><a href="/facts/BAFTA_Award_for_Best_Original_Screenplay/Hs3KmnLo">Best Original Screenplay</a></td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, <a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>Longlisted</td><td rowspan="2"><a class="footnote-ref" id="fnref:64" href="#fn:64">64</a></td></tr><tr><td><a href="/facts/BAFTA_Award_for_Best_Editing/R5fjQSYf">Best Editing</a></td><td><a href="/facts/Kim_Sang-bum_(film_editor)/5F0WxTMT">Kim Sang-bum</a></td><td>Longlisted</td></tr><tr><th scope="row"><a href="/facts/British_Independent_Film_Awards/NWn22TKY">British Independent Film Awards</a></th><td><a href="/facts/British_Independent_Film_Awards_2022/gY4sBF4l">2022</a></td><td><a href="/facts/British_Independent_Film_Award_for_Best_International_Independent_Film/pvQsNdK0">Best International Independent Film</a></td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, <a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>Nominated</td><td><a class="footnote-ref" id="fnref:65" href="#fn:65">65</a></td></tr><tr><th scope="row" rowspan="8"><a href="/facts/Buil_Film_Awards/gasy5aPp">Buil Film Awards</a></th><td rowspan="8"><a href="/facts/31st_Buil_Film_Awards/CYb0a2rs">2022</a></td><td>Best Actor</td><td><a href="/facts/Park_Hae-il/3Vg4xttj">Park Hae-il</a></td><td>Won</td><td rowspan="8"><a class="footnote-ref" id="fnref:66" href="#fn:66">66</a><a class="footnote-ref" id="fnref:67" href="#fn:67">67</a></td></tr><tr><td>Best Actress</td><td><a href="/facts/Tang_Wei/uBoeJjHJ">Tang Wei</a></td><td>Won</td></tr><tr><td>Best Cinematography</td><td>Kim Ji-yong</td><td>Won</td></tr><tr><td>Best Film</td><td>Decision to Leave</td><td>Won</td></tr><tr><td>Best Music</td><td><a href="/facts/Jo_Yeong-wook/969Wjc7S">Jo Yeong-wook</a></td><td>Won</td></tr><tr><td>Art and Technology</td><td><a href="/facts/Ryu_Seong-hui/kpQp8RH3">Ryu Seong-hui</a></td><td>Nominated</td></tr><tr><td>Best Director</td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a></td><td>Nominated</td></tr><tr><td>Best Screenplay</td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, <a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>Nominated</td></tr><tr><th scope="row"><a href="/facts/Busan_Film_Critics_Awards/fP8rpRNK">Busan Film Critics Awards</a></th><td>2022</td><td>Best Actor</td><td>Park Hae-il</td><td>Won</td><td><a class="footnote-ref" id="fnref:68" href="#fn:68">68</a></td></tr><tr><th scope="row" rowspan="2"><a href="/facts/Cannes_Film_Festival/4FU7Kbfc">Cannes Film Festival</a></th><td rowspan="2"><a href="/facts/2022_Cannes_Film_Festival/QnqD5bJE">2022</a></td><td><a href="/facts/Cannes_Film_Festival_Award_for_Best_Director/WBkETpTV">Best Director</a></td><td>Park Chan-wook</td><td>Won</td><td rowspan="2"><a class="footnote-ref" id="fnref:69" href="#fn:69">69</a></td></tr><tr><td><a href="/facts/Palme_d%2527Or/R57obDSr">Palme d'Or</a></td><td>Decision to Leave</td><td>Nominated</td></tr><tr><th rowspan="5" scope="row"><a href="/facts/Chicago_Film_Critics_Association/2MGftbso">Chicago Film Critics Association</a></th><td rowspan="5"><a href="/facts/Chicago_Film_Critics_Association_Awards_2022/wm33U3QU">2022</a></td><td><a href="/facts/Chicago_Film_Critics_Association_Award_for_Best_Cinematography/uA2I4cCd">Best Cinematography</a></td><td>Kim Ji-Yong</td><td>Won</td><td rowspan="5"><a class="footnote-ref" id="fnref:70" href="#fn:70">70</a><a class="footnote-ref" id="fnref:71" href="#fn:71">71</a></td></tr><tr><td><a href="/facts/Chicago_Film_Critics_Association_Award_for_Best_Director/fMVFrGQF">Best Director</a></td><td>Park Chan-wook</td><td>Nominated</td></tr><tr><td><a href="/facts/Chicago_Film_Critics_Association_Award_for_Best_Editing/wnWf0lTS">Best Best Editing</a></td><td><a href="/facts/Kim_Sang-bum_(film_editor)/5F0WxTMT">Kim Sang-bum</a></td><td>Nominated</td></tr><tr><td><a href="/facts/Chicago_Film_Critics_Association_Award_for_Best_Film/zmFbEfEf">Best Film</a></td><td rowspan="2">Decision to Leave</td><td>Nominated</td></tr><tr><td><a href="/facts/Chicago_Film_Critics_Association_Award_for_Best_Foreign_Language_Film/h1aNa6gy">Best Foreign Language Film</a></td><td>Won</td></tr><tr><th scope="row" rowspan="5"><a href="/facts/Chunsa_Film_Art_Awards/PzKjC67e">Chunsa Film Art Awards</a></th><td rowspan="5"><a href="/facts/Chunsa_Film_Art_Awards_2022/r8p4ts2K">2022</a></td><td>Best Actor</td><td><a href="/facts/Park_Hae-il/3Vg4xttj">Park Hae-il</a></td><td>Won</td><td rowspan="5"><a class="footnote-ref" id="fnref:72" href="#fn:72">72</a><a class="footnote-ref" id="fnref:73" href="#fn:73">73</a></td></tr><tr><td>Best Actress</td><td><a href="/facts/Tang_Wei/uBoeJjHJ">Tang Wei</a></td><td>Won</td></tr><tr><td>Best Director</td><td>Park Chan-wook</td><td>Won</td></tr><tr><td>Best Screenplay</td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, <a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>Nominated</td></tr><tr><td>Technical Award</td><td>Kim Ji-yong</td><td>Nominated</td></tr><tr><th scope="row" rowspan="2"><a href="/facts/Cine21/nCdoSXFY">Cine21</a> Awards</th><td rowspan="2">2022</td><td>Actor of the Year</td><td>Park Hae-il</td><td>Won</td><td rowspan="2"><a class="footnote-ref" id="fnref:74" href="#fn:74">74</a></td></tr><tr><td>Actress of the Year</td><td>Tang Wei</td><td>Won</td></tr><tr><th scope="row"><a href="/facts/Critics%2527_Choice_Movie_Awards/5H09gIxL">Critics' Choice Movie Awards</a></th><td><a href="/facts/28th_Critics%2527_Choice_Awards/ynLRubVF">2023</a></td><td><a href="/facts/Critics%2527_Choice_Movie_Award_for_Best_Foreign_Language_Film/klIgwMlN">Best Foreign Language Film</a></td><td>Decision to Leave</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:75" href="#fn:75">75</a></td></tr><tr><th scope="row">Critics Choice Awards Asian Pacific Cinema & Television</th><td>2022</td><td>Director Award</td><td>Park Chan-wook</td><td>Won</td><td><a class="footnote-ref" id="fnref:76" href="#fn:76">76</a></td></tr><tr><th scope="row"><a href="/facts/Dallas%25E2%2580%2593Fort_Worth_Film_Critics_Association/mP0TGYxV">Dallas–Fort Worth Film Critics Association</a></th><td><a href="/facts/Dallas%25E2%2580%2593Fort_Worth_Film_Critics_Association_Awards_2022/Smskh81P">2022</a></td><td>Best Foreign Language Film</td><td>Decision to Leave</td><td>Won</td><td><a class="footnote-ref" id="fnref:77" href="#fn:77">77</a></td></tr><tr><th scope="row" rowspan="6"><a href="/facts/Director%2527s_Cut_Awards/InYoFCgr">Director's Cut Awards</a></th><td rowspan="6">2023</td><td>Best Director in film</td><td>Park Chan-wook</td><td>Won</td><td rowspan="5"><a class="footnote-ref" id="fnref:78" href="#fn:78">78</a></td></tr><tr><td>Best Screenplay</td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, <a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>Won</td></tr><tr><td>Best Actress in film</td><td>Tang Wei</td><td>Won</td></tr><tr><td>Best Actor in film</td><td>Park Hae-il</td><td>Won</td></tr><tr><td>Best New Actor in film</td><td><a href="/facts/Seo_Hyun-woo/PadnCURR">Seo Hyun-woo</a></td><td>Won</td></tr><tr><td>Best New Actress in film</td><td>Kim Shin-young</td><td>Nominated</td><td rowspan="1"><a class="footnote-ref" id="fnref:79" href="#fn:79">79</a></td></tr><tr><th scope="row" rowspan="3"><a href="/facts/Dublin_Film_Critics%2527_Circle/hhNHqD5R">Dublin Film Critics' Circle</a></th><td rowspan="3">2022</td><td>Best Director</td><td>Park Chan-wook</td><td>8th place</td><td rowspan="3"><a class="footnote-ref" id="fnref:80" href="#fn:80">80</a></td></tr><tr><td>Best Actress</td><td>Tang Wei</td><td>4th place</td></tr><tr><td>Best Screenplay</td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, <a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>4th place</td></tr><tr><th rowspan="7" scope="row"><a href="/facts/Florida_Film_Critics_Circle/9AruMuAM">Florida Film Critics Circle</a></th><td rowspan="7"><a href="/facts/Florida_Film_Critics_Circle_Awards_2022/W0SG9gqW">2022</a></td><td><a href="/facts/Florida_Film_Critics_Circle_Award_for_Best_Actor/lxR17d28">Best Actor</a></td><td>Park Hae-il</td><td>Runner-up</td><td rowspan="7"><a class="footnote-ref" id="fnref:81" href="#fn:81">81</a><a class="footnote-ref" id="fnref:82" href="#fn:82">82</a></td></tr><tr><td><a href="/facts/Florida_Film_Critics_Circle_Award_for_Best_Actress/9AruMuAM">Best Actress</a></td><td>Tang Wei</td><td>Runner-up</td></tr><tr><td><a href="/facts/Florida_Film_Critics_Circle_Award_for_Best_Director/K65028F6">Best Director</a></td><td>Park Chan-wook</td><td>Won</td></tr><tr><td><a href="/facts/Florida_Film_Critics_Circle_Award_for_Best_Cinematography/RqojHG3J">Best Cinematography</a></td><td>Kim Ji-yong</td><td>Won</td></tr><tr><td><a href="/facts/Florida_Film_Critics_Circle_Award_for_Best_Foreign_Language_Film/lHllYkSI">Best Foreign Language Film</a></td><td>Decision to Leave</td><td>Won</td></tr><tr><td><a href="/facts/Florida_Film_Critics_Circle_Award_for_Best_Screenplay/C4acKyRx">Best Original Screenplay</a></td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, <a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>Won</td></tr><tr><td><a href="/facts/Florida_Film_Critics_Circle_Award_for_Best_Film/hhEIjVr0">Best Picture</a></td><td>Decision to Leave</td><td>Runner-up</td></tr><tr><th rowspan="5" scope="row"><a href="/facts/Georgia_Film_Critics_Association/nNakvA9P">Georgia Film Critics Association</a></th><td rowspan="5">2023</td><td>Best Actor</td><td>Park Hae-il</td><td>Nominated</td><td rowspan="5"><a class="footnote-ref" id="fnref:83" href="#fn:83">83</a></td></tr><tr><td>Best Actress</td><td>Tang Wei</td><td>Nominated</td></tr><tr><td>Best Director</td><td>Park Chan-wook</td><td>Nominated</td></tr><tr><td>Best International Film</td><td rowspan="2">Decision to Leave</td><td>Runner-Up</td></tr><tr><td>Best Picture</td><td>Nominated</td></tr><tr><th rowspan="3" scope="row">Golden Cinematography Awards</th><td rowspan="3">2022</td><td>Best Director</td><td>Park Chan-wook</td><td>Won</td><td rowspan="3"><a class="footnote-ref" id="fnref:84" href="#fn:84">84</a></td></tr><tr><td>Best Actor</td><td>Park Hae-il</td><td>Won</td></tr><tr><td>Best Actress</td><td>Tang Wei</td><td>Won</td></tr><tr><th scope="row"><a href="/facts/Golden_Globe_Awards/1v50C2Tb">Golden Globe Awards</a></th><td><a href="/facts/80th_Golden_Globe_Awards/RpdG1NcT">2023</a></td><td><a href="/facts/Golden_Globe_Award_for_Best_Foreign_Language_Film/334X27Ph">Best Motion Picture – Foreign Language</a></td><td rowspan="2">Decision to Leave</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:85" href="#fn:85">85</a></td></tr><tr><th scope="row"><a href="/facts/Gotham_Independent_Film_Awards/uPUIX4xk">Gotham Independent Film Awards</a></th><td><a href="/facts/Gotham_Independent_Film_Awards_2022/ErxI4MxI">2022</a></td><td><a href="/facts/Gotham_Independent_Film_Award_for_Best_International_Feature/jCej4jCz">Best International Feature</a></td><td>Nominated</td><td><a class="footnote-ref" id="fnref:86" href="#fn:86">86</a></td></tr><tr><th scope="row" rowspan="11"><a href="/facts/Grand_Bell_Awards/MT265EsC">Grand Bell Awards</a></th><td rowspan="11"><a href="/facts/58th_Grand_Bell_Awards/3bPazXb2">2022</a></td><td>Best Actor</td><td><a href="/facts/Park_Hae-il/3Vg4xttj">Park Hae-il</a></td><td>Won</td><td rowspan="3"><a class="footnote-ref" id="fnref:87" href="#fn:87">87</a></td></tr><tr><td>Best Film</td><td>Decision to Leave</td><td>Won</td></tr><tr><td>Best Screenplay</td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, <a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>Won</td></tr><tr><td>Best Actress</td><td><a href="/facts/Tang_Wei/uBoeJjHJ">Tang Wei</a></td><td>Nominated</td><td rowspan="8"><a class="footnote-ref" id="fnref:88" href="#fn:88">88</a></td></tr><tr><td>Best Art Direction</td><td><a href="/facts/Ryu_Seong-hui/kpQp8RH3">Ryu Seong-hui</a></td><td>Nominated</td></tr><tr><td>Best Cinematography</td><td>Kim Ji-young</td><td>Nominated</td></tr><tr><td>Best Costume Design</td><td>Kwak Jeong-ae</td><td>Nominated</td></tr><tr><td>Best Director</td><td>Park Chan-wook</td><td>Nominated</td></tr><tr><td>Best Film Editing</td><td><a href="/facts/Kim_Sang-bum_(film_editor)/5F0WxTMT">Kim Sang-bum</a></td><td>Nominated</td></tr><tr><td>Best Lighting</td><td>Shin Sang-yeol</td><td>Nominated</td></tr><tr><td>Best Music</td><td>Jo Yeong-wook</td><td>Nominated</td></tr><tr><th scope="row" rowspan="2"><a href="/facts/Hollywood_Critics_Association/y6kk8lCF">Hollywood Critics Association Awards</a></th><td rowspan="2"><a href="/facts/6th_Hollywood_Critics_Association_Film_Awards/24KjBmYq">2023</a></td><td>Best Director</td><td>Park Chan-wook</td><td>Nominated</td><td rowspan="2"><a class="footnote-ref" id="fnref:89" href="#fn:89">89</a></td></tr><tr><td>Best International Film</td><td>Decision to Leave</td><td>Nominated</td></tr><tr><th scope="row"><a href="/facts/Hollywood_Critics_Association/y6kk8lCF">Hollywood Critics Association Creative Arts Awards</a></th><td><a href="/facts/1st_Hollywood_Critics_Association_Creative_Arts_Awards/EG665Md3">2023</a></td><td>Best Editing</td><td><a href="/facts/Kim_Sang-bum_(film_editor)/5F0WxTMT">Kim Sang-bum</a></td><td>Nominated</td><td><a class="footnote-ref" id="fnref:90" href="#fn:90">90</a></td></tr><tr><th scope="row"><a href="/facts/Houston_Film_Critics_Society/MlCuffX4">Houston Film Critics Society</a></th><td><a href="/facts/Houston_Film_Critics_Society_Awards_2022/DmYNxepS">2023</a></td><td>Best Foreign Language Feature</td><td>Decision to Leave</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:91" href="#fn:91">91</a></td></tr><tr><th scope="row"><a href="/facts/Jerusalem_Film_Festival/LM8TfTVG">Jerusalem Film Festival</a></th><td rowspan="14">2022</td><td>Best International Film</td><td>Decision to Leave</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:92" href="#fn:92">92</a></td></tr><tr><th scope="row" rowspan="7"><a href="/facts/Korean_Association_of_Film_Critics_Awards/WNUNhshp">Korean Association of Film Critics Awards</a></th><td>Best Actress</td><td><a href="/facts/Tang_Wei/uBoeJjHJ">Tang Wei</a></td><td>Won</td><td rowspan="7"><a class="footnote-ref" id="fnref:93" href="#fn:93">93</a></td></tr><tr><td>Best Cinematography</td><td>Kim Ji-young</td><td>Won</td></tr><tr><td>Best Director</td><td>Park Chan-wook</td><td>Won</td></tr><tr><td>Best Music</td><td>Jo Yeong-wook</td><td>Won</td></tr><tr><td>Best Picture</td><td>Decision to Leave</td><td>Won</td></tr><tr><td>Best Screenplay</td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, <a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>Won</td></tr><tr><td>Korean Association of Film 10 selections of Kim Hyun-seung</td><td rowspan="2">Decision to Leave</td><td>Won</td></tr><tr><th scope="row" rowspan="5">Korean Film Producers Association Award</th><td>Best Film</td><td>Won</td><td rowspan="5"><a class="footnote-ref" id="fnref:94" href="#fn:94">94</a></td></tr><tr><td>Best Screenplay</td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, <a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>Won</td></tr><tr><td>Best Actress</td><td>Tang Wei</td><td>Won</td></tr><tr><td>Best Supporting Actress</td><td>Kim Shin-young</td><td>Won</td></tr><tr><td>Best Music and light</td><td>Jo Yeong-wook, Shin Sang-yeol</td><td>Won</td></tr><tr><th scope="row">LACMA Art + Film Gala</th><td>Art+Film Gala</td><td>Park Chan-wook</td><td>Won</td><td><a class="footnote-ref" id="fnref:95" href="#fn:95">95</a></td></tr><tr><th rowspan="4" scope="row"><a href="/facts/London_Film_Critics%2527_Circle/NGeHAzAN">London Film Critics' Circle</a></th><td rowspan="4"><a href="/facts/London_Film_Critics_Circle_Awards_2022/XRykysCb">2023</a></td><td><a href="/facts/London_Film_Critics%2527_Circle_Award_for_Director_of_the_Year/7SCRMNWk">Director of the Year</a></td><td>Park Chan-wook</td><td>Nominated</td><td rowspan="4"><a class="footnote-ref" id="fnref:96" href="#fn:96">96</a><a class="footnote-ref" id="fnref:97" href="#fn:97">97</a></td></tr><tr><td><a href="/facts/London_Film_Critics%2527_Circle_Award_for_Film_of_the_Year/MWCKMCCd">Film of the Year</a></td><td rowspan="2">Decision to Leave</td><td>Nominated</td></tr><tr><td><a href="/facts/London_Film_Critics%2527_Circle_Award_for_Foreign_Language_Film_of_the_Year/bsheJ9r3">Foreign Language Film of the Year</a></td><td>Won</td></tr><tr><td><a href="/facts/London_Film_Critics%2527_Circle_Award_for_Technical_Achievement/Ft7Q6gQH">Technical Achievement Award</a></td><td>Kim Ji-yong</td><td>Nominated</td></tr><tr><th scope="row"><a href="/facts/Miskolc_International_Film_Festival/Tb2ERAkC">Miskolc International Film Festival</a></th><td>2022</td><td>Emeric Pressburger Prize</td><td rowspan="2">Decision to Leave</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:98" href="#fn:98">98</a></td></tr><tr><th scope="row"><a href="/facts/National_Board_of_Review/9CdTXwBY">National Board of Review</a></th><td><a href="/facts/National_Board_of_Review_Awards_2022/fz9pRrSj">2022</a></td><td><a href="/facts/National_Board_of_Review%3a_Top_Five_Foreign_Language_Films/JEu2sRXL">Top Five Foreign Language Films</a></td><td>Won</td><td><a class="footnote-ref" id="fnref:99" href="#fn:99">99</a></td></tr><tr><th rowspan="3" scope="row"><a href="/facts/National_Society_of_Film_Critics/Clm9Io7D">National Society of Film Critics</a></th><td rowspan="3"><a href="/facts/2022_National_Society_of_Film_Critics_Awards/3MERbEu8">2023</a></td><td><a href="/facts/National_Society_of_Film_Critics_Award_for_Best_Cinematography/FVMs4ySu">Best Cinematography</a></td><td>Kim Ji-yong</td><td>3rd place</td><td rowspan="3"><a class="footnote-ref" id="fnref:100" href="#fn:100">100</a></td></tr><tr><td><a href="/facts/National_Society_of_Film_Critics_Award_for_Best_Director/CnvkuQd2">Best Director</a></td><td>Park Chan-wook</td><td>Runner-up</td></tr><tr><td><a href="/facts/National_Society_of_Film_Critics_Award_for_Best_Foreign_Language_Film/AP6z6yGb">Best Foreign Language Film</a></td><td>Decision to Leave</td><td>3rd place</td></tr><tr><th scope="row">New Mexico Critics Awards</th><td>2022</td><td>Best Supporting Actress</td><td>Tang Wei</td><td>Won</td><td><a class="footnote-ref" id="fnref:101" href="#fn:101">101</a></td></tr><tr><th scope="row"><a href="/facts/Online_Film_Critics_Society/BrzXsk6J">Online Film Critics Society</a></th><td><a href="/facts/Online_Film_Critics_Society_Awards_2022/aPotQb27">2023</a></td><td><a href="/facts/Online_Film_Critics_Society_Award_for_Best_Foreign_Language_Film/kk9pNjRD">Best Film Not in the English Language</a></td><td rowspan="5">Decision to Leave</td><td>Won</td><td><a class="footnote-ref" id="fnref:102" href="#fn:102">102</a></td></tr><tr><th scope="row"><a href="/facts/Films_from_the_South/yAcgCfnW">Oslo Films from the South Festival</a></th><td>2022</td><td>Silver Mirror</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:103" href="#fn:103">103</a></td></tr><tr><th scope="row"><a href="/facts/Palm_Springs_International_Film_Festival/gQWrgs5t">Palm Springs International Film Festival</a></th><td><a href="/facts/34th_Palm_Springs_International_Film_Festival/YQy05hk3">2023</a></td><td>Best International Feature Film</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:104" href="#fn:104">104</a></td></tr><tr><th scope="row"><a href="/facts/San_Diego_Film_Critics_Society/lTpqQg7V">San Diego Film Critics Society</a></th><td><a href="/facts/San_Diego_Film_Critics_Society_Awards_2022/YqaSfVCT">2023</a></td><td><a href="/facts/San_Diego_Film_Critics_Society_Award_for_Best_Foreign_Language_Film/htvh0u3C">Best International Film</a></td><td>Nominated</td><td><a class="footnote-ref" id="fnref:105" href="#fn:105">105</a></td></tr><tr><th rowspan="2" scope="row"><a href="/facts/San_Francisco_Bay_Area_Film_Critics_Circle/IYaQSNwq">San Francisco Bay Area Film Critics Circle</a></th><td rowspan="2"><a href="/facts/San_Francisco_Bay_Area_Film_Critics_Circle_Awards_2022/jkQ6QooW">2023</a></td><td><a href="/facts/San_Francisco_Bay_Area_Film_Critics_Circle_Award_for_Best_Foreign_Language_Film/QXASwARA">Best International Feature Film</a></td><td>Won</td><td rowspan="2"><a class="footnote-ref" id="fnref:106" href="#fn:106">106</a></td></tr><tr><td><a href="/facts/San_Francisco_Bay_Area_Film_Critics_Circle_Award_for_Best_Cinematography/5H18cb0r">Best Cinematography</a></td><td>Kim Ji-yong</td><td>Nominated</td></tr><tr><th scope="row"><a href="/facts/Satellite_Awards/KyRkoy3a">Satellite Awards</a></th><td><a href="/facts/27th_Satellite_Awards/sx8qHHJu">2022</a></td><td><a href="/facts/Satellite_Award_for_Best_Foreign_Language_Film/odV6LzKm">Best Motion Picture – International</a></td><td>Decision to Leave</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:107" href="#fn:107">107</a></td></tr><tr><th rowspan="5" scope="row"><a href="/facts/Seattle_Film_Critics_Society/7NDvkfYW">Seattle Film Critics Society</a></th><td rowspan="5"><a href="/facts/2022_Seattle_Film_Critics_Society_Awards/8G6rt6wl">2023</a></td><td>Best Cinematography</td><td>Kim Ji-yong</td><td>Nominated</td><td rowspan="5"><a class="footnote-ref" id="fnref:108" href="#fn:108">108</a></td></tr><tr><td>Best Film Editing</td><td><a href="/facts/Kim_Sang-bum_(film_editor)/5F0WxTMT">Kim Sang-bum</a></td><td>Nominated</td></tr><tr><td>Best Film Not in the English Language</td><td rowspan="2">Decision to Leave</td><td>Won</td></tr><tr><td>Best Picture</td><td>Nominated</td></tr><tr><td>Best Screenplay</td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, <a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>Nominated</td></tr><tr><th rowspan="2" scope="row"><a href="/facts/St._Louis_Film_Critics_Association/rNUkvSp9">St. Louis Film Critics Association</a></th><td rowspan="2"><a href="/facts/St._Louis_Film_Critics_Association_Awards_2022/41nz4K88">2022</a></td><td>Best International Film</td><td>Decision to Leave</td><td>Won</td><td rowspan="2"><a class="footnote-ref" id="fnref:109" href="#fn:109">109</a></td></tr><tr><td><a href="/facts/St._Louis_Film_Critics_Association_Award_for_Best_Original_Screenplay/aohL3wfv">Best Original Screenplay</a></td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, <a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>Nominated</td></tr><tr><th scope="row" rowspan="6">Sunset Circle Awards</th><td rowspan="6">2022</td><td>Best Actress</td><td><a href="/facts/Tang_Wei/uBoeJjHJ">Tang Wei</a></td><td>Nominated</td><td rowspan="5"><a class="footnote-ref" id="fnref:110" href="#fn:110">110</a></td></tr><tr><td>Best Director</td><td>Park Chan-wook</td><td>Nominated</td></tr><tr><td>Best Editing</td><td><a href="/facts/Kim_Sang-bum_(film_editor)/5F0WxTMT">Kim Sang-bum</a></td><td>Nominated</td></tr><tr><td>Best Screenplay</td><td><a href="/facts/Park_Chan-wook/6LC4oNbj">Park Chan-wook</a>, <a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>Nominated</td></tr><tr><td>Best Film</td><td rowspan="3">Decision to Leave</td><td>Nominated</td></tr><tr><td>Best International Feature</td><td>Runner-up</td><td><a class="footnote-ref" id="fnref:111" href="#fn:111">111</a></td></tr><tr><th scope="row"><a href="/facts/Toronto_Film_Critics_Association/g2l94ePY">Toronto Film Critics Association</a></th><td><a href="/facts/Toronto_Film_Critics_Association_Awards_2022/VhyelFtU">2023</a></td><td><a href="/facts/Toronto_Film_Critics_Association_Award_for_Best_Foreign_Language_Film/WMnpd0dJ">Best International Feature Film</a></td><td>Runner-up</td><td><a class="footnote-ref" id="fnref:112" href="#fn:112">112</a></td></tr><tr><th scope="row" rowspan="2"><a href="/facts/Valladolid_International_Film_Festival/I719GJU4">Valladolid International Film Festival</a></th><td rowspan="2">2022</td><td>José Salcedo Award for Best Editing</td><td><a href="/facts/Kim_Sang-bum_(film_editor)/5F0WxTMT">Kim Sang-bum</a></td><td>Won</td><td rowspan="2"><a class="footnote-ref" id="fnref:113" href="#fn:113">113</a></td></tr><tr><td>Golden Spike (Best Picture)</td><td rowspan="2">Decision to Leave</td><td>Nominated</td></tr><tr><th scope="row"><a href="/facts/Washington_D.C._Area_Film_Critics_Association/hhSDJrdr">Washington D.C. Area Film Critics Association</a></th><td><a href="/facts/Washington_D.C._Area_Film_Critics_Association_Awards_2022/gQyJWkR0">2022</a></td><td><a href="/facts/Washington_D.C._Area_Film_Critics_Association_Award_for_Best_Foreign_Language_Film/Lkpsm9ua">Best International/Foreign Language Film</a></td><td>Won</td><td><a class="footnote-ref" id="fnref:114" href="#fn:114">114</a></td></tr><tr><th scope="row">Women in Film Korea Festival</th><td>2022</td><td>Best Screenplay</td><td><a href="/facts/Jeong_Seo-kyeong/cRBy403Q">Jeong Seo-kyeong</a></td><td>Won</td><td><a class="footnote-ref" id="fnref:115" href="#fn:115">115</a></td></tr></tbody></table>
<h3>End-of-year lists</h3>
Name of publisher, year listed, name of <a href="/facts/Listicle/GSyFrjtx">listicle</a>, and placement<table><tbody><tr><th scope="col">Publisher</th><th scope="col">Year</th><th scope="col">Listicle</th><th scope="col">Placement</th><th scope="col">Ref.</th></tr><tr><td><a href="/facts/Polygon_(website)/shfk0yXN">Polygon</a></td><td>2022</td><td>The Best Movies of 2022</td><td>2nd</td><td><a class="footnote-ref" id="fnref:116" href="#fn:116">116</a></td></tr><tr><td><a href="/facts/IndieWire/Y1BPJupF">IndieWire</a></td><td>2022</td><td>The 25 Best Movies of 2022</td><td>5th</td><td><a class="footnote-ref" id="fnref:117" href="#fn:117">117</a></td></tr><tr><td><a href="/facts/The_New_York_Times/T9marWVX">The New York Times</a></td><td>2022</td><td>Best Movies of 2022</td><td>8th</td><td><a class="footnote-ref" id="fnref:118" href="#fn:118">118</a></td></tr><tr><td><a href="/facts/The_Guardian/H84wwJYM">The Guardian</a></td><td>2022</td><td>Best Movies of 2022 in the US</td><td>9th</td><td><a class="footnote-ref" id="fnref:119" href="#fn:119">119</a></td></tr><tr><td><a href="/facts/The_Independent/g1P75Mfz">The Independent</a></td><td>2022</td><td>The Best Films of 2022, Ranked</td><td>12th</td><td><a class="footnote-ref" id="fnref:120" href="#fn:120">120</a></td></tr><tr><td><a href="/facts/Empire_(magazine)/KhGMQFVh">Empire</a></td><td>2022</td><td>The Best Movies of 2022</td><td>17th</td><td><a class="footnote-ref" id="fnref:121" href="#fn:121">121</a></td></tr><tr><td><a href="/facts/The_Hollywood_Reporter/XUWEdhES">The Hollywood Reporter</a></td><td>2022</td><td>Critics Pick the Best Films of 2022</td><td>2nd</td><td><a class="footnote-ref" id="fnref:122" href="#fn:122">122</a></td></tr></tbody></table>
<h2 id="see-also">See also</h2>
<ul><li><a href="/facts/List_of_submissions_to_the_95th_Academy_Awards_for_Best_International_Feature_Film/8m2MFJw0">List of submissions to the 95th Academy Awards for Best International Feature Film</a></li>
<li><a href="/facts/List_of_South_Korean_submissions_for_the_Academy_Award_for_Best_International_Feature_Film/HnvU9zcK">List of South Korean submissions for the Academy Award for Best International Feature Film</a></li></ul>

<h2 id="external-links">External links</h2>
<ul><li><a href="https://www.imdb.com/title/tt12477480/">Decision to Leave</a> at <a href="/facts/IMDb_(identifier)/uWrqVYVy">IMDb</a> </li>
<li><a href="https://www.kmdb.or.kr/db/kor/detail/movie/K/28865">Decision to Leave</a> at the <a href="/facts/Korean_Movie_Database/33H1nq9L">Korean Movie Database</a> (in Korean) </li>
<li><a href="https://www.hancinema.net/korean_movie_Decision_to_Leave.php">Decision to Leave</a> at <a href="/facts/HanCinema/YPC55Fnt">HanCinema</a> </li>
<li><a href="http://movie.naver.com/movie/bi/mi/basic.nhn?code=198413">Decision to Leave</a> at <a href="/facts/Naver/LSuHIzQj">Naver Movies</a></li></ul>

<h2 id="references">References</h2>

<ol>
<li id="fn:1">Frater, Patrick (13 October 2020). "Park Chan-wook Set to Start Shooting Next Movie 'Decision to Leave'". Variety. Archived from the original on 3 March 2021. Retrieved 21 March 2021. <a href="https://variety.com/2020/film/asia/park-chan-wook-to-shoot-decision-to-leave-1234802471/" target="_blank">https://variety.com/2020/film/asia/park-chan-wook-to-shoot-decision-to-leave-1234802471/</a> <a href="#fnref:1" class="footnote-back-ref">↩</a></li>
<li id="fn:2">"The films of the Official Selection 2022 – Festival de Cannes". Cannes Film Festival. 14 April 2022. Archived from the original on 16 August 2022. Retrieved 28 May 2022. <a href="https://www.festival-cannes.com/en/infos-communiques/communique/articles/the-films-of-the-official-selection-2022" target="_blank">https://www.festival-cannes.com/en/infos-communiques/communique/articles/the-films-of-the-official-selection-2022</a> <a href="#fnref:2" class="footnote-back-ref">↩</a></li>
<li id="fn:3">"David Cronenberg, Park Chan-wook, Kelly Reichardt Set for Cannes Competition". Hollywood Reporter. 14 April 2022. Archived from the original on 15 May 2022. Retrieved 14 April 2022. <a href="https://www.hollywoodreporter.com/movies/movie-news/2022-cannes-lineup-film-festival-1235128080/" target="_blank">https://www.hollywoodreporter.com/movies/movie-news/2022-cannes-lineup-film-festival-1235128080/</a> <a href="#fnref:3" class="footnote-back-ref">↩</a></li>
<li id="fn:4">Tartaglione, Nancy (28 May 2022). "Cannes Film Festival Winners Announced – Live". Deadline Hollywood. Archived from the original on 28 May 2022. Retrieved 28 May 2022. <a href="https://deadline.com/2022/05/cannes-film-festival-2022-winners-full-list-1235035036/" target="_blank">https://deadline.com/2022/05/cannes-film-festival-2022-winners-full-list-1235035036/</a> <a href="#fnref:4" class="footnote-back-ref">↩</a></li>
<li id="fn:5">Jung Yu-jin (29 June 2022). '헤어질 결심', 반짝이는 박찬욱의 클래식 로맨스 [시네마 프리뷰] ['Decision to break up', Shining Park Chan-wook's classic romance [Cinema Preview]]. News 1 (in Korean). Naver. Archived from the original on 29 June 2022. Retrieved 29 June 2022. <a href="'헤어질 결심', 반짝이는 박찬욱의 클래식 로맨스 [시네마 프리뷰]" target="_blank">'헤어질 결심', 반짝이는 박찬욱의 클래식 로맨스 [시네마 프리뷰]</a> <a href="#fnref:5" class="footnote-back-ref">↩</a></li>
<li id="fn:6">O'Rourke, Ryan (14 June 2022). "'Decision to Leave': Park Chan-wook's Award-Winning Drama Sets Fall Release Date in US". Collider. Retrieved 23 November 2023. <a href="https://collider.com/decision-to-leave-release-date-park-chan-wook/" target="_blank">https://collider.com/decision-to-leave-release-date-park-chan-wook/</a> <a href="#fnref:6" class="footnote-back-ref">↩</a></li>
<li id="fn:7">Mantilla, Ryan Louis (21 November 2022). "Park Chan-Wook's 'Decision to Leave' Sets Digital, Blu-Ray & DVD Release Dates". Collider. Retrieved 23 November 2023. <a href="https://collider.com/decision-to-leave-digital-blu-ray-dvd-release-dates/" target="_blank">https://collider.com/decision-to-leave-digital-blu-ray-dvd-release-dates/</a> <a href="#fnref:7" class="footnote-back-ref">↩</a></li>
<li id="fn:8">Wiseman, Andreas (10 February 2023). "Park Chan-wook's 'Decision To Leave' Scores U.S. Streaming Record For Mubi Ahead Of Stateside & UK Re-Release". Deadline. Retrieved 23 November 2023. <a href="https://deadline.com/2023/02/park-chan-wook-decision-leave-mubi-most-streamed-record-1235255651/" target="_blank">https://deadline.com/2023/02/park-chan-wook-decision-leave-mubi-most-streamed-record-1235255651/</a> <a href="#fnref:8" class="footnote-back-ref">↩</a></li>
<li id="fn:9">"NATIONAL BOARD OF REVIEW ANNOUNCES 2022 AWARD WINNERS". National Board of Review. December 2022. Archived from the original on 9 December 2022. Retrieved 27 December 2022. <a href="https://nationalboardofreview.org/2022/12/national-board-of-review-announces-2022-award-winners/" target="_blank">https://nationalboardofreview.org/2022/12/national-board-of-review-announces-2022-award-winners/</a> <a href="#fnref:9" class="footnote-back-ref">↩</a></li>
<li id="fn:10">제95회 아카데미영화상 국제장편영화 부문 한국영화 출품작 선정결과. KOFIC. 11 August 2022. Archived from the original on 11 August 2022. Retrieved 11 August 2022. <a href="제95회 아카데미영화상 국제장편영화 부문 한국영화 출품작 선정결과" target="_blank">제95회 아카데미영화상 국제장편영화 부문 한국영화 출품작 선정결과</a> <a href="#fnref:10" class="footnote-back-ref">↩</a></li>
<li id="fn:11">"95th Oscars Shortlists Announced for 10 Categories". Oscars. 21 December 2022. Archived from the original on 22 December 2022. Retrieved 22 December 2022. <a href="https://aframe.oscars.org/news/post/2023-oscars-shortlists" target="_blank">https://aframe.oscars.org/news/post/2023-oscars-shortlists</a> <a href="#fnref:11" class="footnote-back-ref">↩</a></li>
<li id="fn:12">Jo, Yeon-kyung (24 May 2022). 마침내 공개된 박찬욱표 新멜로…칸 녹인 '헤어질결심' 8분 기립박수 [Park Chan-wook's new melodrama finally revealed... Khan's 'decision to break up' 8-minute standing ovation] (in Korean). JTBC. Archived from the original on 24 May 2022. Retrieved 24 May 2022 – via Naver. <a href="마침내 공개된 박찬욱표 新멜로…칸 녹인 '헤어질결심' 8분 기립박수" target="_blank">마침내 공개된 박찬욱표 新멜로…칸 녹인 '헤어질결심' 8분 기립박수</a> <a href="#fnref:12" class="footnote-back-ref">↩</a></li>
<li id="fn:13">Yoo, Byung-chul (30 May 2022). 정이서, 영화 '헤어질 결심'으로 스크린 복귀…박해일X고경표와 호흡 [Jeong Yi-seo returns to the screen with the movie 'Decision to break up'... Breathing with Haeil Park and Kyungpyo Go] (in Korean). Korea Economy TV. Archived from the original on 30 May 2022. Retrieved 30 May 2022 – via Naver. <a href="정이서, 영화 '헤어질 결심'으로 스크린 복귀…박해일X고경표와 호흡" target="_blank">정이서, 영화 '헤어질 결심'으로 스크린 복귀…박해일X고경표와 호흡</a> <a href="#fnref:13" class="footnote-back-ref">↩</a></li>
<li id="fn:14">Film Directory. Decision to Leave (2022) Archived 16 August 2022 at the Wayback Machine Retrieved 10 March 2023. <a href="https://www.koreanfilm.or.kr/eng/films/index/filmsView.jsp?movieCd=20209654" target="_blank">https://www.koreanfilm.or.kr/eng/films/index/filmsView.jsp?movieCd=20209654</a> <a href="#fnref:14" class="footnote-back-ref">↩</a></li>
<li id="fn:15">Jeong, Hee-yeon (5 July 2022). 헤어질 결심'에 유태오 나옵니다 [Yoo Tae-oh appears in 'Decision to break up] (in Korean). Sports Donga. Archived from the original on 5 July 2022. Retrieved 5 July 2022 – via Naver. <a href="헤어질 결심'에 유태오 나옵니다" target="_blank">헤어질 결심'에 유태오 나옵니다</a> <a href="#fnref:15" class="footnote-back-ref">↩</a></li>
<li id="fn:16">Jo, Yeon-kyung (24 May 2022). 마침내 공개된 박찬욱표 新멜로…칸 녹인 '헤어질결심' 8분 기립박수 [Park Chan-wook's new melodrama finally revealed... Khan's 'decision to break up' 8-minute standing ovation] (in Korean). JTBC. Archived from the original on 24 May 2022. Retrieved 24 May 2022 – via Naver. <a href="마침내 공개된 박찬욱표 新멜로…칸 녹인 '헤어질결심' 8분 기립박수" target="_blank">마침내 공개된 박찬욱표 新멜로…칸 녹인 '헤어질결심' 8분 기립박수</a> <a href="#fnref:16" class="footnote-back-ref">↩</a></li>
<li id="fn:17">Jo, Yeon-kyung (24 May 2022). 마침내 공개된 박찬욱표 新멜로…칸 녹인 '헤어질결심' 8분 기립박수 [Park Chan-wook's new melodrama finally revealed... Khan's 'decision to break up' 8-minute standing ovation] (in Korean). JTBC. Archived from the original on 24 May 2022. Retrieved 24 May 2022 – via Naver. <a href="마침내 공개된 박찬욱표 新멜로…칸 녹인 '헤어질결심' 8분 기립박수" target="_blank">마침내 공개된 박찬욱표 新멜로…칸 녹인 '헤어질결심' 8분 기립박수</a> <a href="#fnref:17" class="footnote-back-ref">↩</a></li>
<li id="fn:18">Jo, Yeon-kyung (24 May 2022). 마침내 공개된 박찬욱표 新멜로…칸 녹인 '헤어질결심' 8분 기립박수 [Park Chan-wook's new melodrama finally revealed... Khan's 'decision to break up' 8-minute standing ovation] (in Korean). JTBC. Archived from the original on 24 May 2022. Retrieved 24 May 2022 – via Naver. <a href="마침내 공개된 박찬욱표 新멜로…칸 녹인 '헤어질결심' 8분 기립박수" target="_blank">마침내 공개된 박찬욱표 新멜로…칸 녹인 '헤어질결심' 8분 기립박수</a> <a href="#fnref:18" class="footnote-back-ref">↩</a></li>
<li id="fn:19">Jo, Yeon-kyung (24 May 2022). 마침내 공개된 박찬욱표 新멜로…칸 녹인 '헤어질결심' 8분 기립박수 [Park Chan-wook's new melodrama finally revealed... Khan's 'decision to break up' 8-minute standing ovation] (in Korean). JTBC. Archived from the original on 24 May 2022. Retrieved 24 May 2022 – via Naver. <a href="마침내 공개된 박찬욱표 新멜로…칸 녹인 '헤어질결심' 8분 기립박수" target="_blank">마침내 공개된 박찬욱표 新멜로…칸 녹인 '헤어질결심' 8분 기립박수</a> <a href="#fnref:19" class="footnote-back-ref">↩</a></li>
<li id="fn:20">Jeong, Hee-yeon (5 July 2022). 헤어질 결심'에 유태오 나옵니다 [Yoo Tae-oh appears in 'Decision to break up] (in Korean). Sports Donga. Archived from the original on 5 July 2022. Retrieved 5 July 2022 – via Naver. <a href="헤어질 결심'에 유태오 나옵니다" target="_blank">헤어질 결심'에 유태오 나옵니다</a> <a href="#fnref:20" class="footnote-back-ref">↩</a></li>
<li id="fn:21">Jeong, Hee-yeon (5 July 2022). 헤어질 결심'에 유태오 나옵니다 [Yoo Tae-oh appears in 'Decision to break up] (in Korean). Sports Donga. Archived from the original on 5 July 2022. Retrieved 5 July 2022 – via Naver. <a href="헤어질 결심'에 유태오 나옵니다" target="_blank">헤어질 결심'에 유태오 나옵니다</a> <a href="#fnref:21" class="footnote-back-ref">↩</a></li>
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<li id="fn:36">"KOFIC, KOBIS (Korean Box Office Information System) Box office: Decision To Leave (2022)". KOFIC. Archived from the original on 21 June 2022. Retrieved 29 June 2022. <a href="http://www.koreanfilm.or.kr/eng/films/index/filmsView.jsp?movieCd=20209654" target="_blank">http://www.koreanfilm.or.kr/eng/films/index/filmsView.jsp?movieCd=20209654</a> <a href="#fnref:36" class="footnote-back-ref">↩</a></li>
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<li id="fn:38">Park Seol-i (30 June 2022). '헤어질 결심', 개봉 첫날 韓 영화 박스오피스 1위 등극 [공식] ['The Decision to Break Up' topped the Korean movie box office on the first day of release [Official]]. TV Report (in Korean). Naver. Archived from the original on 30 June 2022. Retrieved 30 June 2022. <a href="'헤어질 결심', 개봉 첫날 韓 영화 박스오피스 1위 등극 [공식]" target="_blank">'헤어질 결심', 개봉 첫날 韓 영화 박스오피스 1위 등극 [공식]</a> <a href="#fnref:38" class="footnote-back-ref">↩</a></li>
<li id="fn:39">Kim Kye-yeon (13 July 2022). '헤어질 결심' 개봉 2주만에 관객수 100만명 넘겨 ['Decision to Leave' surpassed 1 million viewers in 2 weeks of release]. Yonhap News Agency (in Korean). Archived from the original on 13 July 2022. Retrieved 13 July 2022. <a href="'헤어질 결심' 개봉 2주만에 관객수 100만명 넘겨" target="_blank">'헤어질 결심' 개봉 2주만에 관객수 100만명 넘겨</a> <a href="#fnref:39" class="footnote-back-ref">↩</a></li>
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<li id="fn:41">"Decision to Leave". Rotten Tomatoes. Archived from the original on 14 October 2022. Retrieved 11 March 2023. <a href="https://www.rottentomatoes.com/m/decision_to_leave" target="_blank">https://www.rottentomatoes.com/m/decision_to_leave</a> <a href="#fnref:41" class="footnote-back-ref">↩</a></li>
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<li id="fn:44">Peter Howell (26 May 2022). "Here are the top 10 films at Cannes 2022". Toronto Star. Archived from the original on 5 June 2022. Retrieved 29 June 2022. <a href="https://www.thestar.com/entertainment/movies/2022/05/26/here-are-the-top-10-films-at-cannes-2022.html" target="_blank">https://www.thestar.com/entertainment/movies/2022/05/26/here-are-the-top-10-films-at-cannes-2022.html</a> <a href="#fnref:44" class="footnote-back-ref">↩</a></li>
<li id="fn:45">Rafael Motamayor (28 May 2022). "Decision To Leave Review: Park Chan-Wook Directs The Hell Out Of A Romantic Mystery [Cannes]". Slashfilm. Archived from the original on 29 June 2022. Retrieved 29 June 2022. <a href="https://www.slashfilm.com/872714/decision-to-leave-review-park-chan-wook-directs-the-hell-out-of-a-romantic-mystery-cannes/" target="_blank">https://www.slashfilm.com/872714/decision-to-leave-review-park-chan-wook-directs-the-hell-out-of-a-romantic-mystery-cannes/</a> <a href="#fnref:45" class="footnote-back-ref">↩</a></li>
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<li id="fn:47">"Decision to Leave review – Park Chan-wook at his playful, slinky best". the Guardian. 22 October 2022. Archived from the original on 25 January 2023. Retrieved 25 January 2023. <a href="https://www.theguardian.com/film/2022/oct/22/decision-to-leave-review-park-chan-wook-at-his-playful-slinky-best" target="_blank">https://www.theguardian.com/film/2022/oct/22/decision-to-leave-review-park-chan-wook-at-his-playful-slinky-best</a> <a href="#fnref:47" class="footnote-back-ref">↩</a></li>
<li id="fn:48">MUBI (13 January 2023). DECISION TO LEAVE | Park Chan-wook and Bong Joon Ho Q&A | MUBI. Retrieved 8 July 2024 – via YouTube. <a href="https://www.youtube.com/watch?v=fdwlJk6PkSA" target="_blank">https://www.youtube.com/watch?v=fdwlJk6PkSA</a> <a href="#fnref:48" class="footnote-back-ref">↩</a></li>
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<li id="fn:58">Oh Seung-hyun (7 April 2023). '더 글로리'·'우영우' 박 터졌네…59회 백상예술대상 후보 공개 ['The Glory' and 'Woo Young-woo' exploded... Candidates for the 59th Baeksang Arts Awards revealed] (in Korean). Xports News. Archived from the original on 9 April 2023. Retrieved 7 April 2023 – via Naver. <a href="'더 글로리'·'우영우' 박 터졌네…59회 백상예술대상 후보 공개" target="_blank">'더 글로리'·'우영우' 박 터졌네…59회 백상예술대상 후보 공개</a> <a href="#fnref:58" class="footnote-back-ref">↩</a></li>
<li id="fn:59">Park Soo-in (29 April 2023). '헤어질 결심' 대상→더 글로리' 3관왕, 이변 없는 수상[백상예술대상①] ['Decision to break up' Daesang→The Glory' 3 crowns, no surprises [Baeksang Arts Awards ①]] (in Korean). Newsen. Archived from the original on 12 November 2020. Retrieved 29 April 2023 – via Naver. <a href="'헤어질 결심' 대상→더 글로리' 3관왕, 이변 없는 수상[백상예술대상①]" target="_blank">'헤어질 결심' 대상→더 글로리' 3관왕, 이변 없는 수상[백상예술대상①]</a> <a href="#fnref:59" class="footnote-back-ref">↩</a></li>
<li id="fn:60">Yang Yu-jin (25 November 2022). '헤어질 결심', 청룡 휩쓸었다…박해일X탕웨이 주연상→작품상까지 6관왕 영예 [종합] [Decision to break up', Blue Dragon swept... Park Hae-il X Tang Wei Actor Award → Best Picture Award, 6 crowns [Comprehensive]]. My Daily (in Korean). Archived from the original on 25 November 2022. Retrieved 25 November 2022 – via Naver. <a href="'헤어질 결심', 청룡 휩쓸었다…박해일X탕웨이 주연상→작품상까지 6관왕 영예 [종합]" target="_blank">'헤어질 결심', 청룡 휩쓸었다…박해일X탕웨이 주연상→작품상까지 6관왕 영예 [종합]</a> <a href="#fnref:60" class="footnote-back-ref">↩</a></li>
<li id="fn:61">43회 청룡영화상 후보 발표, 박찬욱 감독 '헤어질 결심' 13개 부문 최다 노미네이트 [Nominations announced at the 43rd Blue Dragon Film Awards, Director Park Chan-wook's 'Decision to break up' received the most nominations in 13 categories]. KBS Star (in Korean). Naver. 8 November 2022. Archived from the original on 8 November 2022. Retrieved 9 November 2022. <a href="43회 청룡영화상 후보 발표, 박찬욱 감독 '헤어질 결심' 13개 부문 최다 노미네이트" target="_blank">43회 청룡영화상 후보 발표, 박찬욱 감독 '헤어질 결심' 13개 부문 최다 노미네이트</a> <a href="#fnref:61" class="footnote-back-ref">↩</a></li>
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<li id="fn:65">Ntim, Zac (4 November 2022). "British Independent Film Awards: 'Aftersun,' 'Blue Jean' & 'The Wonder' Lead Nominations". Deadline. Archived from the original on 4 November 2022. Retrieved 4 November 2022. <a href="https://deadline.com/2022/11/british-independent-film-awards-aftersun-blue-jean-lead-nominations-1235163320/" target="_blank">https://deadline.com/2022/11/british-independent-film-awards-aftersun-blue-jean-lead-nominations-1235163320/</a> <a href="#fnref:65" class="footnote-back-ref">↩</a></li>
<li id="fn:66">Kim, Na-ra (6 October 2022). 헤어질 결심' 박해일X탕웨이, 男女주연상→'월드 ★' 이정재, 신인 감독상 수상 [2022 부일영화상](종합) [Decision to break up' Park Hae-il X Tang Wei, Best Leading Actress → 'World ★' Lee Jung-jae, Rookie Director Award [2022 Buil Film Awards] (Comprehensive)]. My Daily (in Korean). Archived from the original on 6 October 2022. Retrieved 6 October 2022 – via Naver. <a href="헤어질 결심' 박해일X탕웨이, 男女주연상→'월드 ★' 이정재, 신인 감독상 수상 [2022 부일영화상](종합)" target="_blank">헤어질 결심' 박해일X탕웨이, 男女주연상→'월드 ★' 이정재, 신인 감독상 수상 [2022 부일영화상](종합)</a> <a href="#fnref:66" class="footnote-back-ref">↩</a></li>
<li id="fn:67">Nam, Yoo-jung (28 August 2022). 헤어질 결심 브로커 둘 다 8개 부문 후보 올라 [Decision to break up and Broker both nominated for 8 categories] (in Korean). Busan Ilbo. Archived from the original on 28 August 2022. Retrieved 28 August 2022 – via Naver. <a href="헤어질 결심 브로커 둘 다 8개 부문 후보 올라" target="_blank">헤어질 결심 브로커 둘 다 8개 부문 후보 올라</a> <a href="#fnref:67" class="footnote-back-ref">↩</a></li>
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<li id="fn:72">Kim, Jeong-jin (30 September 2022). '헤어질 결심', 춘사국제영화제서 감독상 등 3관 ['Decision to Leave' wins 3 awards including Best Director at Chunsa International Film Festival] (in Korean). k-odyssey. Archived from the original on 30 September 2022. Retrieved 30 September 2022. <a href="'헤어질 결심', 춘사국제영화제서 감독상 등 3관" target="_blank">'헤어질 결심', 춘사국제영화제서 감독상 등 3관</a> <a href="#fnref:72" class="footnote-back-ref">↩</a></li>
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</ol>

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