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Rebecca Miller
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<h2 id="early-life-and-education">Early life and education</h2> <p>Miller was born in <a href="/facts/Roxbury,_Connecticut/slfsVdVg">Roxbury, Connecticut</a>, to <a href="/facts/Arthur_Miller/LD0W7FFA">Arthur Miller</a>, the dramatist, and Austrian-born <a href="/facts/Inge_Morath/GFFYH7su">Inge Morath</a>, a photographer. Her younger brother, Daniel, was born in 1966. Her father was <a href="/facts/Jewish/T9Y4wE6A">Jewish</a>,<a class="footnote-ref" id="fnref:1" href="#fn:1"><sup>1</sup></a><a class="footnote-ref" id="fnref:2" href="#fn:2"><sup>2</sup></a><a class="footnote-ref" id="fnref:3" href="#fn:3"><sup>3</sup></a><a class="footnote-ref" id="fnref:4" href="#fn:4"><sup>4</sup></a> whereas her mother was <a href="/facts/Protestant/NXja4K3g">Protestant</a>.<a class="footnote-ref" id="fnref:5" href="#fn:5"><sup>5</sup></a><a class="footnote-ref" id="fnref:6" href="#fn:6"><sup>6</sup></a><a class="footnote-ref" id="fnref:7" href="#fn:7"><sup>7</sup></a> For a time during childhood, Miller practiced Catholicism of her own accord.<a class="footnote-ref" id="fnref:8" href="#fn:8"><sup>8</sup></a><a class="footnote-ref" id="fnref:9" href="#fn:9"><sup>9</sup></a> Her maternal grandparents themselves were Catholic converts to Protestantism.<a class="footnote-ref" id="fnref:10" href="#fn:10"><sup>10</sup></a> She has said that she stopped thinking of herself as a Christian "somewhere at the end of college".<a class="footnote-ref" id="fnref:11" href="#fn:11"><sup>11</sup></a> Miller remembered her childhood in Roxbury as being surrounded by artists. Sculptor <a href="/facts/Alexander_Calder/AzVBmLlu">Alexander Calder</a> was a neighbor; so were choreographer <a href="/facts/Martha_Clarke/ErchrvCg">Martha Clarke</a> and members of the experimental dance troupe <a href="/facts/Pilobolus_(dance_company)/uhrxHAcm">Pilobolus</a>.<a class="footnote-ref" id="fnref:12" href="#fn:12"><sup>12</sup></a> Immersed in drawing, Miller was tutored by another neighbor, sculptor <a href="/facts/Philip_Grausman/3ct6q2cQ">Philip Grausman</a>.<a class="footnote-ref" id="fnref:13" href="#fn:13"><sup>13</sup></a> </p><p>Miller attended <a href="/facts/Choate_Rosemary_Hall/T4Fg70om">Choate Rosemary Hall</a>. In 1980, she entered <a href="/facts/Yale_University/KUdS6jt1">Yale University</a> to study painting and literature. <a href="/facts/Naomi_Wolf/KwbInX5f">Naomi Wolf</a>, the feminist author, was her roommate.<a class="footnote-ref" id="fnref:14" href="#fn:14"><sup>14</sup></a> Miller created wooden panel triptychs she described as hybrids of pictographic forms inspired, for example, by <a href="/facts/Paul_Klee/KPwSDnzn">Paul Klee</a> and a 15th-century altarpiece. Upon graduation in 1985, Miller went abroad on a fellowship, to <a href="/facts/Munich,_Germany/Pr6zw2ev">Munich, Germany</a>. </p><p>In 1987, Miller took up residence in New York City, and she showed painting and sculpture at <a href="/facts/Leo_Castelli_Gallery/sGkbaUW8">Leo Castelli Gallery</a>, Victoria Munroe Gallery, and in <a href="/facts/Connecticut/LeDhYdJG">Connecticut</a>.<a class="footnote-ref" id="fnref:15" href="#fn:15"><sup>15</sup></a> Miller also studied film at <a href="/facts/The_New_School/5X1Xqzbv">The New School</a>. Mentored by professor <a href="/facts/Arnold_S._Eagle/uvSkBoWR">Arnold S. Eagle</a>, a photographer and cinematographer, Miller began making non-verbal films, which she exhibited along with her artwork.<a class="footnote-ref" id="fnref:16" href="#fn:16"><sup>16</sup></a> </p> <h2 id="career">Career</h2> <h3>1988–1994</h3> <p>In 1988, Miller was cast in the role of Anya in the <a href="/facts/Peter_Brook/BfJ7bT9B">Peter Brook</a>'s adaptation of <a href="/facts/Chekhov/lyTc2YcI">Chekhov</a>'s <i><a href="/facts/The_Cherry_Orchard/rPvsrbu9">The Cherry Orchard</a></i>, her first stage role. She originated the part of Lili in <i><a href="/facts/The_American_Plan/DxChzdGW">The American Plan</a></i>.<a class="footnote-ref" id="fnref:17" href="#fn:17"><sup>17</sup></a><a class="footnote-ref" id="fnref:18" href="#fn:18"><sup>18</sup></a><a class="footnote-ref" id="fnref:19" href="#fn:19"><sup>19</sup></a> Throughout, Miller gravitated toward her role as an independent filmmaker/director. Miller began her acting career with directors <a href="/facts/Alan_Pakula/gElrCtDP">Alan Pakula</a>, <a href="/facts/Paul_Mazursky/FhV4LQ6d">Paul Mazursky</a>, and <a href="/facts/Mike_Nichols/8wIPISlA">Mike Nichols</a>. She played the female lead in <a href="/facts/NBC/zyfTYCvW">NBC</a>'s television movie <i><a href="/facts/The_Murder_of_Mary_Phagan/E0vw0uPv">The Murder of Mary Phagan</a>,</i> and supporting roles in <a href="/facts/Feature_film/v115s81Q">feature films</a>, including <i><a href="/facts/Regarding_Henry/8Wv4BvVD">Regarding Henry</a></i> (1991), <i><a href="/facts/Consenting_Adults_(1992_film)/8eaVCqsS">Consenting Adults</a></i> (1992), and <i><a href="/facts/Wind_(1992_film)/069V01af">Wind</a></i> (1992). </p><p>In 1991, Miller wrote and directed a short film <i>Florence</i>, starring actress <a href="/facts/Marcia_Gay_Harden/H6rw86Ck">Marcia Gay Harden</a>, about a precociously empathetic woman who acquires the symptoms from others; eventually "catching" a neighbor's amnesia, she forgets her own identity.<a class="footnote-ref" id="fnref:20" href="#fn:20"><sup>20</sup></a><a class="footnote-ref" id="fnref:21" href="#fn:21"><sup>21</sup></a> <i>Florence</i> caught the attention of <a href="/facts/Ensemble_Theatre_Cincinnati/YNIeMuy3">Ensemble Theatre Cincinnati</a>, and Miller was invited to direct a revival of Arthur Miller's <i><a href="/facts/After_the_Fall_(play)/q7xEJrC7">After the Fall</a></i>. She also directed <a href="/facts/Nicole_Burdette/LHFmtT78">Nicole Burdette</a>'s play <i>The Bluebird Special Came Through Here.</i><a class="footnote-ref" id="fnref:22" href="#fn:22"><sup>22</sup></a> </p><p>Miller is a novelist, director, independent filmmaker, and advocate of women in the film industry.<a class="footnote-ref" id="fnref:23" href="#fn:23"><sup>23</sup></a><a class="footnote-ref" id="fnref:24" href="#fn:24"><sup>24</sup></a><a class="footnote-ref" id="fnref:25" href="#fn:25"><sup>25</sup></a> She was featured in the 2003 <a href="/facts/IFC_Films/3Iq0b8UX">IFC Films</a> documentary <i>In The Company of Women</i>,<a class="footnote-ref" id="fnref:26" href="#fn:26"><sup>26</sup></a> directed by Lesli Klainberg and Gini Reticker.<a class="footnote-ref" id="fnref:27" href="#fn:27"><sup>27</sup></a> </p> <h3>1995–2009</h3> <p>Miller wrote and directed her first film, <i><a href="/facts/Angela_(1995_film)/Kdr4X4N3">Angela</a></i>, in 1995. It is the story of 10-year-old Angela's attempt to purge her soul of sin in order to cure her mentally ill mother.<a class="footnote-ref" id="fnref:28" href="#fn:28"><sup>28</sup></a><a class="footnote-ref" id="fnref:29" href="#fn:29"><sup>29</sup></a> The film premiered at Philadelphia Festival of World Cinema, and screened at <a href="/facts/Sundance_Film_Festival/30mSTkES">Sundance Film Festival</a>. For <i><a href="/facts/Angela_(1995_film)/Kdr4X4N3">Angela</a></i>, Miller received the <a href="/facts/Independent_Feature_Project/UCu1t7sJ">Independent Feature Project</a>'s <a href="/facts/Gotham_Independent_Film_Award_for_Breakthrough_Director/xMpgkE1D">Open Palm Award</a>,<a class="footnote-ref" id="fnref:30" href="#fn:30"><sup>30</sup></a> and the <a href="/facts/Sundance_Film_Festival/30mSTkES">Sundance Film Festival</a> Filmmaker Trophy from her peers.<a class="footnote-ref" id="fnref:31" href="#fn:31"><sup>31</sup></a> The film's cinematographer <a href="/facts/Ellen_Kuras/4566tCxT">Ellen Kuras</a> was also honored at Sundance and the <a href="/facts/Brussels_International_Festival_of_Fantasy_Film/lljaD02e">Brussels International Festival of Fantasy Film</a>.<a class="footnote-ref" id="fnref:32" href="#fn:32"><sup>32</sup></a><a class="footnote-ref" id="fnref:33" href="#fn:33"><sup>33</sup></a> </p> <p>Miller's collection of prose portraits of women, <i>Personal Velocity</i>, was awarded <i><a href="/facts/The_Washington_Post/dRvzvqJc">The Washington Post</a></i> Best Book of 2001. <i>Personal Velocity</i> was adapted by Miller for her 2002 award-winning feature film by the same name.<a class="footnote-ref" id="fnref:34" href="#fn:34"><sup>34</sup></a><a class="footnote-ref" id="fnref:35" href="#fn:35"><sup>35</sup></a> She adapted three short stories into a screenplay of three different, although thematically unified short films, which Miller then directed.<a class="footnote-ref" id="fnref:36" href="#fn:36"><sup>36</sup></a><a class="footnote-ref" id="fnref:37" href="#fn:37"><sup>37</sup></a> Each film explores personal transformation in response to life-changing circumstances.<a class="footnote-ref" id="fnref:38" href="#fn:38"><sup>38</sup></a> Miller credits the poet <a href="/facts/Honor_Moore/l11uPEld">Honor Moore</a> for help to "bridge the gap between being a writer of scripts and fiction."<a class="footnote-ref" id="fnref:39" href="#fn:39"><sup>39</sup></a> <i><a href="/facts/Personal_Velocity:_Three_Portraits/rGppRA1C">Personal Velocity: Three Portraits</a></i> screened at <a href="/facts/Tribeca_Film_Festival/X3VDTQAc">Tribeca Film Festival</a>, the <a href="/facts/High_Falls_Film_Festival/7xuUdFee">High Falls Film Festival</a>, and the film was successfully released through <a href="/facts/United_Artists/4cSJnjrI">United Artists</a>.<a class="footnote-ref" id="fnref:40" href="#fn:40"><sup>40</sup></a><a class="footnote-ref" id="fnref:41" href="#fn:41"><sup>41</sup></a> The film earned critical praise from <i><a href="/facts/The_New_York_Times/T9marWVX">The New York Times</a></i> as "the work of a talented and highly visual writer."<a class="footnote-ref" id="fnref:42" href="#fn:42"><sup>42</sup></a> For <i>Personal Velocity</i>, Miller received the <a href="/facts/Sundance_Film_Festival/30mSTkES">Sundance Film Festival</a> Grand Jury Prize and the <a href="/facts/Independent_Spirit_John_Cassavetes_Award/d50y2Hnk">Independent Spirit John Cassavetes Award</a> in 2002, and the <a href="/facts/National_Board_of_Review/9CdTXwBY">National Board of Review</a> of Motion Pictures Special Recognition for Excellence in Filmmaking in 2003. Cinematographer <a href="/facts/Ellen_Kuras/4566tCxT">Ellen Kuras</a> received the Excellence in Cinematography Award at Sundance.<a class="footnote-ref" id="fnref:43" href="#fn:43"><sup>43</sup></a> <i>Personal Velocity: Three Portraits</i> is part of the permanent collection of the <a href="/facts/Museum_of_Modern_Art/75lxKjfj">Museum of Modern Art</a> in <a href="/facts/New_York_City/YlyvFmVC">New York City</a>.<a class="footnote-ref" id="fnref:44" href="#fn:44"><sup>44</sup></a> </p><p>In 2003, Miller wrote and illustrated <i>A Woman Who.</i><a class="footnote-ref" id="fnref:45" href="#fn:45"><sup>45</sup></a> The book is a collection of images of women, in a variety of scenes, each drawn by Miller with her eyes closed. Miller wrote the screenplay for the <a href="/facts/Proof_(2005_film)/sjl12GyI">2005 film adaptation</a> of <a href="/facts/David_Auburn/9RFfWFBh">David Auburn</a>'s <a href="/facts/Pulitzer_Prize/wD4PN6Xs">Pulitzer Prize</a>-winning play <i><a href="/facts/Proof_(play)/B84crlQD">Proof</a></i>.<a class="footnote-ref" id="fnref:46" href="#fn:46"><sup>46</sup></a> The film was directed by <a href="/facts/John_Madden_(director)/Bq9q35Yy">John Madden</a>, and stars <a href="/facts/Gwyneth_Paltrow/wqTXxtVU">Gwyneth Paltrow</a> and <a href="/facts/Anthony_Hopkins/so2JA69C">Anthony Hopkins</a>. Also in 2005, Miller directed her film, <i><a href="/facts/The_Ballad_of_Jack_and_Rose/APLgm5yQ">The Ballad of Jack and Rose</a></i>, which stars <a href="/facts/Daniel_Day-Lewis/c2a36ttk">Daniel Day-Lewis</a>, <a href="/facts/Camilla_Belle/9Cb4lW4r">Camilla Belle</a> and <a href="/facts/Catherine_Keener/HmIrjALT">Catherine Keener</a>. Shot on location in <a href="/facts/Nova_Scotia/RcmIvd1A">Nova Scotia</a> and on <a href="/facts/Prince_Edward_Island/lgY4nUa2">Prince Edward Island</a>, the film is a textured, sorrowful, <a href="/facts/Coming_of_age/GfCHsl8K">coming of age</a> story about a 16-year-old named Rose who has grown up in isolation with her father.<a class="footnote-ref" id="fnref:47" href="#fn:47"><sup>47</sup></a> <i>The Ballad of Jack and Rose</i> screened at the <a href="/facts/Woodstock_Film_Festival/Q6jQUKqL">Woodstock Film Festival</a> and <a href="/facts/IFC_Center/k8713wDS">IFC Center</a> in New York.<a class="footnote-ref" id="fnref:48" href="#fn:48"><sup>48</sup></a><a class="footnote-ref" id="fnref:49" href="#fn:49"><sup>49</sup></a> For <i>The Ballad of Jack and Rose</i>, Miller received Honorable Mention from <a href="/facts/MTV/S5gxqCxh">MTV</a>'s 2010 The Best Female Directors Who Should Have Won An Oscar.<a class="footnote-ref" id="fnref:50" href="#fn:50"><sup>50</sup></a> </p><p>In 2009, Miller released her fourth film, <i><a href="/facts/The_Private_Lives_of_Pippa_Lee/Y5qxxQxd">The Private Lives of Pippa Lee</a></i>, an adaptation of her 2002 novel by the same name.<a class="footnote-ref" id="fnref:51" href="#fn:51"><sup>51</sup></a> A nuanced exploration of a 50-year-old woman's adjustment reaction to moving into a retirement community with her 80-year-old husband, the story flows back and forth between the main character Pippa's memories of her freewheeling New York City youth in the 1970s and her present life.<a class="footnote-ref" id="fnref:52" href="#fn:52"><sup>52</sup></a> Miller directed a star-studded cast which includes <a href="/facts/Robin_Wright/Ndmg5y2M">Robin Wright</a>, <a href="/facts/Alan_Arkin/NpMYqs9y">Alan Arkin</a>, <a href="/facts/Keanu_Reeves/lTDhqS0j">Keanu Reeves</a>, <a href="/facts/Winona_Ryder/UXUQGR7o">Winona Ryder</a> and <a href="/facts/Julianne_Moore/z0NsC0Nt">Julianne Moore</a>.<a class="footnote-ref" id="fnref:53" href="#fn:53"><sup>53</sup></a><a class="footnote-ref" id="fnref:54" href="#fn:54"><sup>54</sup></a> <i>The Private Lives of Pippa Lee</i> premiered at <a href="/facts/Toronto_International_Film_Festival/dekDyx3M">Toronto International Film Festival</a>, and screened at <a href="/facts/Toronto_Metropolitan_University/IkGwGoH0">Ryerson University</a>, the <a href="/facts/Berlin_Film_Festival/qxdFLoc3">Berlin Film Festival</a>, and the <a href="/facts/Hay_Festival/11u69ANQ">Hay Festival</a>.<a class="footnote-ref" id="fnref:55" href="#fn:55"><sup>55</sup></a><a class="footnote-ref" id="fnref:56" href="#fn:56"><sup>56</sup></a><a class="footnote-ref" id="fnref:57" href="#fn:57"><sup>57</sup></a> </p><p>At the <a href="/facts/Kerry_Film_Festival/zD38wGHB">Kerry Film Festival</a> in 2009, Miller was honored with the <a href="/facts/Maureen_O%27Hara/x0hpktkT">Maureen O'Hara</a> Award, in recognition for her achievements in film.<a class="footnote-ref" id="fnref:58" href="#fn:58"><sup>58</sup></a><a class="footnote-ref" id="fnref:59" href="#fn:59"><sup>59</sup></a> </p> <h3>2013–present</h3> <p>In 2013, Miller published <i>Jacob's Folly</i><a class="footnote-ref" id="fnref:60" href="#fn:60"><sup>60</sup></a><a class="footnote-ref" id="fnref:61" href="#fn:61"><sup>61</sup></a> – a complex novel about an 18th-century French rake reincarnated as a housefly in modern-day New York with the ability to enter the other characters’ consciousness and influence them.<a class="footnote-ref" id="fnref:62" href="#fn:62"><sup>62</sup></a><a class="footnote-ref" id="fnref:63" href="#fn:63"><sup>63</sup></a><a class="footnote-ref" id="fnref:64" href="#fn:64"><sup>64</sup></a><a class="footnote-ref" id="fnref:65" href="#fn:65"><sup>65</sup></a> Critic <a href="/facts/Maureen_Corrigan/qQhf0Y61">Maureen Corrigan</a> praised the work, saying, "Miller's writing style is sensuous, and her individual stories expand, opulently, in scope and emotional impact."<a class="footnote-ref" id="fnref:66" href="#fn:66"><sup>66</sup></a> </p><p>Miller wrote a screenplay neo-<a href="/facts/Screwball_comedy/CCxESjMs">screwball comedy</a><a class="footnote-ref" id="fnref:67" href="#fn:67"><sup>67</sup></a> called <i><a href="/facts/Maggie%27s_Plan/uc3eUJxh">Maggie's Plan</a></i>,<a class="footnote-ref" id="fnref:68" href="#fn:68"><sup>68</sup></a><a class="footnote-ref" id="fnref:69" href="#fn:69"><sup>69</sup></a> based upon an original story by Karen Rinaldi. Miller directed the film, shot primarily in <a href="/facts/Greenwich_Village/yqbBHchP">Greenwich Village</a>,<a class="footnote-ref" id="fnref:70" href="#fn:70"><sup>70</sup></a> in 2015.<a class="footnote-ref" id="fnref:71" href="#fn:71"><sup>71</sup></a><a class="footnote-ref" id="fnref:72" href="#fn:72"><sup>72</sup></a><a class="footnote-ref" id="fnref:73" href="#fn:73"><sup>73</sup></a> <i>Maggie's Plan</i> premiered at <a href="/facts/Toronto_International_Film_Festival/dekDyx3M">Toronto International Film Festival</a> Special Presentations,<a class="footnote-ref" id="fnref:74" href="#fn:74"><sup>74</sup></a> and screened internationally, at the <a href="/facts/New_York_Film_Festival/lssnNMcc">New York Film Festival</a>,<a class="footnote-ref" id="fnref:75" href="#fn:75"><sup>75</sup></a> <a href="/facts/Montclair_Film_Festival/n79snIwh">Montclair Film Festival</a>,<a class="footnote-ref" id="fnref:76" href="#fn:76"><sup>76</sup></a> <a href="/facts/Berlin_Film_Festival/qxdFLoc3">Berlin Film Festival</a>,<a class="footnote-ref" id="fnref:77" href="#fn:77"><sup>77</sup></a><a class="footnote-ref" id="fnref:78" href="#fn:78"><sup>78</sup></a> <a href="/facts/Dublin_International_Film_Festival/mH4EDeny">Dublin International Film Festival</a>,<a class="footnote-ref" id="fnref:79" href="#fn:79"><sup>79</sup></a> <a href="/facts/San_Francisco_International_Film_Festival/WFqEQNfw">San Francisco International Film Festival</a>,<a class="footnote-ref" id="fnref:80" href="#fn:80"><sup>80</sup></a> USA Film Festival/Angelika Film Center Dallas,<a class="footnote-ref" id="fnref:81" href="#fn:81"><sup>81</sup></a> Denver Film Critics Society Women+Film Festival, <a href="/facts/Miami_International_Film_Festival/E1SnXEmy">Miami International Film Festival</a>, and <a href="/facts/Sundance_Film_Festival/30mSTkES">Sundance Film Festival</a>.<a class="footnote-ref" id="fnref:82" href="#fn:82"><sup>82</sup></a> <a href="/facts/Sony_Pictures_Classics/QKd1kzSq">Sony Pictures Classics</a> distributed <i>Maggie's Plan</i> in theaters.<a class="footnote-ref" id="fnref:83" href="#fn:83"><sup>83</sup></a> The <a href="/facts/Ensemble_cast/2cJreBu1">ensemble cast</a> includes <a href="/facts/Greta_Gerwig/zPCELI2I">Greta Gerwig</a>, <a href="/facts/Julianne_Moore/z0NsC0Nt">Julianne Moore</a>, <a href="/facts/Ethan_Hawke/MmJyMGys">Ethan Hawke</a>, <a href="/facts/Bill_Hader/HxhwrqaS">Bill Hader</a> and <a href="/facts/Maya_Rudolph/PwKYpAJu">Maya Rudolph</a>.<a class="footnote-ref" id="fnref:84" href="#fn:84"><sup>84</sup></a><a class="footnote-ref" id="fnref:85" href="#fn:85"><sup>85</sup></a> Critic for <i><a href="/facts/Vanity_Fair_(magazine)/8DogzoLn">Vanity Fair</a></i>, <a href="/facts/Richard_Lawson_(writer)/ndrHV8Ig">Richard Lawson</a> praised <i>Maggie's Plan</i> as "A smart, goofy delight!"<a class="footnote-ref" id="fnref:86" href="#fn:86"><sup>86</sup></a> <i>Maggie's Plan</i> was released in movies theaters in 2016.<a class="footnote-ref" id="fnref:87" href="#fn:87"><sup>87</sup></a> </p><p>In 2023, she released <i><a href="/facts/She_Came_to_Me/bVD0uyyu">She Came to Me</a></i>.<a class="footnote-ref" id="fnref:88" href="#fn:88"><sup>88</sup></a> </p> <h2 id="personal-life">Personal life</h2> <p>Miller first met her spouse, actor <a href="/facts/Daniel_Day-Lewis/c2a36ttk">Daniel Day-Lewis</a>, at a screening of the <a href="/facts/The_Crucible_(1996_film)/pjq8grVu">film adaptation</a> of her father's play <i><a href="/facts/The_Crucible/wXf0fDWu">The Crucible</a></i>.<a class="footnote-ref" id="fnref:89" href="#fn:89"><sup>89</sup></a><a class="footnote-ref" id="fnref:90" href="#fn:90"><sup>90</sup></a> Miller and Day-Lewis married on November 13, 1996. They have two sons together: Ronan (b. 1998) and Cashel (b. 2002). Miller is stepmother to Day-Lewis's eldest son, Gabriel Kane Day-Lewis (b. 1995) from his previous relationship with <a href="/facts/Isabelle_Adjani/ATKzXFeB">Isabelle Adjani</a>.<a class="footnote-ref" id="fnref:91" href="#fn:91"><sup>91</sup></a> </p> <h2 id="filmography">Filmography</h2> <table><tbody><tr><th>Year</th><th>Title</th><th>Director</th><th>Writer</th><th>Producer</th></tr><tr><td>1995</td><td><i><a href="/facts/Angela_(1995_film)/Kdr4X4N3">Angela</a></i></td><td>Yes</td><td>Yes</td><td></td></tr><tr><td>2002</td><td><i><a href="/facts/Personal_Velocity:_Three_Portraits/rGppRA1C">Personal Velocity: Three Portraits</a></i></td><td>Yes</td><td>Yes</td><td></td></tr><tr><td rowspan="2">2005</td><td><i><a href="/facts/The_Ballad_of_Jack_and_Rose/APLgm5yQ">The Ballad of Jack and Rose</a></i></td><td>Yes</td><td>Yes</td><td></td></tr><tr><td><i><a href="/facts/Proof_(2005_film)/sjl12GyI">Proof</a></i></td><td></td><td>Yes</td><td></td></tr><tr><td>2009</td><td><i><a href="/facts/The_Private_Lives_of_Pippa_Lee/Y5qxxQxd">The Private Lives of Pippa Lee</a></i></td><td>Yes</td><td>Yes</td><td></td></tr><tr><td>2015</td><td><i><a href="/facts/Maggie%27s_Plan/uc3eUJxh">Maggie's Plan</a></i></td><td>Yes</td><td>Yes</td><td>Yes</td></tr><tr><td>2017</td><td><i><a href="/facts/Arthur_Miller:_Writer/Q0TE8SHQ">Arthur Miller: Writer</a></i></td><td>Yes</td><td>Yes</td><td></td></tr><tr><td>2023</td><td><i><a href="/facts/She_Came_to_Me/bVD0uyyu">She Came to Me</a></i></td><td>Yes</td><td>Yes</td><td>Yes</td></tr></tbody></table> <p>Acting roles </p> <table><tbody><tr><th>Year</th><th>Title</th><th>Role</th><th>Notes</th></tr><tr><td>1988</td><td><i><a href="/facts/The_Murder_of_Mary_Phagan/E0vw0uPv">The Murder of Mary Phagan</a></i></td><td>Lucille Frank</td><td>2 episodes</td></tr><tr><td>1989</td><td><i>Seven Minutes</i></td><td>Anneliese</td><td></td></tr><tr><td>1991</td><td><i><a href="/facts/Regarding_Henry/8Wv4BvVD">Regarding Henry</a></i></td><td>Linda</td><td></td></tr><tr><td>1992</td><td><i><a href="/facts/Wind_(1992_film)/069V01af">Wind</a></i></td><td>Abigail Weld</td><td></td></tr><tr><td>1992</td><td><i><a href="/facts/Consenting_Adults_(1992_film)/8eaVCqsS">Consenting Adults</a></i></td><td>Kay Otis</td><td></td></tr><tr><td>1993</td><td><i><a href="/facts/The_Pickle/ICIpa9cz">The Pickle</a></i></td><td>Carrie</td><td></td></tr><tr><td>1993</td><td><i><a href="/facts/The_American_Clock/QTUtFy2U">The American Clock</a></i></td><td>Edie</td><td>Television movie</td></tr><tr><td>1994</td><td><i><a href="/facts/Mrs._Parker_and_the_Vicious_Circle/pPHGSAUH">Mrs. Parker and the Vicious Circle</a></i></td><td><a href="/facts/Neysa_McMein/brXSjcWb">Neysa McMein</a></td><td></td></tr><tr><td>1994</td><td><i><a href="/facts/Love_Affair_(1994_film)/WqgeHfXy">Love Affair</a></i></td><td>Receptionist</td><td></td></tr><tr><td>2017</td><td><i><a href="/facts/The_Meyerowitz_Stories/pvfWLamS">The Meyerowitz Stories</a></i></td><td>Loretta Shapiro</td><td></td></tr></tbody></table> <h2 id="awards-and-recognition">Awards and recognition</h2> <table><tbody><tr><th>Year</th><th>Award</th><th>Category</th><th>Title</th><th>Result</th></tr><tr><td rowspan="2">1995</td><td rowspan="3"><a href="/facts/Sundance_Film_Festival/30mSTkES">Sundance Film Festival</a></td><td>Grand Jury Prize</td><td rowspan="2"><i><a href="/facts/Angela_(1995_film)/Kdr4X4N3">Angela</a></i></td><td>Nominated</td></tr><tr><td>Filmmakers Trophy</td><td>Won</td></tr><tr><td>2002</td><td>Grand Jury Prize</td><td rowspan="2"><i><a href="/facts/Personal_Velocity:_Three_Portraits/rGppRA1C">Personal Velocity: Three Portraits</a></i></td><td>Won</td></tr><tr><td><a href="/facts/18th_Independent_Spirit_Awards/T00Q5c8h">2003</a></td><td><a href="/facts/Independent_Spirit_Award/teWKTmtM">Independent Spirit Award</a></td><td><a href="/facts/Independent_Spirit_John_Cassavetes_Award/d50y2Hnk">John Cassavetes Award</a></td><td>Won</td></tr><tr><td>2005</td><td><a href="/facts/Deauville_Film_Festival/T26nV7Fw">Deauville Film Festival</a></td><td>Grand Special Prize</td><td><i><a href="/facts/The_Ballad_of_Jack_and_Rose/APLgm5yQ">The Ballad of Jack and Rose</a></i></td><td>Nominated</td></tr><tr><td>2016</td><td><a href="/facts/Edinburgh_International_Film_Festival/xjsQj2TT">Edinburgh International Film Festival</a></td><td>Audience Award</td><td><i><a href="/facts/Maggie%27s_Plan/uc3eUJxh">Maggie's Plan</a></i></td><td>Nominated</td></tr><tr><td>2019</td><td><a href="/facts/News_and_Documentary_Emmy_Award/sKyv9u8h">News and Documentary Emmy Award</a></td><td>Outstanding Arts & Culture Documentary</td><td><i>Arthur Miller: Writer</i></td><td>Nominated</td></tr></tbody></table> <h2 id="bibliography">Bibliography</h2> <ul><li><i>Personal Velocity.</i> Grove Press, New York 2001. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 9780802116994<a class="footnote-ref" id="fnref:92" href="#fn:92"><sup>92</sup></a></li> <li><i>A Woman Who.</i> Bloomsbury, London 2003. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 9780747565253<a class="footnote-ref" id="fnref:93" href="#fn:93"><sup>93</sup></a></li> <li><i>The Ballad of Jack and Rose.</i> Faber and Faber, New York 2005. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 9780571211753<a class="footnote-ref" id="fnref:94" href="#fn:94"><sup>94</sup></a></li> <li><i>The Private Lives of Pippa Lee.</i> Farrar, Straus and Giroux, New York 2008. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 9780374237424<a class="footnote-ref" id="fnref:95" href="#fn:95"><sup>95</sup></a></li> <li><i>Jacob's Folly.</i> Farrar, Straus and Giroux, New York 2014. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 9780374178543<a class="footnote-ref" id="fnref:96" href="#fn:96"><sup>96</sup></a></li> <li><i>Total</i>. Farrar, Straus and Giroux, New York 2022. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 9780374299118<a class="footnote-ref" id="fnref:97" href="#fn:97"><sup>97</sup></a><a class="footnote-ref" id="fnref:98" href="#fn:98"><sup>98</sup></a></li></ul> <h2 id="external-links">External links</h2> Wikimedia Commons has media related to Rebecca Miller. <ul><li><a href="http://www.rebecca-miller.com/">Official website</a> </li> <li><a href="https://www.imdb.com/name/nm0589182/">Rebecca Miller</a> at <a href="/facts/IMDb_(identifier)/uWrqVYVy">IMDb</a> </li></ul> <h2 id="references">References</h2> <ol> <li id="fn:1"><p>Tanenbaum, Kayla (March 11, 2013). "Author Rebecca Miller Talks Male Perspective, Piecing Together a Novel, and Fly Sex in Jacob's Folly". Glamour. Archived from the original on March 9, 2018. Retrieved May 8, 2018. <a href="https://www.glamour.com/story/rebecca-miller-on-jacobs-folle" target="_blank">https://www.glamour.com/story/rebecca-miller-on-jacobs-folle</a> <a href="#fnref:1" class="footnote-back-ref">↩</a></p></li> <li id="fn:2"><p>Miller, Gerri (March 14, 2018). "Daughter Documents the Inner Arthur Miller". Jewish Journal. Archived from the original on September 28, 2020. Retrieved May 8, 2018. <a href="http://jewishjournal.com/culture/arts/231886/daughter-documents-inner-arthur-miller/" target="_blank">http://jewishjournal.com/culture/arts/231886/daughter-documents-inner-arthur-miller/</a> <a href="#fnref:2" class="footnote-back-ref">↩</a></p></li> <li id="fn:3"><p>Ratcliffe, Michael (February 12, 2005). "Arthur Miller". The Guardian. Archived from the original on July 23, 2012. Retrieved May 8, 2018. <a href="https://www.theguardian.com/news/2005/feb/12/guardianobituaries.artsobituaries" target="_blank">https://www.theguardian.com/news/2005/feb/12/guardianobituaries.artsobituaries</a> <a href="#fnref:3" class="footnote-back-ref">↩</a></p></li> <li id="fn:4"><p>Kampel, Stewart (September 19, 2013). "Q&A with Rebecca Miller". Hadassah Magazine. Archived from the original on September 27, 2020. Retrieved May 8, 2018. <a href="http://www.hadassahmagazine.org/2013/09/19/qa-rebecca-miller/" target="_blank">http://www.hadassahmagazine.org/2013/09/19/qa-rebecca-miller/</a> <a href="#fnref:4" class="footnote-back-ref">↩</a></p></li> <li id="fn:5"><p>Miller, Jonathan (presenter) (November 1, 2004). "Arthur Miller". The Atheism Tapes. BBC. <a href="/wiki/The_Atheism_Tapes" target="_blank">/wiki/The_Atheism_Tapes</a> <a href="#fnref:5" class="footnote-back-ref">↩</a></p></li> <li id="fn:6"><p>"Inge Morath obituary". The Telegraph. February 1, 2002. 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Archived from the original on October 28, 2012. <a href="https://web.archive.org/web/20121028094341/http://independent-magazine.org/node/270" target="_blank">https://web.archive.org/web/20121028094341/http://independent-magazine.org/node/270</a> <a href="#fnref:16" class="footnote-back-ref">↩</a></p></li> <li id="fn:17"><p>Traister, Rebecca (March 26, 2005). "In the name of the daughter". Salon. Salon Media Group, Inc. Archived from the original on December 3, 2020. Retrieved April 27, 2016. <a href="https://www.salon.com/2005/03/25/rebecca_miller/" target="_blank">https://www.salon.com/2005/03/25/rebecca_miller/</a> <a href="#fnref:17" class="footnote-back-ref">↩</a></p></li> <li id="fn:18"><p>Maslin, Janet (October 16, 1992). "Reviews/Film; Meeting the Neighbors Is a Very Big Mistake". The New York Times. Archived from the original on April 19, 2019. Retrieved February 8, 2021. <a href="https://www.nytimes.com/1992/10/16/movies/reviews-film-meeting-the-neighbors-is-a-very-big-mistake.html" target="_blank">https://www.nytimes.com/1992/10/16/movies/reviews-film-meeting-the-neighbors-is-a-very-big-mistake.html</a> <a href="#fnref:18" class="footnote-back-ref">↩</a></p></li> <li id="fn:19"><p>Nichols, Mike; Rudin, Scott; et al. (2007). Regarding Henry. Hollywood, California: Paramount Home Video. ISBN 978-0792190752. <a href="978-0792190752" target="_blank">978-0792190752</a> <a href="#fnref:19" class="footnote-back-ref">↩</a></p></li> <li id="fn:20"><p>Warner, David (April 25, 1996). "Miller's Daughter". Philadelphia City Paper. Archived from the original on June 19, 2022. 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Retrieved March 15, 2004. <a href="http://www.films42.com/feature/company_of_women.asp" target="_blank">http://www.films42.com/feature/company_of_women.asp</a> <a href="#fnref:26" class="footnote-back-ref">↩</a></p></li> <li id="fn:27"><p>Colman, Felicity (2014). Film Theory: creating a cinematic grammar. New York: Columbia University Press. ISBN 9780231850605. <a href="9780231850605" target="_blank">9780231850605</a> <a href="#fnref:27" class="footnote-back-ref">↩</a></p></li> <li id="fn:28"><p>Fitoussi, Karelle (April 27, 2016). "Rebecca Miller. Coup pour couple". Paris Match (in French). Archived from the original on April 28, 2016. Retrieved April 27, 2016. <a href="https://www.parismatch.com/Culture/Cinema/Rebecca-Miller-Coup-pour-couple-955789" target="_blank">https://www.parismatch.com/Culture/Cinema/Rebecca-Miller-Coup-pour-couple-955789</a> <a href="#fnref:28" class="footnote-back-ref">↩</a></p></li> <li id="fn:29"><p>Baumgarten, Margorie (February 23, 1996). "Women on the Verge: Interview with Filmmaker Rebecca Miller". The Austin Chronicle. Archived from the original on March 24, 2023. Retrieved June 19, 2022. <a href="https://www.austinchronicle.com/screens/1996-02-23/women-on-the-verge/" target="_blank">https://www.austinchronicle.com/screens/1996-02-23/women-on-the-verge/</a> <a href="#fnref:29" class="footnote-back-ref">↩</a></p></li> <li id="fn:30"><p>"Indie Film Project names Miller Gotham Open Palm winner". Variety. July 31, 1995. Archived from the original on October 5, 2018. Retrieved June 19, 2022. <a href="https://variety.com/1995/film/features/indie-film-project-names-miller-gotham-open-palm-winner-99129542" target="_blank">https://variety.com/1995/film/features/indie-film-project-names-miller-gotham-open-palm-winner-99129542</a> <a href="#fnref:30" class="footnote-back-ref">↩</a></p></li> <li id="fn:31"><p>Rose, Charlie (presenter) (March 22, 1996). "Rebecca Miller". Charlie Rose. PBS. 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