At age 14, she started her own country music band called County Line, which included her father as their bass player. The summer of her final year in high school, she worked as a performing musician at the Ozark Jubilee, a long-running country music show in Branson, Missouri. In Branson, she rented a small trailer and bought her first car for $600. She also began dating a college-aged man whom she met sitting in the audience of her shows. Yet, Wright also realized she could not form the ideal romantic relationship with him: "But soon I was wresting with my old fears again. Nothing could save me from being gay."
Wright was signed to a publishing deal as a songwriter, which helped secure a recording contract as a recording artist with PolyGram/Mercury Records in 1993. Wright chose to keep her sexuality hidden from her record label and buying public, a theme which continued throughout her commercial career. She collaborated on her first album with Nashville producer, Harold Shedd. In a mutual agreement, Shedd agreed that Wright's persona would not be centered around being "a [music] video babe," but instead regarded for her artistic work as a country music artist. In 1994, Wright's debut studio album was released through the label titled Woman in the Moon. The album would receive critical acclaim, despite limited success. The project spawned three singles ("He's a Good Ole Boy," "Till I Was Loved by You" and "Sea of Cowboy Hats") that all peaked outside the top 40 of the Billboard country chart. The album helped Wright win Top New Female Vocalist at the 1995 Academy of Country Music Awards. Wright recalled in her memoir that she had low expectations of winning and was shocked to receive the accolade. "I had not prepared a speech for that night, but I'd been rehearsing one since I was a little girl," she commented.
Free from her previous record label, Wright made several changes to her career. She began working with a new manager (Clarence Spalding) and a publicist (Wes Vause), who helped secure her a contract with MCA Records Nashville. Wright then contacted producer Tony Brown, who had previously made hit albums with Reba McEntire and Wynonna. Brown agreed to work with her and together they recorded her third album. In 1997, Let Me In, was released on MCA. According to Brown, the album's material was backed by a simplified arrangement to help amplify Wright's vocal performance. It received a four star rating from Thom Owens at Allmusic who highlighted its "clean acoustic arrangements." Owens also called it her "most accomplished and arguably best album to date." Meanwhile, Brian Wahlert of Country Standard Time gave it a less favorable response, finding some of the material to be fillers rather than quality music. Let Me In was her first to reach the Billboard Top Country Albums chart, peaking at number 25 and spent 44 weeks there. It was also her first to enter the Billboard 200 where it charted for seven weeks. The album spawned Wright's first major hit, "Shut Up and Drive." The single peaked at number 14 on the Billboard Hot Country Songs chart and number 21 on the RPM Country chart in Canada. The album's next two singles would reach the Billboard country top 40.
In the fall of 2000, Wright began choosing songs for her upcoming fifth studio album. She composed the songs by herself, with help from Tim Nichols and Brad Paisley. Wright also served as the opening act on Paisley's 2000 tour. The pair would also record a duet that would later be nominated for an accolade by the Country Music Association. The two would also become romantically involved during this time, all while Wright remained in a closeted relationship with a woman. In 2001, Never Love You Enough was released on MCA. Following on the heels of her previous release, the album was a chart success, climbing to number four on the Top Country Albums chart and number 62 on the Billboard 200. Yet its two singles only reached the top 30 of the Billboard chart. Its highest-charting hit was "Jezebel," which reached number 23. The album received mixed reception from critics. Michael Gallucci called it a "conservative follow-up," while Country Standard Time called it, "a pleasant pop album, but hardly the sort of truly memorable work that Wright is so obviously capable of."
In 2001, Wright embarked on "The Coca-Cola Hometown Hero Tour," a 30-date set of concerts and presented at the CMT Music Awards. She also made her acting debut the same year in the Disney film, Max Keeble's Big Move. Wright was cast as the main character's homeroom teacher. In 2002, Wright won the "Fashion Plate Award" from the CMT Flameworthy Awards. She would also be rated among People magazine's "50 Most Beautiful People" during this time as well. In 2002, she recorded a song for the soundtrack of The Little Mermaid II: Return to the Sea and was asked to be the "guest of honor" at Disney World. In 2003, Wright left MCA Records.
Wright then went into a career hiatus after deciding to publicly come out to her record-buying public. She started writing material which would later make up her next studio release titled Lifted Off the Ground. She brought the album's material to artist and producer, Rodney Crowell, who encouraged Wright to record it. The album's sound contained a simpler arrangement that was comparable to folk music. It also contained material that alluded to her lesbian identity, particularly the track, "Like Me". The album reached number 32 on the Top Country Albums chart and 200th position on the Billboard 200. The record and her corresponding memoir were released both on May 4, 2010. Reflecting on the experience, Wright told Newsweek, "I really do feel lifted off the ground. I have no secret now. I feel like I'm floating. I'm so proud to be standing where I am today". Lifted Off the Ground received four stars from Thom Jurek of Allmusic who cited Crowell's production and Wright's songwriting as the reasons for its success. Meanwhile, the Los Angeles Times believed Wright could have challenged the country music establishment more rather than "tread lighty" in her songwriting material.
With the exception of a guest appearance on a Rodney Crowell album, Wright took a five-year break from music. During her hiatus, she got married, started a family and dedicated additional time to LGBT activism. "I realize the power I had that I didn’t know I had", Wright said in response to her hiatus. Yet, she continued songwriting and brought new material to Crowell, who got her in contact with producer Joe Henry. Henry agreed to produce her and Wright formed a Kickstarter campaign to help fund the record. In 2016, she released I Am the Rain. The album featured collaborations with Crowell, Emmylou Harris and The Milk Carton Kids. It was considered a departure from her previous records, with roots centered in the Americana genre. I Am the Rain was her highest-charting album in ten years, reaching number 13 on the Billboard country albums list. It also reached number 181 on the Billboard 200. I Am the Rain received a positive response from Slate magazine, who compared the project to that of Carole King's Tapestry. Allmusic's Marcey Donelson positively commented that the album had an "intimate tone".
Wright first began her work with activism through music education. She was inspired to help public schools following the Columbine High School massacre. In 2000, she established the Reading, Writing and Rhythm non-profit organization. The program helps provide public schools with musical instruments and brings attention to the significance of music education. Wright holds a yearly concert for the organization in Nashville that has included numerous performers in its lineup. Musicians at previous events have included Jann Arden, Rodney Crowell, Taylor Swift and Tanya Tucker The concert has also helped raise significant amounts of money for the organization — in 2007 it raised $185,000. Since its inception, Reading, Writing and Rhythm has raised nearly one million dollars. "I'm so proud of this charity and the difference we've been able to make in so many young people's lives," she said in 2010. In 2002, Wright received the National Association for Music Education's "FAME Award" in recognition of her accomplishments.
Wright has also been involved in working with military members and veterans. Following the September 11 attacks, she embarked on a USO tour performing for American troops in Iraq. She also met with servicemen in Germany and Kuwait. During the same period, she visited veterans and military servicemen recovering at the Walter Reed National Military Medical Center in Bethesda, Maryland. In the early 2000s, also joined wounded and recovering troops at a private military service event hosted by former vice president, Dick Cheney. In 2003, she was named "Woman of the Year" by the American Legion Auxiliary
In 2012, Wright established an LGBT organization titled, "LIKEME." The nonprofit organization is designed to help educate and provide assistance to individuals in the LGBT community. This includes youth, adults and family members of those struggling with their sexual identity. In May 2012, Wright and the organization founded a "Lighthouse" center in Kansas City, Missouri. The community center includes resources, staff and counselors to help those in the LGBT community find support. Since its launch, the center has received funds from various events, including a 2016 live performance fundraiser.
In 2014, Wright spoke on the stage of the GLAAD Media Awards to discuss anti-bullying legislation with fellow activist Marcel Neergaard. She also introduced country artist Kacey Musgraves, who performed her song, "Follow Your Arrow." In recent years, Wright has been outspoken on transgender bathroom laws. She discussed her views against the laws on Twitter and on other social media platforms. In 2016, Wright appeared on CNN encouraging the country music industry to be supportive of laws that protect transgender Americans in the state of Tennessee.
In 2021, Wright was announced as the Chief Diversity, Equity and Inclusion Officer for the interior space company Unispace. She has since formed collaborations with the Women's Business Enterprise National Council and the National Minority Supplier Diversity Council. In describing her transition into the role, Wright commented, "I wanted to leverage my public capital in that way. That's when I began working in corporate spaces, higher education, faith communities, and, combining all of those strategies."
Wright harbored the belief her sexual orientation was immoral and that her secret would kill her career hopes, as a result of her Christian upbringing. From early childhood, she resolved to never confide her orientation to anyone or to pursue romantic relationships with women. Despite her resolution against having sex with women, Wright disclosed in her memoir that, by her early thirties, she had had sexual relationships with two women. She had her first same-sex experience at age 19 — "it was the first time I'd ever had a girl's body pressed against mine"—and the affair lasted the better part of a year. From 1993 to about 2004, Wright maintained a committed relationship with a woman she described as "the love of my life." In her memoir, Wright uses the pseudonym Julia to keep her identity hidden. She met Julia shortly after winning her first recording contract. The era of their relationship overlaps Wright's rise to chart-topping stardom. They maintained their relationship even though her partner subsequently married a man, and even while both women briefly had relationships with men.
In her memoir, Wright described being confronted about her sexuality for the first time. In March 2005, she met up with long-time friend, John Rich. After enjoying a night out, Rich drove her back. In the car ride, Rich confronted Wright about her sexuality: "You know people talk about you...they wonder if you're, you know, gay...You know, that's not cool. People don't approve of that deviant behavior. It's a sin." The confrontation caused Wright to become fearful of being outed and ultimately led her to end her 12-year relationship with Julia. The pair would soon split and Wright moved out of their home. After Wright's coming out in 2010, Rich issued a statement that stated his confrontation was "taken the wrong way." He also commented that he wished Wright "the best in her personal and professional life."
After moving out, Wright began to reach a personal breaking point in 2006. That year, she nearly took her own life while alone at her home in Nashville. She pointed a gun into her mouth, but changed her mind before pulling the trigger. In her memoir, Wright realized she had an "urge to fight" and had a determination to become stronger. After staying in bed for several days, she rode her bike 13 miles around the Nashville area. "Keep pedaling, keep pushing, keep fighting for a breath," she recalled.
Wright eventually abandoned the belief of hiding her sexual identity. She soon took steps towards coming out. In 2008, Wright made the move from Nashville to New York City where she became more involved with the LGBT community. During this period, she came out to members of her immediate family and to a few of her close friends. It was not until 2007 that she decided to come out publicly, but spent the next three years writing her autobiography. She stated that she wanted to come out to free herself from the burdens of living a lie, to lend support to LGBT youth, and to dismantle the notion that being gay is immoral. On May 3, 2010, People magazine reported her coming out. Wright became one of the first members of the country music community to come out as gay; country artist k.d. lang came out in 1992 (though she later abandoned the country music genre), and Kristen Hall, formerly of Sugarland, was openly gay while working with that band.
Media sources have listed the spelling of Wright's first name as: "Richell",[1] "Richelle"[2] and sometimes "Rochelle".
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Wright, Chely; Najimy, Kathy; Chenoweth, Kristin; Blitzer, Lauren; Perry, Linda, eds. (2022). My Moment: 106 Women on Fighting for Themselves. Gallery Publishing Group. ISBN 978-1982160920. 978-1982160920