Hundred twenty-eighth note

<h2 id="see-also">See also</h2>
<ul><li><a href="/facts/List_of_musical_symbols/xRo2aDx5">List of musical symbols</a></li></ul>

<h2 id="references">References</h2>

<ol>
<li id="fn:1"><p>Read, Gardner (1979). Music Notation, p.65. 2nd edition. Crescendo Taplinger. ISBN 0-8008-5453-5. <a href="/wiki/Gardner_Read" target="_blank">/wiki/Gardner_Read</a> <a href="#fnref:1" class="footnote-back-ref">↩</a></p></li>
<li id="fn:2"><p>Haas, David (2011). "Shostakovich's Second Piano Sonata: A Composition Recital in Three Styles". In Fairclough, Pauline; Fanning, David (eds.). The Cambridge Companion to Shostakovich. Cambridge Companions to Music. Cambridge and New York: Cambridge University Press. p. 112. doi:10.1017/CCOL9780521842204.006. ISBN 978-1-139-00195-3. The listener is right to suspect a Baroque reference when a double-dotted rhythmic gesture and semihemidemisemiquaver triplets appear to ornament the theme.)[full citation needed] <a href="978-1-139-00195-3" target="_blank">978-1-139-00195-3</a> <a href="#fnref:2" class="footnote-back-ref">↩</a></p></li>
<li id="fn:3"><p>Miller, RJ (2015). Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians. Routledge. p. 38. ISBN 978-0-415-74190-3. <a href="978-0-415-74190-3" target="_blank">978-0-415-74190-3</a> <a href="#fnref:3" class="footnote-back-ref">↩</a></p></li>
<li id="fn:4"><p>Gerou, Tom (1996). Essential Dictionary of Music Notation, p.211. Alfred. ISBN 0-88284-730-9 <a href="/wiki/ISBN_(identifier)" target="_blank">/wiki/ISBN_(identifier)</a> <a href="#fnref:4" class="footnote-back-ref">↩</a></p></li>
<li id="fn:5"><p>Mozart, Wolfgang Amadeus.
 <a href="#fnref:5" class="footnote-back-ref">↩</a></p></li>
<li id="fn:6"><p>Thomas Bushnell BSG (8 November 2007). "Re: GPD: official shortest note in lilypond". mail-archive.com. <a href="http://www.mail-archive.com/lilypond-devel@gnu.org/msg14425.html" target="_blank">http://www.mail-archive.com/lilypond-devel@gnu.org/msg14425.html</a> <a href="#fnref:6" class="footnote-back-ref">↩</a></p></li>
<li id="fn:7"><p>Joel., Lester (1999). Bach's works for solo violin : style, structure, performance. New York: Oxford University Press. ISBN 0195120973. OCLC 39739608. <a href="0195120973" target="_blank">0195120973</a> <a href="#fnref:7" class="footnote-back-ref">↩</a></p></li>
<li id="fn:8"><p>Piano Sonata No. 13, Op. 27, No. 1 (Beethoven): Scores at the International Music Score Library Project <a href="https://imslp.org/wiki/Piano_Sonata_No.13,_Op.27_No.1_(Beethoven,_Ludwig_van)" target="_blank">https://imslp.org/wiki/Piano_Sonata_No.13,_Op.27_No.1_(Beethoven,_Ludwig_van)</a> <a href="#fnref:8" class="footnote-back-ref">↩</a></p></li>
<li id="fn:9"><p>"Grande Sonate 'Les Quatre Ages', Op.33 (Alkan, Charles-Valentin) - IMSLP". imslp.org. Retrieved 2024-09-21. <a href="https://imslp.org/wiki/Grande_Sonate_'Les_Quatre_Ages',_Op.33_(Alkan,_Charles-Valentin)" target="_blank">https://imslp.org/wiki/Grande_Sonate_'Les_Quatre_Ages',_Op.33_(Alkan,_Charles-Valentin)</a> <a href="#fnref:9" class="footnote-back-ref">↩</a></p></li>
</ol>

Hundred twenty-eighth note open-in-new

Hundred twenty-eighth note