Sixty-fourth note

<h2 id="see-also">See also</h2>
<ul><li><a href="/facts/List_of_musical_symbols/xRo2aDx5">List of musical symbols</a></li></ul>

<p>Sources
</p>

<ul><li>Burrowes, John Freckleton. 1874. <i><a href="https://books.google.com/books?id=TH1BAQAAMAAJ&q=Burrowes%27+Piano-forte+Primer:+Containing+the+Rudiments+of+Music+Adapted+for+Either+Private+Tuition+Or+Teaching+in+Classes+Together+with+a+Guide+to+Practice">Burrowes' Piano-forte Primer: Containing the Rudiments of Music Adapted for Either Private Tuition or Teaching in Classes Together with a Guide to Practice</a></i>, new edition, revised and modernized, with important additions, by L. H. Southard. Boston and New York: Oliver Ditson.</li>
<li>Gerou, Tom, and Linda Lusk. 1996. <i>Essential Dictionary of Music Notation</i>. Los Angeles: Alfred Publishing. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-88284-730-6</li>
<li>Haas, David. 2011. "Shostakovich’s Second Piano Sonata: A Composition Recital in Three Styles". In <i>The Cambridge Companion to Shostakovich</i>, edited by Pauline Fairclough and David Fanning, 95–114. <a href="/facts/Cambridge_Companions_to_Music/BvdN8yKW">Cambridge Companions to Music</a>. Cambridge and New York: Cambridge University Press. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-1-139-00195-3. <a href="/facts/Doi_(identifier)/muM9Etpq">doi</a>:<a href="https://doi.org/10.1017%2FCCOL9780521842204.006">10.1017/CCOL9780521842204.006</a>. "The listener is right to suspect a Baroque reference when a double-dotted rhythmic gesture and semihemidemisemiquaver triplets appear to ornament the theme" (112).</li>
<li>Morehen, John. 2001. "Hemidemisemiquaver". <i><a href="/facts/The_New_Grove_Dictionary_of_Music_and_Musicians/hPUXTAum">The New Grove Dictionary of Music and Musicians</a></i>, second edition, edited by <a href="/facts/Stanley_Sadie/Nlt00DMf">Stanley Sadie</a> and <a href="/facts/John_Tyrrell_(musicologist)/qfVbW8KV">John Tyrrell</a>. London: Macmillan.</li></ul>

<h2 id="further-reading">Further reading</h2>
<ul><li>Taylor, Eric. The Associated Board Guide to Music Theory (Part 1) (England: The Associated Board of the Royal Schools of Music <i>(Publishing)</i> Ltd, 1989) Chapter 3 (Continuing with Rhythm), pp. 15–20.</li></ul>

<h2 id="references">References</h2>

<ol>
<li id="fn:1"><p>Burrowes 1874, 42. - Burrowes, John Freckleton. 1874. Burrowes' Piano-forte Primer: Containing the Rudiments of Music Adapted for Either Private Tuition or Teaching in Classes Together with a Guide to Practice, new edition, revised and modernized, with important additions, by L. H. Southard. Boston and New York: Oliver Ditson. <a href="https://books.google.com/books?id=TH1BAQAAMAAJ&q=Burrowes%27+Piano-forte+Primer:+Containing+the+Rudiments+of+Music+Adapted+for+Either+Private+Tuition+Or+Teaching+in+Classes+Together+with+a+Guide+to+Practice" target="_blank">https://books.google.com/books?id=TH1BAQAAMAAJ&q=Burrowes%27+Piano-forte+Primer:+Containing+the+Rudiments+of+Music+Adapted+for+Either+Private+Tuition+Or+Teaching+in+Classes+Together+with+a+Guide+to+Practice</a> <a href="#fnref:1" class="footnote-back-ref">↩</a></p></li>
<li id="fn:2"><p>Morehen 2001. - Morehen, John. 2001. "Hemidemisemiquaver". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan. <a href="#fnref:2" class="footnote-back-ref">↩</a></p></li>
<li id="fn:3"><p>Gerou and Lusk 1996, p. 211. - Gerou, Tom, and Linda Lusk. 1996. Essential Dictionary of Music Notation. Los Angeles: Alfred Publishing. ISBN 978-0-88284-730-6 <a href="#fnref:3" class="footnote-back-ref">↩</a></p></li>
<li id="fn:4"><p>Haas 2011, 112. - Haas, David. 2011. "Shostakovich’s Second Piano Sonata: A Composition Recital in Three Styles". In The Cambridge Companion to Shostakovich, edited by Pauline Fairclough and David Fanning, 95–114. Cambridge Companions to Music. Cambridge and New York: Cambridge University Press. ISBN 978-1-139-00195-3. doi:10.1017/CCOL9780521842204.006. <a href="https://doi.org/10.1017%2FCCOL9780521842204.006" target="_blank">https://doi.org/10.1017%2FCCOL9780521842204.006</a> <a href="#fnref:4" class="footnote-back-ref">↩</a></p></li>
</ol>

Sixty-fourth note open-in-new

Sixty-fourth note