Tavares Strachan

<h2 id="early-life-and-education">Early life and education</h2>
Strachan was born in <a href="/facts/Nassau%2c_Bahamas/6sWIpMeX">Nassau</a>, <a href="/facts/Bahamas/x6VKsUhj">Bahamas</a>, on December 16, 1979.<a class="footnote-ref" id="fnref:4" href="#fn:4">4</a> He was introduced to the arts as a child through his family’s involvement in <a href="/facts/Junkanoo/e6ymh2Xg">Junkanoo</a>, a historical annual parade and cultural celebration incorporating live music, dance, and elaborate costumes hand-made by competing groups.<a class="footnote-ref" id="fnref:5" href="#fn:5">5</a>
Initially a painter, Strachan earned his Associate of Fine Arts degree from the <a href="/facts/College_of_the_Bahamas/fMbGPsDG">College of the Bahamas</a> in 1999. In 2000, he moved to the United States to enroll in the glass department at the <a href="/facts/Rhode_Island_School_of_Design/r1DNJ1jk">Rhode Island School of Design</a>, where he began to pursue more conceptual projects that would foreground the prevalent themes and minimalist aesthetic of his later work. After completing his Bachelor of Fine Arts degree at the Rhode Island School of Design in 2003,<a class="footnote-ref" id="fnref:6" href="#fn:6">6</a> Strachan went on to earn his Master of Fine Arts degree in Sculpture from <a href="/facts/Yale_University/KUdS6jt1">Yale University</a> in 2006.<a class="footnote-ref" id="fnref:7" href="#fn:7">7</a>

<h2 id="work">Work</h2>
Strachan’s ambitious and open-ended practice examines the intersection of art, science, and the environment,<a class="footnote-ref" id="fnref:8" href="#fn:8">8</a> and has included collaborations with numerous organizations and institutions across the disciplines.

<h3>The Distance Between What We Have and What We Want (2006)</h3>
One of Strachan’s most iconic projects was The Distance Between What We Have and What We Want (2006), for which he embarked on a journey to the Alaskan Arctic to excavate a 2.5-ton block of ice which was then transported via <a href="/facts/FedEx/1NjvkXWW">FedEx</a> to his native Bahamas and displayed in a solar-powered freezer in the courtyard of his childhood elementary school.<a class="footnote-ref" id="fnref:9" href="#fn:9">9</a><a class="footnote-ref" id="fnref:10" href="#fn:10">10</a> The piece is both physically arresting and metaphorically resonant, referencing the fragility of Earth’s homeostatic systems, the strange poetry of cultural and physical displacement, as well as the little-known contributions of <a href="/facts/Matthew_Henson/b1xrvuQv">Matthew Henson</a>—an under-recognized American explorer and the co-discoverer of the North Pole.

<h3>Orthostatic Tolerance series</h3>
In 2004, Strachan initiated an ambitious four-year multimedia series entitled, Orthostatic Tolerance—the title referring to the physiological stress that cosmonauts endure while exiting and re-entering Earth from outer space.<a class="footnote-ref" id="fnref:11" href="#fn:11">11</a> Exhibited in phases between 2008 and 2011, the Orthostatic Tolerance project incorporated photography, video, drawing, sculpture and installation documenting Strachan’s experience in cosmonaut training at the Yuri Gagarin Training Center in <a href="/facts/Star_City%2c_Russia/uo381mpY">Star City, Russia</a>, and in experiments in space travel conducted in Nassau under the Bahamas Air and Space Exploration Center (BASEC)—the artist’s version of <a href="/facts/National_Aeronautics_and_Space_Administration/TIMCV0yV">NASA</a> for his native country.

<h3>Seen/Unseen (2011)</h3>
In 2011, Strachan exhibited Seen/Unseen—a survey exhibition of past and present works—at an undisclosed location in New York City that was deliberately closed to the general public. Exploring themes of presence and absence, the exhibition focused on the artist’s critical mandate of positioning works in such a way that some of their aspects are visible while others remain conceptual, asserting the exhibition itself is a work of art in its own right. Both ambitious in scope and disruptive to expectations, Seen/Unseen manifested a type of meditative experience, presenting over 50 works from drawings, photographs, video works, sculpture, and installations in a massive 20,000-square-foot industrial space converted specifically for the exhibition. While access to Seen/Unseen was restricted to the organizers, the exhibition itself was fully documented with a website and an illustrated catalogue designed by <a href="/facts/Stefan_Sagmeister/9SBzpDcL">Stefan Sagmeister</a>.

<h3>ENOCH (2018)</h3>
On December 3, 2018, Strachan launched his project ENOCH into space.<a class="footnote-ref" id="fnref:12" href="#fn:12">12</a> Created in collaboration with the <a href="/facts/Los_Angeles_County_Museum_of_Art/B6X414C4">LACMA</a> Art + Technology Lab, ENOCH is centered around the development and launch of a <a href="/facts/CubeSat/jL2IpYKd">3U</a> satellite that brings to light the forgotten story of <a href="/facts/Robert_Henry_Lawrence_Jr./pzUd7N5f">Robert Henry Lawrence Jr.</a>, the first African American astronaut selected for any national space program.<a class="footnote-ref" id="fnref:13" href="#fn:13">13</a> The satellite launched via <a href="/facts/Spaceflight%2c_Inc./CGqb1Krq">Spaceflight</a>’s SSO-A SmallSat Express mission from <a href="/facts/Vandenberg_Air_Force_Base/CHNed3F4">Vandenberg Air Force Base</a> on a <a href="/facts/SpaceX/2tKHsVdJ">SpaceX</a> <a href="/facts/Falcon_9/mNck6vby">Falcon 9</a> rocket. The sculpture circled the Earth for three years in a <a href="/facts/Sun-synchronous_orbit/3HonupUd">Sun-synchronous orbit</a> before reentering on December 21, 2021.<a class="footnote-ref" id="fnref:14" href="#fn:14">14</a>

<h3>The First Supper (Galaxy Black) (2021–2023)</h3>
In February 2024, Strachan unveiled The First Supper (Galaxy Black) at the <a href="/facts/Royal_Academy_of_Arts/9a5Uhj9K">Royal Academy of Arts</a> in London. The bronze sculpture, overlaid with black patina and gold leaf, reinterprets Da Vinci's <a href="/facts/The_Last_Supper_(Leonardo)/3DakDE4v">The Last Supper</a> with Black historical figures. <a href="/facts/Haile_Selassie/zU5z6XG6">Haile Selassie</a> takes the place of Jesus, and Strachan takes the place of <a href="/facts/Judas_Iscariot/oJHk5uW7">Judas</a>. The included figures are (from left to right): Tavares Strachan (self-portrait), <a href="/facts/Sister_Rosetta_Tharpe/VU91L7dJ">Sister Rosetta Tharpe</a>, <a href="/facts/Harriet_Tubman/uAttIqV3">Harriet Tubman</a>, <a href="/facts/Shirley_Chisholm/SEhgt2Vr">Shirley Chisholm</a>, <a href="/facts/Marcus_Garvey/8Su5KMh7">Marcus Garvey</a>, <a href="/facts/Zumbi/y4TceP1f">Zumbi dos Palmares</a>, Haile Selassie, <a href="/facts/Mary_Seacole/9jfXWI8l">Mary Seacole</a>, <a href="/facts/Matthew_Henson/b1xrvuQv">Matthew Henson</a>, <a href="/facts/Marsha_P._Johnson/wjDKsHTe">Marsha P. Johnson</a>, <a href="/facts/King_Tubby/FhuerHvX">King Tubby</a>, <a href="/facts/Derek_Walcott/E8e7fkCj">Derek Alton Walcott</a>, and <a href="/facts/Robert_Henry_Lawrence_Jr./pzUd7N5f">Robert Henry Lawrence</a>.<a class="footnote-ref" id="fnref:15" href="#fn:15">15</a><a class="footnote-ref" id="fnref:16" href="#fn:16">16</a><a class="footnote-ref" id="fnref:17" href="#fn:17">17</a><a class="footnote-ref" id="fnref:18" href="#fn:18">18</a>

<h3>Marian Goodman and curation</h3>
Strachan is represented by Marian Goodman since 2020, and in that same year, the Gallery's London space presented In Plain Sight, the artist's first major UK solo show and in 2020, his The Awakening was presented at Goodman's Manhattan space.<a class="footnote-ref" id="fnref:19" href="#fn:19">19</a><a class="footnote-ref" id="fnref:20" href="#fn:20">20</a><a class="footnote-ref" id="fnref:21" href="#fn:21">21</a>
Strachan curated a solo exhibition for his mentor <a href="/facts/Stanley_Burnside/0Tmknv06">Stanley Burnside</a> in 2022. The exhibition, Stanley Burnside: As Time Goes On, was presented at <a href="/facts/Galerie_Perrotin/F8cCKBU9">Galerie Perrotin</a> in New York.<a class="footnote-ref" id="fnref:22" href="#fn:22">22</a>

<h2 id="awards-and-honors">Awards and honors</h2>
His recognition includes a MacArthur Foundation Grant (2022),<a class="footnote-ref" id="fnref:23" href="#fn:23">23</a> the Inaugural Allen Institute artist-in-residence (2018),<a class="footnote-ref" id="fnref:24" href="#fn:24">24</a> LACMA Art + Technology Lab artist grant (2014),<a class="footnote-ref" id="fnref:25" href="#fn:25">25</a> Tiffany Foundation grant (2008),<a class="footnote-ref" id="fnref:26" href="#fn:26">26</a> Grand Arts Residency Fellowship (2007),<a class="footnote-ref" id="fnref:27" href="#fn:27">27</a> and Alice B. Kimball fellowship (2006).<a class="footnote-ref" id="fnref:28" href="#fn:28">28</a> In 2013, he represented the Bahamas at the <a href="/facts/55th_Venice_Biennale/IMAeDuDr">55th Venice Biennale</a>.<a class="footnote-ref" id="fnref:29" href="#fn:29">29</a><a class="footnote-ref" id="fnref:30" href="#fn:30">30</a>

<h2 id="bibliography">Bibliography</h2>
<ul><li>Maxwell Heller, <a href="/facts/Franklin_Sirmans/Vll3SEvX">Franklin Sirmans</a>, Tavares Strachan: Orthostatic Tolerance: It Might Not Be Such a Bad Idea if I Never Went Home, MIT List Visual Arts Center, Cambridge, MA, 2010.</li>
<li><a href="/facts/Robert_Hobbs/A3Kpysny">Robert Hobbs</a>, Stamatina Gregory, <a href="/facts/Christian_Viveros-Faun%25C3%25A9/J18X5Mbz">Christian Viveros-Fauné</a>, Tavares Strachan: I Belong Here, Conceptio Unlimited Publication, New York, 2013.</li>
<li>Robert Hobbs, Gregory Volk, <a href="/facts/Mimi_Sheller/ojRX7XTk">Mimi Sheller</a>, Franklin Sirmans, Tavares Strachan: Seen/Unseen, ArtAsiaPacific, New York, 2014.</li>
<li><a href="/facts/Adrian_Searle/FmRQlT5n">Adrian Searle</a>, Tavares Strachan: In Plain Sight, Marian Goodman Gallery/Isolated Publishing, New york, 2022.</li>
<li>Pedro Alonzo, <a href="/facts/Gavin_Delahunty/h8GtHTDE">Gavin Delahunty</a>, Erin Jenoa Gilbert, <a href="/facts/Alysia_Nicole_Harris/FyuJzSbV">Alysia Nicole Harris</a>, Tavares Strachan: The Awakening, Marian Goodman Gallery/Isolated Publishing, New York, 2024.</li>
<li>Olivia Anani, Michele Robecchi, Tavares Strachan: In Total Darkness, Marian Goodman Gallery/Isolated Publishing, New york, 2024.</li>
<li><a href="/facts/Emmanuel_Perrotin/B51r5VgB">Emmanuel Perrotin</a>, Romi Crawford, <a href="/facts/Nancy_Spector/2t9lMYkD">Nancy Spector</a>, <a href="/facts/Kaitlyn_Greenidge/D950714C">Kaitlyn Greenidge</a>, Tavares Strachan: In Broad Daylight, Perrotin/Isolated Publishing, New York, 2024.</li>
<li><a href="/facts/Ralph_Rugoff/AAE3sGdt">Ralph Rugoff</a>, Maggie M. Chao, <a href="/facts/Ekow_Eshun/UthtfmX3">Ekow Eshun</a>, Tavares Strachan: There Is Light Somewhere, Hayward Gallery Publishing, London, 2024.</li></ul>
<h2 id="see-also">See also</h2>
<ul><li><a href="/facts/List_of_Bahamian_artists/74jIDfKJ">List of Bahamian artists</a></li></ul>

<h2 id="references">References</h2>

<ol>
<li id="fn:1">Rodney, Seph (2021-09-29). "Pulling the Caribbean into Conceptual Focus". Hyperallergic. Retrieved 2021-10-03. <a href="http://hyperallergic.com/680557/pulling-the-caribbean-into-conceptual-focus/" target="_blank">http://hyperallergic.com/680557/pulling-the-caribbean-into-conceptual-focus/</a> <a href="#fnref:1" class="footnote-back-ref">↩</a></li>
<li id="fn:2">Williams, Gilda (December 2020). "Tavares Strachan". Artforum.com. Retrieved 2021-10-03. <a href="https://www.artforum.com/print/reviews/202009/tavares-strachan-84413" target="_blank">https://www.artforum.com/print/reviews/202009/tavares-strachan-84413</a> <a href="#fnref:2" class="footnote-back-ref">↩</a></li>
<li id="fn:3">Lescaze, Zoë (2020-09-16). "The Artist Whose Medium Is Science". The New York Times. ISSN 0362-4331. Retrieved 2021-10-03. <a href="https://www.nytimes.com/2020/09/16/t-magazine/tavares-strachan.html" target="_blank">https://www.nytimes.com/2020/09/16/t-magazine/tavares-strachan.html</a> <a href="#fnref:3" class="footnote-back-ref">↩</a></li>
<li id="fn:4">Tolia-Kelly, Divya P. (2016-02-11). Visuality/Materiality: Images, Objects and Practices. Routledge. p. 32. ISBN 978-1-317-00112-6. <a href="978-1-317-00112-6" target="_blank">978-1-317-00112-6</a> <a href="#fnref:4" class="footnote-back-ref">↩</a></li>
<li id="fn:5">"Top Ten: Tavares Strachan". Artforum.com. March 2021. Retrieved 2021-10-03. <a href="https://www.artforum.com/print/202102/tavares-strachan-84996" target="_blank">https://www.artforum.com/print/202102/tavares-strachan-84996</a> <a href="#fnref:5" class="footnote-back-ref">↩</a></li>
<li id="fn:6">"Conrad Shawcross and Tavares Strachan' Embrace the Spirit of Exploration at the RISD Museum". Gulf Daily Magazine. 11 July 2011. Retrieved 18 November 2012. <a href="http://www.gulfdaily.net/conrad-shawcross-and-tavares-strachan-embrace-the-spirit-of-exploration-at-the-risd-museum/" target="_blank">http://www.gulfdaily.net/conrad-shawcross-and-tavares-strachan-embrace-the-spirit-of-exploration-at-the-risd-museum/</a> <a href="#fnref:6" class="footnote-back-ref">↩</a></li>
<li id="fn:7">Tolia-Kelly, Divya P. (2016-02-11). Visuality/Materiality: Images, Objects and Practices. Routledge. p. 32. ISBN 978-1-317-00112-6. <a href="978-1-317-00112-6" target="_blank">978-1-317-00112-6</a> <a href="#fnref:7" class="footnote-back-ref">↩</a></li>
<li id="fn:8">"In Plain Sight review – Tavares Strachan's baffling, thrilling, uplifting visions". the Guardian. 2020-09-08. Retrieved 2021-10-03. <a href="https://www.theguardian.com/artanddesign/2020/sep/08/in-plain-sight-review-tavares-strachan-baffling-thrilling-visions" target="_blank">https://www.theguardian.com/artanddesign/2020/sep/08/in-plain-sight-review-tavares-strachan-baffling-thrilling-visions</a> <a href="#fnref:8" class="footnote-back-ref">↩</a></li>
<li id="fn:9">"Brooklyn Museum: Tavares Strachan: The Distance Between What We Have and What We Want (Arctic Ice Project)". www.brooklynmuseum.org. Retrieved 2021-10-03. <a href="https://www.brooklynmuseum.org/exhibitions/arctic_ice_project" target="_blank">https://www.brooklynmuseum.org/exhibitions/arctic_ice_project</a> <a href="#fnref:9" class="footnote-back-ref">↩</a></li>
<li id="fn:10">Buck, Louisa (2020-09-08). "Tavares Strachan: 'I grew up not feeling empowered by art'". The Art Newspaper. Retrieved 2021-10-03. <a href="https://www.theartnewspaper.com/2020/09/08/tavares-strachan-i-grew-up-not-feeling-empowered-by-art" target="_blank">https://www.theartnewspaper.com/2020/09/08/tavares-strachan-i-grew-up-not-feeling-empowered-by-art</a> <a href="#fnref:10" class="footnote-back-ref">↩</a></li>
<li id="fn:11">Tolia-Kelly, Divya P. (2016-02-11). Visuality/Materiality: Images, Objects and Practices. Routledge. p. 32. ISBN 978-1-317-00112-6. <a href="978-1-317-00112-6" target="_blank">978-1-317-00112-6</a> <a href="#fnref:11" class="footnote-back-ref">↩</a></li>
<li id="fn:12">"ENOCH". LACMA. 2018-12-03. Retrieved 2022-02-03. <a href="http://www.lacma.org/lab/project/enoch" target="_blank">http://www.lacma.org/lab/project/enoch</a> <a href="#fnref:12" class="footnote-back-ref">↩</a></li>
<li id="fn:13">Lescaze, Zoë (2020-09-16). "The Artist Whose Medium Is Science". The New York Times. ISSN 0362-4331. Retrieved 2022-05-11. <a href="https://www.nytimes.com/2020/09/16/t-magazine/tavares-strachan.html" target="_blank">https://www.nytimes.com/2020/09/16/t-magazine/tavares-strachan.html</a> <a href="#fnref:13" class="footnote-back-ref">↩</a></li>
<li id="fn:14">"LACMA ENOCH". N2YO.com. 21 December 2021. Retrieved 28 December 2021. <a href="https://www.n2yo.com/satellite/?s=43777" target="_blank">https://www.n2yo.com/satellite/?s=43777</a> <a href="#fnref:14" class="footnote-back-ref">↩</a></li>
<li id="fn:15">Sherwin, Skye (2023-12-26). "The Last Supper recast: artist Tavares Strachan on reimagining Da Vinci's dinner guests". The Guardian. ISSN 0261-3077. Retrieved 2024-02-02. <a href="https://www.theguardian.com/artanddesign/2023/dec/26/tavares-strachan" target="_blank">https://www.theguardian.com/artanddesign/2023/dec/26/tavares-strachan</a> <a href="#fnref:15" class="footnote-back-ref">↩</a></li>
<li id="fn:16">"When Sister Rosetta met Marsha P. Johnson: public art piece in London reimagines Leonardo's Last Supper". The Art Newspaper - International art news and events. 2024-01-30. Retrieved 2024-02-02. <a href="https://www.theartnewspaper.com/2024/01/30/when-sister-rosetta-met-marsha-p-johnson-public-art-piece-in-london-reimagines-leonardos-last-supper" target="_blank">https://www.theartnewspaper.com/2024/01/30/when-sister-rosetta-met-marsha-p-johnson-public-art-piece-in-london-reimagines-leonardos-last-supper</a> <a href="#fnref:16" class="footnote-back-ref">↩</a></li>
<li id="fn:17">Westall, Mark (2024-01-30). "Tavares Strachan's monumental sculpture unveiled in Royal Academy Courtyard". FAD Magazine. Retrieved 2024-02-02. <a href="https://fadmagazine.com/2024/01/30/tavares-strachans-monumental-sculpture-to-be-unveiled-in-royal-academy-courtyard/" target="_blank">https://fadmagazine.com/2024/01/30/tavares-strachans-monumental-sculpture-to-be-unveiled-in-royal-academy-courtyard/</a> <a href="#fnref:17" class="footnote-back-ref">↩</a></li>
<li id="fn:18">"The First Supper by Tavares Strachan". Royal Academy of Arts audio guide. Retrieved 2024-02-04. <a href="https://app.smartify.org/en-GB/tours/entangled-pasts?tourLanguage=en-GB" target="_blank">https://app.smartify.org/en-GB/tours/entangled-pasts?tourLanguage=en-GB</a> <a href="#fnref:18" class="footnote-back-ref">↩</a></li>
<li id="fn:19">"Tavares Strachan, IN PLAIN SIGHT". Marian Goodman. Retrieved 2022-05-11. <a href="https://www.mariangoodman.com/exhibitions/416-tavares-strachan-in-plain-sight/" target="_blank">https://www.mariangoodman.com/exhibitions/416-tavares-strachan-in-plain-sight/</a> <a href="#fnref:19" class="footnote-back-ref">↩</a></li>
<li id="fn:20">"Tavares Strachan, The Awakening". Marian Goodman. Retrieved 2022-05-11. <a href="https://www.mariangoodman.com/exhibitions/tavares-strachan-the-awakening-new-york/" target="_blank">https://www.mariangoodman.com/exhibitions/tavares-strachan-the-awakening-new-york/</a> <a href="#fnref:20" class="footnote-back-ref">↩</a></li>
<li id="fn:21">"Marian Goodman Gallery Announced its Representation Tavares Strachan, Whose Practice Activates Art, Science, and Politics". 2020-03-11. Retrieved 2022-05-11. <a href="https://www.culturetype.com/2020/03/11/marian-goodman-gallery-announced-its-representation-tavares-strachan-whose-practice-activates-art-science-and-politics/" target="_blank">https://www.culturetype.com/2020/03/11/marian-goodman-gallery-announced-its-representation-tavares-strachan-whose-practice-activates-art-science-and-politics/</a> <a href="#fnref:21" class="footnote-back-ref">↩</a></li>
<li id="fn:22">Rappolt, Mark (25 November 2022). "Stan Burnside and Tavares Strachan: 'We Get to Make Meaning'". ArtReview. <a href="https://artreview.com/stan-burnside-and-tavares-strachan-we-get-to-make-meaning/" target="_blank">https://artreview.com/stan-burnside-and-tavares-strachan-we-get-to-make-meaning/</a> <a href="#fnref:22" class="footnote-back-ref">↩</a></li>
<li id="fn:23">Stevens, Matt (12 October 2022). "MacArthur Foundation Announces 25 New 'Genius' Grant Winners". The New York Times. Retrieved 12 October 2022. <a href="https://www.nytimes.com/2022/10/12/arts/macarthur-foundation-genius-grant-winners.html" target="_blank">https://www.nytimes.com/2022/10/12/arts/macarthur-foundation-genius-grant-winners.html</a> <a href="#fnref:23" class="footnote-back-ref">↩</a></li>
<li id="fn:24">"Conceptual Artist Tavares Strachan Joins Allen Institute as First Artist-In-Residence". 20 March 2018. <a href="https://alleninstitute.org/what-we-do/frontiers-group/news-press/press-resources/press-releases/conceptual-artist-tavares-strachan-joins-allen-institute-first-artist-residence" target="_blank">https://alleninstitute.org/what-we-do/frontiers-group/news-press/press-resources/press-releases/conceptual-artist-tavares-strachan-joins-allen-institute-first-artist-residence</a> <a href="#fnref:24" class="footnote-back-ref">↩</a></li>
<li id="fn:25">"Announcing Art + Technology Lab Artist Grant Awards | Unframed". unframed.lacma.org. 9 April 2014. Retrieved 2020-01-05. <a href="https://unframed.lacma.org/2014/04/09/announcing-art-technology-lab-artist-grant-awards" target="_blank">https://unframed.lacma.org/2014/04/09/announcing-art-technology-lab-artist-grant-awards</a> <a href="#fnref:25" class="footnote-back-ref">↩</a></li>
<li id="fn:26">"In Plain Sight". Kolaj Magazine. 2020-09-26. Retrieved 2021-10-03. <a href="https://kolajmagazine.com/content/content/collage-exhibitions/in-plain-sight/" target="_blank">https://kolajmagazine.com/content/content/collage-exhibitions/in-plain-sight/</a> <a href="#fnref:26" class="footnote-back-ref">↩</a></li>
<li id="fn:27">"Tavares Strachan Biography – Tavares Strachan on artnet". www.artnet.com. Retrieved 2020-01-05. <a href="http://www.artnet.com/artists/tavares-strachan/biography" target="_blank">http://www.artnet.com/artists/tavares-strachan/biography</a> <a href="#fnref:27" class="footnote-back-ref">↩</a></li>
<li id="fn:28">"Tavares STRACHAN - Artist - Perrotin". www.perrotin.com. Retrieved 2022-05-11. <a href="https://www.perrotin.com/artists/tavares_strachan/797" target="_blank">https://www.perrotin.com/artists/tavares_strachan/797</a> <a href="#fnref:28" class="footnote-back-ref">↩</a></li>
<li id="fn:29">"Top Ten: Tavares Strachan". Artforum.com. March 2021. Retrieved 2021-10-03. <a href="https://www.artforum.com/print/202102/tavares-strachan-84996" target="_blank">https://www.artforum.com/print/202102/tavares-strachan-84996</a> <a href="#fnref:29" class="footnote-back-ref">↩</a></li>
<li id="fn:30">"Tavares Strachan's 'In Plain Sight' - Criticism - art-agenda". Retrieved 2022-05-11. <a href="https://www.art-agenda.com/criticism/349484/tavares-strachan-s-in-plain-sight" target="_blank">https://www.art-agenda.com/criticism/349484/tavares-strachan-s-in-plain-sight</a> <a href="#fnref:30" class="footnote-back-ref">↩</a></li>
</ol>

Tavares Strachan open-in-new

Tavares Strachan