Cook was born in Fulham, London, England to Anglo-Irish parents. He attended boarding schools until age fifteen and joined the British Army in 1949.3 He served for twelve years, mostly in Asia, including Japan where he saw the Ama (Japanese female free-divers) harvesting shellfish, sea urchins, pearls, etc., from the ocean. He married Muriel Horner in 1951 and had eight children. Between 1962 and 1966, he attended the University of Nottingham, earning teaching qualifications.45
After graduating in 1966, Cook left his family and moved to Newfoundland to work as a schoolteacher. In 1967, he began his career at Memorial University of Newfoundland, first as a drama specialist with the MUN Extension Service and later becoming an associate professor in the English department.6 Soon after arriving in Newfoundland, he wrote scripts for several radio dramas which were produced in St. John's.7 He also reviewed plays and wrote articles about the importance of theatre in the St. John's Evening Telegram and the Canadian Theatrical Review.8
In 1970, Cook formed the amateur theatre company The Open Group with Clyde Rose and Richard Buehler and began to write plays for this group.9 He wrote a number of plays set in Newfoundland, beginning with Tiln, written in 1971.10 His best-known works are Jacob's Wake and The Head, Guts and Soundbone Dance, in which Newfoundland provides a sometimes realistic and sometimes symbolic backdrop for his poetic rendering of lives in continual conflict with natural elements.11 Many of Cook's plays include dialogue written in Newfoundland English.12
In the mid-1970s, Cook began to spend time on Random Island and Fogo Island, marrying Madonna Decker in 1973.13 In 1977, he was playwright-in-residence in the Banff Playwrights Lab at the Banff Centre for the Arts.14 From 1982, they lived in Stratford, Ontario, where he was playwright-in-residence in 1987. He would often spend his summers on Random Island.15
In 1994, while making his way to his summer home on Random Island after visiting St. John's to see a staging of The Head, Guts and Soundbone Dance, Cook became ill and died back in St. John's.1617
His plays have been performed throughout North America, as well Poland, Sweden, Germany, Hungary, the United Kingdom and Ireland.18
Cook married three times, and fathered fourteen children, including actor Sebastian Spence by his second wife, Janis Spence, to whom he was married 1967–73.1920
"Michael Cook". www.thecanadianencyclopedia.ca. Retrieved 15 April 2024. https://www.thecanadianencyclopedia.ca/en/article/michael-cook ↩
Kirkpatrick, D. L. (Daniel Lane) (1988). Contemporary dramatists. Chicago; London: St. James. pp. 96–98. ISBN 978-0-912289-62-5. 978-0-912289-62-5 ↩
Lisa De Leon. Writers of Newfoundland and Labrador: Twentieth Century. Jesperson Press; 1 January 1985. ISBN 978-0-920502-58-7. p. 267. https://books.google.com/books?id=rJAfAQAAIAAJ ↩
Michael Cook entry at The Canadian Encyclopedia https://www.thecanadianencyclopedia.ca/en/article/michael-cook/ ↩
"Michael Cook". Heritage Newfoundland, www.heritage.nf.ca http://www.heritage.nf.ca/articles/arts/michael-cook.php ↩
Literary History of Canada: Canadian Literature in English, Volume IV (Second Edition). University of Toronto Press, Scholarly Publishing Division; 15 December 1990. ISBN 978-1-4875-9116-8. p. 199–. https://books.google.com/books?id=FjU5DwAAQBAJ&pg=PT199 ↩
Page, Malcolm (1994). Biocritical Essay (Michael Cook). University of Calgary Press. ISBN 978-1-895176-52-0. 978-1-895176-52-0 ↩
Devine, Michael (1 January 2004). "Cultural Evolution in Newfoundland Theatre: The Rise of the Gros Morne Theatre Festival". Theatre Research in Canada / Recherches théâtrales au Canada. ISSN 1913-9101. https://journals.lib.unb.ca/index.php/TRIC/article/view/4653 ↩
María Jesús Hernáez Lerena. Pathways of Creativity in Contemporary Newfoundland and Labrador. Cambridge Scholars Publishing; 18 September 2015. ISBN 978-1-4438-8333-7. p. 193–. https://books.google.com/books?id=SJDWCgAAQBAJ&pg=PA193 ↩
Craig Stewart Walker. The Buried Astrolabe: Canadian Dramatic Imagination and Western Tradition. McGill-Queen's Press - MQUP; 2001. ISBN 978-0-7735-2075-2. p. 83–. https://books.google.com/books?id=ym0epMx87McC&pg=PA83 ↩
Post-Colonial Drama: Theory, Practice, Politics. Routledge; 11 September 2002. ISBN 978-1-134-87700-3. p. 179–. https://books.google.com/books?id=1CmIAgAAQBAJ&pg=PA179 ↩
John Robert Colombo. Canadian Literary Landmarks. Dundurn; 1 January 1984. ISBN 978-1-4597-1798-5. p. 22–. https://books.google.com/books?id=WdPnEvbEKgQC&pg=PA22 ↩
"A Brief History of the Banff Playwrights Lab". www.banffcentre.ca. Retrieved 16 April 2024. https://www.banffcentre.ca/brief-history-banff-playwrights-lab ↩
Lynde, Denise (1 June 1994). "In Memoriam Michael Cook". Theatre Research in Canada / Recherches théâtrales au Canada. ISSN 1913-9101. https://journals.lib.unb.ca/index.php/TRIC/article/view/7202 ↩
The CTR anthology : fifteen plays from Canadian Theatre Review. Toronto; Buffalo: University of Toronto Press. 1993. ISBN 978-0-8020-6812-5. 978-0-8020-6812-5 ↩
"Director, actor Janis Spence dead at 61". CBC News, Feb 07, 2008 http://www.cbc.ca/news/canada/newfoundland-labrador/director-actor-janis-spence-dead-at-61-1.714350 ↩
Cook, Michael (1985). The fisherman's revenge. Toronto: Playwrights Canada. ISBN 978-0-88754-385-2. 978-0-88754-385-2 ↩
Inter-plays : works and words of writers and critics : a festschrift published in honour of Albert-Reiner Glaap. St. John's, NF, Canada: Breakwater. 1994. ISBN 978-1-55081-078-3. 978-1-55081-078-3 ↩
Cook, Michael (1976). Tiln & other plays. Vancouver: Talonbooks. ISBN 978-0-88922-107-9. 978-0-88922-107-9 ↩