Dont Look Back

<h2 id="synopsis">Synopsis</h2>
The opening scene of the film has Bob Dylan displaying and discarding a series of cue cards bearing selected words and phrases from the lyrics to his 1965 song "<a href="/facts/Subterranean_Homesick_Blues/33sbmQNR">Subterranean Homesick Blues</a>" (including intentional misspellings and puns).<a class="footnote-ref" id="fnref:4" href="#fn:4">4</a> This was the first single from his most recent album, <a href="/facts/Bringing_It_All_Back_Home/JkR27pwx">Bringing It All Back Home</a>, and a top ten hit in the UK when he filmed it there (a fact discussed in the film). <a href="/facts/Allen_Ginsberg/Yvvbkvoa">Allen Ginsberg</a> appears in the background having a discussion with <a href="/facts/Bob_Neuwirth/YCNm47Q2">Bob Neuwirth</a>.
The film features <a href="/facts/Joan_Baez/qQRcaSXy">Joan Baez</a>, <a href="/facts/Donovan/tuzWNhr9">Donovan</a> and <a href="/facts/Alan_Price/QVpSo16Y">Alan Price</a> (who had just left <a href="/facts/The_Animals/pKDMYzxw">the Animals</a>), Dylan's manager <a href="/facts/Albert_Grossman/H9p3ypev">Albert Grossman</a> and his road manager Neuwirth. <a href="/facts/Marianne_Faithfull/SEc3Ixlg">Marianne Faithfull</a>, <a href="/facts/John_Mayall/Mafy0PGv">John Mayall</a>, <a href="/facts/Ginger_Baker/MeuV570g">Ginger Baker</a> and Allen Ginsberg may also be glimpsed in the background. Notable scenes include:

<ul><li>Dylan and Baez singing <a href="/facts/Hank_Williams/Gyc7CFXI">Hank Williams</a> songs in a hotel room, as well as Baez singing the first few verses of "<a href="/facts/Sally_Go_%27Round_the_Roses/gDvoxxxj">Sally Go 'Round the Roses</a>", "<a href="/facts/Percy%27s_Song/CJkAm1LK">Percy's Song</a>" and "<a href="/facts/Love_Is_Just_a_Four-Letter_Word/LkwtytSv">Love Is Just a Four-Letter Word</a>" (which was still apparently unfinished at the time, as Baez later tells Dylan, "If you finish it I'll sing it on a record"; she would record it on <a href="/facts/Any_Day_Now_(Joan_Baez_album)/ffcIfurP">Any Day Now</a> in 1968).</li>
<li>Dylan's pre-concert philosophical jousting with a "science student" (<a href="/facts/Terry_Ellis_(manager)/5wjAjLr6">Terry Ellis</a>, who later co-founded <a href="/facts/Chrysalis_Records/IrHj9tyQ">Chrysalis Records</a>).</li>
<li>Grossman negotiating with former <a href="/facts/Bebop/Q6suehVl">bebop</a> <a href="/facts/British_dance_band/zSLM67rW">dance band</a> leader and music agent <a href="/facts/Tito_Burns/1TmJY5pj">Tito Burns</a>.</li>
<li>Dylan singing "<a href="/facts/Only_a_Pawn_in_Their_Game/DJyRnP1X">Only a Pawn in Their Game</a>" on July 6, 1963, at a Voters' Registration Rally in <a href="/facts/Greenwood,_Mississippi/Ha2SytJ6">Greenwood, Mississippi</a> (shot by artist and experimental filmmaker <a href="/facts/Ed_Emshwiller/8zVBMmnb">Ed Emshwiller</a>).</li>
<li>Dylan's interrupting <a href="/facts/Alan_Price/QVpSo16Y">Alan Price</a>'s backstage performance of "<a href="/facts/Little_Things_(Bobby_Goldsboro_song)/nh7xgx6n">Little Things</a>" to ask Price why he left <a href="/facts/The_Animals/pKDMYzxw">the Animals</a>.</li>
<li>Dylan's extended taunting of <a href="/facts/Time_(magazine)/N4FXc99l">Time</a>'s London arts and science correspondent <a href="/facts/Horace_Freeland_Judson/PNAqQnHj">Horace Freeland Judson</a> who was subjected to what he believes to be a contrived tirade of abuse from Dylan. Dylan claims both that he is not a folk singer, and not a pop singer.</li>
<li>A selection of songs from Dylan's <a href="/facts/Royal_Albert_Hall/9u7QUvTD">Royal Albert Hall</a> performance.</li>
<li>Dylan regaling the room with "<a href="/facts/It%27s_All_Over_Now,_Baby_Blue/tRCQEHTb">It's All Over Now, Baby Blue</a>" at Donovan's request after proclaiming "Hey, that's a good song, man!" during Donovan's performance of "To Sing for You".</li></ul>
<h2 id="cast">Cast</h2>
<h3>Credited</h3>
<ul><li><a href="/facts/Bob_Dylan/WcaUqWBj">Bob Dylan</a></li>
<li><a href="/facts/Albert_Grossman/H9p3ypev">Albert Grossman</a></li>
<li><a href="/facts/Bob_Neuwirth/YCNm47Q2">Bob Neuwirth</a></li>
<li><a href="/facts/Joan_Baez/qQRcaSXy">Joan Baez</a></li>
<li><a href="/facts/Alan_Price/QVpSo16Y">Alan Price</a></li>
<li><a href="/facts/Tito_Burns/1TmJY5pj">Tito Burns</a></li>
<li><a href="/facts/Donovan/tuzWNhr9">Donovan</a></li>
<li><a href="/facts/Derroll_Adams/yFmG5wGo">Derroll Adams</a></li></ul>
<h3>Uncredited</h3>
<ul><li><a href="/facts/Howard_Alk/f7qQdyY1">Howard Alk</a></li>
<li>Jones Alk</li>
<li><a href="/facts/Chris_Ellis_(musician)/D9lRhEyL">Chris Ellis</a></li>
<li><a href="/facts/Terry_Ellis_(record_producer)/5wjAjLr6">Terry Ellis</a></li>
<li><a href="/facts/Marianne_Faithfull/SEc3Ixlg">Marianne Faithfull</a></li>
<li><a href="/facts/Allen_Ginsberg/Yvvbkvoa">Allen Ginsberg</a></li>
<li><a href="/facts/Dorris_Henderson/F0dFU2rB">Dorris Henderson</a></li>
<li><a href="/facts/John_Mayall/Mafy0PGv">John Mayall</a></li>
<li><a href="/facts/Brian_Pendleton/kseUy2Wd">Brian Pendleton</a></li>
<li><a href="/facts/John_Renbourn/2M7hWAc5">John Renbourn</a></li>
<li><a href="/facts/Tom_Wilson_(producer)/VuADXNRq">Tom Wilson</a></li></ul>
<h2 id="title">Title</h2>

The original title of this film is Dont Look Back, without an <a href="/facts/Apostrophe/Te0sg9km">apostrophe</a> in the first word. D. A. Pennebaker, the film's writer director, decided to punctuate the title this way because "It was my attempt to simplify the language".<a class="footnote-ref" id="fnref:5" href="#fn:5">5</a> Many sources, however, have assumed this to be a <a href="/facts/Typographical_error/sv95N3Gr">typographical error</a> and have "corrected" the title to Don't Look Back. In the commentary track to the DVD release, Pennebaker said that the title came from the <a href="/facts/Satchel_Paige/h0uUMjo4">Satchel Paige</a> quote, "Don't look back. Something might be gaining on you," and that Dylan shared this view.

<h2 id="production">Production</h2>
Dont Look Back was shot in black-and-white with a handheld 16mm-film camera and utilized direct sound, thus creating the template for the "rockumentary" film genre.<a class="footnote-ref" id="fnref:6" href="#fn:6">6</a> Production began when Dylan arrived in England on April 26, 1965, and ended shortly after his final UK concert at the <a href="/facts/Royal_Albert_Hall/9u7QUvTD">Royal Albert Hall</a> on May 10.<a class="footnote-ref" id="fnref:7" href="#fn:7">7</a> Pennebaker has stated that the famous "<a href="/facts/Subterranean_Homesick_Blues/33sbmQNR">Subterranean Homesick Blues</a>" music video that is shown at the beginning of the film was actually shot at the very end of filming. Pennebaker decided during editing to place it at the beginning of the film as a "stage" for Dylan to begin the film.

<h2 id="release">Release</h2>
The film was first shown publicly May 17, 1967, at the Presidio Theater in San Francisco, and opened that September at the 34th Street East Theater in New York.
A transcript of the film, with photographs, was published in 1968 by <a href="/facts/Ballantine_Books/Lj4moIBI">Ballantine Books</a>.

<h2 id="reception-and-legacy">Reception and legacy</h2>
Dont Look Back has been very well received by critics. It has a rating of 91% on <a href="/facts/Rotten_Tomatoes/rLs7ktSY">Rotten Tomatoes</a> based on 55 reviews. The websites critics consensus reads, "Dont [sic] Look Back leaves the mysteries of Dylan largely intact while offering a gripping verite-style account of a pivotal moment in his incredible career." The film received a 5-star review from <a href="/facts/AllMovie/LFmxXRB3">AllMovie</a> and has a <a href="/facts/Metacritic/Wve8EJFd">Metacritic</a> score of 84, indicating "universal acclaim".<a class="footnote-ref" id="fnref:8" href="#fn:8">8</a> In August 1967, a <a href="/facts/Newsweek/ClFEs5So">Newsweek</a> reviewer wrote, "Dont Look Back is really about fame and how it menaces art, about the press and how it categorizes, bowdlerizes, sterilizes, universalizes or conventionalizes an original like Dylan into something it can dimly understand".<a class="footnote-ref" id="fnref:9" href="#fn:9">9</a><a class="footnote-ref" id="fnref:10" href="#fn:10">10</a>
<a href="/facts/Kurt_Cobain/42tKF9h1">Kurt Cobain</a> identified it as the only "good documentary about rock and roll" in a 1991 interview with his <a href="/facts/Nirvana_(band)/LB38lBz8">Nirvana</a> bandmates, a sentiment with which <a href="/facts/Dave_Grohl/4hfo7b6w">Dave Grohl</a> concurred.<a class="footnote-ref" id="fnref:11" href="#fn:11">11</a>
The film has been parodied and paid homage to by many other films and television shows including <a href="/facts/This_Is_Spinal_Tap/37J4zlbS">This Is Spinal Tap</a>,<a class="footnote-ref" id="fnref:12" href="#fn:12">12</a> <a href="/facts/Bob_Roberts/BYdVwQsx">Bob Roberts</a>,<a class="footnote-ref" id="fnref:13" href="#fn:13">13</a> and <a href="/facts/Documentary_Now!/dHxEJRnQ">Documentary Now!</a>.<a class="footnote-ref" id="fnref:14" href="#fn:14">14</a> The opening sequence featuring "<a href="/facts/Subterranean_Homesick_Blues/33sbmQNR">Subterranean Homesick Blues</a>" has likewise inspired many music videos, including <a href="/facts/INXS/heqxXGIh">INXS</a>' "<a href="/facts/Mediate_(song)/PW6yWgs5">Mediate</a>",<a class="footnote-ref" id="fnref:15" href="#fn:15">15</a> <a href="/facts/Evidence_(musician)/00eWGrul">MC Evidence</a>'s "The Far Left,"<a class="footnote-ref" id="fnref:16" href="#fn:16">16</a> <a href="/facts/%22Weird_Al%22_Yankovic/Gt08t8m1">"Weird Al" Yankovic</a>'s "<a href="/facts/Bob_(%22Weird_Al%22_Yankovic_song)/bRupGc30">Bob</a>"<a class="footnote-ref" id="fnref:17" href="#fn:17">17</a> and <a href="/facts/Hozier/6TYAFJ7h">Hozier</a>'s "<a href="/facts/Almost_(Sweet_Music)/CgLnXzSM">Almost (Sweet Music)</a>,"<a class="footnote-ref" id="fnref:18" href="#fn:18">18</a> and was cited by journalist <a href="/facts/Roger_Friedman/JXG7ECcN">Roger Friedman</a> as "the most copied, most revered, music video of all time".<a class="footnote-ref" id="fnref:19" href="#fn:19">19</a>

<h3>Home media</h3>
Dont Look Back has been released and re-released on home video in many formats, from VHS to Blu-ray, over the decades. A digitally remastered deluxe DVD edition was released on February 27, 2007.<a class="footnote-ref" id="fnref:20" href="#fn:20">20</a> The two-disc edition contained the remastered film, five additional audio tracks, commentary by filmmaker D. A. Pennebaker and Tour Road Manager Bob Neuwirth, an alternative version of the video for "Subterranean Homesick Blues", the original companion book edited by D. A. Pennebaker to coincide with the film's release in 1968, a flip-book for a section of the "Subterranean Homesick Blues" video, and a brand new documentary by D. A. Pennebaker and edited by Walker Lamond called <a href="/facts/65_Revisited/zlDWYdvs">65 Revisited</a>. The DVD packaging was also given new artwork.
On November 24, 2015, <a href="/facts/The_Criterion_Collection/KbDrlDdS">The Criterion Collection</a> released a newly restored <a href="/facts/4K_resolution/Ehhhg0rD">4K</a> transfer of the film on Blu-ray and DVD.<a class="footnote-ref" id="fnref:21" href="#fn:21">21</a> The Criterion version contained new special features.

<h2 id="see-also">See also</h2>
<ul><li><a href="/facts/List_of_American_films_of_1967/psRusIpq">List of American films of 1967</a></li>
<li><a href="/facts/Festival_(1967_film)/AELKIxwm">Festival</a> – Oscar-nominated concert documentary from the same year also featuring Dylan</li></ul>

<h2 id="literature">Literature</h2>
<ul><li>Hall, Jeanne (1998): Don´t you ever just watch? American Cinéma vérité and DONT LOOK BACK. In: Grant, Barry Keith/Sloniowski, Jeannette (eds.): Documenting the Documentary. Close Readings of Documentary Film and Video. pp. 223–236, Detroit: Wayne St. University Press, <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0814326398</li>
<li>Saunders, Dave (2007). Direct Cinema: Observational Documentary and the Politics of the Sixties. London: <a href="/facts/Wallflower_Press/5dVrKLey">Wallflower Press</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-1-905674-16-9. (This book contains a lengthy chapter on Dont Look Back and its cultural context and significance.)</li></ul>
<h2 id="external-links">External links</h2>
<ul><li><a href="https://www.imdb.com/title/tt0061589/">Dont Look Back</a> at <a href="/facts/IMDb_(identifier)/uWrqVYVy">IMDb</a></li>
<li><a href="https://www.tcm.com/tcmdb/title/502659/enwp">Dont Look Back</a> at the <a href="/facts/Turner_Classic_Movies/0qS5jr3H">TCM Movie Database</a></li>
<li><a href="https://www.rottentomatoes.com/m/dont_look_back_1967">Dont Look Back</a> at <a href="/facts/Rotten_Tomatoes/rLs7ktSY">Rotten Tomatoes</a></li>
<li><a href="https://catalog.afi.com/Catalog/moviedetails/20193">Dont Look Back</a> at the <a href="/facts/AFI_Catalog_of_Feature_Films/61kFwpB6">AFI Catalog of Feature Films</a></li>
<li><a href="https://www.nytimes.com/2007/11/28/movies/28revi.html">Review of 65 Revisited in The New York Times.</a></li>
<li><a href="https://www.criterion.com/current/posts/3809-dont-look-back-everybody-loves-you-for-your-black-eye">Dont Look Back: Everybody Loves You for Your Black Eye</a> an essay by <a href="/facts/Robert_Polito/ncB1nbpR">Robert Polito</a> at the <a href="/facts/Criterion_Collection/KbDrlDdS">Criterion Collection</a></li>
<li>Don’t Look Back essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010 <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 0826429777, pages 623-624 <a href="https://books.google.com/books?id=deq3xI8OmCkC">[1]</a></li></ul>

<h2 id="references">References</h2>

<ol>
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<li id="fn:4">Films, Pennebaker Hegedus (April 12, 2013). "DONT LOOK BACK (1967) – Trailer". Retrieved June 20, 2020 – via Vimeo. <a href="https://vimeo.com/63913470" target="_blank">https://vimeo.com/63913470</a> <a href="#fnref:4" class="footnote-back-ref">↩</a></li>
<li id="fn:5">Sounes, Howard, 2001, Down The Highway: The Life Of Bob Dylan, Doubleday, p. 171. <a href="#fnref:5" class="footnote-back-ref">↩</a></li>
<li id="fn:6">"Don't Look Back, Bob Dylan and the invention of the rockumentary". the Guardian. May 17, 2016. Retrieved February 17, 2022. <a href="https://www.theguardian.com/music/2016/may/17/dont-look-back-bob-dylan-invention-rockumentary" target="_blank">https://www.theguardian.com/music/2016/may/17/dont-look-back-bob-dylan-invention-rockumentary</a> <a href="#fnref:6" class="footnote-back-ref">↩</a></li>
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<li id="fn:17">"Weird Al's best non-parody songs". We Got This Covered. January 20, 2022. Retrieved August 23, 2023. <a href="https://wegotthiscovered.com/music/weird-als-best-non-parody-songs/" target="_blank">https://wegotthiscovered.com/music/weird-als-best-non-parody-songs/</a> <a href="#fnref:17" class="footnote-back-ref">↩</a></li>
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<li id="fn:20">Amazon.com: Bob Dylan – Don't Look Back (1965 Tour Deluxe Edition): Bob Neuwirth, Joan Baez, Bob Dylan, Nico, Albert Grossman, Alan Price, Tito Burns, Donovan,Derroll Adams, Chris Ellis (III), Marianne Faithfull, Terry Ellis (II), Jones Alk, Allen Ginsberg, Brian Pendleton (II),Howard Alk, John Mayall, D. A. Pennebaker: Movies & TV <a href="https://www.amazon.com/dp/B000KJU1HI/" target="_blank">https://www.amazon.com/dp/B000KJU1HI/</a> <a href="#fnref:20" class="footnote-back-ref">↩</a></li>
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</ol>

Dont Look Back open-in-new

Dont Look Back