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Homogenic
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<h2 id="recording-and-production">Recording and production</h2> <p>After an extensive tour in support of her 1995 album <i>Post</i>, Björk returned to her home in <a href="/facts/Maida_Vale/B2j7JeGg">Maida Vale</a> with an urgent need to write new songs as a form of therapy.<a class="footnote-ref" id="fnref:2" href="#fn:2"><sup>2</sup></a> Björk would let <a href="/facts/Audio_engineer/eRJkg89Q">audio engineer</a> <a href="/facts/Markus_Dravs/EjfdFHnP">Markus Dravs</a> into her home studio to start creating new songs. The sessions with Dravs and Björk were casual, with Björk allowing Dravs freedom with the album. Björk only left the studio to cook meals for the both of them.<a class="footnote-ref" id="fnref:3" href="#fn:3"><sup>3</sup></a> One of the first songs created during the sessions was "5 Years" which Dravs created the fast beat for.<a class="footnote-ref" id="fnref:4" href="#fn:4"><sup>4</sup></a> The progress of <i>Homogenic</i> in these sessions was halted due to a media sensation caused by the suicide of Björk's stalker <a href="/facts/Ricardo_L%C3%B3pez_(stalker)/Ua1aSMwM">Ricardo López</a>.<a class="footnote-ref" id="fnref:5" href="#fn:5"><sup>5</sup></a><a class="footnote-ref" id="fnref:6" href="#fn:6"><sup>6</sup></a> To deal with the stress of being at home during this incident, Björk imagined herself as the protagonist in a Spanish <a href="/facts/Soap_opera/oddx9g1n">soap opera</a>.<a class="footnote-ref" id="fnref:7" href="#fn:7"><sup>7</sup></a> The character's image inspired a song titled "So Broken" which she sang to herself in her kitchen.<a class="footnote-ref" id="fnref:8" href="#fn:8"><sup>8</sup></a> The song was later included on the Japanese release of the album.<a class="footnote-ref" id="fnref:9" href="#fn:9"><sup>9</sup></a> </p><p>To record in privacy away from the sudden unwanted media interest, Björk's tour drummer <a href="/facts/Trevor_Morais/XQYArdbX">Trevor Morais</a> offered his studio in Spain. Björk went to <a href="/facts/M%C3%A1laga/9lpQKS8w">Málaga</a> and arranged to meet with <a href="/facts/Flamenco/4PAIJXbh">flamenco</a> guitarist <a href="/facts/Raimundo_Amador/3C2IM8IN">Raimundo Amador</a>.<a class="footnote-ref" id="fnref:10" href="#fn:10"><sup>10</sup></a> Björk had originally intended to stay in Málaga only briefly, but later decided to record the entirety of <i>Homogenic</i> there.<a class="footnote-ref" id="fnref:11" href="#fn:11"><sup>11</sup></a> Björk made a final trip out of the country before staying in Spain. As she had done since moving to London, Björk returned to Iceland for Christmas.<a class="footnote-ref" id="fnref:12" href="#fn:12"><sup>12</sup></a> While there, she wrote more new songs for <i>Homogenic</i>, including "<a href="/facts/J%C3%B3ga/NaYksEa7">Jóga</a>".<a class="footnote-ref" id="fnref:13" href="#fn:13"><sup>13</sup></a> Before returning to Spain to record, Björk was sidetracked by a two-week worldwide press tour for the promotion of her <a href="/facts/Remix_album/LNPcUbyU">remix album</a> <i><a href="/facts/Telegram_(album)/fDmoUFoF">Telegram</a></i>, which had just been released.<a class="footnote-ref" id="fnref:14" href="#fn:14"><sup>14</sup></a> After returning to the studio in Spain in late January, Björk decided to end work with producer <a href="/facts/Nellee_Hooper/lYGj91gW">Nellee Hooper</a>, who had produced both <i><a href="/facts/Debut_(Bj%C3%B6rk_album)/UJwkXclN">Debut</a></i> and <i><a href="/facts/Post_(Bj%C3%B6rk_album)/SXtRqQfn">Post</a></i>, as she felt they had "stopped surprising each other".<a class="footnote-ref" id="fnref:15" href="#fn:15"><sup>15</sup></a><a class="footnote-ref" id="fnref:16" href="#fn:16"><sup>16</sup></a><a class="footnote-ref" id="fnref:17" href="#fn:17"><sup>17</sup></a> Björk had intended to produce the album alone, but sought collaborators including Dravs, <a href="/facts/Howie_B/osDHzbvu">Howie B</a>, <a href="/facts/Guy_Sigsworth/4XSmPABx">Guy Sigsworth</a> and <a href="/facts/LFO_(British_band)/woogP3TA">LFO</a>'s <a href="/facts/Mark_Bell_(British_musician)/0bA192tl">Mark Bell</a>.<a class="footnote-ref" id="fnref:18" href="#fn:18"><sup>18</sup></a> Howie B had worked with Björk on <i>Debut</i> and <i>Post</i> and Sigsworth had played <a href="/facts/Harpsichord/8RtW7bzM">harpsichord</a> on <i>Post</i>.<a class="footnote-ref" id="fnref:19" href="#fn:19"><sup>19</sup></a><a class="footnote-ref" id="fnref:20" href="#fn:20"><sup>20</sup></a> The <a href="/facts/Music_of_the_United_States/jEE0JFKm">American</a> <a href="/facts/Hip_hop/7HjAPIEh">hip hop</a> group <a href="/facts/Wu-Tang_Clan/3QlsPoqm">Wu-Tang Clan</a> almost contributed to the production of <i>Homogenic</i>, but were unable due to their production on the album <i><a href="/facts/Wu-Tang_Forever/UmXE6jSs">Wu-Tang Forever</a></i>, which had taken longer than planned.<a class="footnote-ref" id="fnref:21" href="#fn:21"><sup>21</sup></a> Most of the melodies on the album were created by Björk, who then composed string sections on a <a href="/facts/Casio_CZ_synthesizers/SgzD8Nsn">Casio keyboard</a> and brought them to programmers who would add rhythmic patterns.<a class="footnote-ref" id="fnref:22" href="#fn:22"><sup>22</sup></a> Björk had wanted to have Mark Bell contribute to her albums <i>Debut</i> and <i>Post</i>;<a class="footnote-ref" id="fnref:23" href="#fn:23"><sup>23</sup></a> Bell was credited for the majority of the album's production, including the songs "<a href="/facts/Pluto_(song)/UDgQVAtG">Pluto</a>", "<a href="/facts/Alarm_Call/wdHg65Dk">Alarm Call</a>", and the bassline in "<a href="/facts/J%C3%B3ga/NaYksEa7">Jóga</a>". Björk stated that she "trusts and respects what [Bell] does for me. If I were to say who has influenced me most it would be <a href="/facts/Stockhausen/XCrTaejh">Stockhausen</a>, <a href="/facts/Kraftwerk/rCfmar40">Kraftwerk</a>, <a href="/facts/Brian_Eno/rMN10pwo">Brian Eno</a> and Mark Bell".<a class="footnote-ref" id="fnref:24" href="#fn:24"><sup>24</sup></a> Other unorthodox methods of recording were used during the production, including Björk wanting to record outside on the porch and using non-professionals to help with production, such as Rebecca Storey, who was hired as a babysitter but added to the production staff after showing interest in the equipment.<a class="footnote-ref" id="fnref:25" href="#fn:25"><sup>25</sup></a><a class="footnote-ref" id="fnref:26" href="#fn:26"><sup>26</sup></a> </p><p><a href="/facts/String_section/3ALVzGrG">String arrangements</a> were added late in the recording process.<a class="footnote-ref" id="fnref:27" href="#fn:27"><sup>27</sup></a> Björk had friend <a href="/facts/Eumir_Deodato/WsQUH68r">Eumir Deodato</a> conduct, transcribe and compose original pieces for the few songs that Björk did not arrange for herself.<a class="footnote-ref" id="fnref:28" href="#fn:28"><sup>28</sup></a> To keep with the Icelandic theme of the album, Björk ordered the services of the Icelandic String Octet.<a class="footnote-ref" id="fnref:29" href="#fn:29"><sup>29</sup></a> By June 1997, the album was behind schedule and Björk was uncertain of the final track listing and unhappy with some of the recorded vocals.<a class="footnote-ref" id="fnref:30" href="#fn:30"><sup>30</sup></a> </p> <h2 id="music-and-lyrics">Music and lyrics</h2> <p><i>Homogenic</i> is an <a href="/facts/Electronica/clnaT6vm">electronica</a>,<a class="footnote-ref" id="fnref:31" href="#fn:31"><sup>31</sup></a><a class="footnote-ref" id="fnref:32" href="#fn:32"><sup>32</sup></a> <a href="/facts/Trip_hop/4E6qaJbX">trip hop</a>,<a class="footnote-ref" id="fnref:33" href="#fn:33"><sup>33</sup></a> <a href="/facts/Art_pop/CLAUoDBP">art pop</a>,<a class="footnote-ref" id="fnref:34" href="#fn:34"><sup>34</sup></a> and <a href="/facts/Experimental_music/JbfA3Tg7">experimental</a> album.<a class="footnote-ref" id="fnref:35" href="#fn:35"><sup>35</sup></a> Before production began on <i>Homogenic</i>, Björk wanted to create an album with "a simple sound" and "only one flavour".<a class="footnote-ref" id="fnref:36" href="#fn:36"><sup>36</sup></a> Heather Phares of <a href="/facts/AllMusic/Hb8cU8Fb">AllMusic</a> described the sound of <i>Homogenic</i> as a "fusion of chilly strings (courtesy of the Icelandic String Octet), stuttering, abstract beats, and unique touches like <a href="/facts/Accordion/h22CqQVA">accordion</a> and <a href="/facts/Glass_harmonica/KegFBfCA">glass harmonica</a>".<a class="footnote-ref" id="fnref:37" href="#fn:37"><sup>37</sup></a> The album differs from her previous two releases stylistically, and Neva Chonin of <i><a href="/facts/Rolling_Stone/HhCFoJ9F">Rolling Stone</a></i> stated the album was "certain to be rough going for fans looking for the sweet melodies and peppy dance collages of her earlier releases".<a class="footnote-ref" id="fnref:38" href="#fn:38"><sup>38</sup></a> As with other Björk releases, it has been difficult for critics to classify <i>Homogenic</i> within a musical genre. <i><a href="/facts/Tiny_Mix_Tapes/dqlYBPmP">Tiny Mix Tapes</a></i> considered that "Björk has managed to create something so refreshingly unique that trying to categorize and label the music is rather dubious."<a class="footnote-ref" id="fnref:39" href="#fn:39"><sup>39</sup></a> Writing for <i><a href="/facts/Beats_Per_Minute_(website)/6LFwNqXD">Beats Per Minute</a></i>, Cole Zercoe felt <i>Homogenic</i> represented a pinnacle work of <a href="/facts/Trip_hop/4E6qaJbX">trip hop</a>, forming part of "a sort of holy trinity of this musical aesthetic" along with <a href="/facts/Massive_Attack/cUN1Dzhp">Massive Attack</a>'s <i><a href="/facts/Mezzanine_(album)/hhszs1A7">Mezzanine</a></i> and <a href="/facts/Portishead_(band)/xhxy8F0w">Portishead</a>'s <i><a href="/facts/Dummy_(album)/7vILPUmw">Dummy</a></i>.<a class="footnote-ref" id="fnref:40" href="#fn:40"><sup>40</sup></a> </p><p>Björk wanted <i>Homogenic</i> to have a conceptual focus on her native Iceland. Producer Markus Dravs recalled Björk wanting it to sound like "rough volcanoes with soft moss growing all over it..."<a class="footnote-ref" id="fnref:41" href="#fn:41"><sup>41</sup></a> In an interview for <i><a href="/facts/Muziekkrant_OOR/QFBBezHW">Oor</a></i>, Björk explained that "in Iceland, everything revolves around nature, 24 hours a day. Earthquakes, snowstorms, rain, ice, volcanic eruptions, geysers... Very elementary and uncontrollable. But at the other hand, Iceland is incredibly modern; everything is hi-tech. The number of people owning a computer is as high as nowhere else in the world. That contradiction is also on <i>Homogenic</i>. The electronic beats are the rhythm, the heartbeat. The violins create the old-fashioned atmosphere, the colouring."<a class="footnote-ref" id="fnref:42" href="#fn:42"><sup>42</sup></a><a class="footnote-ref" id="fnref:43" href="#fn:43"><sup>43</sup></a> </p><p>Björk's vocals on <i>Homogenic</i> range from primitive-sounding screams to a traditional singing method used by Icelandic choir men, a combination of speaking and singing as illustrated in the song "<a href="/facts/Unravel_(Bj%C3%B6rk_song)/u3FTwlpd">Unravel</a>".<a class="footnote-ref" id="fnref:44" href="#fn:44"><sup>44</sup></a><a class="footnote-ref" id="fnref:45" href="#fn:45"><sup>45</sup></a> The majority of songs on <i>Homogenic</i> have lyrics about love and failed relationships. The song "Jóga" was written as a tribute to her best friend and tour masseuse of the same name.<a class="footnote-ref" id="fnref:46" href="#fn:46"><sup>46</sup></a> Björk called "<a href="/facts/All_is_Full_of_Love/n56vxu2A">All is Full of Love</a>" a song about "believing in love" and that "Love isn't just about two persons. It's everywhere around you".<a class="footnote-ref" id="fnref:47" href="#fn:47"><sup>47</sup></a> "<a href="/facts/All_Neon_Like/5WcF9vxY">All Neon Like</a>" contains snippets of a poem Björk wrote called "Techno Prayer" in 1996. The song "5 Years" appeared in live form a few weeks after her breakup with musician <a href="/facts/Tricky_(musician)/y8PLwjDX">Tricky</a> and music journalists considered it a response to it.<a class="footnote-ref" id="fnref:48" href="#fn:48"><sup>48</sup></a><a class="footnote-ref" id="fnref:49" href="#fn:49"><sup>49</sup></a> "<a href="/facts/Bachelorette_(song)/WASF5Tvg">Bachelorette</a>" was originally written for director <a href="/facts/Bernardo_Bertolucci/526WxYnE">Bernardo Bertolucci</a> for his film <i><a href="/facts/Stealing_Beauty/a9RAbeQL">Stealing Beauty</a></i>.<a class="footnote-ref" id="fnref:50" href="#fn:50"><sup>50</sup></a> Björk later faxed Bertolucci, informing him the song would be used for her album instead.<a class="footnote-ref" id="fnref:51" href="#fn:51"><sup>51</sup></a> "Bachelorette" and "Jóga" were written with Icelandic poet <a href="/facts/Sj%C3%B3n/x2o6FE9e">Sjón</a>, because Björk wanted to use epic lyrics.<a class="footnote-ref" id="fnref:52" href="#fn:52"><sup>52</sup></a><a class="footnote-ref" id="fnref:53" href="#fn:53"><sup>53</sup></a> "Immature" was written about mistakes in past relationships, shortly after the breakup with <a href="/facts/Goldie/5C0vdgUI">Goldie</a>.<a class="footnote-ref" id="fnref:54" href="#fn:54"><sup>54</sup></a> Björk described "Pluto" as about "being plastered, that need to destroy everything so you can start again".<a class="footnote-ref" id="fnref:55" href="#fn:55"><sup>55</sup></a> "Unravel" is a song about lamenting love, with brief flashes of hope.<a class="footnote-ref" id="fnref:56" href="#fn:56"><sup>56</sup></a> </p> <h2 id="title-and-artwork">Title and artwork</h2> <p>The album's production began with the working title of <i>Homogeneous</i>, but Björk changed it to <i>Homogenic</i> shortly afterwards.<a class="footnote-ref" id="fnref:57" href="#fn:57"><sup>57</sup></a> Björk wanted to create an album with "a simple sound" and "only one flavour",<a class="footnote-ref" id="fnref:58" href="#fn:58"><sup>58</sup></a> hence the title. The title has also been speculated to be suggesting the concept of home, which Björk had said to be incorporating into <i>Homogenic</i> in an interview with <a href="/facts/Jam!/moEoB3JT">Jam!</a>: </p> <p>"I'm really seeking after something that's Icelandic. And I want it to be more me, this album. <i><a href="/facts/Debut_(Bj%C3%B6rk_album)/UJwkXclN">Debut</a></i> and <i><a href="/facts/Post_(Bj%C3%B6rk_album)/SXtRqQfn">Post</a></i> are a bit like the <a href="/facts/The_Adventures_of_Tintin/tUyWnLfH">Tin Tin</a> books. Sort of <a href="/facts/Tintin_in_the_Congo/C9ISv7r4">Tin Tin goes to Congo</a>. <a href="/facts/Tintin_in_Tibet/7tIv6McB">Tin Tin goes to Tibet</a>. So it's all these different flavors, me sort of trying all these different things on, which is very exciting, but now I think it's a bit more Björk goes home."<a class="footnote-ref" id="fnref:59" href="#fn:59"><sup>59</sup></a></p> <p>The themes of <i>Homogenic</i> are reflected in the album cover designed by <a href="/facts/Alexander_McQueen/cFB6NgVA">Alexander McQueen</a>. According to McQueen biographer Andrew Wilson, Björk approached McQueen after seeing the futuristic image of model <a href="/facts/Devon_Aoki/MjHkW7Kk">Devon Aoki</a> in the February 1997 edition of <a href="/facts/Visionaire/TS2TT8uU">Visionaire</a>. Dressed by McQueen and photographed by <a href="/facts/Nick_Knight_(photographer)/es2f293H">Nick Knight</a>, who shot the <i>Homogenic</i> cover as well, Aoki wears a pink funnel-necked dress with her skin cast in a blueish metallic hue, one eyeball blankly white, a large safety pin closing a slash through her forehead, and her hair pulled into tight buns as she challenges the camera with a direct gaze.<a class="footnote-ref" id="fnref:60" href="#fn:60"><sup>60</sup></a> </p><p>Björk explained her vision for the <i>Homogenic</i> cover, which carries a resemblance to "someone who is put into an impossible situation, so impossible that she has to become a warrior. A warrior who has to fight not with weapons, but with love. I had 10 kilos of hair on my head, and special contact lenses and a manicure that prevented me from eating with my fingers, and gaffer tape around my waist and high clogs so I couldn't walk easily."<a class="footnote-ref" id="fnref:61" href="#fn:61"><sup>61</sup></a> </p> <h2 id="release-and-promotion">Release and promotion</h2> <p>The album was released later than <a href="/facts/One_Little_Indian_Records/Pt3JVQT6">One Little Indian Records</a> had intended. Björk was behind schedule and the album's cover design by <a href="/facts/Nick_Knight_(photographer)/es2f293H">Nick Knight</a> needed a reshoot.<a class="footnote-ref" id="fnref:62" href="#fn:62"><sup>62</sup></a> Towards the end of August 1997, One Little Indian delayed the album by a month.<a class="footnote-ref" id="fnref:63" href="#fn:63"><sup>63</sup></a> <i>Homogenic</i> was released on 22 September 1997 on One Little Indian in the United Kingdom and on 23 September <a href="/facts/Elektra_Records/qwRKPND1">Elektra Records</a> in North America on <a href="/facts/Compact_Disc/g51GRloc">compact disc</a> and <a href="/facts/Compact_Cassette/w8I5uyfs">cassette</a>.<a class="footnote-ref" id="fnref:64" href="#fn:64"><sup>64</sup></a><a class="footnote-ref" id="fnref:65" href="#fn:65"><sup>65</sup></a><a class="footnote-ref" id="fnref:66" href="#fn:66"><sup>66</sup></a><a class="footnote-ref" id="fnref:67" href="#fn:67"><sup>67</sup></a> The album was later issued on <a href="/facts/Gramophone_record/ccuFV9Af">vinyl</a> and <a href="/facts/DualDisc/IUmfce1j">DualDisc</a> formats.<a class="footnote-ref" id="fnref:68" href="#fn:68"><sup>68</sup></a> The Japanese version of <i>Homogenic</i> included several bonus tracks and remixed versions of songs.<a class="footnote-ref" id="fnref:69" href="#fn:69"><sup>69</sup></a> The DualDisc release featured the full album on the CD side and the <a href="/facts/DVD/7fJsHJrN">DVD</a> side included the album with superior sound quality and the <a href="/facts/Music_videos/FccodeNC">music videos</a> for the singles.<a class="footnote-ref" id="fnref:70" href="#fn:70"><sup>70</sup></a> </p><p>Promotion of <i>Homogenic</i> started on 8 June 1997, when Björk performed several songs from the album at the <a href="/facts/Tibetan_Freedom_Concert/nQPY5YIt">Tibetan Freedom Concert</a> held at <a href="/facts/Downing_Stadium/o0G5slfr">Downing Stadium</a> in New York City.<a class="footnote-ref" id="fnref:71" href="#fn:71"><sup>71</sup></a> The album was launched on 15 July at the <a href="/facts/Black_Eagle_Brewery/3tb9fcRE">Old Truman Brewery</a> in London.<a class="footnote-ref" id="fnref:72" href="#fn:72"><sup>72</sup></a> In the United Kingdom, Björk performed the lead single "<a href="/facts/J%C3%B3ga/NaYksEa7">Jóga</a>" on <i><a href="/facts/TFI_Friday/1IStcQAb">TFI Friday</a></i> on 19 September,<a class="footnote-ref" id="fnref:73" href="#fn:73"><sup>73</sup></a> and <i><a href="/facts/Top_of_the_Pops/yo7Ih1Fj">Top of the Pops</a></i> on 3 October.<a class="footnote-ref" id="fnref:74" href="#fn:74"><sup>74</sup></a> She performed the second single "<a href="/facts/Bachelorette_(song)/WASF5Tvg">Bachelorette</a>" on the American sketch comedy show <i><a href="/facts/Saturday_Night_Live/LM8etPx8">Saturday Night Live</a></i> on 18 October,<a class="footnote-ref" id="fnref:75" href="#fn:75"><sup>75</sup></a> at the <a href="/facts/1997_MTV_Europe_Music_Awards/E4FRh25s">1997 MTV Europe Music Awards</a> on 6 November,<a class="footnote-ref" id="fnref:76" href="#fn:76"><sup>76</sup></a> on <i><a href="/facts/Later..._with_Jools_Holland/9prbrRqs">Later... with Jools Holland</a></i> with "Jóga" and "<a href="/facts/Hunter_(Bj%C3%B6rk_song)/tcghgbTs">Hunter</a>" on 29 November,<a class="footnote-ref" id="fnref:77" href="#fn:77"><sup>77</sup></a> and again in the United States on <i><a href="/facts/The_Tonight_Show_with_Jay_Leno/GgodRHgy">The Tonight Show with Jay Leno</a></i> on 22 May 1998.<a class="footnote-ref" id="fnref:78" href="#fn:78"><sup>78</sup></a> In France, Björk performed "Bachelorette" with "Jóga" on <i>Nulle Part Ailleurs</i> on 11 February,<a class="footnote-ref" id="fnref:79" href="#fn:79"><sup>79</sup></a> and with "Hunter" on <i>Hit Machine</i> on 20 June.<a class="footnote-ref" id="fnref:80" href="#fn:80"><sup>80</sup></a> She performed the fourth single "<a href="/facts/Alarm_Call/wdHg65Dk">Alarm Call</a>" on <i><a href="/facts/CD:UK/2m03pR3B">CD:UK</a></i> on 5 December.<a class="footnote-ref" id="fnref:81" href="#fn:81"><sup>81</sup></a> </p><p>When the release of <i>Homogenic</i> was delayed by a month, its tour began with the audience not being familiar with the album's songs since it had not been released yet.<a class="footnote-ref" id="fnref:82" href="#fn:82"><sup>82</sup></a> The tour started at the beginning of September with a backing band that consisted only of Mark Bell and made stops in Germany, the Netherlands, France, Belgium, Spain, and England. These shows were brief live shows lasting about half an hour consisting of only new material.<a class="footnote-ref" id="fnref:83" href="#fn:83"><sup>83</sup></a> Another tour took place in late October and lasted less than four weeks. Stops on this tour included Italy, Switzerland, France, England, Scotland, Germany, Ireland, and Denmark.<a class="footnote-ref" id="fnref:84" href="#fn:84"><sup>84</sup></a> In late November, Björk was diagnosed with a <a href="/facts/Pyelonephritis/HTygNzaa">kidney infection</a> and while she was still healthy she was advised to take a three-week rest and was forced to cancel her American tour.<a class="footnote-ref" id="fnref:85" href="#fn:85"><sup>85</sup></a> In 1998, a North American tour with <a href="/facts/Radiohead/6TVeLFk7">Radiohead</a> was announced but canceled later due to difficulty of changing the stage between performances of the acts.<a class="footnote-ref" id="fnref:86" href="#fn:86"><sup>86</sup></a> Björk had another tour in the middle of 1998 through Europe, and outside of the continent through other countries, including Chile, Brazil and Argentina.<a class="footnote-ref" id="fnref:87" href="#fn:87"><sup>87</sup></a> Opening acts for portions of the tour included electronic musician <a href="/facts/%CE%9C-Ziq/MbAbTBPN">μ-Ziq</a>.<a class="footnote-ref" id="fnref:88" href="#fn:88"><sup>88</sup></a> </p> <h2 id="singles">Singles</h2> <p>"<a href="/facts/J%C3%B3ga/NaYksEa7">Jóga</a>" was released as the <a href="/facts/Lead_single/E2tl6YFB">lead single</a> from <i>Homogenic</i> on 15 September 1997 to widespread critical acclaim. It peaked atop the <a href="/facts/%C3%8Dslenski_listinn/MkjcCuN3">Íslenski Listinn Topp 40</a> in Iceland,<a class="footnote-ref" id="fnref:89" href="#fn:89"><sup>89</sup></a> while reaching the top 20 in Finland.<a class="footnote-ref" id="fnref:90" href="#fn:90"><sup>90</sup></a> Due to its formats, it was initially ineligible to enter the <a href="/facts/UK_Singles_Chart/s2yyGUlD">UK Singles Chart</a>, but later peaked at number 191.<a class="footnote-ref" id="fnref:91" href="#fn:91"><sup>91</sup></a> Its mostly computer-animated accompanying <a href="/facts/Music_video/FccodeNC">music video</a> was directed by <a href="/facts/Michel_Gondry/r7LDseUD">Michel Gondry</a> and focuses primarily on different Icelandic terrains and landscapes with Björk's presence only in the beginning and towards the end.<a class="footnote-ref" id="fnref:92" href="#fn:92"><sup>92</sup></a> </p><p>"<a href="/facts/Bachelorette_(song)/WASF5Tvg">Bachelorette</a>" was released as the second single on 8 December. While less successful than "Jóga" in Björk's native Iceland, peaking at number six,<a class="footnote-ref" id="fnref:93" href="#fn:93"><sup>93</sup></a> it was an improvement from "Jóga" in the United Kingdom, where it peaked at numbers 21 and two on the UK Singles Chart and <a href="/facts/UK_Indie_Chart/5gauGCyY">UK Indie Chart</a>, respectively.<a class="footnote-ref" id="fnref:94" href="#fn:94"><sup>94</sup></a> Gondry returned to direct the music video for "Bachelorette", which features Björk as Bachelorette, a woman who finds a book titled <i>My Story</i> buried in her garden which begins to write itself, describing what Bachelorette does as she describes it. It won the <a href="/facts/MTV_Video_Music_Award_for_Best_Art_Direction/Mw0yI5Aj">MTV Video Music Award for Best Art Direction</a> and was nominated for the <a href="/facts/Grammy_Award_for_Best_Music_Video/elRA7dMk">Grammy Award for Best Short Form Music Video</a>. </p><p>"<a href="/facts/Hunter_(Bj%C3%B6rk_song)/tcghgbTs">Hunter</a>" was released as the third single on 5 October 1998. Despite being critically acclaimed, it was a commercial failure, as it peaked only at number 44 on the UK Singles Chart.<a class="footnote-ref" id="fnref:95" href="#fn:95"><sup>95</sup></a> Its accompanying music video, directed by Paul White, features a close-up of a bald Björk singing into the camera as she morphs into a polar bear and then back to her original state.<a class="footnote-ref" id="fnref:96" href="#fn:96"><sup>96</sup></a> </p><p>"<a href="/facts/Alarm_Call/wdHg65Dk">Alarm Call</a>" was originally scheduled for release as the third single, but switched places with "Hunter".<a class="footnote-ref" id="fnref:97" href="#fn:97"><sup>97</sup></a> It was released as the fourth single on 30 November 1998 and returned Björk to the top ten of Íslenski Listinn Topp 40, as its French mix peaked at number ten.<a class="footnote-ref" id="fnref:98" href="#fn:98"><sup>98</sup></a> In the UK, the song peaked at numbers 33 and three on the UK Singles Chart and UK Indie Chart, respectively.<a class="footnote-ref" id="fnref:99" href="#fn:99"><sup>99</sup></a> The song's accompanying music video was directed by <a href="/facts/Alexander_McQueen/cFB6NgVA">Alexander McQueen</a>,<a class="footnote-ref" id="fnref:100" href="#fn:100"><sup>100</sup></a> who designed the cover artwork for <i>Homogenic</i>, and features Björk floating on a raft on a river in the jungle and her scenes are intercut with footage of snakes, crocodiles, and other animals, with Björk playing with them. </p><p>"<a href="/facts/All_Is_Full_of_Love/n56vxu2A">All Is Full of Love</a>" was released as the fifth and final single on 7 June 1999. <a href="/facts/DVD_single/FccodeNC">DVD single</a> was simultaneously released; some publications regard it as the first DVD single release ever.<a class="footnote-ref" id="fnref:101" href="#fn:101"><sup>101</sup></a><a class="footnote-ref" id="fnref:102" href="#fn:102"><sup>102</sup></a> Critically acclaimed, the song peaked at numbers 24 and three on the UK Singles Chart and UK Indie Chart, respectively.<a class="footnote-ref" id="fnref:103" href="#fn:103"><sup>103</sup></a> It became the only single from <i>Homogenic</i> to enter a chart in the United States, peaking at number eight on the <a href="/facts/Dance/Electronic_Singles_Sales/FHIRMdld">Dance/Electronic Singles Sales</a> chart.<a class="footnote-ref" id="fnref:104" href="#fn:104"><sup>104</sup></a> Directed by <a href="/facts/Chris_Cunningham/vDb34taQ">Chris Cunningham</a>, the song's music video depicts Björk as a robot being assembled in a factory, who passionately kisses another robot. The video is often cited as one of the best of all time and a milestone in <a href="/facts/Computer_animation/rPW63nm0">computer animation</a>; it has been displayed in art exhibitions and was on display at the <a href="/facts/Museum_of_Modern_Art/75lxKjfj">Museum of Modern Art</a> in New York City.<a class="footnote-ref" id="fnref:105" href="#fn:105"><sup>105</sup></a> </p> <h2 id="critical-reception">Critical reception</h2> Professional ratings<table><tbody><tr><th colspan="2">Contemporary reviews</th></tr><tr><th scope="col" colspan="2">Review scores</th></tr><tr><th scope="col">Source</th><th scope="col">Rating</th></tr><tr><td><i><a href="/facts/Chicago_Tribune/Bbms9uy5">Chicago Tribune</a></i></td><td><a class="footnote-ref" id="fnref:106" href="#fn:106"><sup>106</sup></a></td></tr><tr><td><i><a href="/facts/Entertainment_Weekly/BhADudJx">Entertainment Weekly</a></i></td><td>A<a class="footnote-ref" id="fnref:107" href="#fn:107"><sup>107</sup></a></td></tr><tr><td><i><a href="/facts/The_Guardian/H84wwJYM">The Guardian</a></i></td><td><a class="footnote-ref" id="fnref:108" href="#fn:108"><sup>108</sup></a></td></tr><tr><td><i><a href="/facts/Los_Angeles_Times/jFHbcmb9">Los Angeles Times</a></i></td><td><a class="footnote-ref" id="fnref:109" href="#fn:109"><sup>109</sup></a></td></tr><tr><td><i><a href="/facts/Music_Week/UYxcG5ff">Music Week</a></i></td><td><a class="footnote-ref" id="fnref:110" href="#fn:110"><sup>110</sup></a></td></tr><tr><td><i><a href="/facts/NME/EAscmwXq">NME</a></i></td><td>9/10<a class="footnote-ref" id="fnref:111" href="#fn:111"><sup>111</sup></a></td></tr><tr><td><i><a href="/facts/The_Philadelphia_Inquirer/qzL9sJW6">The Philadelphia Inquirer</a></i></td><td><a class="footnote-ref" id="fnref:112" href="#fn:112"><sup>112</sup></a></td></tr><tr><td><i><a href="/facts/Pitchfork_(website)/a5SkWa6I">Pitchfork</a></i></td><td>9.9/10<a class="footnote-ref" id="fnref:113" href="#fn:113"><sup>113</sup></a></td></tr><tr><td><i><a href="/facts/Rolling_Stone/HhCFoJ9F">Rolling Stone</a></i></td><td><a class="footnote-ref" id="fnref:114" href="#fn:114"><sup>114</sup></a></td></tr><tr><td><i><a href="/facts/Spin_(magazine)/tCLvAj2N">Spin</a></i></td><td>9/10<a class="footnote-ref" id="fnref:115" href="#fn:115"><sup>115</sup></a></td></tr><tr><td><i><a href="/facts/The_Times/5BwkodnX">The Times</a></i></td><td>7/10<a class="footnote-ref" id="fnref:116" href="#fn:116"><sup>116</sup></a></td></tr><tr><td><i><a href="/facts/Uncut_(magazine)/hnPa6Wmw">Uncut</a></i></td><td><a class="footnote-ref" id="fnref:117" href="#fn:117"><sup>117</sup></a></td></tr></tbody></table> <p><i>Homogenic</i> received widespread acclaim from critics. <a href="/facts/David_Browne_(journalist)/bb0CF3mU">David Browne</a> of <i><a href="/facts/Entertainment_Weekly/BhADudJx">Entertainment Weekly</a></i> stated that "<i>Homogenic</i> could have been stuffy and dull — <a href="/facts/Sting_(musician)/zSd0xAPB">Sting</a> with a <a href="/facts/Gender-affirming_surgery/DJjBjrpH">sex-change operation</a>. It's a testament to Bjork's continued weirdness that even overtures toward adulthood come out delightfully skewed".<a class="footnote-ref" id="fnref:118" href="#fn:118"><sup>118</sup></a> Neva Chonin of <i><a href="/facts/Rolling_Stone/HhCFoJ9F">Rolling Stone</a></i> cited it as "one of the boldest – and most exciting – albums of the year",<a class="footnote-ref" id="fnref:119" href="#fn:119"><sup>119</sup></a> while <i><a href="/facts/Los_Angeles_Times/jFHbcmb9">Los Angeles Times</a></i> critic Richard Cromelin wrote that it "affirms [Björk's] stature as one of pop music's most uncompromising adventurers".<a class="footnote-ref" id="fnref:120" href="#fn:120"><sup>120</sup></a> <i><a href="/facts/NME/EAscmwXq">NME</a></i>'s Ted Kessler praised <i>Homogenic</i> as Björk's best album and "her most emotional, highly charged and groovy record, as well as a stinging triumph for the spirit of adventure,"<a class="footnote-ref" id="fnref:121" href="#fn:121"><sup>121</sup></a> while <i><a href="/facts/The_Philadelphia_Inquirer/qzL9sJW6">The Philadelphia Inquirer</a></i> remarked that it "boldly ventures into the techno future while never losing its intensely personal vision and human heart".<a class="footnote-ref" id="fnref:122" href="#fn:122"><sup>122</sup></a> In another positive review, <i><a href="/facts/Spin_(magazine)/tCLvAj2N">Spin</a></i> opined that with the album, Björk didn't "demonize the artificial and assign innocence to the natural."<a class="footnote-ref" id="fnref:123" href="#fn:123"><sup>123</sup></a> The <i><a href="/facts/Chicago_Tribune/Bbms9uy5">Chicago Tribune</a></i> stated that her voice on <i>Homogenic</i> was "like a beacon guiding the listener through a strange, wonderful forest of sound."<a class="footnote-ref" id="fnref:124" href="#fn:124"><sup>124</sup></a> </p><p>Caroline Sullivan of <i><a href="/facts/The_Guardian/H84wwJYM">The Guardian</a></i> praised the "emotional kick" that she found <i>Post</i> lacked, in addition to lyricism she found to be "less opaque".<a class="footnote-ref" id="fnref:125" href="#fn:125"><sup>125</sup></a> Though <i><a href="/facts/Music_Week/UYxcG5ff">Music Week</a></i> praised the album for its "darker atmosphere" and "more consistent sound",<a class="footnote-ref" id="fnref:126" href="#fn:126"><sup>126</sup></a> a more negative review came from <a href="/facts/Stephen_Thompson_(journalist)/HX1vsohe">Stephen Thompson</a> of <i><a href="/facts/The_A.V._Club/bgV46awt">The A.V. Club</a></i>, who said in contrast that "<i>Homogenic</i> is stylish enough, and it's as restlessly creative as you'd expect, but the album rarely gives Björk's songs a chance to assert themselves".<a class="footnote-ref" id="fnref:127" href="#fn:127"><sup>127</sup></a> </p> <h2 id="accolades">Accolades</h2> <p>American critics rated <i>Homogenic</i> highly in year-end polls. It ranked at number nine in <i><a href="/facts/The_Village_Voice/YM7tnkrN">The Village Voice</a></i>'s <a href="/facts/Pazz_%26_Jop/2Gek6T9l">Pazz & Jop</a> critics' poll,<a class="footnote-ref" id="fnref:128" href="#fn:128"><sup>128</sup></a> while <i><a href="/facts/Spin_(magazine)/tCLvAj2N">Spin</a></i> ranked it number four in their "Top 20 Albums of the Year".<a class="footnote-ref" id="fnref:129" href="#fn:129"><sup>129</sup></a> In Britain, <i><a href="/facts/Melody_Maker/dKcDEXEj">Melody Maker</a></i> ranked it at number 33 in the "Albums of the Year" and <i><a href="/facts/NME/EAscmwXq">NME</a></i> placed it at number 15 in a critics' poll.<a class="footnote-ref" id="fnref:130" href="#fn:130"><sup>130</sup></a><a class="footnote-ref" id="fnref:131" href="#fn:131"><sup>131</sup></a> In 2024, the album was ranked at number 45 on <a href="/facts/Apple_Music_100_Best_Albums/tvfe0D88">Apple Music's 100 Best albums of All Time</a>.<a class="footnote-ref" id="fnref:132" href="#fn:132"><sup>132</sup></a> </p><p><i>Homogenic</i> was nominated in the <a href="/facts/Grammy_Award_for_Best_Alternative_Music_Album/wUK67nYA">Best Alternative Music Performance</a> category at the <a href="/facts/40th_Annual_Grammy_Awards/GHIaa5S0">40th Annual Grammy Awards</a> (1998), losing to <a href="/facts/Radiohead/6TVeLFk7">Radiohead</a>'s <i><a href="/facts/OK_Computer/0xwWl8f4">OK Computer</a></i>.<a class="footnote-ref" id="fnref:133" href="#fn:133"><sup>133</sup></a><a class="footnote-ref" id="fnref:134" href="#fn:134"><sup>134</sup></a> </p><p><a href="/facts/Michel_Gondry/r7LDseUD">Michel Gondry</a>'s music video for "<a href="/facts/Bachelorette_(song)/WASF5Tvg">Bachelorette</a>" was nominated for <a href="/facts/Grammy_Award_for_Best_Short_Form_Music_Video/elRA7dMk">Best Short Form Music Video</a> at the <a href="/facts/41st_Annual_Grammy_Awards/57XQk4al">41st Annual Grammy Awards</a> (1999), but lost to <a href="/facts/Jonas_%C3%85kerlund/UmxV1b2s">Jonas Åkerlund</a>'s video for <a href="/facts/Madonna_(entertainer)/kHDBUtL7">Madonna</a>'s "<a href="/facts/Ray_of_Light_(song)/epc0HB3E">Ray of Light</a>".<a class="footnote-ref" id="fnref:135" href="#fn:135"><sup>135</sup></a><a class="footnote-ref" id="fnref:136" href="#fn:136"><sup>136</sup></a> At the <a href="/facts/42nd_Annual_Grammy_Awards/AT5HgdB3">next year's ceremony</a>, <a href="/facts/Chris_Cunningham/vDb34taQ">Chris Cunningham</a>'s video for "<a href="/facts/All_Is_Full_of_Love/n56vxu2A">All Is Full of Love</a>" was nominated for the same award, but lost to <a href="/facts/Korn/g6KwE2IV">Korn</a>'s "<a href="/facts/Freak_on_a_Leash/ekczJpkx">Freak on a Leash</a>".<a class="footnote-ref" id="fnref:137" href="#fn:137"><sup>137</sup></a> </p><p><i>Homogenic</i> earned Björk the <a href="/facts/Brit_Award/bxtQ4aR2">Brit Award</a> for <a href="/facts/Brit_Award_for_International_Female_Solo_Artist/oWITjEaj">International Female Solo Artist</a> at the <a href="/facts/1998_Brit_Awards/CGwI7rdd">1998 ceremony</a>. Accepting the award, she declared: "I am grateful grapefruit."<a class="footnote-ref" id="fnref:138" href="#fn:138"><sup>138</sup></a> </p><p><a href="/facts/Bloc_Party/6EY8F5Kb">Bloc Party</a> frontman <a href="/facts/Kele_Okereke/UaQjj0QF">Kele Okereke</a> cited it as his favourite album. "She's a real genius," he said. "No one's been as radical or innovative and still made pop music. I got into it when I was first discovering music. It still has a deep resonance for me."<a class="footnote-ref" id="fnref:139" href="#fn:139"><sup>139</sup></a> </p> <h2 id="commercial-performance">Commercial performance</h2> <p><i>Homogenic</i> debuted and peaked at number four on the <a href="/facts/UK_Albums_Chart/h1hyzP13">UK Albums Chart</a> on 4 October 1997, spending 17 weeks on the chart.<a class="footnote-ref" id="fnref:140" href="#fn:140"><sup>140</sup></a> It debuted at number six on the <a href="/facts/Australian_Albums_Chart/aUXUHRK7">Australian Albums Chart</a> on 12 October 1997,<a class="footnote-ref" id="fnref:141" href="#fn:141"><sup>141</sup></a> but descended to number 45 after five weeks on the chart. The album debuted at number eight on the <a href="/facts/New_Zealand_Albums_Chart/Ukp3oqXG">New Zealand Albums Chart</a> on 12 October 1997,<a class="footnote-ref" id="fnref:142" href="#fn:142"><sup>142</sup></a> and peaked at number six the following week, but descended after six weeks on the chart.<a class="footnote-ref" id="fnref:143" href="#fn:143"><sup>143</sup></a> </p><p>In the United States, <i>Homogenic</i> debuted at number 28 on the <a href="/facts/Billboard_200/XtbnoFSM"><i>Billboard</i> 200</a>, spending a total of nine weeks inside the chart, where its final position was at number 164.<a class="footnote-ref" id="fnref:144" href="#fn:144"><sup>144</sup></a> The album was certified <a href="/facts/RIAA_certification/TWwUbkQP">gold</a> on 1 August 2001 by the <a href="/facts/Recording_Industry_Association_of_America/8a7K0Ubf">Recording Industry Association of America</a> (RIAA) for shipments of 500,000 copies.<a class="footnote-ref" id="fnref:145" href="#fn:145"><sup>145</sup></a><a class="footnote-ref" id="fnref:146" href="#fn:146"><sup>146</sup></a> <i>Homogenic</i> debuted at twenty on the <a href="/facts/Canadian_Albums_Chart/hB0HgwY6">Canadian Albums Chart</a>, becoming Björk's first album to enter the chart but spent only one week there.<a class="footnote-ref" id="fnref:147" href="#fn:147"><sup>147</sup></a> It was certified gold by the <a href="/facts/Music_Canada/aLB7HHJo">Music Canada</a> on 12 June 1998.<a class="footnote-ref" id="fnref:148" href="#fn:148"><sup>148</sup></a><a class="footnote-ref" id="fnref:149" href="#fn:149"><sup>149</sup></a> </p> <h2 id="impact-and-legacy">Impact and legacy</h2> Professional ratings<table><tbody><tr><th colspan="2">Retrospective reviews</th></tr><tr><th scope="col" colspan="2">Review scores</th></tr><tr><th scope="col">Source</th><th scope="col">Rating</th></tr><tr><td><a href="/facts/AllMusic/Hb8cU8Fb">AllMusic</a></td><td><a class="footnote-ref" id="fnref:150" href="#fn:150"><sup>150</sup></a></td></tr><tr><td><i><a href="/facts/Pitchfork_(website)/a5SkWa6I">Pitchfork</a></i></td><td>10/10<a class="footnote-ref" id="fnref:151" href="#fn:151"><sup>151</sup></a></td></tr><tr><td><i><a href="/facts/The_Rolling_Stone_Album_Guide/RRNrAt8J">The Rolling Stone Album Guide</a></i></td><td><a class="footnote-ref" id="fnref:152" href="#fn:152"><sup>152</sup></a></td></tr><tr><td><i><a href="/facts/Slant_Magazine/kG2pIkSP">Slant Magazine</a></i></td><td><a class="footnote-ref" id="fnref:153" href="#fn:153"><sup>153</sup></a></td></tr><tr><td><i><a href="/facts/Spin_(magazine)/tCLvAj2N">Spin</a></i></td><td><a class="footnote-ref" id="fnref:154" href="#fn:154"><sup>154</sup></a></td></tr></tbody></table> <p>In the years following its release, <i>Homogenic</i> has continued to receive acclaim from critics, audiences and musicians. In a retrospective review, Heather Phares of <a href="/facts/AllMusic/Hb8cU8Fb">AllMusic</a> cited <i>Homogenic</i> as being more emotionally deep than any of Björk's previous work and called it a "seamless fusion of chilly strings, stuttering, abstract beats, and unique touches like an accordion and glass harmonica."<a class="footnote-ref" id="fnref:155" href="#fn:155"><sup>155</sup></a> In 2002, <i>Homogenic</i> placed at number ten on <i><a href="/facts/Slant_Magazine/kG2pIkSP">Slant Magazine</a></i>'s list of "The Greatest Electronic Albums of the 20th Century".<a class="footnote-ref" id="fnref:156" href="#fn:156"><sup>156</sup></a> In 2003, it was placed at number 21 on the music <a href="/facts/Webzine/MsAsjPNr">webzine</a> <i><a href="/facts/Pitchfork_(website)/a5SkWa6I">Pitchfork</a></i>'s list of the top one hundred albums of the 1990s, in which it was praised as "one of the most perfectly formed records of any era, and it is entirely possible that Björk will never approach this level of consistently enrapturing beauty again".<a class="footnote-ref" id="fnref:157" href="#fn:157"><sup>157</sup></a> In 2007, <i>Slant Magazine</i> critic Sal Cinquemani wrote that "if not the greatest electronic album of all time, it's certainly the greatest of its decade".<a class="footnote-ref" id="fnref:158" href="#fn:158"><sup>158</sup></a> The same year, <i>Spin</i> writer Phoebe Reilly called it Björk's "most sublime and vulnerable album" in a career retrospective.<a class="footnote-ref" id="fnref:159" href="#fn:159"><sup>159</sup></a> In 2011, <i>Slant Magazine</i> placed the album at number one on their list of best albums of the 1990s.<a class="footnote-ref" id="fnref:160" href="#fn:160"><sup>160</sup></a> In 2017, <a href="/facts/Philip_Sherburne/yUBT8clv">Philip Sherburne</a> of <i>Pitchfork</i> observed that it "showcased a newly focused side of the musician while embracing all of her most provocative contradictions."<a class="footnote-ref" id="fnref:161" href="#fn:161"><sup>161</sup></a> In 2020, <i><a href="/facts/Rolling_Stone/HhCFoJ9F">Rolling Stone</a></i> ranked the album at number 202 on its "<a href="/facts/Rolling_Stone%27s_500_Greatest_Albums_of_All_Time/40CPshrf">500 Greatest Albums of All Time</a>" list.<a class="footnote-ref" id="fnref:162" href="#fn:162"><sup>162</sup></a> In 2023, <a href="/facts/British_GQ/elYRBjsb">British <i>GQ</i></a> ranked it at number four on their list of ten best electronic albums of all time.<a class="footnote-ref" id="fnref:163" href="#fn:163"><sup>163</sup></a> </p><p>According to <i><a href="/facts/Tiny_Mix_Tapes/dqlYBPmP">Tiny Mix Tapes</a></i>, <i>Homogenic</i> is "one of the most groundbreaking albums of all-time, an album that assuredly caused countless hearts to soar." With <i>Homogenic</i>, Björk has been credited for connecting <a href="/facts/Art_pop/CLAUoDBP">art pop</a> to <a href="/facts/Electronic_dance_music/5KDaMNG8">electronic dance music</a>.<a class="footnote-ref" id="fnref:164" href="#fn:164"><sup>164</sup></a> Philip Sherburne of <a href="/facts/Pitchfork_(website)/a5SkWa6I">Pitchfork</a> described the album as impactful on Björk's own discography, stating: "In retrospect, it's easy to see the way that <i>Homogenic</i> paves the way for later career triumphs like <i><a href="/facts/Vespertine/TGAS4yaT">Vespertine</a></i> and <i><a href="/facts/Vulnicura/rnnYYaH4">Vulnicura</a></i>: In its formal audacity and sustained emotional intensity, it represents a phase shift from <i>Debut</i> and <i>Post</i>, fine though they were."<a class="footnote-ref" id="fnref:165" href="#fn:165"><sup>165</sup></a> In an interview with <i>Spin</i>, <a href="/facts/Radiohead/6TVeLFk7">Radiohead</a> singer <a href="/facts/Thom_Yorke/R9UeL4WM">Thom Yorke</a> called the song "Unravel" "one of the most beautiful songs I've ever heard."<a class="footnote-ref" id="fnref:166" href="#fn:166"><sup>166</sup></a> The band would cover the song as part of a 2007 live webcast.<a class="footnote-ref" id="fnref:167" href="#fn:167"><sup>167</sup></a> Their guitarist <a href="/facts/Ed_O%27Brien/TkIU8FMU">Ed O'Brien</a> claimed Björk inspired them to change their musical style for their fourth studio album <i><a href="/facts/Kid_A/vb9k50b0">Kid A</a></i> (2000), stating: "I think we've all been a bit envious about the way Björk has been able to reinvent music."<a class="footnote-ref" id="fnref:168" href="#fn:168"><sup>168</sup></a> <i>Homogenic</i> has also been noted to have had influence on <a href="/facts/Kanye_West/9AptrF4P">Kanye West</a> by various sources, as he departed <a href="/facts/Hip_hop_music/0lsHpwAD">hip hop</a> in favor of a more <a href="/facts/Experimental_music/JbfA3Tg7">experimental</a> sound for his fourth studio album <i><a href="/facts/808s_%26_Heartbreak/yUsKjyH7">808s & Heartbreak</a></i> (2008).<a class="footnote-ref" id="fnref:169" href="#fn:169"><sup>169</sup></a><a class="footnote-ref" id="fnref:170" href="#fn:170"><sup>170</sup></a> </p> <h2 id="track-listing">Track listing</h2> <p>All tracks are written by Björk, except where noted</p><i>Homogenic</i> – Standard edition<a class="footnote-ref" id="fnref:171" href="#fn:171"><sup>171</sup></a><a class="footnote-ref" id="fnref:172" href="#fn:172"><sup>172</sup></a><a class="footnote-ref" id="fnref:173" href="#fn:173"><sup>173</sup></a><table><tbody><tr><th scope="col">No.</th><th scope="col">Title</th><th scope="col">Writer(s)</th><th scope="col">Producer(s)</th><th scope="col">Length</th></tr><tr><th scope="row">1.</th><td>"<a href="/facts/Hunter_(Bj%C3%B6rk_song)/tcghgbTs">Hunter</a>"</td><td> </td><td><ul><li>Björk</li><li><a href="/facts/Mark_Bell_(British_musician)/0bA192tl">Mark Bell</a></li></ul></td><td>4:13</td></tr><tr><th scope="row">2.</th><td>"<a href="/facts/J%C3%B3ga/NaYksEa7">Jóga</a>"</td><td><ul><li>Björk</li><li><a href="/facts/Sj%C3%B3n/x2o6FE9e">Sjón</a></li></ul></td><td><ul><li>Björk</li><li>Bell</li></ul></td><td>5:05</td></tr><tr><th scope="row">3.</th><td>"<a href="/facts/Unravel_(Bj%C3%B6rk_song)/u3FTwlpd">Unravel</a>"</td><td><ul><li>Björk</li><li><a href="/facts/Guy_Sigsworth/4XSmPABx">Guy Sigsworth</a></li></ul></td><td><ul><li>Björk</li><li>Sigsworth</li></ul></td><td>3:17</td></tr><tr><th scope="row">4.</th><td>"<a href="/facts/Bachelorette_(song)/WASF5Tvg">Bachelorette</a>"</td><td><ul><li>Björk</li><li>Sjón</li></ul></td><td>Björk</td><td>5:16</td></tr><tr><th scope="row">5.</th><td>"<a href="/facts/All_Neon_Like/5WcF9vxY">All Neon Like</a>"</td><td> </td><td><ul><li>Björk</li><li>Bell</li></ul></td><td>5:52</td></tr><tr><th scope="row">6.</th><td>"5 Years"</td><td> </td><td><ul><li>Björk</li><li>Bell</li></ul></td><td>4:29</td></tr><tr><th scope="row">7.</th><td>"Immature"</td><td> </td><td>Bell</td><td>3:06</td></tr><tr><th scope="row">8.</th><td>"<a href="/facts/Alarm_Call/wdHg65Dk">Alarm Call</a>"</td><td> </td><td><ul><li>Björk</li><li>Bell</li></ul></td><td>4:19</td></tr><tr><th scope="row">9.</th><td>"<a href="/facts/Pluto_(song)/UDgQVAtG">Pluto</a>"</td><td><ul><li>Björk</li><li>Bell</li></ul></td><td><ul><li>Björk</li><li>Bell</li></ul></td><td>3:19</td></tr><tr><th scope="row">10.</th><td>"<a href="/facts/All_Is_Full_of_Love/n56vxu2A">All Is Full of Love</a>"</td><td> </td><td><a href="/facts/Howie_B/osDHzbvu">Howie B</a></td><td>4:32</td></tr><tr><th colspan="4" scope="row">Total length:</th><td>43:32</td></tr></tbody></table> <i>Homogenic</i> – Japanese limited edition (bonus tracks)<a class="footnote-ref" id="fnref:174" href="#fn:174"><sup>174</sup></a><a class="footnote-ref" id="fnref:175" href="#fn:175"><sup>175</sup></a><table><tbody><tr><th scope="col">No.</th><th scope="col">Title</th><th scope="col">Writer(s)</th><th scope="col">Producer(s)</th><th scope="col">Length</th></tr><tr><th scope="row">11.</th><td>"Jóga" (Howie B Main Mix)</td><td><ul><li>Björk</li><li>Sjón</li></ul></td><td><ul><li>Björk</li><li>Bell</li><li>Howie B</li></ul></td><td>5:03</td></tr><tr><th scope="row">12.</th><td>"Sod Off"</td><td> </td><td><ul><li>Björk</li><li>Bell</li></ul></td><td>2:56</td></tr><tr><th scope="row">13.</th><td>"Immature" (Björk's version)</td><td> </td><td>Björk</td><td>2:50</td></tr><tr><th scope="row">14.</th><td>"So Broken"</td><td> </td><td>Björk</td><td>6:01</td></tr><tr><th scope="row">15.</th><td>"Nature Is Ancient (a.k.a. My Snare)"</td><td><ul><li>Björk</li><li>Bell</li></ul></td><td><ul><li>Björk</li><li>Bell</li></ul></td><td>3:39</td></tr><tr><th scope="row">16.</th><td>"Jóga" (Alec Empire Remix)</td><td><ul><li>Björk</li><li>Sjón</li></ul></td><td><ul><li>Björk</li><li>Bell</li><li><a href="/facts/Alec_Empire/daXankB9">Alec Empire</a></li></ul></td><td>8:46</td></tr><tr><th colspan="4" scope="row">Total length:</th><td>73:09</td></tr></tbody></table> <i>Homogenic</i> – Spain 2CD edition (bonus disc)<a class="footnote-ref" id="fnref:176" href="#fn:176"><sup>176</sup></a><table><tbody><tr><th scope="col">No.</th><th scope="col">Title</th><th scope="col">Producer(s)</th><th scope="col">Length</th></tr><tr><th scope="row">1.</th><td>"So Broken"</td><td>Björk</td><td>6:01</td></tr><tr><th colspan="3" scope="row">Total length:</th><td>49:36</td></tr></tbody></table> <i>Homogenic</i> – <i><a href="/facts/Surrounded_(Bj%C3%B6rk_album)/kIPKSP98">Surrounded</a></i><a href="/facts/DualDisc/IUmfce1j">DualDisc</a> edition (bonus DVD)<table> <tbody><tr><th scope="col">No.</th><th scope="col">Title</th><th scope="col">Length</th></tr><tr><th scope="row">1.</th><td>"Jóga" (music video)</td><td>2:19</td></tr><tr><th scope="row">2.</th><td>"Bachelorette" (music video)</td><td>5:26</td></tr><tr><th scope="row">3.</th><td>"Hunter" (music video)</td><td>5:51</td></tr><tr><th scope="row">4.</th><td>"Alarm Call" (music video)</td><td>5:45</td></tr><tr><th scope="row">5.</th><td>"All Is Full of Love" (music video)</td><td>5:01</td></tr><tr><th colspan="2" scope="row">Total length:</th><td>24:22</td></tr></tbody></table> <h2 id="personnel">Personnel</h2> <p>Credits adapted from the liner notes of <i>Homogenic</i>.<a class="footnote-ref" id="fnref:177" href="#fn:177"><sup>177</sup></a> </p> Musicians <ul><li>Alasdair Alloy – <a href="/facts/Glass_harmonica/KegFBfCA">glass harmonica</a></li> <li><a href="/facts/Mark_Bell_(British_musician)/0bA192tl">Mark Bell</a> – keyboards</li> <li><a href="/facts/Bj%C3%B6rk/5hsHnCDg">Björk</a> – keyboards, vocals</li> <li>Mike Brittain – <a href="/facts/Double_bass/zyyj4aay">bass</a></li> <li>Jeffrey Bryant – <a href="/facts/French_horn/lo63xBF3">horn</a></li> <li>Paul Gardhaim – bass</li> <li>Isobel Griffiths – orchestra contractor</li> <li>Steve Henderson – <a href="/facts/Timbales/b4oo8whj">timbales</a>, <a href="/facts/Timpani/RMflATzA">timpani</a></li> <li><a href="/facts/Yasuhiro_Kobayashi/gflVGbVy">Yasuhiro Kobayashi</a> – <a href="/facts/Accordion/h22CqQVA">accordion</a></li> <li><a href="/facts/Chris_Laurence/QmetWa9n">Chris Laurence</a> – bass</li> <li><a href="/facts/Trevor_Morais/XQYArdbX">Trevor Morais</a> – drums, electronic drums</li> <li>Paul Pritchard – bass</li> <li><a href="/facts/Frank_Ricotti/5VGJbWHt">Frank Ricotti</a> – <a href="/facts/Snare_drums/IN9Arnh3">snare drums</a></li> <li><a href="/facts/Guy_Sigsworth/4XSmPABx">Guy Sigsworth</a> – <a href="/facts/Clavichord/v0hAns7B">clavichord</a>, <a href="/facts/Keyboard_instrument/zVUA9QNG">keyboards</a>, <a href="/facts/Pipe_organ/F3CIPMwS">pipe organ</a></li> <li><a href="/facts/Michael_Thompson_(horn_player)/My8CXdR7">Mike Thompson</a> – horn</li> <li>Helen Tunstall – harp</li> <li>Strings <ul><li>Vaughan Armon, Sigurbjorn Bernhardsson, Mark Berrow, Ben Cruft, Sigrun Edvaldsdottir, Roger Garland, <a href="/facts/Wilfred_Gibson/x8uqIlKd">Wilfred Gibson</a>, Perry Mason, Jim McLeod, Perry Montague-Mason, Peter Oxer, Maciej Rakowski, Una Sveinbjarnardottir, Sif Tulinius, <a href="/facts/Gavyn_Wright/x4N9Mxky">Gavyn Wright</a> – violins</li> <li><a href="/facts/Roger_Chase/1jMQPho4">Roger Chase</a>, Hrund Hardardottir, Bill Hawkes, Peter Lale, George Robertson, Moeidur Anna Sigurdardottir – violas</li> <li>Sigurdur Bjarki Gunnarsson, Paul Kegg, <a href="/facts/Helen_Liebmann/GxYCtaQT">Helen Liebmann</a>, Martin Loveday, Jon R. Ornolfsson, John Tunnell – cellos</li></ul></li></ul> Technical personnel <ul><li>Björk – arrangements, programming, production</li> <li><a href="/facts/Howie_B/osDHzbvu">Howie B</a> – programming, production, <a href="/facts/Audio_mixing_(recorded_music)/zDG6EgcS">mixing</a></li> <li><a href="/facts/Mark_Bell_(British_musician)/0bA192tl">Mark Bell</a> – programming, production, drum programming, crew</li> <li>Danny Joe Brown Band – programming, mixing assistance</li> <li>Richard Brown – programming</li> <li>Kirsten Cowie – mixing assistance, assistance</li> <li><a href="/facts/Eumir_Deodato/WsQUH68r">Eumir Deodato</a> – arrangements, orchestration, transcription</li> <li><a href="/facts/Marius_de_Vries/SC50eyRu">Marius de Vries</a> – programming</li> <li><a href="/facts/Markus_Dravs/EjfdFHnP">Markus Dravs</a> – programming, production, engineering, drum programming, crew</li> <li>Jason Groucott – mixing assistance, assistance</li> <li>James Loughrey – mixing assistance, assistance</li> <li>Sie Medway-Smith – mixing assistance, assistance</li> <li>Rob Murphy – mixing assistance, assistance</li> <li>Nilesh Patel – mastering<a class="footnote-ref" id="fnref:178" href="#fn:178"><sup>178</sup></a></li> <li>Russel Polden – mixing assistance, assistance</li> <li>Steve Price – engineering</li> <li><a href="/facts/Guy_Sigsworth/4XSmPABx">Guy Sigsworth</a> – production</li> <li>Tony Stanton – copying</li> <li><a href="/facts/Mark_%22Spike%22_Stent/0eEgp3fv">Mark "Spike" Stent</a> – mixing, crew</li> <li>Rebecca Storey – mixing assistance, assistance</li> <li>Paul Walton – mixing assistance</li> <li>Jason Westbrook – mixing assistance, assistance</li></ul> Artwork <ul><li><a href="/facts/Alexander_McQueen/cFB6NgVA">Alexander McQueen</a> – art direction</li> <li><a href="/facts/Nick_Knight_(photographer)/es2f293H">Nick Knight</a> – photography</li> <li>Katy England – styling</li> <li>Me Company – sleeve design</li></ul> <h2 id="charts">Charts</h2> <table><tbody><tr><td><h3>Weekly charts</h3>Weekly chart performance for <i>Homogenic</i><table><tbody><tr><th scope="col">Chart (1997)</th><th scope="col">Peakposition</th></tr><tr><th scope="row">Australian Albums (<a href="/facts/ARIA_Charts/aUXUHRK7">ARIA</a>)<a class="footnote-ref" id="fnref:179" href="#fn:179"><sup>179</sup></a></th><td>6</td></tr><tr><th scope="row">Austrian Albums (<a href="/facts/%C3%963_Austria_Top_40/3B0L8Tj0">Ö3 Austria</a>)<a class="footnote-ref" id="fnref:180" href="#fn:180"><sup>180</sup></a></th><td>5</td></tr><tr><th scope="row">Belgian Albums (<a href="/facts/Ultratop/z8s4xXqw">Ultratop</a> Flanders)<a class="footnote-ref" id="fnref:181" href="#fn:181"><sup>181</sup></a></th><td>6</td></tr><tr><th scope="row">Belgian Albums (<a href="/facts/Ultratop/z8s4xXqw">Ultratop</a> Wallonia)<a class="footnote-ref" id="fnref:182" href="#fn:182"><sup>182</sup></a></th><td>13</td></tr><tr><th scope="row"><a href="/facts/Canadian_Albums_Chart/hB0HgwY6">Canadian Albums</a> (<a href="/facts/Billboard_(magazine)/CVruQGq5"><i>Billboard</i></a>)<a class="footnote-ref" id="fnref:183" href="#fn:183"><sup>183</sup></a></th><td>20</td></tr><tr><th scope="row">Danish Albums (<a href="/facts/Hitlisten/7q6gfh8P">Hitlisten</a>)<a class="footnote-ref" id="fnref:184" href="#fn:184"><sup>184</sup></a></th><td>1</td></tr><tr><th scope="row">Dutch Albums (<a href="/facts/Dutch_Album_Top_100/dG4dLtW3">Album Top 100</a>)<a class="footnote-ref" id="fnref:185" href="#fn:185"><sup>185</sup></a></th><td>12</td></tr><tr><th scope="row"><a href="/facts/European_Top_100_Albums/GHvJAu6Y">European Albums</a> (<i><a href="/facts/Music_%26_Media/B95IfLXg">Music & Media</a></i>)<a class="footnote-ref" id="fnref:186" href="#fn:186"><sup>186</sup></a></th><td>4</td></tr><tr><th scope="row">Finnish Albums (<a href="/facts/The_Official_Finnish_Charts/c0yxEQtC">Suomen virallinen lista</a>)<a class="footnote-ref" id="fnref:187" href="#fn:187"><sup>187</sup></a></th><td>10</td></tr><tr><th scope="row">French Albums (<a href="/facts/SNEP/lT0tPFLb">SNEP</a>)<a class="footnote-ref" id="fnref:188" href="#fn:188"><sup>188</sup></a></th><td>2</td></tr><tr><th scope="row">German Albums (<a href="/facts/GfK_Entertainment_charts/bGrgjxKn">Offizielle Top 100</a>)<a class="footnote-ref" id="fnref:189" href="#fn:189"><sup>189</sup></a></th><td>10</td></tr><tr><th scope="row">Greek Albums (<a href="/facts/IFPI_Greece/Hnr2DL1Y">IFPI</a>)<a class="footnote-ref" id="fnref:190" href="#fn:190"><sup>190</sup></a></th><td>10</td></tr><tr><th scope="row">Hungarian Albums (<a href="/facts/Association_of_Hungarian_Record_Companies/V1g7VheF">MAHASZ</a>)<a class="footnote-ref" id="fnref:191" href="#fn:191"><sup>191</sup></a></th><td>31</td></tr><tr><th scope="row">Icelandic Albums (<a href="/facts/T%C3%B3nlist/mYvrJGop">Tónlist</a>)<a class="footnote-ref" id="fnref:192" href="#fn:192"><sup>192</sup></a></th><td>1</td></tr><tr><th scope="row">Japanese Albums (<a href="/facts/Oricon_Albums_Chart/s7n7okvW">Oricon</a>)<a class="footnote-ref" id="fnref:193" href="#fn:193"><sup>193</sup></a></th><td>16</td></tr><tr><th scope="row">New Zealand Albums (<a href="/facts/Official_New_Zealand_Music_Chart/Ukp3oqXG">RMNZ</a>)<a class="footnote-ref" id="fnref:194" href="#fn:194"><sup>194</sup></a></th><td>6</td></tr><tr><th scope="row">Norwegian Albums (<a href="/facts/VG-lista/gHbBmrR7">VG-lista</a>)<a class="footnote-ref" id="fnref:195" href="#fn:195"><sup>195</sup></a></th><td>3</td></tr><tr><th scope="row">Portuguese Albums (<a href="/facts/Associa%C3%A7%C3%A3o_Fonogr%C3%A1fica_Portuguesa/NfqwCKAK">AFP</a>)<a class="footnote-ref" id="fnref:196" href="#fn:196"><sup>196</sup></a></th><td>4</td></tr><tr><th scope="row"><a href="/facts/Scottish_Singles_and_Albums_Charts/cTBm6vqg">Scottish Albums</a> (<a href="/facts/Official_Charts_Company/42Rz2PXj">OCC</a>)<a class="footnote-ref" id="fnref:197" href="#fn:197"><sup>197</sup></a></th><td>8</td></tr><tr><th scope="row">Spanish Albums (<a href="/facts/Productores_de_M%C3%BAsica_de_Espa%C3%B1a/shAF30pQ">AFYVE</a>)<a class="footnote-ref" id="fnref:198" href="#fn:198"><sup>198</sup></a></th><td>33</td></tr><tr><th scope="row">Swedish Albums (<a href="/facts/Sverigetopplistan/Br6GrFEd">Sverigetopplistan</a>)<a class="footnote-ref" id="fnref:199" href="#fn:199"><sup>199</sup></a></th><td>5</td></tr><tr><th scope="row">Swiss Albums (<a href="/facts/Swiss_Hitparade/GsbuC0fn">Schweizer Hitparade</a>)<a class="footnote-ref" id="fnref:200" href="#fn:200"><sup>200</sup></a></th><td>13</td></tr><tr><th scope="row"><a href="/facts/UK_Albums_Chart/h1hyzP13">UK Albums</a> (<a href="/facts/Official_Charts_Company/42Rz2PXj">OCC</a>)<a class="footnote-ref" id="fnref:201" href="#fn:201"><sup>201</sup></a></th><td>4</td></tr><tr><th scope="row"><a href="/facts/UK_Independent_Singles_and_Albums_Charts/5gauGCyY">UK Independent Albums</a> (<a href="/facts/Official_Charts_Company/42Rz2PXj">OCC</a>)<a class="footnote-ref" id="fnref:202" href="#fn:202"><sup>202</sup></a></th><td>2</td></tr><tr><th scope="row">US <a href="/facts/Billboard_200/XtbnoFSM"><i>Billboard</i> 200</a><a class="footnote-ref" id="fnref:203" href="#fn:203"><sup>203</sup></a></th><td>28</td></tr></tbody></table></td><td><h3>Year-end charts</h3>1997 year-end chart performance for <i>Homogenic</i><table><tbody><tr><th scope="col">Chart (1997)</th><th scope="col">Position</th></tr><tr><th scope="row">Belgian Albums (Ultratop Flanders)<a class="footnote-ref" id="fnref:204" href="#fn:204"><sup>204</sup></a></th><td>81</td></tr><tr><th scope="row">Belgian Albums (Ultratop Wallonia)<a class="footnote-ref" id="fnref:205" href="#fn:205"><sup>205</sup></a></th><td>95</td></tr><tr><th scope="row">European Albums (<i>Music & Media</i>)<a class="footnote-ref" id="fnref:206" href="#fn:206"><sup>206</sup></a></th><td>54</td></tr><tr><th scope="row">French Albums (SNEP)<a class="footnote-ref" id="fnref:207" href="#fn:207"><sup>207</sup></a></th><td>43</td></tr></tbody></table>1998 year-end chart performance for <i>Homogenic</i><table><tbody><tr><th scope="col">Chart (1998)</th><th scope="col">Position</th></tr><tr><th scope="row">French Albums (SNEP)<a class="footnote-ref" id="fnref:208" href="#fn:208"><sup>208</sup></a></th><td>56</td></tr></tbody></table></td></tr></tbody></table> <h2 id="certifications-and-sales">Certifications and sales</h2> Certifications for <i>Homogenic</i><table><tbody><tr><th scope="col">Region</th><th scope="col">Certification</th><th scope="col"><a href="/facts/List_of_music_recording_certifications/6CPQFNNn">Certified units</a>/sales</th></tr><tr><th scope="row">Canada (<a href="/facts/Music_Canada/aLB7HHJo">Music Canada</a>)<a class="footnote-ref" id="fnref:209" href="#fn:209"><sup>209</sup></a></th><td>Gold</td><td>50,000^</td></tr><tr><th scope="row">Denmark (<a href="/facts/IFPI_Danmark/GXuA0t2n">IFPI Danmark</a>)<a class="footnote-ref" id="fnref:210" href="#fn:210"><sup>210</sup></a></th><td>Gold</td><td>30,000<a class="footnote-ref" id="fnref:211" href="#fn:211"><sup>211</sup></a></td></tr><tr><th scope="row">Iceland</th><td>—</td><td>8,000<a class="footnote-ref" id="fnref:212" href="#fn:212"><sup>212</sup></a></td></tr><tr><th scope="row">Norway</th><td>—</td><td>28,000<a class="footnote-ref" id="fnref:213" href="#fn:213"><sup>213</sup></a></td></tr><tr><th scope="row">Japan (<a href="/facts/Recording_Industry_Association_of_Japan/dpTRNAPv">RIAJ</a>)<a class="footnote-ref" id="fnref:214" href="#fn:214"><sup>214</sup></a></th><td>Gold</td><td>100,000^</td></tr><tr><th scope="row">Switzerland (<a href="/facts/International_Federation_of_the_Phonographic_Industry/h3f3zMVv">IFPI</a> Switzerland)<a class="footnote-ref" id="fnref:215" href="#fn:215"><sup>215</sup></a></th><td>Gold</td><td>25,000^</td></tr><tr><th scope="row">United Kingdom (<a href="/facts/British_Phonographic_Industry/G1QjcwBq">BPI</a>)<a class="footnote-ref" id="fnref:216" href="#fn:216"><sup>216</sup></a></th><td>Gold</td><td>216,000<a class="footnote-ref" id="fnref:217" href="#fn:217"><sup>217</sup></a></td></tr><tr><th scope="row">United States (<a href="/facts/Recording_Industry_Association_of_America/8a7K0Ubf">RIAA</a>)<a class="footnote-ref" id="fnref:218" href="#fn:218"><sup>218</sup></a></th><td>Gold</td><td>501,000<a class="footnote-ref" id="fnref:219" href="#fn:219"><sup>219</sup></a></td></tr><tr><th scope="col" colspan="3">Summaries</th></tr><tr><th scope="row">Europe (<a href="/facts/International_Federation_of_the_Phonographic_Industry/h3f3zMVv">IFPI</a>)<a class="footnote-ref" id="fnref:220" href="#fn:220"><sup>220</sup></a></th><td>Platinum</td><td>1,000,000*</td></tr><tr><td colspan="3"><p>* Sales figures based on certification alone.^ Shipments figures based on certification alone.</p></td></tr></tbody></table> <h2 id="release-history">Release history</h2> Release dates and formats for <i>Homogenic</i><table><tbody><tr><th scope="col">Region</th><th scope="col">Date</th><th scope="col">Edition(s)</th><th scope="col">Format(s)</th><th scope="col">Label(s)</th><th scope="col">Ref.</th></tr><tr><th scope="row">Japan</th><td>20 September 1997</td><td><ul><li>Standard</li><li>limited</li></ul></td><td rowspan="2"><a href="/facts/Compact_disc/g51GRloc">CD</a></td><td><a href="/facts/Polydor_Records/m9p4KeJQ">Polydor</a></td><td><a class="footnote-ref" id="fnref:221" href="#fn:221"><sup>221</sup></a></td></tr><tr><th scope="row">Germany</th><td rowspan="2">22 September 1997</td><td rowspan="4">Standard</td><td><a href="/facts/Mother_Records/hyYVghFj">Mother</a></td><td><a class="footnote-ref" id="fnref:222" href="#fn:222"><sup>222</sup></a></td></tr><tr><th scope="row">United Kingdom</th><td rowspan="2"><ul><li><a href="/facts/Cassette_tape/w8I5uyfs">Cassette</a></li><li>CD</li></ul></td><td><a href="/facts/One_Little_Independent_Records/Pt3JVQT6">One Little Indian</a></td><td><a class="footnote-ref" id="fnref:223" href="#fn:223"><sup>223</sup></a></td></tr><tr><th scope="row" rowspan="3">United States</th><td>23 September 1997</td><td rowspan="3"><a href="/facts/Elektra_Records/qwRKPND1">Elektra</a></td><td><a class="footnote-ref" id="fnref:224" href="#fn:224"><sup>224</sup></a></td></tr><tr><td>3 August 2004</td><td><a href="/facts/Music_download/96QbSLNp">Digital download</a></td><td><a class="footnote-ref" id="fnref:225" href="#fn:225"><sup>225</sup></a></td></tr><tr><td>25 July 2006</td><td><i><a href="/facts/Surrounded_(Bj%C3%B6rk_album)/kIPKSP98">Surrounded</a></i></td><td><a href="/facts/DualDisc/IUmfce1j">DualDisc</a></td><td><a class="footnote-ref" id="fnref:226" href="#fn:226"><sup>226</sup></a></td></tr><tr><th scope="row">Japan</th><td>7 September 2011</td><td rowspan="4">Standard</td><td>SHM-CD</td><td><a href="/facts/Universal_Music_Group/VufxcUef">Universal Music</a></td><td><a class="footnote-ref" id="fnref:227" href="#fn:227"><sup>227</sup></a></td></tr><tr><th scope="row">United Kingdom</th><td>9 March 2015</td><td rowspan="2"><a href="/facts/Phonograph_record/ccuFV9Af">Vinyl</a></td><td rowspan="3">One Little Indian</td><td><a class="footnote-ref" id="fnref:228" href="#fn:228"><sup>228</sup></a></td></tr><tr><th scope="row">Various</th><td>29 January 2016</td><td><a class="footnote-ref" id="fnref:229" href="#fn:229"><sup>229</sup></a><a class="footnote-ref" id="fnref:230" href="#fn:230"><sup>230</sup></a><a class="footnote-ref" id="fnref:231" href="#fn:231"><sup>231</sup></a></td></tr><tr><th scope="row">United Kingdom</th><td>26 April 2019</td><td>Cassette (reissue)</td><td><a class="footnote-ref" id="fnref:232" href="#fn:232"><sup>232</sup></a></td></tr></tbody></table> <h2 id="see-also">See also</h2> <ul> <li>1990s portal</li></ul> <ul><li><a href="/facts/Album_era/xlYNf8FV">Album era</a></li> <li><a href="/facts/Experimental_music/JbfA3Tg7">Experimental music</a></li></ul> <h2 id="notes">Notes</h2> <h2 id="bibliography">Bibliography</h2> <ul><li>Lysloff, René T. A.; Gay, Leslie C., eds. (2003). <a href="https://books.google.com/books?id=MPRBF1wqmcoC"><i>Music and Technoculture</i></a>. <a href="/facts/Wesleyan_University_Press/jh6zlo1y">Wesleyan University Press</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 0-8195-6514-8.</li> <li>Pereira Macedo, Donaldo; <a href="/facts/Shirley_R._Steinberg/cXEjeNq0">Steinberg, Shirley R.</a> (2007). <i>Media literacy: a reader</i>. <a href="/facts/Peter_Lang_(publisher)/cIj7jzsk">Peter Lang</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-8204-8668-0.</li> <li>Pytlik, Mark (2003). <a href="https://books.google.com/books?id=bill263dqDAC"><i>Björk: Wow and Flutter</i></a>. <a href="/facts/ECW_Press/RefTzcvr">ECW Press</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 1-55022-556-1.</li> <li>Randall, Mac (2000). <a href="https://books.google.com/books?id=ib4MyAIpe3MC"><i>Exit Music: The Radiohead Story</i></a>. Delta. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 0-385-33393-5.</li> <li>Salaverri, Fernando (September 2005). <i>Sólo éxitos: año a año, 1959–2002</i> (in Spanish) (1st ed.). Madrid: <a href="/facts/Sociedad_General_de_Autores_y_Editores/h8TDBPds">Fundación Autor/SGAE</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 84-8048-639-2.</li> <li>Wilson, Andrew (2015). <i>Alexander McQueen: Blood Beneath the Skin</i>. New York, United States: <a href="/facts/Simon_%26_Schuster/pESq8Dxl">Simon & Schuster</a>. p. 196. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-1-4767-7673-6.</li> <li><a href="/facts/Douglas_Wolk/gBMfVBu9">Wolk, Douglas</a> (2004). "Björk". In Brackett, Nathan; Hoard, Christian (eds.). <a href="/facts/The_Rolling_Stone_Album_Guide/RRNrAt8J"><i>The New Rolling Stone Album Guide</i></a> (4th ed.). <a href="/facts/Simon_%26_Schuster/pESq8Dxl">Simon & Schuster</a>. pp. <a href="https://archive.org/details/newrollingstonea00brac/page/73">73–74</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 0-7432-0169-8.</li></ul> <h2 id="external-links">External links</h2> <ul><li><a href="https://web.archive.org/web/20110507024434/http://unit.bjork.com/specials/albums/homogenic/">Mini website</a> for <i>Homogenic</i></li> <li><a href="https://web.archive.org/web/20040713104106/http://www.bjork.com/facts/lyrics/">Lyrics from <i>Homogenic</i></a> on official website</li> <li><i><a href="https://www.discogs.com/master/2815">Homogenic</a></i> at <a href="/facts/Discogs/wdyMoREv">Discogs</a> (list of releases)</li> <li><a href="http://rateyourmusic.com/release/album/bjork/homogenic/"><i>Homogenic</i></a> at <a href="/facts/Rate_Your_Music/FpER6edu">Rate Your Music</a></li> <li><a href="http://77island.bjork.info/homogenicalbum.htm"><i>Homogenic</i></a> <a href="https://web.archive.org/web/20161209132451/http://77island.bjork.info/homogenicalbum.htm">Archived</a> 9 December 2016 at the <a href="/facts/Wayback_Machine/nmQ3a6JC">Wayback Machine</a> at 77ísland</li></ul> <h2 id="references">References</h2> <ol> <li id="fn:1"><p>Homogenic is officially considered to be Björk's third solo album,[3][4] although technically it can be viewed as fourth if to count her 1977 juvenilia work, or fifth, counting in her 1990 jazz output Gling-Gló. <a href="#fnref:1" class="footnote-back-ref">↩</a></p></li> <li id="fn:2"><p>Pytlik 2003, p. 119 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:2" class="footnote-back-ref">↩</a></p></li> <li id="fn:3"><p>Pytlik 2003, p. 120 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:3" class="footnote-back-ref">↩</a></p></li> <li id="fn:4"><p>Pytlik 2003, p. 120 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:4" class="footnote-back-ref">↩</a></p></li> <li id="fn:5"><p>Colin, Chris (1 May 2001). "Salon.com People Björk". Salon.com. Retrieved 22 November 2015. <a href="http://www.salon.com/2001/05/01/bjork/" target="_blank">http://www.salon.com/2001/05/01/bjork/</a> <a href="#fnref:5" class="footnote-back-ref">↩</a></p></li> <li id="fn:6"><p>Pytlik 2003, p. 121 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:6" class="footnote-back-ref">↩</a></p></li> <li id="fn:7"><p>Pytlik 2003, p. 121 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:7" class="footnote-back-ref">↩</a></p></li> <li id="fn:8"><p>Pytlik 2003, p. 121 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:8" class="footnote-back-ref">↩</a></p></li> <li id="fn:9"><p>Thompson, Dave. "( Homogenic (Japan Bonus Tracks) > Overview )". AllMusic. Retrieved 17 March 2018. <a href="https://www.allmusic.com/album/release/homogenic-japan-bonus-tracks-mr0001107513" target="_blank">https://www.allmusic.com/album/release/homogenic-japan-bonus-tracks-mr0001107513</a> <a href="#fnref:9" class="footnote-back-ref">↩</a></p></li> <li id="fn:10"><p>Pytlik 2003, p. 121 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:10" class="footnote-back-ref">↩</a></p></li> <li id="fn:11"><p>Pytlik 2003, p. 121 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:11" class="footnote-back-ref">↩</a></p></li> <li id="fn:12"><p>Pytlik 2003, p. 121 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:12" class="footnote-back-ref">↩</a></p></li> <li id="fn:13"><p>Pytlik 2003, p. 122 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:13" class="footnote-back-ref">↩</a></p></li> <li id="fn:14"><p>Pytlik 2003, p. 123 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:14" class="footnote-back-ref">↩</a></p></li> <li id="fn:15"><p>Pytlik 2003, p. 124 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:15" class="footnote-back-ref">↩</a></p></li> <li id="fn:16"><p>"allmusic (((Debut > Credits)))". Allmusic. Retrieved 7 April 2009. <a href="https://www.allmusic.com/album/r184600" target="_blank">https://www.allmusic.com/album/r184600</a> <a href="#fnref:16" class="footnote-back-ref">↩</a></p></li> <li id="fn:17"><p>"allmusic (((Post > Credits)))". Allmusic. Retrieved 7 April 2009. <a href="https://www.allmusic.com/album/r216082" target="_blank">https://www.allmusic.com/album/r216082</a> <a href="#fnref:17" class="footnote-back-ref">↩</a></p></li> <li id="fn:18"><p>Pytlik 2003, p. 124 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:18" class="footnote-back-ref">↩</a></p></li> <li id="fn:19"><p>"allmusic (((Debut > Credits)))". Allmusic. Retrieved 7 April 2009. <a href="https://www.allmusic.com/album/r184600" target="_blank">https://www.allmusic.com/album/r184600</a> <a href="#fnref:19" class="footnote-back-ref">↩</a></p></li> <li id="fn:20"><p>"allmusic (((Post > Credits)))". Allmusic. Retrieved 7 April 2009. <a href="https://www.allmusic.com/album/r216082" target="_blank">https://www.allmusic.com/album/r216082</a> <a href="#fnref:20" class="footnote-back-ref">↩</a></p></li> <li id="fn:21"><p>Pytlik 2003, p. 124 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:21" class="footnote-back-ref">↩</a></p></li> <li id="fn:22"><p>Pytlik 2003, p. 126 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:22" class="footnote-back-ref">↩</a></p></li> <li id="fn:23"><p>"Mark Bell / LFO Interview". The Milk Factory. June 2002. Archived from the original on 15 October 2009. Retrieved 5 July 2009. <a href="https://web.archive.org/web/20091015020932/http://www.themilkfactory.co.uk/interviews/lfoiw.htm" target="_blank">https://web.archive.org/web/20091015020932/http://www.themilkfactory.co.uk/interviews/lfoiw.htm</a> <a href="#fnref:23" class="footnote-back-ref">↩</a></p></li> <li id="fn:24"><p>Pytlik 2003, p. 124 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:24" class="footnote-back-ref">↩</a></p></li> <li id="fn:25"><p>Pytlik 2003, p. 127 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:25" class="footnote-back-ref">↩</a></p></li> <li id="fn:26"><p>Pytlik 2003, p. 128 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:26" class="footnote-back-ref">↩</a></p></li> <li id="fn:27"><p>Pytlik 2003, p. 128 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:27" class="footnote-back-ref">↩</a></p></li> <li id="fn:28"><p>Pytlik 2003, p. 128 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:28" class="footnote-back-ref">↩</a></p></li> <li id="fn:29"><p>Pytlik 2003, p. 128 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:29" class="footnote-back-ref">↩</a></p></li> <li id="fn:30"><p>Pytlik 2003, p. 129 - Pytlik, Mark (2003). Björk: Wow and Flutter. ECW Press. ISBN 1-55022-556-1. <a href="https://books.google.com/books?id=bill263dqDAC" target="_blank">https://books.google.com/books?id=bill263dqDAC</a> <a href="#fnref:30" class="footnote-back-ref">↩</a></p></li> <li id="fn:31"><p>Pereira & Steinberg 2007 - Pereira Macedo, Donaldo; Steinberg, Shirley R. (2007). Media literacy: a reader. Peter Lang. ISBN 978-0-8204-8668-0. <a href="#fnref:31" class="footnote-back-ref">↩</a></p></li> <li id="fn:32"><p>Cinquemani, Sal (6 May 2007). "Björk: Homogenic". Slant Magazine. 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