Art Fund

<h2 id="history">History</h2>

The original idea for an arts charity can be traced to a lecture given by <a href="/facts/John_Ruskin/GL5qNpPt">John Ruskin</a> in 1857 when he called for the establishment of a "great society" to save works of art for public collections and "watch over" them.
At the start of the 20th century owners of private art collections, under financial pressure, began to auction off many great works of art, often to wealthy citizens of other countries. Artist and critic <a href="/facts/Dugald_Sutherland_MacColl/fgyq9ndq">D. S. MacColl</a> published his concerns and suggested setting up a public organisation to fundraise.<a class="footnote-ref" id="fnref:2" href="#fn:2">2</a> The National Art Collections Fund was founded in 1903 in order to help museums and galleries acquire works of art. The founders, who included MacColl, <a href="/facts/Christiana_Herringham/6RVGEVRJ">Christiana Herringham</a>, <a href="/facts/Roger_Fry/1DGG97ML">Roger Fry</a> and <a href="/facts/Robin_Benson/FRVzg4uh">Robin Benson</a>,<a class="footnote-ref" id="fnref:3" href="#fn:3">3</a> were prompted by what they saw as the inadequacy of government funding of museums. Members paid a <a href="/facts/Guinea_(coin)/4h8hIU2R">guinea</a> per year, and donations were welcomed. Herringham wrote to <a href="/facts/David_Lindsay%2c_27th_Earl_of_Crawford/CX6A3sW4">Lord Balcarres</a>, the first chairman, "If we are to influence public opinion we ought only to buy for the nation work that is of its kind first-class… It should be worthy of a prominent place and we should be proud to have presented to the Nation work of intrinsically fine quality." An early campaign by the Fund was to acquire Velázquez's Rokeby Venus.<a class="footnote-ref" id="fnref:4" href="#fn:4">4</a>
Art critic <a href="/facts/Frank_Rutter/SrmnnVrK">Frank Rutter</a> said it made him "boil with rage" that the Fund had spent thousands of pounds on Old Master paintings, some of which he considered of dubious merit or condition, but "would not contribute one half penny" to his appeal in 1905 to buy the first <a href="/facts/Impressionism/dc54l9eS">Impressionist</a> painting for the <a href="/facts/National_Gallery%2c_London/hbqUTpfr">National Gallery</a>, although it welcomed the prestige of presenting the painting, <a href="/facts/Eug%25C3%25A8ne_Boudin/LDgoaef3">Eugène Boudin</a>'s The Entrance to Trouville Harbour, the following year.<a class="footnote-ref" id="fnref:5" href="#fn:5">5</a> He said "the Fund's inertia and snobbish ineptitude are entirely characteristic of the art-officialdom in England."<a class="footnote-ref" id="fnref:6" href="#fn:6">6</a>
In 2005 the Fund was caught up in the controversy surrounding the purchase by the <a href="/facts/Tate/bHDt1a17">Tate</a> gallery of <a href="/facts/Tate%2527s_purchase_of_The_Upper_Room/DSGnJ8Aj">The Upper Room</a> by <a href="/facts/Chris_Ofili/B4jDoT6Q">Chris Ofili</a>.<a class="footnote-ref" id="fnref:7" href="#fn:7">7</a>
In the summer of 2006 the organisation's name was changed from National Art Collections Fund to The Art Fund.<a class="footnote-ref" id="fnref:8" href="#fn:8">8</a> The operational name was subsequently simplified to Art Fund (without a definite article).
Also in 2006, the Fund was caught out when it was discovered that the <a href="/facts/Amarna_Princess/uUcpMALE">Amarna Princess</a>, purportedly an ancient Egyptian sculpture, was actually a forgery by <a href="/facts/Shaun_Greenhalgh/2rNLJe3G">Shaun Greenhalgh</a>.

<h2 id="fundraising-campaigns">Fundraising campaigns</h2>
In addition to using its own funds to help museums and galleries acquire art, Art Fund organises national fundraising campaigns to secure significant works of art that are in danger of being lost from public view.
In 2009 Art Fund led a fundraising campaign to save the <a href="/facts/Staffordshire_Hoard/jBVX6okv">Staffordshire Hoard</a>, a collection of over 3,500 gold and silver artefacts discovered in <a href="/facts/Staffordshire/w4KJHAXz">Staffordshire</a>. Over £900,000 was raised through public donations, and the campaign received substantial funds from trusts and foundations. As a result of the campaign, the £3.3 million treasure was acquired for <a href="/facts/Birmingham_Museum_and_Art_Gallery/u2LTK9RN">Birmingham Museum and Art Gallery</a> and the <a href="/facts/Potteries_Museum_%2526_Art_Gallery/AxjeWUFk">Potteries Museum & Art Gallery</a>, <a href="/facts/Stoke-on-Trent/h5p04uev">Stoke-on-Trent</a>.
In 2010 The Procession to Calvary by <a href="/facts/Pieter_Brueghel_the_Younger/vAVV2heS">Pieter Brueghel the Younger</a>, which had been hung in <a href="/facts/Wakefield/dYtswDes">Wakefield</a>'s <a href="/facts/Nostell_Priory/p8YtnQbW">Nostell Priory</a> for over 200 years, came under risk of being sold on the open market. Art Fund worked with the <a href="/facts/National_Trust_for_Places_of_Historic_Interest_or_Natural_Beauty/vrXTp6Y6">National Trust</a> to raise the £2.7 million required to purchase the painting for the National Trust's art collection.
In 2013 <a href="/facts/King_and_McGaw/7JMfeMaw">King and McGaw</a> partnered with Art Everywhere, a charitable project putting on the world's largest art exhibition. This filled 22,000 billboards across the UK with art prints with all the profits going to Art Fund.<a class="footnote-ref" id="fnref:9" href="#fn:9">9</a> The following year the campaign was expanded to 30,000 billboards displaying 25 artworks including the Study of Cirrus Clouds by <a href="/facts/John_Constable/lNB4cLsQ">John Constable</a>, The Circle of Lustful by <a href="/facts/William_Blake/YQMnyh0G">William Blake</a> and <a href="/facts/A_Lady_with_a_Squirrel_and_a_Starling/78eqQBBB">A Lady with a Squirrel and a Starling</a> by <a href="/facts/Hans_Holbein_the_Younger/1dTuc8YT">Hans Holbein the Younger</a>.<a class="footnote-ref" id="fnref:10" href="#fn:10">10</a>

<h2 id="museum-of-the-year">Museum of the Year</h2>

Main article: <a href="/facts/Museum_of_the_Year/o55kvg7T">Museum of the Year § Art Fund Museum of the Year (2013–)</a>
Art Fund sponsors the <a href="/facts/Museum_of_the_Year/o55kvg7T">Museum of the Year</a> award (known as the <a href="/facts/Calouste_Gulbenkian_Foundation/8FoM9EHI">Gulbenkian</a> Prize from 2003 to 2007 and the Art Fund Prize from 2008 to 2012). This is a £100,000 prize awarded annually to the museum or gallery that had the most imaginative, innovative or popular project during the previous year.<a class="footnote-ref" id="fnref:11" href="#fn:11">11</a>

<h2 id="artist-rooms">Artist Rooms</h2>
In 2008 Art Fund helped Tate and the National Galleries of Scotland acquire ARTIST ROOMS, a collection of postwar and contemporary art. Since then Art Fund has supported a tour of the collection around the UK, as well as providing additional funds to help museum display the works. By the beginning of 2011 ARTIST ROOMS tours had been seen by approximately 12 million people across Britain.

<h2 id="see-also">See also</h2>
<ul><li><a href="/facts/AccessArt/Tb9UHM8A">AccessArt</a></li></ul>
<h2 id="notes-and-references">Notes and references</h2>

<h2 id="external-links">External links</h2>
<ul><li><a href="http://www.artfund.org">Official website</a></li>
<li><a href="https://register-of-charities.charitycommission.gov.uk/charity-details/?regId=209174&subId=0">"Art Fund, registered charity no. 209174"</a>. <a href="/facts/Charity_Commission_for_England_and_Wales/0NGYllkX">Charity Commission for England and Wales</a>.</li>
<li><a href="https://www.oscr.org.uk/about-charities/search-the-register/charity-details?number=SC038331">"Art Fund, Registered Charity no. SC038331"</a>. <a href="/facts/Office_of_the_Scottish_Charity_Regulator/fC8ukaKJ">Office of the Scottish Charity Regulator</a>.</li></ul>

<h2 id="references">References</h2>

<ol>
<li id="fn:1">Adams, Stephen (30 July 2008). "Unique medieval astrolabe saved by the British Museum". The Daily Telegraph. London. Retrieved 6 September 2018. <a href="https://www.telegraph.co.uk/news/uknews/2474799/Unique-medieval-astrolabe-saved-by-the-British-Museum.html" target="_blank">https://www.telegraph.co.uk/news/uknews/2474799/Unique-medieval-astrolabe-saved-by-the-British-Museum.html</a> <a href="#fnref:1" class="footnote-back-ref">↩</a></li>
<li id="fn:2">McNay, Anna (Autumn 2023). "Meet the collectors: Christiana Herringham". Art Quarterly. London: Art Fund. pp. 54–59. <a href="#fnref:2" class="footnote-back-ref">↩</a></li>
<li id="fn:3">Wake, Jehanne (5 May 2006). "Benson, Robert Henry [Robin]". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/48999. ISBN 978-0-19-861412-8. Retrieved 23 April 2020. (Subscription or UK public library membership required.) <a href="978-0-19-861412-8" target="_blank">978-0-19-861412-8</a> <a href="#fnref:3" class="footnote-back-ref">↩</a></li>
<li id="fn:4">McNay, Anna (Autumn 2023). "Meet the collectors: Christiana Herringham". Art Quarterly. London: Art Fund. pp. 54–59. <a href="#fnref:4" class="footnote-back-ref">↩</a></li>
<li id="fn:5">Rutter, Frank. Art in My Time, p.118–119, Rich & Cowan, London, 1933. <a href="/wiki/Rich_%26_Cowan" target="_blank">/wiki/Rich_%26_Cowan</a> <a href="#fnref:5" class="footnote-back-ref">↩</a></li>
<li id="fn:6">Rutter, Frank. Art in My Time, p.118–119, Rich & Cowan, London, 1933. <a href="/wiki/Rich_%26_Cowan" target="_blank">/wiki/Rich_%26_Cowan</a> <a href="#fnref:6" class="footnote-back-ref">↩</a></li>
<li id="fn:7">Hastings, Chris. "Tate Broke Own Rules on Ofili Buy", The Sunday Telegraph, 18 December 2005. Retrieved 10 October 2008. <a href="https://web.archive.org/web/20070311122414/http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2005/12/18/ntate18.xml" target="_blank">https://web.archive.org/web/20070311122414/http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2005/12/18/ntate18.xml</a> <a href="#fnref:7" class="footnote-back-ref">↩</a></li>
<li id="fn:8">"Term details". British Museum. Retrieved 6 September 2018. <a href="http://www.britishmuseum.org/research/search_the_collection_database/term_details.aspx?bioId=113470" target="_blank">http://www.britishmuseum.org/research/search_the_collection_database/term_details.aspx?bioId=113470</a> <a href="#fnref:8" class="footnote-back-ref">↩</a></li>
<li id="fn:9">"From Picasso to Kate Moss, how EasyArt is filling 22,000 billboards with British art". London Business News. 9 August 2013. Archived from the original on 12 October 2019. Retrieved 6 September 2018. <a href="https://web.archive.org/web/20191012152118/http://www.londonlovesbusiness.com/lifestyle/london-art/from-picasso-to-kate-moss-how-easyart-is-filling-22000-billboards-with-british-art/6097.article" target="_blank">https://web.archive.org/web/20191012152118/http://www.londonlovesbusiness.com/lifestyle/london-art/from-picasso-to-kate-moss-how-easyart-is-filling-22000-billboards-with-british-art/6097.article</a> <a href="#fnref:9" class="footnote-back-ref">↩</a></li>
<li id="fn:10">Jury, Louise (5 September 2014). "Billboard campaign drives interest in classic paintings". Evening Standard. London. Retrieved 6 September 2018. <a href="https://www.standard.co.uk/news/london/billboard-campaign-drives-interest-in-classic-paintings-9713858.html" target="_blank">https://www.standard.co.uk/news/london/billboard-campaign-drives-interest-in-classic-paintings-9713858.html</a> <a href="#fnref:10" class="footnote-back-ref">↩</a></li>
<li id="fn:11">"Art Fund to sponsor Gulbenkian Prize". The Art Fund. 12 June 2007. Archived from the original on 23 March 2012. <a href="https://web.archive.org/web/20120323112827/http://www.artfundprize.org.uk/press/2008/press-release-070612.php" target="_blank">https://web.archive.org/web/20120323112827/http://www.artfundprize.org.uk/press/2008/press-release-070612.php</a> <a href="#fnref:11" class="footnote-back-ref">↩</a></li>
</ol>

Art Fund open-in-new

Art Fund