While Brian, Dom, and Mia examine the car to discover its importance, Vince arrives and is caught trying to remove a computer chip from it. He admits he was planning to sell the chip to Reyes on his own, and Dom forces him to leave. Brian investigates the chip and discovers it contains the complete financial details of Reyes' criminal empire, including the locations of US$100 million in cash.
Hobbs and his team eventually find and arrest Dom, Mia, Brian, and Vince. While transporting them to the airport for extradition to the United States, the convoy is attacked by Reyes' men, who kill Hobbs' team. Hobbs and Elena are saved by Dom, Brian, Mia, and Vince, who escape the assault, but Vince is fatally shot. Before he dies, he reveals that he named his son after Dom. Wanting to avenge his murdered team, Hobbs and Elena agree to help with the heist. The gang break into the police station and tear the vault holding Reyes' money from the building using two 2010 Dodge Charger SRT8s, dragging it through the city. After an extensive police chase, Dom has Brian continue without him while he attacks the police and the pursuing Reyes, using the vault attached to his car to smash their vehicles. Reyes is badly injured by Dom's assault, then Brian returns and kills Zizi. Hobbs arrives on the scene and executes Reyes. Though Hobbs refuses to let Dom and Brian go free, he gives them a 24-hour head start to escape on the condition that they leave the vault as it is. However, the vault is empty, as it had been switched during the chase, with the real vault being successfully opened. After splitting the cash, Dom's team go their separate ways. On a tropical beach, Brian (in a 2010 Nissan GT-R R35) challenges Dom (in a 2009 Dodge Challenger SRT-8) to a final, no-stakes race to prove who is the better driver.
The production had originally intended to film on location in Rio de Janeiro. However, the Puerto Rican government offered tax incentives totaling nearly $11 million, influencing the decision to film there, using Puerto Rico to represent Rio de Janeiro.
Universal intended to transform the series from street-racing action into a series of heist films with car chases in the vein of The Italian Job (1969) and The French Connection (1971), with Fast Five as the transitional movie. In April 2011, Universal chairman Adam Fogelson said:
Fogelson said that the racing aspect had put a "ceiling" on the number of people willing to see films in the series, and that, by turning it into a series where car driving ability is just one aspect of the film, he hoped to increase the series' audience.
Lin wanted to explore the elements of "freedom and family" in the film and collaborated with Morgan towards that ideal, both having worked together on previous installments of the franchise. Morgan worked with Diesel to produce a story arc that would further explore and develop Diesel's character. An idea involving heisting a large safe had been conceived by Morgan during the production of Fast & Furious, but that film's premise did not work with how Morgan envisioned it. He later incorporated it into Fast Five.
Three film units worked simultaneously. The main cast were required to travel to Rio at the behest of Lin, who felt it important to understand the area and its culture to give the film a good sense of place. Diesel agreed that it was important to shoot key scenes in Brazil, commenting "we were able to shoot where other productions might not be able to shoot because our franchise has such good street cred."
A foot pursuit in which Diesel, Brewster and Walker are chased across favela rooftops by Johnson and his team was filmed over the course of a week in the small hillside town of Naranjito, Puerto Rico. The scene was considered difficult to shoot, as pathways were slippery from moist tropical heat and the scene involved actors and stunt doubles running while avoiding dogs, chickens and other stray animals loose in the area. To capture the scene, a 420-foot cable-camera rig was used to allow for a fast moving, birds-eye view of the action, and cameras on cranes were set up on rooftops and in alleyways. Walker and Brewster made multiple takes of the conclusion of the scene, requiring them to jump nearly 30 feet from a building onto a waiting safety mat. In total the production employed 236 technicians, 13,145 extras, and generated 16,824 room nights at hotels, contributing $27 million to the Puerto Rican community.
A brawl scene between Johnson's and Diesel's characters was considered difficult to choreograph. The characters were written to be equally formidable, so the fight was punctuated with moments of character development, as Moritz felt this made the fight more exciting. The scene required several weeks of rehearsal and more than a week of filming by the actors and their stunt doubles, who incurred several minor injuries.
The climactic vault heist required four weeks of preparation with every scene and camera angle determined in advance. The filmmakers hired stunt director Spiro Razatos and stunt coordinator Jack Gill to direct the second-unit action filming. The pair initially began research for the stunt by testing the capabilities of the prop vaults and the Dodge Chargers driven by Diesel and Walker. Filmed on the streets of Hato Rey, the chaotic scene demanded specific timing that had to be synchronized with the various character interactions also occurring during the scene. Razatos chose to use a series of camera cars including a crane-mounted camera atop a Porsche Cayenne, which allowed him to film from a variety of angles and heights while the vehicles were in motion, and a Subaru Impreza with a steel cage built around it that allowed for tracking shots. The Subaru's driver Allen Padelford would occasionally accidentally collide with the vault, creating a shower of sparks that inadvertently became useful footage. Padelford also developed a top-mount dual-drive system for the Chargers that allowed a stunt driver to control the vehicle from the roof, while the actor focused on their performance inside the car.
Six versions of the 8-foot high vault were built, each with specific uses. One of the vaults was a façade built onto the front of a semi-truck and was used for filming close shots of the vault destroying street cars. Another vault was a reinforced, four-wheel self-drive vehicle that was connected to 30-foot (9.1 m) cables and dragged through the streets of San Juan by the two stunt Dodge Chargers. The four-short-ton (3.6 t) vault was driven by stunt driver Henry Kingi, who had to wear a temperature-controlled suit to compensate for the temperatures within that could exceed 100 °F (38 °C). A scene where the vault tumbled as the cars rounded a corner was a practical effect, and the result was more violent than the filmmakers had anticipated. Over 200 vehicles were destroyed by the vault during filming. Several stunts had to be cut including a final scene that would have seen the vault hanging over the edge of the Teodoro Moscoso Bridge. This stunt was abandoned when it was determined that even the powerful Chargers would not be able to support the vault's weight.
The train heist presented several challenges. The filmmakers were required to effectively purchase a length of working railroad for filming and the trains necessary to ride the tracks. Then trucks had to be built that could race the train and meet the needs of the heist itself. Lin also required that the cars being carried on the train be able to jump out of the train at full speed. The scene took precise execution. The filmmakers chose to use cars they could cheaply replicate for the train heist—a 1972 De Tomaso Pantera, a 2007 Chevrolet Corvette GS Roadster, and a Ford GT40—to avoid the expense of replacing a genuine $2 million Ford GT40.
The film soundtrack was released on iTunes on April 25, 2011, and on CD on May 3, 2011, by ABKCO Records. It features many reggaeton and rhythmic Latin tracks, including songs by Don Omar, Busta Rhymes and many others, with three pieces from Tyler's original score for the film: "Assembling the Team", "Mad Skills" and "Fast Five Suite". Music guide AllMusic awarded the album 3 stars out of 5, commenting that "The goal here is to accompany a picture that, as usual, is packed with driving sequences involving flashy cars, beautiful, scantily clad women, and muscled men. That goal is accomplished with this beat-heavy music and the gruff, aggressive Latin rapping." Ludacris collaborated with Slaughterhouse and Claret Jai for the soundtrack's lead single, "Furiously Dangerous".
Across all markets, the film scored Universal's highest-grossing opening weekend in Russia, Spain, Turkey, Argentina, Brazil, Chile, France, India, Italy, Malaysia, Mexico, the Netherlands, Thailand, the United Arab Emirates and Vietnam.
The film opened dropped 62% on its second weekend, earning $32.4 million, and ranking second behind Thor. This result was partially attributed to the reduction in IMAX and large-format screens showing the film (reduced from 244 to 20), since IMAX only contributed $510,000 to the film's second-weekend gross. On June 4, 2011, 37 days after release in the US, the film became the first of 2011 to accrue more than $200 million. The film received a one-week re-release in IMAX theaters on September 30, 2011.
Brazilian reviewers criticized the use of Rio de Janeiro in the film, claiming it was stereotyped as "dominated by heavily armed drug traffickers, corrupt police, and sexy women". O Globo accused the producers of using "aerial shots and quick editing" to "deceive the viewer" into believing that the criminal acts take place in Rio. Globo also reacted negatively to the use of "foreigners" to represent Brazilians, "speaking Portuguese with laughable accents". Veja agreed with O Globo, saying, "The city of Rio and the Rio Film Commission supported the production. But the image that will spread across the world is exactly what the city doesn't want."
In December, 2011, Richard Corliss ranked the film number 10 on his list of the Top 10 Best Movies of 2011, saying, "A carnival of roguish heroes and pretty girls, car chases and cliffhangers, Fast Five is as much a tribute as The Artist or Hugo to the cinema's primal thrills." Empire placed the film number 20 on its list of the Top 20 Films of 2011, while IGN named it the "Best Action Movie" of 2011. Fast Five was listed as the number 1 most illegally downloaded film of 2011 on BitTorrent with approximately 9.3 million downloads.
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