Portrait of a Lady on Fire

<h2 id="plot">Plot</h2>
At the end of the eighteenth century, Marianne, a painter, is teaching an art class in France. One of her students asks her about a painting of hers, which Marianne calls Portrait de la jeune fille en feu.
Years previously, Marianne arrives on a distant island in <a href="/facts/Brittany/XvquwmIg">Brittany</a>. She has been commissioned to paint a portrait of a young woman of the <a href="/facts/Gentry/Xzx46G4t">gentry</a> named Héloïse, who is to be married off to a <a href="/facts/Milan/0xrtbPdt">Milanese</a> nobleman. Marianne is informed by Héloïse's mother, The Countess, that she has previously refused to pose for portraits, as she does not want to be married; she had been living in a <a href="/facts/Convent/uTA7PAxy">convent</a> before the suicide of her older sister necessitated her return and her betrothal. Marianne acts as Héloïse's hired companion to be able to paint her in secret and accompanies her on daily walks along the rugged coastline to memorize Héloïse's features.
Marianne finishes the portrait, but finds herself unable to betray Héloïse's trust and reveals her true reason for arriving. After Héloïse criticises the painting, which does not seem to portray her true nature, Marianne destroys the work. Héloïse's mother is shocked to hear that Héloïse is willing to pose for Marianne over the next few days, while her mother will be away on the mainland. Marianne is haunted throughout the house by visions of Héloïse in a wedding dress. One evening, they read the story of <a href="/facts/Orpheus_and_Eurydice/NsAhbPjm">Orpheus and Eurydice</a> and debate the true reason why Orpheus turns around to look at his wife, causing her to be returned to the underworld. The pair help Sophie, the house maid, have an abortion. Later, the three go to a bonfire gathering where women sing, during which Héloïse's dress briefly catches fire.
The next day, Marianne and Héloïse share their first kiss and make love later that night. Over the next few days, their romance grows stronger. With their affair about to be cut short by the ensuing return of The Countess, Marianne sketches a drawing of Héloïse to remember her by, and Héloïse asks Marianne to draw a sketch of herself on page 28 of her book. The Countess approves of the now completed portrait, and the next morning Marianne bids farewell. As she is about to leave the house, she hears Héloïse say, "Turn around". She turns and sees Héloïse in her wedding dress.
In the present, Marianne reveals that she saw Héloïse two more times. The first time was in the form of a portrait at an art exhibition, where Héloïse, with a child beside her, is surreptitiously holding a book showing only the edge of page 28. The second time was at a concert in Milan, where Héloïse sat in a theater balcony across from Marianne. Unobserved, Marianne watches Héloïse as she becomes overwhelmed with emotion and comes to tears while listening to the orchestra play the Presto from "Summer" from <a href="/facts/Antonio_Vivaldi/YNwbAelf">Vivaldi</a>'s <a href="/facts/The_Four_Seasons_(Vivaldi)/MEVY2HcP">Four Seasons</a>, the music that Marianne had played for her on a harpsichord years before.

<h2 id="cast">Cast</h2>
<ul><li><a href="/facts/No%C3%A9mie_Merlant/PUDxTYYD">Noémie Merlant</a> as Marianne</li>
<li><a href="/facts/Ad%C3%A8le_Haenel/eFRSLN9M">Adèle Haenel</a> as Héloïse</li>
<li><a href="/facts/Lu%C3%A0na_Bajrami/6dvdGSfh">Luàna Bajrami</a> as Sophie</li>
<li><a href="/facts/Valeria_Golino/a5q8LzGA">Valeria Golino</a> as The Countess</li></ul>
<h2 id="production">Production</h2>
<a href="/facts/Principal_photography/QuWTt1Wf">Principal photography</a> began in October 2018<a class="footnote-ref" id="fnref:8" href="#fn:8">8</a> and was completed after 38 days.<a class="footnote-ref" id="fnref:9" href="#fn:9">9</a> Filming took place in <a href="/facts/Saint-Pierre-Quiberon/4WcjctJu">Saint-Pierre-Quiberon</a> in Brittany and a château in <a href="/facts/La_Chapelle-Gauthier,_Seine-et-Marne/wnQsAkIQ">La Chapelle-Gauthier, Seine-et-Marne</a>.<a class="footnote-ref" id="fnref:10" href="#fn:10">10</a><a class="footnote-ref" id="fnref:11" href="#fn:11">11</a> The film was produced by Lilies Films, <a href="/facts/Arte_France_Cin%C3%A9ma/IRJCblLf">Arte France Cinéma</a>, and Hold Up Films.<a class="footnote-ref" id="fnref:12" href="#fn:12">12</a><a class="footnote-ref" id="fnref:13" href="#fn:13">13</a>
The paintings and sketches in the film were made by artist Hélène Delmaire. She painted 16 hours every day during the course of filming, basing her painting on the blocking of the scenes. Her hands were also featured in the film.<a class="footnote-ref" id="fnref:14" href="#fn:14">14</a> To mark the release of the film in France, Delmaire's paintings from Portrait of a Lady on Fire were exhibited at the Galerie Joseph in <a href="/facts/Paris/DrNHpwnA">Paris</a> from 20 to 22 September 2019.<a class="footnote-ref" id="fnref:15" href="#fn:15">15</a>

<h2 id="release">Release</h2>
On 22 August 2018, film distributor MK2 began the sale of international rights to the film, with Pyramide Films acquiring the distribution rights for France.<a class="footnote-ref" id="fnref:16" href="#fn:16">16</a> On 10 February 2019, <a href="/facts/Curzon_Artificial_Eye/Es0N8Iqv">Curzon Artificial Eye</a> acquired the rights for the United Kingdom, Karma Films did so for Spain, Cinéart for Benelux, and Folkets Bio for Sweden.<a class="footnote-ref" id="fnref:17" href="#fn:17">17</a><a class="footnote-ref" id="fnref:18" href="#fn:18">18</a> <a href="/facts/Neon_(distributor)/xov6IEuR">Neon</a> and <a href="/facts/Hulu/BzDs7GsQ">Hulu</a> acquired the distribution rights for North America on 22 May.<a class="footnote-ref" id="fnref:19" href="#fn:19">19</a><a class="footnote-ref" id="fnref:20" href="#fn:20">20</a>
Portrait of a Lady on Fire was released in France on 18 September 2019.<a class="footnote-ref" id="fnref:21" href="#fn:21">21</a> The film premiered theatrically in the United States as a <a href="/facts/Limited_theatrical_release/5C210wuf">limited release</a> on 6 December 2019, followed by a <a href="/facts/Wide_release/ChJh6N1t">wide release</a> on 14 February 2020.<a class="footnote-ref" id="fnref:22" href="#fn:22">22</a> It was released in the United Kingdom on 28 February 2020.<a class="footnote-ref" id="fnref:23" href="#fn:23">23</a>

<h2 id="critical-response">Critical response</h2>
Portrait of a Lady on Fire was the subject of broad acclaim. On review aggregator website <a href="/facts/Rotten_Tomatoes/rLs7ktSY">Rotten Tomatoes</a>, the film has an approval rating of 98% based on 308 reviews from critics, with an average rating of 9.00/10. The website's critical consensus reads, "A singularly rich period piece, Portrait of a Lady on Fire finds stirring, thought-provoking drama within a powerfully acted romance."<a class="footnote-ref" id="fnref:24" href="#fn:24">24</a> On <a href="/facts/Metacritic/Wve8EJFd">Metacritic</a>, the film has a weighted average score of 95 out of 100, based on 48 critics, indicating "universal acclaim",<a class="footnote-ref" id="fnref:25" href="#fn:25">25</a> and has been designated a Metacritic "Must See" movie. It is the second best reviewed film of 2019.<a class="footnote-ref" id="fnref:26" href="#fn:26">26</a><a class="footnote-ref" id="fnref:27" href="#fn:27">27</a>
<a href="/facts/A.O._Scott/g01LPQju">A.O. Scott</a> of <a href="/facts/The_New_York_Times/T9marWVX">The New York Times</a> wrote that Portrait of a Lady on Fire is a "subtle and thrilling love story, at once unsentimental in its realistic assessment of women's circumstances", describing the unfolding of Marianne and Héloïse's relationship as "less a chronicle of forbidden desire than an examination of how desire works" and "the dangerous, irresistible power of looking".<a class="footnote-ref" id="fnref:28" href="#fn:28">28</a> <a href="/facts/Mark_Kermode/kyUcpmQ7">Mark Kermode</a> from <a href="/facts/The_Observer/mY7AHeEp">The Observer</a>/<a href="/facts/The_Guardian/H84wwJYM">The Guardian</a> gave the film five stars and said it is "an intellectually erotic study of power and passion in which observed becomes observer, authored becomes author, returning time and again to a central question: 'If you look at me, who do I look at?', and described the unwanted pregnancy subplot as "confronting but also depicting a taboo subject and its representation, refusing to look away, finding strength in sorority."<a class="footnote-ref" id="fnref:29" href="#fn:29">29</a> In his review for <a href="/facts/Variety_(magazine)/38rXIaaG">Variety</a>, Peter Debruge said about Sciamma as director and screenwriter: "Though this gorgeous, slow-burn lesbian romance works strongly enough on a surface level, one can hardly ignore the fact, as true then as it is now, that the world looks different when seen through a woman's eyes", describing the film as "rigorously scripted", and her approach "looking past surfaces in an attempt to capture deeper emotion".<a class="footnote-ref" id="fnref:30" href="#fn:30">30</a>

<h2 id="accolades">Accolades</h2>
The film was one of three shortlisted by the <a href="/facts/Ministry_of_Culture_(France)/yKfJYo1V">French Ministry of Culture</a> to be France's <a href="/facts/List_of_submissions_to_the_92nd_Academy_Awards_for_Best_International_Feature_Film/P6CKhDX0">submission to the 92nd Academy Awards for Best International Feature Film</a>, along with <a href="/facts/Les_Mis%C3%A9rables_(2019_film)/VCl2VyFX">Les Misérables</a> and <a href="/facts/Proxima_(film)/4DSH5NvM">Proxima</a>.<a class="footnote-ref" id="fnref:31" href="#fn:31">31</a> Les Misérables was ultimately submitted.<a class="footnote-ref" id="fnref:32" href="#fn:32">32</a>

<table><tbody><tr><th>Award</th><th>Date of ceremony</th><th>Category</th><th>Nominee(s)</th><th>Result</th><th>Ref</th></tr><tr><td><a href="/facts/2019_Cannes_Film_Festival/92zda2oD">Cannes Film Festival</a></td><td>25 May 2019</td><td><a href="/facts/Palme_d%27Or/R57obDSr">Palme d'Or</a></td><td><a href="/facts/C%C3%A9line_Sciamma/dQQ3a1Xk">Céline Sciamma</a></td><td>Nominated</td><td><a class="footnote-ref" id="fnref:33" href="#fn:33">33</a><a class="footnote-ref" id="fnref:34" href="#fn:34">34</a></td></tr><tr><td><a href="/facts/Cannes_Film_Festival_Award_for_Best_Screenplay/N54be4G4">Best Screenplay Award</a></td><td>Won</td></tr><tr><td><a href="/facts/Queer_Palm/o836ohgK">Queer Palm</a></td><td>Won</td><td><a class="footnote-ref" id="fnref:35" href="#fn:35">35</a></td></tr><tr><td><a href="/facts/British_Independent_Film_Awards/NWn22TKY">British Independent Film Awards</a></td><td>1 December 2019</td><td>Best International Independent Film</td><td>Céline Sciamma, Véronique Cayla, Bénédicte Couvreur</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:36" href="#fn:36">36</a><a class="footnote-ref" id="fnref:37" href="#fn:37">37</a></td></tr><tr><td><a href="/facts/Ljubljana_LGBT_Film_Festival/euQmbfnk">Ljubljana LGBT Film Festival</a></td><td>1 December 2019</td><td>Pink Dragon Audience Award</td><td>Portrait of a Lady on Fire</td><td>Won</td><td><a class="footnote-ref" id="fnref:38" href="#fn:38">38</a><a class="footnote-ref" id="fnref:39" href="#fn:39">39</a></td></tr><tr><td><a href="/facts/32nd_European_Film_Awards/21J94Ac3">European Film Awards</a></td><td>7 December 2019</td><td><a href="/facts/European_Film_Award_for_Best_Director/R8h6h3Ip">Best Director</a></td><td>Céline Sciamma</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:40" href="#fn:40">40</a><a class="footnote-ref" id="fnref:41" href="#fn:41">41</a><a class="footnote-ref" id="fnref:42" href="#fn:42">42</a><a class="footnote-ref" id="fnref:43" href="#fn:43">43</a></td></tr><tr><td><a href="/facts/European_Film_Award_for_Best_Actress/6KlheKzI">Best Actress</a></td><td><a href="/facts/No%C3%A9mie_Merlant/PUDxTYYD">Noémie Merlant</a></td><td>Nominated</td></tr><tr><td><a href="/facts/Ad%C3%A8le_Haenel/eFRSLN9M">Adèle Haenel</a></td><td>Nominated</td></tr><tr><td><a href="/facts/European_Film_Award_for_Best_Screenwriter/tTVebMw9">Best Screenwriter</a></td><td>Céline Sciamma</td><td>Won</td></tr><tr><td><a href="/facts/European_Film_Academy_University_Award/ABomsyLw">European University Film Award</a></td><td>Portrait of a Lady on Fire</td><td>Won</td></tr><tr><td><a href="/facts/New_York_Film_Critics_Online/W1mqwDmx">New York Film Critics Online</a></td><td>7 December 2019</td><td>Foreign Language</td><td>Portrait of a Lady on Fire</td><td>Won</td><td><a class="footnote-ref" id="fnref:44" href="#fn:44">44</a></td></tr><tr><td><a href="/facts/Los_Angeles_Film_Critics_Association/HdXYrM2t">Los Angeles Film Critics Association</a></td><td>8 December 2019</td><td><a href="/facts/Los_Angeles_Film_Critics_Association_Award_for_Best_Cinematography/9KpDGEs1">Best Cinematography</a></td><td><a href="/facts/Claire_Mathon/9PVI9BwG">Claire Mathon</a></td><td>Won</td><td><a class="footnote-ref" id="fnref:45" href="#fn:45">45</a></td></tr><tr><td><a href="/facts/Toronto_Film_Critics_Association/g2l94ePY">Toronto Film Critics Association</a></td><td>8 December 2019</td><td>Best Foreign Language Film</td><td>Portrait of a Lady on Fire</td><td>Runner-up</td><td><a class="footnote-ref" id="fnref:46" href="#fn:46">46</a></td></tr><tr><td><a href="/facts/Washington_D.C._Area_Film_Critics_Association/hhSDJrdr">Washington D.C. Area Film Critics Association</a></td><td>8 December 2019</td><td>Best Foreign Language Film</td><td>Portrait of a Lady on Fire</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:47" href="#fn:47">47</a></td></tr><tr><td><a href="/facts/Women_Film_Critics_Circle/zcAlse13">Women Film Critics Circle</a></td><td>9 December 2019</td><td>Best Movie by a Woman</td><td>Céline Sciamma</td><td>Runner-up</td><td><a class="footnote-ref" id="fnref:48" href="#fn:48">48</a></td></tr><tr><td>Best Woman Storyteller</td><td>Runner-up</td></tr><tr><td>Best Movie About Women</td><td>Portrait of a Lady on Fire</td><td>Won</td></tr><tr><td>Best Foreign Film By or About Women</td><td>Won</td></tr><tr><td>Karen Morley Award</td><td>Nominated</td></tr><tr><td>Best Screen Couple</td><td>Noémie Merlant and Adèle Haenel<a class="footnote-ref" id="fnref:49" href="#fn:49">49</a></td><td>Won</td></tr><tr><td><a href="/facts/Chicago_Film_Critics_Association/2MGftbso">Chicago Film Critics Association</a></td><td>14 December 2019</td><td><a href="/facts/Chicago_Film_Critics_Association_Award_for_Best_Cinematography/uA2I4cCd">Best Cinematography</a></td><td>Claire Mathon</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:50" href="#fn:50">50</a><a class="footnote-ref" id="fnref:51" href="#fn:51">51</a></td></tr><tr><td>Best Costume Design</td><td>Portrait of a Lady on Fire</td><td>Nominated</td></tr><tr><td>Best Foreign Language Film</td><td>Nominated</td></tr><tr><td><a href="/facts/Dallas%E2%80%93Fort_Worth_Film_Critics_Association/mP0TGYxV">Dallas-Fort Worth Film Critics Association</a></td><td>14 December 2019</td><td>Best Foreign Language Film</td><td>Portrait of a Lady on Fire</td><td>5th place</td><td><a class="footnote-ref" id="fnref:52" href="#fn:52">52</a></td></tr><tr><td><a href="/facts/Boston_Society_of_Film_Critics/YKU0eKlJ">Boston Society of Film Critics</a></td><td>15 December 2019</td><td>Best Picture</td><td>Portrait of a Lady on Fire</td><td>Runner-up</td><td><a class="footnote-ref" id="fnref:53" href="#fn:53">53</a><a class="footnote-ref" id="fnref:54" href="#fn:54">54</a></td></tr><tr><td>Best Foreign Language Film</td><td>Runner-up</td></tr><tr><td>Best Cinematography</td><td>Claire Mathon</td><td>Won</td></tr><tr><td><a href="/facts/St._Louis_Film_Critics_Association/rNUkvSp9">St. Louis Film Critics Association</a></td><td>15 December 2019</td><td>Best Foreign Film</td><td>Portrait of a Lady on Fire</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:55" href="#fn:55">55</a></td></tr><tr><td><a href="/facts/IndieWire_Critics_Poll/JKHquf3S">IndieWire Critics Poll</a></td><td>16 December 2019</td><td>Best Film</td><td>Portrait of a Lady on Fire</td><td>5th place</td><td><a class="footnote-ref" id="fnref:56" href="#fn:56">56</a></td></tr><tr><td>Best Director</td><td>Céline Sciamma</td><td>4th place</td></tr><tr><td>Best Screenplay</td><td>Portrait of a Lady on Fire</td><td>10th place</td></tr><tr><td>Best Actress</td><td>Noémie Merlant</td><td>13th place</td></tr><tr><td>Adèle Haenel</td><td>10th place</td></tr><tr><td>Best Supporting Actress</td><td>13th place</td></tr><tr><td>Best Cinematography</td><td>Portrait of a Lady on Fire</td><td>3rd place</td></tr><tr><td>Best Foreign Film</td><td>3rd place</td></tr><tr><td><a href="/facts/San_Francisco_Bay_Area_Film_Critics_Circle/IYaQSNwq">San Francisco Bay Area Film Critics Circle</a></td><td>16 December 2019</td><td>Best Foreign Language Film</td><td>Portrait of a Lady on Fire</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:57" href="#fn:57">57</a></td></tr><tr><td><a href="/facts/Seattle_Film_Critics_Society/7NDvkfYW">Seattle Film Critics Society</a></td><td>16 December 2019</td><td>Best Foreign Language Film</td><td>Portrait of a Lady on Fire</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:58" href="#fn:58">58</a></td></tr><tr><td>Best Cinematography</td><td>Claire Mathon</td><td>Nominated</td></tr><tr><td><a href="/facts/Florida_Film_Critics_Circle/9AruMuAM">Florida Film Critics Circle</a></td><td>23 December 2019</td><td>Best Picture</td><td>Portrait of a Lady on Fire</td><td>Won</td><td><a class="footnote-ref" id="fnref:59" href="#fn:59">59</a><a class="footnote-ref" id="fnref:60" href="#fn:60">60</a></td></tr><tr><td>Best Director</td><td>Céline Sciamma</td><td>Won</td></tr><tr><td>Best Original Screenplay</td><td>Nominated</td></tr><tr><td>Best Cinematography</td><td>Claire Mathon</td><td>Runner-up</td></tr><tr><td>Best Foreign Language Film</td><td>Portrait of a Lady on Fire</td><td>Won</td></tr><tr><td><a href="/facts/National_Society_of_Film_Critics/Clm9Io7D">National Society of Film Critics</a></td><td>4 January 2020</td><td>Best Cinematography</td><td>Claire Mathon</td><td>Won</td><td><a class="footnote-ref" id="fnref:61" href="#fn:61">61</a></td></tr><tr><td><a href="/facts/77th_Golden_Globe_Awards/fvvSS2uD">Golden Globe Awards</a></td><td>5 January 2020</td><td><a href="/facts/Golden_Globe_Award_for_Best_Foreign_Language_Film/334X27Ph">Best Foreign Language Film</a></td><td>Portrait of a Lady on Fire</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:62" href="#fn:62">62</a></td></tr><tr><td><a href="/facts/Austin_Film_Critics_Association/LMJqT0mx">Austin Film Critics Association</a></td><td>6 January 2020</td><td>Best Supporting Actress</td><td>Adèle Haenel</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:63" href="#fn:63">63</a><a class="footnote-ref" id="fnref:64" href="#fn:64">64</a></td></tr><tr><td>Best Foreign-Language Film</td><td>Portrait of a Lady on Fire</td><td>Nominated</td></tr><tr><td><a href="/facts/Online_Film_Critics_Society/BrzXsk6J">Online Film Critics Society</a></td><td>6 January 2020</td><td><a href="/facts/Online_Film_Critics_Society_Award_for_Best_Picture/hoV8DfLU">Best Picture</a></td><td>Portrait of a Lady on Fire</td><td>6th place</td><td><a class="footnote-ref" id="fnref:65" href="#fn:65">65</a><a class="footnote-ref" id="fnref:66" href="#fn:66">66</a></td></tr><tr><td><a href="/facts/Online_Film_Critics_Society_Award_for_Best_Director/ArINT1M8">Best Director</a></td><td>Céline Sciamma</td><td>Nominated</td></tr><tr><td><a href="/facts/Online_Film_Critics_Society_Award_for_Best_Cinematography/Jncl1jLr">Best Cinematography</a></td><td>Claire Mathon</td><td>Nominated</td></tr><tr><td><a href="/facts/Online_Film_Critics_Society_Award_for_Best_Foreign_Language_Film/kk9pNjRD">Best Film Not in the English Language</a></td><td>Portrait of a Lady on Fire</td><td>Nominated</td></tr><tr><td><a href="/facts/2019_New_York_Film_Critics_Circle_Awards/nAGjpTRS">New York Film Critics Circle Awards</a></td><td>7 January 2020</td><td>Best Cinematography</td><td>Claire Mathon</td><td>Won</td><td><a class="footnote-ref" id="fnref:67" href="#fn:67">67</a></td></tr><tr><td><a href="/facts/National_Board_of_Review_Awards_2019/ve4lBfE6">National Board of Review</a></td><td>8 January 2020</td><td>Top Five Foreign Language Films</td><td>Portrait of a Lady on Fire</td><td>Won</td><td><a class="footnote-ref" id="fnref:68" href="#fn:68">68</a></td></tr><tr><td><a href="/facts/Dorian_Awards/XohRm8XD">Dorian Awards</a></td><td>8 January 2020</td><td><a href="/facts/Dorian_Award_for_Film_of_the_Year/fk8D4GGb">Film of the Year</a></td><td>Portrait of a Lady on Fire</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:69" href="#fn:69">69</a><a class="footnote-ref" id="fnref:70" href="#fn:70">70</a></td></tr><tr><td>Director of the Year</td><td>Céline Sciamma</td><td>Nominated</td></tr><tr><td><a href="/facts/Dorian_Award_for_LGBTQ_Film_of_the_Year/JzNRkIeH">LGBTQ Film of the Year</a></td><td>Portrait of a Lady on Fire</td><td>Won</td></tr><tr><td>Foreign Language Film of the Year</td><td>Portrait of a Lady on Fire</td><td>Nominated</td></tr><tr><td>Screenplay of the Year</td><td>Céline Sciamma</td><td>Nominated</td></tr><tr><td>Visually Striking Film of the Year</td><td>Portrait of a Lady on Fire</td><td>Nominated</td></tr><tr><td><a href="/facts/Georgia_Film_Critics_Association/nNakvA9P">Georgia Film Critics Association</a></td><td>10 January 2020</td><td>Best Cinematography</td><td>Claire Mathon</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:71" href="#fn:71">71</a><a class="footnote-ref" id="fnref:72" href="#fn:72">72</a></td></tr><tr><td>Best Foreign Language Film</td><td>Portrait of a Lady on Fire</td><td>Nominated</td></tr><tr><td><a href="/facts/25th_Critics%27_Choice_Awards/udcJDPoE">Critics' Choice Awards</a></td><td>12 January 2020</td><td><a href="/facts/Critics%27_Choice_Movie_Award_for_Best_Foreign_Language_Film/klIgwMlN">Best Foreign Language Film</a></td><td>Portrait of a Lady on Fire</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:73" href="#fn:73">73</a><a class="footnote-ref" id="fnref:74" href="#fn:74">74</a></td></tr><tr><td><a href="/facts/Lumi%C3%A8res_Award/dWxcvl6c">Lumières Award</a></td><td>27 January 2020</td><td><a href="/facts/Lumi%C3%A8res_Award_for_Best_Film/BfYv9kmq">Best Film</a></td><td>Portrait of a Lady on Fire</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:75" href="#fn:75">75</a><a class="footnote-ref" id="fnref:76" href="#fn:76">76</a></td></tr><tr><td><a href="/facts/Lumi%C3%A8res_Award_for_Best_Director/yRLWFPQj">Best Director</a></td><td>Céline Sciamma</td><td>Nominated</td></tr><tr><td><a href="/facts/Lumi%C3%A8res_Award_for_Best_Actress/HlpxwJ6E">Best Actress</a></td><td>Noémie Merlant</td><td>Won</td></tr><tr><td><a href="/facts/Lumi%C3%A8res_Award_for_Best_Cinematography/dNucA4L8">Best Cinematography</a></td><td>Claire Mathon</td><td>Won</td></tr><tr><td><a href="/facts/London_Film_Critics%27_Circle/NGeHAzAN">London Film Critics Circle</a></td><td>30 January 2020</td><td>Film of the Year</td><td>Portrait of a Lady on Fire</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:77" href="#fn:77">77</a><a class="footnote-ref" id="fnref:78" href="#fn:78">78</a></td></tr><tr><td>Foreign-Language Film of the Year</td><td>Won</td></tr><tr><td><a href="/facts/73rd_British_Academy_Film_Awards/bfjVCVNa">British Academy Film Awards</a></td><td>2 February 2020</td><td><a href="/facts/BAFTA_Award_for_Best_Film_Not_in_the_English_Language/rsASXHyI">Best Film Not in the English Language</a></td><td>Portrait of a Lady on Fire</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:79" href="#fn:79">79</a><a class="footnote-ref" id="fnref:80" href="#fn:80">80</a></td></tr><tr><td><a href="/facts/24th_Satellite_Awards/HyKIlfNM">Satellite Awards</a></td><td>7 February 2020</td><td><a href="/facts/Satellite_Award_for_Best_Foreign_Language_Film/odV6LzKm">Best Foreign Language Film</a></td><td>Portrait of a Lady on Fire</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:81" href="#fn:81">81</a></td></tr><tr><td><a href="/facts/35th_Independent_Spirit_Awards/GIDx332P">Film Independent Spirit Awards</a></td><td>8 February 2020</td><td><a href="/facts/Independent_Spirit_Award_for_Best_International_Film/EyV7J611">Best International Film</a></td><td>Céline Sciamma</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:82" href="#fn:82">82</a><a class="footnote-ref" id="fnref:83" href="#fn:83">83</a></td></tr><tr><td><a href="/facts/45th_C%C3%A9sar_Awards/JxJKRWES">César Awards</a></td><td>28 February 2020</td><td><a href="/facts/C%C3%A9sar_Award_for_Best_Film/lKLIaVn4">Best Film</a></td><td>Bénédicte Couvreur and Céline Sciamma</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:84" href="#fn:84">84</a><a class="footnote-ref" id="fnref:85" href="#fn:85">85</a></td></tr><tr><td><a href="/facts/C%C3%A9sar_Award_for_Best_Director/rF7E7MSL">Best Director</a></td><td>Céline Sciamma</td><td>Nominated</td></tr><tr><td><a href="/facts/C%C3%A9sar_Award_for_Best_Actress/6pJ5ntJ8">Best Actress</a></td><td>Adèle Haenel</td><td>Nominated</td></tr><tr><td>Noémie Merlant</td><td>Nominated</td></tr><tr><td><a href="/facts/C%C3%A9sar_Award_for_Most_Promising_Actress/HfBbbfCN">Most Promising Actress</a></td><td>Luàna Bajrami</td><td>Nominated</td></tr><tr><td><a href="/facts/C%C3%A9sar_Award_for_Best_Original_Screenplay/EIH4FXV4">Best Original Screenplay</a></td><td>Céline Sciamma</td><td>Nominated</td></tr><tr><td><a href="/facts/C%C3%A9sar_Award_for_Best_Cinematography/yg9GK4X1">Best Cinematography</a></td><td>Claire Mathon</td><td>Won</td></tr><tr><td><a href="/facts/C%C3%A9sar_Award_for_Best_Sound/XF846mgf">Best Sound</a></td><td>Julien Sicart, Valérie de Loof and Daniel Sobrino</td><td>Nominated</td></tr><tr><td><a href="/facts/C%C3%A9sar_Award_for_Best_Costume_Design/IgIj0Y4s">Best Costume Design</a></td><td>Dorothée Guiraud</td><td>Nominated</td></tr><tr><td><a href="/facts/C%C3%A9sar_Award_for_Best_Production_Design/Bmv0tfoq">Best Production Design</a></td><td>Thomas Grézaud</td><td>Nominated</td></tr><tr><td><a href="/facts/GLAAD_Media_Award/lYbn2TNe">GLAAD Media Award</a></td><td>19 March 2020</td><td>Outstanding Film – Limited Release</td><td>Portrait of a Lady on Fire</td><td>Nominated</td><td><a class="footnote-ref" id="fnref:86" href="#fn:86">86</a></td></tr><tr><td><a href="/facts/Nastro_d%27Argento/WKjKgRFy">Nastro d'Argento</a></td><td>6 July 2020</td><td><a href="/facts/Nastro_d%27Argento_for_Best_Supporting_Actress/Uvljr0zu">Best Supporting Actress</a></td><td><a href="/facts/Valeria_Golino/a5q8LzGA">Valeria Golino</a></td><td>Won</td><td><a class="footnote-ref" id="fnref:87" href="#fn:87">87</a><a class="footnote-ref" id="fnref:88" href="#fn:88">88</a></td></tr><tr><td><a href="/facts/Dublin_Film_Critics%27_Circle/hhNHqD5R">Dublin Film Critics' Circle</a></td><td>18 December 2020</td><td>Best Film</td><td>Portrait of a Lady on Fire</td><td>Won</td><td><a class="footnote-ref" id="fnref:89" href="#fn:89">89</a><a class="footnote-ref" id="fnref:90" href="#fn:90">90</a></td></tr></tbody></table>
<h2 id="home-media">Home media</h2>
The <a href="/facts/DVD/7fJsHJrN">DVD</a> and <a href="/facts/Blu-ray/zyPalhfG">Blu-ray</a> for <a href="/facts/DVD_region_code/vAbTcnym">Zone 2</a> was released by Pyramide Video on 18 February 2020.<a class="footnote-ref" id="fnref:91" href="#fn:91">91</a><a class="footnote-ref" id="fnref:92" href="#fn:92">92</a> The film was released as <a href="/facts/Video_on_demand/jWQq1o80">VOD</a> on Hulu on 27 March 2020.<a class="footnote-ref" id="fnref:93" href="#fn:93">93</a> The DVD for <a href="/facts/DVD_region_code/vAbTcnym">Region 1</a> and Blu-ray for <a href="/facts/Blu-ray/zyPalhfG">Region A</a> was released by <a href="/facts/The_Criterion_Collection/KbDrlDdS">The Criterion Collection</a> on 23 June 2020.<a class="footnote-ref" id="fnref:94" href="#fn:94">94</a><a class="footnote-ref" id="fnref:95" href="#fn:95">95</a><a class="footnote-ref" id="fnref:96" href="#fn:96">96</a>

<h2 id="notes">Notes</h2>

<h2 id="further-reading">Further reading</h2>
<ul><li>Abraham, Raphael (13 February 2020). <a href="https://archive.today/20200215122043/https://www.ft.com/content/288ce7fa-4cc6-11ea-95a0-43d18ec715f5">"Céline Sciamma on defying convention with the all-female Portrait of a Lady on Fire"</a>. <a href="/facts/Financial_Times/0ndae2YU">Financial Times</a>. Archived from <a href="https://www.ft.com/content/288ce7fa-4cc6-11ea-95a0-43d18ec715f5">the original</a> on 15 February 2020.</li>
<li>Bianco, Marcie (27 February 2020). <a href="https://womensmediacenter.com/news-features/in-portrait-of-a-lady-on-fire-a-feminist-politics-of-love">"In "Portrait of a Lady on Fire," a feminist politics of love"</a>. <a href="/facts/Women%27s_Media_Center/wFJhTFPs">Women's Media Center</a>.</li>
<li>Clements, Sara (13 February 2020). <a href="http://exclaim.ca/film/article/portrait_of_a_lady_on_fire_star_no_mie_merlant_discusses_metoo_and_playing_a_woman_outside_the_patriarchy">"'Portrait of a Lady on Fire' Star Noémie Merlant Discusses #MeToo and Playing a Woman Outside the Patriarchy"</a>. <a href="/facts/Exclaim!/5824dS1d">Exclaim!</a>.</li>
<li>Fuller, Graham (28 February 2020). <a href="https://theartsdesk.com/film/portrait-lady-fire-review-%E2%80%93-love-unshackled">"Portrait of a Lady on Fire review – love unshackled"</a>. <a href="/facts/The_Arts_Desk/qXSA7rNv">The Arts Desk</a>.</li>
<li>Giorgis, Hannah (11 December 2019). <a href="https://www.theatlantic.com/entertainment/archive/2019/12/portrait-lady-fire-complicating-muse/603340/">"How Portrait of a Lady on Fire Subverts the Artist-Muse Relationship"</a>. <a href="/facts/The_Atlantic/zVtl4Lcr">The Atlantic</a>.</li>
<li>Grady, Constance (31 March 2020). <a href="https://www.vox.com/culture/2020/3/31/21200255/portrait-of-a-lady-on-fire-ending-explained-retourne-toi-tutoyer">"The devastating detail hiding in the French grammar of Portrait of a Lady on Fire"</a>. <a href="/facts/Vox_(website)/MCnBn2IU">Vox</a>.</li>
<li>Handler, Rachel (14 February 2020). <a href="https://www.vulture.com/2020/02/portrait-of-a-lady-on-fire-q-and-a-cline-sciamma-adle-haenel.html">"The Women Behind Portrait of a Lady on Fire Believe Their Movie Can Save the World"</a>. <a href="/facts/New_York_(magazine)/aU1yeUCA">Vulture</a>.</li>
<li>Harris, Elizabeth A. (13 February 2020). <a href="https://www.nytimes.com/2020/02/13/movies/portrait-lady-fire-celine-sciamma.html">"How 'Portrait of a Lady on Fire' Sees Power in Two Women in Love"</a>. <a href="/facts/The_New_York_Times/T9marWVX">The New York Times</a>.</li>
<li>Laffly, Tomris (21 February 2020). <a href="https://variety.com/2020/artisans/production/portrait-of-a-lady-on-fire-costume-designer-cinematographer-1203508292/">"'Portrait of a Lady on Fire' Cinematographer, Costume Designer on the 'Painterly' 18th-Century Look"</a>. <a href="/facts/Variety_(magazine)/38rXIaaG">Variety</a>.</li>
<li>Scateni, Serena (26 February 2020). <a href="https://www.bfi.org.uk/news-opinion/news-bfi/features/portrait-lady-fire-female-gaze">"How Portrait of a Lady on Fire celebrates the female gaze"</a>. <a href="/facts/British_Film_Institute/AsbWhPE9">BFI</a>.</li>
<li>Spies-Gans, Paris A. (11 May 2020). <a href="https://lareviewofbooks.org/article/dont-regret-remember-frictions-of-history-and-gender-in-celine-sciammas-portrait-of-a-lady-on-fire/">""Don't Regret. Remember": Frictions of History and Gender in Céline Sciamma's "Portrait of a Lady on Fire""</a>. <a href="/facts/Los_Angeles_Review_of_Books/er7EoXta">Los Angeles Review of Books</a>.</li>
<li>Spivack, Elana (26 March 2020). <a href="https://www.bitchmedia.org/article/portrait-of-a-lady-on-fires-abortion-scene-was-radical">"The Two-Pronged Genius of "Portrait of a Lady on Fire's" Abortion Scene"</a>. <a href="/facts/Bitch_(magazine)/TAw7KKVM">Bitch</a>.</li>
<li>Tapponi, Róisín (28 February 2020). <a href="https://www.theguardian.com/film/2020/feb/28/its-about-time-film-began-representing-the-lesbian-gaze-portrait-of-a-lady-on-fire">"It's about time film began representing the lesbian gaze"</a>. <a href="/facts/The_Guardian/H84wwJYM">The Guardian</a>.</li></ul>
<h2 id="external-links">External links</h2>
<ul><li><a href="http://distrib.pyramidefilms.com/pyramide-distribution-catalogue/portrait-de-la-jeune-fille-en-feu.html">Portrait of a Lady on Fire</a> at Pyramide Films (in French)</li>
<li><a href="https://mk2films.com/en/film/portrait-of-a-lady-on-fire/">Portrait of a Lady on Fire</a> at MK2 Films</li>
<li><a href="https://cdn-media.festival-cannes.com/film_film/0001/68/a5cf51df5b91e7699f7f9f95a73623975dd9f1df.pdf">Portrait of a Lady on Fire (2019 Festival de Cannes Press Kit)</a>. Lilies Films, 17 pp (in English)</li>
<li><a href="https://www.imdb.com/title/tt8613070/">Portrait of a Lady on Fire</a> at <a href="/facts/IMDb/uWrqVYVy">IMDb</a></li>
<li><a href="http://lumiere.obs.coe.int/web/film_info/?id=84499">Portrait de la jeune fille en feu</a> at <a href="/facts/Lumiere_(database)/TkwggVTq">Lumiere</a></li>
<li><a href="https://www.unifrance.org/film/46803/portrait-de-la-jeune-fille-en-feu">Portrait de la jeune fille en feu</a> at <a href="/facts/UniFrance/IpxIUhzh">UniFrance</a></li>
<li><a href="https://www.criterion.com/current/posts/6991-portrait-of-a-lady-on-fire-daring-to-see">Portrait of a Lady on Fire: Daring to See</a> an essay by Ela Bittencourt at the <a href="/facts/Criterion_Collection/KbDrlDdS">Criterion Collection</a></li></ul>

<h2 id="references">References</h2>

<ol>
<li id="fn:1">"The 2019 Official Selection". Festival de Cannes. 18 April 2019. Retrieved 9 May 2019. <a href="https://www.festival-cannes.com/en/infos-communiques/communique/articles/the-2019-official-selection" target="_blank">https://www.festival-cannes.com/en/infos-communiques/communique/articles/the-2019-official-selection</a> <a href="#fnref:1" class="footnote-back-ref">↩</a></li>
<li id="fn:2">"Cannes festival 2019: full list of films". The Guardian. 6 May 2019. Retrieved 18 April 2019. <a href="https://www.theguardian.com/film/2019/apr/18/cannes-festival-2019-full-list-of-films" target="_blank">https://www.theguardian.com/film/2019/apr/18/cannes-festival-2019-full-list-of-films</a> <a href="#fnref:2" class="footnote-back-ref">↩</a></li>
<li id="fn:3">Richford, Rhonda. "Cannes: 'Portrait of a Lady on Fire' Takes Queer Palm Prize". Retrieved 25 May 2019. <a href="https://www.hollywoodreporter.com/news/cannes-portrait-de-la-jeune-fille-en-feu-takes-queer-palm-prize-1213514" target="_blank">https://www.hollywoodreporter.com/news/cannes-portrait-de-la-jeune-fille-en-feu-takes-queer-palm-prize-1213514</a> <a href="#fnref:3" class="footnote-back-ref">↩</a></li>
<li id="fn:4">"Portrait de la jeune fille en feu (Portrait of a Lady on Fire)". Festival de Cannes. 2019. Retrieved 27 May 2019. <a href="https://www.festival-cannes.com/en/festival/films/portrait-de-la-jeune-fille-en-feu" target="_blank">https://www.festival-cannes.com/en/festival/films/portrait-de-la-jeune-fille-en-feu</a> <a href="#fnref:4" class="footnote-back-ref">↩</a></li>
<li id="fn:5">Debruge, Peter (25 May 2019). "Bong Joon-ho's 'Parasite' Wins the Palme d'Or at Cannes". Variety. Retrieved 26 May 2019. <a href="https://variety.com/2019/film/news/cannes-film-festival-2019-winners-1203225973/" target="_blank">https://variety.com/2019/film/news/cannes-film-festival-2019-winners-1203225973/</a> <a href="#fnref:5" class="footnote-back-ref">↩</a></li>
<li id="fn:6">Pulver, Andrew (25 May 2019). "Bong Joon-ho's Parasite wins Palme d'Or at Cannes film festival". The Guardian. Retrieved 26 May 2019. <a href="https://www.theguardian.com/film/2019/may/25/bong-joon-hos-parasite-wins-palme-dor-at-cannes-film-festival" target="_blank">https://www.theguardian.com/film/2019/may/25/bong-joon-hos-parasite-wins-palme-dor-at-cannes-film-festival</a> <a href="#fnref:6" class="footnote-back-ref">↩</a></li>
<li id="fn:7">"Portrait de la jeune fille en feu". JP's Box-Office (in French). 2019. Retrieved 10 October 2019. <a href="http://jpbox-office.com/fichfilm.php?id=19436" target="_blank">http://jpbox-office.com/fichfilm.php?id=19436</a> <a href="#fnref:7" class="footnote-back-ref">↩</a></li>
<li id="fn:8">"Quiberon. Cinéma : Céline Sciamma et Adèle Haenel tournent sur la presqu'île". Le Télégramme. 24 October 2018. Retrieved 15 December 2019. <a href="https://www.letelegramme.fr/morbihan/quiberon/quiberon-cinema-celine-sciamma-et-adele-haenel-tournent-sur-la-presqu-ile-24-10-2018-12115888.php" target="_blank">https://www.letelegramme.fr/morbihan/quiberon/quiberon-cinema-celine-sciamma-et-adele-haenel-tournent-sur-la-presqu-ile-24-10-2018-12115888.php</a> <a href="#fnref:8" class="footnote-back-ref">↩</a></li>
<li id="fn:9">Leon, Melissa (9 December 2019). "A Lesbian Movie Masterpiece That Explodes the Male Gaze". The Daily Beast. Retrieved 15 December 2019. <a href="https://www.thedailybeast.com/portrait-of-a-lady-on-fire-a-lesbian-movie-masterpiece-that-explodes-the-male-gaze" target="_blank">https://www.thedailybeast.com/portrait-of-a-lady-on-fire-a-lesbian-movie-masterpiece-that-explodes-the-male-gaze</a> <a href="#fnref:9" class="footnote-back-ref">↩</a></li>
<li id="fn:10">"Quiberon. Cinéma : Céline Sciamma et Adèle Haenel tournent sur la presqu'île". Le Télégramme. 24 October 2018. Retrieved 15 December 2019. <a href="https://www.letelegramme.fr/morbihan/quiberon/quiberon-cinema-celine-sciamma-et-adele-haenel-tournent-sur-la-presqu-ile-24-10-2018-12115888.php" target="_blank">https://www.letelegramme.fr/morbihan/quiberon/quiberon-cinema-celine-sciamma-et-adele-haenel-tournent-sur-la-presqu-ile-24-10-2018-12115888.php</a> <a href="#fnref:10" class="footnote-back-ref">↩</a></li>
<li id="fn:11">Dutheil, Marie-Charlotte (30 May 2019). "La Chapelle-Gauthier : le château sous les feux de la rampe grâce au Festival de Cannes". Le Parisien. Retrieved 15 December 2019. <a href="http://www.leparisien.fr/seine-et-marne-77/la-chapelle-gauthier-le-chateau-sous-les-feux-de-la-rampe-grace-au-festival-de-cannes-30-05-2019-8083020.php" target="_blank">http://www.leparisien.fr/seine-et-marne-77/la-chapelle-gauthier-le-chateau-sous-les-feux-de-la-rampe-grace-au-festival-de-cannes-30-05-2019-8083020.php</a> <a href="#fnref:11" class="footnote-back-ref">↩</a></li>
<li id="fn:12">"Portrait of a Lady on Fire". Cineuropa. Creative Europe MEDIA. 2019. Retrieved 7 March 2021. <a href="https://cineuropa.org/film/371001/" target="_blank">https://cineuropa.org/film/371001/</a> <a href="#fnref:12" class="footnote-back-ref">↩</a></li>
<li id="fn:13">Felperin, Leslie (19 May 2019). "'Portrait of a Lady on Fire' ('Portrait de la jeune fille en feu'): Film Review | Cannes 2019". The Hollywood Reporter. Retrieved 7 March 2021. <a href="https://www.hollywoodreporter.com/review/portrait-a-lady-fire-review-1212091" target="_blank">https://www.hollywoodreporter.com/review/portrait-a-lady-fire-review-1212091</a> <a href="#fnref:13" class="footnote-back-ref">↩</a></li>
<li id="fn:14">Inoa, Christopher L. (24 November 2019). "The Artist Behind the Paintings At the Heart of "Portrait of a Lady On Fire"". Garage Magazine. Retrieved 26 November 2019. <a href="https://garage.vice.com/en_us/article/7x5nb4/the-artist-behind-the-portraits-at-the-heart-of-portrait-of-a-lady-on-fire" target="_blank">https://garage.vice.com/en_us/article/7x5nb4/the-artist-behind-the-portraits-at-the-heart-of-portrait-of-a-lady-on-fire</a> <a href="#fnref:14" class="footnote-back-ref">↩</a></li>
<li id="fn:15">"Paintings from the movie "Portrait of a Lady on Fire" at Galerie Joseph". Galerie Joseph. 2 October 2019. Retrieved 15 January 2020. <a href="https://galeriejoseph.com/en/2019/10/02/paris-art-gallery-rental/" target="_blank">https://galeriejoseph.com/en/2019/10/02/paris-art-gallery-rental/</a> <a href="#fnref:15" class="footnote-back-ref">↩</a></li>
<li id="fn:16">Goodfellow, Melanie (28 August 2018). "mk2 launches sales on Céline Sciamma's 'Portrait of A Lady On Fire', Porumboiu's 'The Passenger' (exclusive)". Screen Daily. Retrieved 28 May 2019. <a href="https://www.screendaily.com/news/mk2-launches-sales-on-celine-sciammas-portrait-of-a-lady-on-fire-porumboius-the-passenger-exclusive/5132022.article" target="_blank">https://www.screendaily.com/news/mk2-launches-sales-on-celine-sciammas-portrait-of-a-lady-on-fire-porumboius-the-passenger-exclusive/5132022.article</a> <a href="#fnref:16" class="footnote-back-ref">↩</a></li>
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<li id="fn:40">"EFA Nominations". European Film Awards. 2019. Retrieved 11 November 2019. <a href="https://www.europeanfilmawards.eu/en_EN/nomination-current" target="_blank">https://www.europeanfilmawards.eu/en_EN/nomination-current</a> <a href="#fnref:40" class="footnote-back-ref">↩</a></li>
<li id="fn:41">Lattanzio, Ryan (7 December 2019). "European Film Awards 2019: Antonio Banderas, 'The Favourite,' 'Portrait of a Lady on Fire' Triumph". IndieWire. Retrieved 7 December 2019. <a href="https://www.indiewire.com/2019/12/european-film-awards-2019-winners-1202195299/" target="_blank">https://www.indiewire.com/2019/12/european-film-awards-2019-winners-1202195299/</a> <a href="#fnref:41" class="footnote-back-ref">↩</a></li>
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<li id="fn:46">"Announcing the TFCA's 2019 Award Winners". Toronto Film Critics Association. 8 December 2019. Archived from the original on 10 December 2019. Retrieved 5 January 2020. <a href="https://web.archive.org/web/20191210111046/https://torontofilmcritics.com/features/announcing-the-tfcas-2019-award-winners/" target="_blank">https://web.archive.org/web/20191210111046/https://torontofilmcritics.com/features/announcing-the-tfcas-2019-award-winners/</a> <a href="#fnref:46" class="footnote-back-ref">↩</a></li>
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<li id="fn:49">Tied with Jennifer Lopez and Constance Wu for Hustlers. <a href="/wiki/Jennifer_Lopez" target="_blank">/wiki/Jennifer_Lopez</a> <a href="#fnref:49" class="footnote-back-ref">↩</a></li>
<li id="fn:50">"Once Upoan a Time... in Hollywood Leads Chicago Film Critics Association 2019 Award Nominations". Chicago Film Critics Association Awards. 12 December 2019. Archived from the original on 12 December 2019. Retrieved 5 January 2020. <a href="https://web.archive.org/web/20191212155731/https://chicagofilmcritics.org/" target="_blank">https://web.archive.org/web/20191212155731/https://chicagofilmcritics.org/</a> <a href="#fnref:50" class="footnote-back-ref">↩</a></li>
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<li id="fn:52">Jorgenson, Todd (16 December 2019). "DFW Film Critics Pick '1917' As Best Film Of 2019". Dallas–Fort Worth Film Critics Association. Archived from the original on 16 December 2019. Retrieved 5 January 2020. <a href="https://dfwcritics.com/dfw-film-critics-pick-1917-as-best-film-of-2019/" target="_blank">https://dfwcritics.com/dfw-film-critics-pick-1917-as-best-film-of-2019/</a> <a href="#fnref:52" class="footnote-back-ref">↩</a></li>
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<li id="fn:84">Tartaglione, Nancy (29 January 2020). "César Awards Nominations: Roman Polanski's 'An Officer And A Spy' Leads With 12; Ladj Ly's 'Les Misérables' Scores 11 – Full List". Deadline Hollywood. Retrieved 31 January 2020. <a href="https://deadline.com/2020/01/cesar-awards-nominations-2020-roman-polanski-les-miserables-portrait-of-a-lady-on-fire-full-list-1202845041/" target="_blank">https://deadline.com/2020/01/cesar-awards-nominations-2020-roman-polanski-les-miserables-portrait-of-a-lady-on-fire-full-list-1202845041/</a> <a href="#fnref:84" class="footnote-back-ref">↩</a></li>
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</ol>

Portrait of a Lady on Fire open-in-new

Portrait of a Lady on Fire