Cummings' parents worked at a carnival. In 1977, when he was 12, his parents chose to leave after a riot broke out at the carnival and tents were set on fire. He said of the experience, "Everybody's pulling out guns, and you could hear guns going off. I remember this one guy we knew, he was telling us where to go, and some guy just ran up to him and hit him in the face with a hammer—just busted his face wide open. My parents packed up real quick, and we took off." He later elaborated, "I think someone just got ripped off for a lot of money on the gambling tents and they came back later and set the tents on fire [and] it turned into this big riot. [...] It was super violent and crazy and I think that was when my parents were like, 'You know what? We might be able to find something better to be doing here.' Because me and my brother are in the middle of this. Things are on fire, people beating the crap out of each other."
Since the break up of White Zombie, Zombie has shown no interest in reforming the band and has been quoted as saying, "I have many legit reasons [for not wanting to reform White Zombie]. Just because you don't know them does not mean they don't exist. Everything is not everybody's business." In a 2011 interview, Zombie stated that he had not spoken to any members of the band "except John Tempesta in about 15 years."
Work on Zombie's debut solo album first began in 1997, before the band had officially broken up. For the album, Zombie worked with numerous artists, including Charlie Clouser of Nine Inch Nails fame and former White Zombie bandmate John Tempesta. Zombie's solo debut album, Hellbilly Deluxe: 13 Tales of Cadaverous Cavorting Inside the Spookshow International, was released on August 25, 1998. The album was a commercial success, debuting at number five on the Billboard 200 with first week sales of 121,000 copies. The album's first week sales topped that of his prior albums with White Zombie. Hellbilly Deluxe went on to become Zombie's highest selling album to date, with sales exceeding three million copies in the United States. The album was influenced by classic horror films, with numerous songs on the album containing samples and quotes from some of Zombie's favorite horror films. The album spawned three singles, all of which charted on the Billboard Hot Mainstream Rock Tracks chart. Numerous songs from the album were used in films and video games, mainly in the horror genre. The success of the album led to the release of Zombie's first remix album, American Made Music to Strip By (1999). The album entered the top forty of the Billboard 200 in its debut week.
Following years of struggling to find a distributor and various re-shoots, Zombie confirmed that his film House of 1000 Corpses would finally be released through Lions Gate Entertainment. The film was released theatrically on April 11, 2003. The film received a generally negative reception from critics, though it grossed over $16 million worldwide. The film was criticized for being too "grotesque" and "violent", but has since garnered a cult following. Despite vastly negative reviews, the film garnered a warmer reception in later years, and is frequently listed as one of the "best horror films ever made". Zombie worked with Scott Humphrey on the majority of the film's soundtrack, which was released on March 25, 2003. The release features original songs from Zombie such as "Pussy Liquor" and "Little Piggy", as well as Zombie's own rendition of the Commodores hit single "Brick House" (1977), re-titled "Brick House 2003". The soundtrack peaked at number fifty-three on the Billboard 200, and number four on the Top Soundtracks chart.
Zombie began working on his third studio album in 2005, whilst finishing work on The Devil's Rejects; the album was influenced by glam rock artists like Slade, T. Rex, and Gary Glitter. The release was described as "experimental" by Zombie, who claimed the project featured numerous acoustic-led songs. The album, Educated Horses, was released on March 28, 2006. It sold 107,000 copies in its first week, becoming Zombie's third album to enter the top ten on the Billboard 200. The album received mixed critical reviews, with Rolling Stone writing "A handful of cuts are too long on sludgy instrumental grooves, but whether Zombie is out-Trent Reznoring Trent Reznor on the sitar-laden grindfest '17 Year Locust' or spitting fire amid the apocalyptic blues riffs of 'The Devil's Rejects', he sounds like a gifted schlockmeister that Strokes fans can enjoy. Or at least tolerate." The song "The Lords of Salem" was nominated for Best Hard Rock Performance at the 51st Annual Grammy Awards. Educated Horses saw a further decline in sales for Zombie, selling just over 500,000 copies in the United States. The album became his first studio album as a solo artist to not receive a certification from the Recording Industry Association of America (RIAA). It served as Zombie's final studio album to be released through Geffen Records. Zombie had a cameo appearance in a voice only role for the film Slither (2006). Zombie released his first official greatest hits album, The Best of Rob Zombie, on October 10, 2006. The album was re-released only months later under the title The Best of Rob Zombie: 20th Century Masters The Millennium Collection. The project debuted at number 166 on the Billboard 200, and went on to receive a gold certification from the RIAA. The album featured no new material, and was released with little promotion on Zombie's behalf. It remains his final album to receive an RIAA certification to date.
Zombie opted to focus on his career as a director in 2007, following the release of his third studio album a year prior. It was confirmed in 2006 that Zombie had signed on to write and direct a remake of the horror classic Halloween (1978). Zombie later referred to the film as a "re-imagining" of the original John Carpenter film. Zombie's version of the film was officially released on August 31, 2007. Thanks to its opening weekend of $30.5 million, the film broke the box-office record for the Labor Day weekend, surpassing the record set in 2005 by Transporter 2 with $20.1 million. It currently resided as the top Labor Day weekend grosser for fourteen years until Marvel's Shang-Chi and the Legend of the Ten Rings in 2021. The film went on to become Zombie's highest grossing release to date. Despite these achievements, the film was generally panned by critics upon its release. Based on 109 reviews collected by Rotten Tomatoes, Halloween received an average 25% overall approval rating based on 110 reviews, with the consensus "Rob Zombie doesn't bring many new ideas to the table in Halloween, making it another bloody disappointment for fans of the franchise." Zombie directed a fictitious trailer for a film Werewolf Women of the SS, which was featured in the film Grindhouse (2007). That same year, Zombie released his first live album, Zombie Live.
It was announced in 2009 that Zombie had begun working on his fourth studio album, the follow-up to his 2006 album Educated Horses. The album was originally scheduled to be released on November 17, 2009, but was delayed following Zombie's departure from longtime label Geffen Records on October 29, 2009, after which he penned a new deal with Roadrunner Records. Zombie later claimed that Geffen had "morphed into a different label" and that being signed didn't "work for [him] anymore." The album was confirmed to be titled Hellbilly Deluxe 2: Noble Jackals, Penny Dreadfuls and the Systematic Dehumanization of Cool, with Zombie describing it as a sequel to his 1998 debut as they sounded similar in both "vibe" and "attitude". Hellbilly Deluxe 2 was released on February 2, 2010. The album sold 49,000 copies in its first week of release, becoming his fourth top ten album in the United States. The album received a mixed to positive critical reception upon its release. Zombie released a special edition of the album on September 28, 2010, featuring three new songs. Zombie promoted the release through his Hellbilly Deluxe 2 World Tour, which served as his first international tour since beginning his solo career. The tour featured 150 dates, spanning over a two-year time span. Zombie released the Icon greatest hits album on October 5, 2010, through Roadrunner Records.
Recording for Zombie's fifth studio album began in June 2012, with Zombie announcing the then-untitled project in July 2012. On the record, Zombie claimed "We just want to make a dark, heavy, weird record and stick to that idea [...] If something comes up that isn't, we won't finish it. We'll stick to the plan." Zombie parted ways with Roadrunner Records, instead releasing the album through his new record label Zodiac Swan through Universal Music Enterprises and T-Boy Records. On January 30, 2013, Zombie announced that the album was titled Venomous Rat Regeneration Vendor. The album was released on April 23, 2013. Venomous Rat Regeneration Vendor became Zombie's fifth consecutive studio album to debut inside the top ten of the Billboard 200, though it boasted his lowest first week sales of his career. The album has since become Zombie's lowest selling album to date.
Zombie designed and launched the Great American Nightmare haunted attraction in 2013. The attraction, based in Chicago, featured references to Zombie's films and other significant horror events in pop culture. He designed the attractions "Lords of Salem Total Black Out", "The Haunted World of El Superbeasto 3D", and "House of 1000 Corpses", which were combined with a music festival from artists in hard rock, alternative, EDM, and more in 2013. In 2014, Zombie had the voice-only role of Ravager Navigator in the superhero film Guardians of the Galaxy. He released his first video album, The Zombie Horror Picture Show, on May 19, 2014. He released his second live album, Spookshow International: Live, on February 24, 2015.
Zombie announced work on his sixth studio album as early as April 2014, having begun working on the project that January. On January 11, 2016, Zombie confirmed the title of the record to be The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser, along with the album's cover art and track listing. The album was released on April 29, 2016. Zombie described it as "seriously [their] heaviest most fucked up musical monster to date." Zombie began working on a new horror film, 31, in 2014. Zombie described the film as "old-school", and raised money for the film through crowdfunding. The film follows a group of individuals attempting to survive a night in a carnival filled with murderous clowns. Zombie has stated that he wanted to have a "very nasty, gritty, guerilla-style approach to the filmmaking" for 31, as it "fits the story and the vibe of the movie". 31 premiered at the 2016 Sundance Film Festival on January 23, 2016. It has been announced that Zombie signed on to direct the film Raised Eyebrows, a movie about the life of comedian and actor Julius Henry "Groucho" Marx. The film has yet to receive a release date. Zombie launched his "Spookshow International" pinball machine in February 2016. The limited edition item features ten of Zombie's classic songs, as well as voice contributions from Zombie, Sheri Moon, and Sid Haig. On May 22, 2017, Zombie posted a short snippet of audio to his Instagram account of a live recording of the White Zombie song "Electric Head Part 2" stating he was in the process of mixing the Astro Creep 2000 live set from the Chicago date of the 2016 Riot Fest.
On August 1, 2017, Zombie announced on his Instagram page that he had begun working on his seventh studio album. Guitarist John 5 described the album as "his Sgt. Pepper", and called it "the best Zombie record that he's ever done." Zombie's first song in four years, "The Triumph of King Freak (A Crypt of Preservation and Superstition)", was released on October 30, 2020. Deemed a "ferocious blast of big guitar metal", it serves as the first single from his seventh album The Lunar Injection Kool Aid Eclipse Conspiracy, released on March 12, 2021. The album was produced by Zeuss, who also produced The Electric Warlock. Zombie had focused primarily on filming in the years prior.
In May 2023, Zombie announced that he has begun working on his eighth solo album, which he hoped to have released by the summer of 2024.
Both Zombie's music and film work draws influence from classic horror and suspense films, with Zombie citing the 1970s as the "last great time where films were being made for the sake of the film and not for the sake of the money." Zombie has cited artists such as Alice Cooper, Kiss, Queen, and Elton John as influences during his childhood. Zombie claimed that the first record he ever bought was an Alice Cooper album. Metallica, Black Sabbath, Judas Priest, Slayer, Ministry, Pantera, Sepultura, Black Flag and Twisted Sister were also cited as influences by Zombie. Zombie claimed his mother would not allow him to watch horror films, namely The Texas Chain Saw Massacre (1974), which later served as an influence on Zombie's films House of 1000 Corpses and The Devil's Rejects. Zombie has directed the majority of his music videos as a solo artist, with numerous releases being influenced or referencing horror films. The music video for his single "Living Dead Girl" is based upon the silent horror film The Cabinet of Dr. Caligari (1920), while his video for "Never Gonna Stop (The Red Red Kroovy)" was heavily inspired by A Clockwork Orange (1971). His film The Lords of Salem was inspired by the horror classic The Shining (1980).
Zombie generally refrains from sharing his political and religious beliefs with the public, though he has mentioned that his mother once contemplated becoming a nun. In the same interview, he said that he avoids all alcohol and drugs because he "certainly didn't achieve anything by being wasted and fucked up". In a separate interview, he said that he does not believe in an afterlife and the concept of Heaven was "insane", believing that "this life is all you get". He also said that he does not believe in concepts such as UFOs, aliens, or Bigfoot. He criticized the initial cancellation of the 2020 horror film The Hunt following an outcry from U.S. President Donald Trump and his supporters, stating, "As far as [canceling] The Hunt, that's just a bullshit sacrificial lamb that solves nothing in society, but they always do that. If it wasn't that movie it would have been a video game or sometimes it was somebody's rock album."
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