Equivalence class (music)

<h2 id="see-also">See also</h2>
<ul><li><a href="/facts/Enharmonic/lSwDb7JN">Enharmonic equivalency</a></li>
<li><a href="/facts/Identity_(music)/VXwC5x5y">Identity (music)</a></li>
<li><a href="/facts/Invariance_(music)/hj3FwBNk">Invariance (music)</a></li>
<li><a href="/facts/Set_theory_(music)/JerBNFeX">Set theory (music)</a></li>
<li><a href="/facts/Similarity_relation_(music)/oc0JLEvk">Similarity relation (music)</a></li></ul>

<h2 id="references">References</h2>

<ol>
<li id="fn:1"><p>Schuijer (2008). Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts, p.85. ISBN 978-1-58046-270-9. <a href="/wiki/ISBN_(identifier)" target="_blank">/wiki/ISBN_(identifier)</a> <a href="#fnref:1" class="footnote-back-ref">↩</a></p></li>
<li id="fn:2"><p>Schuijer (2008), p.86. <a href="#fnref:2" class="footnote-back-ref">↩</a></p></li>
<li id="fn:3"><p>Schuijer (2008). Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts, p.85. ISBN 978-1-58046-270-9. <a href="/wiki/ISBN_(identifier)" target="_blank">/wiki/ISBN_(identifier)</a> <a href="#fnref:3" class="footnote-back-ref">↩</a></p></li>
<li id="fn:4"><p>Schuijer (2008), p.87. <a href="#fnref:4" class="footnote-back-ref">↩</a></p></li>
<li id="fn:5"><p>Schuijer (2008), p.89. <a href="#fnref:5" class="footnote-back-ref">↩</a></p></li>
</ol>

Equivalence class (music) open-in-new

Equivalence class (music)