The Roman writer Cicero reported the statements of the Roman astronomer Gaius Sulpicius Gallus of the second century BC, the first globe was constructed by Thales of Miletus. This could indicate that celestial globes were in production throughout antiquity however, without any celestial globes surviving from this time, it is difficult to say for sure. What is known is that in book VIII, chapter 3 of Ptolemy's Almagest he outlines ideas for the design and production of a celestial globe. This includes some notes on how the globe should be decorated, suggesting ‘the sphere a dark colour resembling the night sky’.5
The Farnese Atlas, a 2nd-century AD Roman marble sculpture of Atlas which probably copies an earlier work of the Hellenistic era, is holding a celestial globe 65 cm (26 in) in diameter, which for many years was the only known celestial globe from the ancient world.6 No stars are depicted on the globe, but it shows over 40 classical Greek constellations in substantial detail.7 In the 1990s, two smaller celestial globes from antiquity became public: one from brass measuring 11 cm (4.3 in) held by the Römisch-Germanisches Zentralmuseum, and one from gilt silver measuring 6.3 cm (2.5 in) privately held by the Kugel family.8
Abd al-Rahman al-Sufi was an important 10th-century astronomer whose works were instrumental in the Islamic development of the celestial globe.9 His book, The Book of Fixed Stars, designed for accuracy for the year 964, was a "description of the constellations that combines Greek/ Ptolemaic traditions with Arabic/Bedouin ones".10 The Book of Fixed Stars then served as an important source of star coordinates for makers of astrolabes and globes across the Islamic world.11 Similarly, it was "instrumental in displacing the traditional Bedouin constellation imagery and replacing it with the Greek/Ptolemaic system which ultimately came to dominate all astronomy".12
The earliest surviving celestial globe was made between 1080 and 1085 C.E. by Ibrahim ibn Said al-Sahli, a well-known astrolabe maker working in Valencia, Spain.13 Although the imagery on this globe appears to be unrelated to that in al-Sufi's The Book of the Constellations al-Wazzan does seem to have been aware of this work, as all forty-eight of the classical Greek constellations are illustrated on the globe, just as in al-Sufi's treatise, with the stars indicated by circles.14
In the 13th century, a celestial globe, now housed in the Mathematisch-Physikalischer Salon in Dresden, was produced at one of the most important centres of astronomy in intellectual history, the Ilkhanid observatory at Maragha in north-western Iran constructed in 1259 and headed by Nasir al-Dln TusT (d. 1274), the renowned polymath.15 This particular scientific instrument was made by the son of the renowned scientist Mu'ayyad al-'Urdi al-Dimashqi, Muhammad b. Mu'ayyad al-'Urdl in 1288. This globe is an interesting example of how celestial globes demonstrate both the scientific and the artistic talents of those who make them. All forty-eight classical constellations used in Ptolemy's Almagest are represented on the globe, meaning it could then be used in calculations for astronomy and astrology, such as navigation, time-keeping or determining a horoscope.16 Artistically, this globe is an insight into thirteenth century Iranian illustration as the thirteenth century was a period when inlaid brass became a premier medium for figural imagery and so the globes from this period are duly exceptional for the detail and clarity of their engraved figures.17
A 17th-century celestial globe was made by Diya' ad-din Muhammad in Lahore, 1668 (now in Pakistan).18 It is now housed at the National Museum of Scotland. It is encircled by a meridian ring and a horizon ring.19 The latitude angle of 32° indicates that the globe was made in the Lahore workshop.20 This specific "workshop claims 21 signed globes—the largest number from a single shop" making this globe a good example of celestial globe production at its peak.21 The globe itself has been manufactured in one piece, so as to be seamless.
There are grooves which encircle the surface of the globe that create 12 sections of 30° which pass through the ecliptic poles. While they are no longer used in astronomy today, they are called "ecliptic latitude circles" and help astronomers of the Arabic and Greek worlds find the co-ordinates of a particular star.22 Each of the 12 sections corresponds to a house in the zodiac.
Savage-Smith 1985, p. 3. - Savage-Smith, Emilie (1985). Islamicate Celestial Globes: Their History, Construction, and Use. Washington, D.C.: Smithsonian Institution Press. https://archive.org/details/islamicatecelest0000sava ↩
Borchert, Donald M. (2006). In Encyclopedia of Philosophy, 2nd ed. Macmillan Reference. pp. 532–536. ↩
Dewald, Jonathan (2004). Encyclopedia of the Early Modern World. Charles Scribner's Sons. pp. 148–154. ↩
Savage-Smith 1985, p. 8. - Savage-Smith, Emilie (1985). Islamicate Celestial Globes: Their History, Construction, and Use. Washington, D.C.: Smithsonian Institution Press. https://archive.org/details/islamicatecelest0000sava ↩
Dekker, Elly (2009). "Featuring the First Greek Celestial Globe". Globe Studies (55/56): 133–152. JSTOR 23993955. Retrieved 2023-11-19. https://www.jstor.org/stable/23993955 ↩
Lippincott, Kristen (2016). "Reflections on the Farnese Atlas: Exploring the scientific, literary and pictorial antecedents of the constellations on a Graeco-Roman globe". In Gunzburg, Darrelyn (ed.). The Imagined Sky: Cultural perspectives. Sheffield: Equinox Press. pp. 55–86. ↩
Blair & Bloom 2013, pp. 125, 153. - Blair, Sheila S.; Bloom, Jonathan M. (2013). God is beautiful and loves beauty: the object in Islamic art and culture. Yale University Press. ISBN 9780300196665. ↩
Blair & Bloom 2013, pp. 125–126. - Blair, Sheila S.; Bloom, Jonathan M. (2013). God is beautiful and loves beauty: the object in Islamic art and culture. Yale University Press. ISBN 9780300196665. ↩
Blair & Bloom 2013, p. 153. - Blair, Sheila S.; Bloom, Jonathan M. (2013). God is beautiful and loves beauty: the object in Islamic art and culture. Yale University Press. ISBN 9780300196665. ↩
Blair & Bloom 2013, pp. 126, 127, 153. - Blair, Sheila S.; Bloom, Jonathan M. (2013). God is beautiful and loves beauty: the object in Islamic art and culture. Yale University Press. ISBN 9780300196665. ↩
Blair & Bloom 2013, pp. 126, 127. - Blair, Sheila S.; Bloom, Jonathan M. (2013). God is beautiful and loves beauty: the object in Islamic art and culture. Yale University Press. ISBN 9780300196665. ↩
Carey 2009. - Carey, Moya (2009). "The Gold and Silver Lining: Shams Al-Dīn Muḥammad B. Mu'Ayyad Al-'Urḍī's Inlaid Celestial Globe (c. AD 1288) from the Ilkhanid Observatory at Marāgha". Iran. 47: 97–108. doi:10.1080/05786967.2009.11864761. JSTOR 25651466. https://doi.org/10.1080%2F05786967.2009.11864761 ↩
Carey 2009, pp. 103–104. - Carey, Moya (2009). "The Gold and Silver Lining: Shams Al-Dīn Muḥammad B. Mu'Ayyad Al-'Urḍī's Inlaid Celestial Globe (c. AD 1288) from the Ilkhanid Observatory at Marāgha". Iran. 47: 97–108. doi:10.1080/05786967.2009.11864761. JSTOR 25651466. https://doi.org/10.1080%2F05786967.2009.11864761 ↩
"Celestial globe". National Museums Scotland. Retrieved 2020-10-15. https://www.nms.ac.uk/explore-our-collections/collection-search-results/ ↩
Savage-Smith 1985, p. 67. - Savage-Smith, Emilie (1985). Islamicate Celestial Globes: Their History, Construction, and Use. Washington, D.C.: Smithsonian Institution Press. https://archive.org/details/islamicatecelest0000sava ↩
Savage-Smith 1985, p. 69. - Savage-Smith, Emilie (1985). Islamicate Celestial Globes: Their History, Construction, and Use. Washington, D.C.: Smithsonian Institution Press. https://archive.org/details/islamicatecelest0000sava ↩
Savage-Smith 1985, p. 43. - Savage-Smith, Emilie (1985). Islamicate Celestial Globes: Their History, Construction, and Use. Washington, D.C.: Smithsonian Institution Press. https://archive.org/details/islamicatecelest0000sava ↩
Savage-Smith 1985, p. 61. - Savage-Smith, Emilie (1985). Islamicate Celestial Globes: Their History, Construction, and Use. Washington, D.C.: Smithsonian Institution Press. https://archive.org/details/islamicatecelest0000sava ↩