ASC CDL

The <a href="/facts/American_Society_of_Cinematographers/9uTveHMx">American Society of Cinematographers</a> Color Decision List (ASC CDL) is a format for the exchange of basic primary <a href="/facts/Color_grading/ehfY30XI">color grading</a> information between equipment and software from different manufacturers. The format defines the math for three functions: Slope, Offset and Power. Each function uses a number for the red, green, and blue color channels for a total of nine numbers comprising a single color decision. A tenth number, Saturation, specified in the Version 1.2 release, applies to the R, G, and B color channels in combination.
The ASC CDL was developed by the <a href="/facts/ASC_Technology_Committee/dFfA19Sw">ASC Technology Committee</a>, a combined group of cinematographers, post-production engineers, and other motion picture industry professionals.
Although the basic controls of most color correction systems are similar, they differ somewhat in specific implementation and detail. The ASC CDL is a common standard that color correctors can translate their proprietary settings to and from. The ASC CDL functions are mathematically orthogonal primitives that can be used to represent vendor-specific corrections. ASC CDL correction functions also in some cases can appear in the user interface and be used directly.
The ASC CDL allows color corrections made with one device at one location to be applied or modified by other devices elsewhere. For example, a <a href="/facts/Cinematographer/0tgqnI2B">cinematographer</a> filming on location can create a color correction with a small portable device, sending the ASC CDL color correction to a <a href="/facts/Colorist/3RR6Ksaw">colorist</a> in <a href="/facts/Post-production/RpqM8yLl">post-production</a> to use as a starting point for final color correction. To communicate "looks" usefully in this fashion, calibrations, viewing environments, devices, and any output transforms (e.g. film look) must be managed very carefully; in general, they should be identical at origination and subsequent viewing.
The ASC has defined an <a href="/facts/XML_schema/uWam66Rj">XML schema</a> for exchanging ASC CDL data, along with other <a href="/facts/Metadata/qt35z79C">metadata</a> about what image(s) the color corrections were applied to, the type of input signal used, and the viewing device and environment. They have also standardized methods for using ASC CDL data within the following file formats:

<ul><li>Avid Log Exchange (ALE)</li>
<li>Film Log EDL Exchange (FLEx)</li>
<li>CMX Edit Decision List</li></ul>

ASC CDL open-in-new

ASC CDL