Menu
Home Explore People Places Arts History Plants & Animals Science Life & Culture Technology
On this page
Artificial intelligence visual art
Visual media created with AI

Artificial intelligence visual art refers to visual artwork created or enhanced using artificial intelligence programs, a practice dating back to the mid-20th century. Throughout its history, AI art has sparked philosophical debates about the human mind, artificial beings, and the nature of art itself. During the 2020s AI boom, accessible text-to-image models like Midjourney, DALL-E, and Stable Diffusion allowed users to generate images effortlessly. However, the rise of AI art raised concerns regarding copyright, deception, and technological unemployment impacting traditional artists.

History

See also: History of artificial intelligence and Timeline of artificial intelligence

Early history

Automated art dates back at least to the automata of ancient Greek civilization, when inventors such as Daedalus and Hero of Alexandria were described as designing machines capable of writing text, generating sounds, and playing music.45 Creative automatons have flourished throughout history, such as Maillardet's automaton, created around 1800 and capable of creating multiple drawings and poems.6

Also in the 19th century, Ada Lovelace, writes that "computing operations" could be used to generate music and poems, now referred to as "The Lovelace Effect," where a computer's behavior is viewed as creative.7 Lovelace also discusses a concept known as "The Lovelace Objection," where she argues that a machine has "no pretensions whatever to originate anything."8

In 1950, with the publication of Alan Turing's paper "Computing Machinery and Intelligence", there was a shift from defining machine intelligence in abstract terms to evaluating whether a machine can mimic human behavior and responses convincingly.9 Shortly after, the academic discipline of artificial intelligence was founded at a research workshop at Dartmouth College in 1956.10 Since its founding, researchers in the field have explored philosophical questions about the nature of the human mind and the consequences of creating artificial beings with human-like intelligence; these issues have previously been explored by myth, fiction, and philosophy since antiquity.11

Artistic history

Since the founding of AI in the 1950s, artists have used artificial intelligence to create artistic works. These works were sometimes referred to as algorithmic art,12 computer art, digital art, or new media art.13

One of the first significant AI art systems is AARON, developed by Harold Cohen beginning in the late 1960s at the University of California at San Diego.14 AARON uses a symbolic rule-based approach to generate technical images in the era of GOFAI programming, and it was developed by Cohen with the goal of being able to code the act of drawing.15 AARON was exhibited in 1972 at the Los Angeles County Museum of Art.16 From 1973 to 1975, Cohen refined AARON during a residency at the Artificial Intelligence Laboratory at Stanford University.17 In 2024, the Whitney Museum of American Art exhibited AI art from throughout Cohen's career, including re-created versions of his early robotic drawing machines.18

Karl Sims has exhibited art created with artificial life since the 1980s. He received an M.S. in computer graphics from the MIT Media Lab in 1987 and was artist-in-residence from 1990 to 1996 at the supercomputer manufacturer and artificial intelligence company Thinking Machines.192021 In both 1991 and 1992, Sims won the Golden Nica award at Prix Ars Electronica for his videos using artificial evolution.222324 In 1997, Sims created the interactive artificial evolution installation Galápagos for the NTT InterCommunication Center in Tokyo.25 Sims received an Emmy Award in 2019 for outstanding achievement in engineering development.26

In 1999, Scott Draves and a team of several engineers created and released Electric Sheep as a free software screensaver.27 Electric Sheep is a volunteer computing project for animating and evolving fractal flames, which are distributed to networked computers which display them as a screensaver. The screensaver used AI to create an infinite animation by learning from its audience. In 2001, Draves won the Fundacion Telefónica Life 4.0 prize for Electric Sheep.28[unreliable source?]

In 2014, Stephanie Dinkins began working on Conversations with Bina48.29 For the series, Dinkins recorded her conversations with BINA48, a social robot that resembles a middle-aged black woman.3031 In 2019, Dinkins won the Creative Capital award for her creation of an evolving artificial intelligence based on the "interests and culture(s) of people of color."32

In 2015, Sougwen Chung began Mimicry (Drawing Operations Unit: Generation 1), an ongoing collaboration between the artist and a robotic arm.33 In 2019, Chung won the Lumen Prize for her continued performances with a robotic arm that uses AI to attempt to draw in a manner similar to Chung.34

In 2018, an auction sale of artificial intelligence art was held at Christie's in New York where the AI artwork Edmond de Belamy sold for US$432,500, which was almost 45 times higher than its estimate of US$7,000–10,000. The artwork was created by Obvious, a Paris-based collective.353637

In 2024, Japanese film generAIdoscope was released. The film was co-directed by Hirotaka Adachi, Takeshi Sone, and Hiroki Yamaguchi. All video, audio, and music in the film were created with artificial intelligence.38

In 2025, Japanese anime television series Twins Hinahima was released. The anime was produced and animated with AI assistance during the process of cutting and conversion of photographs into anime illustrations and later retouched by art staff. Most of the remaining parts such as characters and logos were hand-drawn with various software.3940

Technical history

Deep learning, characterized by its multi-layer structure that attempts to mimic the human brain, first came about in the 2010s and causing a significant shift in the world of AI art.41 During the deep learning era, there are mainly these types of designs for generative art: autoregressive models, diffusion models, GANs, normalizing flows.

In 2014, Ian Goodfellow and colleagues at Université de Montréal developed the generative adversarial network (GAN), a type of deep neural network capable of learning to mimic the statistical distribution of input data such as images. The GAN uses a "generator" to create new images and a "discriminator" to decide which created images are considered successful.42 Unlike previous algorithmic art that followed hand-coded rules, generative adversarial networks could learn a specific aesthetic by analyzing a dataset of example images.43

In 2015, a team at Google released DeepDream, a program that uses a convolutional neural network to find and enhance patterns in images via algorithmic pareidolia.444546 The process creates deliberately over-processed images with a dream-like appearance reminiscent of a psychedelic experience.47 Later, in 2017, a conditional GAN learned to generate 1000 image classes of ImageNet, a large visual database designed for use in visual object recognition software research.4849 By conditioning the GAN on both random noise and a specific class label, this approach enhanced the quality of image synthesis for class-conditional models.50

Autoregressive models were used for image generation, such as PixelRNN (2016), which autoregressively generates one pixel after another with a recurrent neural network.51 Immediately after the Transformer architecture was proposed in Attention Is All You Need (2018), it was used for autoregressive generation of images, but without text conditioning.52

The website Artbreeder, launched in 2018, uses the models StyleGAN and BigGAN5354 to allow users to generate and modify images such as faces, landscapes, and paintings.55

In the 2020s, text-to-image models, which generate images based on prompts, became widely used, marking yet another shift in the creation of AI generated artworks.56

In 2021, using the influential large language generative pre-trained transformer models that are used in GPT-2 and GPT-3, OpenAI released a series of images created with the text-to-image AI model DALL-E 1.57 It was an autoregressive generative model with essentially the same architecture as GPT-3. Along with this, later in 2021, EleutherAI released the open source VQGAN-CLIP58 based on OpenAI's CLIP model.59 Diffusion models, generative models used to create synthetic data based on existing data,60 were first proposed in 2015,61 but they only became better than GANs in early 2021.62 Latent diffusion model was published in December 2021 and became the basis for the later Stable Diffusion (August 2022).63

In 2022, Midjourney64 was released, followed by Google Brain's Imagen and Parti, which were announced in May 2022, Microsoft's NUWA-Infinity,6566 and the source-available Stable Diffusion, which was released in August 2022.676869 DALL-E 2, a successor to DALL-E, was beta-tested and released (with the further successor DALL-E 3 being released in 2023). Stability AI has a Stable Diffusion web interface called DreamStudio,70 plugins for Krita, Photoshop, Blender, and GIMP,71 and the Automatic1111 web-based open source user interface.727374 Stable Diffusion's main pre-trained model is shared on the Hugging Face Hub.75

Ideogram was released in August 2023, this model is known for its ability to generate legible text.7677

In 2024, Flux was released. This model can generate realistic images and was integrated into Grok, the chatbot used on X (formerly Twitter), and Le Chat, the chatbot of Mistral AI.78798081 Flux was developed by Black Forest Labs, founded by the researchers behind Stable Diffusion.82 Grok later switched to its own text-to-image model Aurora in December of the same year.83 Several companies, along with their products, have also developed an AI model integrated with an image editing service. Adobe has released and integrated the AI model Firefly into Premiere Pro, Photoshop, and Illustrator.8485 Microsoft has also publicly announced AI image-generator features for Microsoft Paint.86 Along with this, some examples of text-to-video models of the mid-2020s are Runway's Gen-2, Google's VideoPoet, and OpenAI's Sora, which was released in December 2024.8788

In 2025, several models were released. GPT Image 1 from OpenAI, launched in March 2025, introduced new text rendering and multimodal capabilities, enabling image generation from diverse inputs like sketches and text.89 MidJourney v7 debuted in April 2025, providing improved text prompt processing.90 In May 2025 Flux.1 Kontext by Black Forest Labs emerged as an efficient model for high-fidelity image generation,91 while Google’s Imagen 4 was released with improved photorealism.92

Tools and processes

Approaches

There are many approaches used by artists to develop AI visual art. When text-to-image is used, AI generates images based on textual descriptions, using models like diffusion or transformer-based architectures. Users input prompts and the AI produces corresponding visuals.9394 When image-to-image is used, AI transforms an input image into a new style or form based on a prompt or style reference, such as turning a sketch into a photorealistic image or applying an artistic style.9596 When image-to-video is used, AI generates short video clips or animations from a single image or a sequence of images, often adding motion or transitions. This can include animating still portraits or creating dynamic scenes.9798 When text-to-video is used, AI creates videos directly from text prompts, producing animations, realistic scenes, or abstract visuals. This is an extension of text-to-image but focuses on temporal sequences.99

Imagery

There are many tools available to the artist when working with diffusion models. They can define both positive and negative prompts, but they are also afforded a choice in using (or omitting the use of) VAEs, LoRAs, hypernetworks, IP-adapter, and embedding/textual inversions. Artists can tweak settings like guidance scale (which balances creativity and accuracy), seed (to control randomness), and upscalers (to enhance image resolution), among others. Additional influence can be exerted during pre-inference by means of noise manipulation, while traditional post-processing techniques are frequently used post-inference. People can also train their own models.

In addition, procedural "rule-based" generation of images using mathematical patterns, algorithms that simulate brush strokes and other painted effects, and deep learning algorithms such as generative adversarial networks (GANs) and transformers have been developed. Several companies have released apps and websites that allow one to forego all the options mentioned entirely while solely focusing on the positive prompt. There also exist programs which transform photos into art-like images in the style of well-known sets of paintings.100101

There are many options, ranging from simple consumer-facing mobile apps to Jupyter notebooks and web UIs that require powerful GPUs to run effectively.102 Additional functionalities include "textual inversion," which refers to enabling the use of user-provided concepts (like an object or a style) learned from a few images. Novel art can then be generated from the associated word(s) (the text that has been assigned to the learned, often abstract, concept)103104 and model extensions or fine-tuning (such as DreamBooth).

Impact and applications

AI has the potential for a societal transformation, which may include enabling the expansion of noncommercial niche genres (such as cyberpunk derivatives like solarpunk) by amateurs, novel entertainment, fast prototyping,105 increasing art-making accessibility,106 and artistic output per effort or expenses or time107—e.g., via generating drafts, draft-definitions, and image components (inpainting). Generated images are sometimes used as sketches,108 low-cost experiments,109 inspiration, or illustrations of proof-of-concept-stage ideas. Additional functionalities or improvements may also relate to post-generation manual editing (i.e., polishing), such as subsequent tweaking with an image editor.110

Prompt engineering and sharing

See also: Prompt engineering § Text-to-image

Prompts for some text-to-image models can also include images and keywords and configurable parameters, such as artistic style, which is often used via keyphrases like "in the style of [name of an artist]" in the prompt111 /or selection of a broad aesthetic/art style.112113 There are platforms for sharing, trading, searching, forking/refining, or collaborating on prompts for generating specific imagery from image generators.114115116117 Prompts are often shared along with images on image-sharing websites such as Reddit and AI art-dedicated websites. A prompt is not the complete input needed for the generation of an image; additional inputs that determine the generated image include the output resolution, random seed, and random sampling parameters.118

Related terminology

Synthetic media, which includes AI art, was described in 2022 as a major technology-driven trend that will affect business in the coming years.119 Harvard Kennedy School researchers voiced concerns about synthetic media serving as a vector for political misinformation soon after studying the proliferation of AI art on the X platform.120 Synthography is a proposed term for the practice of generating images that are similar to photographs using AI.121

Impact

Bias

Further information: Algorithmic bias

A major concern raised about AI-generated images and art is sampling bias within model training data leading towards discriminatory output from AI art models. In 2023, University of Washington researchers found evidence of racial bias within the Stable Diffusion model, with images of a "person" corresponding most frequently with images of males from Europe or North America.122

Looking more into the sampling bias found within AI training data, in 2017, researchers at Princeton University used AI software to link over 2 million words, finding that European names were viewed as more "pleasant" than African-Americans names, and that the words "woman" and "girl" were more likely to be associated with the arts instead of science and math, "which were most likely connected to males."123 Generative AI models typically work based on user-entered word-based prompts, especially in the case of diffusion models, and this word-related bias may lead to biased results.

Along with this, generative AI can perpetuate harmful stereotypes regarding women. For example, Lensa, an AI app that trended on TikTok in 2023, was known to lighten black skin, make users thinner, and generate hypersexualized images of women.124 Melissa Heikkilä, a senior reporter at MIT Technology Review, shared the findings of an experiment using Lensa, noting that the generated avatars did not resemble her and often depicted her in a hypersexualized manner.125 Experts suggest that such outcomes can result from biases in the datasets used to train AI models, which can sometimes contain imbalanced representations, including hypersexual or nude imagery.126127

In 2024, Google's chatbot Gemini's AI image generator was criticized for perceived racial bias, with claims that Gemini deliberately underrepresented white people in its results.128 Users reported that it generated images of white historical figures like the Founding Fathers, Nazi soldiers, and Vikings as other races, and that it refused to process prompts such as "happy white people" and "ideal nuclear family".129130 Google later apologized for "missing the mark" and took Gemini's image generator offline for updates.131 This prompted discussions about the ethical implications132 of representing historical figures through a contemporary lens, leading critics to argue that these outputs could mislead audiences regarding actual historical contexts.133 In addition to the well-documented representational issues such as racial and gender bias, some scholars have also pointed out deeper conceptual assumptions that shape how we perceive AI-generated art. For instance, framing AI strictly as a passive tool overlooks how cultural and technological factors influence its outputs. Others suggest viewing AI as part of a collaborative creative process, where both human and machine contribute to the artistic result.134

Copyright

Further information: Artificial intelligence and copyright

Legal scholars, artists, and media corporations have considered the legal and ethical implications of artificial intelligence art since the 20th century. Some artists use AI art to critique and explore the ethics of using gathered data to produce new artwork.135

In 1985, intellectual property law professor Pamela Samuelson argued that US copyright should allocate algorithmically generated artworks to the user of the computer program.136 A 2019 Florida Law Review article presented three perspectives on the issue. In the first, artificial intelligence itself would become the copyright owner; to do this, Section 101 of the US Copyright Act would need to be amended to define "author" as a computer. In the second, following Samuelson's argument, the user, programmer, or artificial intelligence company would be the copyright owner. This would be an expansion of the "work for hire" doctrine, under which ownership of a copyright is transferred to the "employer." In the third situation, copyright assignments would never take place, and such works would be in the public domain, as copyright assignments require an act of authorship.137

In 2022, coinciding with the rising availability of consumer-grade AI image generation services, popular discussion renewed over the legality and ethics of AI-generated art. A particular topic is the inclusion of copyrighted artwork and images in AI training datasets, with artists objecting to commercial AI products using their works without consent, credit, or financial compensation.138 In September 2022, Reema Selhi, of the Design and Artists Copyright Society, stated that "there are no safeguards for artists to be able to identify works in databases that are being used and opt out."139 Some have claimed that images generated with these models can bear resemblance to extant artwork, sometimes including the remains of the original artist's signature.140141 In December 2022, users of the portfolio platform ArtStation staged an online protest against non-consensual use of their artwork within datasets; this resulted in opt-out services, such as "Have I Been Trained?" increasing in profile, as well as some online art platforms promising to offer their own opt-out options.142 According to the US Copyright Office, artificial intelligence programs are unable to hold copyright,143144145 a decision upheld at the Federal District level as of August 2023 followed the reasoning from the monkey selfie copyright dispute.146

OpenAI, the developer of DALL-E, has its own policy on who owns generated art. They assign the right and title of a generated image to the creator, meaning the user who inputted the prompt owns the image generated, along with the right to sell, reprint, and merchandise it.147

In January 2023, three artists—Sarah Andersen, Kelly McKernan, and Karla Ortiz—filed a copyright infringement lawsuit against Stability AI, Midjourney, and DeviantArt, claiming that it is legally required to obtain the consent of artists before training neural nets on their work and that these companies infringed on the rights of millions of artists by doing so on five billion images scraped from the web.148 In July 2023, U.S. District Judge William Orrick was inclined to dismiss most of the lawsuits filed by Andersen, McKernan, and Ortiz, but allowed them to file a new complaint.149 Also in 2023, Stability AI was sued by Getty Images for using its images in the training data.150 A tool built by Simon Willison allowed people to search 0.5% of the training data for Stable Diffusion V1.1, i.e., 12 million of the 2.3 billion instances from LAION 2B. Artist Karen Hallion discovered that her copyrighted images were used as training data without their consent.151

In March 2024, Tennessee enacted the ELVIS Act, which prohibits the use of AI to mimic a musician's voice without permission.152 A month later in that year, Adam Schiff introduced the Generative AI Copyright Disclosure Act which, if passed, would require that AI companies to submit copyrighted works in their datasets to the Register of Copyrights before releasing new generative AI systems.153 In November 2024, a group of artists and activists shared early access to OpenAI’s unreleased video generation model, Sora, via Huggingface. The action, accompanied by a statement, criticized the exploitative use of artists’ work by major corporations.'154155156

On June 11, 2025, Universal Pictures (owned by Comcast) and The Walt Disney Company filed a copyright infringement lawsuit against Midjourney.157 The suit described Midjourney as "a bottomless pit of plagiarism."158

Deception

As with other types of photo manipulation since the early 19th century, some people in the early 21st century have been concerned that AI could be used to create content that is misleading and can be made to damage a person's reputation, such as deepfakes.159 Artist Sarah Andersen, who previously had her art copied and edited to depict Neo-Nazi beliefs, stated that the spread of hate speech online can be worsened by the use of image generators.160 Some also generate images or videos for the purpose of catfishing.

AI systems have the ability to create deepfake content, which is often viewed as harmful and offensive. The creation of deepfakes poses a risk to individuals who have not consented to it.161 This mainly refers to deepfake pornography which is used as revenge porn, where sexually explicit material is disseminated to humiliate or harm another person. AI-generated child pornography has been deemed a potential danger to society due to its unlawful nature.162

After winning the 2023 "Creative" "Open competition" Sony World Photography Awards, Boris Eldagsen stated that his entry was actually created with artificial intelligence. Photographer Feroz Khan commented to the BBC that Eldagsen had "clearly shown that even experienced photographers and art experts can be fooled".163 Smaller contests have been affected as well; in 2023, a contest run by author Mark Lawrence as Self-Published Fantasy Blog-Off was cancelled after the winning entry was allegedly exposed to be a collage of images generated with Midjourney.164

In May 2023, on social media sites such as Reddit and Twitter, attention was given to a Midjourney-generated image of Pope Francis wearing a white puffer coat.165166 Additionally, an AI-generated image of an attack on the Pentagon went viral as part of a hoax news story on Twitter.167168

In the days before March 2023 indictment of Donald Trump as part of the Stormy Daniels–Donald Trump scandal, several AI-generated images allegedly depicting Trump's arrest went viral online.169170 On March 20, British journalist Eliot Higgins generated various images of Donald Trump being arrested or imprisoned using Midjourney v5 and posted them on Twitter; two images of Trump struggling against arresting officers went viral under the mistaken impression that they were genuine, accruing more than 5 million views in three days.171172 According to Higgins, the images were not meant to mislead, but he was banned from using Midjourney services as a result. As of April 2024, the tweet had garnered more than 6.8 million views.

In February 2024, the paper Cellular functions of spermatogonial stem cells in relation to JAK/STAT signaling pathway was published using AI-generated images. It was later retracted from Frontiers in Cell and Developmental Biology because the paper "does not meet the standards".173

To mitigate some deceptions, OpenAI developed a tool in 2024 to detect images that were generated by DALL-E 3.174 In testing, this tool accurately identified DALL-E 3-generated images approximately 98% of the time. The tool is also fairly capable of recognizing images that have been visually modified by users post-generation.175

Income and employment stability

Further information: Workplace impact of artificial intelligence and Technological unemployment

As generative AI image software such as Stable Diffusion and DALL-E continue to advance, the potential problems and concerns that these systems pose for creativity and artistry have risen.176 In 2022, artists working in various media raised concerns about the impact that generative artificial intelligence could have on their ability to earn money, particularly if AI-based images started replacing artists working in the illustration and design industries.177178 In August 2022, digital artist R. J. Palmer stated that "I could easily envision a scenario where using AI, a single artist or art director could take the place of 5–10 entry level artists... I have seen a lot of self-published authors and such say how great it will be that they don’t have to hire an artist."179 Scholars Jiang et al. state that "Leaders of companies like Open AI and Stability AI have openly stated that they expect generative AI systems to replace creatives imminently."180 A 2022 case study found that AI-produced images created by technology like DALL-E caused some traditional artists to be concerned about losing work, while others use it to their advantage and view it as a tool.181

AI-based images have become more commonplace in art markets and search engines because AI-based text-to-image systems are trained from pre-existing artistic images, sometimes without the original artist's consent, allowing the software to mimic specific artists' styles.182183 For example, Polish digital artist Greg Rutkowski has stated that it is more difficult to search for his work online because many of the images in the results are AI-generated specifically to mimic his style.184 Furthermore, some training databases on which AI systems are based are not accessible to the public.

The ability of AI-based art software to mimic or forge artistic style also raises concerns of malice or greed.185186187 Works of AI-generated art, such as Théâtre D'opéra Spatial, a text-to-image AI illustration that won the grand prize in the August 2022 digital art competition at the Colorado State Fair, have begun to overwhelm art contests and other submission forums meant for small artists.188189190 The Netflix short film The Dog & the Boy, released in January 2023, received backlash online for its use of artificial intelligence art to create the film's background artwork.191 Within the same vein, Disney released Secret Invasion, a Marvel TV show with an AI-generated intro, on Disney+ in 2023, causing concern and backlash regarding the idea that artists could be made obsolete by machine-learning tools.192

AI art has sometimes been deemed to be able to replace traditional stock images.193 In 2023, Shutterstock announced a beta test of an AI tool that can regenerate partial content of other Shutterstock's images. Getty Images and Nvidia have partnered with the launch of Generative AI by iStock, a model trained on Getty's library and iStock's photo library using Nvidia's Picasso model.194

Power usage

Researchers from Hugging Face and Carnegie Mellon University reported in a 2023 paper that generating one thousand 1024×1024 images using Stable Diffusion's XL 1.0 base model requires 11.49 kWh of energy and generates 1,594 grams (56.2 oz) of carbon dioxide, which is roughly equivalent to driving an average gas-powered car a distance of 4.1 miles (6.6 km). Comparing 88 different models, the paper concluded that image-generation models used on average around 2.9 kWh of energy per 1,000 inferences.195

Analysis of existing art using AI

In addition to the creation of original art, research methods that use AI have been generated to quantitatively analyze digital art collections. This has been made possible due to the large-scale digitization of artwork in the past few decades. According to CETINIC and SHE (2022), using artificial intelligence to analyze already-existing art collections can provide new perspectives on the development of artistic styles and the identification of artistic influences.196197

Two computational methods, close reading and distant viewing, are the typical approaches used to analyze digitized art.198 Close reading focuses on specific visual aspects of one piece. Some tasks performed by machines in close reading methods include computational artist authentication and analysis of brushstrokes or texture properties. In contrast, through distant viewing methods, the similarity across an entire collection for a specific feature can be statistically visualized. Common tasks relating to this method include automatic classification, object detection, multimodal tasks, knowledge discovery in art history, and computational aesthetics.199 Synthetic images can also be used to train AI algorithms for art authentication and to detect forgeries.200

Researchers have also introduced models that predict emotional responses to art. One such model is ArtEmis, a large-scale dataset paired with machine learning models. ArtEmis includes emotional annotations from over 6,500 participants along with textual explanations. By analyzing both visual inputs and the accompanying text descriptions from this dataset, ArtEmis enables the generation of nuanced emotional predictions.201202

Other forms of AI art

AI has also been used in arts outside of visual arts. Generative AI has been used to create music, as well as in video game production beyond imagery, especially for level design (e.g., for custom maps) and creating new content (e.g., quests or dialogue) or interactive stories in video games.203204 AI has also been used in the literary arts,205 such as helping with writer's block, inspiration, or rewriting segments.206207208209 In the culinary arts, some prototype cooking robots can dynamically taste, which can assist chefs in analyzing the content and flavor of dishes during the cooking process.210

See also

References

  1. Todorovic, Milos (2024). "AI and Heritage: A Discussion on Rethinking Heritage in a Digital World". International Journal of Cultural and Social Studies. 10 (1): 1–11. doi:10.46442/intjcss.1397403. Retrieved 4 July 2024. https://www.academia.edu/121596389

  2. Vincent, James (24 May 2022). "All these images were generated with Google's latest text-to-image AI". The Verge. Vox Media. Archived from the original on 15 February 2023. Retrieved 28 May 2022. https://www.theverge.com/2022/5/24/23139297/google-imagen-text-to-image-ai-system-examples-paper

  3. Edwards, Benj (2 August 2024). "FLUX: This new AI image generator is eerily good at creating human hands". Ars Technica. Retrieved 17 November 2024. https://arstechnica.com/information-technology/2024/08/flux-this-new-ai-image-generator-is-eerily-good-at-creating-human-hands/

  4. Noel Sharkey (4 July 2007), A programmable robot from 60 AD, vol. 2611, New Scientist, archived from the original on 13 January 2018, retrieved 22 October 2019 https://www.newscientist.com/blog/technology/2007/07/programmable-robot-from-60ad.html

  5. Brett, Gerard (July 1954), "The Automata in the Byzantine "Throne of Solomon"", Speculum, 29 (3): 477–487, doi:10.2307/2846790, ISSN 0038-7134, JSTOR 2846790, S2CID 163031682. /wiki/Doi_(identifier)

  6. kelinich (8 March 2014). "Maillardet's Automaton". The Franklin Institute. Archived from the original on 24 August 2023. Retrieved 24 August 2023. https://www.fi.edu/en/history-resources/automaton

  7. Natale, S., & Henrickson, L. (2022). The Lovelace Effect: Perceptions of Creativity in Machines. White Rose Research Online. Retrieved September 24, 2024, from https://eprints.whiterose.ac.uk/182906/6/NMS-20-1531.R2_Proof_hi%20%282%29.pdf https://eprints.whiterose.ac.uk/182906/6/NMS-20-1531.R2_Proof_hi%20%282%29.pdf

  8. Lovelace, A. (1843). Notes by the translator. Taylor’s Scientific Memoirs, 3, 666-731.

  9. Turing, Alan (October 1950). "Computing Machinery and Intelligence" (PDF). Retrieved 16 September 2024. https://courses.cs.umbc.edu/471/papers/turing.pdf

  10. Crevier, Daniel (1993). AI: The Tumultuous Search for Artificial Intelligence. New York, NY: BasicBooks. p. 109. ISBN 0-465-02997-3. 0-465-02997-3

  11. Newquist, HP (1994). The Brain Makers: Genius, Ego, And Greed In The Quest For Machines That Think. New York: Macmillan/SAMS. pp. 45–53. ISBN 978-0-672-30412-5. 978-0-672-30412-5

  12. Elgammal, Ahmed (2019). "AI Is Blurring the Definition of Artist". American Scientist. 107 (1): 18. doi:10.1511/2019.107.1.18. ISSN 0003-0996. S2CID 125379532. https://dx.doi.org/10.1511/2019.107.1.18

  13. Greenfield, Gary (3 April 2015). "When the machine made art: the troubled history of computer art, by Grant D. Taylor". Journal of Mathematics and the Arts. 9 (1–2): 44–47. doi:10.1080/17513472.2015.1009865. ISSN 1751-3472. S2CID 118762731. http://www.tandfonline.com/doi/full/10.1080/17513472.2015.1009865

  14. McCorduck, Pamela (1991). AARONS's Code: Meta-Art. Artificial Intelligence, and the Work of Harold Cohen. New York: W. H. Freeman and Company. p. 210. ISBN 0-7167-2173-2. 0-7167-2173-2

  15. Poltronieri, Fabrizio Augusto; Hänska, Max (23 October 2019). "Technical Images and Visual Art in the Era of Artificial Intelligence". Proceedings of the 9th International Conference on Digital and Interactive Arts. Braga Portugal: ACM. pp. 1–8. doi:10.1145/3359852.3359865. ISBN 978-1-4503-7250-3. S2CID 208109113. Archived from the original on 29 September 2022. Retrieved 10 May 2022. 978-1-4503-7250-3

  16. "HAROLD COHEN (1928–2016)". Art Forum. 9 May 2016. Retrieved 19 September 2023. https://www.artforum.com/news/harold-cohen-1928-2016-59932

  17. Diehl, Travis (15 February 2024). "A.I. Art That's More Than a Gimmick? Meet AARON". The New York Times. ISSN 0362-4331. Retrieved 1 June 2024. https://www.nytimes.com/2024/02/15/arts/design/aaron-ai-whitney.html

  18. Diehl, Travis (15 February 2024). "A.I. Art That's More Than a Gimmick? Meet AARON". The New York Times. ISSN 0362-4331. Retrieved 1 June 2024. https://www.nytimes.com/2024/02/15/arts/design/aaron-ai-whitney.html

  19. "Karl Sims - ACM SIGGRAPH HISTORY ARCHIVES". history.siggraph.org. 20 August 2017. Retrieved 9 June 2024. https://history.siggraph.org/person/karl-sims/

  20. "Karl Sims | CSAIL Alliances". cap.csail.mit.edu. Archived from the original on 9 June 2024. Retrieved 9 June 2024. https://cap.csail.mit.edu/engage/spotlights/karl-sims

  21. "Karl Sims". www.macfound.org. Archived from the original on 9 June 2024. Retrieved 9 June 2024. https://www.macfound.org/fellows/class-of-1998/karl-sims

  22. "Golden Nicas". Ars Electronica Center. Archived from the original on 26 February 2023. Retrieved 26 February 2023. https://web.archive.org/web/20230226175530/https://ars.electronica.art/center/en/golden-nicas/

  23. "Panspermia by Karl Sims, 1990". www.karlsims.com. Archived from the original on 26 November 2023. Retrieved 26 February 2023. http://www.karlsims.com/panspermia.html

  24. "Liquid Selves by Karl Sims, 1992". www.karlsims.com. Retrieved 26 February 2023. http://www.karlsims.com/liquid-selves.html

  25. "ICC | "Galápagos" - Karl SIMS (1997)". NTT InterCommunication Center [ICC]. Archived from the original on 14 June 2024. Retrieved 14 June 2024. https://www.ntticc.or.jp/en/archive/works/galapagos/

  26. "- Winners". Television Academy. Archived from the original on 1 July 2020. Retrieved 26 June 2022. https://www.emmys.com/awards/engineering-emmys/winners

  27. Draves, Scott (2005). "The Electric Sheep Screen-Saver: A Case Study in Aesthetic Evolution". In Rothlauf, Franz; Branke, Jürgen; Cagnoni, Stefano; Corne, David Wolfe; Drechsler, Rolf; Jin, Yaochu; Machado, Penousal; Marchiori, Elena; Romero, Juan (eds.). Applications of Evolutionary Computing. Lecture Notes in Computer Science. Vol. 3449. Berlin, Heidelberg: Springer. pp. 458–467. doi:10.1007/978-3-540-32003-6_46. ISBN 978-3-540-32003-6. S2CID 14256872. Archived from the original on 7 October 2024. Retrieved 17 July 2024. 978-3-540-32003-6

  28. "Entrevista Scott Draves - Primer Premio Ex-Aequo VIDA 4.0". YouTube. 17 July 2012. Archived from the original on 28 December 2023. Retrieved 26 February 2023. https://www.youtube.com/watch?v=wybvI279EQ4

  29. "Robots, Race, and Algorithms: Stephanie Dinkins at Recess Assembly". Art21 Magazine. 7 November 2017. Retrieved 25 February 2020. http://magazine.art21.org/2017/11/07/robots-race-and-algorithms-stephanie-dinkins-at-recess-assembly/

  30. Small, Zachary (7 April 2017). "Future Perfect: Flux Factory's Intersectional Approach to Technology". ARTnews.com. Archived from the original on 12 September 2024. Retrieved 4 May 2020. https://www.artnews.com/art-in-america/features/future-perfect-a-call-for-intersectional-technology-at-flux-factory-58475/

  31. Dunn, Anna (11 July 2018). "Multiply, Identify, Her". The Brooklyn Rail. Archived from the original on 19 March 2023. Retrieved 25 February 2025. https://brooklynrail.org/2018/07/artseen/Multiply-Identify-Her

  32. "Not the Only One". Creative Capital. Archived from the original on 16 February 2020. Retrieved 26 February 2023. https://creative-capital.org/projects/not-the-only-one/

  33. "Drawing Operations (2015) – Sougwen Chung (愫君)". Retrieved 25 February 2025. https://sougwen.com/project/drawing-operations

  34. "Sougwen Chung". The Lumen Prize. Retrieved 26 February 2023. https://www.lumenprize.com/2019-winners/sougwen-chung

  35. "Is artificial intelligence set to become art's next medium?". Christie's. 12 December 2018. Archived from the original on 5 February 2023. Retrieved 21 May 2019. https://www.christies.com/features/A-collaboration-between-two-artists-one-human-one-a-machine-9332-1.aspx

  36. Cohn, Gabe (25 October 2018). "AI Art at Christie's Sells for $432,500". The New York Times. ISSN 0362-4331. Archived from the original on 5 May 2019. Retrieved 26 May 2024. https://www.nytimes.com/2018/10/25/arts/design/ai-art-sold-christies.html

  37. Turnbull, Amanda (6 January 2020). "The price of AI art: Has the bubble burst?". The Conversation. Archived from the original on 26 May 2024. Retrieved 26 May 2024. https://theconversation.com/the-price-of-ai-art-has-the-bubble-burst-128698

  38. Cayanan, Joanna (13 July 2024). "Novelist Otsuichi Co-Directs generAIdoscope, Omnibus Film Produced Entirely With Generative AI". Anime News Network. Archived from the original on 4 March 2025. Retrieved 4 March 2025. https://www.animenewsnetwork.com/news/2024-07-13/novelist-otsuichi-co-directs-generaidoscope-omnibus-film-produced-entirely-with-generative-ai/.213069

  39. Hodgkins, Crystalyn (28 February 2025). "Frontier Works, KaKa Creation's Twins Hinahima AI Anime Reveals March 29 TV Debut". Anime News Network. Archived from the original on 28 February 2025. Retrieved 4 March 2025. https://www.animenewsnetwork.com/news/2025-02-28/frontier-works-kaka-creation-twins-hinahima-ai-anime-reveals-march-29-tv-debut/.221769

  40. "サポーティブAIとは - アニメ「ツインズひなひま」公式サイト" [What's Supportive AI? - Twins Hinahima Anime Official Website]. anime-hinahima.com (in Japanese). Retrieved 4 March 2025. https://anime-hinahima.com/supportive-ai/

  41. "What Is Deep Learning? | IBM". www.ibm.com. 17 June 2024. Retrieved 13 November 2024. https://www.ibm.com/topics/deep-learning

  42. Goodfellow, Ian; Pouget-Abadie, Jean; Mirza, Mehdi; Xu, Bing; Warde-Farley, David; Ozair, Sherjil; Courville, Aaron; Bengio, Yoshua (2014). Generative Adversarial Nets (PDF). Proceedings of the International Conference on Neural Information Processing Systems (NIPS 2014). pp. 2672–2680. Archived (PDF) from the original on 22 November 2019. Retrieved 26 January 2022. https://papers.nips.cc/paper/5423-generative-adversarial-nets.pdf

  43. Elgammal, Ahmed (2019). "AI Is Blurring the Definition of Artist". American Scientist. 107 (1): 18. doi:10.1511/2019.107.1.18. ISSN 0003-0996. S2CID 125379532. https://dx.doi.org/10.1511/2019.107.1.18

  44. Mordvintsev, Alexander; Olah, Christopher; Tyka, Mike (2015). "DeepDream - a code example for visualizing Neural Networks". Google Research. Archived from the original on 8 July 2015. https://web.archive.org/web/20150708233542/http://googleresearch.blogspot.co.uk/2015/07/deepdream-code-example-for-visualizing.html

  45. Mordvintsev, Alexander; Olah, Christopher; Tyka, Mike (2015). "Inceptionism: Going Deeper into Neural Networks". Google Research. Archived from the original on 3 July 2015. https://web.archive.org/web/20150703064823/http://googleresearch.blogspot.co.uk/2015/06/inceptionism-going-deeper-into-neural.html

  46. Szegedy, Christian; Liu, Wei; Jia, Yangqing; Sermanet, Pierre; Reed, Scott E.; Anguelov, Dragomir; Erhan, Dumitru; Vanhoucke, Vincent; Rabinovich, Andrew (2015). "Going deeper with convolutions". IEEE Conference on Computer Vision and Pattern Recognition, CVPR 2015, Boston, MA, USA, June 7–12, 2015. IEEE Computer Society. pp. 1–9. arXiv:1409.4842. doi:10.1109/CVPR.2015.7298594. ISBN 978-1-4673-6964-0. 978-1-4673-6964-0

  47. Mordvintsev, Alexander; Olah, Christopher; Tyka, Mike (2015). "DeepDream - a code example for visualizing Neural Networks". Google Research. Archived from the original on 8 July 2015. https://web.archive.org/web/20150708233542/http://googleresearch.blogspot.co.uk/2015/07/deepdream-code-example-for-visualizing.html

  48. Reynolds, Matt (7 April 2017). "New computer vision challenge wants to teach robots to see in 3D". New Scientist. Archived from the original on 30 October 2018. Retrieved 15 November 2024. https://www.newscientist.com/article/2127131-new-computer-vision-challenge-wants-to-teach-robots-to-see-in-3d/

  49. Markoff, John (19 November 2012). "Seeking a Better Way to Find Web Images". The New York Times. https://www.nytimes.com/2012/11/20/science/for-web-images-creating-new-technology-to-seek-and-find.html?smid=url-share

  50. Odena, Augustus; Olah, Christopher; Shlens, Jonathon (17 July 2017). "Conditional Image Synthesis with Auxiliary Classifier GANs". International Conference on Machine Learning. PMLR: 2642–2651. arXiv:1610.09585. Archived from the original on 16 September 2024. Retrieved 16 September 2024. https://proceedings.mlr.press/v70/odena17a.html

  51. Oord, Aäron van den; Kalchbrenner, Nal; Kavukcuoglu, Koray (11 June 2016). "Pixel Recurrent Neural Networks". Proceedings of the 33rd International Conference on Machine Learning. PMLR: 1747–1756. Archived from the original on 9 August 2024. Retrieved 16 September 2024. https://proceedings.mlr.press/v48/oord16.html

  52. Parmar, Niki; Vaswani, Ashish; Uszkoreit, Jakob; Kaiser, Lukasz; Shazeer, Noam; Ku, Alexander; Tran, Dustin (3 July 2018). "Image Transformer". Proceedings of the 35th International Conference on Machine Learning. PMLR: 4055–4064. https://proceedings.mlr.press/v80/parmar18a.html

  53. Simon, Joel. "About". Archived from the original on 2 March 2021. Retrieved 3 March 2021. https://www.artbreeder.com/about

  54. George, Binto; Carmichael, Gail (2021). Mathai, Susan (ed.). Artificial Intelligence Simplified: Understanding Basic Concepts -- the Second Edition. CSTrends LLP. pp. 7–25. ISBN 9781944708047. 9781944708047

  55. Lee, Giacomo (21 July 2020). "Will this creepy AI platform put artists out of a job?". Digital Arts Online. Archived from the original on 22 December 2020. Retrieved 3 March 2021. https://www.digitalartsonline.co.uk/news/creative-software/will-this-creepy-ai-platform-put-artists-out-of-job/

  56. Vincent, James (24 May 2022). "All these images were generated with Google's latest text-to-image AI". The Verge. Vox Media. Archived from the original on 15 February 2023. Retrieved 28 May 2022. https://www.theverge.com/2022/5/24/23139297/google-imagen-text-to-image-ai-system-examples-paper

  57. Ramesh, Aditya; Pavlov, Mikhail; Goh, Gabriel; Gray, Scott; Voss, Chelsea; Radford, Alec; Chen, Mark; Sutskever, Ilya (24 February 2021). "Zero-Shot Text-to-Image Generation". arXiv:2102.12092 [cs.LG]. /wiki/ArXiv_(identifier)

  58. Burgess, Phillip. "Generating AI "Art" with VQGAN+CLIP". Adafruit. Archived from the original on 28 September 2022. Retrieved 20 July 2022. https://learn.adafruit.com/generating-ai-art-with-vqgan-clip

  59. Radford, Alec; Kim, Jong Wook; Hallacy, Chris; Ramesh, Aditya; Goh, Gabriel; Agarwal, Sandhini; Sastry, Girish; Askell, Amanda; Mishkin, Pamela; Clark, Jack; Krueger, Gretchen; Sutskever, Ilya (2021). "Learning Transferable Visual Models From Natural Language Supervision". arXiv:2103.00020 [cs.CV]. /wiki/ArXiv_(identifier)

  60. "What Are Diffusion Models?". Coursera. 4 April 2024. Archived from the original on 27 November 2024. Retrieved 13 November 2024. https://www.coursera.org/articles/diffusion-models

  61. Sohl-Dickstein, Jascha; Weiss, Eric; Maheswaranathan, Niru; Ganguli, Surya (1 June 2015). "Deep Unsupervised Learning using Nonequilibrium Thermodynamics" (PDF). Proceedings of the 32nd International Conference on Machine Learning. 37. PMLR: 2256–2265. arXiv:1503.03585. Archived (PDF) from the original on 21 September 2024. Retrieved 16 September 2024. http://proceedings.mlr.press/v37/sohl-dickstein15.pdf

  62. Dhariwal, Prafulla; Nichol, Alexander (2021). "Diffusion Models Beat GANs on Image Synthesis". Advances in Neural Information Processing Systems. 34. Curran Associates, Inc.: 8780–8794. arXiv:2105.05233. Archived from the original on 16 September 2024. Retrieved 16 September 2024. https://proceedings.neurips.cc/paper/2021/hash/49ad23d1ec9fa4bd8d77d02681df5cfa-Abstract.html

  63. Rombach, Robin; Blattmann, Andreas; Lorenz, Dominik; Esser, Patrick; Ommer, Björn (20 December 2021), High-Resolution Image Synthesis with Latent Diffusion Models, arXiv:2112.10752 /wiki/ArXiv_(identifier)

  64. Rose, Janus (18 July 2022). "Inside Midjourney, The Generative Art AI That Rivals DALL-E". Vice. https://www.vice.com/en/article/inside-midjourney-the-generative-art-ai-that-rivals-dall-e/

  65. "NUWA-Infinity". nuwa-infinity.microsoft.com. Archived from the original on 6 December 2022. Retrieved 10 August 2022. https://nuwa-infinity.microsoft.com/#/

  66. Vincent, James (24 May 2022). "All these images were generated with Google's latest text-to-image AI". The Verge. Vox Media. Archived from the original on 15 February 2023. Retrieved 28 May 2022. https://www.theverge.com/2022/5/24/23139297/google-imagen-text-to-image-ai-system-examples-paper

  67. "Diffuse The Rest - a Hugging Face Space by huggingface". huggingface.co. Archived from the original on 5 September 2022. Retrieved 5 September 2022. https://huggingface.co/spaces/huggingface/diffuse-the-rest

  68. Heikkilä, Melissa (16 September 2022). "This artist is dominating AI-generated art. And he's not happy about it". MIT Technology Review. Archived from the original on 14 January 2023. Retrieved 2 October 2022. https://www.technologyreview.com/2022/09/16/1059598/this-artist-is-dominating-ai-generated-art-and-hes-not-happy-about-it/

  69. "Stable Diffusion". CompVis - Machine Vision and Learning LMU Munich. 15 September 2022. Archived from the original on 18 January 2023. Retrieved 15 September 2022. https://github.com/CompVis/stable-diffusion

  70. "Stable Diffusion creator Stability AI accelerates open-source AI, raises $101M". VentureBeat. 18 October 2022. Archived from the original on 12 January 2023. Retrieved 10 November 2022. https://venturebeat.com/ai/stable-diffusion-creator-stability-ai-raises-101m-funding-to-accelerate-open-source-ai/

  71. Choudhary, Lokesh (23 September 2022). "These new innovations are being built on top of Stable Diffusion". Analytics India Magazine. Archived from the original on 9 November 2022. Retrieved 9 November 2022. https://analyticsindiamag.com/these-new-innovations-are-being-built-on-top-of-stable-diffusion/

  72. Dave James (27 October 2022). "I thrashed the RTX 4090 for 8 hours straight training Stable Diffusion to paint like my uncle Hermann". PC Gamer. Archived from the original on 9 November 2022. Retrieved 9 November 2022. https://www.pcgamer.com/nvidia-rtx-4090-stable-diffusion-training-aharon-kahana/

  73. Lewis, Nick (16 September 2022). "How to Run Stable Diffusion Locally With a GUI on Windows". How-To Geek. Archived from the original on 23 January 2023. Retrieved 9 November 2022. https://www.howtogeek.com/832491/how-to-run-stable-diffusion-locally-with-a-gui-on-windows/

  74. Edwards, Benj (4 October 2022). "Begone, polygons: 1993's Virtua Fighter gets smoothed out by AI". Ars Technica. Archived from the original on 1 February 2023. Retrieved 9 November 2022. https://arstechnica.com/gaming/2022/10/begone-polygons-1993s-virtua-fighter-gets-smoothed-out-by-ai/

  75. Mehta, Sourabh (17 September 2022). "How to Generate an Image from Text using Stable Diffusion in Python". Analytics India Magazine. Archived from the original on 16 November 2022. Retrieved 16 November 2022. https://analyticsindiamag.com/how-to-generate-an-image-from-text-using-stable-diffusion-on-python/

  76. "Announcing Ideogram AI". Ideogram. Archived from the original on 10 June 2024. Retrieved 13 June 2024. https://ideogram.ai/launch

  77. Metz, Rachel (3 October 2023). "Ideogram Produces Text in AI Images That You Can Actually Read". Bloomberg News. Retrieved 18 November 2024. https://www.bloomberg.com/news/articles/2023-10-03/ideogram-produces-text-in-ai-images-that-you-can-actually-read

  78. Edwards, Benj (2 August 2024). "FLUX: This new AI image generator is eerily good at creating human hands". Ars Technica. Retrieved 17 November 2024. https://arstechnica.com/information-technology/2024/08/flux-this-new-ai-image-generator-is-eerily-good-at-creating-human-hands/

  79. "Flux.1 – ein deutscher KI-Bildgenerator dreht mit Grok frei". Handelsblatt (in German). Archived from the original on 30 August 2024. Retrieved 17 November 2024. https://www.handelsblatt.com/technik/ki/xai-kooperation-flux1-deutscher-ki-bildgenerator-dreht-mit-grok-frei/100059178.html

  80. Zeff, Maxwell (14 August 2024). "Meet Black Forest Labs, the startup powering Elon Musk's unhinged AI image generator". TechCrunch. Archived from the original on 17 November 2024. Retrieved 17 November 2024. https://techcrunch.com/2024/08/14/meet-black-forest-labs-the-startup-powering-elon-musks-unhinged-ai-image-generator/

  81. Franzen, Carl (18 November 2024). "Mistral unleashes Pixtral Large and upgrades Le Chat into full-on ChatGPT competitor". VentureBeat. Retrieved 11 December 2024. https://venturebeat.com/ai/mistral-unleashes-pixtral-large-and-upgrades-le-chat-into-full-on-chatgpt-competitor/

  82. Growcoot, Matt (5 August 2024). "AI Image Generator Made by Stable Diffusion Inventors on Par With Midjourney and DALL-E". PetaPixel. Retrieved 17 November 2024. https://petapixel.com/2024/08/05/ai-image-generator-made-by-stable-diffusion-inventors-on-par-with-midjourney-and-dall-e-flux1-black-forest-labs/

  83. Davis, Wes (7 December 2024). "X gives Grok a new photorealistic AI image generator". The Verge. Archived from the original on 12 December 2024. Retrieved 10 December 2024. https://www.theverge.com/2024/12/7/24315644/grok-x-aurora-ai-image-generator-xai

  84. Clark, Pam (14 October 2024). "Photoshop delivers powerful innovation for Image Editing, Ideation, 3D Design, and more". Adobe Blog. Archived from the original on 30 January 2025. Retrieved 8 February 2025. https://blog.adobe.com/en/publish/2024/10/14/photoshop-delivers-powerful-innovation-for-image-editing-ideation-3d-design-more

  85. Chedraoui, Katelyn (19 October 2024). "Every New Feature Adobe Announced in Photoshop, Premiere Pro and More". CNET. Archived from the original on 5 February 2025. Retrieved 8 February 2025. https://www.cnet.com/tech/services-and-software/every-new-feature-adobe-announced-in-photoshop-premiere-pro-and-more/

  86. Fajar, Aditya (28 August 2023). "Microsoft Paint will use AI in Windows update 11". gizmologi.id. Retrieved 8 February 2025. https://gizmologi.id/en/application/microsoft-paint-gunakan-ai/

  87. "OpenAI teases 'Sora,' its new text-to-video AI model". NBC News. 15 February 2024. Archived from the original on 15 February 2024. Retrieved 28 October 2024. https://www.nbcnews.com/tech/tech-news/openai-sora-video-artificial-intelligence-unveiled-rcna139065

  88. "Sora". Sora. Archived from the original on 27 December 2024. Retrieved 27 December 2024. https://sora.com/

  89. Mehta, Ivan (1 April 2025). "OpenAI's new image generator is now available to all users". TechCrunch. Archived from the original on 10 June 2025. Retrieved 12 June 2025. https://techcrunch.com/2025/03/31/openais-new-image-generator-is-now-available-to-all-users/

  90. "Midjourney launches its new V7 AI image model that can process text prompts better". Engadget. 4 April 2025. Retrieved 12 June 2025. https://www.engadget.com/ai/midjourney-launches-its-new-v7-ai-image-model-that-can-process-text-prompts-better-134546883.html

  91. "Introducing FLUX.1 Kontext and the BFL Playground". Black Forest Labs. 29 May 2025. Retrieved 12 June 2025. https://bfl.ai/announcements/flux-1-kontext

  92. Wiggers, Kyle (20 May 2025). "Imagen 4 is Google's newest AI image generator". TechCrunch. Archived from the original on 20 May 2025. Retrieved 12 June 2025. https://techcrunch.com/2025/05/20/imagen-4-is-googles-newest-ai-image-generator/

  93. Wu, Yue (6 February 2025). "A Visual Guide to How Diffusion Models Work". Towards Data Science. Archived from the original on 13 March 2025. Retrieved 12 June 2025. https://towardsdatascience.com/a-visual-guide-to-how-diffusion-models-work/

  94. "Text-to-image: latent diffusion models". nicd.org.uk. 30 April 2024. Retrieved 12 June 2025. https://nicd.org.uk/knowledge-hub/image-to-text-latent-diffusion-models

  95. "Image-to-Image Translation". dataforest.ai. Archived from the original on 19 May 2025. Retrieved 12 June 2025. https://dataforest.ai/glossary/image-to-image-translation

  96. "What Is Image-to-Image Translation?". Search Enterprise AI. Retrieved 12 June 2025. https://www.techtarget.com/searchenterpriseai/definition/image-to-image-translation

  97. "Unlocking AI: The Evolution of Image to Video Technology". JMComms. 26 May 2025. Retrieved 13 June 2025. https://jmcomms.com/2025/05/26/honors-new-image-to-video-service-powered-by-google-may-change-the-way-we-view-photographs-forever/

  98. Digital, Hans India (3 June 2025). "The Small Business Advantage: Leveraging Image-to-Video AI for Big Impact". www.thehansindia.com. Retrieved 13 June 2025. https://www.thehansindia.com/tech/ai/the-small-business-advantage-leveraging-image-to-video-ai-for-big-impact-977667

  99. "AI Video Generation: What Is It and How Does It Work?". www.colossyan.com. Archived from the original on 18 April 2025. Retrieved 12 June 2025. https://www.colossyan.com/posts/ai-video-generation-what-is-it-and-how-does-it-work

  100. "A.I. photo filters use neural networks to make photos look like Picassos". Digital Trends. 18 November 2019. Archived from the original on 9 November 2022. Retrieved 9 November 2022. https://www.digitaltrends.com/mobile/best-ai-based-photo-apps/

  101. Biersdorfer, J. D. (4 December 2019). "From Camera Roll to Canvas: Make Art From Your Photos". The New York Times. Archived from the original on 5 March 2024. Retrieved 9 November 2022. https://www.nytimes.com/2019/12/04/technology/personaltech/turn-photos-into-paintings.html

  102. Psychotic, Pharma. "Tools and Resources for AI Art". Archived from the original on 4 June 2022. Retrieved 26 June 2022. https://archive.today/20220604120005/https://pharmapsychotic.com/tools.html

  103. Gal, Rinon; Alaluf, Yuval; Atzmon, Yuval; Patashnik, Or; Bermano, Amit H.; Chechik, Gal; Cohen-Or, Daniel (2 August 2022). "An Image is Worth One Word: Personalizing Text-to-Image Generation using Textual Inversion". arXiv:2208.01618 [cs.CV]. /wiki/ArXiv_(identifier)

  104. "Textual Inversion · AUTOMATIC1111/stable-diffusion-webui Wiki". GitHub. Archived from the original on 7 February 2023. Retrieved 9 November 2022. https://github.com/AUTOMATIC1111/stable-diffusion-webui/wiki/Textual-Inversion

  105. Elgan, Mike (1 November 2022). "How 'synthetic media' will transform business forever". Computerworld. Archived from the original on 10 February 2023. Retrieved 9 November 2022. https://www.computerworld.com/article/3678172/how-synthetic-media-will-transform-business-forever.html

  106. Elgan, Mike (1 November 2022). "How 'synthetic media' will transform business forever". Computerworld. Archived from the original on 10 February 2023. Retrieved 9 November 2022. https://www.computerworld.com/article/3678172/how-synthetic-media-will-transform-business-forever.html

  107. Elgan, Mike (1 November 2022). "How 'synthetic media' will transform business forever". Computerworld. Archived from the original on 10 February 2023. Retrieved 9 November 2022. https://www.computerworld.com/article/3678172/how-synthetic-media-will-transform-business-forever.html

  108. Roose, Kevin (21 October 2022). "A.I.-Generated Art Is Already Transforming Creative Work". The New York Times. Archived from the original on 15 February 2023. Retrieved 16 November 2022. https://www.nytimes.com/2022/10/21/technology/ai-generated-art-jobs-dall-e-2.html

  109. Leswing, Kif. "Why Silicon Valley is so excited about awkward drawings done by artificial intelligence". CNBC. Archived from the original on 8 February 2023. Retrieved 16 November 2022. https://www.cnbc.com/2022/10/08/generative-ai-silicon-valleys-next-trillion-dollar-companies.html

  110. Leswing, Kif. "Why Silicon Valley is so excited about awkward drawings done by artificial intelligence". CNBC. Archived from the original on 8 February 2023. Retrieved 16 November 2022. https://www.cnbc.com/2022/10/08/generative-ai-silicon-valleys-next-trillion-dollar-companies.html

  111. Robertson, Adi (15 November 2022). "How DeviantArt is navigating the AI art minefield". The Verge. Archived from the original on 4 January 2023. Retrieved 16 November 2022. https://www.theverge.com/2022/11/15/23449036/deviantart-ai-art-dreamup-training-data-controversy

  112. Proulx, Natalie (September 2022). "Are A.I.-Generated Pictures Art?". The New York Times. Archived from the original on 6 February 2023. Retrieved 16 November 2022. https://www.nytimes.com/2022/09/16/learning/are-ai-generated-pictures-art.html

  113. Roose, Kevin (21 October 2022). "A.I.-Generated Art Is Already Transforming Creative Work". The New York Times. Archived from the original on 15 February 2023. Retrieved 16 November 2022. https://www.nytimes.com/2022/10/21/technology/ai-generated-art-jobs-dall-e-2.html

  114. Vincent, James (15 September 2022). "Anyone can use this AI art generator — that's the risk". The Verge. Archived from the original on 21 January 2023. Retrieved 9 November 2022. https://www.theverge.com/2022/9/15/23340673/ai-image-generation-stable-diffusion-explained-ethics-copyright-data

  115. Davenport, Corbin. "This AI Art Gallery Is Even Better Than Using a Generator". How-To Geek. Archived from the original on 27 December 2022. Retrieved 9 November 2022. https://www.howtogeek.com/831697/this-ai-art-gallery-is-even-better-than-using-a-generator/

  116. Robertson, Adi (2 September 2022). "Professional AI whisperers have launched a marketplace for DALL-E prompts". The Verge. Archived from the original on 15 February 2023. Retrieved 9 November 2022. https://www.theverge.com/2022/9/2/23326868/dalle-midjourney-ai-promptbase-prompt-market-sales-artist-interview

  117. "Text-zu-Bild-Revolution: Stable Diffusion ermöglicht KI-Bildgenerieren für alle". heise online (in German). Archived from the original on 29 January 2023. Retrieved 9 November 2022. https://www.heise.de/news/Text-zu-Bild-Revolution-Stable-Diffusion-ermoeglicht-KI-Bildgenerieren-fuer-alle-7244307.html

  118. Mohamad Diab, Julian Herrera, Musical Sleep, Bob Chernow, Coco Mao (28 October 2022). "Stable Diffusion Prompt Book" (PDF). Archived (PDF) from the original on 30 March 2023. Retrieved 7 August 2023.{{cite web}}: CS1 maint: multiple names: authors list (link) https://cdn.openart.ai/assets/Stable%20Diffusion%20Prompt%20Book%20From%20OpenArt%2011-13.pdf

  119. Elgan, Mike (1 November 2022). "How 'synthetic media' will transform business forever". Computerworld. Archived from the original on 10 February 2023. Retrieved 9 November 2022. https://www.computerworld.com/article/3678172/how-synthetic-media-will-transform-business-forever.html

  120. Corsi, Giulio; Marino, Bill; Wong, Willow (3 June 2024). "The spread of synthetic media on X". Harvard Kennedy School Misinformation Review. doi:10.37016/mr-2020-140. https://misinforeview.hks.harvard.edu/article/the-spread-of-synthetic-media-on-x/

  121. Reinhuber, Elke (2 December 2021). "Synthography–An Invitation to Reconsider the Rapidly Changing Toolkit of Digital Image Creation as a New Genre Beyond Photography". Google Scholar. Archived from the original on 10 February 2023. Retrieved 20 December 2022. https://scholar.google.com/citations?view_op=view_citation&hl=en&user=cjLjVk8AAAAJ&citation_for_view=cjLjVk8AAAAJ:hC7cP41nSMkC

  122. Milne, Stefan (29 November 2023). "AI image generator Stable Diffusion perpetuates racial and gendered stereotypes, study finds". UW News. https://www.washington.edu/news/2023/11/29/ai-image-generator-stable-diffusion-perpetuates-racial-and-gendered-stereotypes-bias/

  123. Hadhazy, Adam (18 April 2017). "Biased bots: Artificial-intelligence systems echo human prejudices". Office of Engineering Communications - Princeton University. Archived from the original on 10 July 2018. Retrieved 13 November 2024. https://www.princeton.edu/news/2017/04/18/biased-bots-artificial-intelligence-systems-echo-human-prejudices

  124. Fox, V. (March 11, 2023). AI Art & the Ethical Concerns of Artists. Beautiful Bizarre Magazine. Retrieved September 24, 2024, from https://beautifulbizarre.net/2023/03/11/ai-art-ethical-concerns-of-artists/ https://beautifulbizarre.net/2023/03/11/ai-art-ethical-concerns-of-artists/

  125. Heikkilä, Melissa. "The viral AI avatar app Lensa undressed me—without my consent". MIT Technology Review. Retrieved 26 November 2024. https://www.technologyreview.com/2022/12/12/1064751/the-viral-ai-avatar-app-lensa-undressed-me-without-my-consent/

  126. Lamensch, Marie. "Generative AI Tools Are Perpetuating Harmful Gender Stereotypes". Centre for International Governance Innovation. Retrieved 26 November 2024. https://www.cigionline.org/articles/generative-ai-tools-are-perpetuating-harmful-gender-stereotypes/

  127. Birhane, Abeba; Prabhu, Vinay Uday (1 July 2020). "Large image datasets: A pyrrhic win for computer vision?". 2021 IEEE Winter Conference on Applications of Computer Vision (WACV). pp. 1536–1546. arXiv:2006.16923. doi:10.1109/WACV48630.2021.00158. ISBN 978-1-6654-0477-8. S2CID 220265500. 978-1-6654-0477-8

  128. Robertson, Adi (21 February 2024). "Google apologizes for "missing the mark" after Gemini generated racially diverse Nazis". The Verge. Archived from the original on 21 April 2024. Retrieved 20 April 2024. https://www.theverge.com/2024/2/21/24079371/google-ai-gemini-generative-inaccurate-historical

  129. Robertson, Adi (21 February 2024). "Google apologizes for "missing the mark" after Gemini generated racially diverse Nazis". The Verge. Archived from the original on 21 April 2024. Retrieved 20 April 2024. https://www.theverge.com/2024/2/21/24079371/google-ai-gemini-generative-inaccurate-historical

  130. Crimmins, Tricia (21 February 2024). "Why Google's new AI Gemini accused of refusing to acknowledge the existence of white people". The Daily Dot. Archived from the original on 8 May 2024. Retrieved 8 May 2024. https://www.dailydot.com/debug/google-ai-gemini-white-people/

  131. Raghavan, Prabhakar (23 February 2024). "Gemini image generation got it wrong. We'll do better". Google. Archived from the original on 21 April 2024. Retrieved 20 April 2024. https://blog.google/products/gemini/gemini-image-generation-issue/

  132. "Unmasking Racism in AI: From Gemini's Overcorrection to AAVE Bias and Ethical Considerations | Race & Social Justice Review". 2 April 2024. Archived from the original on 29 August 2024. Retrieved 26 October 2024. https://race-and-social-justice-review.law.miami.edu/unmasking-racism-in-ai-from-geminis-overcorrection-to-aave-bias-and-ethical-considerations/

  133. "Rendering misrepresentation: Diversity failures in AI image generation". Brookings. Archived from the original on 3 October 2024. Retrieved 26 October 2024. https://www.brookings.edu/articles/rendering-misrepresentation-diversity-failures-in-ai-image-generation/

  134. Tao, Feng (4 March 2022). "A New Harmonisation of Art and Technology: Philosophic Interpretations of Artificial Intelligence Art". Critical Arts. 36 (1–2): 110–125. doi:10.1080/02560046.2022.2112725. ISSN 0256-0046. Archived from the original on 23 August 2022. Retrieved 13 April 2025. https://www.tandfonline.com/doi/full/10.1080/02560046.2022.2112725

  135. Stark, Luke; Crawford, Kate (7 September 2019). "The Work of Art in the Age of Artificial Intelligence: What Artists Can Teach Us About the Ethics of Data Practice". Surveillance & Society. 17 (3/4): 442–455. doi:10.24908/ss.v17i3/4.10821. ISSN 1477-7487. S2CID 214218440. Archived from the original on 7 October 2023. Retrieved 26 October 2023. https://ojs.library.queensu.ca/index.php/surveillance-and-society/article/view/10821

  136. Pamela, Samuelson (1985). "Allocating Ownership Rights in Computer-Generated Works". U. Pittsburgh L. Rev. 47: 1185. Archived from the original on 22 June 2023. Retrieved 27 October 2022. https://lawcat.berkeley.edu/record/1112407?ln=en

  137. Victor, Palace (January 2019). "What if Artificial Intelligence Wrote This? Artificial Intelligence and Copyright Law". Fla. L. Rev. 71 (1): 231–241. Archived from the original on 13 August 2021. Retrieved 27 October 2022. https://scholarship.law.ufl.edu/cgi/viewcontent.cgi?article=1439&context=flr

  138. Chayka, Kyle (10 February 2023). "Is A.I. Art Stealing from Artists?". The New Yorker. ISSN 0028-792X. Retrieved 6 September 2023. https://www.newyorker.com/culture/infinite-scroll/is-ai-art-stealing-from-artists

  139. Vallance, Chris (13 September 2022). ""Art is dead Dude" - the rise of the AI artists stirs debate". BBC News. Archived from the original on 27 January 2023. Retrieved 2 October 2022. https://www.bbc.com/news/technology-62788725

  140. Vallance, Chris (13 September 2022). ""Art is dead Dude" - the rise of the AI artists stirs debate". BBC News. Archived from the original on 27 January 2023. Retrieved 2 October 2022. https://www.bbc.com/news/technology-62788725

  141. Plunkett, Luke (25 August 2022). "AI Creating 'Art' Is An Ethical And Copyright Nightmare". Kotaku. Archived from the original on 14 February 2023. Retrieved 21 December 2022. https://kotaku.com/ai-art-dall-e-midjourney-stable-diffusion-copyright-1849388060

  142. Edwards, Benj (15 December 2022). "Artists stage mass protest against AI-generated artwork on ArtStation". Ars Technica. Archived from the original on 14 July 2023. Retrieved 21 December 2022. https://arstechnica.com/information-technology/2022/12/artstation-artists-stage-mass-protest-against-ai-generated-artwork/

  143. Magazine, Smithsonian; Recker, Jane. "U.S. Copyright Office Rules A.I. Art Can't Be Copyrighted". Smithsonian Magazine. Archived from the original on 21 February 2023. Retrieved 11 January 2023. https://www.smithsonianmag.com/smart-news/us-copyright-office-rules-ai-art-cant-be-copyrighted-180979808/

  144. "You can't copyright AI-created art, according to US officials". Engadget. 13 December 2022. Archived from the original on 31 May 2023. Retrieved 1 January 2023. https://www.engadget.com/us-copyright-office-art-ai-creativity-machine-190722809.html

  145. "Re: Second Request for Reconsideration for Refusal to Register A Recent Entrance to Paradise" (PDF). Archived (PDF) from the original on 24 July 2023. Retrieved 16 February 2023. https://www.copyright.gov/rulings-filings/review-board/docs/a-recent-entrance-to-paradise.pdf

  146. Cho, Winston (18 August 2023). "AI-Created Art Isn't Copyrightable, Judge Says in Ruling That Could Give Hollywood Studios Pause". Hollywood Reporter. Retrieved 19 August 2023. https://www.hollywoodreporter.com/business/business-news/ai-works-not-copyrightable-studios-1235570316/

  147. Can I sell images I create with DALL·E? (n.d.). OpenAI Help Center. Retrieved November 11, 2024, from https://help.openai.com/en/articles/6425277-can-i-sell-images-i-create-with-dall-e Archived 11 November 2024 at the Wayback Machine https://help.openai.com/en/articles/6425277-can-i-sell-images-i-create-with-dall-e

  148. "James Vincent "AI art tools Stable Diffusion and Midjourney targeted with copyright lawsuit" The Verge, 16 January 2023". Archived from the original on 9 March 2023. Retrieved 14 February 2023. https://www.theverge.com/2023/1/16/23557098/generative-ai-art-copyright-legal-lawsuit-stable-diffusion-midjourney-deviantart

  149. Brittain, Blake (19 July 2023). "US judge finds flaws in artists' lawsuit against AI companies". Reuters. Archived from the original on 6 September 2023. Retrieved 6 August 2023. https://www.reuters.com/legal/litigation/us-judge-finds-flaws-artists-lawsuit-against-ai-companies-2023-07-19/

  150. Korn, Jennifer (17 January 2023). "Getty Images suing the makers of popular AI art tool for allegedly stealing photos". CNN. Archived from the original on 1 March 2023. Retrieved 22 January 2023. https://www.cnn.com/2023/01/17/tech/getty-images-stability-ai-lawsuit/index.html

  151. Jiang, Harry H.; Brown, Lauren; Cheng, Jessica; Khan, Mehtab; Gupta, Abhishek; Workman, Deja; Hanna, Alex; Flowers, Johnathan; Gebru, Timnit (8 August 2023). "AI Art and its Impact on Artists". Proceedings of the 2023 AAAI/ACM Conference on AI, Ethics, and Society. ACM. pp. 363–374. doi:10.1145/3600211.3604681. ISBN 979-8-4007-0231-0. S2CID 261279983. Archived from the original on 28 September 2023. Retrieved 20 September 2023. 979-8-4007-0231-0

  152. Rosman, Rebecca (22 March 2024). "Tennessee becomes the first state to protect musicians and other artists against AI". NPR. https://www.npr.org/2024/03/22/1240114159/tennessee-protect-musicians-artists-ai

  153. Robins-Early, Nick (9 April 2024). "New bill would force AI companies to reveal use of copyrighted art | Artificial intelligence (AI) | The Guardian". amp.theguardian.com. Retrieved 13 April 2024. https://www.theguardian.com/technology/2024/apr/09/artificial-intelligence-bill-copyright-art

  154. Elwes, Jake; CROSSLUCID; Vettier, Aurèce; Rauh, Maribeth (26 November 2024). "Art in the Cage of Digital Reproduction". Art in the Cage of Digital Reproduction. Art in the Cage Collective. Archived from the original on 10 February 2025. Retrieved 7 February 2025. https://artinthecageofdigitalreproduction.org/

  155. Murgia, Madhumita; Criddle, Cristina (26 November 2024). "OpenAI's text-to-video AI tool Sora leaked in protest by artists". Financial Times. Archived from the original on 30 January 2025. Retrieved 7 February 2025. https://www.ft.com/content/5281eff4-711b-49ac-8227-634dbeed757b

  156. Spangler, Todd (27 November 2024). "OpenAI Shuts Down Sora Access After Artists Released Video-Generation Tool in Protest: 'We Are Not Your PR Puppets'". Variety. Retrieved 7 February 2025. https://variety.com/2024/digital/news/openai-shuts-down-sora-artists-protest-leak-1236224878/

  157. Chmielewski, Dawn (11 June 2025). "Disney, Universal sue image creator Midjourney for copyright infringement". Reuters. Retrieved 11 June 2025.{{cite news}}: CS1 maint: url-status (link) https://www.reuters.com/business/media-telecom/disney-universal-sue-image-creator-midjourney-copyright-infringement-2025-06-11

  158. Chmielewski, Dawn (11 June 2025). "Disney, Universal sue image creator Midjourney for copyright infringement". Reuters. Retrieved 11 June 2025.{{cite news}}: CS1 maint: url-status (link) https://www.reuters.com/business/media-telecom/disney-universal-sue-image-creator-midjourney-copyright-infringement-2025-06-11

  159. Wiggers, Kyle (24 August 2022). "Deepfakes: Uncensored AI art model prompts ethics questions". TechCrunch. Archived from the original on 31 August 2022. Retrieved 15 September 2022. https://techcrunch.com/2022/08/24/deepfakes-for-all-uncensored-ai-art-model-prompts-ethics-questions/

  160. Jiang, Harry H.; Brown, Lauren; Cheng, Jessica; Khan, Mehtab; Gupta, Abhishek; Workman, Deja; Hanna, Alex; Flowers, Johnathan; Gebru, Timnit (8 August 2023). "AI Art and its Impact on Artists". Proceedings of the 2023 AAAI/ACM Conference on AI, Ethics, and Society. ACM. pp. 363–374. doi:10.1145/3600211.3604681. ISBN 979-8-4007-0231-0. S2CID 261279983. Archived from the original on 28 September 2023. Retrieved 20 September 2023. 979-8-4007-0231-0

  161. Parra, Dex (24 February 2023). "CASE STUDY: The Case of DALLE-2". University of Texas at Austin, Center for Media Management. Archived from the original on 8 December 2023. Retrieved 8 December 2023. https://mediaengagement.org/research/the-ethics-of-ai-art/

  162. Beahm, Anna (12 February 2024). "What you need to know about the ongoing fight to prevent AI-generated child porn". Reckon News. Archived from the original on 7 March 2024. Retrieved 7 March 2024. https://www.reckon.news/news/2024/02/what-you-need-to-know-about-the-ongoing-fight-to-prevent-ai-generated-child-porn.html

  163. "Sony World Photography Award 2023: Winner refuses award after revealing AI creation". BBC News. 17 April 2023. Retrieved 16 June 2023. https://www.bbc.com/news/entertainment-arts-65296763

  164. Sato, Mia (9 June 2023). "How AI art killed an indie book cover contest". The Verge. Archived from the original on 19 June 2023. Retrieved 19 June 2023. https://www.theverge.com/2023/6/9/23752354/ai-spfbo-cover-art-contest-midjourney-clarkesworld

  165. Novak, Matt. "That Viral Image Of Pope Francis Wearing A White Puffer Coat Is Totally Fake". Forbes. Archived from the original on 28 May 2023. Retrieved 16 June 2023. https://www.forbes.com/sites/mattnovak/2023/03/26/that-viral-image-of-pope-francis-wearing-a-white-puffer-coat-is-totally-fake/

  166. Stokel-Walker, Chris (27 March 2023). "We Spoke To The Guy Who Created The Viral AI Image Of The Pope That Fooled The World". BuzzFeed News. Archived from the original on 28 May 2023. Retrieved 16 June 2023. https://www.buzzfeednews.com/article/chrisstokelwalker/pope-puffy-jacket-ai-midjourney-image-creator-interview

  167. Edwards, Benj (23 May 2023). "Fake Pentagon "explosion" photo sows confusion on Twitter". Ars Technica. Archived from the original on 2 July 2024. Retrieved 2 July 2024. https://arstechnica.com/information-technology/2023/05/ai-generated-image-of-explosion-near-pentagon-goes-viral-sparks-brief-panic/

  168. Oremus, Will; Harwell, Drew; Armus, Teo (22 May 2023). "A tweet about a Pentagon explosion was fake. It still went viral". Washington Post. Archived from the original on 28 May 2023. Retrieved 2 July 2024. https://www.washingtonpost.com/technology/2023/05/22/pentagon-explosion-ai-image-hoax/

  169. Devlin, Kayleen; Cheetham, Joshua (25 March 2023). "Fake Trump arrest photos: How to spot an AI-generated image". Archived from the original on 12 April 2024. Retrieved 24 February 2024. https://www.bbc.com/news/world-us-canada-65069316

  170. "Trump shares deepfake photo of himself praying as AI images of arrest spread online". The Independent. 24 March 2023. Archived from the original on 28 May 2023. Retrieved 16 June 2023. https://www.independent.co.uk/news/world/americas/us-politics/donald-trump-ai-praying-photo-b2307178.html

  171. Garber, Megan (24 March 2023). "The Trump AI Deepfakes Had an Unintended Side Effect". The Atlantic. Archived from the original on 18 May 2024. Retrieved 21 April 2024. https://www.theatlantic.com/culture/archive/2023/03/fake-trump-arrest-images-ai-generated-deepfakes/673510/

  172. Lasarte, Diego (23 March 2023). "As fake photos of Trump's "arrest" went viral, Trump shared an AI-generated photo too". Quartz (publication). Archived from the original on 21 April 2024. Retrieved 21 April 2024. https://qz.com/trump-ai-photo-arrest-truthsocial-twitter-1850259197

  173. Guo, Xinyu; Dong, Liang; Hao, Dingjun (2024). Kumaresan, Arumugam (ed.). "Cellular functions of spermatogonial stem cells in relation to JAK/STAT signaling pathway". Frontiers in Cell and Developmental Biology. 12. doi:10.3389/fcell.2024.1386861. ISSN 2296-634X. https://doi.org/10.3389%2Ffcell.2024.1386861

  174. Whitwam, Ryan (8 May 2024). "New OpenAI Tool Can Detect Dall-E 3 AI Images With 98% Accuracy". ExtremeTech. Archived from the original on 26 May 2024. Retrieved 26 May 2024. https://www.extremetech.com/computing/new-openai-tool-can-detect-dall-e-3-ai-images-with-98-accuracy

  175. "OpenAI's new tool can detect images created by DALL-E 3". 7 May 2024. Archived from the original on 14 January 2025. Retrieved 15 November 2024. https://www.fastcompany.com/91120099/openai-new-tool-detect-images-created-by-dall-e-3

  176. Jiang, Harry H.; Brown, Lauren; Cheng, Jessica; Khan, Mehtab; Gupta, Abhishek; Workman, Deja; Hanna, Alex; Flowers, Johnathan; Gebru, Timnit (8 August 2023). "AI Art and its Impact on Artists". Proceedings of the 2023 AAAI/ACM Conference on AI, Ethics, and Society. ACM. pp. 363–374. doi:10.1145/3600211.3604681. ISBN 979-8-4007-0231-0. S2CID 261279983. Archived from the original on 28 September 2023. Retrieved 20 September 2023. 979-8-4007-0231-0

  177. King, Hope (10 August 2022). "AI-generated digital art spurs debate about news illustrations". Axios. Archived from the original on 18 December 2022. Retrieved 2 October 2022. https://www.axios.com/2022/08/10/artificial-intelligence-digital-art-journalism

  178. Salkowitz, Rob (16 September 2022). "AI Is Coming For Commercial Art Jobs. Can It Be Stopped?". Forbes. Archived from the original on 2 October 2022. Retrieved 2 October 2022. https://www.forbes.com/sites/robsalkowitz/2022/09/16/ai-is-coming-for-commercial-art-jobs-can-it-be-stopped/?sh=5e6784c654b0

  179. Plunkett, Luke (25 August 2022). "AI Creating 'Art' Is An Ethical And Copyright Nightmare". Kotaku. Archived from the original on 14 February 2023. Retrieved 21 December 2022. https://kotaku.com/ai-art-dall-e-midjourney-stable-diffusion-copyright-1849388060

  180. Jiang, Harry H.; Brown, Lauren; Cheng, Jessica; Khan, Mehtab; Gupta, Abhishek; Workman, Deja; Hanna, Alex; Flowers, Johnathan; Gebru, Timnit (8 August 2023). "AI Art and its Impact on Artists". Proceedings of the 2023 AAAI/ACM Conference on AI, Ethics, and Society. ACM. pp. 363–374. doi:10.1145/3600211.3604681. ISBN 979-8-4007-0231-0. S2CID 261279983. Archived from the original on 28 September 2023. Retrieved 20 September 2023. 979-8-4007-0231-0

  181. Parra, Dex (24 February 2023). "CASE STUDY: The Case of DALLE-2". University of Texas at Austin, Center for Media Management. Archived from the original on 8 December 2023. Retrieved 8 December 2023. https://mediaengagement.org/research/the-ethics-of-ai-art/

  182. Jiang, Harry H.; Brown, Lauren; Cheng, Jessica; Khan, Mehtab; Gupta, Abhishek; Workman, Deja; Hanna, Alex; Flowers, Johnathan; Gebru, Timnit (8 August 2023). "AI Art and its Impact on Artists". Proceedings of the 2023 AAAI/ACM Conference on AI, Ethics, and Society. ACM. pp. 363–374. doi:10.1145/3600211.3604681. ISBN 979-8-4007-0231-0. S2CID 261279983. Archived from the original on 28 September 2023. Retrieved 20 September 2023. 979-8-4007-0231-0

  183. Inie, Nanna; Falk, Jeanette; Tanimoto, Steve (19 April 2023). "Designing Participatory AI: Creative Professionals' Worries and Expectations about Generative AI". Extended Abstracts of the 2023 CHI Conference on Human Factors in Computing Systems. ACM. pp. 1–8. arXiv:2303.08931. doi:10.1145/3544549.3585657. ISBN 978-1-4503-9422-2. S2CID 257557305. Archived from the original on 28 September 2023. Retrieved 20 September 2023. 978-1-4503-9422-2

  184. Heikkilä, Melissa (16 September 2022). "This artist is dominating AI-generated art. And he's not happy about it". MIT Technology Review. Archived from the original on 14 January 2023. Retrieved 2 October 2022. https://www.technologyreview.com/2022/09/16/1059598/this-artist-is-dominating-ai-generated-art-and-hes-not-happy-about-it/

  185. Jiang, Harry H.; Brown, Lauren; Cheng, Jessica; Khan, Mehtab; Gupta, Abhishek; Workman, Deja; Hanna, Alex; Flowers, Johnathan; Gebru, Timnit (8 August 2023). "AI Art and its Impact on Artists". Proceedings of the 2023 AAAI/ACM Conference on AI, Ethics, and Society. ACM. pp. 363–374. doi:10.1145/3600211.3604681. ISBN 979-8-4007-0231-0. S2CID 261279983. Archived from the original on 28 September 2023. Retrieved 20 September 2023. 979-8-4007-0231-0

  186. Roose, Kevin (2022). "An A.I.-Generated Picture Won an Art Prize. Artists Aren't Happy". The New York Times. Archived from the original on 2 September 2022. Retrieved 1 October 2022. https://www.nytimes.com/2022/09/02/technology/ai-artificial-intelligence-artists.html

  187. "An AI-Generated Artwork Won First Place at a State Fair Fine Arts Competition, and Artists Are Pissed". Vice. Retrieved 15 September 2022. https://www.vice.com/en/article/an-ai-generated-artwork-won-first-place-at-a-state-fair-fine-arts-competition-and-artists-are-pissed/

  188. Jiang, Harry H.; Brown, Lauren; Cheng, Jessica; Khan, Mehtab; Gupta, Abhishek; Workman, Deja; Hanna, Alex; Flowers, Johnathan; Gebru, Timnit (8 August 2023). "AI Art and its Impact on Artists". Proceedings of the 2023 AAAI/ACM Conference on AI, Ethics, and Society. ACM. pp. 363–374. doi:10.1145/3600211.3604681. ISBN 979-8-4007-0231-0. S2CID 261279983. Archived from the original on 28 September 2023. Retrieved 20 September 2023. 979-8-4007-0231-0

  189. Roose, Kevin (2022). "An A.I.-Generated Picture Won an Art Prize. Artists Aren't Happy". The New York Times. Archived from the original on 2 September 2022. Retrieved 1 October 2022. https://www.nytimes.com/2022/09/02/technology/ai-artificial-intelligence-artists.html

  190. "An AI-Generated Artwork Won First Place at a State Fair Fine Arts Competition, and Artists Are Pissed". Vice. Retrieved 15 September 2022. https://www.vice.com/en/article/an-ai-generated-artwork-won-first-place-at-a-state-fair-fine-arts-competition-and-artists-are-pissed/

  191. Chen, Min (7 February 2023). "Netflix Japan Is Drawing Ire for Using A.I. to Generate the Background Art of Its New Anime Short". Artnet. Archived from the original on 2 December 2023. Retrieved 2 December 2023. https://news.artnet.com/news/netflix-japan-ai-anime-dog-and-boy-2251247

  192. Pulliam, C. (2023, June 27). Marvel’s Secret Invasion AI credits should shock no one. The Verge. Retrieved August 26, 2024, from https://www.theverge.com/2023/6/27/23770133/secret-invasion-ai-credits-marvel Archived 11 November 2024 at the Wayback Machine https://www.theverge.com/2023/6/27/23770133/secret-invasion-ai-credits-marvel

  193. Tolliver-Walker, Heidi (11 October 2023). "Can AI-Generated Images Replace Stock?". WhatTheyThink. Archived from the original on 26 May 2024. Retrieved 26 May 2024. https://whattheythink.com/articles/116873-can-ai-generated-images-replace-stock/

  194. David, Emilia (8 January 2024). "Getty and Nvidia bring generative AI to stock photos". The Verge. Archived from the original on 26 May 2024. Retrieved 26 May 2024. https://www.theverge.com/2024/1/8/24027259/getty-images-nvidia-generative-ai-stock-photos

  195. Luccioni, Alexandra Sasha; Jernite, Yacine; Strubell, Emma (2024). "Power Hungry Processing: Watts Driving the Cost of AI Deployment?". The 2024 ACM Conference on Fairness, Accountability, and Transparency. pp. 85–99. arXiv:2311.16863. doi:10.1145/3630106.3658542. ISBN 979-8-4007-0450-5. 979-8-4007-0450-5

  196. Cetinic, Eva; She, James (31 May 2022). "Understanding and Creating Art with AI: Review and Outlook". ACM Transactions on Multimedia Computing, Communications, and Applications. 18 (2): 1–22. arXiv:2102.09109. doi:10.1145/3475799. ISSN 1551-6857. S2CID 231951381. Archived from the original on 22 June 2023. Retrieved 8 April 2023. https://dl.acm.org/doi/10.1145/3475799

  197. Cetinic, Eva; She, James (16 February 2022). "Understanding and Creating Art with AI: Review and Outlook". ACM Transactions on Multimedia Computing, Communications, and Applications. 18 (2): 66:1–66Kate Vass2. arXiv:2102.09109. doi:10.1145/3475799. ISSN 1551-6857. S2CID 231951381. /wiki/ArXiv_(identifier)

  198. Lang, Sabine; Ommer, Bjorn (2018). "Reflecting on How Artworks Are Processed and Analyzed by Computer Vision: Supplementary Material". Proceedings of the European Conference on Computer Vision (ECCV) Workshops. Archived from the original on 16 April 2024. Retrieved 8 January 2023 – via Computer Vision Foundation. https://openaccess.thecvf.com/content_eccv_2018_workshops/w13/html/Lang_Reflecting_on_How_Artworks_Are_Processed_and_Analyzed_by_Computer_ECCVW_2018_paper.html

  199. Cetinic, Eva; She, James (16 February 2022). "Understanding and Creating Art with AI: Review and Outlook". ACM Transactions on Multimedia Computing, Communications, and Applications. 18 (2): 66:1–66Kate Vass2. arXiv:2102.09109. doi:10.1145/3475799. ISSN 1551-6857. S2CID 231951381. /wiki/ArXiv_(identifier)

  200. Ostmeyer, Johann; Schaerf, Ludovica; Buividovich, Pavel; Charles, Tessa; Postma, Eric; Popovici, Carina (14 February 2024). "Synthetic images aid the recognition of human-made art forgeries". PLOS ONE. 19 (2). United States: e0295967. arXiv:2312.14998. Bibcode:2024PLoSO..1995967O. doi:10.1371/journal.pone.0295967. ISSN 1932-6203. PMC 10866502. PMID 38354162. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10866502

  201. Achlioptas, Panos; Ovsjanikov, Maks; Haydarov, Kilichbek; Elhoseiny, Mohamed; Guibas, Leonidas (18 January 2021). "ArtEmis: Affective Language for Visual Art". arXiv:2101.07396 [cs.CV]. /wiki/ArXiv_(identifier)

  202. Myers, Andrew (22 March 2021). "Artist's Intent: AI Recognizes Emotions in Visual Art". hai.stanford.edu. Archived from the original on 15 October 2024. Retrieved 24 November 2024. https://hai.stanford.edu/news/artists-intent-ai-recognizes-emotions-visual-art

  203. Yannakakis, Geogios N. (15 May 2012). "Game AI revisited". Proceedings of the 9th conference on Computing Frontiers. pp. 285–292. doi:10.1145/2212908.2212954. ISBN 9781450312158. S2CID 4335529. 9781450312158

  204. "AI creates new levels for Doom and Super Mario games". BBC News. 8 May 2018. Archived from the original on 12 December 2022. Retrieved 9 November 2022. https://www.bbc.com/news/technology-44040007

  205. Katsnelson, Alla (29 August 2022). "Poor English skills? New AIs help researchers to write better". Nature. 609 (7925): 208–209. Bibcode:2022Natur.609..208K. doi:10.1038/d41586-022-02767-9. PMID 36038730. S2CID 251931306. https://doi.org/10.1038%2Fd41586-022-02767-9

  206. "KoboldAI/KoboldAI-Client". GitHub. 9 November 2022. Archived from the original on 4 February 2023. Retrieved 9 November 2022. https://github.com/KoboldAI/KoboldAI-Client

  207. Dzieza, Josh (20 July 2022). "Can AI write good novels?". The Verge. Archived from the original on 10 February 2023. Retrieved 16 November 2022. https://www.theverge.com/c/23194235/ai-fiction-writing-amazon-kindle-sudowrite-jasper

  208. "AI Writing Assistants: A Cure for Writer's Block or Modern-Day Clippy?". PCMAG. Archived from the original on 23 January 2023. Retrieved 16 November 2022. https://www.pcmag.com/how-to/ai-writing-assistants-a-cure-for-writers-block-or-modern-day-clippy

  209. Song, Victoria (2 November 2022). "Google's new prototype AI tool does the writing for you". The Verge. Archived from the original on 7 February 2023. Retrieved 16 November 2022. https://www.theverge.com/2022/11/2/23435258/google-ai-writing-wordcraft-lamda

  210. Sochacki, Grzegorz; Abdulali, Arsen; Iida, Fumiya (2022). "Mastication-Enhanced Taste-Based Classification of Multi-Ingredient Dishes for Robotic Cooking". Frontiers in Robotics and AI. 9: 886074. doi:10.3389/frobt.2022.886074. ISSN 2296-9144. PMC 9114309. PMID 35603082. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9114309