A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore.
Block chord style (also known as chorale style) uses simple chordal harmony in which "the notes of each chord may be played all at once" as opposed to being "played one at a time (broken or arpeggiated chords). For example, a guitarist can strum the chord (this would be a "block" chord) or use a picking style to play "broken" chords".
Notes
Sources
- Schmidt-Jones, Catherine. "Simple Chordal Harmony". openstax.cnx (accessed 7 November 2016).
- Sudhalter, Richard M. (2001). Lost Chords: White Musicians and Their Contribution to Jazz, 1915–1945. Oxford University Press. ISBN 978-0-19-514838-1.
Further reading
- Carl Humphries; Robin Meloy Goldsby (2002). The Piano Handbook. San Francisco: Backbeat Books. ISBN 978-0-87930-727-1.
References
Sudhalter 2001, p. 404 - Sudhalter, Richard M. (2001). Lost Chords: White Musicians and Their Contribution to Jazz, 1915–1945. Oxford University Press. ISBN 978-0-19-514838-1. https://books.google.com/books?id=YraQ6R4wdGsC ↩
Sudhalter 2001, p. 404 - Sudhalter, Richard M. (2001). Lost Chords: White Musicians and Their Contribution to Jazz, 1915–1945. Oxford University Press. ISBN 978-0-19-514838-1. https://books.google.com/books?id=YraQ6R4wdGsC ↩
Schmidt-Jones n.d. - Schmidt-Jones, Catherine. "Simple Chordal Harmony". openstax.cnx (accessed 7 November 2016). http://cnx.org/content/m11875/latest/ ↩