Ekphonetic notation consists of symbols added to certain sacred texts, especially lectionary readings of Biblical texts, as a mnemonic device to assist in their cantillation. Ekphonetic notation can take a number of forms, and has been used in several Jewish and Christian plainchant traditions, but is most commonly associated with Byzantine chant.
Joseph Huzaya introduced ekphonetic notation into Syriac in the early 6th century.
Ekphonetic notation ceased to be used about the fourteenth century. In many cases, the original meaning of ekphonetic neumes is obscure, and must be reconstructed by comparison with later notation.
See also
References
Martani, Sandra (April 2003). "The theory and practice of ekphonetic notation: the manuscript Sinait. gr. 213". Plainsong & Medieval Music. 12 (1): 15–42. doi:10.1017/S0961137103003024. ISSN 1474-0087. S2CID 161057520. Retrieved 4 February 2024. https://www.cambridge.org/core/journals/plainsong-and-medieval-music/article/abs/theory-and-practice-of-ekphonetic-notation-the-manuscript-sinait-gr-213/7763EC251F3DFE59BCD32BD9C98AA155 ↩