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Monotype typefaces

Monotype fonts originated with the Monotype company, which includes three firms. Two, the Lanston Monotype Cooperation in Philadelphia, US, and The Monotype Corporation Limited in Salfords, UK, were rooted in lead type but failed to adapt to newer technologies like offset and computer typesetting. The third, Monotype Imaging Inc., is focused on digital fonts and holds rights to many original and acquired designs. The legacy of the original English Monotype factory is preserved at the Type Museum in London, part of the British Science Museum. However, the Type Museum closed due to building issues, and its holdings are now stored at the National Archives.

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Hot metal

The first two firms mentioned above produced a long list of fonts, which were identified by names and serial numbers. That type design eventually acquired a very good name and the "Monotype" brand was synonymous with high quality and reliability.2

In their name much typographic research on historical character designs from the early years of typography has been carried out. Many of the letters were produced as "revivals", including characters in Garamond, Baskerville, Bodoni, Bembo, Caslon and many other typefaces.

The major difference between the two firms is that the American fonts do not match the English fonts. Letters with the same name had in most cases a different designer, and their appearance and implementation differ. The identification numbers do not all correspond.

The matrices of the two firms also differ in terms of depth, the image inside the matrix, implementation, and size. For example, the American matrices are shallower by .01 in (0.25 mm), and consequently the interior of American foundry moulds need to be higher to produce characters with a type height of 0.918 in (23.3 mm). This was one of many measures taken by the two Monotype companies to divide the world market between themselves. For example, the American company served the American and the Canadian markets. The British company, The Monotype Corporation Ltd. in Salfords, had many customers in India, Africa, and Asia. For these countries many non-Latin typefaces were created for printing in Hebrew, Javanese, Sanskrit, Sinhala, Thai, and other languages.

The composition-caster machines of The Monotype Corporation produced ready-to-use composed pages with text consisting of single pieces of type. The machine provided filled lines, justifying them by adding spaces of varying widths. These ending machines were controlled with a paper ribbon. Typing the texts on keyboards was manual work that took much more time than casting. A composition-caster needed the ribbons of at least three separate keyboards. Correction of the final composition was accomplished by simply replacing the moveable type. The lines did not need to be recast, as with Linotype machines.

These composition-casters could produce type in sizes up to 14 point pica or Didot font width. "Large-composition" customized machines and moulds could provide composition up to 36 points. The matrices are correspondingly larger and there is room for only one alphabet in the die case. For this reason one machine-run could not provide composition in both Roman and italic typeface, so additional hand work was required in such cases.

Type for hand-composing was also cast with Monotype machines; all characters up to 36pt, and rules, could be cast on a large-composition machine. Another machine was the "super-caster" or "supra", which could cast single type. After conversion it could also be used to cast any material needed in print shops, including reglettes, ornaments, and similar designs, as well as characters up to 72 points. There were moulds with inserts for sizes 14 to 36 point. For the even larger sizes of 42, 48, 60 and 72 point another type cast was used. The machine had to be reconfigured for each different type requirement.

Unit arrangement

The width of the hot-lead Monotype type is expressed in units of a set. The widest letter in the alphabet, usually the capital "W", was measured in quarter-pica points, a unit being 1⁄18 part of this width. The unit width is calculated as follows for a 12-set example.

  • 1 pica = 1⁄6 inch
  • 1 pica point = 1⁄12 × 1⁄6 inch = 0.013889 inch
  • 1 unit 1 set = 1⁄18 × 1⁄12 × 1⁄6 = 1⁄1296 inch = 0.000771605 inch
  • 1 unit 12 set = 12⁄1296 = 0.00925926 inch

All character were designed to have widths a whole number of units of the set. 5, 6, 7, 8, 9, 10, up to 18 or even more.

  • 5 units 12 set = 0.046296 inch
  • 6 units 12 set = 0.055555
  • 7 units 12 set = 0.064815

.....

  • 18 units 12 set = 0.1667 inch

English and American manuals use a different size for the pica: the new-pica = 0.1660 inch. On the European mainland all wedges and tables in the manuals are based on the "old" pica = 0.1667 inch and those wedges can be identified by the extra capital E (= English). That gives small differences in the tables in the various manuals. In practice, however, these differences are so small that they make only little difference when cast with a S5-E wedge or a S5 wedge based on the new-pica. All character are designed to have as width a whole number of units of the set.

So, for instance, A=14, B=13, C=14... a=8, b,d,h,k,n,p,q=10, c=8 ... The list with these widths is called the "unit-arrangement" (UA). Different fonts can have the same UA. In some font designs the unit-arrangement can be different for each point size, for example, with the Lutetia (typeface) and some other fonts of Jan van Krimpen. These UAs are essential for the layout of the matrix case, in which the matrices are sorted into rows by the unit widths. The various "unit-arrangements" have been given numbers.

Long and short descenders

The lowercase characters g, j, p, q, y have descenders. In italic typefaces f and the "long s" may also have descenders.

Many of the older fonts were intended mainly for use in newspaper columns. Times New Roman is a good example, but there were many others. The descenders were kept as short as possible in such fonts so that all the text could be set with the same line spacing. However, for many fonts for luxury productions longer variants of the descenders were also available—the lining would usually need to be adjusted to accommodate them when casting.

Letterpress printing

The design of fonts for letterpress printing needs to be adjusted for this technique. The reason is that the type is printed with some force on the paper, pressing the ink on the type out to the edges of the letter. The center of the character is accordingly printed a bit lighter than the edges. This results in what is called a "bead edge". It is further enhanced because not only the surface of the type get inked, but also the bevels around it, which also contributes to the visual effect of the printed typeface, as can be readily seen with a magnifying glass.3

The bead edge and bright centre in print suggest a calligraphic typeface. And with letterpress there is a much wider choice of suitable, often more expensive, paper types that can be printed.

Computer adjustments

After the "hot metal" firms ceased production because of the transition from letterpress to offset printing in more and more printing companies,[when?] with Lanston Monotype being the first to do so in America, the font designs needed adjustment for computer use. There is a difference compared with the old hot-metal characters since the fixed relationship between the width of the letters in the unit arrangement is often experienced as a disadvantage. Discussion of this problem has long been going on, for example by Jan van Krimpen.

The design of a lead type cannot be copied without some adjustments since the pressure on lead type during printing presses the ink sideways, and the final appearance of the letter on paper is wider than the surface of the lead character. This extra width is not the same at all places around the character. It depends on the paper surface used, the pressure, the type of press, whether cylinder or platten, and many other factors.

Many digital fonts from the early digital age have this characteristic defect. The metal surface was simply copied, the result being that the color of the printed pages is far too light. In offset or other modern printing techniques, the typeface on the plate and on the printed letter now match much more closely. The use of mostly coated papers with offset types also has an effect. During the type design process all this should be taken into account since simple design drawing of the surface of a lead letter without any adjustment for offset or computer printing will not produce a good result.

List of typefaces

The alphabetical list below refers primarily to the fonts produced by the English "hot metal" Monotype company. The numbers mentioned below are from the English "specimen-blades", four editions of the booklets "Monotype book of information", and some additional information from the London Type Museum.

In the 1960s many Monotype fonts were discontinued. The "patterns" for the originals from which the punches were created, the punches, and the whole stock of remaining matrices were destroyed. The font has disappeared except for the matrices in the possession of various printers. Sample sheets of these fonts are particularly difficult to find and are lacking in many collections.

A small number of American letter designs are added to the list, designated by "Am" and their number. American matrices differ from those in England. American matrices were 0.001 in (0.025 mm) less deeply engraved. Consequently, the American moulds were higher internally by that amount compared with moulds from the factory in Salfords UK. Consequently, American matrices on an English cast produce a low letter. English matrices on American moulds produce French-height type.

The list of computer letters from Monotype Imaging, Inc. is constantly being modified and can be best consulted on the website of the company.4

Latin fonts

A

  • Acier
297: Acier (never released) 319: Acier Grey and White (never released) 481: Albertus Roman introduction: 19355 display matrices:
size:14pt18pt24pt36pt48pt60pt72pt
line:T.1848T.2363T.3166T.4754T.6418and T.8070T.9680
538: Albertus bold titling Roman introduction: 19386 display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1985T.2652T.3255T.3974T.4675T.5358T.6720T.8070
534: Albertus light Roman introduction: 19407 display matrices, one size: 24pt line .2652 324: Albertus titling Roman (1940 ?)8 display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1848T.2363T.3166T.3884T.4754T.5606T.6418T.8070T.9680
__5: Albion Roman composition matrices UA.2 = 6pt - 12pt9
size:6pt8pt10pt12pt
set:6.7589.2511.25
line:M.1235M.1270M.1305M.1360
_42: Albion (No 2) Roman composition matrices UA.2 = 6.5pt - 12pt10
size:6.5pt7.5pt9pt10pt11pt12pt13pt
set:7.75899.7510.511.512.5
line:M.1235M.1238M.1270M.1300M.1320M.1360M.1390
_63: Albion Roman UA.2 : 6.5 pt - 13pt11
size:6pt7D9pt10pt11pt12pt13pt
set:6.57.58.259.759.510.7511.5
line:M.1224M.1250M.1270M.1290M.1320M.1360M.1390
_70: Albion (No 4) Roman composition matrices: UA.2 : 6.5pt - 13pt12
size:6.5pt7.5pt (7D)9pt10pt11pt12pt13pt
set:7.758.59.75101112.2513
line:M.1225M.1243M.1280M.1300M.1327M.1360M.1387
_74: Albion Extended Roman composition matrices: UA.3: 6D - 13pt13
size:6D7D9pt10pt11pt12pt13pt (12D)
set:7.758.59.75101112.2513
line:M.1225M.1240M.1260M.1290M.1320M.1360M.1390
display matrices:
size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1995T.2308T.2640T.3194T.3884T.4576T.5268T.6651T.7930
264: Albion (in 1965 taken out of production)
  • Aldine Bembo
270: Aldine Bembo (see: Bembo 270) 370: Aldine Bembo Titling (see: Bembo Titling)
  • Anchor
491: Anchor (taken out of production, "cancelled") Only produced for computer use.
  • Angulus
555: Angulus Roman/italic composition matrices: UA.474: only one size available 4.4pt14
size:4.5D
set:5.5
line:M.1185
  • Antique
207: Antique Roman/italic (see: 207 Antique Old Style) 307: Antique (in 1965 taken out of production) composition matrices: U.A. = 70, only: 5.5pt and 7pt15
size:5.5pt (5D)7pt (7D)
set:6.258.5
line:.1262.1314
407: Antique (in 1965 taken out of production) composition matrices: UA = 7016
407-9 (8D)9.5 setlining: M.1338
354: Antique (No. 2) (in 1967 taken out of production) composition matrices: UA = 33517
size:8 (8D)10 (10D)12 (12D)
set:10.7513.516
line:M.1348M.1440M.1525
_74: Antique Extended (see Ionic, see: Albion Extended) 153: Antique Extended (see: Albion Extended) 223: Antique Heavy (see: Devonshire Bold) 224: Antique Heavy Condensed (see: Devonshire Bold Condensed)
  • Antique Latin
__9: Antique Latin (see: Latin Antique) _60: Antique Latin (see: Latin Antique No. 2) _78: Antique Latin (see: Latin Antique No. 3) _84: Antique Latin (see: Latin Antique No. 4)
  • Antique Old Style
__3: Antique Old Style No. 3 Roman/italic composition matrices: UA.2 = 6pt - 12pt18
size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)
set:6.57.758.59.259.7510.512
line:M.1200M.1240M.1250M.1280M.1300M.1320M.1355
161: Antique Old Style No. 3 Roman/italic composition matrices: Roman UA.29, italic UA.54, 6pt - 12pt19
size:6pt (6D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (11D)
set:6.588.759.510.511.75
line:M.1220M.1250M.1266M.1294M.1331M.1410
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930
124: Antique Old Style No. 1 synonyms: Old Style Antique and Series 124 (in 1967 taken out of production) all descenders available in two versions short- and long-descenders composition matrices: UA.1, 6pt - 12pt (6pt is missing on older specimen blades)20
size:6pt (6D)8pt short desc. op 7pt (7D)8pt (8D)9pt short desc. op 8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (12D)
set:6.58.58.59.259.259.7510.511.75
line:M.1200M.1250M.1250M.1280M.1280M.1300M.1320M.1355
207: Antique Old Style Roman/italic composition matrices: UA.70 = 6.5pt - 10pt21
size:6.5pt(6D)7pt8pt
set:7.757.758.75
line:M.1268M.1268M.1314
No matrices for hot-metal
  • Arrighi Italic
252: Arrighi Italic (see: Centaur)
  • Ashley Crawford
238: Ashley Crawford (cancelled in 1967) display matrices:22
size:14pt18pt24pt30pt36pt
line:.1672.2145.2896.3484.4123
279: Ashley Crawford Plain (cancelled in 1967) display matrices:23
size:14pt18pt24pt30pt36pt
line:.1748.2243.2996.3684.4494
  • Ashley Script
574: Ashley Script display matrices: 14-72 pt24
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1364T.1751T.2338T.2864T.3494T.4106T.4708T.5910T.7090
No matrices for hot-metal

B

  • Barbou
178: Barbou Roman/italic composition matrices: UA.447: 8 - 12pt25
size:8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:7.2588.59.2510
line:M.1270M.1295M.1300M.1327M.1360
169: Baskerville Roman/italic composition matrices: UA.43: 6D - 14pt26
size:6pt (6D)7 (7D)8pt (8D)9pt (8D)9.5pt (9D)10pt (9D)11pt (10D)12pt (11D)14pt (14D)
set:6.757.58.2599.51010.751213
line:M.1220M.1235M.1250M.1266M.1291M.1294M.1320M.1360M.1520
large-composition matrices: 14-18pt Roman UA.136, italic UA.141: 22pt: only Roman, 24pt: Roman UA.136, italic UA.150
size:14pt (14D)16pt (16D)18pt (18D)22pt (22D)24pt (24D)
set:1314.515.251921
line:T.1395T.1600T.1672T.2040T.2226
display matrices:
size:14pt16pt18pt20pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1600T.1672T.1853T.2040T.2226T.2780T.3332T.3886T.4440T.5685T.6830
312: Baskerville bold Roman/italic composition matrices: UA.332: 6D - 14pt27
size:6pt (6D)7 (7D)8pt (8D)9pt (8D)9.5pt (9D)10pt (9D)11pt (10D)12pt (11D)14pt (14D)
set:6.757.58.2599.51010.751213
line:M.1220M.1235M.1250M.1266M.1291M.1294M.1320M.1360M.1520
display matrices:
size:14pt18pt24pt30pt36pt48pt60pt72pt
line:T.1395T.1672T.2226T.2784T.3332T.4440T.5685T.6830
313: Baskerville bold (see: 313 Baskerville Semi-Bold) 377: Baskerville Bold Large Face (cancelled in 1967) display matrices:28
size:48pt60pt72pt
line:.4992.6236.7115
376: Baskerville Bold Titling For Newspaper Headings (cancelled in 1965) large-composition matrices: UA.374: 14pt, 18pt and 24pt cast at 18pt combined in one matrix frame29
size:14pt18pt24pt
set:1818
line:.2075.2075.2075
378: Baskerville Bold Titling For Newspaper Headings) (cancelled in 1965) large-composition matrices: UA.372: 14pt, 18pt and 24pt cast at 18pt combined in one matrix frame30
size:14pt18pt24pt
set:181818
line:.2213.2213.2213
380: Baskerville Extra Bold Titling (cancelled in 1967) display matrices:31
size:36pt
line:.3704
312: Baskerville Heavy (see: 312 Baskerville Bold) 313: Baskerville Semi-Bold Roman/italic composition matrices: UA.332: 6D - 14pt32
size:6pt (6D)7 (7D)8pt (8D)9pt (8D)9.5pt (9D)10pt (9D)11pt (10D)12pt (11D)14pt (14D)
set:6.757.58.2599.51010.751213
line:M.1220M.1235M.1250M.1266M.1291M.1294M.1320M.1360M.1520
display matrices:
size:18pt
line:T.1672
381: Baskerville Titling For Newspaper Headings (cancelled in 1965) large-composition matrices: UA.372: 14pt, 18pt and 24pt cast at 18pt combined in one die case33
size:14pt18pt24pt
set:181818
line:.2213.2213.2213
  • Bell (by Monotype inc. revised version)
341: Bell Roman/italic composition matrices: UA.314: 8D - 14pt34
size:8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:8.59.510111213.25
line:M.1240M.1267M.1285M.1314M.1335M.1385
display matrices:
size:14pt18pt24pt30pt36pt
line:T.1304T.1711T.2284T.2804T.3424
619: Bell Gothic Roman composition matrices: UA.445: 6 and 8pt35
size:6pt (6D)8pt (8D)
set:79
line:M.1245M.1310
620: Bell Gothic Bold Roman composition matrices: UA.445: 6 and 8pt36
size:6pt (6D)8pt (8D)
set:79
line:M.1245M.1310
270: Bembo Roman/italic composition matrices: UA.91: 6D - 14pt37 variants: alternative numerals: F537, F538, alternative capitals: R 203, M 145, R 224
size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)10.5pt (9D)11pt (10D)12pt (11D)13pt (12D)

14pt (14D)

set:6.757.57.58.258.599.510.251111.5
line:M.1237M.1243M.1243M.1270M.1292M.1312M.1322M.1343M.1378M.1444
large-composition matrices: 14pt-24pt
size:14pt (14D)16pt (16D)18pt (18D)24pt (24D)
UA.91163169169
set:11.513.514.519.5
line:T.1344T.1559T.1725T.2302
display matrices:
size:14pt16pt18pt22pt op 24pt24pt30pt36pt48pt60pt72pt
line:T.1344T.1559T.1725T.2104T.2302T.2824T.3444T.4648T.5821T.6980
428: Bembo bold Roman/italic composition matrices: UA.368: 6D - 14pt38
size:6pt (6D)7D op 8p E8pt (8D)9pt (8D)10pt (10D)10.5pt (10D)11pt (10D)12pt (11D)13pt (12D)14pt (14D)
set:6.757.57.58.258.599.510.251111.5
line:M.1237M.1243M.1243M.1270M.1293M.1312M.1322M.1353M.1378M.1444
large-composition matrices: 14pt-18pt
size:16pt (16D)18pt (18D)
UA.399399
set:13.514.5
line:T.1559T.1725
display matrices:
size:24pt30pt36pt48pt
line:T.2302T.2824T.3444T.4648
294: Bembo condensed Italic italic composition matrices: UA.360: 10pt - 13pt UA.361: 16pt39
size:10pt (10D)12pt (12D)13pt (12D)16pt
set:8.510.251113.5
line:M.1292M.1353M.1378M.1559
428: Bembo Heavy (see: 428 Bembo Bold) 509: Bembo semi-bold Roman/italic composition matrices: UA.91: 5.5pt40
size:5.5pt (5.5D)
set:6.5
line:M.1235
370: Bembo titling Roman/italic display matrices:41
size:24pt30pt36pt42pt
line:T.2942T.3614T.4436T.5196
643: Berling Roman/italic (cancelled in 1973) punches made in cooperation with Berlinska Stilgjuteriet, Lund composition matrices: UA.495: 6D-12D42
size:6D op 7pt8D op 9pt9D op 10pt10D op 11pt11Dop 12pt12D op 13pt
set:6.58.59.2510.2511.512.5
line:M.1237M.1311M.1385M.1385M1459M.1459
644: Berling semi bold Roman punches made in cooperation with Berlinska Stilgjuteriet, Lund composition matrices: UA.496: 6D-12D43
size:6D op 7pt8D op 9pt9D op 10pt10D op 11pt11Dop 12pt12D op 13pt
set:6.58.59.2510.2511.512.5
line:M.1237M.1311M.1385M.1385M1459M.1459
  • Bernard condensed
213: Bernard condensed Roman display matrices:44
size:14pt16D op 18pt20D op 22pt24D op 30pt30pt36D op 36pt42D op 48pt48D op 60pt60D op 72pt72pt
line:T.1671T.2008T.2520T.2984T.3444T.4474T.5249T.6040T.7570T.8550
119: Blado Italic italic (designed to be used with Poliphilus 170) composition matrices: UA.53: 10pt - 13pt45
size:10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:8.59.2510.7511.5
line:M.1299M.1326M.1374M.1399
large-composition matrices: 16pt = UA.142
size:16pt
set:13.5
line:T.1577
display matrices:
size:24pt
line:T.2352
135: Bodoni Roman/italic (synonym: Bodoni no.3) composition matrices: UA.1: 6pt-13pt, UA.77: 14pt46 variants: long descenders and "Large-Face" in 11pt
size:6pt (6D)6.5 (6D) op 7pica7pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)11pt Large Face12pt (12D)13pt (12D)14pt (14D)
set:6.56.577.757.758.59.510.251111.7512.7513.5
line:M.1164M.1164M.1210M.1238M.1238M.1260M.1279M.1302M.1315M.1347M.1372M.1448
large-composition matrices: 16pt, 18pt, 24pt Roman, UA.425 = 24pt italic
size:16pt (16D)18pt (18D)24pt (24D) Roman24pt italic
UA.777778425
set:15.5172323
line:T.1551T.1741T.2324T.2324
display matrices:
size:14pt16pt18pt22pt op 24pt24pt30pt36pt42pt48pt60pt72pt
line:T.1356T.1551T.1741T.2122T.2324T.2914T.3470T.4162T.4716T.5823T.7100
254: Bodoni No. 2 (see also: 357 Bodoni No. 2) (cancelled in 1967) display matrices: 4 sizes47
size:18pt24pt30pt36pt
line:T.1708T.2276T.2844T.3404
288: Bodoni No. 1 (cancelled in 1967) composition matrices: UA.364: 10D-12D-14D48
size:10D op 11pica12D op 13pica14D
set:10.2511.512.75
line:M.1280M.1323M.1365
357: Bodoni No. 2 Roman/italic (see: 357 Bodoni Book) composition matrices: UA.319: 8pt-12pt49
size:8pt (8D)9pt (9D)10pt (10D)12pt (12D)
set:899.7511.5
line:M.1277M.1309M.1315M.1366
504: Bodoni No 5 Roman/italic (see: 504 Bodoni 357) composition matrices: UA.319: 8pt-12pt50
size:8pt (8D)9pt (9D)10pt (10D)12pt (12D)
set:899.7511.5
line:M.1282M.1314M.1322M.1372
195: Bodoni Bold Roman composition matrices: UA.3: 6pt-12pt51
size:6pt (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:6.57.758.59.510.2511.75
line:M.1164M.1238M.1260M.1279M.1302M.1347
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1356T.1708T.2276T.2844T.2914T.4024T.4578T.5823T.6962
260: Bodoni Bold Roman/italic, Vette variant for series 135 composition matrices: Roman UA.2 italic UA.143: 6pt-13pt; Roman UA.417, italic UA.143: 14pt52 long descenders available and "large face" in 11pt
size:6.5 (6D)7pt (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)11pt (10D) "Large Face"12pt (11D)13pt (12D)14pt (14D)
set:6.577.758.59.510.251111.7512.7513.5
line:M.1164M.1210M.1238M.1260M.1279M.1302M.1315M.1340M.1372M.1448
display matrices:
size:14pt16pt18pt22pt24pt op 30pt30pt36pt42pt48pt60pt72pt
line:T.1356T.1551T.1741T.2122T.2324T.2914T.3470T.4162T.4716T.5823T.7100
529: Bodoni Bold Condensed Roman/italic display matrices:53
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1356T.1741T.2324T.2824T.3444T.4046T.4628T.5820T.6980
760: Bodoni Bold Titling Roman display matrices:54
size:72pt
line:T.8490
357: Bodoni Book Roman/italic composition matrices: UA.319: 8pt-12pt55
size:8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)
set:899.7510.7511.5
line:M.1277M.1309M.1315M.1345M.1366
260: Bodoni Heavy Roman/italic (see: 260 Bodoni Bold) 529: Bodoni Heavy condensed Roman/italic (see: 529 Bodoni Bold condensed) 120: Bodoni ultra bold Roman/italic display matrices:56
size:14pt18pt24pt30pt3642pt48pt60pt72pt
line:T.1472T.1876T.2502T.3094T.3746T.4436T.5088T.6380T.7660
  • Bold Face
_53: Bold Face (see: 53 Old Style Bold) 167: Bold Face (see: 167 De Vinne Italic) 366: Bold Face (see: 366 Inflex Bold) 245: Bold Face Italic No. 2 (see: 245 Old Style Bold Italic) 253: Bold Face No. 2 (see: 253 Old Style Bold) 138: Bold Face No. 3 Roman. (cancelled in 1965) composition matrices: UA.3: 9pt57
size: 9pt (9D) set: 8.75 line:M.1330
503: Bold Face (cancelled in 1965) 176: Bold Face Outline (see: 176 Old Style Bold Outline) 253: Bold Face Special Line (see: 253 Old Style Bold) 167: Bold Italic (see: 167 De Vinne Italic series No. 167) 334: Bold (The Times) (see: 334 Times Bold) 345: Bold (The Times) (see: 345 Times Bold) 360: Bold (The Times) (see: 360 Times Bold) 278: Braggadocio Roman display matrices:58
size:18pt24pt3648pt72pt
line:T.1015T.2690T.4024T.5448T.8180
  • Breitkopf
466: Breitkopf romain (cancelled in 1936)
  • Broadway
a306: Broadway (Sorts) (cancelled before 1966) a307: Broadway Engraved (Sorts) (cancelled before 1966)
  • Bruce Rogers
494: Bruce Rogers (cancelled in 1967) 594: Bruce Rogers Titling (in research) 469: Bulmer Roman/italic composition matrices: UA.412: 11pt-12pt59
size:11pt (10D)12pt (12D)
set:1011.25
line:M.1337M.1345

C

  • Calendar
L17: Calendar Figures Roman L19: Calendar Days Roman 197: Canterbury (cancelled in 1967) composition matrices: UA.57 = 8-12pt60
size:6pt (6D)8pt (8D)10pt (9D)12pt (12D)
set:6.589.7511.5
line:M.1258M.1302M.1400M.1450
display matrices:
size:14pt18pt24pt30pt36pt
line:T.1533T.1948T.2640T.3194T.3884
128: Caslon Roman/italic composition matrices: UA.57 = 8-12pt61
size:8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13.5pt (14D) op 14pE

14pt Large Face (14D)

UA.789101112384
set:8.258.759.7511.2512.2513
line:M.1210M.1225M.1270M.1285M.1324M.1360M.1474
large composition: 18pt - 24pt,
size:18pt20pt (20D)24pt Small face (24D)24pt
UA.Roman104160105
UA.italic153167167152
set:15.75181821.5
line:T.1672T.2088T.2088T.2364
display matrices:
size:14pt18pt24pt30pt (short desc.) op 24pica30pt36pt42pt48pt60pt72pt
line:T.1395T.1672T.2364T.2918T.2918T.3474T.4166T.4988T.6120T.7660
209: Caslon Titling Roman display matrices:62
size:48pt60pt72pt
line:T.4988T.6120T.7660
  • Castellar
600: Castellar Roman Title typeface drawn by John Peters in 1957 based on engraved Roman square capitals.6364 display matrices:65
size:24pt30pt36pt48pt60pt72pt
line:T.2986T.3654T.4474T.6038T.7590T.9110
252: Centaur Roman/italic, also known under the name: Arrighi composition matrices: UA.90 = 6-14pt, UA.322 = 14pt66
size:6pt (6D)8pt (8D)9pt (8D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:6.58.258.759.2510.2511.2512.5
line:M.1202M.1252M.1256M.1256M.1286M.1315M.1418
large composition: 14pt - 24pt, UA.165 = Roman, UA.166 = italic
size:14pt (14D)16pt (16D)18pt (18D)22pt (22D)24pt (24D)
set:12.51415.518.521
line:T.1418T.1493T.1675T.2024T.2240
display matrices:
size:14pt16pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1306T.1493T.1675T.2240T.2744T.3344T.3926T.4508T.5640T.6800
352: Centaur Roman/italic large composition matrices only 18pt67
size:18pt (18D) Roman18pt (18D) italic
UA.389166
set:18.2515.5
line:T.1747T.1747
295: Centaur Titling Roman 227: Century No. 2 Roman/italic (see: 227 Century Schoolbook) 211: Century No. 1 Roman (synonym: 211 Modern) composition matrices UA.1 = 8pt68
size:8pt (8D)
set:8.5
line:M.1320
545: Century Bold (cancelled in 1967) 546: Century Bold Extended (cancelled in 1967) 227: Century Schoolbook Roman/italic composition matrices: UA.369 = 6-14pt, UA.322 = 14pt69
size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:6.757.58.259.251010.7511.7514
line:M.1250M.1280M.1310M.1346M.1375M.1405M.1448M.1655
large composition: 18pt - 20pt only Roman UA.370
size:18pt (18D)20pt (20D) (18pt long desc.)
set:1818
line:T.2015T.2015
477: Century Schoolbook Bold Roman composition matrices: UA.498 = 6-14pt,70
size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:6.757.58.259.251010.7511.7514
line:M.1250M.1280M.1310M.1346M.1375M.1405M.1448M.1655
650: Century Schoolbook Roman/italic display matrices:71
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1549T.1950T.2559T.3184T.3874T.4565T.5257T.6640T.8020
651: Century Schoolbook Bold Roman display matrices:72
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1549T.1950T.2559T.3184T.3874T.4565T.5257T.6640T.8020
display matrices:73
size:14pt18pt24pt30pt36pt
line:T.1533T.1948T.2640T.3194T.3884
  • Chatsworth
510: Chatsworth (cancelled in 1965) At the request of Stephenson and Blake, Sheffield produced for them in one size. composition matrices: UA.391 = 10pt,74
size:10pt (10D)
set:12
line:M.1425
  • Chiswell Old Face
154: Chiswell Old face Roman/italic display matrices:75
size:14pt18pt24pt30pt36pt
line:T.1533T.1948T.2640T.3194T.3884
_12: Clarendon Roman composition matrices: UA.2 = 5-12pt,76
size:5pt (5D)5.5pt (5D)6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (11D)12pt (12D)
set:5.56.56.57.258.259.259.7510.7512
line:M.1200M.1240M.1258M.1280M.1305M.1330M.1320M.1380M.1385
412: Clarendon No. 2 (cancelled in 1967) composition matrices: UA.2 = 5-12pt,77
size:8pt (8D)9pt (8D)11pt (11D)
set:8.59.2510.5
line:M.1240M.1265M.1320
501: Clarendon Timetable (cancelled in 1967)
  • Clearface Bold
157: Clearface Bold Roman/italic composition matrices: UA.2 = 6-12pt,78
size:6pt (6D)8pt (8D)9pt (8D)10pt (10D)11pt (11D)12pt (12D)
set:6.758.259.251010.7511.75
line:M.1220M.1250M.1250M.1294M.1320M.1360
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930
271: Cloister Bold (cancelled in 1967) composition matrices: UA.86 = 6-12pt,79
size:6pt (6D)8pt (8D)10pt (10D)12pt (12D)
set:6.758.259.7510.75
line:M.1245M.1273M.1285M.1326
272: Cloister Old Style (cancelled in 1967) composition matrices: UA.89 = 6-12pt,80
size:6pt (6D)8pt (8D)10pt (10D)12pt (12D)
set:6.57.758.510
line:M.1236M.1275M.1269M.1316
a395: Cloister Old Style (Sorts) (cancelled before 1966) 165: Cochin Roman/italic composition matrices: UA.67 = 6D-13pt, UA.174 = 14pt Roman, UA.173 = 14pt italic81
size:6D (6D)8pt (8D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)14pt (14D)
set:7.58.510.511.512.2513.2515
line:M.1239M.1254M.1293M.1320M.1360M.1387M.1440
display matrices:
size:14pt18pt24pt30pt36pt
line:T.1440T.1841T.2480T.3056T.3726
225: Colonna Roman display matrices:82
size:18pt24pt36pt
line:T.1585T.2114T.3154
  • Condensa
511: Condensa italic display matrices:83
size:18pt24pt30pt
line:T.1948T.2640T.3194
  • Condensed
213: Condensed Bold (see: 213 Bernard Condensed) 224; Condensed Heavy Antique (see: 224 Devonshire Bold Condensed) 383: Condensed Heavy Grotesque (see: 383 Grotesque Condensed) 523: Condensed Heavy Grotesque Titling (see: 523 Grotesque Condensed) 419: Condensed Latin (see: 419 Grotesque Condensed Titling)
  • Crossword
306: Crossword Puzzle Solutions composition matrices: 11pt84 11pt: 28 matrices, ABCDEFGHIJKLMNOPQRSTUVWXYZ + empty field + shaded area, the matrices were cast on squares, with a flat wedge. 306: Crossword Puzzle Specials 18pt: S 2612 t/m S 2641 = 1 t/m 30, S2727 t/m S2746 = 31-50, S3976 t/m S3986 = 51-61, S2643 = leeg veld, S2611 = gearceerd veld 309: Crossword Squares (cancelled)
  • Cushing
_17: Cushing (cancelled in 1967) composition matrices UA.1 = 6pt - 13pt85
size:6D (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11 of 12DD)13pt (12D)
set:6.57.2588.759.2510.251212.5
line:M.1235M.1220M.1245M.1265M.1290M.1323M.1380M.1395

D

  • Daily Mail Modern
326: Daily Mail Modern (cancelled in 1974) This font was the last design of Giovanni Mardersteig. Charles Malin, the engraver producing the punches for Mardesteig died in 1955. After this event Mardersteig did not want any more new designs. In his opinion punches made with a pantograph were inferior. The character was later adapted for composition casters by Monotype and released in 1957. 592: Dante Roman/italic composition matrices: UA.441, 6D-14D86
size:6D at 7pE7D at 8pE8D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE13D at 14pE14D at 16pE
set:677.58.258.759.7510.7511.512.75
line:M.1200M.1245M.1290M.1322M.1382M.1533
display matrices
size:18D at 20pE24D at 30pE36D at 36pE48D at 60pE
line:T.1841T.2462T.3684T.4960
682: Dante Semi Bold Roman/italic composition matrices: UA.504, 6D-14D87
size:6D at 7pE7D at 8pE8D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE14D at 16pE
set:677.58.258.759.7510.7512.75
line:M.1200M.1245M.1290M.1322M.1354M.1533
612: Dante Titling Roman display matrices88
size:16D at 18pE20D at 22pE28D at 30pE36D at 36pE
line:T.1677T.2085T.2952T.3764
  • Deutsch Romisch
298: Deutsch Romisch (cancelled in 1970) composition matrices: UA.303, 6D-12D89
size:6D at 7pE8D at 9pE9D at 10pE10D at 11pE12D at 13pE
set:6.75891012
line:M.1243M.1350M.1480
286: Deutsch Romisch Bold (cancelled in 1967) composition matrices: UA.304, 8D-10D90
size:8D at 9pE10D at 11pE
set:810
line:M.1390
  • De Vinne
131: De Vinne (cancelled in 1967 composition matrices: UA.400, 8pt91
size:8pt (8D)12D op 13pE
set:812.25
line:M.1445
display matrices
size:14pt18pt24pt30pt36pt
line:T.1533T.1938T.2640T.3194T.3884
_21: De Vinne (see: De Vinne Condensed) _21: De Vinne Condensed (cancelled in 1967) composition matrices: UA.2 6.5pt - 12 pt92
size:6pt (6D)8pt (8D)10pt (9D)12pt (12D)
set:6.589.2511.25
line:M.1230M.1280M.1360M.1435
167: De Vinne Italic (synonym: Bold Italic Series No. 167) (cancelled in 1967) composition matrices: UA.3 7.5pt - 11 pt93
size:7.5pt (7D)8pt (8D)9pt (8D10pt (9D)11pt (10D)
set:888.759.7510.5
line:M.1250M.1250M.1280M.1294M.1320
  • Devonshire
223: Devonshire Bold (synonym: 223 Heavy Antique (cancelled in 1967) display matrices94
size:42pt48pt
line:T.4576T.5268
224: Devonshire Bold Condensed (synonym: 224 Condensed Heavy Antique) (cancelled in 1967) display matrices95
size:42pt48pt
line:T.4576T.5268
_71: Didot Roman/italic composition matrices: UA.1 6.5pt - 13pt96
size:6.5pt (6D)7.5pt (7D)9pt (8D10pt (9D)11pt (10D)11pt Large face (10D)12pt (11D13pt (12D)
set:7,257.58.759.510.251111.7512.5
line:M.1225M.1240M.1260M.1290M.1320M.1335M.1360M.1390
  • Divina Comedia
425: Divina Comedia (destroyed in a bombardment)
  • Dorchester Script
436 Dorcherster script display matrices97
size:14pt18pt24pt36pt
line:T.1218T.1565T.2088T.3114

E

107: Egyptian No. 1 Roman composition matrices: UA.2 = 6-12pt98
size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)
set:6.57.257.588.7510.512
line:M.1220M.1220M.1250M.1266M.1291M.1315M.1356
171: Egyptian (synonym: 171 Egyptian Bold) (cancelled in 1967) composition matrices: UA.39 = 9pt99
size:9pt
set:8.5
line:M.1266
173: Egyptian No. 4 Roman display matrices:
size:14pt18pt24pt30pt36pt
line:T.1533T.1948T.2640T.3194T.3884
129: Egyptian Roman (see: Egyptian Bold nr.1 en: 251) 130: Egyptian (cancelled in 1967) composition matrices: UA.3 = 8pt100
size:8pt
set:8
line:M.1285
162: Egyptian No. 3 (cancelled in 1967) composition matrices: UA.3 = 8pt101
size:6.5pt
set:6.5
line:M.1210
184: Egyptian (see: 184 Ionic No. 3) 241: Egyptian 251: Egyptian (see: Egyptian Condensed) 330: Egyptian (see: Egyptian Bold) 129: Egyptian Bold No. 1 Roman (see: 251) composition matrices: UA.3 = 8-10pt102
size:8pt (8D)9pt (9D)10pt (10D)
set:8.59.2510
line:M.1235M.1257M.1290
171: Egyptian Bold (see: 171 Egyptian) (cancelled in 1967) 330: Egyptian Bold (synonym: 330 Egyptian) (cancelled in 1967) composition matrices: UA.3 = 6D103
size:6D (6D)
set:8
line:M.1285
282: Egyptian Bold Condensed Roman (see: 251) (synonyms: Egyptian Heavy and Heavy Egyptian composition matrices: UA.313 = 6D104
size:6D
set:6.5
line:M.1230
251: Egyptian Condensed Roman composition matrices: UA.63 = 6.5pt105
size:6.5pt (6D)
set:6.5
line:M.1230
112: Egyptian Condensed (cancelled in 1967) composition matrices: UA.2 = 9pt106
size:9
set:8.5
line:M.1270
464: Egyptian Condensed (cancelled in 1967) composition matrices: UA.130 = 6D-10D107
size:6D op 7pE7D op 8pE8D op 9pE9D op 10pE10D op 11pE
set:6.757.758.59.510.75
line:M.1206M.1246M.1278M.1301M.1335
_72: Egyptian Extended Roman composition matrices: UA.3 = 5-13pt108
size:5pt (5D)5.5pt (5D)6pt (6D)6.5pt (6D)7.5pt (7D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)
set:5.57.257.257.758.59.75101112.2513
line:M.1173M.1220M.1220M.1225M.1240M.1260M.1290M.1320M.1360M.1390
465: Egyptian Extended (bij bombardement vernietigd) 282: Egyptian Heavy Roman (see: 282 Egyptian Bold Condensed) 453: Ehrhardt Roman/italic composition matrices: UA.397 = 6-14pt109
size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)11pt (11D)12pt (12D)14pt (14D)
set:6.257.257.758.59.25101112.75
line:M.1220M.1255M.1270M.1300M.1320M.1346M.1381M.1520
display matrices:
size:18pt24pt30pt36pt
line:T.1810T.2424T.2987T.3608
563: Ehrhardt (cancelled in 1974) 573: Ehrhardt Semi-Bold Roman/italic composition matrices: UA.430 = 6-14pt110
size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:6.257.257.758.59.25101112.75
line:M.1220M.1255M.1270M.1300M.1320M.1346M.1381M.1520
display matrices:
size:18pt24pt30pt36pt
line:T.1810T.2424T.2987T.3608
235: Elite Typewriter (see: Typewriter) composition matrices: UA.28 = 12pt111
size:12pt (11D of 12D)
set:13.25
line:M.1302
  • Elsevir
_19: Elsevir Roman/italic UA.1 6pt - 12 pt112113
size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt
set:6.57.2588.759.510.2512
line:M.1210M.1242M.1270M.1290M.1340M.1360M.1415
  • Electronic Reading Founts
E-13B CMC7 407-1 OCR-B
  • Emerson
320: Emerson Roman/italic composition matrices: UA.390 = 8-14pt114
size:8pt (8D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:7.58.759.510.2512.25
line:M.1210M.1252M.1270M.1299M.1421
display matrices:
size:18pt24pt
line:T.1693T.2260
400: Emerson (cancelled in 1967) 479: Emerson (destroyed in a bombardment)
  • Emery
452: Emery (cancelled in 1965)
  • Engravers Titling
146: Engraver's Titling (see: 146 Engravers' Titling) 146: Engravers' Titling Roman composition matrices: UA.18 = 6pt, capitals in 4 sizes, that can be combined.115
size:6pt (6D)
set:8
line:M.1282
147: Engravers' Titling (see: Engravers' Bold Titling) 147: Engravers' Titling Bold (see: Engravers' Bold Titling)
  • Engravers Bold titling
147: Engravers Bold Titling Roman composition matrices: UA.18 = 6 and 12pt in 4 sizes that can be combined.116
size:6pt (6D)12pt (12D)
set:814.5
line:M.1282M.1420
display matrices: 24 pt in 5 sizes
size:24pt
line:T.3060

F

  • Fabritius
586: Fabritius Roman
  • Falstaff
323: Falstaff Roman/italic composition matrices: UA.347 = 6D-12D117
size:6D at 7pE7D at 8pE8D at 9pE9D at 10pE10D at 11pE12D at 13pE
set:10.251213.7515.51720.5
line:M.1245M.1288M.1330M.1373M.1415M.1503
display matrices:
size:14D at 16pE16D at 18pE18D at 20pE20D at 22pE24D at 30pE30D at 36pE36D at 36pE42D at 48pE
line:T.1616T.1838T.2060T.2282T.2756T.3465T.4134T.4849
  • Felix Titling
399: Felix Titling Roman display matrices:118
size:72pt
line:T.7400
  • Fanfare Bold
514: Fanfare Bold Condensed Italic Titling italic (destroyed in a bombardment) 516: Fanfare Bold Condensed Italic Titling No. 2 italic
  • Festival Titling
554: Festival Titling italic display matrices:119
size:36pt42pt48pt60pt72pt
line:T.4576T.5406T.6098T.7619T.9175
  • Figaro
536: Figaro Roman display matrices:120
size:24pt30pt36pt48pt
line:T.2680T.3294T.4014T.5418
626: Figaro Bold (cancelled in 1967)

^ Fleet Titling

632: Fleet Titling Roman display matrices:121
size:14pt16pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1622T.1855T.2080T.2780T.3414T.4164T.4906T.5618T.7050T.8470
  • Floriated capitals
431: Floriated capitals display matrices:122
size:48pt
line:T.6488
  • Fontana
403: Fontana Roman/italic composition matrices: UA.464 = 8pt-14pt123
size:8pt (8D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:7.59.25101112.5
line:M.1233M.1295M.1320M.1352M.1481
large composition matrices:
size:18pt Roman18pt italic24pt Roman
UA.488464488
set:161621.5
line:T.1810T.1810T.2364
437: Fontana bible face Roman/italic composition matrices: UA.464 = 4.5pt-6pt124
size:4.5pt (4D)5pt (5D)6pt (6D)6pt long desc. & asc.on 8pE
set:5.256.257.257.25
line:M.1231M.1271M.1300M.1300
443: Fontana Titling (destroyed in a bombardment)
  • Forte
614: Forte display matrices:125
size:18D at 20pE24D at 30pE36D at 36pE48D at 60pE60D at 72pE72pt
line:T.1984T.2654T.3974T.5360T.6710T.7530
  • Fournier
185: Fournier Roman/italic composition matrices: UA.59 = 8pt-13.5pt126
size:8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13.5pt op 14pE (14D)
set:7.258.258.759.2510.2511.75
line:M.1256M.1280M.1294M.1315M.1345M.1397
large composition matrices: UA. 446
size:14pt (14D)
set:12.25
line:T.1385
185: Fournier Old Face (see: Fournier) 285: Fournier Old Face (Shortened Caps) (see: Fournier Shortened Capitals) 285: Fournier Shortened Capitals Roman/italic (see also: Fournier 185) composition matrices: UA.59 = 10pt-13.5pt, abridged capitals, for use in conjunction with the lowercase characters of Fournier 185127
size:10pt (9D)11pt (10D)12pt (11D)13.5pt op 14pE (14D)
set:8.759.2510.2511.75
line:M.1294M.1315M.1345M.1397
  • French Face Extended
_76: French Face Extended (cancelled in 1967) composition matrices: UA.1 = 7D-10pt128
size:7D at 8pE9pt (8D)10pt (9D)
set:8.259.7510.75
line:M.1250M.1257M.1301
  • French Modern
111: French Modern (cancelled in 1967) composition matrices: UA.1 = 6D-10pt129
size:6D op 7pE7D op 8pE9pt (8D)10pt (9D)
set:78.258.59
line:M.1215M.1250M.1270M.1290
  • French Old Style
_68: French Old Style Roman/italic composition matrices: UA.1 = 6.5pt-13pt130 oid specimen blades show size 7pt and 8pt, later versions: 6.5pt and 7.5pt, set and lining stay the same.
size:6.5pt at 7pE (6D)7pt7.5pt (7D) at 8pE9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:7.257.257.57.58.259.7510.75
line:M.1215M.1215M.1253M.1253M.1260M.1290M.1320M.1388
109: French Old Style Roman/italic (synonym: French Old Stype no. 2) (cancelled in 1967) composition matrices: UA.1 = 6.5pt-11pt131
size:6.5pt (6D) op 7pE7.5pt (7D) op 8pE9pt (8D)10pt (9D)11pt (10D)
set:6.57.58.259.510.25
line:M.1220M.1250M.1260M.1291M.1315
148: French Old Style No. 3 (cancelled in 1967 composition matrices: UA.1 = 6.5pt132
size:6.5pt (6D) op 7pE
set:6.5
line:M.1215
_69: French Old Style Bold Roman/italic composition matrices: UA.1 = 7pt-13pt133
size:7pt (6D)8pt (7D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:7.57.58.759.510.2512.25
line:M.1215M.1253M.1260M.1290M.1320M.1388
_69: French Old Style (Half-Fat) (see: French Old Style Bold)
  • French Round Face
_44: French Round Face Roman/italic composition matrices: UA.1 = 6.5pt-13pt134
size:6.5pt (6D) at 7pE7.5pt (7D) at 8pE9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:7.758.59.75101112.2513
line:M.1225M.1243M.1280M.1300M.1327M.1360M.1387
  • Fredericus Antiqus
314: Fredericus Antiqus Roman/italic composition matrices: UA.1 = 6.5pt-13pt135
size:6D at 7pE7D at 8pE10D at 11pE12D at 13pE
set:88.591112.5
line:M.1236M.1268M.1295M.1333M.1380
  • Futura Buchschrift
596: Futura Buchschrift (cancelled in 1960)

G

  • Gallia (Sorts)
a313: Gallia (Sorts) (cancelled voor 1966) 156: Garamond Roman/italic Swash and ligatures for 156 The italic which was designed for this series was found by customers to be much too extreme. Eventually it was decided to design a more modest italic. That was: ' Series 174 '. The extra luxury italic "swash"-capitals continued to be maintained. In old die cases the italic matrices with 156 appearing on them are occasionally to be found, and they are quite popular for present users of Monotype machines. composition matrices: UA.37 = 6-12pt, UA.99 = 14pt136
size:6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (11D)12D14pt (14D)
set:66.75788.759.510.2511.2512.2512.25
line:M.1186M.1200M.1220M.1250M.1268M.1276M.1300M.1338M.1368M.1486
large composition: Roman = UA.114 italic = UA.115 14pt (14D) Roman/italic, 16pt (16D) Roman, 18pt (18D) Roman/italic, 24pt (24D) Roman/italic
size:14pt (14D)16pt (16D)18pt (18D)24pt (24D)
set:12.75141621.5
line:T.1395T.1600T.1810T.2364
display matrices:
size:14pt16pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1600T.1810T.2138T.2364T.2918T.3470T.4166T.4778T.5961T.7240
201: Garamond bold Roman/italic composition matrices: 6-12pt: Roman = UA.61, italic = UA.315, 14pt = UA.342137
size:6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (11D)12D14pt (14D)
set:66.75788.759.510.2511.2512.2514
line:M.1186M.1200M.1223M.1254M.1268M.1285M.1311M.1350M.1380M.1500
large composition: UA.154 18pt (18D) Roman/italic, 24pt (24D) Roman/italic
size:18pt (18D)24pt (24D)
set:1824
line:T.1810T.2364
display matrices:
size:14pt16pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1600T.1810T.2138T.2364T.2918T.3608T.4162T.4854T.5961T.7240
174: Garamond Italic No. 2 italic (the Roman was cancelled before 1966) composition matrices: UA.42 = 6-12pt, UA.140 = 14pt138
size:6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (11D)12D14pt (14D)
set:66.75788.759.510.2511.2512.2512.75
line:M.1186M.1200M.1220M.1250M.1268M.1276M.1300M.1338M.1368M.1486
large composition: UA.140 14pt (14D) Roman/italic, 18pt (18D) Roman/italic, 24pt (24D) Roman/italic
size:14pt (14D)18pt (18D)24pt (24D)
set:12.751621.5
line:T.1395T.1810T.2364
display matrices:
size:14pt16pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1600T.1810T.2138T.2364T.2918T.3470T.4166T.4778T.5961T.7240
201: Garamond Heavy (see: 201 Garamond Bold) Am. 548: Garamond Bold Am. 5481: Garamond Bold Italic Am. 648E: American Garamond (Roman) Am. 649G: American Garamond Italic
  • Garamont (Goudy)
Am. 248: Garamont (Goudy) Roman Am. 2481: Garamont Italic (Goudy) italic
  • Gill
275: Gill Bold Sans-Serif (see: 275 Gill Sans Bold) 430: Gill Face (destroyed in a bombardment) 442: Gill Ultra Bold (see: 442 Gill Sans Ultra Bold) 433: Gill Moiree Shadow (destroyed in a bombardment) 262: Gill Sans Roman/italic composition matrices: Roman: UA.82, italic: UA.311 = 5-14pt (S.H. = short descenders)139
size:5pt(5D)5.5pt at 6pE(6pt S.H.) (5D)6pt(6D)6Dat 7pE7pt(7D)8pt(8D)8D at 9pE(9pt S.H.)9pt(8D)9D at 10pE(10pt S.H.)10pt(10D)10D at 11pE(11pt S.H.)11pt(11D)12pt(11D)14pt(14D)
set:66.56.577.58999.59.510.2510.2511.2512.5
line:M.1198M.1220M.1220M.1235M.1255M.1255M.1285M.1285M.1302M.1302M.1327M.1327M.1360M.1415
large composition: UA.383, Roman 18pt
size:18pt (18D)
set:17
line:T.1841
display matrices:
size:14pt16pt18pt20pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1611T.1841T.2002T.2181T.2480T.2918T.3606T.4162T.4844T.6124T.7270
349: Gill Sans No. 2 Roman/italic composition matrices: Roman: UA.345 = 5pt140
size:5pt (5D)
set:5
line:M.1155
275: Gill Sans Bold Roman/italic composition matrices: Roman: UA.93 = 5-14pt, italic: UA.302 = 5.5-14pt (S.H. = short descenders)141
size:5pt(5D)5.5pt at 6pE(6pt S.H.) (5D)6pt(6D)6Dat 7pE7pt(7D)8pt(8D)8D at 9pE(9pt S.H.)9pt(9D)9D at 10pE(10pt S.H.)10pt(10D)10D at 11pE(11pt S.H.)11pt(11D)12pt(11D)14pt(14D)
set:66.56.577.58999.59.510.2510.2511.2512.5
line:M.1198M.1220M.1220M.1235M.1255M.1255M.1285M.1285M.1302M.1302M.1327M.1327M.1360M.1415
large composition: UA.383, Roman 18pt
size:18pt (18D)
set:18
line:T.1841
display matrices:
size:14pt16pt18pt20pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1611T.1841T.2002T.2181T.2480T.2918T.3606T.4162T.4844T.6124T.7270
350: Gill Sans Bold Roman (see: 350 Gill Sans 349) composition matrices: Roman: UA.346 = 5pt142
size:5pt (5D)
set:5
line:M.1155
575: Gill Sans Bold (cancelled in 1967) 343: Gill Sans Bold Condensed Roman composition matrices: Roman: UA.93 = 5-14pt, italic: UA.302 = 5.5-14pt (S.H. = short descenders)143
size:5.5pt at 6pE(6pt S.H.) (5D)6pt(6D)8pt(8D)9pt(9D)10pt(10D)12pt(12D)14pt(14D)
set:6.56.5899.511.2512.5
line:M.1220M.1220M.1255M.1285M.1302M.1360M.1415
display matrices:
size:14pt16pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1611T.1841T.2480T.2918T.3606T.4162T.4844T.6124T.7270
373: Gill Sans Bold Condensed Titling No. 1 Roman display matrices:144
size:14pt18pt24pt30pt36pt48pt60pt72pt
line:T.1181T.2363T.3193T.3886T.4714T.6418T.8070T.9680
525: Gill Sans Bold Condensed Titling Roman display matrices:145
size:72pt
line:T.9700
468: Gill Sans Bold Extra Condensed Eoman display matrices:146
size:14pt18pt24pt30pt36pt48pt60pt72pt
line:T.1637T.2086T.2805T.3470T.4160T.5684T.7150T.8552
_L8: Gill Sans Bold Timetable Roman 317: Gill Sans Bold Titling Roman display matrices:147
size:24pt30pt36pt48pt60pt72pt
line:T.3160T.3886T.4744T.6398T.8050T.9660
233: Gill Sans Cameo Roman display matrices:148
size:24pt30pt36pt48pt
line:T.2890T.4344T.5096T.5828
299: Gill Sans Cameo Ruled Roman display matrices:149
size:36pt48pt
line:T.4914T.6528
485: Gill Sans Condensed Roman composition matrices: Roman: UA.499 = 10-12pt150
size:10pt (10D)12pt (12D)
set:8.7510.25
line:M.1302M.1360
display matrices:
size:14pt18pt24pt30pt36pt
line:T.1395T.1841T.2480T.2918T.3606
321: Gill Sans Extra Bold Roman composition matrices: UA.336 = 6D-12pt151
size:6D op 7pE7D op 8pE8pt (8D)10pt (10D)12pt (12D)
set:7889.511.25
line:M.1235M.1270M.1255M.1302M.1360
display matrices:
size:14pt16pt18pt22pt24pt30pt36pt42pt48pt60pt72pt72D op 72pE
line:T.1395T.1581T.1841T.2181T.2480T.2918T.3608T.4162T.4844T.6124T.7270T.8060
526: Gill Sans Extra Bold Titling Roman display matrices:152
size:72pt
line:T.9700
526: Gill Sans Extra Heavy Titling (see: 526 Gill Sans Extra Bold Titling) 362: Gill Sans Light Roman/italic composition matrices: Roman: UA.82 = 4.5-14pt, italic: UA.311 = 5-14pt153
size:4.55pt5.5pt at 6pE6pt6D at 7pE7pt8pt8D at 9pE9pt9D at 10pE10pt10D at 11pE11pt12pt14pt
didot:4D5D5D6D6D7D8D8D9D9D10D10D11D12D14D
set:5.566.56.577.58999.59.510.2510.2511.2512.5
line:M.1239M.1198M.1220M.1220M.1235M.1255M.1255M.1285M.1285M.1302M.1302M.1327M.1327M.1360M.1415
display matrices:
size:14pt16pt18pt20pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1611T.1841T.2002T.2181T.2480T.2918T.3606T.4162T.4844T.6124T.7270
662: Gill Sans Light No. 2 Roman (synonym: Gill Sans Light, see also: Gill Sans 349) composition matrices: Roman: UA.345 = 5pt154
size:5pt (5D)
set:5
line:M.1155
353: Gill Sans Poster Roman display matrices:155
size:66pt op 72pE72pt
line:T.6683T.8030
406: Gill Sans Shadow No. 1 Roman display matrices:156
size:18pt24pt30pt36pt4248pt60pt72pt
line:T.2363T.3160T.3894T.4744T.5596T.6408T.8050T.9660
408: Gill Sans Shadow No. 2 Roman display matrices:157
size:42
line:T.6648
338: Gill Sans Shadow No. 3 Roman display matrices:158
size:72
line:T.7950
290: Gill Sans Shadow Line Roman display matrices:159
size:14pt18pt24pt30pt36pt4248pt60pt72pt
line:T.1395T.1840T.2480T.2918T.3608T.4161T.4854T.6124T.7270
304: Gill Sans Shadow Titling Roman display matrices:160
size:18pt24pt30pt36pt48pt
line:T.2363T.3162T.3884T.4744T.6372
231: Gill Sans Titling Roman composition matrices: UA.84 = 6pt in 4 sizes, 12pt161
size:6pt size 46pt size 36pt size 16pt sizes 3 and 46pt sizes 1 and 312pt
didot6D6D6D6D6D12D
set:7.757.757.757.757.7516
line:M.1365M.1365M.1365M.1365M.1365M.1750
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1846T.2367T.3162T.3884T.4744T.5562T.6372T.8034T.9700
262: Gill Sans-Serif (see: 262 Gill Sans) 349: Gill Sans-Serif (see: 349 Gill Sans) 353: Gill Sans-Serif (see: 353 Gill Sans Poster) 275: Gill Sans-Serif Bold (see: 275 Gill Sans Bold) 350: Gill Sans-Serif Bold (see: 350 Gill Sans Bold) 343: Gill Sans-Serif Bold Condensed (see: 343 Gill Sans Bold Condensed) 468: Gill Sans-Serif Bold Extra Condensed (see: 465 Gill Sans Bold Extra Condensed) 233: Gill Sans-Serif Cameo (see: 233 Gill Sans Cameo) 299: Gill Sans-Serif Cameo Ruled (see: 299 Gill Sans Cameo Ruled) 373: Gill Sans-Serif Extra Bold Titling (see: 373 Gill Sans Bold Condensed Titling) 321: Gill Sans-Serif Extra Heavy (see: 321 Gill Sans Extra Bold) 485: Gill Sans-Serif Medium Condensed (see: 485 Gill Sans Condensed) 362: Gill Sans-Serif Light (see: 362 Gill Sans Light) 304: Gill Sans-Serif Shadow (see: 304 Gill Sans Shadow Titling) 406: Gill Sans-Serif Shadow No. 1 (see: 406 Gill Sans Shadow No. 1) 408: Gill Sans-Serif Shadow No. 2 (see: 408 Gill Sans Shadow No. 2) 290: Gill Sans-Serif Shadowline (see: 290 Gill Sans Shadow Line) 231: Gill Sans-Serif Titling (see: 231 Gill Sans Titling) 317: Gill Sans-Serif Titling (see: 317 Gill Sans Bold Titling) 338: Gill Sans-Serif Two Colour (see: 338 Gill Sans Shadow No. 3) 442: Gill Sans-Serif Ultra Bold (see: 442 Gill Sans Ultra Bold) 442: Gill Sans Ultra Bold Roman display matrices:162
size:18pt24pt36pt48pt60pt72pt
line:T.1985T.2640T.3974T.5398T.6720T.8060
Alternative characters for 262, 275, 362 103: Gloucester Bold Roman/italic composition matrices: UA.5 = 6-13.5pt,163
size:6pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)11.5pt (11D)12pt (11D)13.5pt (13D)
set:67.257.25899.7510.511.2512.75
line:M.1276M.1323M.1323M.1352M.1400M.1433M.1467M.1500M.1563
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930
198: Gloucester Bold Condensed Roman composition matrices: UA.60 = 6-12pt,164
size:6pt (6D)8pt (8D)10pt (9D)11pt (10D)12pt (11D)
set:67.258.59.259.75
line:M.1276M.1323M.1400M.1433M.1443
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930
243: Gloucester Bold Extended Roman composition matrices: UA.75 = 6-12pt,165
size:6pt (6D)8pt (8D)10pt (9D)11pt (10D)12pt (11D)
set:67.2599.7511.25
line:M.1276M.1323M.1400M.1433M.1500
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930
395: Gloucester Bold Extra Condensed Roman display matrices: 14-72pt166
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1580T.2015T.2676T.3194T.3884T.4576T.5268T.6651T.7930
160: Gloucester Bold Italic composition matrices: UA.3 = 6-12pt,167
size:6pt (6D)8pt (8D)9pt (8D)10pt (9D)12pt (11D)
set:6.758910.2511.5
line:M.1276M.1323M.1353M.1400M.1500
396: Gloucester Extra Condensed Roman display matrices: 14-72pt168
size:14pt18pt24pt30pt36pt42pt48pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268
_99: Gloucester Old Style Roman/italic composition matrices: UA.4 = 6-13.5pt,169
size:6pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)11.5pt (11D)12pt (11D)13.5pt (13D)
set:67.257.25899.7510.511.2512.75
line:M.1276M.1323M.1323M.1352M.1400M.1433M.1467M.1500M.1563
large composition: 18pt (18D) UA.116, Roman/italic, 24pt (24D) UA.117, Roman/italic
size:18pt (18D)24pt (24D)
set:1621.5
line:T.1984T.2640
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930
  • Gothic (collective name for sans serif typefaces)
__4: Gothic (synonym: Grotesque Condensed) (cancelled in 1967) composition matrices UA.1B 6pt - 12pt170
size:6pt (6D)8pt (8D)9pt (8D)10pt (9D)12pt (12D)
set:6.588.59.2512
line:M.1220M.1260M.1290M.1320M.1360
  • Goudy
269: Goudy Bold Roman/italic composition matrices: UA.88 = 6-14pt,171
size:6pt (6D)8pt (8D)10pt (10D)11pt (10D)12pt (12D)14pt (14D)
set:7.59.251111.7512.7515.5
line:M.1250M.1286M.1362M.1386M.1425M.1620
display matrices:
size:14pt18pt24pt30pt36pt42pt
line:T.1518T.1965T.2590T.3124T.3824T.4427
441: Goudy Bold Roman/italic composition matrices: UA.382 = 6-12pt,172
size:6pt (6D)8pt (8D)10pt (10D)11pt (10D)12pt (12D)
set:6.758.510.2511.2512.25
line:M.1246M.1295M.1370M.1407M.1442
268: Goudy Cataloque Roman/italic composition matrices: UA.83 = 6-14pt,173
size:6pt (6D)8pt (8D)9pt (9D)10pt (10D)12pt (12D)14pt (14D)
set:78.759.2510.251214
line:M.1250M.1294M.1325M.1377M.1447M.1592
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt
line:T.1470T.1980T.2620T.3194T.3884T.4576T.5268
364: Goudy Cataloque Roman/italic composition matrices: UA.1 = 5-6pt, UA.419 = 7pt-7.75pt,174
size:5pt (5D)5,5pt (6D)6pt (6D)7pt (7D)7.75pt op 8pE (8D)
set:5.56.257.758.59.25
line:M.1190M.1208M.1240M.1253M.1282
214: Goudy Extra Bold Roman/italic composition matrices: UA.88 = 6-14pt,175
size:6pt (6D)8pt (8D)8D op 9pE9pt (9D)10pt (10D)12pt (12D)
set:7.5910.2510.2511.513.5
line:M.1237M.1285M.1323M.1323M.1323M.1385
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1810T.2502T.3056T.3746T.4406T.5048T.6340T.7550
249: Goudy Modern Roman/italic composition matrices: UA.87 = 10-12pt,176
size:10pt (9D)11pt (10D)12pt (12D)
set:9.251011.25
line:M.1235M.1256M.1290
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt
line:T.1257T.1671T.2226T.2780T.3332T.3886T.4438
291: Goudy Old Style Roman/italic composition matrices: UA.312 = 6-14pt, long descenders available, Swash capitals in: 42, 60, 72pt177
size:6pt (6D)8pt (8D)8pt long desc.10pt10pt long desc.11pt short desc.11pt12pt14pt
didot:6D8D9D op 9pE10D11D10D op 11pE11D12D14D
set:6.758.58.510.2510.2511.2511.2512.2515
line:M.1246M.1295M.1295M.1370M.1370M.1407M.1407M.1442M.1630
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1538T.1948T.2606T.3184T.3874T.4427T.5118T.6364T.7609
292: Goudy Text (gotisch schrift) composition matrices: UA.339 = 9-12pt, can be combined with 293 Lombardic Capitals178
size:9pt (8D)10pt (10D)12pt (12D)
set:7.589.5
line:M.1354M.1356M.1425
display matrices:
size:14pt18pt24pt36pt48pt
line:T.1523T.1939T.2590T.3884T.5268
439: Goudy Titling Roman
  • Gravura
533: Gravura Roman (cancelled in 1965) composition matrices: UA.1 = 12pt179
size:12pt (12D)
set:10
line:M.1325
  • Grock
388: Grock Roman display matrices:180
size:24pt36pt48pt
line:T.3160T.4744T.6398
  • Grosvenor Script
493: Grosvenor Script italic display matrices:181
size:18pt
line:T.1980
  • Grotesque (collective name for sans serif typefaces)
_11: Grotesque (see: 11 Grotesque Bold Condensed) _33: Grotesque (see: 33 Grotesque Condensed) _51: Grotesque Roman/italic composition matrices: UA.2 = 6-12pt, UA.124 = 14pt-18pt, UA.125= 24pt182
size:6pt (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)
set:7.759.510.2511.512.515.5
line:M.1220M.1235M.1265M.1291M.1315M.1444
large composition:
size:14pt (14D)18pt (18D)24pt (24D)
set:141824
line:T.1533T.1984T.2640
display matrices:
size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2308T.2640T.3194T.3884T.4576T.5268T.6651T.7930
126: Grotesque (see: 126 Grotesque Light No. 1) 215: Grotesque Roman/italic (synonym: Grotesque No. 1) composition matrices: 5pt = roman UA.421 and intslic UA.429, 6.5pt-13pt = roman UA.65 and italic UA.401183
size:5pt (5D)6.5pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:5.256.757.57.758.59.510.2512.5
line:M.1208M.1265M.1287M.1292M.1322M.1371M.1405M.1495
display matrices:
size:14D at 16pE16D at 18pE18D at 20pE20D at 22pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE60D at 72pE72pt
line:T.1630T.1852T.2076T.2300T.2780T.3565T.4164T.5570T.7040T.7900
216: Grotesque (see: 216 Grotesque Bold) 274: Grotesque (see: 274 Grotesque Light Condensed) 389: Grotesque No. 2 (see: 389 Grotesque Light) 212: Grotesque Roman (cancelled in 1964) composition matrices: UA.62 = 6.5pt184
size:6.5pt at 7pE (6D)
set:7
line:M.1393
_73: Grotesque Bold No. 3 Roman composition matrices: UA.3 = 6-13pt185
size:6pt (6D)6.5pt at 7pE (6D)7.5pt at 8pE (7D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:7.257.758.59.75101112.2513
line:M.1211M.1225M.1240M.1260M.1290M.1320M.1360M.1390
_97: Grotesque Bold Roman (in red: withdrawn around 197(?) ) composition matrices: UA.2 = 7.7pt186
size:7.5pt (7D)
set:9.5
line:M.1262
216: Grotesque Bold No. 2 Roman/italic combines with Series No. 215 Grotesque composition matrices: 6.5pt-13pt = UA.66187
size:5pt (5D)6.5pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:5.256.757.57.758.59.510.2512.5
line:M.1208M.1265M.1287M.1292M.1322M.1371M.1405M.1495
display matrices:
size:14D at 16pE16D at 18pE18D at 20pE20D at 22pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE60D at 72pE72pt
line:T.1630T.1852T.2076T.2300T.2780T.3565T.4164T.5570T.7040T.7900
680: Grotesque Bold Roman (see: Bell Gothic 619) composition matrices UA.502 6pt188
size:6pt (6D)
set:7
line:M.1245
_11: Grotesque Bold Condensed (cancelled in 1967) composition matrices: UA-2, 6pt & 9pt (synonym: Grotesque)189
size:6pt (6D)9pt (8D)
set:6.58
line:M.1225M.1260
_15: Grotesque Bold Condensed No. 2 Roman/italic (synonym: series 15 Sans Serif) composition matrices Roman: UA.2 = 6pt - 12pt190 6pt (6D) with short descenders: 6.5 set line .1225
size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:6.57.7588.751010.7512
line:M.1225M.1255M.1285M.1310M.1355M.1380M.1430
display matrices:
size:14pt18pt24pt30pt36pt
line:T.1533T.1948T.2640T.3194T.3884
365: Grotesque Bold Condensed (synonym: 365 Heavy Narrow Gothic) (cancelled in 1967) composition matrices UA.333 = 10pt - 12pt191
size:10pt (10D)12pt (12D)
set:8.7510.25
line:M.1410M.1490
_81: Grotesque Bold Condensed Roman composition matrices: UA.2 = 10pt192
size:10pt (9D)
set:9.5
line:M.1301
166: Grotesque Bold Condensed No. 4 (synonym: 166 Grotesque Bold Condensed Titling) composition matrices: UA.403 = 12pt, UA.121 = 14pt193
size:12pt (12D)
set:12
line:M.1590
large composition:
size:14pt (14D)
set:14
line:T.1691
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1671T.2085T.2778T.3470T.4299T.4991T.5821T.7204T.8623
166: Grotesque Bold Condensed Titling Roman (see: 166 Grotesque Bold Condensed No. 4) 527: Grotesque Bold Condensed Titling Roman display matrices:194
size:72pt
line:T.9700
150: Grotesque Bold Extended No. 1 Roman/italic composition matrices: 6pt-12pt, 7pt and 9pt only italic195
size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)
UA. rom:22.40.404040
UA. curs.309310310310310310130
set:6.58.751011121314
line:M.1200M.1245M.1280M.1306M.1365M.1395M.1470
large composition:
size:18pt (18D)24pt (24D)
set:19.526
line:T.1948T.2640
display matrices:
size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2308T.2640T.3194T.3884T.4576T.5268T.6651T.7930
168: Grotesque Bold Extended (cancelled in 1967) 524: Grotesque Bold Titling Roman display matrices:196
size:72pt
line:T.9700
_33: Grotesque Condensed No. 2 Roman composition matrices: UA.2 = 6pt-13.5pt197
size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)13.5pt (14D)
set:6.75788.59.259.7511.2511.2512.5
line:M.1255M.1255M.1285M.1315M.1365M.1395M.1455M.1440M.1517
large composition, UA.395 = 22pt :
size:22pt (20D)
set:14
line:T.2350
display matrices:
size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2308T.2640T.3194T.3884T.4576T.5268T.6651T.7930
318: Grotesque Condensed Roman composition matrices: UA.388 = 5D, 6pt, UA.300 = 6D-13pt198
size:5D at 6pE6pt (6D)6D at 7pE7D at 8pE8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:55.255.56.56.757.58.259.2510.2511
line:M.1220M.1248M.1264M.1307M.1328M.1373M.1410M.1459M.1505M.1551
display matrices:
size:14pt18pt24pt30pt36pt48pt
line:T.1544T.1948T.2640T.3332T.4022T.5406
383: Grotesque Condensed No. 4 Roman composition matrices: UA.341 = 5D-12D199
size:6D at 7pE8D at 9pE10D at 11pE12D at 13pE
set:5678
line:M.1280M.1358M.1410M.1500
display matrices:
size:14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 36pE42pt at 48pE48D at 60pE60D at 72pE72pt
line:T.1626T.2074T.2776T.3565T.4164T.4879T.5620T.7030T.7890
__4: Grotesque Condensed (see: Gothic Series No. 4) 383: Grotesque Condensed Heavy (see: 383 Grotesque Condensed) 523: Grotesque Condensed Titling Roman display matrices:200
size:72pt
line:T.9700
215: Grotesque Half Fat (see: 215 Grotesque No. 1) 126: Grotesque Light No. 1 Roman/italic composition matrices: UA.420/UA.431 = 5pt-5.5pt, UA.64/UA.396 = 6.5pt-13pt201
size:5pt (5D)5.5pt (5D)6.5pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:5.255.756.757.57.758.59.510.2512.5
line:M.1208M.1231M.1265M.1287M.1292M.1322M.1371M.1405M.1495
display matrices:
size:14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE
line:T.1630T.2076T.2780T.3565T.4164T.5570
389: Grotesque Light (synonym: 389 Grotesque No. 2) (cancelled in 1967) composition matrices: UA.2 = 8pt-12pt202
size:8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:9.510.2511.2512.515.5
line:M.1235M.1265M.1291M.1315M.1444
274: Grotesque Light Condensed No. 2 Roman composition matrices: UA.427 =5D, UA.94 = 6D-13pt203
size:5D at 6pE6D at 7pE7D at 8pE8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:55.56.56.757.58.259.2510.2511
line:M.1220M.1264M.1307M.1328M.1373M.1410M.1459M.1505M.1551
204: Grotesque Light Condensed (synonym: 204 Light face Gothic) (cancelled in 1967) composition matrices: UA.58 = 12pt204
size:12pt (12D)
set:10.25
line:M.1360
display matrices:
size:14pt18pt
line:T.1395T.1810
405: Grotesque Light Condensed (cancelled in 1967) 405: Grotesque Narrow (see: 405 Grotesque Light Condensed) 177: Grotesque Newspaper Smalls (see: 177 Newspaper Small Ads) 216: Grotesque 3⁄4 Fat (see: 216 Grotesque Bold No. 1) 502: Grotesque Timetable (cancelled in 1967) 524: Grotesque Titling (see: 524 Grotesque Bold Titling)
  • Gwendolin
208: Gwendolin (cancelled in 1967)
  • Gustavus
484: Gustavus Bold (cancelled in 1965) 497: Gustavus Light (cancelled in 1965)

H

  • Haarlemmer
531: Haarlemmer Roman (withdrawn in 1967) design: Jan van Krimpen composition matrices: UA.408 = 14D205
size:14D
set:12.75
line:M.1500
  • Half Fat Modern Mediaeval
_52: Half Fat Modern Mediaeval Roman (synonym: 52 Schurmann Antiqua Halbfette) (withdrawn in 196(?) ) composition matrices: UA.5206
size:6D op 7pE7D op 8pE9pt (8D)10pt (9D)11pt (10D)12D op 13pE
set:7.7599.259.7510.512.7
line:M.1264M.1307M.1338M.1399M.1425M.1517
  • Headline bold
595: Headline Bold Roman/italic composition matrices: UA.443 = 6-14pt207
size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:6.7588.759.7510.7511.7512.7514.75
line:M.1245M.1287M.1320M.1358M.1397M.1431M.1474M.1624
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930
  • Heavy
223: Heavy Antique (see: Devonshire Bold) 282: Heavy Egyptian (see: 282 Egyptian Bold Condensed) (synonym Egyptian Heavy) 365: Heavy Narrow Gothic (see: 365 Grotesque Bold Condensed) (cancelled in 1967) 435: Heavy Shadow French (cancelled in ??) 337: Heavy Small Caps (cancelled in 1974) 765: Helvetica Roman/italic combines with 766 Helvetica Medium, equivalent with Stempel's Helvetica halbfett, and Linotype Helvetica Bold composition matrices: UA.508 = 6D-12D208
size:6D op 7pE7D op 8pE8D op 9pE9D op 10pE10D op 11pE12D op 13pE
set:77.758.759.7510.7512.75
line:M.1230M.1255M.1290M.1328M.1360M.1430
766: Helvetica Medium Roman/italic composition matrices: UA.508 = 6D-12D209
size:6D at 7pE7D at 8pE8D at 9pE9D at 10pE10D at 11pE12D at 13pE
set:77.758.759.7510.7512.75
line:M.1230M.1255M.1290M.1328M.1360M.1430
  • Horley Old Style
261: Horley Old Face Heavy (see: 261 Horley Old Style Bold) 188: Horley Old Style (replaced by 199, cancelled in 1965) 199: Horley Old Style Roman/italic composition matrices: UA.56 = 6-13pt, UA.362 = 14pt210
size:6pt (6D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)14pt (14D)
set:6.758.259.251010.7511.7512.7513
line:M.1250M.1296M.1328M.1362M.1392M.1435M.1473M.1520
large composition: Roman = UA.367
size:18pt24pt
set:16.622
line:T.1828T.2390
display matrices:
size:14pt18pt24pt30pt36pt
line:T.1422T.1828T.2390T.2944T.3634
261: Horley Old Style Bold Roman/italic composition matrices: UA.80 = 6-13pt211
size:6pt (6D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:6.758.259.251010.7511.7512.75
line:M.1250M.1296M.1328M.1362M.1392M.1435M.1473
display matrices:
size:14pt18pt24pt30pt36pt42pt84pt60pt72pt
line:T.1422T.1828T.2390T.2944T.3634T.4276T.4898T.6150T.7380
  • 923: Hungry Dutch, roman
composition matrices, 12pt, no italic available Design: Russell Maret, a revival of a typeface cut in 1686 by Peter van Walpengen for Bishop John Fell of Oxford. After 50 years this was in 2020 the first design for a font to cast in composition.212

I

101: Imprint Roman/italic combines with series 310 or 410 composition matrices: UA.4 = 6-12pt, UA.4a = 13.5pt213
size:6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13.5pt on 14pE
set:77.757.758.59.259.510.2511.7513.25
line:M.1237M.1257M.1257M.1285M.1312M.1300M.1325M.1375M.1440
large composition:
size:16pt (16D)18pt (18D)24pt (24D)
UA.Roman106106107
UA.italicmissing128129
set:161824
line:T.1609T.1810T.2364
display matrices:
size:14pt16pt18pt20pt24pt30pt36pt
line:T.1395T.1609T.1810T.1998T.2364T.2918T.3608
310: Imprint Bold Roman/italic combines with series 101 composition matrices: UA.98 = 6pt-13.5pt214
size:6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13.5pt at 14pE
set:77.757.758.59.259.510.2511.7513.25
line:M.1237M.1257M.1257M.1285M.1312M.1300M.1325M.1375M.1440
410: Imprint Bold No. 2 Roman/italic combines with series 101 composition matrices: 6-13.5pt215
size:6pt (6D)7pt short desc.op 6.5pE (6D)7pt(7D)8pt (8D)9pt(8D)10pt (9D)11pt (10D)11pt large face (11D)12pt 12D)13.5pt on 14pE (14D)
UA.Roman348348348348348348348348348
UA.italic76767676767676geen italic7676
set:77.757.758.59.259.510.251111.7513.25
line:M.1237M.1257M.1257M.1285M.1312M.1300M.1325M.1346M.1375M.1440
310: Imprint Heavy No. 1 (see: 310 Imprint Bold) 410: Imprint Heavy No. 2 (see: 410 Imprint Bold) 101: Imprint Old Face (see: 101 Imprint) 190: Imprint Shadow Roman/italic display matrices216
size:60pt72pt
line:T.6237M.7516
  • Indicateur
462: Indicateur (cancelled in 1967)
  • Inflex Bold
366: Inflex Bold Roman composition matrices: UA.344 = 5pt-9pt, combines with: Series No. 342 Ionic217
size:5pt (5D)5.5pt (6D)6pt (6D)7pt (7D)8pt (8D)9pt (9D)
set:5.566.757.58.59.25
line:M.1220M.1242M.1270M.1290M.1327M.1355
  • Inflex Timetable
503: Inflex Timetable (see: Bold Face)
  • Ionic
__6: Ionic (see: 6 Modern no.4) (cancelled in 1967) 265: Ionic No. 1 Roman/italic (cancelled in 1967) composition matrices: UA.321 = 6pt-6.5pt218
size:6pt (6D)6.5pt (6D)
set:77.75
line:M.1237M.1248
342: Ionic No. 2 Roman/italic (see also: 562 Ionic 2-line composition matrices: UA.317 = 5pt-9pt219
size:5pt (5D)5.5pt (6D)6pt (6D)7pt (7D)8pt (8D)9pt (9D)
set:5.566.757.58.59.25
line:M.1220M.1242M.1270M.1290M.1327M.1355
184: Ionic No. 3 Roman (synonym : 184 Egyptian) (cancelled in 1967) composition matrices: UA.51 = 6pt220
size:6pt (6D)
set:6.75
line:M.1255
153: Ionic No. 4 Roman (cancelled in 1967) composition matrices: UA.1 = 8pt221
size:8pt (8D)
set:10.75
line:M.1285
416: Ionic No. 5 Roman/italic (cancelled in 1967) composition matrices: UA.1 = 7D-8D222
size:7D op 8pE8D op 9pE
set:9.259.75
line:M.1266M.1329
451: Ionic No. 6 Roman/italic (cancelled in 1967) composition matrices: UA.380 = 6pt-7pt223
size:6pt (6D)7pt (7D)
set:6.757.5
line:M.1270M.1290
476: Ionic (destroyed in a bombardment) 562: Ionic Two-line Roman only 10 pt high capitals, numbers and signs (see also: 342 Ionic) composition matrices: UA.317(?) = 5pt,224 In a die case combined with series 342-5pt this produces 10pt large initials, to produce advertisements. All can be done in one machine-run.
size:5pt (5D)
set:8.25
line:M.1610
  • Iroquois Condensed
_23: Iroquois Condensed Roman (cancelled in 1964) UA.2, 8pt, 10pt, 12 pt225
size:8pt (8D)10pt (9D)12pt (12D)
set:8.59.7512
line:M.1305M.1390M.1480
  • Italian Old Style
108: Italian Old Style Roman/italic composition matrices: UA.4 = 6pt-13pt226
size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)
set:6.757.58.2599.7510.51213
line:M.1237M.1268M.1286M.1313M.1338M.1364M.1420M.1448
display matrices:
size:14pt18pt24pt30pt36pt
line:T.1533T.1948T.2640T.3194T.3884
149: Italian Old Style Bold Roman composition matrices: UA.5 = 6pt-13pt227
size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)
set:6.757.588.759.7510.51213
line:M.1237M.1268M.1286M.1313M.1338M.1364M.1420M.1448
display matrices:
size:14pt16pt18pt20pt24pt30pt36pt
line:T.1533T.1737T.1948T.2152T.2640T.3194T.3884
149: Italian Old Style Display (see: 149 Italian Bold Style Bold & Veronese (typeface))
  • Italic Display
_54: Italic Display (see: 54 Modern Bold Italic)

J

  • Jacno
579: Jacno (experimental)
  • Janson
646: Janson (cancelled in 1972) Am. 401 Janson Roman Am. 4011 Janson italic
  • Jenson
Am. 58 Jenson Old Style228 Am. 258 Jenson Condensed 478: Joanna Roman/italic composition matrices: UA.449 = 8pt-14pt229
size:8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:8.59.510111214
line:M.1230M.1260M.1283M.1310M.1340M.1460
display matrices:
size:18pt24pt30pt36pt
line:T.1755T.2364T.2918T.3504
  • Jocunda
369: Jocunda Roman only capitals, numbers and signs (cancelled in 1967) display matrices:230
size:36pt
line:T.3606

K

  • Kaatskill
311: Kaatskill (cancelled in 1967)
  • Kennerley
Am:
  • Kino
305: Kino Roman display matrices:231
size:18pt24pt30pt36pt
line:T.1927T.2572T.3154T.3854
  • Klang
593: Klang italic display matrices:232
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930

L

  • Lamp
490: Lamp (cancelled)
  • Latin Antique
__9: Latin Antique Roman composition matrices: UA-2 (6-13pt) (synonym: Latin Antique)233
size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:6.57.25899.510.51212.5
line:M.1230M.1258M.1270M.1300M.1310M.1370M.1380M.1388
_60: Latin Antique Roman (synonym: 60 Latin Antique No. 2 composition matrices: UA.2 = 8-12pt234
size:8pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:899.7511.25
line:M.1223M.1301M.1323M.1369
_78: Latin Antique Roman composition matrices: UA.2 = 6-13pt235
size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:7.758.259.259.75101112.2513
line:M.1245M.1240M.1270M.1280M.1301M.1323M.1369M.1388
_84: Latin Antique (cancelled) (synonym: 84 Latin Antique no. 4) composition matrices: UA.2 = 6-12pt236
size:6pt (6D)9pt (8D)11pt (10D)12pt (12D)
set:78.510.2511.75
line:M.1235M.1262M.1323M.1369
419: Latin Condensed Roman display matrices:237
size:24D op 30pE28D op 30pE36D op 36pE48D op 60pE60D op 72pE72pt
line:T.2686T.3182T.4044T.5410T.6800T.7630
164: Latin Wide (cancelled in 1967) composition matrices: UA.19 = 8pt238
size:8pt (8D)
set:7.5
line:M.1250
  • Laudian Old Style
450: Laudian Old Style Roman/italic composition matrices: UA.1 = 5.5pt-7.75pt239
size:5.5pt (5.5D)7.75pt (8D)
set:6.758.5
line:M.1270M.1282
454: Laudian Old Style (destroyed by bombs)
  • Lectern Missal
538: Lectern Missal Roman (see: Missal 393)
  • Leysbourne
348: Leysbourne (cancelled in 1965) 12 pt 10.5 set line.1325 UA.359240
  • Light
505: Light Extra Condensed (see: 505 Placard light Extra Condensed) 204: Light Face Gothic (see: 204 Grotesque Light Condensed) 113: Light Face Plantin (see: 113 Plantin Light) 522: Light Placard Titling (see: 522 Placard Condensed Titling) 475: Light Script (see: 475 Script Light)
  • Littleworth
284: Littleworth (cancelled in 1967) UA.=317, composition: 12pt = 10.5 set line.1336, 16pt display matrices line.1557241
  • Lombardic Capitals
293: Lombardic Capitals (see: 292 Goudy Text 292)
  • L.P.T.B. Titling
517: L.P.T.B. Titling (cancelled in 1965)
  • Lutetia, this early design of Jan van Krimpen was modified for Monotype. Jan van Krimpen had given his permission to change his design for hand composing of Lettergieterij Amsterdam to edit it for machine composition. Later he had to admit that the result was very good. But he added immediately that "if" he had known this in advance ... he never would have agreed ... to get as close as possible to the original design to be able to stay, it was necessary to make another unit-arrangement for each size. Consequently, it was a very expensive for the printer customers, since each size with another wedge had to be poured. Also on the keyboard keybanks for each size was another requirement, and extra wedges also had to be purchased.
255: Lutetia Roman/italic composition matrices Unit arrangements different for each size242
size:8D10D12D14D16D20D
UA Roman:334306307308170172
UA italic:334306308308171172
set:7.5810.7511.7513.516.5
line:M.1215M.1276M.1305M.1488M.1488M.1980
display matrices:
size:28D36D48D
line:T.2754T.3554T.4790

M

  • Mardersteig
347: Mardersteig Never produced, only one proof-set was made for Giovanni Mardersteig himself. The matrices were lost.
  • Matura
496: Matura script display matrices:243
size:18pt24pt30pt36pt42pt48pt
line:T.1841T.2458T.3014T.3674T.4316T.4958
  • Matura scriptorial Capitals
528: Matura scriptorial Capitals (combines with 496 Matura) display matrices:244
size:24pt
line:T.3170
  • Mediaeval
125: Mediaeval Roman (cancelled in 1965) 134: Mediaeval Roman (cancelled in 1965) 136: Mediaeval Roman (cancelled in 1965) _88: Mediaeval Modern (see: 88 Modern Mediaeval) _52: Mediaeval Modern Half-Fat (see: 52 Half-Fat Modern Mediaeval) (synonyms: 52 Schurmann Antiqua Halbfette, Half-Fat Modern Mediaeval) (cancelled in 196?) _67: Mediaeval Old Style (see: 67 Old Style)
  • Menhart
397: Menhart Roman/italic composition matrices: UA.378 = 10D-14245
size:10D at 11pE14D at 16pE
set:9.513.5
line:M.1314M.1596
display matrices:
size:18D at 20pE24D at 30pE
line:T.1841T.2536
  • Mercurius Bold Script
583: Mercurius Bold Script display matrices:246
size:14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE60D at 72pE72pt
line:T.1556T.1985T.2656T.3405T.3974T.5360T.6720T.7540
  • Missal
336: Missal 393: Missal Roman 448: Missal No. 3 459: Missal No. 4
  • Modern
__1: Modern No. 1 Roman/italic 1901, after a design of Miller & Richards composition matrices: UA-1 (6-12pt), UA-1a(14pt),247
size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)14pt (small face)(14D)
set:6.75788.59.259.7511.2513.5
line:M.1210M.1208M.1237M.1260M.1290M.1310M.1360M.1405
_80: Modern No. 2 (cancelled in 1967) 190?, composition matrices: UA-1,248
size:9D (8D)10pt (9D)11pt (10D)12pt (12D)
set:8.759.251011.25
line:M.1257M.1290M.1310M.1369
189: Modern No. 3 Roman/italic 190?, composition matrices: UA-1,249
size:6D7D at 8pt8pt (8D)9pt (9D)10pt (9D)11pt (10D)
set:788.59.259.7511.25
line:M.1208M.1237M.1260M.1290M.1310M.1360
__6: Modern No. 4 (cancelled in 1967) (synonym: Ionic) 190?, composition matrices: UA-1,250
size:8pt (8D)10pt (9D)
set:89.25
line:M.1240M.1290
_95: Modern No. 5 Roman/italic (cancelled in 1967) composition matrices: UA-1 = 11pt251
size:11pt (10D)
set:10.25
line:M.1332
250: Modern No. 6 Roman (synonym: 250 Modern Condensed no.5) composition matrices: UA.92 = 6.5pt UA=418 = 7D252
size:6.5pt (6D)7D op 8pE
set:6.57.5
line:M.1230M.1267
422: Modern No. 7 Roman/italic (cancelled in 1965) composition matrices: UA.376 = 12 pt253
size:12pt (12D)
set:13
line:M.1380
471: Modern No. 8 Roman (cancelled in 1967) composition matrices: UA.1 8D-10D254
size:8D at 9pE9D at 10pE10D at 11pE
set:99.510.5
line:M.1310M.1365M.1380
183: Modern Roman (synonym: 183 Modern no. 6) (cancelled in 1967) display matrices,255
size:18pt
line:T.1948
211: Modern Roman (see: 211 Century no.1) 257: Modern (synonym: 257 Modern Wide) composition matrices: UA.1256
size:10pt (9D)11pt (10D)
set:10.511.25
line:M.1294M.1310
444: Modern (cancelled in 1936) 570: Modern Bold Roman, combines with: Modern Series No. 7 composition matrices: UA.2,257
size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)
set:77.758.59.259.7510.512
line:M.1235M.1210M.1235M.1260M.1200M.1310M.1360
_54: Modern Bold Italic italic (synonym: 54 Italic-Display) composition matrices: UA.3 = 6-12pt258
size:6pt (6D)6.5pt (6D)7D8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:6.757.758.58.759.51010.7512.5
line:M.1202M.1216M.1238M.1235M.1257M.1391M.1315M.1363
display matrices:
size:14pt (14D)18pt (18D)
line:T.1395T.1810
263: Modern Cancellation Fount Roman (see: 263 Modern Extended 17) _13: Modern Condensed No. 1 Roman/italic composition matrices UA.1 = 6pt259
size:6pt (6D)
set:6.5
line:M.1185
_14: Modern Condensed No. 2 Roman/italic composition matrices: UA.1 = 7 pt260
size:7pt (7D)
set:7.25
line:M.1220
_39: Modern Condensed No. 3 Roman/italic composition matrices: UA.1,261
size:6.5pt (6D)7.5pt (7D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:6.57.588.759.511.25
line:M.1225M.1250M.1260M.1290M.1320M.1390
_79: Modern Condensed No. 4 Roman/italic (cancelled in 1965) composition matrices: UA.1 = 11pt262
size:11pt (10D)
set:8.75
line:M.1375
250: Modern Condensed No. 5 Roman composition matrices: UA.92 = 6.5pt, UA.418 = 7D263
size:6.5pt (6D)7D op 8pE
set:6.57.5
line:M.1230M.1267
__7: Modern Extended No. 1 Roman/italic, 1902, some bit wider version of Modern no.1 composition matrices: UA.1 = 6pt-12pt264
size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:77.758.59.259.7510.512
line:M.1235M.1210M.1235M.1260M.1290M.1310M.1360
_77: Modern Extended No. 2 Roman/italic (cancelled in 1967) composition matrices, UA1 = 9pt-11pt265
size:9pt (8D)11pt (10D)
set:9.510.5
line:M.1290M.1375
447: Modern Extended No. 3 (cancelled in 1965) composition matrices, UA1 = 8D-9D266
size:8D op 9pE9D op 10pE
set:8.759.5
line:M.1341M.1375
237: Modern French 247: Modern French (cancelled in 1965) _88: Modern Mediaeval (cancelled in 1964) _52: Modern Mediaeval (Half-Fat) (see: 52 Half-Fat Modern Mediaeval) (synonyms: 52 Schurmann Antiqua Halbfette, Half-Fat Modern Mediaeval) (cancelled in 196?) 500: Modern Timetable (cancelled in 1967) 179: Modern Titling Roman/italic (synonyms: 179 Titling 179, Titling Italic) composition matrices: UA.1 = UA.8-12pt267
size:8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D
set:8.7510.514.7519.5
line:M.1341M.1455M.1642M.1755
_16: Modern Wide No. 1 Roman/italic composition matrices: UA.1 = 5pt268
size:5pt (5D)
set:6.5
line:M.1240
_18: Modern Wide No. 2 Roman/italic (synonym: Modern Wide) composition matrices: UA.1 = 6pt269
size:6pt (6D)
set:7.75
line:M.1245
_25: Modern Wide No. 3 Roman/italic (synonym: Modern Wide, also referred to as: Romano) composition matrices UA.2 = 6pt - 12pt270
size:9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:9.2510.251112.5
line:M.1260M.1300M.1318M.1360
_26: Modern Wide No. 4 Roman/italic (synonym: Modern Wide) composition matrices: UA.1 = 4.5pt-5pt271
size:4.5pt op 5pE (5D)5pt (5D)
set:5.55.5
line:M.1173M.1173
_30: Modern Wide No. 5 Roman/italic (synonym: Modern Wide) composition matrices: UA.1 = 7pt-8pt272
size:7pt (7D)8pt (8D)
set:8.259.25
line:M.1240M.1270
_75: Modern Wide No. 6 (synonym: 75 Modern Wide) (cancelled in 1967) composition matrices: UA.1 = 7Dt273
size:7D op 8pE
set:9.5
line:M.1262
257: Modern Wide No. 7 (cancelled in 1967) composition matrices: UA.1 = 10pt-11pt274
size:10pt (9D)11pt (10D)
set:10.511.25
line:M.1294M.1320
  • Modernistic
a297: Modernistic (Sorts) (cancelled vóór 1966)
  • Morrison Face
537: Morrison Face (cancelled in 1964)
  • Monoline Script
351: Monoline Script
  • Musical signs
210: Musical signs 382: Musical signs

N

  • Narrow
294: Narrow Bembo Italic (see: 294 Bembo Condensed Italic) 166: Narrow Gothic (see: 166 Grotesque Bold Condensed Titling) 527: Narrow Gothic Titling (see: 527 Grotesque Bold Condensed Titling) 405: Narrow Grotesque (see: 405 Grotesque Light Condensed)
  • Nastaliq
402: Nastaliq (cancelled)
  • Neo Didot
_27: Neo Didot Roman/italic composition matrices: UA.1 = 6.5-13pt275
size:6.5pt (6D)7.5pt (7D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)13pt (12D)
set:7.75899.7510.511.512.5
line:M.1235M.1238M.1270M.1300M.1320M.1360M.1390
_65: Neo Didot Roman/italic composition matrices: UA.1 = 6.5-13pt276
size:6.5pt (6D)7.5pt (7D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)13pt (12D)
set:7.758.59.75101112.2513
line:M.1225M.1240M.1260M.1290M.1320M.1360M.1390
  • New Clarendon
617: New Clarendon Roman/italic combines with: 618 New Clarendon Bold composition matrices: UA.481 = 6-14pt277
size:6pt (6D)8pt (8D)10pt (10D)12pt (12D)14pt (14D)
set:89.7511.751416.5
line:M.1220M.1285M.1318M.1380M.1495
display matrices:
size:14pt16pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1610T.1805T.2433T.2987T.3608T.4231T.4853T.6098T.7308
618: New Clarendon Bold Roman/italic composition matrices: UA.481 = 6-14pt278
size:6pt (6D)8pt (8D)10pt (10D)12pt (12D)14pt (14D)
set:89.7511.751416.5
line:M.1220M.1285M.1318M.1380M.1495
display matrices:
size:14pt16pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1610T.1805T.2433T.2987T.3608T.4231T.4853T.6098T.7308
  • New Emerald Bible
610: New Emerald Bible
  • New Face
606: New Face (cancelled in 1964) 607: New Face Bold (cancelled in 1964) 615: New Grotesque (cancelled in 1974) (apart from "A") 616: New Grotesque Bold (cancelled in 1974) (apart from "A") 666: New Grotesque Light (cancelled in 1967) (apart from "A")
  • News Advertisements
229: News Advertisements (see: Newspaper Small Ads)
  • Newspaper Small Ads
177: Newspaper Small Ads (cancelled in 1965) 229: Newspaper Small Ads (cancelled in 1965)
  • Newspaper Smalls
115: Newspaper Smalls Roman (cancelled vóór 1966) Available matrices: capitals, small capitals and lower case plus double large capitals and numbers. These four alphabets could be cast in one machine-run, the double capitals overhanging at the bottom, relying on the "high-white" of neighbouring character. These high-blanks were cast from a blank matrix and adapted exactly under the overhanging characters. composition matrices: UA.30 = 5.5-7pt279
size:5.5pt (6D)6pt (6D)7pt (7D)
set:1010.2512.5
163: Newspaper Smalls (cancelled in 1967) 193: Newspaper Smalls (cancelled in 1965) 333: Newspaper Smalls (The Times) (see: Times Newspaper Smalls) 335: Newspaper Smalls (The Times) (see: Times Newspaper Smalls)

O

  • Octavian
603 : Octavian Roman/italic Design: about 1960 by Will Carter and David Kindersley. Used the first time in June 1961 for a text taken from the introduction to Stanley Morison's "The Typographic Book", intended for the members of the "Double Crown Club". composition matrices: UA.485 = 14pt280
size:14pt (14D)
set:11.75
line:M.1500
  • Old English text
456: Old English text frakture typeface composition matrices: UA.318 = 8-12pt281
size:8pt (8D)10pt (10D)12pt (12D)
set:8.7510.2512.25
line:M.1321M.1394M.1470
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.155T.1991T.2660T.3264T.3984T.4686T.5368T.6750T.8090
356: Old English Text frakture typeface (cancelled in 1967) composition matrices: UA.318 = 8-12pt282
size:8pt (8D)10pt (10D)12pt (12D)
set:8.7510.2512.25
line:M.1321M.1394M.1470
456: Old English Text Light (see: 456 Old English Text)
  • Old Face
_43: Old Face (see: _43 Scotch Roman No. 3) _46: Old Face (see: _46 Scotch Roman No. 1) 137: Old Face (see: 137 Scotch Roman No. 2) 154: Old Face (see: 154 Chiswell Old Face) 240: Old Face (cancelled in 1964) composition matrices: UA.385 = 9pt283
size:9pt (9D)
set:9
line:M.1354
159: Old Face Heavy (see: 159 Old Style Bold No. 2) _20: Old Face (Special) (cancelled in 1967) UA.6, 6.5pt - 12 pt284
size:6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt
set:6.56.57.2588.759.7511.25
line:M.1196M.1196M.1220M.1240M.1260M.1290M.1350
_45: Old Face Standard (cancelled in 1967)
  • Old Style
__2: Old Style No. 2 Roman/italic UA.1: 6 tot 12 punt, UA.1a: 14pt285
size:6pt7pt8pt9pt10pt11pt12pt14pt
set:6.57.758.59.259.7510.51213.25
line:M.1200M.1230M.1230M.1250M.1295M.1315M.1360M.1405
151: Old Style No. 4 Roman/italic composition matrices: UA.20 = 6-11pt, UA.20a = 12pt, UA.52 = 14pt286
size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (11D)13.5pt op 14pE (13D)
set:6.57.588.759.510.511.7513.5
line:M.1220M.1250M.1250M.1266M.1294M.1331M.1360M.1405
large composition: Roman = UA.133 italic = UA.358 18pt (18D) Roman/italic, 24Pt (24D) Roman
size:18pt (18D)24pt (24D)
set:1824
line:T.1810T.2364
display matrices:
size:14pt18pt24pt30pt36pt
line:T.1374T.1810T.2364T.2918T.3608
_67: Old Style Roman/italic (cancelled in 1967) UA.1 = 9-12pt287
size:9pt10pt11pt12pt
set:89.510.2512
line:M.1260M.1290M.1320M.1360
104: Old Style Roman/italic(cancelled in 1964) UA.1 = 11pt288
size:11pt
set:11.25
line:M.1355
__3: Old Style Antique (see: __3 Antique Old Style) 124: Old Style Antique (see: 124 Antique Old Style) 161: Old Style Antique (see: 161 Antique Old Style) 232: Old Style Antique Italic (cancelled in 1965) _53: Old Style Bold No. 1 Roman/italic289 composition matrices: UA.3,3a: 53-12 italic, 53-14 & 18 : UA 100, 53-24: UA 101, italic: UA 76 Large composition matrices only available in roman.
corps:5.5pt (6D)6pt (6D)6.5pt (6D)7pt (7D)8pt (7D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)14pt18pt24pt
set:6.756.757.757.758.59.259.510.51215.519.526
line:.1202.1202.1250.1250.1235.1257.1291.1315.1364.1533.1948.2640
Display-matrijzen:
corps:14pt18pt22pt24pt30pt36pt
line:.1533.1948.2308.2640.3194.3884
159: Old Style Bold No. 2 Roman composition matrices: UA.32 = 8-12pt, UA.112 = 14pt290
size:8pt (8D)10pt (9D)12pt (12D)14pt (14D)
set:8.7510.7512.2514
line:M.1280M.1414M.1450M.1533
large composition: UA.112
size:14pt (14D)18pt (18D)24pt (24D)
set:141824
line:T.1533T.1948T.2640
display matrices:
size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2308T.2604T.3194T.3884T.4576T.5268T.6651T.7930
544: Old Style Bold No. 5 Roman composition matrices: UA.2 = 6-12pt291
size:6pt (6D)8pt (8D)10pt (9D)12pt (12D)
set:6.58.59.7512
line:M.1200M.1230M.1295M.1360
253: Old Style Bold (synonym: 253 Bold Face No. 2) (cancelled in 1967) composition matrices: UA.3 = 8-9pt292
size:8pt (8D)9pt (8D)
set:8.59.25
line:M.1285M.1312
245: Old Style Bold Italic italic (synonym: 245 Bold Face Italic No. 2) (cancelled in 1967) composition matrices: UA.76 = 8-12pt293
size:8pt (8D)10pt (9D)12pt (12D)
set:81012.25
line:M.1308M.1385M.1474
176: Old Style Bold Outline Roman composition matrices: UA.100 = 12pt294
size:12pt (12D)
set:12.75
line:M.1450
large composition: UA.100
size:18pt
set:19.5
line:T.1948
display matrices:
size:14pt18pt24pt
line:T.1533T.1948T.2640
__8: Old Style Condensed Roman/italic (cancelled in 1967) UA.1, = one size only: 10pt (9D) = 9 set, line.1295295
size:10pt (9D)
set:9
line:M.1295
_50: Old Style Condensed (cancelled in 1967) composition matrices: UA.1 = 8-10pt296
size:8pt9pt10pt
set:7.58.259
line:M.1240M.1265M.1290
_55: Old Style Italic Display (see: 55 Gloucester Bold Italic) 122: Old Style (Prumyslava) Roman
  • Onyx
591: Onyx Roman Onyx was created in 1937 and was inspired by the Stephanie typeface created by Bauer Type Foundry in 1870.297 display matrices:298
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930
Am 404): Onyx Roman
  • Opus
652: Opus (cancelled in 1966)
  • Othello
246: Othello Roman capitals composition matrices: UA.85 = 10pt-12299
size:10pt (9D)12pt (11D)
set:1214.5
line:M.1620M.1770
display matrices:
size:14pt18pt24pt30pt36pt
line:T.1868T.2395T.3200T.3934T.4804
248: Othello Shadow (cancelled in 1967)
  • Outline
176: Outline (see: 176 Old Style Bold Outline)

P

  • Palace script
429: Palace Script italic Overhanging character that can only be cast with special moulds. display matrices:300
size:14pt18pt24pt30pt36pt42pt
line:T.1434T.1871T.2422T.3204T.3554T.4506
  • Pastonchi
206: Pastonchi Roman/italic composition matrices: UA.69 = 9-13 pt, UA.175 = 14D.301
size:9pt(8D)10pt(9D)11pt13pt(12D)14D (op 16pt)
set:7.758.59.511.7513.5
line:M.1226M.1248M.1276M.1338M.1430
display matrices:
size:14D op 16pt16D op 18pt20D op 22pt24D op 30pt30D op 36pt36D op 36pt
line:T.1430T.1634T.2044T.2452T.3085T.3704
  • Pegasus
508: Pegasus Roman display matrices:302
size:16pt
line:T.1677
  • Pepita
613: Petita script display matrices303
size:14D at 16pt18D at 20pt24D at 30pt30D at 36pt36D at 36pt42D at 38pt48D at 60pt60D at 72pt
line:T.1283T.1642T.2194T.2825T.3274T.3829T.4410T.5520
239: Perpetua Roman/italic introduction: 1930, design: Eric Gill, composition matrices UA.96 = 5.5pt - 18pt304
size:5.5pt6pt8pt9pt10pt (9D)11pt (10D)12pt (12D)13pt (12D)14pt (14D)
set:7.57.2588.59101111.7513
line:M.1205M.1205M.1221M.1210M.1212M.1237M.1260M.1278M.1380
large-composition matrices: 18pt(18D) 16.5 set line T.1635 display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1380T.1635T.2204T.2744T.3344T.3926T.4508T.5683T.6823
316: Perpetua No. 3 (cancelled in 1967) registered design No. 751804, composition matrices: UA.96 = 9pt305
size:9pt (9D)
set:10.5
line:M.1305
386: Perpetua No. 2 (cancelled in 1967) composition matrices: UA.96 = 14pt306
size:14pt (14D)
set:13
line:M.1440
461: Perpetua Bold Roman/italic composition matrices UA.379 = 6pt - 14pt307
size:5.5pt6pt8pt9pt10pt (9D)11pt (10D)12pt (12D)13pt (12D)14pt (14D)
set:7.57.2588.59101111.7513
line:M.1205M.1205M.1221M.1210M.1212M.1237M.1260M.1278M.1380
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1380T.1635T.2204T.2744T.3344T.3926T.4508T.5683T.6823
200: Perpetua Bold Titling Roman composition matrices: UA. 145 : 12pt(12D) = 11.25 set line.1753308 display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1753T.1848T.2371T.3894T.4754T.5606T.6418T.8060T.9680
480: Perpetua Light Titling Roman309 display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1730T.2224T.2970T.3644T.4444T.5236T.5998T.7540T.9050
561: Perpetua Semi-Bold (cancelled in 1963) 258: Perpetua Titling Roman composition matrices: UA. 97 = 10pt - 12pt310
size:10pt (10D)11pt (11D)12pt (12D)
set:10.511.512.5
line:M.1546M.1593M.1652
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1730T.2219T.2950T.3644T.4444T.5236T.5998T.7540T.9050
543: Perpetua Titling (cancelled in 1967) 480: Perpetua Titling Light Face (see: 480 Perpetua Light Titling)
  • Pierre Didot
411: Pierre Didot (cancelled in 1965) composition matrices: UA.375 = 9pt311
size:9D at 10pE
set:10
line:M.1234
  • Pitman i.t.a.
453: Pitman's i.t.a. (see: Ehrhardt 453) 573: Pitman's i.t.a. (see: Ehrhardt Semi Bold 573)
  • Placard
506: Placard Bold Condensed No. 1 Roman composition matrices: UA.387 = 6D-12D312
size:6D at 7pE7D at 8pE8D at 9pE10D at 11pE12D at 13pE
set:677.759.511.5
line:M.1280M.1330M.1368M.1450M.1540
display matrices:
size:14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE42D at 48pE48D at 60pE
line:T.1728T.1964T.2478T.2996T.3442T.4414T.5179T.5960
515: Placard Bold Condensed No. 2 Roman display matrices:313
size:30pt36pt42pt48pt60pt
line:T.3524T.4299T.5066T.5808T.7300
568: Placard Condensed Roman (synonym: 568 Placard Medium Condensed) composition matrices: UA.387 = 6D-12D314
size:6D op 7pE7D op 8pE8D op 9pE9D op 10pE10D op 11pE12D op 13pE
set:5.566.577.58.75
line:M.1327M.1380M.1436M.1487M.1543M.1650
display matrices:
size:14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE42D at 48pE48D at 60pE60D at 72pE72pt
line:T.1806T.2052T.2544T.3076T.3592T.4614T.5409T.6330T.7800T.8760
522: Placard Condensed Roman (see: 522 Placard Condensed Titling) 522: Placard Condensed Titling Roman (synonym: 522 Placard Condensed) display matrices:315
size:72pt
line:T.9700
505: Placard light Extra Condensed Roman composition matrices: UA.387 = 10D316
size:10D op 11pE
set:6
line:M.1540
display matrices:
size:14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE42D at 48pE48D at 60pE
line:T.1860T.2037T.2674T.3236T.3722T.4774T.5589T.6440
568: Placard Medium Condensed (see: 568 Placard Condensed)
  • Plantin
110: Plantin Roman/italic composition matrices: UA.4 = 5.5pt-12pt, UA.4a= 13.5pt, UA.363 = 14pt317
pica:5.5pt6pt6.5pt7pt7.5pt7.5D8pt8pt9pt10pt10pt10pt10pt11pt11pt11pt12pt12pt13.5pt14pt
cast:5.5pt6pt6.5pt7pt7.5pt8pt8pt10pt9pt10pt10pt12pt10pt11pt11pt14pt11pt12pt14pt14pt
didot:6D6D6D7D7D7.5D8D10D8D9D9D11D10D10D10D14D11D11D14D14D
spec.short desc.short desc.short desc.longasc.&desc.shortdesc.longdesc.longasc.&desc.shortdesc.longasc.&desc.shortdesc.LargeFace
set:777.757.758.59.258.58.59.259.59.59.59.510.2510.2510.2511.7511.7513.2514
line:M.1237M.1237M.1257M.1257M.1285M.1312M.1285M.1285M.1312M.1332M.1332M.1332M.1332M.1360M.1360M.1360M.1415M.1415M.1465M.1620
large composition matrices:
size:18pt (18D)18pt (18D)24pt (24D)24pt (24D)
UA.106UA.128UA.107UA.129
RomanitalicRomanitalic
set:18182424
line:T.1948T.1948T.2640T.2640
display matrices:
size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2351T.2640T.3194T.3884T.4576T.5268T.6651T.7930
194: Plantin Bold Roman/italic can be combined with: 110 Plantin and 113/773 Plantin light composition matrices: Roman UA.5 = 6pt-12pt, italic UA.3 = 6pt-12pt, UA.5a= 13.5pt, UA.158/159 = 14pt318
pica:6pt6.5pt7pt7.5pt8pt9pt10pt11pt12pt13.5pt14pt
cast:6pt6.5pt7pt7.5pt8pt9pt10pt11pt12pt14pt14pt
didot:6D6D7D7D8D8D9D10D11D11D14D
spec.7ptshort desc.short desc.
set:77.757.758.58.59.259.510.2511.7513.2514
line:M.1237M.1257M.1257M.1285M.1285M.1312M.1332M.1360M.1415M.1465M.1620
display matrices:
size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2351T.2640T.3194T.3884T.4576T.5268T.6651T.7930
287: Plantin Bold (synonym: 287 Plantin Heavy No. 2) (cancelled in 1968) composition matrices: UA.5 = 6.5pt-7.5pt319
size:6.5pt op 7pE7.5pt op 8pE
set:78
line:M.1265M.1308
236: Plantin Bold Condensed Roman/italic composition matrices: UA.72 = 6pt-14pt320
size:6pt (6D)6.5 at 7pE (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)14pt (14D)
set:77.58.59.259.510.2511.7512.514
line:M.1237M.1252M.1285M.1312M.1332M.1360M.1415M.1442M.1620
display matrices:
size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2351T.2640T.3194T.3884T.4576T.5268T.6651T.7930
289: Plantin Condensed Roman/italic (cancelled in 1967) composition matrices: UA.4 = 7.5ptt321
size:7.5pt op 8pE (7D)
set:8
line:M.1318
194: Plantin Heavy (see: 194 Plantin Bold) 236: Plantin Heavy Condensed (see: 236 Plantin Bold Condensed) 287: Plantin Heavy No. 2 (see: 287 Plantin Bold) 113: Plantin Light Roman/italic composition matrices: UA.4 = 6pt-12pt322
size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)12pt op 13pE
didot:6D7D8D8D9D10D12D12D long desc.
set:77.758.59.251010.7511.7511.75
line:M.1237M.1257M.1285.1312M.1342M.1370M.1426M.1426
large composition matrices:
size:18pt (18D)18pt (18D)24pt (24D)24pt (24D)
UA.106UA.128UA.107UA.129
RomanitalicRomanitalic
set:18182424
line:T.1948T.1948T.2640T.2640
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930
773: Plantin Light Roman/italic 113: Plantin Light Face (see: 113 Plantin Light) composition matrices: UA.4 = 10pt-11pt323 The two sizes of Series 773 are alternatives for Series 113, with identical set and lining', for use in combination with Series 194 and 663. Other sizes of Series 113 comply with this.
size:10pt (9D)11pt (10D)
set:9.510.25
line:M.1322M.1360
281: Plantin Old Style No. 2 (cancelled in 1967) composition matrices: UA.305 = 9pt-11pt324
size:9pt (8D)11pt (10D)
set:9.511.25
line:M.1330M.1400
663: Plantin Semi Bold Roman/italic composition matrices: Roman=UA.5, italic= UA.3, 6pt-12pt325
size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:77.758.59.259.510.7511.75
line:M.1237M.1257M.1285M.1312M.1332M.1360M.1414
438: Plantin Titling Roman display matrices:326
size:72pt
line:T.9640
  • Plate Gothic
139: Plate Gothic (see: 139 Spartan Light) 140: Plate Gothic (see: 140 Spartan) 141: Plate Gothic (see: 141 Spartan Bold) 142: Plate Gothic (see: 142 Spartan Light Condensed) 143: Plate Gothic (see: 143 Spartan Condensed) 145: Plate Gothic (see: 145 Spartan Wide) 144: Plate Gothic Italic (see: 144 Spartan Italic)
  • Poliphilus
170: Poliphilus Roman composition matrices: UA.53: 10pt - 13pt, for the italic see: 119 Blado Italic327
size:10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:8.59.2510.7511.5
line:M.1299M.1326M.1374M.1399
large-composition matrices: 16pt = UA.139
size:16pt
set:13.5
line:T.1577
display matrices:
size:24pt
line:T.2352
230: Poliphilus Titling Roman display matrices in 2 sizes328
size:18pt24pt
line:T.2359T.3192
  • Poltawski
394, Poltawski Roman composition matrices: UA.156: 6D, 8D, 10D, 12D329
size:6D at 7pica8D at 9 pica10D at 11pica12D at 13pica
set:6.58.510.7513
line:M.1206M.1275M.1337M.1405
398: Poltawski Bold Roman composition matrices: UA.156: 6D, 8D, 10D, 12D330
size:6D at 7pica8D at 9 pica10D at 11pica12D at 13pica
set:6.58.510.7513
line:M.1206M.1275M.1337M.1405
  • Prayer Bookface
532: Prayer Book Face (OUP) (cancelled)

R

371: Rockwell Roman/italic composition matrices: UA.338 = 6-14pt:331
size:6pt (6D)7D at 8pE8pt (8D)9pt (9D)10pt (10D)12pt (12D)14pt (14D)
set:6.7589.510.7512.515.75
line:M.1220M.1256M.1275M.1307M.1340M.1400M.1624
display matrices:
size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2392T.2640T.3194T.3884T.4576T.5268T.6651T.7930
391: Rockwell Bold Roman/italic composition matrices: UA.338 = 6-14pt, combines with: 371 Rockwell332
size:6pt (6D)7D at 8pE8pt (8D)9pt (9D)10pt (10D)12pt (12D)14pt (14D)
set:6.7588.59.510.7512.515.75
line:M.1220M.1256M.1275M.1307M.1340M.1400M.1624
display matrices:
size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2392T.2640T.3194T.3884T.4576T.5268T.6651T.7930
359: Rockwell Bold Condensed Roman composition matrices: UA.411 = 11pt333
size:11pt (10D)11pt (11D)
except.short desc.
set:11.7511.75
line:M.1376M.1376
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930
414: Rockwell Condensed Roman display matrices:334
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930
424: Rockwell Extra Bold Roman composition matrices: UA.162 = 6-12pt335
size:6pt (6D)8pt (8D)10pt (10D)12pt (12D)
set:6.758.510.7512.5
line:M.1220M.1275M.1340M.1400
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930
424: Rockwell Extra Heavy (see: 424 Rockwell Extra Bold) 391: Rockwell Heavy (see: 391 Rockwell Bold) 359: Rockwell Heavy Condensed (see: 359 Rockwell Bold Condensed) 390: Rockwell Light Roman/italic composition matrices: UA.338 = 6-14pt336
size:6pt (6D)7D op 8pE8pt (8D)9pt (9D)10pt (10D)12pt (12D)14pt (14D)
set:6.7588.59.510.7512.515.75
line:M.1220M.1256M.1275M.1307M.1340M.1400M.1624
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930
582: Rockwell Light Condensed (Film Sub-titles) Roman/italic 175: Rockwell Shadow Roman display matrices:337
size:18pt24pt30pt36pt42pt48pt60pt72pt
line:T.2363T.3144T.3864T.4724T.5566T.6368T.8000T.9600
175: Rockwell Shadow Titling (see: Rockwell Shadow)
  • Romulus
458: Romulus Roman/italic Jan van Krimpen started in 1931 with the design of this typeface, which eventually led to a whole font family. With the permission of the firm Enschede & Sons in Haarlem, "Series 458" was cut in 1936. It was a contemporary font that combined characteristics of many old fonts. The colour is matched to antique characters, but the serifs are almost horizontal and vertical. The font runs quite wide and the color is fairly light. The italic is an experiment: the oblique Roman is of the same width as the Roman. composition matrices: UA.405 = 8D-14D338
size:8Dpt op 9pE9D op 10pE10D op 11pE12D op 13pE14D op 16pE
set:7.758.5910.7512.75
line:M.1225M.1245M.1264M.1320M.1478
large composition: UA.406
size:16D op 18pE20D op 14pE
set:16.520.5
line:T.1602T.1994
display matrices:
size:24D at 30pE28D at 30pE36D at 36pE48D at 60pE60D at 72pE
line:T.2404T.2812T.3584T.4810T.6030
520: Romulus Bold Roman/italic (synonym: 520 Van Krimpen Bold) composition matrices: UA.405 = 8D-14D339
size:8Dpt at 9pE9D at 10pE10D at 11pE12D at 13pE14D at 16pE
set:7.758.5910.7512.75
line:M.1225M.1245M.1264M.1320M.1478
  • Ronaldson
_10: Ronaldson Roman/italic composition matrices: UA-1 (6-12pt) (synonym: Ronaldson Old style)340
size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:6.757.758.59.259.7510.512
line:M.1200M.1230M.1230M.1250M.1295M.1315M.1360
_10: Ronaldson Old Style (see: Ronaldson)
  • Runic Condensed
420 : Runic Condensed Roman

S

This font was designed by Jan Tschichold. Characters for hand composing can (still) be ordered from the company D. Stempel AG (foundry) in formerly Frankfurt (now Darmstadt); Linotype matrices were available at Linotype GmbH (Berlin and Frankfurt); and Monotype matrices could be ordered from the Monotype Setzmachinen-Fabrik GMbH (Frankfurt and Berlin). This can still be done at the Type Museum in London, because the "patterns" and punches and production archives survived there. The shape of the letter was identical for all three systems. Hand-composing type could be mixed with Linotype and Monotype composition rules. The letter had a limited success. There was also criticism: the letter suffered from the combined disadvantages of the three systems. For example: the Roman and italic faces are as wide as those on a Linotype matrix when combined. And Jan van Krimpen had objections to what he considered the too rigid unit-system of Monotype. 669: Sabon Roman/italic composition matrices: UA.503 8D-12D341
size:6D at 7pE8D at 9pE9D at 10pE10D at 11pE12D at 13pE
set:6.758.59.2510.2512.25
line:M.1237M.1308M.1383M.1383M.1459
693: Sabon Semi-Bold Roman composition matrices: UA.503 8D-12D342
size:6D at 7pE8D at 9pE9D at 10pE10D at 11pE12D at 13pE
set:6.758.59.2510.2512.25
line:M.1237M.1308M.1383M.1383M.1459
  • Sachsenwald Mager
499: Sachsenwald Mager (cancelled in 1965)
  • Sans Serif
_15: Sans-Serif (see: 15 Grotesque Bold Condensed No. 2) _81: Sans-Serif (see: 81 Grotesque Bold Condensed) 267: Sans-Serif (cancelled in 1965) 318: Sans-Serif Condensed (see: 318 Grotesque Condensed)
  • Schmale Nürnburger Gotisch
186: Schmale Nürnburger Gotisch fraktuur (cancelled in 1965) display matrices in 6 sizes343
size:14D18D20D24D28D36D
line:T.1671T.2054T.2560T.3052T.3524T.4574
  • Schoeffer
_22: Schoeffer (cancelled in 1964) composition matrices UA.2, 8pt, 10pt, 12 pt344
size:8pt (8D)10pt (9D)12pt (12D)
set:89.2511.25
line:M.1270M.1310M.1378
  • Schurmann Antiqua Halbfette
_52: Schurmann Antiqua Halbfette Roman (synonym: 52 Modern Mediaeval (Half-Fat) (cancelled in 1967)
  • Scotch Roman
_46: Scotch Roman Roman/italic composition matrices: UA.1 = 6-12pt345
size:6pt at 5.5pE6pt7pt7D at 8pE8pt9pt at 8pE9pt10pt11pt12pt
didot:6D6D7D7D8D8D8D9D10D12D
bijz.short desc.short desc.
set:7788.58.59.259.251010.7512.25
line:M.1220M.1220M.1250M.1235M.1235M.1257M.1257M.1290M.1320M.1360
137: Scotch Roman Roman/italic composition matrices: 8-12pt346
size:8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)
UA.1314151617
set:8.258.59.2510.2512.25
line:M.1260M.1262M.12603M.1285M.1362
large composition: UA.144 = Roman, UA.151 = italic
size:14pt (14D)18pt (18D)24pt (24D)
special featureno italic available
set:13.51723
line:T.1395T.1810T.2364
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt
line:T.1395T.1810T.2364T.2918T.3608T.4300T.4854
  • Script
322: Script (see: 322 Script Bold) 574: Script Ashley (see: 574 Ashley Script) 322: Script Bold script display matrices:347
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1452T.1863T.2488T.3054T.3724T.4376T.4968T.6300T.7560
436: Script Dorchester (see: 436 Dorchester Script) 493: Script Grosvenor (see: 493 Grosvenor Script) 475: Script Light display matrices:348
size:24pt
line:T.2488
351: Script Monoline (see: 351 Monoline Script) 429: Script Palace (see: 429 Palace Script) 455: Script Temple (see: 455 Temple Script) 385: Script Wenceslas (see: 385 Wenceslas Script) (cancelled in 196?)
  • Shadow French
434: Shadow French (cancelled)
  • Shakespeare Titling
234: Shakespeare Titling (cancelled in 1967) display matrices:349
size:36pt
line:T.4434
  • Sheldon
552: Sheldon
  • Solus
276: Solus Roman (cancelled in 1967) composition matrices: UA.320 = 12pt-14pt350
size:12pt (12D)14pt (14D)
set:1113
line:M.1310M.1437
display matrices:
size:18pt48pt
line:T.1841T.4982
368: Solus Bold Roman (cancelled in 1967) composition matrices: UA.320 = 12pt-14pt351
size:11pt (10D)
set:11.5
line:M.1375
368: Solus Heavy (see: Solus Bold)
  • Spartan
Imitation of stone inscriptions of chopped capitals: the font contains only capital letters, numbers, and punctuation. Each size has of the capitals four sizes, which can be combined, with the little ones functioning as lower case. 140: Spartan Roman composition matrices: UA.16 = 6-12pt352
size:6pt (6D)12pt (12D)
set:711
line:M.1282M.1420
large composition: UA.157 = 24pt
size:24pt (24D)24pt (24D)
sizes:4 and 52 and 3
set:19.526
line:T.3060T.3060
display matrices:
size:24pt
line:T.3060
141: Spartan Bold Roman composition matrices: UA.18 = 6-12pt353
size:6pt (6D)12pt (12D)
set:711
line:M.1282M.1420
display matrices:
size:24pt
line:T.3060
143: Spartan Condensed Roman composition matrices: UA.18 = 6-12pt354
size:6pt (6D)12pt (12D)
set:59
line:M.1282M.1420
144: Spartan Italic italic composition matrices: UA.18 = 6-12pt355
size:6pt (6D)12pt (12D)
set:712
line:M.1240M.1420
139: Spartan Light Roman composition matrices: UA.18 = 6-12pt356
size:6pt (6D)12pt (12D)
set:712
line:M.1282M.1420
display matrices:
size:24pt
line:T.3060
142: Spartan Light Condensed Roman composition matrices: UA.18 = 6-12pt357
size:6pt (6D)12pt (12D)
set:79
line:M.1282M.1420
145: Spartan Wide Roman composition matrices: UA.18 = 6-12pt358
size:6pt (6D)12pt (12D)
set:8.512.75
line:M.1282M.1420
556: Spectrum Roman/italic This font designed by Jan van Krimpen was originally intended for printing a Bible at the Spectrum publishing house in Utrecht (Netherlands). The project was cancelled. Nevertheless, the font was rather successful. Therefore, in collaboration with Enschede & Sons it was decided to cut the complete series. The font is open and seems fairly robust. The character produces a fairly compact composition. composition matrices: UA. 428 = 6D-12D359
size:6D at 7pE8D at 9pE10D at 11pE12D at 13pE
set:6.257.58.7510.25
line:M.1215M.1250M.1297M.1350
display matrices:
size:14D at 16pE16D at 18pE20D at 24pE24D at 30pE28D at 30pE36D at 36pE48D at 60pE60D at 72pE
line:T.1454T.1656T.2060T.2483T.2912T.3714T.5000T.6270
  • Surrey Old Style
196: Surrey Old Style Roman (cancelled in 1967) display matrices:360
size:14pt18pt24pt30pt36pt
line:T.1533T.1948T.2640T.3194T.3884
  • Swing Bold
583: Swing Bold script display matrices:361
size:14pt18pt24pt30pt36pt
line:T.1301T.1668T.2229T.2724T.3324

T

  • Temple Script
455: Temple Script composition matrices: UA.386 = 10D-12D362
size:10D at 11pE12D at 13pE
set:9.2511.25
line:M.1453M.1549
display matrices:
size:14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE48D at 60pE60D at 72pE72pt
line:T.1684T.1916T.2378T.2874T.3362T.4304T.5810T.7280T.8170
  • The Times
355: The Times Hever Titling Roman (synonym: 355 Times Hever Titling) composition matrices: UA.323 = 9pt-12pt363
size:9pt (9D)10pt (10D)11pt (11D)12pt (12D)
set:9101112
line:M.1320M.1357M.1391M.1430
display matrices:
size:14pt18pt24pt30pt
line:T.1510T.1887T.2502T.3056
  • Times
334: Times Bold Roman/italic to be used in combination with Times New Roman Series 327 composition matrices: Roman = UA.324, italic = UA 325, 5.5pt-14pt364 matrices for long-descenders are available in several sizes
size:5.5pt6pt6pt6D6.5pt7pt7pt7.5pt7.5pt8pt8pt9pt9pt10pt10pt11pt11pt12pt12pt14pt
op:5.5pE6pE6.5pE7pE6.5pE7pE7.5pE7.5pE8pE8pE9pE9pE10pE10pE11pE11pE12pE12pE14pE14pE
didot:5D6D6D6D6D7D)7D7D8D)8D9D)8D10D10D11D10D12D12D14D14D
special featureslong. desc.7pt short desc.long desc.long desc.long desc.long desc.long desc.long desc.long desc.
set:6.56.756.757.757.257.757.758.258.258.258.25999.759.7510.2510.25121212.75
line:M.1239M.1239M.1239M.1268M.1250M.1268M.1268M.1286M.1286M.1298M.1298M.1325M.1325M.1338M.1338M.1368M.1368M.1420M.1420M.1470
display matrices:
size:14pt16pt18pt20pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1458T.1672T.1873T.2150T.2363T.2640T.3194T.3884T.4576T.5268T.6651T.7930
345: Times Bold No. 2 Roman (see also: 360 Times Bold) composition matrices: UA.324 = 5pt-6pt365
size:7pt (7D)9pt (8D)11pt (10D)12pt (12D)
set:7.75910.512
line:M.1268M.1325M.1368M.1420
360: Times Bold Roman composition matrices: UA.324 = 5pt-6pt366
size:5pt (5D)6pt (6D)
set:6.256.75
line:M.1210M.1239
328: Times Bold Titling No. 2 Roman composition matrices: UA.324 = 5pt-6pt367
size:8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)
set:9.2510.2510.2511.513
line:M.1360M.1382M.1410M.1440M.1500
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1671T.1948T.2640T.3194T.3884T.4576T.5248T.6651T.7930
332: Times Bold Titling Roman display matrices:368
size:18pt24pt30pt36pt48pt60pt72pt
line:T.1948T.2640T.3194T.3884T.5248T.6651T.7930
639: Times Cosmoli Titling (cancelled in 1966) 339: Times Extended Titling Roman composition matrices: UA.327 = 7pt-14pt369
size:7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)14pt (14D)
set:8.59.510.251111.7513.2517
line:M.1356M.1360M.1376M.1410M.1440M.1500M.1738
display matrices:
size:14pt16pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1671T.1921T.2224T.2534T.2918T.3714T.4406T.5008T.6235T.7515
569: Times Four-line Mathematics 355: Times Hever Titling (see:355 The Times Hever Titling) 333: Times Newspaper Smalls 335: Times Newspaper Smalls 329: Times Titling Roman composition matrices: UA.328 = 14pt370
size:14pt (14D)
set:15.75
line:M.1500
display matrices:
size:14pt16pt18pt24pt30pt36pt
line:T.1533T.1707T.1948T.2640T.3194T.3884
358: Times Titling (cancelled in 1967) 327: Times New Roman Roman/italic 421: Times New Roman Semi-bold Roman/italic composition matrices: UA.325 = 7pt-14pt371
size:6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:77.58.2599.7510.7511.7512.7514.5
line:M.1245M.1265M.1291M.1310M.1300M.1329M.1358M.1395M.1600
display matrices:
size:14pt18pt24pt36pt48pt60pt72pt
line:T.1533T.1948T.2640T.3884T.5268T.6651T.7930
427: Times New Roman Wide Roman/italic 627: Times New Roman Book Roman/italic Series 627 consist of the special "long-descender" characters and the normal "non-descender" characters of Series 427 composition matrices: UA.327 = 7pt-14pt372
size:7.5pt (7D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)14D op 16pE
set:7.75910.2511.2512.2513.25
line:M.1267M.1328M.1370M.1405M.1438M.1450
large composition: UA.426, 14pt only Roman
size:24pt (24D)
set:21.5
line:T.2230
display matrices:
size:20pt24pt
line:T.1827T.2230
474: Times New Roman Heavy Book (destroyed in a bombardment) 727: Times New Roman (Light Caps) Roman 827: Times New Roman (French) Roman/italic (see: Times New Roman 727) alternative matrices for: small capitals and Roman capitals C G Q R Ç italic capitals C Q R and lower case g and k composition matrices: UA.325 = 6pt-12pt373
size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (10D)12pt (12D)
set:6.757.758.2599.7510.512
line:M.1230M.1268M.1298M.1325M.1338M.1368M.1420
  • Titling
179: Titling (see: 179 Modern Titling) synonyms: 179 Titling Modern No. 1, 179 Titling Italic 180: Titling (see: 180 Victoria Bold Condensed Titling) (synonym: 180 Victoria Bold Condensed) 181: Titling (see: 181 Victoria Condensed Titling) 182: Titling (see: 182 Victoria Titling) 183: Titling (see: 183 Modern) 209: Titling (see: 209 Caslon Titling) 234: Titling (see: 234 Shakespeare Titling) 440: Titling (cancelled in 1965) 522: Titling (see: 522 Placard Condensed Titling) 332: Titling Bold (The Times) (see: 332 Times Bold Titling) __H: Titling (Caps) Roman 180: Titling Condensed (see: 180 Victoria Bold Condensed Titling) 339: Titling Extended (The Times) (see: 339 Times Extended Titling) 328: Titling Heavy (The Times) (see: 328 Times Bold Titling) 355: Titling Hever (The Times) (see: 355 Times Hever Titling) 179: Titling Italic (cancelled before 1966) (see: 179 Modern Titling) synonyms: 179 Titling 179 Modern Titling No. 1 179: Titling Modern No. 1 (see: 179 Modern Titling) synonyms: 179 Titling, 179 Titling Italic 329: Titling (The Times) (see: 329 Times Titling)
  • Tonic-Sol-Fa
325; Tonic-Sol-Fa
  • Traveller
629: Traveller Roman display matrices:374
size:30pt36pt42pt48pt60pt72pt
line:T.2918T.3538T.4161T.4715T.5960T.7100
  • Treyford
226: Treyford
  • Trojan
114: Trojan Roman (cancelled in 1967) composition matrices: UA.81 = 9pt-11pt375
size:9pt (8D)11pt (10D)
set:9.511.25
line:M.1306M.1370
display matrices:
size:14pt18pt24pt36pt
line:T.1502T.1929T.2576T.3854
  • Typewriter
Typewriter is a general style of fonts. All characters are of the same width, or "monospaced"; they are cast with a "flat" wedge. Consequently, all the typewriter font characters are cast with the same die case layout, key banks and wedge. There was more than enough space for all the underlined characters in the die case as well. Printers used these fonts to print mailings for large companies. The print was made to look like a hand-typed personal letter. The press was covered with previously used, worn paper combined with a thin cloth silk tissue. In this way, the type did not receive equal pressure and ink on the paper. Thus it appeared that the letter was typed by a somewhat inexperienced secretary. _82: Typewriter No. 1 Roman composition matrices: UA.28 = 10pt-12pt376
Series:82100105235301302344
size:10pt (9D)12pt (11D)12pt (12D)12pt(11D)10pt (10D)12pt (11D)12pt (12D)
set:1214.514.513.251214.514.5
line:M.1291M.1364M.1550T.1302M.1291M.1364M.1355
100: Typewriter No. 2 Roman (see: 100 Typewriter 82) 105: Typewriter No. 3 Roman (see: 105 Typewriter 82) 127: Typewriter No. 4 Roman composition matrices: UA.28 = 8pt-12pt377
size:8pt (8D)10pt (9D)12pt (12D)
set:101214.5
line:M.1270M.1296M.1364
235: Typewriter No. 5 Elite Roman (see: 235 Typewriter 82) 301: Typewriter No. 6 Elite Roman (see: 301 Typewriter 82) 602: Typewriter IBM "Executive" Roman This font is an exception to the rule: it has character of different widths, "unit values". Therefore, a special wedge was needed to cast it. The keyboard also needed additional equipment: the key bars, a kind of mechanical arrangement to translate the keystrokes on the keyboard into the punches in the ribbon. For the print shop it was a very expensive font to purchase. Underlined character were cast at 12 pt, with a 2pt wide stripe (Rule R39 2pt) composition matrices: UA.442 = 14pt378
size:14pt (13D)
set:13.5
line:M.1475
_82: Typewriter Underlined Roman 100: Typewriter Underlined Roman 105: Typewriter Underlined Roman

U

  • Ultra Bodoni
120: Ultra Bodoni (see: 120 Bodoni Ultra Bold) Univers was developed in cooperation with the French type foundry Deberny & Peignot. It was possible to cast characters in lining with the character bought in France. 693: Univers Bold Roman/italic composition matrices: UA.486 = 5D-12D, extra &: S16511, S16512, superior: L225,379
size:5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE
set:77.758.759.510.511.25131415
line:M.1220M.1234M.1265M.1290M.1320M.1350M.1408M.1436M.1468
display matrices:
size:14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:T.1587T.1818T.2048T.2538T.3252T.4024T.5420
694: Univers Bold Condensed Roman/italic 692: Univers Bold Expanded Roman composition matrices: UA.491 = 6D-10D, extra &: S16511, superior: L228,380
size:6D at 7pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE
set:9.511.7513.7516
line:M.1234M.1290M.1350M.1408
display matrices:
size:12D at 13pE14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:T.1356T.1587T.1818T.2048T.2538T.3252T.4024T.5420
696: Univers Extra Bold Roman composition matrices: UA.484 = 5D-12D, extra &: S16511, S16512, superior: L223, inferior: L255381
size:5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE
set:77.758.759.510.511.25131415
line:M.1220M.1234M.1265M.1290M.1320M.1350M.1408M.1436M.1468
display matrices:
size:14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:T.1587T.1818T.2048T.2538T.3252T.4024T.5420
695: Univers Extra Bold Expanded Roman/italic composition matrices: UA.491 = 6D-10D, extra &: S16511, superiors: L268,382
size:6D at 7pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE
set:9.511.7513.7516
line:M.1234M.1290M.1350M.1408
display matrices:
size:12D at 13pE14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:T.1356T.1587T.1818T.2048T.2538T.3252T.4024T.5420
684: Univers Extra Light Extra Condensed Roman/italic display matrices: extra &: S16511, superior: L292,383
size:18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:T.2048T.2538T.3252T.4024T.5420
685: Univers Light Roman/italic composition matrices: UA.483 = 6D-12D, extra &: S16511, S16512, superior: L295,384
size:6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE
set:7.758.759.510.511.25131415
line:M.1234M.1265M.1290M.1320M.1350M.1408M.1436M.1468
display matrices:
size:14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:T.1587T.1818T.2048T.2538T.3252T.4024T.5420
686: Univers Light Condensed Roman/italic composition matrices: UA.492 = 5D-12D, extra &: S16511, S16512, superiors: L250,385
size:5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE
set:5.566.757.2588.59.7510.511.25
line:M.1220M.1234M.1265M.1290M.1320M.1350M.1408M.1436M.1468
display matrices:
size:14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:T.1587T.1818T.2048T.2538T.3252T.4024T.5420
687: Univers Light Extra Condensed Roman/italic composition matrices: UA.501 = 10D-12D, extra &: S16511, superior: L292,386
size:10D at 11pE12D at 13pE
set:78
line:M.1408M.1468
display matrices:
size:14D at 16pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:T.1587T.2048T.2538T.3252T.4024T.5420
689: Univers Medium Roman/italic composition matrices: UA.483 = 5D-12D, extra &: S16511, S16512, superiors: L222, inferiors: L254387
size:5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE10D at 11pE11D at 12pE12D at 13pE
set:77.758.759.510.5131415
line:M.1220M.1234M.1265M.1290M.1320M.1408M.1436M.1468
display matrices:
size:14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:T.1587T.1818T.2048T.2538T.3252T.4024T.5420
690: Univers Medium Condensed Roman/italic composition matrices: UA.484 = 5D-12D, extra &: S16511, S16512, superior: L251388 5D was not supplied after 1969
size:5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE
set:5(?)66.757.2588.59.7510.511.25
line:M.1220M.1234M.1265M.1290M.1320M.1350M.1408M.1436M.1468
display matrices:
size:14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:T.1587T.1818T.2048T.2538T.3252T.4024T.5420
688: Univers Medium Expanded Roman composition matrices: UA.484 = 6D-10D, extra &: S16511, superior: L266389
size:6D at 7pE8D at 9pE9D at 10pE10D at 11pE
set:9.511.7513.7516
line:M.1234M.1290M.1350M.1408
display matrices:
size:12D at 13pE14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:T.1365T.1587T.1818T.2048T.2538T.3252T.4024T.5420
691: Univers Medium Extra Condensed Roman composition matrices: UA.500 = 8D-12D, extra &: S16511, superior: L263390
size:8D at 9pE9D at 10pE10D at 11pE12D at 13pE
set:5.5678
line:M.1290M.1350M.1408M.1460
display matrices:
size:14D at 16pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:T.1587T.2048T.2538T.3252T.4024T.5420
697: Univers Ultra Bold Expanded Roman composition matrices: UA.490 = 6D-10D, extra &: S16511, superior: L269391
size:6D at 7pE8D at 9pE9D at 10pE10D at 11pE
set:9.511.7513.7516
line:M.1234M.1290M.1350M.1408
display matrices:
size:12D at 13pE14D at 16pE16D at 18pE18D at 20pE22D at 24pE28D at 30pE36D at 36pE48D at 60pE
line:T.1365T.1587T.1818T.2048T.2538T.3252T.4024T.5420

V

  • Van Dijck
203: Van Dijck Roman.italic composition matrices: UA.354 = 7pt-14pt392
size:7pt (6D)7pt (7D)8pt (7D)8pt (8D)10pt op 8D10pt (10D)11pt op 9D11pt (11D)12pt (12D)13pt (12D)14pt (14D)
special featuresshort desc.short desc.short desc.short desc.
set:7.57.5888.758.759.759.75101112
line:M.1235M.1235M.1255M.1255M.1286M.1286M.1310M.1310M.1331M.1462M.1457
large composition: UA.423
size:16pt (16D)18pt (18D)
set:13.2514.75
line:T.1601T.1797
display matrices:
size:16pt18pt24pt30pt36pt
line:T.1601T.1797T.2398T.2944T.3584
  • Van Krimpen Bold
520: Van Krimpen Bold (see: 520 Romulus Bold)
  • Veronese
_59: Veronese (cancelled in 1967) composition matrices: UA.4 = 11pt-12pt393
size:11pt (10D)12pt (12D)
set:10.512
line:M.1364M.1420
large-composition matrices:
size:14pt (14D)18pt (18D)24pt (24D)
UA. Roman:106106107
UA. italic:128128129
set:141824
line:T.1533T.1948T.2640
display matrices:
size:14pt18pt24pt30pt36pt
line:T.1533T.1948T.2640T.3194T.3884
  • Victoria
180: Victoria Bold Condensed Roman (see: 180 Victoria Bold Condensed Titling) 180: Victoria Bold Condensed Titling Roman (synonym: 180 Victoria Bold Condensed) composition matrices: UA.49 = 10pt-12pt394
size:10pt (10D)12pt (12D)
set:8.7510.75
line:M.1420M.1500
display matrices:
size:14pt18pt24pt30pt36pt
line:T.1671T.1948T.2640T.3194T.3884
181: Victoria Condensed Titling Roman composition matrices: UA.50 = 12pt395
size:12pt (12D)
set:12.25
line:M.1715
display matrices:
size:14pt18pt24pt30pt36pt
line:T.1809T.2224T.2960T.3608T.4436
182: Victoria Titling Roman (synonym: 182 Titling) display matrices:396
size:14pt16pt18pt24pt30pt36pt
line:T.1533T.1809T.1948T.2640T.3194T.3884

W

374: Walbaum Roman/italic composition matrices: UA.349 = 6D-12D, UA.351 = 14pt, UA.352 = 14D, UA.353 = 16D397
size:6D at 7pE8D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE14pt (14D)14D at 16pE16D
set:7.7599.751010.7511.7513.751415
line:M.1227M.1225M.1254M.1277M.1285M.1290M.1533M.1533M.1810
display matrices:
size:14pt16D at 18pE20D at 22pE24D at 30pE30D at 36pE36D at 36pE42D at 48pE48D at 60pE60D at 72pE72pt
line:T.1308T.1740T.2110T.2546T.3355T.4044T.4739T.5450T.6830T.7670
674: Walbaum Roman/italic (see: 374 Walbaum) 375: Walbaum Medium Roman/italic composition matrices: UA.349 = 6D-12D, UA.351 = 14pt, UA.352 = 14D, UA.353 = 16D398
size:6D at 7pE8D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE14pt (14D)14D at 16pE16D
set:7.7599.751010.7511.7513.751415
line:M.1227M.1225M.1254M.1277M.1285M.1290M.1533M.1533M.1810
display matrices:
size:14pt16D at 18pE20D at 22pE24D at 30pE30D at 36pE36D at 36pE42D at 48pE48D at 60pE60D at 72pE72pt
line:T.1308T.1740T.2110T.2546T.3355T.4044T.4739T.5450T.6830T.7670
  • Wenceslas Script script
385: Wenceslas Script (cancelled in 1967) display matrices:399
size:18pt
line:T.1865
Designed by Karel Svolinsky, (11 January 1896, Heiligenberg near Olmütz, Mähren - 16 September 1986, Prague) Czech painter, graphic designer and book illustrator. He studied at the school of arts and crafts in Prague. Later, he taught as a Professor at this University. Svolinsky Antiqua (1925), Wenceslas Script(1933) Grotesk(1943)400 One incomplete set survives at the BookArtMuseum, Lodz, Poland401
  • Wide Gothic
_97: Wide Gothic Roman (see: 97 Grotesque Bold)
  • Wide Latin
164: Wide Latin Roman (see: 164 Latin Wide)
  • Wigan Condensed
273: Wigan Condensed (cancelled in 1965) display matrices:402
size:18pt
line:T.1945
  • Worcester Old Face
123: Worcester Old Face (cancelled in 1965)

Fraktur

  • _89: Fraktur Antiqua Roman (cancelled voor 1966) (see also Neudeutsche Fraktur)
  • _98: Alte 'Monotype' Fraktur (cancelled in 1972)
composition matrices: UA. 5F403
size:6D (6.5pt E)8D (9pt E)9D (10pt E)10D (11pt E)12D (13pt E)14
set:6.758.259.25101313.5
line:.1276.1349.1396.1431.1530.1533
display matrices:
size:1820D2424D303648D60D
line:.2011.2382.2724.2880.3299.4014.5820.7300
  • 449: Alte 'Monotype' Fraktur Halbfette (see: Alte Fraktur Fette)
  • 102: Alte Schwabacher (cancelled in 1972)
  • _31: Armin Fraktur
  • _32: Armin Fraktur Fette
  • _34: Armin Fraktur Halbfette
  • _37: Bamberger Fraktur (cancelled in 1967)
  • _49: Bamberger Fraktur Fette (cancelled in 1967)
  • _48: Bamberger Fraktur Halbfette (cancelled in 1964)
  • 521: Berliner Fraktur (cancelled in 1965)
  • 387: Blücher Fraktur Fette (cancelled in 1967)
  • 116: Breitkopf Fraktur (cancelled in 1972)
  • 367: Breitkopf Fraktur (cancelled in 1972)
  • 256: Breitkopf Fraktur Fette (cancelled in 1972)
  • 413: Breitkopf Fraktur Halbfette
  • 256: Dürer Fraktur
  • 513: Dürer Fraktur Fette (cancelled in 1965)
  • 512: Dürer Fraktur Halbfette (cancelled in 1965)
  • 363: Enge Fraktur Halbfette (cancelled in 1967)
  • 498: Enschedé Fraktur (cancelled in 1967)
  • 296: Erfurter Fraktur (cancelled in 1964)
  • 379: Essener Fraktur Fette (cancelled in 1967)
  • _38: Fraktur (cancelled in 1964)
  • _94: Große Moderne Fraktur (cancelled in 1967)
  • 308: Helen Fraktur (cancelled in 1964)
  • 384: Hessen Fraktur (cancelled in 1964)
  • 202: Hessen Fraktur Halbfette (cancelled in 1964)
  • 417: Hessen Fraktur Halbfette (cancelled in 1964)
  • 315: Hutten Fraktur (cancelled in 1964)
  • 423: Jean Paul Fraktur (cancelled in 1967)
  • _40: Kasseler Fraktur
  • _41: Kasseler Fraktur Halbfette
  • _56: Koelner Fraktur
  • _58: Koelner Fraktur halbfette
  • 118: Mainzer Fraktur
  • 132: Mainzer Fraktur Halbfette
  • _64: Moderne Fraktur
  • _66: Moderne Fraktur Fette
  • _86: Moderne Schwabacher
  • _93: Moderne Schwabacher Halbfette
  • _35: Neue Schwabacher
  • _36: Neue Schwabacher
  • 463: Rundgotisch
  • 186: Schmale Nürnburger Gotisch (cancelled in 1965)
display matrices in 6 sizes404
size:14D18D20D24D28D36D
line:T.1671T.2054T.2560T.3052T.3524T.4574
  • 187: Schmalfette Frankfurter Fraktur
display matrices in 7 sizes405
size:14D16D20D24D28D36D48D
line:T.1671T.2086T.2620T.3102T.3584T.4654T.6282
  • 483: Uhlen Rundgotisch
  • 205: Unger Fraktur
  • 277: Unger Fraktus Halbfette
  • _28: Wittenberg Fraktur
  • _29: Wittenberg Fraktur
  • _83: Wuerzburger Fraktur

Non-Latin-typefaces

Amharic

599: Amharic composition matrices: 9D-12D406
size:9D12D
set:9.511.75
display matrices: 14D 624: Amharic composition matrices: 10D407
size:10D
set:10

Arabic

409: Arabic (cancelled in 1946. replaced by series 549) 542: Arabic Bold (destroyed in a bombardement) 415: Arabic Display (cancelled in 1950) 549: Arabic Naskh composition matrices: 8D-18D, for 8D a special mould was needed.408
size:8D10D12D14D16D18D
set:9.2511.511.511.513.2516.5
display matrices:
size24D36D48D matrices-holder Xb6SL was needed for casting
589: Arabic Naskh Accented large composition matrices:409
size:20D24
set:13.516.5
649: Arabic Naskh Bold composition matrices: 8D-18D410
size:8D10D12D14D16D18D
set:9.2511.511.511.513.2516.5
display matrices:
size24D30D36D42D48D54D
559: Arabic Solloss Display matrices:411
size54D with holder Xb7SL
507: (see: 507 Urdu) 707: (see: 707 Urdu) 721: Farsi composition matrices: 10D-12D412
size:10D12D
set:10.7513
display matrices:
size18D24D36D48D

Armenian

638: Armanian composition matrices: 8D-12D413
size:8D10D12D
set:8.510.2512.5

Bangali

470: Bengali composition matrices: 8D-12D414
size:10pt12pt14pt
set:7.5910.25
700: Bengali composition matrices: 8D-12D415
size:10pt12pt14pt
set:7.5910.5
701: Bengali Bold composition matrices: 8D-12D416
size:10pt12pt14pt
set:7.5910.5
670: Bengali Bold (cancelled in 1967)

Burmese

558: Burmese Light composition matrices: 12pt-18pt417
size:12pt14pt16pt18pt
set:910.51212.75
578: Burmese Bold composition matrices: 12pt-18pt418
size:12pt14pt18pt
set:910.51212.75

Chinese

633: Chinese (cancelled in 1974) 133: Chu Yin (cancelled in 1967)

Coptic

609: Louvain Coptic

Cyrillic

(Russian, Serbian, Bulgarian and Macedonian) _42: Albion composition matrices: 6.5(6D)-13pt(12D)419
size:6.5pt (6D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
cast at:7pE9pE10pE11pE13pE
set:7.7599.7510.512.5
line:M.1235M.1270M.1300M.1320M.1390
_63: Albion composition matrices: 9(8D)-13pt(12D)420
size:9pt (8D)11pt (10D)13pt (12D)
set:8.259.511.5
line:M.1270M.1320M.1390
_70: Albion composition matrices: 6.5(6D)-13pt(12D)421
size:6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)
cast at:7pE9pE11pE13pE
set:7.759.751113
line:M.1225M.1280M.1327M.1387
169: Baskerville (Russian) Roman / italic composition matrices: 9pt-11pt422
size:9pt (8D)11pt (10D)
line:M.1266M.1320
display matrices: Roman
size:18pt24pt36pt
line:T.1672T.2226T.3332
370: Bembo Titling display matrices: 36pt-42pt423
size:36pt42pt
line:T.4436T.5196
260: Bodoni Bold Roman / italic display matrices: 14pt-72pt424
size:14pt18pt24pt30pt36pt48pt60pt72pt
line:T.1356T.1741T.2324T.2914T.3474T.4716T.5823T.7100
529: Bodoni Bold Condensed display matrices: 14pt-36pt425
size:14pt18pt24pt30pt36pt
line:T.1356T.1741T.2324T.2914T.3444
120: Bodoni Ultra Bold (Cyrillic) Roman display matrices: 14pt-42pt426
size:14pt18pt24pt30pt36pt42pt
line:T.1472T.1876T.2502T.3094T.3746T.4436
_17: Cushing (cancelled in 1967) _68: French Old Style composition matrices: 6.5(6D)-13pt(12D)427
size:6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)
cast at:7pE9pE11pE13pE
set:7.58.7510.2512.25
line:M.1215M.1260M.1320M.1388
_69: French Old Style Bold composition matrices: 6.5(6D)-13pt(12D)428
size:6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)
cast at:7pE9pE11pE13pE
set:7.58.7510.2512.25
line:M.1215M.1260M.1320M.1388
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930
_44: French Round Face composition matrices: 6.5pt-13pt429
size:6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)
set:7.759.751113
line:M.1237M.1285M.1332M.1415
201: Garamond Bold (Cyrillic Roman display matrices:430
size:18pt24pt30pt
line:T.1810T.2364T.2918
262: Gill Sans composition matrices: 6pt-12pt431
size:6pt (6D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)
set:6.5899.510.2511.25
line:M.1220M.1255M.1285M.1302M.1327M.1360
display matrices:
size:14pt16pt20pt24pt
line:T.1395T.1611T.2002T.2480
275: Gill Sans Bold composition matrices: 6pt-12pt432
size:6pt (6D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)
set:6.5899.510.2511.25
line:M.1220M.1255M.1285M.1302M.1327M.1360
display matrices:
size:14pt16pt20pt24pt
line:T.1395T.1611T.2002T.2480
373: Gill Sans Bold Condensed Titling display matrices:433
size:14pt18pt24pt30pt36pt48pt
line:T.1811T.2363T.3193T.3886T.4714T.6418
233: Gill Sans Cameo Roman display matrices:434
size:24pt
line:T.2890
485: Gill Sans Condensed display matrices: 14pt-36pt435
size:14pt18pt24pt30pt36pt
line:T.1395T.1841T.2480T.2918T.3606
362: Gill Sans Light composition matrices: 6pt-12pt436
size:6pt (6D)8pt (8D)10pt (9D)12pt (12D)
set:6.589.511.25
line:M.1220M.1255M.1302M.1360
display matrices:
size:14pt16pt20pt24pt30pt36pt
line:T.1395T.1611T.2002T.2480T.2918T.3606
_96: Gothic (cancelled in 1965) _51: Grotesque composition matrices: 6pt-12pt437
size:6pt (6D)8pt (8D)10pt (9D)12pt (12D)
set:7.759.511.515.5
line:M.1220M.1235M.1291M.1444
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268
_97: Grotesque Bold (cancelled in 1967) _11: Grotesque Bold Condensed (cancelled in 1967) 166: Grotesque Bold Condensed (Cyrillic) Roman (synonym: 166 Grotesque Bold Condensed Titling) display matrices:438
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1671T.2085T.2778T.3470T.4299T.4991T.5821T.7204T.8623
166: Grotesque Bold Condensed Titling Roman (see: 166 Grotesque Bold Condensed (Cyrillic)) _33: Grotesque Condensed Roman composition matrices: 6pt-13pt439
size:6pt (6D)9pt (8D)11pt (10D)13pt (12D)
set:6.758.59.7511.5
line:M.1255M.1315M.1395M.1440
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268
383: Grotesque Condensed Roman composition matrices: 6pt-13pt440
size:6D op 7pE8D op 9pE10D op 11pE12D op 13pE
set:5678
line:M.1280M.1358M.1410M.1500
display matrices:
size:14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE60 at 72pE72pt
line:T.1626T.2074T.2776T.3565T.4164T.5620T.7030T.7890
383: Grotesque Condensed composition matrices: 6D-12D441
size:6D at 7pE8D at 9pE10D at 11pE12D at 13pE
set:5678
line:M.1280M.1358M.1410M.1500
display matrices:
size:14D18D24D30D36D48D60D op 72pE72pt
line:T.1626T.2074T.2776T.3565T.4164T.5620T.7030T.7890
_39: Modern Condensed composition matrices: 6.5pt-13pt442
size:6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)
set:6.589.511.5
line:M.1225M.1260M.1320M.1390
_77: Modern Extended (cancelled in 1967) _75: Modern Wide (cancelled in 1967) _27: Neo Didot composition matrices: 6.5pt-13pt443
size:6.5pt (6D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:7.7599.7510.512.5
line:M.1235M.1270M.1300M.1320T.1390
506: Placard Bold Condensed display matrices:444
size:14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE42D at 48pE48pt at 60pE
line:T.1728T.1964T.2478T.2996T.3442T.4414T.5179T.5960
515: Placard Bold Condensed display matrices:445
size:36pt48pt60pt72pt
line:T.4299T.5808T.7300T.8760
568: Placard Condensed display matrices:446
size:14D op 16pE16D op 18pE20D op 22pE22D op 30pE28D op 30pE36D op 36pE48D op 60pE60D op 72pE
line:T.1806T.2052T.2544T.3076T.3592T.4614T.6230T.7800
522: Placard Condensed Titling display matrices:447
size:72pt
line:T.9700
194: Plantin Bold (Russian) Roman composition matrices: 6pt-12pt448
size:6pt (6D)8pt (8D)10pt (9D)12pt (12D)
set:78.59.511.75
line:M.1237M.1285M.1332M.1415
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651
113: Plantin Light (Russian) Roman / italic composition matrices: 6pt-12pt449
size:6pt (6D)8pt (8D)10pt (9D)12pt (12D)
set:78.51011.75
line:M.1237M.1285M.1342M.1426
display matrices:
size:14pt16pt24pt30pt36pt42pt48pt60pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651
327: Times New Roman composition matrices: 6pt-12pt450
size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (9D)12pt (12D)
set:6.757.758.2599.7612
line:M.1230M.1268M.1298M.1325M.1338M.1420
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1438T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930
334: Times Bold composition matrices: 6pt-12pt451
size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (9D)12pt (12D)
set:6.757.758.2599.7612
line:M.1230M.1268M.1298M.1325M.1338M.1420
display matrices:
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1438T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930

Devenagari

155: Devenagari composition matrices: 12pt-16pt452
size:12pt14pt16pt
set:910.512
display matrices:
size:20pt24pt36pt48pt
346: Devenagari Bold composition matrices: 10pt-16pt, voor 10pt is een speciale gietvorm nodig453
size:10pt12pt14pt16pt
set:7.5910.512
755: Devenagari Italic composition matrices: 10pt-16pt454
size:10pt12pt14pt16pt
set:7.5910.512
Display matrices 18pt, 24pt, 30pt, 36pt

Gaelic

_24: Gaelic composition matrices: UA.23: 8pt, 10pt, 12 pt, UA.108: 14 pt, 18pt, UA.109: 24 pt455
size:6pt (6D)8pt (8D)10pt (10D)12pt (12D)
set:6.258.259.2511.25
line:.1200.1248.1330.1387
large composition matrices: UA.108 = 14 pt, 18pt, UA.109 = 24 pt
size:14pt18pt24pt
set:141824
line:.1533.19482640
display matrices: 14pt - 72pt
size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:.1533.1948.2640.3194.3884.4576.5268.6651.7930
117: Gaelic (see: 117 Gaelic Sans-Serif) 121: Colum Cille (see: 121 Gaelic Colm Cille) 121: Gaelic Colm Cille _85: Gaelic Display 117: Gaelic Display (see: 117 Gaelic Sans-Serif) 117: Gaelic Sans Serif

Georgian

539: Georgian Light (cancelled in 1972) display matrices: 16D456 540: Georgian Bold (cancelled in 1972) display matrices: 24D 587: Georgian composition matrices: 8D-10D
size:8D10D
set:8.7510.75

Glagolitic

598: Glagolitic (see also: 597 Old Bulgarian) composition matrices: 12pt:457
size:12pt
set:11.75
line:M.1415

Greek

259: Antigone composition matrices: UA.432 = 13pt:458
size:13pt (12D)
set:9.25
line:M.1330
672: Gill Sans Bold Upright is used as "bold" in combination with series 571 & 572 585: Gill Sans Condensed display matrices:459
size:14pt18pt24pt30pt36pt
line:T.1395T.1841T.2480T.2918T.3606
625: Gill Sans Bold Upright composition matrices: UA.452 = 8-12pt:460
size:8pt (8D)10pt (10D)11pt (11D)12pt (11D)
set:89.510.2511.25
line:M.1255M.1302M.1327M.1360
display matrices:
size:14pt18pt24pt30pt36pt
line:T.1395T.1841T.2480T.2918T.3606
571: Gill Sans Inclined italic Is used as italic in combination with series 572 and 672, data similar with Series 572: 572: Gill Sans Upright Roman composition matrices: UA.451 = 8-12pt:461
size:8pt (8D)10pt (10D)11pt (11D)12pt (11D)
set:89.510.2511.25
line:M.1255M.1302M.1327M.1360
display matrices:
size:14pt18pt24pt30pt36pt
line:T.1395T.1841T.2480T.2918T.3606
473: Greek (cancelled in 1967) _91: Greek: Inclined composition matrices: UA.26 = 6-13pt:462
size:6pt (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:6.758.2599.7510.512.5
line:M.1198M.1245M.1270M.1300M.1320M.1390
_92: Greek: Bold Upright (see also: 92 Greek Upright Display) composition matrices: UA.26 = 6-13pt:463
size:6pt (6D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:6.7599.7510.512.5
line:M.1198M.1270M.1300M.1320M.1390
472: Greek: Inclined composition matrices: UA.434 = 8-11pt:464
size:8pt (8D)9pt (9D)10pt (9D)11pt (10D)
set:8.59.259.7510.5
line:M.1235M.1260M.1290M.1310
_90: Greek: Upright composition matrices: UA.26 = 6-13pt:465
size:6pt (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:7.5899.7510.512.5
line:M.1235M.1250M.1270M.1300M.1320M.1390
_92: Greek Upright Display (Synoniem: 92 Greek Bold Upright) composition matrices: UA.27 = 9-13pt:466
size:9pt (8D)11pt (10D)13pt (12D)
set:910.512.5
line:M.1270M.1320M.1390
683: Grotesque Condensed Upright display matrices: 14D-36D467
size:14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 26pE
line:T.1616T.2074T.2776T.3565T.4164
718: Grotesque Condensed Upright display matrices: 14pt-36pt468
size:14pt18pt24pt30pt36pt
line:T.1544T.1948T.2640T.3332T.4022
486: Heavy Greek (see: 486 Sans-Serif) 192: New Hellenic Greek composition matrices: UA.73 = 7-12pt:469
size:7pt (7D)9pt (8D)10pt (9D)11pt (10D)12pt (11 of 12D)
set:7.258.759.7510.512
line:M.1225M.1273M.1307M.1332M.1380
display matrices:
size:18pt
line:T.1807
553: Old Style Bold Inclined composition matrices: UA.436 = 9-11pt:470
size:9pt (9D)11pt (10D)
set:9.2510.5
line:M.1257M.1315
283: Perpetua (cancelled in 1967) 605: Placard Extra Light Condensed display matrices: 14D-36D471
size:14D at 16pE16D at 18pE24D at 30pE28D at 30pE36D at 16pE
line:T.1860T.2114T.3236T.3722T.4774
668: Placard Condensed Upright display matrices: 14D-36D472
size:14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 16pE
line:T.1806T.2052T.2544T.3076T.3592T.4614
106: Porson composition matrices: UA.26 = 5.5-12pt:473
size:5.5pt (5.5D)8pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:6.589.7510.512
line:M.1195M.1250M.1294M.1315M.1356
404: Porson Condensed (cancelled in 1967) 486: Greek: Sans Serif composition matrices: UA.415 = 8-10pt:474
size:8pt (8D)10pt (10D)
set:89.75
line:M.1250M.1294
739: Spartan Light Upright Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes composition matrices: UA.454 = 6-12pt:475
size:6pt (6D)12pt (11D)
set:711
line:M.1282M.1420
740: Spartan Upright Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes composition matrices: UA.454 = 6-12pt:476
size:6pt (6D)12pt (11D)
set:711
line:M.1282M.1420
741: Spartan Bold Upright Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes composition matrices: UA.454 = 6-12pt:477
size:6pt (6D)12pt (11D)
set:712
line:M.1282M.1420
565: Times Upright composition matrices: UA.437 = 6-12pt:478
size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)
set:6.757.758.2599.7510.512
line:M.1230M.1268M.1298M.1325M.1338M.1368M.1420
display matrices:
size:14pt18pt
line:T.1438T.1948
566: Times Inclined was used as italic with Series 565 Times Upright composition matrices: UA. 438 = 6pt-12pt, large composition matrices 14pt-18pt, (lining-data more equal) 567: Times Bold Upright composition matrices: UA.439 = 6-12pt:479
size:6pt (6D)8pt (8D)10pt (10D)12pt (12D)
set:6.758.259.7512
line:M.1239M.1298M.1338M.1420
display matrices:
size:14pt18pt24pt30pt36pt
line:T.1458T.1873T.2640T.3194T.3884
667: Times Bold Inclined composition matrices: UA.439 = 6-12pt:480
size:6pt (6D)8pt (8D)10pt (10D)12pt (12D)
set:6.758.259.7512
line:M.1239M.1298M.1338M.1420
display matrices:
size:14pt18pt24pt30pt36pt
line:T.1458T.1873T.2640T.3194T.3884
893: Univers Bold Upright composition matrices: UA.439 = 6-12pt:481
size:8D at 9pE9D at 10pE10D at 11pE
set:9.511.2513
line:M.1290M.1350M.1408
989: Univers Medium Inclined composition matrices: UA.439 = 6-12pt:482
size:8D at 9pE9D at 10pE10D at 11pE
set:9.511.2513
line:M.1290M.1350M.1408
889: Univers Medium Upright composition matrices: UA.439 = 6-12pt:483
size:8D at 9pE9D at 10pE10D at 11pE
set:9.511.2513
line:M.1290M.1350M.1408

Gujerathi

460: Gujerathi composition matrices:484
size:10pt12pt14pt
set:7.5910.5
518: Gujerathi Bold composition matrices:485
size:10pt12pt14pt
set:7.5910.5
display matrices:
size:18pt24pt30pt36pt
704: Gujerathi composition matrices:486
size:10pt12pt14pt
set:7.5910.5

Gurmukhi

601: Gurmukhi Bold composition matrices: 12-16pt:487
size:12pt14pt16pt
set:910.512
604: Gurmukhi composition matrices: 12-16pt:488
size:12pt14pt16pt
set:910.512
604: Gurmukhi Light (see: 604 Gurmukhi)

Hebrew

219: Ashurith (unpointed) composition matrices: 7-8pt:489
size:7pt at 12pE (7D)8pt at 13pE (8D)
set:6.57
487: Gill (cancelled in 1967) 222: Hebrew composition matrices: 6-8pt:490
size:6pt at 9pE (6D)7pt at 10pE (7D)8pt at 13pE (8D)
set:777
219: Hebrew Ashurith (see: 219 Ashurith) 221: Hebrew Levenim (see: 221 Levenim) 220: Hebrew Peninim (see: 220 Peninim) 228: Hebrew Rabbinic (see: 228 Rabinnic) 547: Hebrew Schocken No. 1 (cancelled in 1974) 550: Hebrew Schocken No. 2 (cancelled in 1967) 551: Hebrew Schocken No. 3 (cancelled in 1967) 218: Hebrew Sonzino (pointed) (see: 218 Sonzino) 221: Levênim (unpointed) composition matrices: 7pt:491
size:7pt op 9pE (7D)
set:7.25
492: Mayer 488: Mayer Pointed 220: Peninim (unpointed) composition matrices: 5-7pt:492
size:5pt at 8pE6pt at 9pE7pt at 11pE
set:55.57.25
display matrices: size: 14pt, 18pt, 24pt 489: Peninim 217: Peninim Pointed composition matrices: 6-8pt:493
size:6pt (6D)7pt8pt
set:55.57
228: Rabbinic composition matrices: 11-12pt:494
size:11pt (10D)12pt (12D)
set:6.57
218: Sonzino composition matrices: 9-12pt: extra point-matrices available for 9pt, when cast at 9pt Didot495
size:9pt12pt
set:7.510
display matrices: 18pt point S5469 to S5476 cast at 6 point

Kannada

588: Kannada composition matrices: 10-16pt:496
size:10pt12pt14pt16pt
set:9.7511.513.7515.75
590: Kannada (see: 590 Malayalam) 788: Kannada 787: Kannada Semi-Bold

Malayalam

590: Malayalam (synonym: 590 Kannada) composition matrices: 10-12pt:497
size:8pt10pt12pt
set:9.7512.514.75
660: Malayalam composition matrices: 8pt:
size:8pt
set:11

Old Bulgarian

597: Old Bulgarian (see also: 598 Glagolitic) composition matrices: 10-12pt:498
size:10pt (9D)12pt (11D)
set:9.511.75
line:M.1332M.1415

Oriya

706: Oriya

Sangalese

557: Sangalese composition matrices: 8-14pt:499
size:8pt10pt12pt14pt
set:7.759.251113
657: Sangalese Bold composition matrices: 8-14pt:500
size:8pt10pt12pt14pt
set:7.759.251113
698: Sangalese Italic composition matrices: 8-14pt:501
size:8pt10pt12pt
set:7.759.2511
699: Sangalese Bold Italic composition matrices: 8-14pt:502
size:8pt10pt12pt
set:7.759.2511

Syriac

564: Syriac "Estrangelo" composition matrices: 8-10pt:503
size:8D10D
set:8.7510.75

Tamil

280: Tamil composition matrices:504
size:8pt10pt
set:91215
340: Tamil Bold composition matrices: 8pt-10pt505
size:8pt10pt
set:1215
display matrices:
12pt14pt18pt24pt
581: Tamil Bold (cancelled) 340: Tamil Heavy (see: 340 Tamil Bold) 580: Tamil Medium\ composition matrices:506
size:8pt9pt10pt11pt12pt
set:9.751112.513.514.75
708: Tamil Medium composition matrices:507
size:8pt9pt10pt11pt12pt14pt
set:9.751112.513.514.7517

Telugu

426: Telugu (cancelled in 1969) 626: Telugu Medium composition matrices:508
size:12pt
set:12
726: Telugu Bold

Thai

577: Thai composition matrices:509
size:12pt16pt18pt
set:91213.5
608: Thai Light composition matrices:
size:12pt16pt18pt
set:8.511.512.75
611: Thai Bold composition matrices:
size:12pt16pt18pt
set:91213.5
621: Thai Medium display matrices:510
size:24pt30pt36pt48pt
628: Thai Light Italic composition matrices:511
size:16pt18pt
set:11.512.75

Urdu

507: Urdu composition matrices: 9D-16D512
size:9D12D14D16D
cast at:12pE at 12D16pE at 16D duplex18pE at 18D duplex20pE at 20D duplex
set:10.51314.7517
707: Urdu Bold composition matrices: 9D-16D513
size:9D12D14D16D
cast at:12pE at 12D16pE at 16D duplex18pE at 18D duplex20pE at 20D duplex
set:10.51314.7517
display matrices:
size:18D24D30D42D54D
cast at:24pE at 24D30pE at 30D36pE at 36D48pE at 48D60pE at 60D
holder:Xb7SLXb7SL
the site of David Bolton, with much info on Monotype and letterpress. The website of the Type Museum in London, where matrices were still produced with the old machines. Monotype Inc. for digital fonts. Monotype digital fonts

References

  1. "30 years after its foundation, Type Archive is no more". Typeroom. 21 June 2022. https://www.typeroom.eu/30-years-after-its-foundation-type-archive-is-no-more ↩

  2. Hudy Slinn, Sebastian Carter, Richard Southill: The History of The Monotype Corporation, Printing Historical Society, London, Vanburg Press Woodstock, 2014, ISBN 978-0-900003-15-8 /wiki/ISBN_(identifier) ↩

  3. Js. Hermans, ' that's printed... ' but how? , 1961 Intergrafia-series number 17, Edecea Publishing House, Horn ↩

  4. N.N., Specimen book of "Monotype" printing types , The Monotype Corporation LIMITED, 43 Fetter Lane, London EC4, 4 vols ↩

  5. The Monotype Corporation Ltd. specimen-blade 9-61, Albertus 324 ↩

  6. The Monotype Corporation Ltd. specimen-blade 9-67, Albertus 481 ↩

  7. The Monotype Corporation Ltd. specimen-blade 9-67, Albertus 534 ↩

  8. The Monotype Corporation Ltd. specimen-blade 7-56, Albertus 538 ↩

  9. The Monotype Corporation Ltd. 12-36 ↩

  10. The Monotype Corporation Ltd. 2-61 ↩

  11. The Monotype Corporation Ltd. 7-37 ↩

  12. The Monotype Corporation Ltd. 2-61 ↩

  13. The Monotype Corporation Ltd. 10-39 ↩

  14. The Monotype Corporation Ltd. 5-72 ↩

  15. The Monotype Corporation Ltd. 5-38 ↩

  16. The Monotype Corporation Ltd. specimen blade 6-38 ↩

  17. The Monotype Corporation Ltd. specimen blade series No. 354 ↩

  18. The Monotype Corporation Ltd. specimen blade 2-70 ↩

  19. The Monotype Corporation Ltd. specimen blade 1-77 ↩

  20. The Monotype Corporation Ltd. specimen blade 3-40 ↩

  21. The Monotype Corporation Ltd. 5-38 ↩

  22. The Monotype Corporation Ltd. Series no. 238 ↩

  23. The Monotype Corporation Ltd. Series no. 279 ↩

  24. The Monotype Corporation Ltd. 7-70 ↩

  25. The Monotype Corporation Ltd. 4-71 ↩

  26. The Monotype Corporation Ltd. 11-73 ↩

  27. The Monotype Corporation Ltd. 9-70 ↩

  28. The Monotype Corporation Ltd. 1-51 and 11-51 ↩

  29. The Monotype Corporation Ltd. series no.376 ↩

  30. The Monotype Corporation Ltd. series no.378 ↩

  31. The Monotype Corporation Ltd. 10-41 ↩

  32. The Monotype Corporation Ltd. 11-73 ↩

  33. The Monotype Corporation Ltd. series no.381 ↩

  34. The Monotype Corporation Ltd. 2-70 ↩

  35. The Monotype Corporation Ltd. 2-73 ↩

  36. The Monotype Corporation Ltd. 2-73 ↩

  37. The Monotype Corporation Ltd. 3-46 and 3-71 ↩

  38. The Monotype Corporation Ltd. 8-59 ↩

  39. The Monotype Corporation Ltd. 5-51 ↩

  40. The Monotype Corporation Ltd. 5-76 ↩

  41. The Monotype Corporation Ltd. 5-76 ↩

  42. The Monotype Corporation Ltd. 2-65 ↩

  43. The Monotype Corporation Ltd. 2-65 ↩

  44. The Monotype Corporation Ltd. 10-76 ↩

  45. The Monotype Corporation Ltd. 9-50 ↩

  46. The Monotype Corporation Ltd. 1-50 and 7-60 ↩

  47. The Monotype Corporation Ltd. 9-37 and 11-50 ↩

  48. The Monotype Corporation Ltd. 3-40 ↩

  49. The Monotype Corporation Ltd. 3-37 and 10-40 ↩

  50. The Monotype Corporation Ltd. 2-60, 4-71 and 10-38 ↩

  51. The Monotype Corporation Ltd. 11-76 ↩

  52. The Monotype Corporation Ltd. 11-76 ↩

  53. The Monotype Corporation Ltd. 2-73 ↩

  54. The Monotype Corporation Ltd. 7-70 ↩

  55. The Monotype Corporation Ltd. 4-71 ↩

  56. The Monotype Corporation Ltd. 2-68 ↩

  57. The Monotype Corporation Ltd. Series No. 138 Bold Face no.3 ↩

  58. The Monotype Corporation Ltd. 11-55 ↩

  59. The Monotype Corporation Ltd. 5-41 ↩

  60. The Monotype Corporation Series no. 197 and 2-57 ↩

  61. The Monotype Corporation Ltd. 1-72 ↩

  62. The Monotype Corporation Ltd. 1-72 ↩

  63. Castellar at Fonts.com https://fonts.com/font/monotype/castellar-mt/story ↩

  64. Castellar font family at Microsoft Typography https://docs.microsoft.com/en-us/typography/font-list/castellar ↩

  65. The Monotype Corporation Ltd. 5-71 ↩

  66. The Monotype Corporation Ltd. 5-67 ↩

  67. The Monotype Corporation 5-67 and 12-72 ↩

  68. The Monotype Corporation Ltd.5-76 ↩

  69. The Monotype Corporation Ltd. 8-71 ↩

  70. The Monotype Corporation Ltd. 2-72 ↩

  71. The Monotype Corporation Ltd. 9-69 ↩

  72. The Monotype Corporation Ltd. 9-69 ↩

  73. The Monotype Corporation Ltd. 7-68 ↩

  74. The Monotype Corporation Ltd. 4-39 ↩

  75. The Monotype Corporation Ltd. 7-68 ↩

  76. The Monotype Corporation specimen blade 3-58 ↩

  77. The Monotype Corporation Ltd. series no.412 ↩

  78. The Monotype Corporation Ltd. 12-71 ↩

  79. The Monotype Corporation Ltd. 9-37 ↩

  80. The Monotype Corporation Ltd. 9-37 ↩

  81. The Monotype Corporation Ltd. 8-55 ↩

  82. The Monotype Corporation Ltd. 6-72 ↩

  83. The Monotype Corporation Ltd. 5-71 ↩

  84. The Monotype Corporation Ltd. 2-72 ↩

  85. The Monotype Corporation Ltd. specimen blade series 17 ↩

  86. The Monotype Corporation Ltd. 5-70 ↩

  87. The Monotype Corporation Ltd. 5-70 ↩

  88. The Monotype Corporation Ltd. 3-61 ↩

  89. The Monotype Corporation Ltd. 9-40 ↩

  90. The Monotype Corporation Ltd. 7-37 ↩

  91. The Monotype Corporation Ltd. 8-39 ↩

  92. The Monotype Corporation Ltd. specimen blade 3-44 ↩

  93. The Monotype Corporation Ltd. specimen blade 3-44 ↩

  94. The Monotype Corporation Ltd. Series No. 223 ↩

  95. The Monotype Corporation Ltd. 6-38 ↩

  96. The Monotype Corporation Ltd. specimen blade 8-68 ↩

  97. The Monotype Corporation Ltd. 9-51 ↩

  98. The Monotype Corporation Ltd. 12-67 ↩

  99. The Monotype Corporation Ltd. series no.171 ↩

  100. The Monotype Corporation Ltd. series no.130 ↩

  101. The Monotype Corporation Ltd. series no.162 ↩

  102. The Monotype Corporation Ltd. 10-76 ↩

  103. The Monotype Corporation Ltd. Series no 330 ↩

  104. The Monotype Corporation Ltd. 10-76 ↩

  105. The Monotype Corporation Ltd. 10-76 ↩

  106. The Monotype Corporation Ltd. Series no.112 ↩

  107. The Monotype Corporation Ltd. 4-39 ↩

  108. The Monotype Corporation Ltd. 10-68 ↩

  109. The Monotype Corporation Ltd. 2-77 ↩

  110. The Monotype Corporation Ltd. 2-77 ↩

  111. The Monotype Corporation Ltd. 10-76 ↩

  112. The Monotype Corporation Ltd. specimen blade 10-37 ↩

  113. The Monotype Corporation Ltd. specimen blade 10-76 ↩

  114. The Monotype Corporation Ltd. 11-86 ↩

  115. The Monotype Corporation Ltd. 11-68 ↩

  116. The Monotype Corporation Ltd. 6-72 ↩

  117. The Monotype Corporation Ltd. 2-60 ↩

  118. The Monotype Corporation Ltd. 12-57 ↩

  119. The Monotype Corporation Ltd. 5-58 ↩

  120. The Monotype Corporation Ltd. 8-60 ↩

  121. The Monotype Corporation Ltd. 7-70 ↩

  122. The Monotype Corporation Ltd. 5-56 ↩

  123. The Monotype Corporation Ltd. 8-61 ↩

  124. The Monotype Corporation Ltd. 2-77 ↩

  125. The Monotype Corporation Ltd. 4-62 ↩

  126. The Monotype Corporation Ltd. 8-68 ↩

  127. The Monotype Corporation Ltd. 8-68 ↩

  128. The Monotype Corporation Ltd. 10-40 ↩

  129. The Monotype Corporation Ltd. 10-40 ↩

  130. The Monotype Corporation Ltd. series No. 68 and 4-56 and 5-40 ↩

  131. The Monotype Corporation Ltd. 2-40 ↩

  132. The Monotype Corporation Ltd. 6-40 ↩

  133. The Monotype Corporation Ltd. Series No. 69 and 6-54 ↩

  134. The Monotype Corporation Ltd. 3-52 and 11-86 ↩

  135. The Monotype Corporation Ltd. 4-71 ↩

  136. The Monotype Corporation Ltd. 4-73 ↩

  137. The Monotype Corporation Ltd. 8-71 ↩

  138. The Monotype Corporation Ltd. 12-73 ↩

  139. The Monotype Corporation Ltd. 11-70 ↩

  140. The Monotype Corporation Ltd. 4-63 ↩

  141. The Monotype Corporation Ltd. 10-68 ↩

  142. The Monotype Corporation Ltd. 4-63 ↩

  143. The Monotype Corporation Ltd. 3-71 ↩

  144. The Monotype Corporation Ltd. 5-71 ↩

  145. The Monotype Corporation Ltd. 11-71 ↩

  146. The Monotype Corporation Ltd. 7-70 ↩

  147. The Monotype Corporation Ltd. 1-77 ↩

  148. The Monotype Corporation Ltd. 5-71 ↩

  149. The Monotype Corporation Ltd. 5-71 ↩

  150. The Monotype Corporation Ltd. 7-72 ↩

  151. The Monotype Corporation Ltd. 9-69 ↩

  152. The Monotype Corporation Ltd. 4-71 ↩

  153. The Monotype Corporation Ltd. 2-77 ↩

  154. The Monotype Corporation Ltd. 4-63 ↩

  155. The Monotype Corporation Ltd. 6-70 ↩

  156. The Monotype Corporation Ltd. 2-68 ↩

  157. The Monotype Corporation Ltd. 4-71 ↩

  158. The Monotype Corporation Ltd. 1-71 ↩

  159. The Monotype Corporation Ltd. 3-71 ↩

  160. The Monotype Corporation Ltd. 4-70 ↩

  161. The Monotype Corporation Ltd. 10-76 ↩

  162. The Monotype Corporation Ltd. 6-60 and 12-67 ↩

  163. The Monotype Corporation Ltd. 3-70 ↩

  164. The Monotype Corporation Ltd. 2-70 ↩

  165. The Monotype Corporation Ltd. 7-70 ↩

  166. The Monotype Corporation Ltd. 4-71 ↩

  167. The Monotype Corporation Ltd. 7-70 ↩

  168. The Monotype Corporation Ltd. 2-77 ↩

  169. The Monotype Corporation Ltd. 2-70 ↩

  170. The Monotype Corporation Ltd. specimen-blade Series No. 4 ↩

  171. The Monotype Corporation Ltd. 7-67 ↩

  172. The Monotype Corporation Ltd. 7-65 ↩

  173. The Monotype Corporation Ltd. 8-68 ↩

  174. The Monotype Corporation Ltd. 2-68 ↩

  175. The Monotype Corporation Ltd. 9-58 ↩

  176. The Monotype Corporation Ltd. 9-63 ↩

  177. The Monotype Corporation Ltd. 8-60 ↩

  178. The Monotype Corporation Ltd. 8-60 and 10-63 ↩

  179. The Monotype Corporation Ltd. 9-41 ↩

  180. The Monotype Corporation Ltd. 7-37 ↩

  181. The Monotype Corporation Ltd. 10-62 ↩

  182. The Monotype Corporation Ltd. 4-65 ↩

  183. The Monotype Corporation Ltd. 12-63 ↩

  184. The Monotype Corporation Ltd. 12-40 ↩

  185. The Monotype Corporation Ltd. 11-61 and 12.53 ↩

  186. The Monotype Corporation Ltd. 11-61 ↩

  187. The Monotype Corporation Ltd. 12-65 ↩

  188. The Monotype Corporation Ltd. specimen-blade 2-72 ↩

  189. The Monotype Corporation Ltd. specimen-blade 10-40 ↩

  190. The Monotype Corporation Ltd. 12-50 and 12-64 ↩

  191. The Monotype Corporation Ltd. Series 365 ↩

  192. The Monotype Corporation Ltd. 3-69 ↩

  193. The Monotype Corporation Ltd. 5-61 and 5-67 ↩

  194. The Monotype Corporation Ltd. 6-65 ↩

  195. The Monotype Corporation Ltd. 11-60 and 11-63 ↩

  196. The Monotype Corporation Ltd. 5-64 ↩

  197. The Monotype Corporation Ltd. 9-62 ↩

  198. The Monotype Corporation Ltd. 9-63 ↩

  199. The Monotype Corporation Ltd. 12-64 ↩

  200. The Monotype Corporation Ltd. 5-64 ↩

  201. The Monotype Corporation Ltd. 5-64 ↩

  202. The Monotype Corporation Ltd. Series No. 389 ↩

  203. The Monotype Corporation Ltd. 9-63 and 12-67 ↩

  204. The Monotype Corporation Ltd. 12-37 ↩

  205. The Monotype Corporation Ltd. 11-40 ↩

  206. The Monotype Corporation Ltd. 8-37 ↩

  207. The Monotype Corporation Ltd. 2-70, 7-65, 8-65 ↩

  208. The Monotype Corporation Ltd. 5-72 ↩

  209. The Monotype Corporation Ltd. 5-72 ↩

  210. The Monotype Corporation Ltd. 4-62 ↩

  211. The Monotype Corporation Ltd. 9-62 ↩

  212. Last edition of Matrix ↩

  213. The Monotype Corporation Ltd. 9-60 ↩

  214. The Monotype Corporation Ltd. 5-64 ↩

  215. The Monotype Corporation Ltd. 8-63 ↩

  216. The Monotype Corporation Ltd. 6-61 ↩

  217. The Monotype Corporation Ltd. 7-71 ↩

  218. The Monotype Corporation Ltd. Series No. 265 ↩

  219. The Monotype Corporation Ltd. 12-67 ↩

  220. The Monotype Corporation Ltd. 9-40 ↩

  221. The Monotype Corporation Ltd. 7-37 ↩

  222. The Monotype Corporation Ltd. Series No. 416 ↩

  223. The Monotype Corporation Ltd. 2-37 ↩

  224. The Monotype Corporation Ltd. 12-67 ↩

  225. The Monotype Corporation Ltd. 7-37 ↩

  226. The Monotype Corporation Ltd. 12-67 ↩

  227. The Monotype Corporation Ltd. 1-71 ↩

  228. Lanton Monotype specimen blade series 58 & 238 ↩

  229. The Monotype Corporation Ltd. 3-59 ↩

  230. The Monotype Corporation Ltd. 5-38 ↩

  231. The Monotype Corporation Ltd. Series No. 305 ↩

  232. The Monotype Corporation Ltd. 4-73 ↩

  233. The Monotype Corporation Ltd. specimen-blade 1-50/1-54 ↩

  234. The Monotype Corporation Ltd. 4-40 ↩

  235. The Monotype Corporation Ltd. 9-37 ↩

  236. The Monotype Corporation Ltd. 5-40 ↩

  237. The Monotype Corporation Ltd. 4-39 ↩

  238. The Monotype Corporation Ltd. 4-44 ↩

  239. The Monotype Corporation Ltd. 4-41 ↩

  240. The Monotype Corporation Ltd. series No. 348 ↩

  241. The Monotype Corporation Ltd. 7-39 ↩

  242. The Monotype Corporation Ltd. 12-52, 3-75 ↩

  243. The Monotype Corporation Ltd. 2-62 ↩

  244. The Monotype Corporation Ltd. 2-62 ↩

  245. The Monotype Corporation Ltd. 7-64 ↩

  246. The Monotype Corporation Ltd. 5-61 ↩

  247. The Monotype Corporation Ltd. specimen-blade 10-47 ↩

  248. The Monotype Corporation Ltd. specimen-blade 10-40 ↩

  249. The Monotype Corporation Ltd. specimen-blade 11-58 ↩

  250. The Monotype Corporation Ltd. specimen-blade 1-53 ↩

  251. The Monotype Corporation Ltd. 9-38 ↩

  252. The Monotype Corporation Ltd. 9-50 ↩

  253. The Monotype Corporation Ltd. specimen-blade 5-41 ↩

  254. The Monotype Corporation Ltd. specimen-blade 9-37 ↩

  255. The Monotype Corporation Ltd. 8-40 ↩

  256. The Monotype Corporation Ltd. 4-40 ↩

  257. The Monotype Corporation Ltd. specimen-blade 8-56 ↩

  258. The Monotype Corporation Ltd. specimen-blade 5-40 ↩

  259. The Monotype Corporation Ltd. specimen-blade 6-38/12-51 ↩

  260. The Monotype Corporation Ltd. specimen-blade Series No. 14 ↩

  261. The Monotype Corporation Ltd. specimen-blade 8-50 ↩

  262. The Monotype Corporation Ltd. specimen-blade 7-40 ↩

  263. The Monotype Corporation Ltd. 9-50 ↩

  264. The Monotype Corporation Ltd. 10-40 ↩

  265. The Monotype Corporation Ltd. 10-40 ↩

  266. The Monotype Corporation Ltd. 10-41 ↩

  267. The Monotype Corporation Ltd. Series No. 179 ↩

  268. The Monotype Corporation Ltd. 10-36 ↩

  269. The Monotype Corporation Ltd. 7-50 ↩

  270. The Monotype Corporation Ltd. 7-50 and 12-36 ↩

  271. The Monotype Corporation Ltd. 8-55 ↩

  272. The Monotype Corporation Ltd. 7-54 ↩

  273. The Monotype Corporation Ltd. 10-40 ↩

  274. The Monotype Corporation Ltd. Series No. 257 ↩

  275. The Monotype Corporation Ltd. 11-61 ↩

  276. The Monotype Corporation Ltd. 9-62 ↩

  277. The Monotype Corporation Ltd. 6-63 ↩

  278. The Monotype Corporation Ltd. 6-63 ↩

  279. The Monotype Corporation Ltd. 4-40 ↩

  280. The Monotype Corporation Ltd. 7-65 ↩

  281. The Monotype Corporation Ltd. 8-60 ↩

  282. The Monotype Corporation Ltd. 8-60 ↩

  283. The Monotype Corporation Ltd. 3-38 ↩

  284. The Monotype Corporation Ltd. specimen blade 9-37 ↩

  285. The Monotype Corporation Ltd. 3-50 ↩

  286. The Monotype Corporation Ltd. 12-59 ↩

  287. The Monotype Corporation Ltd. 6-39 ↩

  288. The Monotype Corporation Ltd. 6-39 ↩

  289. The Monotype Corporation Ltd. specimen blades 1-50, 12-37 ↩

  290. The Monotype Corporation Ltd. 9-50 ↩

  291. The Monotype Corporation Ltd. 9-46 ↩

  292. The Monotype Corporation Ltd. 6-40 ↩

  293. The Monotype Corporation Ltd. 4-40 ↩

  294. The Monotype Corporation Ltd. 4-40 ↩

  295. The Monotype Corporation Ltd. 10-40 ↩

  296. The Monotype Corporation Ltd. Series No. 50 ↩

  297. Onyx font family at Microsoft Typography https://docs.microsoft.com/en-us/typography/font-list/onyx ↩

  298. The Monotype Corporation Ltd. 9-60 ↩

  299. The Monotype Corporation Ltd. 7-61 ↩

  300. The Monotype Corporation Ltd. 4-60 ↩

  301. The Monotype Corporation Ltd. 2-51 ↩

  302. The Monotype Corporation Ltd. 8-40 ↩

  303. The Monotype Corporation Ltd. 6-66 ↩

  304. The Monotype Corporation Ltd. 3-49 ↩

  305. The Monotype Corporation Ltd. 11-38 ↩

  306. The Monotype Corporation Ltd. Series No. 386 ↩

  307. The Monotype Corporation Ltd. 8-58 ↩

  308. The Monotype Corporation Ltd. 2-66 ↩

  309. The Monotype Corporation Ltd. 4-66 ↩

  310. The Monotype Corporation Ltd. 7-70 ↩

  311. The Monotype Corporation Ltd. 3-52 ↩

  312. The Monotype Corporation Ltd. 6-61 ↩

  313. The Monotype Corporation Ltd. 2-57 ↩

  314. The Monotype Corporation Ltd. 6-61 ↩

  315. The Monotype Corporation Ltd. 4-64 and 12-52 ↩

  316. The Monotype Corporation Ltd. 6-61 ↩

  317. The Monotype Corporation Ltd. 1-70 ↩

  318. The Monotype Corporation Ltd. 12-69 ↩

  319. The Monotype Corporation Ltd. 9-37 ↩

  320. The Monotype Corporation Ltd. 9-50 ↩

  321. The Monotype Corporation Ltd. 1-38 ↩

  322. The Monotype Corporation Ltd. 10-49 and 12-69 ↩

  323. The Monotype Corporation Ltd. 12-69 ↩

  324. The Monotype Corporation Ltd. 6-40 ↩

  325. The Monotype Corporation Ltd. 12-69 ↩

  326. The Monotype Corporation Ltd. 10-61 ↩

  327. The Monotype Corporation Ltd. 9-50 ↩

  328. The Monotype Corporation Ltd. 9-50 ↩

  329. The Monotype Corporation Ltd. 5-62 ↩

  330. The Monotype Corporation Ltd. 5-62 ↩

  331. The Monotype Corporation Ltd. 9-63 ↩

  332. The Monotype Corporation Ltd. 9-63 ↩

  333. The Monotype Corporation Ltd. 5-60 ↩

  334. The Monotype Corporation Ltd. 9-61 ↩

  335. The Monotype Corporation Ltd. 1-68 ↩

  336. The Monotype Corporation Ltd. 9-63 ↩

  337. The Monotype Corporation Ltd. 5-64 ↩

  338. The Monotype Corporation Ltd. 12-61 ↩

  339. The Monotype Corporation Ltd. 2-65 ↩

  340. The Monotype Corporation Ltd. specimen-blade Series 10 ↩

  341. The Monotype Corporation Ltd. 12-67 ↩

  342. The Monotype Corporation Ltd. 12-67 ↩

  343. The Monotype Corporation Ltd. specimen blade Serie nr. 186 ↩

  344. The Monotype Corporation Ltd. specimen blade 7-37 ↩

  345. The Monotype Corporation Ltd. 2-61 ↩

  346. The Monotype Corporation Ltd. 9-62 ↩

  347. The Monotype Corporation Ltd. 9-51 ↩

  348. The Monotype Corporation Ltd. 2-58 ↩

  349. The Monotype Corporation Ltd. 7-46 ↩

  350. The Monotype Corporation Ltd. 9-39 ↩

  351. The Monotype Corporation Ltd. 9-39 ↩

  352. The Monotype Corporation Ltd. 11-61 ↩

  353. The Monotype Corporation Ltd. 12-61 ↩

  354. The Monotype Corporation Ltd. 7-62 ↩

  355. The Monotype Corporation Ltd. 7-62 ↩

  356. The Monotype Corporation Ltd. 10-61 ↩

  357. The Monotype Corporation Ltd. 8-63 ↩

  358. The Monotype Corporation Ltd. 2-58 ↩

  359. The Monotype Corporation Ltd. 3-61 ↩

  360. The Monotype Corporation Ltd. 6-60 ↩

  361. The Monotype Corporation Ltd. 6-60 ↩

  362. The Monotype Corporation Ltd. 11-64 ↩

  363. The Monotype Corporation Ltd. 7-50 ↩

  364. The Monotype Corporation Ltd. 2-63 ↩

  365. The Monotype Corporation Ltd. 7-62 ↩

  366. The Monotype Corporation Ltd. 7-62 ↩

  367. The Monotype Corporation Ltd. 7-62 ↩

  368. The Monotype Corporation Ltd. 3-57 ↩

  369. The Monotype Corporation Ltd. 3-58 and 5-61 ↩

  370. The Monotype Corporation Ltd. 5-58 ↩

  371. The Monotype Corporation Ltd. 6-66 ↩

  372. The Monotype Corporation Ltd. 3-58 ↩

  373. The Monotype Corporation Ltd. 11-76 ↩

  374. The Monotype Corporation Ltd. 1-64 ↩

  375. The Monotype Corporation Ltd. Series No. 114 ↩

  376. The Monotype Corporation Ltd. 8-61 ↩

  377. The Monotype Corporation Ltd. 8-61 ↩

  378. The Monotype Corporation Ltd. 4-64 ↩

  379. The Monotype Corporation Ltd. 4-70 ↩

  380. The Monotype Corporation Ltd. 2-68 ↩

  381. The Monotype Corporation Ltd. 10-67 ↩

  382. The Monotype Corporation Ltd. 2-68 ↩

  383. The Monotype Corporation Ltd. 12-69 ↩

  384. The Monotype Corporation Ltd. 11-67 ↩

  385. The Monotype Corporation Ltd. 10-67 ↩

  386. The Monotype Corporation Ltd. 5-68 ↩

  387. The Monotype Corporation Ltd. 10-67 ↩

  388. The Monotype Corporation Ltd. 10-68 ↩

  389. The Monotype Corporation Ltd. 2-68 ↩

  390. The Monotype Corporation Ltd. 2-68 ↩

  391. The Monotype Corporation Ltd. 2-68 ↩

  392. The Monotype Corporation Ltd. 4-65 ↩

  393. The Monotype Corporation Ltd. 6-54 ↩

  394. The Monotype Corporation Ltd. 5-64 ↩

  395. The Monotype Corporation Ltd. 7-61 and 12-64 ↩

  396. The Monotype Corporation Ltd. Series No. 182 ↩

  397. The Monotype Corporation Ltd. 6-66 ↩

  398. The Monotype Corporation Ltd. 6-66 ↩

  399. The Monotype Corporation Ltd. 9-51 ↩

  400. KlingsporMuseum [www.klingspor-museum.de/KlingsporKuenstler/Schriftdesigner/Svolinsky/KSvolinsky.pdf Karel Svolinski] ↩

  401. "Home". book.art.pl. http://book.art.pl/index.php/en/ ↩

  402. The Monotype Corporation Ltd. Series No. 273 ↩

  403. The Monotype Corporation Ltd. serie nr. 98 ↩

  404. The Monotype Corporation Ltd. specimen blade Serie nr. 186 ↩

  405. The Monotype Corporation Ltd. specimen blade Serie nr. 187 ↩

  406. The Monotype Corporation Ltd. 4-63 ↩

  407. The Monotype Corporation Ltd. 4-63 ↩

  408. The Monotype Corporation Ltd. 5-72 ↩

  409. The Monotype Corporation Ltd. 4-63 ↩

  410. The Monotype Corporation Ltd. 7-69 ↩

  411. The Monotype Corporation Ltd. 11-63 ↩

  412. The Monotype Corporation Ltd. 3-70 ↩

  413. The Monotype Corporation Ltd. 4-63 ↩

  414. The Monotype Corporation Ltd. 5-65 ↩

  415. The Monotype Corporation Ltd. 11-67 ↩

  416. The Monotype Corporation Ltd. 11-67 ↩

  417. The Monotype Corporation Ltd. 5-64 ↩

  418. The Monotype Corporation Ltd. 5-64 ↩

  419. The Monotype Corporation Ltd. 6-61 ↩

  420. The Monotype Corporation Ltd. 5-61 ↩

  421. The Monotype Corporation Ltd. 5-61 ↩

  422. The Monotype Corporation Ltd. 5-61 ↩

  423. The Monotype Corporation Ltd. 5-65 ↩

  424. The Monotype Corporation Ltd. 9-64 ↩

  425. The Monotype Corporation Ltd. 7-64 ↩

  426. The Monotype Corporation Ltd. 7-64 ↩

  427. The Monotype Corporation Ltd. 5-61 ↩

  428. The Monotype Corporation Ltd. 5-61 ↩

  429. The Monotype Corporation Ltd. 4-61 ↩

  430. The Monotype Corporation Ltd. 6-65 ↩

  431. The Monotype Corporation Ltd. 1-61 ↩

  432. The Monotype Corporation Ltd. 1-61 ↩

  433. The Monotype Corporation Ltd. 4-65 ↩

  434. The Monotype Corporation Ltd. 4-65 ↩

  435. The Monotype Corporation Ltd. 5-65 ↩

  436. The Monotype Corporation Ltd. 1-61 ↩

  437. The Monotype Corporation Ltd. 5-61 ↩

  438. The Monotype Corporation Ltd. 5-65 ↩

  439. The Monotype Corporation Ltd. 5-61 ↩

  440. The Monotype Corporation Ltd. 5-61 ↩

  441. The Monotype Corporation Ltd. 5-61 ↩

  442. The Monotype Corporation Ltd. 4-61 ↩

  443. The Monotype Corporation Ltd. 5-61 ↩

  444. The Monotype Corporation Ltd. 6-65 ↩

  445. The Monotype Corporation Ltd. 11-68 ↩

  446. The Monotype Corporation Ltd. 6-65 ↩

  447. The Monotype Corporation Ltd. 4-65 ↩

  448. The Monotype Corporation Ltd. 5-61 ↩

  449. The Monotype Corporation Ltd. 5-61 ↩

  450. The Monotype Corporation Ltd. 10-60 ↩

  451. The Monotype Corporation Ltd. 10-60 ↩

  452. The Monotype Corporation Ltd. 1-65 ↩

  453. The Monotype Corporation Ltd. 10-75 ↩

  454. The Monotype Corporation Ltd. 4-71 ↩

  455. The Monotype Corporation Ltd. specimen blade 6-41 ↩

  456. The Monotype Corporation Ltd. 4-73 ↩

  457. The Monotype Corporation Ltd. 5-65 ↩

  458. The Monotype Corporation Ltd. 5-68 ↩

  459. The Monotype Corporation Ltd. 9-64 ↩

  460. The Monotype Corporation Ltd. 1-60 ↩

  461. The Monotype Corporation Ltd. 1-60 ↩

  462. The Monotype Corporation Ltd. 2-66 ↩

  463. The Monotype Corporation Ltd. 4-61 ↩

  464. The Monotype Corporation Ltd. 2-66 ↩

  465. The Monotype Corporation Ltd. 4-71 ↩

  466. The Monotype Corporation Ltd. 1-60 ↩

  467. The Monotype Corporation Ltd. 7-64 ↩

  468. The Monotype Corporation Ltd. 7-64 ↩

  469. The Monotype Corporation Ltd. Series No. 192 and 11-60 ↩

  470. The Monotype Corporation Ltd. 2-69 ↩

  471. The Monotype Corporation Ltd. 9-64 ↩

  472. The Monotype Corporation Ltd. 7-64 ↩

  473. The Monotype Corporation Ltd. 2-40 ↩

  474. The Monotype Corporation Ltd. 11-50 and 2-16 ↩

  475. The Monotype Corporation Ltd. 6-65 ↩

  476. The Monotype Corporation Ltd. 6-65 ↩

  477. The Monotype Corporation Ltd. 6-65 ↩

  478. The Monotype Corporation Ltd. 1-59 ↩

  479. The Monotype Corporation Ltd. 1-59 ↩

  480. The Monotype Corporation Ltd. 1-59 ↩

  481. The Monotype Corporation Ltd. 7-72 ↩

  482. The Monotype Corporation Ltd. 7-72 ↩

  483. The Monotype Corporation Ltd. 7-72 ↩

  484. The Monotype Corporation Ltd. 7-71 ↩

  485. The Monotype Corporation Ltd. 7-71 ↩

  486. The Monotype Corporation Ltd. 7-71 ↩

  487. The Monotype Corporation Ltd. 4-63 ↩

  488. The Monotype Corporation Ltd. 4-63 ↩

  489. The Monotype Corporation Ltd. 2-63 ↩

  490. The Monotype Corporation Ltd. 3-63 ↩

  491. The Monotype Corporation Ltd. 2-63 ↩

  492. The Monotype Corporation Ltd. 3-63 ↩

  493. The Monotype Corporation Ltd. 2-63 ↩

  494. The Monotype Corporation Ltd. 2-63 ↩

  495. The Monotype Corporation Ltd. 3-63 ↩

  496. The Monotype Corporation Ltd. 4-63 ↩

  497. The Monotype Corporation Ltd. 2-63 ↩

  498. The Monotype Corporation Ltd. 5-65 ↩

  499. The Monotype Corporation Ltd. 1-64 ↩

  500. The Monotype Corporation Ltd. 1-64 ↩

  501. The Monotype Corporation Ltd. 11-67 ↩

  502. The Monotype Corporation Ltd. 11-67 ↩

  503. The Monotype Corporation Ltd. 12-65 ↩

  504. The Monotype Corporation Ltd. 9-54 ↩

  505. The Monotype Corporation Ltd. 1-66 ↩

  506. The Monotype Corporation Ltd. 9-54 ↩

  507. The Monotype Corporation Ltd. 4-74 ↩

  508. The Monotype Corporation Ltd. 8-63 ↩

  509. The Monotype Corporation Ltd. 4-63 ↩

  510. The Monotype Corporation Ltd. 1-63 ↩

  511. The Monotype Corporation Ltd. 2-63 ↩

  512. The Monotype Corporation Ltd. 5-73 ↩

  513. The Monotype Corporation Ltd. 5-73 ↩