New Hollywood

<h2 id="history">History</h2>
<h3>Background</h3>

Following the <a href="/facts/United_States_v._Paramount_Pictures%2c_Inc./rJuX505g">Paramount Case</a> (which ended block booking and ownership of theater chains by film studios) and the advent of television (where <a href="/facts/Rod_Serling/nrygsoee">Rod Serling</a>, <a href="/facts/John_Frankenheimer/2v1LgCFr">John Frankenheimer</a>, <a href="/facts/Arthur_Penn/uzSL21SD">Arthur Penn</a>, <a href="/facts/Paddy_Chayefsky/2EjbqNeg">Paddy Chayefsky</a> and <a href="/facts/Sidney_Lumet/jsKVHTbX">Sidney Lumet</a> worked in their earlier years<a class="footnote-ref" id="fnref:7" href="#fn:7">7</a><a class="footnote-ref" id="fnref:8" href="#fn:8">8</a><a class="footnote-ref" id="fnref:9" href="#fn:9">9</a><a class="footnote-ref" id="fnref:10" href="#fn:10">10</a><a class="footnote-ref" id="fnref:11" href="#fn:11">11</a><a class="footnote-ref" id="fnref:12" href="#fn:12">12</a><a class="footnote-ref" id="fnref:13" href="#fn:13">13</a><a class="footnote-ref" id="fnref:14" href="#fn:14">14</a>), both of which severely weakened both the traditional <a href="/facts/Studio_system/QLg2uwvX">studio system</a><a class="footnote-ref" id="fnref:15" href="#fn:15">15</a> and the Motion Picture Production Code (or the <a href="/facts/Hays_Code/wgntMFzn">Hays Code</a>), Hollywood studios initially used spectacle to retain profitability. <a href="/facts/Technicolor/cjULMcyR">Technicolor</a> developed a far more widespread use, while widescreen processes and technical improvements, such as <a href="/facts/CinemaScope/2tIqWPnu">CinemaScope</a>, stereo sound, and others, such as <a href="/facts/3-D_film/nuwLrplG">3-D</a>, were invented to retain the dwindling audience and compete with television. However, these were generally unsuccessful in increasing profits.<a class="footnote-ref" id="fnref:16" href="#fn:16">16</a> By 1957, Life magazine called the 1950s "the horrible decade" for Hollywood. It was dubbed a "New Hollywood" by a press.<a class="footnote-ref" id="fnref:17" href="#fn:17">17</a>
In the 1950s and early 1960s, Hollywood was dominated by musicals, historical epics, and other films that benefited from the larger screens, wider framing, and improved sound. However, audience shares continued to dwindle, and had reached alarmingly low levels by the mid-1960s. Several costly flops, including <a href="/facts/Tora!_Tora!_Tora!/L9gk8m4R">Tora! Tora! Tora!</a>,<a class="footnote-ref" id="fnref:18" href="#fn:18">18</a> <a href="/facts/Gene_Kelly/sKNa3c7n">Gene Kelly</a>'s adaptation of <a href="/facts/Hello%2c_Dolly!_(film)/XqRDNnjt">Hello, Dolly!</a> and the <a href="/facts/Julie_Andrews/2JFaSA4q">Julie Andrews</a> vehicle <a href="/facts/Star!_(film)/CjsV3u53">Star!</a>, each failed attempts to replicate the success of <a href="/facts/Mary_Poppins_(film)/PFw19G4H">Mary Poppins</a>, <a href="/facts/Doctor_Zhivago_(film)/gse2wWD6">Doctor Zhivago</a> and <a href="/facts/The_Sound_of_Music_(film)/cmUGE5qI">The Sound of Music</a>, put great strain on the studios.<a class="footnote-ref" id="fnref:19" href="#fn:19">19</a><a class="footnote-ref" id="fnref:20" href="#fn:20">20</a><a class="footnote-ref" id="fnref:21" href="#fn:21">21</a>
By the time the <a href="/facts/Baby_boomers/clpdls7s">Baby Boomer</a> generation started to come of age in the 1960s, "<a href="/facts/Classical_Hollywood_cinema/YNQn6lGH">Old Hollywood</a>" was rapidly losing money; the studios were unsure how to react to the much-changed audience demographics. The <a href="/facts/Flynn_effect/RJTsaoDb">change in the market</a> during the period went from a middle-aged high school-educated audience in the mid-1960s to a younger, more affluent, college-educated demographic: by the mid-1970s, 76% of all movie-goers were under 30, 64% of whom had gone to college.<a class="footnote-ref" id="fnref:22" href="#fn:22">22</a> <a href="/facts/European_cinema/GrMsEJ3H">European</a> films, both arthouse and commercial (especially the <a href="/facts/Commedia_all%2527italiana/4s4bbxg9">Commedia all'italiana</a>, the <a href="/facts/French_New_Wave/bAEtKJeA">French New Wave</a>, the <a href="/facts/Spaghetti_Western/VxusSjDK">Spaghetti Western</a>), and <a href="/facts/Japanese_cinema/ggDBDANc">Japanese cinema</a><a class="footnote-ref" id="fnref:23" href="#fn:23">23</a> were making a splash in the United States – the huge market of disaffected youth seemed to find relevance and artistic meaning in movies like <a href="/facts/Michelangelo_Antonioni/AXPqSFqn">Michelangelo Antonioni</a>'s <a href="/facts/Blowup/JIPLHfko">Blowup</a>, with its oblique narrative structure and full-frontal female nudity.<a class="footnote-ref" id="fnref:24" href="#fn:24">24</a><a class="footnote-ref" id="fnref:25" href="#fn:25">25</a>
The desperation felt by studios during this period of economic downturn, and after the losses from expensive movie flops, led to innovation and risk-taking, allowing greater control by younger directors and producers.<a class="footnote-ref" id="fnref:26" href="#fn:26">26</a> Therefore, in an attempt to capture that audience that found a connection to the "art films" of Europe, the studios hired a host of young filmmakers and allowed them to make their films with relatively little studio control. Some of whom, like actor <a href="/facts/Jack_Nicholson/hxyXjyyI">Jack Nicholson</a> and director <a href="/facts/Peter_Bogdanovich/a0C5N85n">Peter Bogdanovich</a>, were mentored by "King of the Bs" <a href="/facts/Roger_Corman/lHWwxk80">Roger Corman</a><a class="footnote-ref" id="fnref:27" href="#fn:27">27</a><a class="footnote-ref" id="fnref:28" href="#fn:28">28</a><a class="footnote-ref" id="fnref:29" href="#fn:29">29</a> while others like celebrated cinematographer <a href="/facts/Vilmos_Zsigmond/DAtGoBjs">Vilmos Zsigmond</a> worked for lesser-known <a href="/facts/B_movie/ySH381UL">B movie</a> directors like <a href="/facts/Ray_Dennis_Steckler/Sol6P5tp">Ray Dennis Steckler</a>, known for the 1962 <a href="/facts/Arch_Hall_Jr./BpwBJPad">Arch Hall Jr.</a> vehicle <a href="/facts/Wild_Guitar/JzAzlXhs">Wild Guitar</a><a class="footnote-ref" id="fnref:30" href="#fn:30">30</a> and the 1963 horror <a href="/facts/Musical_film/GWjDGYnj">musical flick</a> <a href="/facts/The_Incredibly_Strange_Creatures_Who_Stopped_Living_and_Became_Mixed-Up_Zombies/y4yIGLRm">The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies</a>.<a class="footnote-ref" id="fnref:31" href="#fn:31">31</a> This, together with the breakdown of the Hays Code<a class="footnote-ref" id="fnref:32" href="#fn:32">32</a> following the <a href="/facts/Freedman_v._Maryland/vTpodqF6">Freedman v. Maryland</a> court case in 1965 and the new ratings system in 1968 (reflecting growing market segmentation) set the scene for the New Hollywood.<a class="footnote-ref" id="fnref:33" href="#fn:33">33</a>

<h3>Bonnie and Clyde</h3>
A defining film of the New Hollywood generation was <a href="/facts/Bonnie_and_Clyde_(film)/CGBh4R4g">Bonnie and Clyde</a> (1967).<a class="footnote-ref" id="fnref:34" href="#fn:34">34</a> Produced by and starring <a href="/facts/Warren_Beatty/3RAa44Kn">Warren Beatty</a> and directed by <a href="/facts/Arthur_Penn/uzSL21SD">Arthur Penn</a>, its combination of graphic violence and humor, as well as its theme of glamorous disaffected youth, was a hit with audiences. The film eventually won <a href="/facts/Academy_Award/CwTxYuNQ">Academy Awards</a> for <a href="/facts/Academy_Award_for_Best_Supporting_Actress/uqdyXp8W">Best Supporting Actress</a> (<a href="/facts/Estelle_Parsons/myJKcHcd">Estelle Parsons</a>)<a class="footnote-ref" id="fnref:35" href="#fn:35">35</a> and <a href="/facts/Academy_Award_for_Best_Cinematography/yTAnBljh">Best Cinematography</a>.<a class="footnote-ref" id="fnref:36" href="#fn:36">36</a><a class="footnote-ref" id="fnref:37" href="#fn:37">37</a>
When <a href="/facts/Jack_L._Warner/meHGVYAD">Jack L. Warner</a>, then-CEO of <a href="/facts/Warner_Bros./JRF3lhQ6">Warner Bros.</a>, first saw a rough cut of <a href="/facts/Bonnie_and_Clyde_(film)/CGBh4R4g">Bonnie and Clyde</a> in the summer of 1967, he hated it. Distribution executives at Warner Brothers agreed, giving the film a low-key premiere and limited release. Their strategy appeared justified when <a href="/facts/Bosley_Crowther/H9Yn1jk1">Bosley Crowther</a>, <a href="/facts/Middlebrow/2rRYmAXs">middlebrow</a> film critic at The New York Times, gave the movie a scathing review. "It is a cheap piece of bald-faced slapstick comedy," he wrote, "that treats the hideous depredations of that sleazy, moronic pair as though they were as full of fun and frolic as the jazz-age cut-ups in <a href="/facts/Thoroughly_Modern_Millie/8nzBY4Q4">Thoroughly Modern Millie</a>..." Other notices, including those from <a href="/facts/Time_(magazine)/N4FXc99l">Time</a> and Newsweek magazines, were equally dismissive.<a class="footnote-ref" id="fnref:38" href="#fn:38">38</a>
Its portrayal of violence and ambiguity in regard to moral values, and its startling ending, divided critics. Following one of the negative reviews, Time magazine received letters from fans of the movie, and according to journalist <a href="/facts/Peter_Biskind/sCXzLU7k">Peter Biskind</a>, the impact of critic <a href="/facts/Pauline_Kael/q3ghyarc">Pauline Kael</a> in her positive review of the film (October 1967, New Yorker) led other reviewers to follow her lead and re-evaluate the film (notably Newsweek and Time).<a class="footnote-ref" id="fnref:39" href="#fn:39">39</a> Kael drew attention to the innocence of the characters in the film and the artistic merit of the contrast of that with the violence in the film: "In a sense, it is the absence of sadism — it is the violence without sadism — that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers." Kael also noted the reaction of audiences to the violent climax of the movie, and the potential to empathize with the gang of criminals in terms of their naiveté and innocence reflecting a change in expectations of American cinema.<a class="footnote-ref" id="fnref:40" href="#fn:40">40</a>
The cover story in Time magazine in December 1967, celebrated the movie and innovation in American New Wave cinema. This influential article by <a href="/facts/Stefan_Kanfer/MCGeVtuu">Stefan Kanfer</a> claimed that Bonnie and Clyde represented a "New Cinema" through its blurred genre lines, and disregard for honored aspects of plot and motivation, and that "In both conception and execution, Bonnie and Clyde is a watershed picture, the kind that signals a new style, a new trend."<a class="footnote-ref" id="fnref:41" href="#fn:41">41</a> Biskind states that this review and turnaround by some critics allowed the film to be re-released, thus proving its commercial success and reflecting the move toward the New Hollywood.<a class="footnote-ref" id="fnref:42" href="#fn:42">42</a> The impact of this film is important in understanding the rest of the American New Wave, as well as the conditions that were necessary for it.
These initial successes paved the way for the studio to relinquish almost complete control to these innovative young filmmakers. In the mid-1970s, idiosyncratic, startlingly original films such as <a href="/facts/Paper_Moon_(film)/stPmBcam">Paper Moon</a>, <a href="/facts/Dog_Day_Afternoon/UHwVMYov">Dog Day Afternoon</a>, <a href="/facts/Chinatown_(1974_film)/glUxfs49">Chinatown</a>, and <a href="/facts/Taxi_Driver/Hz2NJ3ge">Taxi Driver</a>, among others, enjoyed enormous critical and commercial success. These successes by the members of the New Hollywood led each of them in turn to make more and more extravagant demands, both on the studio and eventually on the audience.

<h2 id="characteristics">Characteristics</h2>

The new generation of Hollywood filmmakers was most importantly, from the studios' view, young, therefore able to reach the youth audience they were losing. This collective of actors, screenwriters and directors, dubbed the "New Hollywood" by the press, briefly changed the business from the producer-driven Hollywood system of the past as Todd Berliner has written about the period's unusual narrative practices.
The 1970s, Berliner says, marks Hollywood's most significant formal transformation since the conversion to sound film and is the defining period separating the storytelling modes of the studio era and contemporary Hollywood. New Hollywood films deviate from classical narrative norms more than Hollywood films from any other era or movement. Their narrative and stylistic devices threaten to derail an otherwise straightforward narration. Berliner argues that five principles govern the narrative strategies characteristic of Hollywood films of the 1970s:

<ul><li>Seventies films show a perverse tendency to integrate, in narrative incidental ways, story information and stylistic devices counterproductive to the films' overt and essential narrative purposes.</li>
<li>Hollywood filmmakers of the 1970s often situate their film-making practices in between those of classical Hollywood and those of European and Asian art cinema.</li>
<li>Seventies films prompt spectator responses more uncertain and discomforting than those of more typical Hollywood cinema.</li>
<li>Seventies narratives place an uncommon emphasis on irresolution, particularly at the moment of climax or in epilogues, when more conventional Hollywood movies busy themselves tying up loose ends.</li>
<li>Seventies cinema hinders narrative linearity and momentum and scuttles its potential to generate suspense and excitement.<a class="footnote-ref" id="fnref:43" href="#fn:43">43</a></li></ul>
Seventies cinema also dealt with masculine crises featuring flawed male characters, downbeat conclusions and pessimistic subject matters<a class="footnote-ref" id="fnref:44" href="#fn:44">44</a><a class="footnote-ref" id="fnref:45" href="#fn:45">45</a><a class="footnote-ref" id="fnref:46" href="#fn:46">46</a><a class="footnote-ref" id="fnref:47" href="#fn:47">47</a><a class="footnote-ref" id="fnref:48" href="#fn:48">48</a><a class="footnote-ref" id="fnref:49" href="#fn:49">49</a> alongside emotional realism in female identity stories<a class="footnote-ref" id="fnref:50" href="#fn:50">50</a> and hard-nosed depictions of a America reeling from tense conflicts like <a href="/facts/The_Vietnam_War/W0gfbGTE">The Vietnam War</a> and President <a href="/facts/Richard_Nixon/HS8uXAoC">Richard Nixon</a>'s <a href="/facts/Watergate_scandal/7fEhrNXM">Watergate scandal</a>.<a class="footnote-ref" id="fnref:51" href="#fn:51">51</a>
Thomas Schatz points to another difference with the Hollywood Golden Age, which deals with the relationship of characters and plot. He argues that plot in classical Hollywood films (and some of the earlier New Hollywood films like The Godfather) "tended to emerge more organically as a function of the drives, desires, motivations, and goals of the central characters". However, beginning with mid-1970s, he points to a trend that "characters became plot functions".<a class="footnote-ref" id="fnref:52" href="#fn:52">52</a>
During the height of the studio system, films were made almost exclusively on set in isolated studios. The content of films was limited by the Motion Picture Production Code, and though golden-age film-makers found loopholes in its rules, the discussion of more taboo content through film was effectively prevented. The shift towards a "new realism" was made possible when the <a href="/facts/Motion_Picture_Association_of_America_film_rating_system/18ScNqTj">Motion Picture Association of America film rating system</a> was introduced and <a href="/facts/Location_shooting/3e3h5G5a">location shooting</a> was becoming more viable. <a href="/facts/New_York_City/YlyvFmVC">New York City</a> was a favorite spot for this new set of filmmakers due to its gritty and grimy atmosphere.<a class="footnote-ref" id="fnref:53" href="#fn:53">53</a><a class="footnote-ref" id="fnref:54" href="#fn:54">54</a><a class="footnote-ref" id="fnref:55" href="#fn:55">55</a><a class="footnote-ref" id="fnref:56" href="#fn:56">56</a>
Because of breakthroughs in film technology (e.g. the <a href="/facts/Panavision/DIqCNlT1">Panavision</a> <a href="/facts/Panavision_cameras/oaULsAtx">Panaflex</a> camera, introduced in 1972; the <a href="/facts/Steadicam/0nWpjoA9">Steadicam</a>, introduced in 1976), the New Hollywood filmmakers could shoot 35mm camera film in exteriors with relative ease. Since location shooting was cheaper (no sets need to be built) New Hollywood filmmakers rapidly developed the taste for location shooting, resulting in a more naturalistic approach to filmmaking, especially when compared to the mostly stylized approach of classical Hollywood musicals and spectacles made to compete with television during the 1950s and early 1960s. The documentary films of <a href="/facts/D.A._Pennebaker/KykjsjwN">D.A. Pennebaker</a>, <a href="/facts/The_Maysles_Brothers/fckmvhjl">the Maysles Brothers</a> and <a href="/facts/Frederick_Wiseman/MEQoIMVw">Frederick Wiseman</a>, among others, also influenced filmmakers of this era.<a class="footnote-ref" id="fnref:57" href="#fn:57">57</a>
However, in editing, New Hollywood filmmakers adhered to realism more liberally than most of their classical Hollywood predecessors, often using editing for artistic purposes rather than for continuity alone, a practice inspired by European art films and classical Hollywood directors such as <a href="/facts/D._W._Griffith/grWAvxjN">D. W. Griffith</a> and <a href="/facts/Alfred_Hitchcock/LqkmpImQ">Alfred Hitchcock</a>. Films with unorthodox editing included <a href="/facts/Easy_Rider/tJogvSo7">Easy Rider</a>'s use of <a href="/facts/Jump_cuts/qKyKrIe4">jump cuts</a> (influenced by the works of <a href="/facts/Experimental_film/AnMEMjrw">experimental</a> <a href="/facts/Collage_film/qI8kfNUo">collage filmmaker</a> <a href="/facts/Bruce_Conner/3JLkBYNR">Bruce Conner</a><a class="footnote-ref" id="fnref:58" href="#fn:58">58</a><a class="footnote-ref" id="fnref:59" href="#fn:59">59</a><a class="footnote-ref" id="fnref:60" href="#fn:60">60</a>) to foreshadow the climax of the movie, as well as subtler uses, such as those to reflect the feeling of frustration in <a href="/facts/Bonnie_and_Clyde_(film)/CGBh4R4g">Bonnie and Clyde</a>, the subjectivity of the protagonist in <a href="/facts/The_Graduate/LhCa0Uwy">The Graduate</a> and the passage of time in the famous <a href="/facts/Match_cut/j9pV3wPM">match cut</a> from <a href="/facts/2001%3a_A_Space_Odyssey_(film)/yUhFQY8W">2001: A Space Odyssey</a>.<a class="footnote-ref" id="fnref:61" href="#fn:61">61</a><a class="footnote-ref" id="fnref:62" href="#fn:62">62</a> Dense sound design was also commonplace during this era.<a class="footnote-ref" id="fnref:63" href="#fn:63">63</a> 
Also influential were the works of experimental filmmakers <a href="/facts/Arthur_Lipsett/NbfXe71U">Arthur Lipsett</a>,<a class="footnote-ref" id="fnref:64" href="#fn:64">64</a> <a href="/facts/Stan_Brakhage/qr7sfBXY">Stan Brakhage</a>,<a class="footnote-ref" id="fnref:65" href="#fn:65">65</a> <a href="/facts/Bruce_Baillie/bx52cGBk">Bruce Baillie</a>,<a class="footnote-ref" id="fnref:66" href="#fn:66">66</a> <a href="/facts/Jordan_Belson/qhjfBoMc">Jordan Belson</a>,<a class="footnote-ref" id="fnref:67" href="#fn:67">67</a><a class="footnote-ref" id="fnref:68" href="#fn:68">68</a> <a href="/facts/John_Whitney_(animator)/akHKkePX">John Whitney</a>,<a class="footnote-ref" id="fnref:69" href="#fn:69">69</a> <a href="/facts/Scott_Bartlett/9XNcW91r">Scott Bartlett</a>,<a class="footnote-ref" id="fnref:70" href="#fn:70">70</a> <a href="/facts/Maya_Deren/ocEwvxLQ">Maya Deren</a> and <a href="/facts/Kenneth_Anger/xwYXh93l">Kenneth Anger</a><a class="footnote-ref" id="fnref:71" href="#fn:71">71</a> with their combinations of music and imagery and each were cited by <a href="/facts/George_Lucas/1bLspXbj">George Lucas</a>, <a href="/facts/Francis_Ford_Coppola/c3h1RwhH">Francis Ford Coppola</a> and <a href="/facts/Martin_Scorsese/WcboUwcB">Martin Scorsese</a> as influences.<a class="footnote-ref" id="fnref:72" href="#fn:72">72</a><a class="footnote-ref" id="fnref:73" href="#fn:73">73</a> The New Hollywood generation of directors and screenwriters (each educated at either <a href="/facts/University_of_Southern_California/N0v9R5gs">USC</a>, <a href="/facts/UCLA/KwPz7AK1">UCLA</a>, <a href="/facts/NYU/4UnIkThy">NYU</a> and <a href="/facts/American_Film_Institute/DhNpmV60">AFI</a><a class="footnote-ref" id="fnref:74" href="#fn:74">74</a>) such as Coppola, Lucas, Scorsese, <a href="/facts/Steven_Spielberg/KeqLPKoS">Steven Spielberg</a>, <a href="/facts/John_Milius/b4NXG3V9">John Milius</a> and <a href="/facts/Paul_Schrader/BMJv9rkr">Paul Schrader</a><a class="footnote-ref" id="fnref:75" href="#fn:75">75</a> were sometimes jokingly labeled as "Movie Brats" or "<a href="/facts/Young_Turks/eyb4QsCy">Young Turks</a>".<a class="footnote-ref" id="fnref:76" href="#fn:76">76</a> 
The end of the production code enabled New Hollywood films to feature anti-establishment political themes, the use of rock music, and sexual freedom deemed "counter-cultural" by the studios.<a class="footnote-ref" id="fnref:77" href="#fn:77">77</a> The youth movement of the 1960s turned anti-heroes like Bonnie and Clyde and <a href="/facts/Cool_Hand_Luke/p4z0FKlb">Cool Hand Luke</a> into pop-culture idols, and <a href="/facts/Life_(magazine)/t3r71BEK">Life</a> magazine called the characters in Easy Rider "part of the fundamental myth central to the counterculture of the late 1960s."<a class="footnote-ref" id="fnref:78" href="#fn:78">78</a> Easy Rider also affected the way studios looked to reach the youth market.<a class="footnote-ref" id="fnref:79" href="#fn:79">79</a> The success of <a href="/facts/Midnight_Cowboy/VrqtsJwt">Midnight Cowboy</a>, in spite of its "X" rating, was evidence for the interest in controversial themes at the time and also showed the weakness of the rating system and segmentation of the audience.<a class="footnote-ref" id="fnref:80" href="#fn:80">80</a>

<h2 id="interpretations-on-defining-the-movement">Interpretations on defining the movement</h2>
For Peter Biskind, the new wave was foreshadowed by Bonnie and Clyde and began in earnest with Easy Rider. Biskind's book <a href="/facts/Easy_Riders%2c_Raging_Bulls/1T7rjpj8">Easy Riders, Raging Bulls</a> argues that the New Hollywood movement marked a significant shift towards independently produced and innovative works by a new wave of directors, but that this shift began to reverse itself when the commercial success of <a href="/facts/Jaws_(film)/Pss43naz">Jaws</a> and <a href="/facts/Star_Wars_(film)/J4eECtTN">Star Wars</a> led to the realization by studios of the importance of <a href="/facts/Blockbuster_(entertainment)/9hsjgCfK">blockbusters</a>, advertising and control over production (even though the success of <a href="/facts/The_Godfather/fHRPS1yq">The Godfather</a> was said to be the precursor to the blockbuster phenomenon).<a class="footnote-ref" id="fnref:81" href="#fn:81">81</a><a class="footnote-ref" id="fnref:82" href="#fn:82">82</a>
Writing in 1968, critic <a href="/facts/Pauline_Kael/q3ghyarc">Pauline Kael</a> argued that the importance of The Graduate was in its social significance in relation to a new young audience, and the role of mass media, rather than any artistic aspects. Kael argued that college students identifying with The Graduate were not too different from audiences identifying with characters in dramas of the previous decade.<a class="footnote-ref" id="fnref:83" href="#fn:83">83</a> She also compared this era of cinema to "tangled, bitter flowering of American letters in the 1850s".<a class="footnote-ref" id="fnref:84" href="#fn:84">84</a>
Filmmaker <a href="/facts/Quentin_Tarantino/uNFC3nNe">Quentin Tarantino</a> identified in his 2022 book <a href="/facts/Cinema_Speculation/sUYk4AHF">Cinema Speculation</a> that:<a class="footnote-ref" id="fnref:85" href="#fn:85">85</a>

<blockquote>"regular moviegoers were becoming weary of modern American movies. The darkness, the drug use, the embrace of sensation-the violence, the sex, and the sexual violence. But even more than that, they became weary of the anti-everything cynicism... Was everything a bummer? Was everything a drag? Was every movie about some guy with problems?"</blockquote>
In 1980, film historian/scholar <a href="/facts/Robert_P._Kolker/MHYhfB3G">Robert P. Kolker</a> examined New Hollywood film directors in his book A Cinema of Loneliness: Penn, Kubrick, Coppola, Scorsese, Altman, and how their films influenced American society of the 1960s and 1970s.<a class="footnote-ref" id="fnref:86" href="#fn:86">86</a> Kolker observed that "for all the challenge and adventure, their films speak to a continual impotence in the world, an inability to change and to create change."<a class="footnote-ref" id="fnref:87" href="#fn:87">87</a>
<a href="/facts/John_Belton_(academic)/gvrKu4M5">John Belton</a> points to the changing demographic to even younger, more conservative audiences in the mid 1970s (50% aged 12–20) and the move to less politically subversive themes in mainstream cinema,<a class="footnote-ref" id="fnref:88" href="#fn:88">88</a> as did Thomas Schatz, who saw the mid- to late 1970s as the decline of the art cinema movement as a significant industry force with its peak in 1974–75 with <a href="/facts/Nashville_(film)/cvrhkgPq">Nashville</a> and Chinatown.<a class="footnote-ref" id="fnref:89" href="#fn:89">89</a>
Geoff King sees the period as an interim movement in American cinema where a conjunction of forces led to a measure of freedom in filmmaking,<a class="footnote-ref" id="fnref:90" href="#fn:90">90</a> while Todd Berliner says that 70s cinema resists the efficiency and harmony that normally characterize classical Hollywood cinema and tests the limits of Hollywood's classical model.<a class="footnote-ref" id="fnref:91" href="#fn:91">91</a>
According to author and film critic Charles Taylor (Opening Wednesday at a Theater or Drive-In Near You), he stated that "the 1970s remain the third — and, to date, last — great period in American movies".<a class="footnote-ref" id="fnref:92" href="#fn:92">92</a> Author and film critic <a href="/facts/David_Thomson_(film_critic)/QlrghX79">David Thomson</a> also shared similar sentiment to the point of dubbing the era "the decade when movies mattered".<a class="footnote-ref" id="fnref:93" href="#fn:93">93</a>
Author A.D. Jameson (I Find Your Lack of Faith Disturbing), on the other hand, claimed that Star Wars was New Hollywood's finest achievement that actually embodied the characteristics of the respected "serious, sophisticated adult films" while questioning the often-told critical narrative of said "last great decade of American cinema".<a class="footnote-ref" id="fnref:94" href="#fn:94">94</a><a class="footnote-ref" id="fnref:95" href="#fn:95">95</a>
Steven Hyden, writing for <a href="/facts/Grantland/NqSoc61I">Grantland</a>, called the Movie Brats the "cinematic version" of <a href="/facts/Classic_rock/XelnbBW3">classic rock</a>, to the point of roll calling Spielberg as <a href="/facts/The_Beatles/2syHWLcM">the Beatles</a>, Scorsese as <a href="/facts/The_Velvet_Underground/nVPGe1n1">the Velvet Underground</a>, Coppola as <a href="/facts/Bob_Dylan/WcaUqWBj">Bob Dylan</a>, Lucas as <a href="/facts/Pink_Floyd/a3U8PyeV">Pink Floyd</a>, <a href="/facts/Robert_Altman/z8muAk9r">Robert Altman</a> as <a href="/facts/Neil_Young/6HHMQEYg">Neil Young</a>, <a href="/facts/Brian_De_Palma/BWMBuzVr">Brian De Palma</a> as <a href="/facts/Led_Zeppelin/fwP2oGAU">Led Zeppelin</a>, Bogdanovich as <a href="/facts/The_Beach_Boys/6CdaMJwW">the Beach Boys</a> and <a href="/facts/Hal_Ashby/hsRMXkt9">Hal Ashby</a> as <a href="/facts/The_Kinks/Y4qk754S">the Kinks</a>.<a class="footnote-ref" id="fnref:96" href="#fn:96">96</a>

<h2 id="criticism">Criticism</h2>
<a href="/facts/Los_Angeles_Times/jFHbcmb9">Los Angeles Times</a> article film critic <a href="/facts/Manohla_Dargis/4GHegvz6">Manohla Dargis</a> described New Hollywood as the "halcyon age" of 1970s filmmaking, that "was less revolution than business as usual, with rebel hype".<a class="footnote-ref" id="fnref:97" href="#fn:97">97</a> She also pointed out in her <a href="/facts/New_York_Times/T9marWVX">New York Times</a> article that the era's enthusiasts insist this was "when American movies grew up (or at least starred underdressed actresses); when directors did what they wanted (or at least were transformed into brands); when creativity ruled (or at least ran gloriously amok, albeit often on the studio's dime)."<a class="footnote-ref" id="fnref:98" href="#fn:98">98</a>
This era was also infamous for its excessive <a href="/facts/Decadence/BmtPV5d3">decadence</a> and on-set mishaps (as was the case for Apocalypse Now when the tumultuous production was documented by <a href="/facts/Eleanor_Coppola/rh12pr9H">Eleanor Coppola</a> which in turn became her 1991 documentary <a href="/facts/Hearts_of_Darkness%3a_A_Filmmaker%2527s_Apocalypse/WVp5EIdm">Hearts of Darkness: A Filmmaker's Apocalypse</a><a class="footnote-ref" id="fnref:99" href="#fn:99">99</a>).<a class="footnote-ref" id="fnref:100" href="#fn:100">100</a><a class="footnote-ref" id="fnref:101" href="#fn:101">101</a><a class="footnote-ref" id="fnref:102" href="#fn:102">102</a> Incidents plaguing the behind-the-scenes of some of the horror films from this era (such as <a href="/facts/Rosemary%2527s_Baby_(film)/FA15PWq8">Rosemary's Baby</a>, <a href="/facts/The_Exorcist/1YlNw01y">The Exorcist</a>, <a href="/facts/Twilight_Zone%3a_The_Movie/rs4saoS9">Twilight Zone: The Movie</a> and <a href="/facts/The_Omen/EuGphgot">The Omen</a>) were also the subjects for the docuseries <a href="/facts/Cursed_Films/SFhwjkB7">Cursed Films</a>.<a class="footnote-ref" id="fnref:103" href="#fn:103">103</a><a class="footnote-ref" id="fnref:104" href="#fn:104">104</a><a class="footnote-ref" id="fnref:105" href="#fn:105">105</a><a class="footnote-ref" id="fnref:106" href="#fn:106">106</a> Even Spielberg, who co-directed/co-produced Twilight Zone with <a href="/facts/John_Landis/9wtWPKgb">John Landis</a>, was so disgusted by the latter's handling of a <a href="/facts/Twilight_Zone_accident/Cm9CIakw">deadly helicopter accident</a> that resulted in the death of three actors, that he ended their friendship and publicly called for the end of New Hollywood.<a class="footnote-ref" id="fnref:107" href="#fn:107">107</a> When approached by the press about the accident, he stated:<a class="footnote-ref" id="fnref:108" href="#fn:108">108</a>

<blockquote>"No movie is worth dying for. I think people are standing up much more now, than ever before, to producers and directors who ask too much. If something isn't safe, it's the right and responsibility of every actor or crew member to yell, 'Cut!'</blockquote>
The <a href="/facts/Golden_Raspberry_Awards/zdey1SKV">Golden Raspberry Awards</a> (better known as The Razzies) emerged during the twilight of this era dishonoring productions such as Freidkin's Cruising and Cimino's Heaven's Gate.<a class="footnote-ref" id="fnref:109" href="#fn:109">109</a>

<h2 id="legacy">Legacy</h2>
The films of New Hollywood influenced future mainstream<a class="footnote-ref" id="fnref:110" href="#fn:110">110</a> and independent filmmakers such as Tarantino, <a href="/facts/Paul_Thomas_Anderson/jC5s0czd">Paul Thomas Anderson</a> and <a href="/facts/Noah_Baumbach/FzRTkItl">Noah Baumbach</a>.<a class="footnote-ref" id="fnref:111" href="#fn:111">111</a><a class="footnote-ref" id="fnref:112" href="#fn:112">112</a> <a href="/facts/Todd_Phillips/h2tTBQyA">Todd Phillips</a>'s 2019 <a href="/facts/DC_Comics/gvuKz3yL">DC Comics</a> adaptation <a href="/facts/Joker_(2019_film)/QYCvJSnq">Joker</a>, alongside the film's period setting, was inspired by the Martin Scorsese classics <a href="/facts/Taxi_Driver/Hz2NJ3ge">Taxi Driver</a> and <a href="/facts/The_King_of_Comedy_(film)/4rC4BNMa">The King of Comedy</a><a class="footnote-ref" id="fnref:113" href="#fn:113">113</a> while <a href="/facts/Alexander_Payne/0yyJjHhS">Alexander Payne</a>'s 2023 film <a href="/facts/The_Holdovers/mnXfChs0">The Holdovers</a> took inspiration from Ashby's works.<a class="footnote-ref" id="fnref:114" href="#fn:114">114</a>
They also influenced both the <a href="/facts/Poliziotteschi/kF3QB0Bq">Poliziotteschi</a> genre films in Italy<a class="footnote-ref" id="fnref:115" href="#fn:115">115</a> and a decade later the <a href="/facts/Cin%25C3%25A9ma_du_look/qYvRIhXS">Cinéma du look</a> movement in France.<a class="footnote-ref" id="fnref:116" href="#fn:116">116</a> The narrative for the 1983 British <a href="/facts/Shot-on-video_film/Xr9DvmA2">shot-on-video film</a> <a href="/facts/Suffer_Little_Children_(film)/VcIIjx65">Suffer Little Children</a> was influenced in part by Brian De Palma's <a href="/facts/Carrie_(1976_film)/CeaMwfhL">Carrie</a> and John Carpenter's <a href="/facts/Halloween_(1978_film)/nK1zqx3R">Halloween</a>.<a class="footnote-ref" id="fnref:117" href="#fn:117">117</a>
<a href="/facts/American_Eccentric_Cinema/msJQHEqa">American Eccentric Cinema</a> has been noted as influenced by this era.<a class="footnote-ref" id="fnref:118" href="#fn:118">118</a> Both traditions have similar themes and narratives of existentialism and the need for human interaction.<a class="footnote-ref" id="fnref:119" href="#fn:119">119</a> New Hollywood focuses on the darker elements of humanity and society within the context of the <a href="/facts/American_Dream/raYxW0tw">American Dream</a> in the mid-1960s to the early 1980s,<a class="footnote-ref" id="fnref:120" href="#fn:120">120</a> with themes that were reflective of sociocultural issues and were centered around the potential meaninglessness of pursuing the American Dream as generation upon generation was motivated to possess it.<a class="footnote-ref" id="fnref:121" href="#fn:121">121</a> In comparison, American Eccentric Cinema does not have a distinct context, its films show characters who are very individual and their concerns are very distinctive to their own personalities.<a class="footnote-ref" id="fnref:122" href="#fn:122">122</a>
The New American Cinema has also been ripe for parody as in <a href="/facts/Peter_Jackson/bBA5NchM">Peter Jackson</a>'s 1989 <a href="/facts/Muppet/yBIEx2oF">Muppet</a> satire <a href="/facts/Meet_the_Feebles/oLHkVGeX">Meet the Feebles</a> (spoofing the <a href="/facts/Russian_Roulette/cJrd8so7">Russian Roulette</a> scene from <a href="/facts/The_Deer_Hunter/7nUtbJJM">The Deer Hunter</a>),<a class="footnote-ref" id="fnref:123" href="#fn:123">123</a><a class="footnote-ref" id="fnref:124" href="#fn:124">124</a> <a href="/facts/Ernie_Fosselius/KcUYBsVg">Ernie Fosselius</a>'s spoofs <a href="/facts/Hardware_Wars/Ecm2BGgb">Hardware Wars</a> (1978)<a class="footnote-ref" id="fnref:125" href="#fn:125">125</a> and <a href="/facts/Porklips_Now/eSjsrrzW">Porklips Now</a> (1980),<a class="footnote-ref" id="fnref:126" href="#fn:126">126</a>
<a href="/facts/Jim_Reardon/EWWd193h">Jim Reardon</a>'s cult 1986 animated student film <a href="/facts/Bring_Me_the_Head_of_Charlie_Brown/CRTANzWb">Bring Me the Head of Charlie Brown</a> spoofing Taxi Driver, The Wild Bunch and <a href="/facts/Bring_Me_the_Head_of_Alfredo_Garcia/hLBX9dQ8">Bring Me the Head of Alfredo Garcia</a><a class="footnote-ref" id="fnref:127" href="#fn:127">127</a> and Canadian <a href="/facts/Video_art/qcLEEWj7">video artist</a> <a href="/facts/Todd_Graham_(comedian)/cT98npYs">Todd Graham</a>'s 1987 cult <a href="/facts/Fan_film/0RWJ8oPL">fan film</a> Apocalypse Pooh, a bizarrely comedic <a href="/facts/Mashup_(video)/vpz3g5op">mash-up</a> of Disney's <a href="/facts/Winnie_the_Pooh_(franchise)/AdfPl01h">Winnie the Pooh</a> and Coppola's Apocalypse Now.<a class="footnote-ref" id="fnref:128" href="#fn:128">128</a><a class="footnote-ref" id="fnref:129" href="#fn:129">129</a><a class="footnote-ref" id="fnref:130" href="#fn:130">130</a>

<h2 id="figures-of-the-movement">Figures of the movement</h2>
<h3>Actors</h3>

<ul><li><a href="/facts/Woody_Allen/nTETed3q">Woody Allen</a><a class="footnote-ref" id="fnref:131" href="#fn:131">131</a></li>
<li><a href="/facts/Ren%25C3%25A9_Auberjonois/sjI3V4ph">René Auberjonois</a><a class="footnote-ref" id="fnref:132" href="#fn:132">132</a><a class="footnote-ref" id="fnref:133" href="#fn:133">133</a></li>
<li><a href="/facts/Ned_Beatty/6SujA759">Ned Beatty</a><a class="footnote-ref" id="fnref:134" href="#fn:134">134</a></li>
<li><a href="/facts/Warren_Beatty/3RAa44Kn">Warren Beatty</a><a class="footnote-ref" id="fnref:135" href="#fn:135">135</a><a class="footnote-ref" id="fnref:136" href="#fn:136">136</a></li>
<li><a href="/facts/Candice_Bergen/1MY1djFp">Candice Bergen</a><a class="footnote-ref" id="fnref:137" href="#fn:137">137</a></li>
<li><a href="/facts/Jacqueline_Bisset/lfxbG4wB">Jacqueline Bisset</a><a class="footnote-ref" id="fnref:138" href="#fn:138">138</a></li>
<li><a href="/facts/Karen_Black/yyT1rYwk">Karen Black</a><a class="footnote-ref" id="fnref:139" href="#fn:139">139</a><a class="footnote-ref" id="fnref:140" href="#fn:140">140</a></li>
<li><a href="/facts/Linda_Blair/hRqtwItz">Linda Blair</a><a class="footnote-ref" id="fnref:141" href="#fn:141">141</a></li>
<li><a href="/facts/Timothy_Bottoms/rkj5dQRI">Timothy Bottoms</a><a class="footnote-ref" id="fnref:142" href="#fn:142">142</a></li>
<li><a href="/facts/Peter_Boyle/S4CgQ010">Peter Boyle</a><a class="footnote-ref" id="fnref:143" href="#fn:143">143</a></li>
<li><a href="/facts/Marlon_Brando/9eYnscbA">Marlon Brando</a><a class="footnote-ref" id="fnref:144" href="#fn:144">144</a></li>
<li><a href="/facts/Beau_Bridges/1YaTlMvb">Beau Bridges</a><a class="footnote-ref" id="fnref:145" href="#fn:145">145</a></li>
<li><a href="/facts/Jeff_Bridges/1uxnjkd1">Jeff Bridges</a><a class="footnote-ref" id="fnref:146" href="#fn:146">146</a></li>
<li><a href="/facts/Albert_Brooks/D5sTdEo5">Albert Brooks</a><a class="footnote-ref" id="fnref:147" href="#fn:147">147</a></li>
<li><a href="/facts/Mel_Brooks/nYvoWDPV">Mel Brooks</a><a class="footnote-ref" id="fnref:148" href="#fn:148">148</a></li>
<li><a href="/facts/Genevi%25C3%25A8ve_Bujold/RW2s6raK">Geneviève Bujold</a><a class="footnote-ref" id="fnref:149" href="#fn:149">149</a></li>
<li><a href="/facts/Ellen_Burstyn/4XuMKVhP">Ellen Burstyn</a><a class="footnote-ref" id="fnref:150" href="#fn:150">150</a></li>
<li><a href="/facts/James_Caan/FxlNNX1A">James Caan</a><a class="footnote-ref" id="fnref:151" href="#fn:151">151</a><a class="footnote-ref" id="fnref:152" href="#fn:152">152</a></li>
<li><a href="/facts/Michael_Caine/HehS0Jjb">Michael Caine</a><a class="footnote-ref" id="fnref:153" href="#fn:153">153</a></li>
<li><a href="/facts/Dyan_Cannon/a0sS7GnG">Dyan Cannon</a><a class="footnote-ref" id="fnref:154" href="#fn:154">154</a></li>
<li><a href="/facts/Keith_Carradine/AvQXhzrV">Keith Carradine</a><a class="footnote-ref" id="fnref:155" href="#fn:155">155</a></li>
<li><a href="/facts/Diahann_Carroll/3mEcujCJ">Diahann Carroll</a><a class="footnote-ref" id="fnref:156" href="#fn:156">156</a></li>
<li><a href="/facts/John_Cassavetes/rqARNufW">John Cassavetes</a><a class="footnote-ref" id="fnref:157" href="#fn:157">157</a></li>
<li><a href="/facts/John_Cazale/Baw6H5rG">John Cazale</a><a class="footnote-ref" id="fnref:158" href="#fn:158">158</a></li>
<li><a href="/facts/Julie_Christie/zevXlBKd">Julie Christie</a><a class="footnote-ref" id="fnref:159" href="#fn:159">159</a></li>
<li><a href="/facts/Candy_Clark/ny0NFglF">Candy Clark</a><a class="footnote-ref" id="fnref:160" href="#fn:160">160</a><a class="footnote-ref" id="fnref:161" href="#fn:161">161</a><a class="footnote-ref" id="fnref:162" href="#fn:162">162</a></li>
<li><a href="/facts/Jill_Clayburgh/V8ojSzRP">Jill Clayburgh</a><a class="footnote-ref" id="fnref:163" href="#fn:163">163</a></li>
<li><a href="/facts/Sean_Connery/Jq00WYwo">Sean Connery</a><a class="footnote-ref" id="fnref:164" href="#fn:164">164</a></li>
<li><a href="/facts/Bud_Cort/F97YztM1">Bud Cort</a><a class="footnote-ref" id="fnref:165" href="#fn:165">165</a></li>
<li><a href="/facts/Jamie_Lee_Curtis/tIhnylgE">Jamie Lee Curtis</a><a class="footnote-ref" id="fnref:166" href="#fn:166">166</a><a class="footnote-ref" id="fnref:167" href="#fn:167">167</a></li>
<li><a href="/facts/Beverly_D%2527Angelo/4sxmh8jb">Beverly D'Angelo</a><a class="footnote-ref" id="fnref:168" href="#fn:168">168</a></li>
<li><a href="/facts/Robert_De_Niro/5k4lkNfK">Robert De Niro</a><a class="footnote-ref" id="fnref:169" href="#fn:169">169</a></li>
<li><a href="/facts/Bruce_Dern/nCMYXoJS">Bruce Dern</a><a class="footnote-ref" id="fnref:170" href="#fn:170">170</a><a class="footnote-ref" id="fnref:171" href="#fn:171">171</a></li>
<li><a href="/facts/Danny_DeVito/zN2vDsXv">Danny DeVito</a><a class="footnote-ref" id="fnref:172" href="#fn:172">172</a></li>
<li><a href="/facts/Matt_Dillon/NI4I7rj7">Matt Dillon</a><a class="footnote-ref" id="fnref:173" href="#fn:173">173</a></li>
<li><a href="/facts/Michael_Douglas/0mKkNT6I">Michael Douglas</a><a class="footnote-ref" id="fnref:174" href="#fn:174">174</a></li>
<li><a href="/facts/Brad_Dourif/18VdLgaf">Brad Dourif</a><a class="footnote-ref" id="fnref:175" href="#fn:175">175</a></li>
<li><a href="/facts/Richard_Dreyfuss/DTF02lHp">Richard Dreyfuss</a><a class="footnote-ref" id="fnref:176" href="#fn:176">176</a><a class="footnote-ref" id="fnref:177" href="#fn:177">177</a></li>
<li><a href="/facts/Faye_Dunaway/jb1q8jtU">Faye Dunaway</a><a class="footnote-ref" id="fnref:178" href="#fn:178">178</a></li>
<li><a href="/facts/Robert_Duvall/rgwQgqMv">Robert Duvall</a><a class="footnote-ref" id="fnref:179" href="#fn:179">179</a></li>
<li><a href="/facts/Shelley_Duvall/M72BgXYH">Shelley Duvall</a><a class="footnote-ref" id="fnref:180" href="#fn:180">180</a><a class="footnote-ref" id="fnref:181" href="#fn:181">181</a></li>
<li><a href="/facts/Clint_Eastwood/I4Vx322b">Clint Eastwood</a><a class="footnote-ref" id="fnref:182" href="#fn:182">182</a><a class="footnote-ref" id="fnref:183" href="#fn:183">183</a></li>
<li><a href="/facts/Peter_Falk/1Iur1nvy">Peter Falk</a><a class="footnote-ref" id="fnref:184" href="#fn:184">184</a></li>
<li><a href="/facts/Mia_Farrow/EcC5BBk9">Mia Farrow</a><a class="footnote-ref" id="fnref:185" href="#fn:185">185</a></li>
<li><a href="/facts/Louise_Fletcher/6NkGY85l">Louise Fletcher</a><a class="footnote-ref" id="fnref:186" href="#fn:186">186</a></li>
<li><a href="/facts/Jane_Fonda/9knThj1W">Jane Fonda</a><a class="footnote-ref" id="fnref:187" href="#fn:187">187</a><a class="footnote-ref" id="fnref:188" href="#fn:188">188</a></li>
<li><a href="/facts/Peter_Fonda/Q1GhzdXR">Peter Fonda</a><a class="footnote-ref" id="fnref:189" href="#fn:189">189</a></li>
<li><a href="/facts/Harrison_Ford/Dw7TrhAK">Harrison Ford</a><a class="footnote-ref" id="fnref:190" href="#fn:190">190</a></li>
<li><a href="/facts/Jodie_Foster/qDjycFgW">Jodie Foster</a><a class="footnote-ref" id="fnref:191" href="#fn:191">191</a></li>
<li><a href="/facts/Teri_Garr/r6cFtWg3">Teri Garr</a><a class="footnote-ref" id="fnref:192" href="#fn:192">192</a></li>
<li><a href="/facts/Ben_Gazzara/W6H09uNU">Ben Gazzara</a><a class="footnote-ref" id="fnref:193" href="#fn:193">193</a></li>
<li><a href="/facts/Richard_Gere/9YEtFfTm">Richard Gere</a><a class="footnote-ref" id="fnref:194" href="#fn:194">194</a></li>
<li><a href="/facts/Elliott_Gould/wkbBpC03">Elliott Gould</a><a class="footnote-ref" id="fnref:195" href="#fn:195">195</a><a class="footnote-ref" id="fnref:196" href="#fn:196">196</a><a class="footnote-ref" id="fnref:197" href="#fn:197">197</a></li>
<li><a href="/facts/Lee_Grant/kpS86VMq">Lee Grant</a><a class="footnote-ref" id="fnref:198" href="#fn:198">198</a><a class="footnote-ref" id="fnref:199" href="#fn:199">199</a></li>
<li><a href="/facts/Pam_Grier/WLaKpDDz">Pam Grier</a><a class="footnote-ref" id="fnref:200" href="#fn:200">200</a></li>
<li><a href="/facts/Charles_Grodin/2H4otmIF">Charles Grodin</a><a class="footnote-ref" id="fnref:201" href="#fn:201">201</a><a class="footnote-ref" id="fnref:202" href="#fn:202">202</a></li>
<li><a href="/facts/Gene_Hackman/jkoIQvlp">Gene Hackman</a><a class="footnote-ref" id="fnref:203" href="#fn:203">203</a><a class="footnote-ref" id="fnref:204" href="#fn:204">204</a></li>
<li><a href="/facts/Mark_Hamill/adQ6UJPb">Mark Hamill</a><a class="footnote-ref" id="fnref:205" href="#fn:205">205</a></li>
<li><a href="/facts/Goldie_Hawn/1IvrV0qW">Goldie Hawn</a><a class="footnote-ref" id="fnref:206" href="#fn:206">206</a></li>
<li><a href="/facts/Dustin_Hoffman/Le5VxuvN">Dustin Hoffman</a><a class="footnote-ref" id="fnref:207" href="#fn:207">207</a><a class="footnote-ref" id="fnref:208" href="#fn:208">208</a><a class="footnote-ref" id="fnref:209" href="#fn:209">209</a></li>
<li><a href="/facts/Anthony_Hopkins/so2JA69C">Anthony Hopkins</a><a class="footnote-ref" id="fnref:210" href="#fn:210">210</a></li>
<li><a href="/facts/Dennis_Hopper/cB4eSqtI">Dennis Hopper</a><a class="footnote-ref" id="fnref:211" href="#fn:211">211</a></li>
<li><a href="/facts/Ron_Howard/YKs7njKq">Ron Howard</a><a class="footnote-ref" id="fnref:212" href="#fn:212">212</a></li>
<li><a href="/facts/John_Hurt/Kw4DGsRJ">John Hurt</a><a class="footnote-ref" id="fnref:213" href="#fn:213">213</a></li>
<li><a href="/facts/Glenda_Jackson/pGn0aRvr">Glenda Jackson</a><a class="footnote-ref" id="fnref:214" href="#fn:214">214</a></li>
<li><a href="/facts/James_Earl_Jones/qjsG9Y59">James Earl Jones</a><a class="footnote-ref" id="fnref:215" href="#fn:215">215</a></li>
<li><a href="/facts/Madeline_Kahn/kNFSmvwB">Madeline Kahn</a><a class="footnote-ref" id="fnref:216" href="#fn:216">216</a><a class="footnote-ref" id="fnref:217" href="#fn:217">217</a></li>
<li><a href="/facts/Carol_Kane/6asgQTMb">Carol Kane</a><a class="footnote-ref" id="fnref:218" href="#fn:218">218</a></li>
<li><a href="/facts/Diane_Keaton/2ELD44Gt">Diane Keaton</a><a class="footnote-ref" id="fnref:219" href="#fn:219">219</a></li>
<li><a href="/facts/Harvey_Keitel/5Dfp1JLT">Harvey Keitel</a><a class="footnote-ref" id="fnref:220" href="#fn:220">220</a></li>
<li><a href="/facts/Sally_Kellerman/oUre48PI">Sally Kellerman</a><a class="footnote-ref" id="fnref:221" href="#fn:221">221</a></li>
<li><a href="/facts/Margot_Kidder/T59IvCSS">Margot Kidder</a><a class="footnote-ref" id="fnref:222" href="#fn:222">222</a></li>
<li><a href="/facts/Kris_Kristofferson/WLL4XUDw">Kris Kristofferson</a><a class="footnote-ref" id="fnref:223" href="#fn:223">223</a></li>
<li><a href="/facts/Diane_Ladd/QTLv1IAc">Diane Ladd</a><a class="footnote-ref" id="fnref:224" href="#fn:224">224</a></li>
<li><a href="/facts/Jessica_Lange/QjzhnQ4l">Jessica Lange</a><a class="footnote-ref" id="fnref:225" href="#fn:225">225</a><a class="footnote-ref" id="fnref:226" href="#fn:226">226</a></li>
<li><a href="/facts/Cloris_Leachman/LtDdFuF5">Cloris Leachman</a><a class="footnote-ref" id="fnref:227" href="#fn:227">227</a></li>
<li><a href="/facts/Paul_Le_Mat/PTd7FHlQ">Paul Le Mat</a><a class="footnote-ref" id="fnref:228" href="#fn:228">228</a></li>
<li><a href="/facts/Walter_Matthau/R1UvLn7X">Walter Matthau</a><a class="footnote-ref" id="fnref:229" href="#fn:229">229</a></li>
<li><a href="/facts/Malcolm_McDowell/TzAoW7zt">Malcolm McDowell</a><a class="footnote-ref" id="fnref:230" href="#fn:230">230</a></li>
<li><a href="/facts/Liza_Minnelli/U8HHduEt">Liza Minnelli</a><a class="footnote-ref" id="fnref:231" href="#fn:231">231</a><a class="footnote-ref" id="fnref:232" href="#fn:232">232</a></li>
<li><a href="/facts/Paul_Newman/fxGNhNKI">Paul Newman</a><a class="footnote-ref" id="fnref:233" href="#fn:233">233</a><a class="footnote-ref" id="fnref:234" href="#fn:234">234</a></li>
<li><a href="/facts/Olivia_Newton-John/n82tA0t5">Olivia Newton-John</a><a class="footnote-ref" id="fnref:235" href="#fn:235">235</a></li>
<li><a href="/facts/Jack_Nicholson/hxyXjyyI">Jack Nicholson</a><a class="footnote-ref" id="fnref:236" href="#fn:236">236</a><a class="footnote-ref" id="fnref:237" href="#fn:237">237</a><a class="footnote-ref" id="fnref:238" href="#fn:238">238</a></li>
<li><a href="/facts/Warren_Oates/dWeqbcw4">Warren Oates</a><a class="footnote-ref" id="fnref:239" href="#fn:239">239</a></li>
<li><a href="/facts/Ryan_O%2527Neal/qTsXr32M">Ryan O'Neal</a><a class="footnote-ref" id="fnref:240" href="#fn:240">240</a><a class="footnote-ref" id="fnref:241" href="#fn:241">241</a></li>
<li><a href="/facts/Tatum_O%2527Neal/wlqYGFbd">Tatum O'Neal</a><a class="footnote-ref" id="fnref:242" href="#fn:242">242</a></li>
<li><a href="/facts/Peter_O%2527Toole/2NAtGMS8">Peter O'Toole</a><a class="footnote-ref" id="fnref:243" href="#fn:243">243</a></li>
<li><a href="/facts/Al_Pacino/8tPrw0PP">Al Pacino</a><a class="footnote-ref" id="fnref:244" href="#fn:244">244</a></li>
<li><a href="/facts/Mackenzie_Phillips/zXt4uCzw">Mackenzie Phillips</a><a class="footnote-ref" id="fnref:245" href="#fn:245">245</a></li>
<li><a href="/facts/Sidney_Poitier/68b67Knf">Sidney Poitier</a><a class="footnote-ref" id="fnref:246" href="#fn:246">246</a></li>
<li><a href="/facts/Richard_Pryor/aG8y7rcY">Richard Pryor</a><a class="footnote-ref" id="fnref:247" href="#fn:247">247</a><a class="footnote-ref" id="fnref:248" href="#fn:248">248</a></li>
<li><a href="/facts/Robert_Redford/cmk73e3X">Robert Redford</a><a class="footnote-ref" id="fnref:249" href="#fn:249">249</a><a class="footnote-ref" id="fnref:250" href="#fn:250">250</a></li>
<li><a href="/facts/Vanessa_Redgrave/aEdcHAW9">Vanessa Redgrave</a><a class="footnote-ref" id="fnref:251" href="#fn:251">251</a></li>
<li><a href="/facts/Burt_Reynolds/8exc2rdL">Burt Reynolds</a><a class="footnote-ref" id="fnref:252" href="#fn:252">252</a></li>
<li><a href="/facts/Jason_Robards/kR8xnl4W">Jason Robards</a><a class="footnote-ref" id="fnref:253" href="#fn:253">253</a></li>
<li><a href="/facts/Diana_Ross/FxFHbeWy">Diana Ross</a><a class="footnote-ref" id="fnref:254" href="#fn:254">254</a><a class="footnote-ref" id="fnref:255" href="#fn:255">255</a></li>
<li><a href="/facts/Gena_Rowlands/DnenynzN">Gena Rowlands</a><a class="footnote-ref" id="fnref:256" href="#fn:256">256</a><a class="footnote-ref" id="fnref:257" href="#fn:257">257</a></li>
<li><a href="/facts/Kurt_Russell/BXjTU6td">Kurt Russell</a><a class="footnote-ref" id="fnref:258" href="#fn:258">258</a></li>
<li><a href="/facts/Roy_Scheider/wFNWTE0f">Roy Scheider</a><a class="footnote-ref" id="fnref:259" href="#fn:259">259</a><a class="footnote-ref" id="fnref:260" href="#fn:260">260</a></li>
<li><a href="/facts/George_Segal/vXrWPbqw">George Segal</a><a class="footnote-ref" id="fnref:261" href="#fn:261">261</a><a class="footnote-ref" id="fnref:262" href="#fn:262">262</a></li>
<li><a href="/facts/Martin_Sheen/m9VbywGS">Martin Sheen</a><a class="footnote-ref" id="fnref:263" href="#fn:263">263</a></li>
<li><a href="/facts/Sam_Shepard/mfq7Vkmt">Sam Shepard</a><a class="footnote-ref" id="fnref:264" href="#fn:264">264</a></li>
<li><a href="/facts/Cybill_Shepherd/9mNYI30W">Cybill Shepherd</a><a class="footnote-ref" id="fnref:265" href="#fn:265">265</a><a class="footnote-ref" id="fnref:266" href="#fn:266">266</a></li>
<li><a href="/facts/Talia_Shire/JY61aBVb">Talia Shire</a><a class="footnote-ref" id="fnref:267" href="#fn:267">267</a></li>
<li><a href="/facts/Tom_Skerritt/I0GacwKA">Tom Skerritt</a><a class="footnote-ref" id="fnref:268" href="#fn:268">268</a></li>
<li><a href="/facts/Charles_Martin_Smith/0Rzfe6n3">Charles Martin Smith</a><a class="footnote-ref" id="fnref:269" href="#fn:269">269</a></li>
<li><a href="/facts/Carrie_Snodgress/58k603Hd">Carrie Snodgress</a><a class="footnote-ref" id="fnref:270" href="#fn:270">270</a></li>
<li><a href="/facts/Sissy_Spacek/h0akHuJo">Sissy Spacek</a><a class="footnote-ref" id="fnref:271" href="#fn:271">271</a></li>
<li><a href="/facts/Sylvester_Stallone/SBUezs8T">Sylvester Stallone</a><a class="footnote-ref" id="fnref:272" href="#fn:272">272</a></li>
<li><a href="/facts/Harry_Dean_Stanton/qK5NpT3k">Harry Dean Stanton</a><a class="footnote-ref" id="fnref:273" href="#fn:273">273</a></li>
<li><a href="/facts/Mary_Steenburgen/FQKhAgCQ">Mary Steenburgen</a><a class="footnote-ref" id="fnref:274" href="#fn:274">274</a></li>
<li><a href="/facts/Meryl_Streep/crrYYpyr">Meryl Streep</a><a class="footnote-ref" id="fnref:275" href="#fn:275">275</a></li>
<li><a href="/facts/Barbra_Streisand/esWJV0ac">Barbra Streisand</a><a class="footnote-ref" id="fnref:276" href="#fn:276">276</a><a class="footnote-ref" id="fnref:277" href="#fn:277">277</a><a class="footnote-ref" id="fnref:278" href="#fn:278">278</a></li>
<li><a href="/facts/Donald_Sutherland/xaWxJLsN">Donald Sutherland</a><a class="footnote-ref" id="fnref:279" href="#fn:279">279</a><a class="footnote-ref" id="fnref:280" href="#fn:280">280</a></li>
<li><a href="/facts/Lily_Tomlin/CwLUxzzX">Lily Tomlin</a><a class="footnote-ref" id="fnref:281" href="#fn:281">281</a></li>
<li><a href="/facts/Rip_Torn/jIPKF7nG">Rip Torn</a><a class="footnote-ref" id="fnref:282" href="#fn:282">282</a><a class="footnote-ref" id="fnref:283" href="#fn:283">283</a></li>
<li><a href="/facts/John_Travolta/94sFER6m">John Travolta</a><a class="footnote-ref" id="fnref:284" href="#fn:284">284</a><a class="footnote-ref" id="fnref:285" href="#fn:285">285</a></li>
<li><a href="/facts/Cicely_Tyson/e6aGjsq2">Cicely Tyson</a><a class="footnote-ref" id="fnref:286" href="#fn:286">286</a></li>
<li><a href="/facts/Jon_Voight/V1Ngxztr">Jon Voight</a><a class="footnote-ref" id="fnref:287" href="#fn:287">287</a></li>
<li><a href="/facts/Sigourney_Weaver/9h8cHhEV">Sigourney Weaver</a><a class="footnote-ref" id="fnref:288" href="#fn:288">288</a></li>
<li><a href="/facts/Gene_Wilder/PBrs4p8H">Gene Wilder</a><a class="footnote-ref" id="fnref:289" href="#fn:289">289</a></li>
<li><a href="/facts/Billy_Dee_Williams/9N5hmJUd">Billy Dee Williams</a><a class="footnote-ref" id="fnref:290" href="#fn:290">290</a><a class="footnote-ref" id="fnref:291" href="#fn:291">291</a></li>
<li><a href="/facts/Cindy_Williams/yJCvnA7e">Cindy Williams</a><a class="footnote-ref" id="fnref:292" href="#fn:292">292</a></li>
<li><a href="/facts/Paul_Williams_(composer)/grdgN7zT">Paul Williams</a><a class="footnote-ref" id="fnref:293" href="#fn:293">293</a></li>
<li><a href="/facts/Joanne_Woodward/TSy3zj3g">Joanne Woodward</a><a class="footnote-ref" id="fnref:294" href="#fn:294">294</a></li></ul>

<h3>Directors</h3>

<ul><li><a href="/facts/Robert_Aldrich/LoKxndDF">Robert Aldrich</a><a class="footnote-ref" id="fnref:295" href="#fn:295">295</a><a class="footnote-ref" id="fnref:296" href="#fn:296">296</a></li>
<li><a href="/facts/Woody_Allen/nTETed3q">Woody Allen</a><a class="footnote-ref" id="fnref:297" href="#fn:297">297</a><a class="footnote-ref" id="fnref:298" href="#fn:298">298</a></li>
<li><a href="/facts/Robert_Altman/z8muAk9r">Robert Altman</a><a class="footnote-ref" id="fnref:299" href="#fn:299">299</a></li></ul>
<a class="footnote-ref" id="fnref:300" href="#fn:300">300</a><a class="footnote-ref" id="fnref:301" href="#fn:301">301</a><a class="footnote-ref" id="fnref:302" href="#fn:302">302</a><a class="footnote-ref" id="fnref:303" href="#fn:303">303</a>

<ul><li><a href="/facts/Hal_Ashby/hsRMXkt9">Hal Ashby</a><a class="footnote-ref" id="fnref:304" href="#fn:304">304</a></li>
<li><a href="/facts/John_G._Avildsen/KGl9M0lu">John G. Avildsen</a><a class="footnote-ref" id="fnref:305" href="#fn:305">305</a><a class="footnote-ref" id="fnref:306" href="#fn:306">306</a><a class="footnote-ref" id="fnref:307" href="#fn:307">307</a><a class="footnote-ref" id="fnref:308" href="#fn:308">308</a></li>
<li><a href="/facts/John_Badham/2msNSHIj">John Badham</a><a class="footnote-ref" id="fnref:309" href="#fn:309">309</a><a class="footnote-ref" id="fnref:310" href="#fn:310">310</a></li>
<li><a href="/facts/Ralph_Bakshi/9p6CYJ2r">Ralph Bakshi</a><a class="footnote-ref" id="fnref:311" href="#fn:311">311</a></li>
<li><a href="/facts/Paul_Bartel/xBWMzaWX">Paul Bartel</a><a class="footnote-ref" id="fnref:312" href="#fn:312">312</a><a class="footnote-ref" id="fnref:313" href="#fn:313">313</a></li>
<li><a href="/facts/Robert_Benton/RRhoFFxr">Robert Benton</a><a class="footnote-ref" id="fnref:314" href="#fn:314">314</a><a class="footnote-ref" id="fnref:315" href="#fn:315">315</a><a class="footnote-ref" id="fnref:316" href="#fn:316">316</a></li>
<li><a href="/facts/John_Berry_(film_director)/nscp5ysY">John Berry</a><a class="footnote-ref" id="fnref:317" href="#fn:317">317</a><a class="footnote-ref" id="fnref:318" href="#fn:318">318</a></li>
<li><a href="/facts/Peter_Bogdanovich/a0C5N85n">Peter Bogdanovich</a><a class="footnote-ref" id="fnref:319" href="#fn:319">319</a></li>
<li><a href="/facts/James_Bridges/GP5ugAAs">James Bridges</a><a class="footnote-ref" id="fnref:320" href="#fn:320">320</a><a class="footnote-ref" id="fnref:321" href="#fn:321">321</a></li>
<li><a href="/facts/Albert_Brooks/D5sTdEo5">Albert Brooks</a><a class="footnote-ref" id="fnref:322" href="#fn:322">322</a></li>
<li><a href="/facts/Mel_Brooks/nYvoWDPV">Mel Brooks</a><a class="footnote-ref" id="fnref:323" href="#fn:323">323</a><a class="footnote-ref" id="fnref:324" href="#fn:324">324</a><a class="footnote-ref" id="fnref:325" href="#fn:325">325</a></li>
<li><a href="/facts/John_Boorman/dRs70aLx">John Boorman</a><a class="footnote-ref" id="fnref:326" href="#fn:326">326</a><a class="footnote-ref" id="fnref:327" href="#fn:327">327</a><a class="footnote-ref" id="fnref:328" href="#fn:328">328</a></li>
<li><a href="/facts/John_Carpenter/2PWowPQs">John Carpenter</a><a class="footnote-ref" id="fnref:329" href="#fn:329">329</a></li>
<li><a href="/facts/John_Cassavetes/rqARNufW">John Cassavetes</a><a class="footnote-ref" id="fnref:330" href="#fn:330">330</a></li>
<li><a href="/facts/Michael_Cimino/6AwMS8vE">Michael Cimino</a><a class="footnote-ref" id="fnref:331" href="#fn:331">331</a></li>
<li><a href="/facts/Shirley_Clarke/WgxeSaAM">Shirley Clarke</a><a class="footnote-ref" id="fnref:332" href="#fn:332">332</a></li>
<li><a href="/facts/Larry_Cohen/GoIImFWR">Larry Cohen</a><a class="footnote-ref" id="fnref:333" href="#fn:333">333</a><a class="footnote-ref" id="fnref:334" href="#fn:334">334</a></li>
<li><a href="/facts/Francis_Ford_Coppola/c3h1RwhH">Francis Ford Coppola</a><a class="footnote-ref" id="fnref:335" href="#fn:335">335</a></li>
<li><a href="/facts/Roger_Corman/lHWwxk80">Roger Corman</a><a class="footnote-ref" id="fnref:336" href="#fn:336">336</a><a class="footnote-ref" id="fnref:337" href="#fn:337">337</a></li>
<li><a href="/facts/Wes_Craven/HvvYVRVC">Wes Craven</a><a class="footnote-ref" id="fnref:338" href="#fn:338">338</a><a class="footnote-ref" id="fnref:339" href="#fn:339">339</a></li>
<li><a href="/facts/Michael_Crichton/fFkkVqzr">Michael Crichton</a><a class="footnote-ref" id="fnref:340" href="#fn:340">340</a></li>
<li><a href="/facts/Joe_Dante/BLegKbgB">Joe Dante</a><a class="footnote-ref" id="fnref:341" href="#fn:341">341</a><a class="footnote-ref" id="fnref:342" href="#fn:342">342</a><a class="footnote-ref" id="fnref:343" href="#fn:343">343</a></li>
<li><a href="/facts/Jonathan_Demme/xv9azd0G">Jonathan Demme</a><a class="footnote-ref" id="fnref:344" href="#fn:344">344</a><a class="footnote-ref" id="fnref:345" href="#fn:345">345</a><a class="footnote-ref" id="fnref:346" href="#fn:346">346</a></li>
<li><a href="/facts/Brian_De_Palma/BWMBuzVr">Brian De Palma</a><a class="footnote-ref" id="fnref:347" href="#fn:347">347</a></li>
<li><a href="/facts/Richard_Donner/IuRASvgD">Richard Donner</a><a class="footnote-ref" id="fnref:348" href="#fn:348">348</a><a class="footnote-ref" id="fnref:349" href="#fn:349">349</a></li>
<li><a href="/facts/Robert_Downey_Sr./C0FWBkSo">Robert Downey Sr.</a><a class="footnote-ref" id="fnref:350" href="#fn:350">350</a></li>
<li><a href="/facts/Richard_Fleischer/9boppYEF">Richard Fleischer</a><a class="footnote-ref" id="fnref:351" href="#fn:351">351</a><a class="footnote-ref" id="fnref:352" href="#fn:352">352</a></li>
<li><a href="/facts/Milo%25C5%25A1_Forman/K7T2Rvgb">Miloš Forman</a><a class="footnote-ref" id="fnref:353" href="#fn:353">353</a><a class="footnote-ref" id="fnref:354" href="#fn:354">354</a><a class="footnote-ref" id="fnref:355" href="#fn:355">355</a></li>
<li><a href="/facts/Bob_Fosse/U54qhJB1">Bob Fosse</a><a class="footnote-ref" id="fnref:356" href="#fn:356">356</a><a class="footnote-ref" id="fnref:357" href="#fn:357">357</a><a class="footnote-ref" id="fnref:358" href="#fn:358">358</a></li>
<li><a href="/facts/John_Frankenheimer/2v1LgCFr">John Frankenheimer</a><a class="footnote-ref" id="fnref:359" href="#fn:359">359</a><a class="footnote-ref" id="fnref:360" href="#fn:360">360</a></li>
<li><a href="/facts/William_Friedkin/3tgNC5vK">William Friedkin</a><a class="footnote-ref" id="fnref:361" href="#fn:361">361</a><a class="footnote-ref" id="fnref:362" href="#fn:362">362</a><a class="footnote-ref" id="fnref:363" href="#fn:363">363</a></li>
<li><a href="/facts/Sidney_J._Furie/nsuCkBQx">Sidney J. Furie</a><a class="footnote-ref" id="fnref:364" href="#fn:364">364</a><a class="footnote-ref" id="fnref:365" href="#fn:365">365</a></li>
<li><a href="/facts/Ulu_Grosbard/JwQnGeYv">Ulu Grosbard</a><a class="footnote-ref" id="fnref:366" href="#fn:366">366</a></li>
<li><a href="/facts/Monte_Hellman/USglWQUx">Monte Hellman</a><a class="footnote-ref" id="fnref:367" href="#fn:367">367</a><a class="footnote-ref" id="fnref:368" href="#fn:368">368</a></li>
<li><a href="/facts/Buck_Henry/tsRP8zbQ">Buck Henry</a><a class="footnote-ref" id="fnref:369" href="#fn:369">369</a></li>
<li><a href="/facts/George_Roy_Hill/CpLvBKSP">George Roy Hill</a><a class="footnote-ref" id="fnref:370" href="#fn:370">370</a></li>
<li><a href="/facts/Walter_Hill_(director)/buJmC8yH">Walter Hill</a><a class="footnote-ref" id="fnref:371" href="#fn:371">371</a><a class="footnote-ref" id="fnref:372" href="#fn:372">372</a><a class="footnote-ref" id="fnref:373" href="#fn:373">373</a></li>
<li><a href="/facts/Arthur_Hiller/jj1Psdc2">Arthur Hiller</a><a class="footnote-ref" id="fnref:374" href="#fn:374">374</a><a class="footnote-ref" id="fnref:375" href="#fn:375">375</a><a class="footnote-ref" id="fnref:376" href="#fn:376">376</a><a class="footnote-ref" id="fnref:377" href="#fn:377">377</a></li>
<li><a href="/facts/Tobe_Hooper/QhEb6pm7">Tobe Hooper</a><a class="footnote-ref" id="fnref:378" href="#fn:378">378</a><a class="footnote-ref" id="fnref:379" href="#fn:379">379</a></li>
<li><a href="/facts/Dennis_Hopper/cB4eSqtI">Dennis Hopper</a><a class="footnote-ref" id="fnref:380" href="#fn:380">380</a><a class="footnote-ref" id="fnref:381" href="#fn:381">381</a><a class="footnote-ref" id="fnref:382" href="#fn:382">382</a></li>
<li><a href="/facts/John_Huston/3l9G0Aym">John Huston</a><a class="footnote-ref" id="fnref:383" href="#fn:383">383</a><a class="footnote-ref" id="fnref:384" href="#fn:384">384</a></li>
<li><a href="/facts/Henry_Jaglom/EHEHAocc">Henry Jaglom</a><a class="footnote-ref" id="fnref:385" href="#fn:385">385</a><a class="footnote-ref" id="fnref:386" href="#fn:386">386</a></li>
<li><a href="/facts/Norman_Jewison/YpQX2lC4">Norman Jewison</a><a class="footnote-ref" id="fnref:387" href="#fn:387">387</a><a class="footnote-ref" id="fnref:388" href="#fn:388">388</a></li>
<li><a href="/facts/Irvin_Kershner/ID4JmHbX">Irvin Kershner</a><a class="footnote-ref" id="fnref:389" href="#fn:389">389</a></li>
<li><a href="/facts/Stanley_Kubrick/y5cxcQzV">Stanley Kubrick</a><a class="footnote-ref" id="fnref:390" href="#fn:390">390</a><a class="footnote-ref" id="fnref:391" href="#fn:391">391</a><a class="footnote-ref" id="fnref:392" href="#fn:392">392</a></li>
<li><a href="/facts/John_Landis/9wtWPKgb">John Landis</a><a class="footnote-ref" id="fnref:393" href="#fn:393">393</a><a class="footnote-ref" id="fnref:394" href="#fn:394">394</a><a class="footnote-ref" id="fnref:395" href="#fn:395">395</a><a class="footnote-ref" id="fnref:396" href="#fn:396">396</a></li>
<li><a href="/facts/Tom_Laughlin/wxxatVez">Tom Laughlin</a><a class="footnote-ref" id="fnref:397" href="#fn:397">397</a></li>
<li><a href="/facts/Richard_Lester/JcuycL7v">Richard Lester</a><a class="footnote-ref" id="fnref:398" href="#fn:398">398</a></li>
<li><a href="/facts/George_Lucas/1bLspXbj">George Lucas</a><a class="footnote-ref" id="fnref:399" href="#fn:399">399</a></li>
<li><a href="/facts/Sidney_Lumet/jsKVHTbX">Sidney Lumet</a><a class="footnote-ref" id="fnref:400" href="#fn:400">400</a><a class="footnote-ref" id="fnref:401" href="#fn:401">401</a><a class="footnote-ref" id="fnref:402" href="#fn:402">402</a><a class="footnote-ref" id="fnref:403" href="#fn:403">403</a></li>
<li><a href="/facts/David_Lynch/9T1gIYEg">David Lynch</a><a class="footnote-ref" id="fnref:404" href="#fn:404">404</a><a class="footnote-ref" id="fnref:405" href="#fn:405">405</a><a class="footnote-ref" id="fnref:406" href="#fn:406">406</a><a class="footnote-ref" id="fnref:407" href="#fn:407">407</a></li>
<li><a href="/facts/Terrence_Malick/VKKTkN1T">Terrence Malick</a><a class="footnote-ref" id="fnref:408" href="#fn:408">408</a><a class="footnote-ref" id="fnref:409" href="#fn:409">409</a><a class="footnote-ref" id="fnref:410" href="#fn:410">410</a><a class="footnote-ref" id="fnref:411" href="#fn:411">411</a></li>
<li><a href="/facts/Michael_Mann/8hfjF4wV">Michael Mann</a><a class="footnote-ref" id="fnref:412" href="#fn:412">412</a></li>
<li><a href="/facts/Elaine_May/FJchEpRC">Elaine May</a><a class="footnote-ref" id="fnref:413" href="#fn:413">413</a><a class="footnote-ref" id="fnref:414" href="#fn:414">414</a><a class="footnote-ref" id="fnref:415" href="#fn:415">415</a><a class="footnote-ref" id="fnref:416" href="#fn:416">416</a></li>
<li><a href="/facts/Paul_Mazursky/FhV4LQ6d">Paul Mazursky</a><a class="footnote-ref" id="fnref:417" href="#fn:417">417</a><a class="footnote-ref" id="fnref:418" href="#fn:418">418</a><a class="footnote-ref" id="fnref:419" href="#fn:419">419</a></li>
<li><a href="/facts/John_Milius/b4NXG3V9">John Milius</a><a class="footnote-ref" id="fnref:420" href="#fn:420">420</a><a class="footnote-ref" id="fnref:421" href="#fn:421">421</a><a class="footnote-ref" id="fnref:422" href="#fn:422">422</a><a class="footnote-ref" id="fnref:423" href="#fn:423">423</a><a class="footnote-ref" id="fnref:424" href="#fn:424">424</a></li>
<li><a href="/facts/Robert_Mulligan/2Ylst3VI">Robert Mulligan</a><a class="footnote-ref" id="fnref:425" href="#fn:425">425</a><a class="footnote-ref" id="fnref:426" href="#fn:426">426</a></li>
<li><a href="/facts/Floyd_Mutrux/hRseUl7R">Floyd Mutrux</a><a class="footnote-ref" id="fnref:427" href="#fn:427">427</a></li>
<li><a href="/facts/Ralph_Nelson/TewQV0s1">Ralph Nelson</a><a class="footnote-ref" id="fnref:428" href="#fn:428">428</a></li>
<li><a href="/facts/Mike_Nichols/8wIPISlA">Mike Nichols</a><a class="footnote-ref" id="fnref:429" href="#fn:429">429</a></li>
<li><a href="/facts/Alan_J._Pakula/gElrCtDP">Alan J. Pakula</a><a class="footnote-ref" id="fnref:430" href="#fn:430">430</a><a class="footnote-ref" id="fnref:431" href="#fn:431">431</a><a class="footnote-ref" id="fnref:432" href="#fn:432">432</a><a class="footnote-ref" id="fnref:433" href="#fn:433">433</a></li>
<li><a href="/facts/Gordon_Parks/8YL02EHd">Gordon Parks</a><a class="footnote-ref" id="fnref:434" href="#fn:434">434</a></li>
<li><a href="/facts/Ivan_Passer/9F588IQC">Ivan Passer</a><a class="footnote-ref" id="fnref:435" href="#fn:435">435</a><a class="footnote-ref" id="fnref:436" href="#fn:436">436</a><a class="footnote-ref" id="fnref:437" href="#fn:437">437</a></li>
<li><a href="/facts/Sam_Peckinpah/GcR63Vg3">Sam Peckinpah</a><a class="footnote-ref" id="fnref:438" href="#fn:438">438</a></li>
<li><a href="/facts/Melvin_Van_Peebles/Lj9SYw9B">Melvin Van Peebles</a><a class="footnote-ref" id="fnref:439" href="#fn:439">439</a><a class="footnote-ref" id="fnref:440" href="#fn:440">440</a></li>
<li><a href="/facts/Larry_Peerce/KR9WR1W3">Larry Peerce</a><a class="footnote-ref" id="fnref:441" href="#fn:441">441</a></li>
<li><a href="/facts/Arthur_Penn/uzSL21SD">Arthur Penn</a><a class="footnote-ref" id="fnref:442" href="#fn:442">442</a></li>
<li><a href="/facts/Frank_Perry/cGf7PltS">Frank Perry</a><a class="footnote-ref" id="fnref:443" href="#fn:443">443</a><a class="footnote-ref" id="fnref:444" href="#fn:444">444</a><a class="footnote-ref" id="fnref:445" href="#fn:445">445</a></li>
<li><a href="/facts/Roman_Polanski/SBmvpwQK">Roman Polanski</a><a class="footnote-ref" id="fnref:446" href="#fn:446">446</a></li>
<li><a href="/facts/Sydney_Pollack/Yq9XJPg1">Sydney Pollack</a><a class="footnote-ref" id="fnref:447" href="#fn:447">447</a><a class="footnote-ref" id="fnref:448" href="#fn:448">448</a></li>
<li><a href="/facts/Bob_Rafelson/LC94EzxR">Bob Rafelson</a><a class="footnote-ref" id="fnref:449" href="#fn:449">449</a><a class="footnote-ref" id="fnref:450" href="#fn:450">450</a><a class="footnote-ref" id="fnref:451" href="#fn:451">451</a><a class="footnote-ref" id="fnref:452" href="#fn:452">452</a></li>
<li><a href="/facts/Michael_Ritchie_(film_director)/XfHPs9SB">Michael Ritchie</a><a class="footnote-ref" id="fnref:453" href="#fn:453">453</a><a class="footnote-ref" id="fnref:454" href="#fn:454">454</a><a class="footnote-ref" id="fnref:455" href="#fn:455">455</a><a class="footnote-ref" id="fnref:456" href="#fn:456">456</a><a class="footnote-ref" id="fnref:457" href="#fn:457">457</a></li>
<li><a href="/facts/Martin_Ritt/x3urSWup">Martin Ritt</a><a class="footnote-ref" id="fnref:458" href="#fn:458">458</a></li>
<li><a href="/facts/George_A._Romero/mDYLvB9D">George A. Romero</a><a class="footnote-ref" id="fnref:459" href="#fn:459">459</a><a class="footnote-ref" id="fnref:460" href="#fn:460">460</a><a class="footnote-ref" id="fnref:461" href="#fn:461">461</a><a class="footnote-ref" id="fnref:462" href="#fn:462">462</a><a class="footnote-ref" id="fnref:463" href="#fn:463">463</a></li>
<li><a href="/facts/Stuart_Rosenberg/fRErnyMh">Stuart Rosenberg</a><a class="footnote-ref" id="fnref:464" href="#fn:464">464</a><a class="footnote-ref" id="fnref:465" href="#fn:465">465</a><a class="footnote-ref" id="fnref:466" href="#fn:466">466</a></li>
<li><a href="/facts/Alan_Rudolph/5ASL82zs">Alan Rudolph</a><a class="footnote-ref" id="fnref:467" href="#fn:467">467</a><a class="footnote-ref" id="fnref:468" href="#fn:468">468</a></li>
<li><a href="/facts/Richard_C._Sarafian/BYp9T7CA">Richard C. Sarafian</a><a class="footnote-ref" id="fnref:469" href="#fn:469">469</a><a class="footnote-ref" id="fnref:470" href="#fn:470">470</a></li>
<li><a href="/facts/Franklin_J._Schaffner/KV6l4hV1">Franklin J. Schaffner</a><a class="footnote-ref" id="fnref:471" href="#fn:471">471</a><a class="footnote-ref" id="fnref:472" href="#fn:472">472</a><a class="footnote-ref" id="fnref:473" href="#fn:473">473</a></li>
<li><a href="/facts/Jerry_Schatzberg/tnfw8qXS">Jerry Schatzberg</a><a class="footnote-ref" id="fnref:474" href="#fn:474">474</a></li>
<li><a href="/facts/John_Schlesinger/An0YwkzB">John Schlesinger</a><a class="footnote-ref" id="fnref:475" href="#fn:475">475</a><a class="footnote-ref" id="fnref:476" href="#fn:476">476</a><a class="footnote-ref" id="fnref:477" href="#fn:477">477</a></li>
<li><a href="/facts/Paul_Schrader/BMJv9rkr">Paul Schrader</a><a class="footnote-ref" id="fnref:478" href="#fn:478">478</a></li>
<li><a href="/facts/Martin_Scorsese/WcboUwcB">Martin Scorsese</a><a class="footnote-ref" id="fnref:479" href="#fn:479">479</a></li>
<li><a href="/facts/Ridley_Scott/cop0oqMc">Ridley Scott</a><a class="footnote-ref" id="fnref:480" href="#fn:480">480</a></li>
<li><a href="/facts/Don_Siegel/0TaA6dXS">Don Siegel</a><a class="footnote-ref" id="fnref:481" href="#fn:481">481</a><a class="footnote-ref" id="fnref:482" href="#fn:482">482</a><a class="footnote-ref" id="fnref:483" href="#fn:483">483</a></li>
<li><a href="/facts/Joan_Micklin_Silver/5PIWgSyL">Joan Micklin Silver</a><a class="footnote-ref" id="fnref:484" href="#fn:484">484</a><a class="footnote-ref" id="fnref:485" href="#fn:485">485</a><a class="footnote-ref" id="fnref:486" href="#fn:486">486</a></li>
<li><a href="/facts/Steven_Spielberg/KeqLPKoS">Steven Spielberg</a><a class="footnote-ref" id="fnref:487" href="#fn:487">487</a></li>
<li><a href="/facts/Mel_Stuart/Yh1DdzxH">Mel Stuart</a><a class="footnote-ref" id="fnref:488" href="#fn:488">488</a></li>
<li><a href="/facts/James_Toback/8F8YevW9">James Toback</a><a class="footnote-ref" id="fnref:489" href="#fn:489">489</a></li>
<li><a href="/facts/Claudia_Weill/LI0frarI">Claudia Weill</a><a class="footnote-ref" id="fnref:490" href="#fn:490">490</a></li>
<li><a href="/facts/Haskell_Wexler/mLbTF9by">Haskell Wexler</a><a class="footnote-ref" id="fnref:491" href="#fn:491">491</a></li>
<li><a href="/facts/Peter_Yates/HPDhEDN7">Peter Yates</a><a class="footnote-ref" id="fnref:492" href="#fn:492">492</a><a class="footnote-ref" id="fnref:493" href="#fn:493">493</a><a class="footnote-ref" id="fnref:494" href="#fn:494">494</a><a class="footnote-ref" id="fnref:495" href="#fn:495">495</a></li>
<li><a href="/facts/David_Zucker/vIPC4XEk">David Zucker</a>, <a href="/facts/Jim_Abrahams/egavh4U9">Jim Abrahams</a> and <a href="/facts/Jerry_Zucker/yclcFQaD">Jerry Zucker</a><a class="footnote-ref" id="fnref:496" href="#fn:496">496</a><a class="footnote-ref" id="fnref:497" href="#fn:497">497</a></li></ul>

<h3>Others</h3>

<ul><li><a href="/facts/Dede_Allen/pgIlGMsV">Dede Allen</a><a class="footnote-ref" id="fnref:498" href="#fn:498">498</a></li>
<li><a href="/facts/John_Alcott/3a06wJR1">John Alcott</a><a class="footnote-ref" id="fnref:499" href="#fn:499">499</a><a class="footnote-ref" id="fnref:500" href="#fn:500">500</a></li>
<li><a href="/facts/Nestor_Almendros/o5VM4UKg">Nestor Almendros</a><a class="footnote-ref" id="fnref:501" href="#fn:501">501</a></li>
<li><a href="/facts/John_A._Alonzo/F2BDcLvd">John A. Alonzo</a><a class="footnote-ref" id="fnref:502" href="#fn:502">502</a></li>
<li><a href="/facts/Steven_Bach/lDBQQy9P">Steven Bach</a><a class="footnote-ref" id="fnref:503" href="#fn:503">503</a><a class="footnote-ref" id="fnref:504" href="#fn:504">504</a></li>
<li><a href="/facts/Elaine_Bass/PqexXg4t">Elaine and</a> <a href="/facts/Saul_Bass/U9kgu4oJ">Saul Bass</a><a class="footnote-ref" id="fnref:505" href="#fn:505">505</a></li>
<li><a href="/facts/Bill_Butler_(cinematographer)/Nfa9mCAj">Bill Butler</a><a class="footnote-ref" id="fnref:506" href="#fn:506">506</a></li>
<li><a href="/facts/William_Peter_Blatty/pPacpCIE">William Peter Blatty</a><a class="footnote-ref" id="fnref:507" href="#fn:507">507</a></li>
<li><a href="/facts/Wendy_Carlos/BxFYFwRU">Wendy Carlos</a><a class="footnote-ref" id="fnref:508" href="#fn:508">508</a><a class="footnote-ref" id="fnref:509" href="#fn:509">509</a><a class="footnote-ref" id="fnref:510" href="#fn:510">510</a><a class="footnote-ref" id="fnref:511" href="#fn:511">511</a></li>
<li><a href="/facts/Michael_Chapman_(cinematographer)/SmpJqlzB">Michael Chapman</a><a class="footnote-ref" id="fnref:512" href="#fn:512">512</a></li>
<li><a href="/facts/Paddy_Chayefsky/2EjbqNeg">Paddy Chayefsky</a><a class="footnote-ref" id="fnref:513" href="#fn:513">513</a></li>
<li><a href="/facts/Stewart_Copeland/efNvSHUU">Stewart Copeland</a><a class="footnote-ref" id="fnref:514" href="#fn:514">514</a><a class="footnote-ref" id="fnref:515" href="#fn:515">515</a><a class="footnote-ref" id="fnref:516" href="#fn:516">516</a></li>
<li><a href="/facts/Sally_Cruikshank/YbGXVJUJ">Sally Cruikshank</a><a class="footnote-ref" id="fnref:517" href="#fn:517">517</a></li>
<li><a href="/facts/Pino_Donaggio/ltzwfnGa">Pino Donaggio</a><a class="footnote-ref" id="fnref:518" href="#fn:518">518</a><a class="footnote-ref" id="fnref:519" href="#fn:519">519</a></li>
<li><a href="/facts/Tangerine_Dream/JJI6FTCk">Tangerine Dream</a><a class="footnote-ref" id="fnref:520" href="#fn:520">520</a><a class="footnote-ref" id="fnref:521" href="#fn:521">521</a><a class="footnote-ref" id="fnref:522" href="#fn:522">522</a></li>
<li><a href="/facts/Bob_Dylan/WcaUqWBj">Bob Dylan</a><a class="footnote-ref" id="fnref:523" href="#fn:523">523</a></li>
<li><a href="/facts/Roger_Ebert/ogYo6zQj">Roger Ebert</a><a class="footnote-ref" id="fnref:524" href="#fn:524">524</a><a class="footnote-ref" id="fnref:525" href="#fn:525">525</a></li>
<li><a href="/facts/Robert_Evans/gPD8QJLm">Robert Evans</a><a class="footnote-ref" id="fnref:526" href="#fn:526">526</a></li>
<li><a href="/facts/Pablo_Ferro/K35NINJH">Pablo Ferro</a><a class="footnote-ref" id="fnref:527" href="#fn:527">527</a><a class="footnote-ref" id="fnref:528" href="#fn:528">528</a><a class="footnote-ref" id="fnref:529" href="#fn:529">529</a></li>
<li><a href="/facts/William_A._Fraker/fpyqPlJg">William A. Fraker</a><a class="footnote-ref" id="fnref:530" href="#fn:530">530</a></li>
<li><a href="/facts/Tak_Fujimoto/W4aVd7xq">Tak Fujimoto</a><a class="footnote-ref" id="fnref:531" href="#fn:531">531</a></li>
<li><a href="/facts/Bob_Gale/BYB3V5pG">Bob Gale</a><a class="footnote-ref" id="fnref:532" href="#fn:532">532</a></li>
<li><a href="/facts/William_Goldman/3PPFDT0b">William Goldman</a><a class="footnote-ref" id="fnref:533" href="#fn:533">533</a></li>
<li><a href="/facts/Jerry_Goldsmith/JH9Prccq">Jerry Goldsmith</a><a class="footnote-ref" id="fnref:534" href="#fn:534">534</a><a class="footnote-ref" id="fnref:535" href="#fn:535">535</a></li>
<li><a href="/facts/Berry_Gordy/Rsx6PEVT">Berry Gordy</a><a class="footnote-ref" id="fnref:536" href="#fn:536">536</a><a class="footnote-ref" id="fnref:537" href="#fn:537">537</a></li>
<li><a href="/facts/Conrad_L._Hall/QV7Hs99f">Conrad L. Hall</a><a class="footnote-ref" id="fnref:538" href="#fn:538">538</a></li>
<li><a href="/facts/Bo_Harwood/zIjm6Usq">Bo Harwood</a><a class="footnote-ref" id="fnref:539" href="#fn:539">539</a><a class="footnote-ref" id="fnref:540" href="#fn:540">540</a></li>
<li><a href="/facts/Debra_Hill/FdczRsrl">Debra Hill</a><a class="footnote-ref" id="fnref:541" href="#fn:541">541</a></li>
<li><a href="/facts/James_Wong_Howe/VpAatdMR">James Wong Howe</a><a class="footnote-ref" id="fnref:542" href="#fn:542">542</a></li>
<li><a href="/facts/Willard_Huyck/0DhTm9RI">Willard Huyck</a><a class="footnote-ref" id="fnref:543" href="#fn:543">543</a></li>
<li><a href="/facts/Quincy_Jones/cNDqEm1X">Quincy Jones</a><a class="footnote-ref" id="fnref:544" href="#fn:544">544</a></li>
<li><a href="/facts/Pauline_Kael/q3ghyarc">Pauline Kael</a><a class="footnote-ref" id="fnref:545" href="#fn:545">545</a><a class="footnote-ref" id="fnref:546" href="#fn:546">546</a><a class="footnote-ref" id="fnref:547" href="#fn:547">547</a><a class="footnote-ref" id="fnref:548" href="#fn:548">548</a><a class="footnote-ref" id="fnref:549" href="#fn:549">549</a></li>
<li><a href="/facts/Gloria_Katz/XQcFTnh9">Gloria Katz</a><a class="footnote-ref" id="fnref:550" href="#fn:550">550</a></li>
<li><a href="/facts/L%25C3%25A1szl%25C3%25B3_Kov%25C3%25A1cs_(cinematographer)/xVjv8IcX">László Kovács</a><a class="footnote-ref" id="fnref:551" href="#fn:551">551</a><a class="footnote-ref" id="fnref:552" href="#fn:552">552</a></li>
<li><a href="/facts/Ring_Lardner_Jr./wYAM3UoA">Ring Lardner Jr.</a><a class="footnote-ref" id="fnref:553" href="#fn:553">553</a><a class="footnote-ref" id="fnref:554" href="#fn:554">554</a></li>
<li><a href="/facts/Barry_Malkin/YFFV2ST3">Barry Malkin</a><a class="footnote-ref" id="fnref:555" href="#fn:555">555</a></li>
<li><a href="/facts/Giorgio_Moroder/Dmxe1jgJ">Giorgio Moroder</a><a class="footnote-ref" id="fnref:556" href="#fn:556">556</a><a class="footnote-ref" id="fnref:557" href="#fn:557">557</a><a class="footnote-ref" id="fnref:558" href="#fn:558">558</a></li>
<li><a href="/facts/Ennio_Morricone/oCDtDq8s">Ennio Morricone</a><a class="footnote-ref" id="fnref:559" href="#fn:559">559</a><a class="footnote-ref" id="fnref:560" href="#fn:560">560</a></li>
<li><a href="/facts/Walter_Murch/IfpWy5Fd">Walter Murch</a><a class="footnote-ref" id="fnref:561" href="#fn:561">561</a><a class="footnote-ref" id="fnref:562" href="#fn:562">562</a></li>
<li><a href="/facts/Harry_Nilsson/PtreRtu0">Harry Nilsson</a><a class="footnote-ref" id="fnref:563" href="#fn:563">563</a><a class="footnote-ref" id="fnref:564" href="#fn:564">564</a></li>
<li><a href="/facts/Jack_Nitzsche/JFeP7r29">Jack Nitzsche</a><a class="footnote-ref" id="fnref:565" href="#fn:565">565</a><a class="footnote-ref" id="fnref:566" href="#fn:566">566</a></li>
<li><a href="/facts/Mike_Oldfield/HqvPzrQB">Mike Oldfield</a><a class="footnote-ref" id="fnref:567" href="#fn:567">567</a></li>
<li><a href="/facts/Dan_Perri/PVTN6VvG">Dan Perri</a><a class="footnote-ref" id="fnref:568" href="#fn:568">568</a></li>
<li><a href="/facts/Polly_Platt/KLWPsz4d">Polly Platt</a><a class="footnote-ref" id="fnref:569" href="#fn:569">569</a><a class="footnote-ref" id="fnref:570" href="#fn:570">570</a></li>
<li><a href="/facts/Owen_Roizman/CKVV3gFG">Owen Roizman</a><a class="footnote-ref" id="fnref:571" href="#fn:571">571</a></li>
<li><a href="/facts/Waldo_Salt/MDPrGlmX">Waldo Salt</a><a class="footnote-ref" id="fnref:572" href="#fn:572">572</a><a class="footnote-ref" id="fnref:573" href="#fn:573">573</a></li>
<li><a href="/facts/Andrew_Sarris/L9j0MaSP">Andrew Sarris</a><a class="footnote-ref" id="fnref:574" href="#fn:574">574</a></li>
<li><a href="/facts/John_Sayles/VPgldNeP">John Sayles</a><a class="footnote-ref" id="fnref:575" href="#fn:575">575</a></li>
<li><a href="/facts/Lalo_Schifrin/gYsHokvl">Lalo Schifrin</a><a class="footnote-ref" id="fnref:576" href="#fn:576">576</a><a class="footnote-ref" id="fnref:577" href="#fn:577">577</a><a class="footnote-ref" id="fnref:578" href="#fn:578">578</a></li>
<li><a href="/facts/Bert_Schneider/jIRXcG3B">Bert Schneider</a><a class="footnote-ref" id="fnref:579" href="#fn:579">579</a></li>
<li><a href="/facts/Thelma_Schoonmaker/8cRxwohL">Thelma Schoonmaker</a><a class="footnote-ref" id="fnref:580" href="#fn:580">580</a><a class="footnote-ref" id="fnref:581" href="#fn:581">581</a></li>
<li><a href="/facts/David_Shire/u0jceAes">David Shire</a><a class="footnote-ref" id="fnref:582" href="#fn:582">582</a><a class="footnote-ref" id="fnref:583" href="#fn:583">583</a></li>
<li><a href="/facts/Stirling_Silliphant/P91eIdrt">Stirling Silliphant</a><a class="footnote-ref" id="fnref:584" href="#fn:584">584</a></li>
<li><a href="/facts/Gene_Siskel/0BAJNCcS">Gene Siskel</a><a class="footnote-ref" id="fnref:585" href="#fn:585">585</a><a class="footnote-ref" id="fnref:586" href="#fn:586">586</a></li>
<li><a href="/facts/Vittorio_Storaro/9qFPLb58">Vittorio Storaro</a><a class="footnote-ref" id="fnref:587" href="#fn:587">587</a><a class="footnote-ref" id="fnref:588" href="#fn:588">588</a></li>
<li><a href="/facts/Robert_Surtees_(cinematographer)/BjIF6rN2">Robert Surtees</a><a class="footnote-ref" id="fnref:589" href="#fn:589">589</a></li>
<li><a href="/facts/Robert_Towne/6P4WBCPV">Robert Towne</a><a class="footnote-ref" id="fnref:590" href="#fn:590">590</a><a class="footnote-ref" id="fnref:591" href="#fn:591">591</a></li>
<li><a href="/facts/Donald_Trumbull/CvEbToaw">Donald Trumbull</a><a class="footnote-ref" id="fnref:592" href="#fn:592">592</a><a class="footnote-ref" id="fnref:593" href="#fn:593">593</a></li>
<li><a href="/facts/Vangelis/WooCLYPf">Vangelis</a><a class="footnote-ref" id="fnref:594" href="#fn:594">594</a><a class="footnote-ref" id="fnref:595" href="#fn:595">595</a></li>
<li><a href="/facts/Tom_Waits/wfYeN4Ql">Tom Waits</a><a class="footnote-ref" id="fnref:596" href="#fn:596">596</a><a class="footnote-ref" id="fnref:597" href="#fn:597">597</a><a class="footnote-ref" id="fnref:598" href="#fn:598">598</a><a class="footnote-ref" id="fnref:599" href="#fn:599">599</a></li>
<li><a href="/facts/Haskell_Wexler/mLbTF9by">Haskell Wexler</a><a class="footnote-ref" id="fnref:600" href="#fn:600">600</a></li>
<li><a href="/facts/John_Williams/AMLQKr5J">John Williams</a><a class="footnote-ref" id="fnref:601" href="#fn:601">601</a><a class="footnote-ref" id="fnref:602" href="#fn:602">602</a><a class="footnote-ref" id="fnref:603" href="#fn:603">603</a><a class="footnote-ref" id="fnref:604" href="#fn:604">604</a></li>
<li><a href="/facts/Gordon_Willis/wnNI3qfu">Gordon Willis</a><a class="footnote-ref" id="fnref:605" href="#fn:605">605</a><a class="footnote-ref" id="fnref:606" href="#fn:606">606</a></li>
<li><a href="/facts/Frank_Yablans/dmYThWpa">Frank Yablans</a><a class="footnote-ref" id="fnref:607" href="#fn:607">607</a></li>
<li><a href="/facts/Robert_Zemeckis/7bLncWvh">Robert Zemeckis</a><a class="footnote-ref" id="fnref:608" href="#fn:608">608</a></li>
<li><a href="/facts/Vilmos_Zsigmond/DAtGoBjs">Vilmos Zsigmond</a><a class="footnote-ref" id="fnref:609" href="#fn:609">609</a><a class="footnote-ref" id="fnref:610" href="#fn:610">610</a></li></ul>

<h2 id="films-of-the-movement">Films of the movement</h2>
This is a chronological list of films that are generally considered to be "New Hollywood" productions:

<ul><li><a href="/facts/Dr._Strangelove/QfYCyoPI">Dr. Strangelove</a> (1964)<a class="footnote-ref" id="fnref:611" href="#fn:611">611</a>≈</li>
<li><a href="/facts/Mickey_One/jb6WdxFW">Mickey One</a> (1965)<a class="footnote-ref" id="fnref:612" href="#fn:612">612</a><a class="footnote-ref" id="fnref:613" href="#fn:613">613</a></li>
<li><a href="/facts/Seconds_(1966_film)/78qLjHxV">Seconds</a> (1966)<a class="footnote-ref" id="fnref:614" href="#fn:614">614</a><a class="footnote-ref" id="fnref:615" href="#fn:615">615</a> ≈</li>
<li><a href="/facts/Who%2527s_Afraid_of_Virginia_Woolf%253F_(film)/c0DVy1bn">Who's Afraid of Virginia Woolf?</a> (1966)<a class="footnote-ref" id="fnref:616" href="#fn:616">616</a><a class="footnote-ref" id="fnref:617" href="#fn:617">617</a><a class="footnote-ref" id="fnref:618" href="#fn:618">618</a> ≈</li>
<li><a href="/facts/The_Wild_Angels/c2BabY4v">The Wild Angels</a> (1966)<a class="footnote-ref" id="fnref:619" href="#fn:619">619</a></li>
<li><a href="/facts/The_Shooting/r3W4ppKF">The Shooting</a> (1966)<a class="footnote-ref" id="fnref:620" href="#fn:620">620</a><a class="footnote-ref" id="fnref:621" href="#fn:621">621</a></li>
<li><a href="/facts/Ride_in_the_Whirlwind/UPdSA9s6">Ride in the Whirlwind</a> (1966)<a class="footnote-ref" id="fnref:622" href="#fn:622">622</a><a class="footnote-ref" id="fnref:623" href="#fn:623">623</a></li>
<li><a href="/facts/You%2527re_a_Big_Boy_Now/ekVPVckr">You're a Big Boy Now</a> (1966)<a class="footnote-ref" id="fnref:624" href="#fn:624">624</a><a class="footnote-ref" id="fnref:625" href="#fn:625">625</a></li>
<li><a href="/facts/Portrait_of_Jason/3vPEF3pM">Portrait of Jason</a> (1967)<a class="footnote-ref" id="fnref:626" href="#fn:626">626</a>≈</li>
<li><a href="/facts/In_the_Heat_of_the_Night_(film)/9bBV7Aov">In the Heat of the Night</a> (1967)<a class="footnote-ref" id="fnref:627" href="#fn:627">627</a><a class="footnote-ref" id="fnref:628" href="#fn:628">628</a><a class="footnote-ref" id="fnref:629" href="#fn:629">629</a> ≈</li>
<li><a href="/facts/Bonnie_and_Clyde_(film)/CGBh4R4g">Bonnie and Clyde</a> (1967)<a class="footnote-ref" id="fnref:630" href="#fn:630">630</a><a class="footnote-ref" id="fnref:631" href="#fn:631">631</a><a class="footnote-ref" id="fnref:632" href="#fn:632">632</a><a class="footnote-ref" id="fnref:633" href="#fn:633">633</a><a class="footnote-ref" id="fnref:634" href="#fn:634">634</a><a class="footnote-ref" id="fnref:635" href="#fn:635">635</a><a class="footnote-ref" id="fnref:636" href="#fn:636">636</a><a class="footnote-ref" id="fnref:637" href="#fn:637">637</a> ≈</li>
<li><a href="/facts/The_Graduate/LhCa0Uwy">The Graduate</a> (1967)<a class="footnote-ref" id="fnref:638" href="#fn:638">638</a><a class="footnote-ref" id="fnref:639" href="#fn:639">639</a><a class="footnote-ref" id="fnref:640" href="#fn:640">640</a><a class="footnote-ref" id="fnref:641" href="#fn:641">641</a><a class="footnote-ref" id="fnref:642" href="#fn:642">642</a><a class="footnote-ref" id="fnref:643" href="#fn:643">643</a> ≈</li>
<li><a href="/facts/Who%2527s_That_Knocking_at_My_Door/VcXubNma">Who's That Knocking at My Door</a> (1967)<a class="footnote-ref" id="fnref:644" href="#fn:644">644</a><a class="footnote-ref" id="fnref:645" href="#fn:645">645</a></li>
<li><a href="/facts/In_Cold_Blood_(film)/8G1oxWvB">In Cold Blood</a> (1967)<a class="footnote-ref" id="fnref:646" href="#fn:646">646</a><a class="footnote-ref" id="fnref:647" href="#fn:647">647</a> ≈</li>
<li><a href="/facts/Reflections_in_a_Golden_Eye_(film)/vqhdPYuw">Reflections in a Golden Eye</a> (1967)<a class="footnote-ref" id="fnref:648" href="#fn:648">648</a></li>
<li><a href="/facts/The_Dirty_Dozen/MapnoDSw">The Dirty Dozen</a> (1967)<a class="footnote-ref" id="fnref:649" href="#fn:649">649</a><a class="footnote-ref" id="fnref:650" href="#fn:650">650</a><a class="footnote-ref" id="fnref:651" href="#fn:651">651</a><a class="footnote-ref" id="fnref:652" href="#fn:652">652</a></li>
<li><a href="/facts/Dont_Look_Back/SP78fLp4">Dont Look Back</a> (1967)<a class="footnote-ref" id="fnref:653" href="#fn:653">653</a>≈</li>
<li><a href="/facts/Point_Blank_(1967_film)/YEc6wcdx">Point Blank</a> (1967)<a class="footnote-ref" id="fnref:654" href="#fn:654">654</a><a class="footnote-ref" id="fnref:655" href="#fn:655">655</a><a class="footnote-ref" id="fnref:656" href="#fn:656">656</a>≈</li>
<li><a href="/facts/The_Trip_(1967_film)/UlbV3eer">The Trip</a> (1967)<a class="footnote-ref" id="fnref:657" href="#fn:657">657</a></li>
<li><a href="/facts/David_Holzman%2527s_Diary/7HRIcQCc">David Holzman's Diary</a> (1967)<a class="footnote-ref" id="fnref:658" href="#fn:658">658</a> ≈</li>
<li><a href="/facts/Funny_Girl_(film)/PlVr21dV">Funny Girl</a> (1968)<a class="footnote-ref" id="fnref:659" href="#fn:659">659</a>≈</li>
<li><a href="/facts/The_Producers_(1967_film)/c2GxapYe">The Producers</a> (1968)<a class="footnote-ref" id="fnref:660" href="#fn:660">660</a>≈</li>
<li><a href="/facts/The_Swimmer_(1968_film)/3At28syz">The Swimmer</a> (1968)<a class="footnote-ref" id="fnref:661" href="#fn:661">661</a></li>
<li><a href="/facts/Coogan%2527s_Bluff_(film)/bcMAe9TR">Coogan's Bluff</a> (1968)<a class="footnote-ref" id="fnref:662" href="#fn:662">662</a></li>
<li><a href="/facts/Greetings_(1968_film)/YPLjo1u1">Greetings</a> (1968)<a class="footnote-ref" id="fnref:663" href="#fn:663">663</a><a class="footnote-ref" id="fnref:664" href="#fn:664">664</a></li>
<li><a href="/facts/2001%3a_A_Space_Odyssey_(film)/yUhFQY8W">2001: A Space Odyssey</a> (1968)<a class="footnote-ref" id="fnref:665" href="#fn:665">665</a><a class="footnote-ref" id="fnref:666" href="#fn:666">666</a><a class="footnote-ref" id="fnref:667" href="#fn:667">667</a><a class="footnote-ref" id="fnref:668" href="#fn:668">668</a><a class="footnote-ref" id="fnref:669" href="#fn:669">669</a>≈</li>
<li><a href="/facts/Planet_of_the_Apes_(1968_film)/uFnV0ftS">Planet of the Apes</a> (1968)<a class="footnote-ref" id="fnref:670" href="#fn:670">670</a> ≈</li>
<li><a href="/facts/Petulia/XTxbHnzK">Petulia</a> (1968)<a class="footnote-ref" id="fnref:671" href="#fn:671">671</a><a class="footnote-ref" id="fnref:672" href="#fn:672">672</a></li>
<li><a href="/facts/Rosemary%2527s_Baby_(film)/FA15PWq8">Rosemary's Baby</a> (1968)<a class="footnote-ref" id="fnref:673" href="#fn:673">673</a><a class="footnote-ref" id="fnref:674" href="#fn:674">674</a><a class="footnote-ref" id="fnref:675" href="#fn:675">675</a><a class="footnote-ref" id="fnref:676" href="#fn:676">676</a><a class="footnote-ref" id="fnref:677" href="#fn:677">677</a>≈</li>
<li><a href="/facts/The_Thomas_Crown_Affair_(1968_film)/EbgLpjU2">The Thomas Crown Affair</a> (1968)<a class="footnote-ref" id="fnref:678" href="#fn:678">678</a><a class="footnote-ref" id="fnref:679" href="#fn:679">679</a>≈</li>
<li><a href="/facts/Faces_(1968_film)/LBX01TV3">Faces</a> (1968)<a class="footnote-ref" id="fnref:680" href="#fn:680">680</a><a class="footnote-ref" id="fnref:681" href="#fn:681">681</a>≈</li>
<li><a href="/facts/Targets/EH8YzkHD">Targets</a> (1968)<a class="footnote-ref" id="fnref:682" href="#fn:682">682</a><a class="footnote-ref" id="fnref:683" href="#fn:683">683</a></li>
<li><a href="/facts/Bullitt/S41TVSJx">Bullitt</a> (1968)<a class="footnote-ref" id="fnref:684" href="#fn:684">684</a><a class="footnote-ref" id="fnref:685" href="#fn:685">685</a><a class="footnote-ref" id="fnref:686" href="#fn:686">686</a> ≈</li>
<li><a href="/facts/Night_of_the_Living_Dead/Q8fmG7kR">Night of the Living Dead</a> (1968)<a class="footnote-ref" id="fnref:687" href="#fn:687">687</a><a class="footnote-ref" id="fnref:688" href="#fn:688">688</a><a class="footnote-ref" id="fnref:689" href="#fn:689">689</a><a class="footnote-ref" id="fnref:690" href="#fn:690">690</a>≈</li>
<li><a href="/facts/Head_(film)/AoLCbKIK">Head</a> (1968)<a class="footnote-ref" id="fnref:691" href="#fn:691">691</a><a class="footnote-ref" id="fnref:692" href="#fn:692">692</a></li>
<li><a href="/facts/Downhill_Racer/CXfc6fXW">Downhill Racer</a> (1969)<a class="footnote-ref" id="fnref:693" href="#fn:693">693</a></li>
<li><a href="/facts/Alice%2527s_Restaurant_(film)/27p26e73">Alice's Restaurant</a> (1969)<a class="footnote-ref" id="fnref:694" href="#fn:694">694</a><a class="footnote-ref" id="fnref:695" href="#fn:695">695</a><a class="footnote-ref" id="fnref:696" href="#fn:696">696</a></li>
<li><a href="/facts/Easy_Rider/tJogvSo7">Easy Rider</a> (1969)<a class="footnote-ref" id="fnref:697" href="#fn:697">697</a><a class="footnote-ref" id="fnref:698" href="#fn:698">698</a><a class="footnote-ref" id="fnref:699" href="#fn:699">699</a><a class="footnote-ref" id="fnref:700" href="#fn:700">700</a><a class="footnote-ref" id="fnref:701" href="#fn:701">701</a><a class="footnote-ref" id="fnref:702" href="#fn:702">702</a><a class="footnote-ref" id="fnref:703" href="#fn:703">703</a>≈</li>
<li><a href="/facts/Medium_Cool/5sUIfvmM">Medium Cool</a> (1969)<a class="footnote-ref" id="fnref:704" href="#fn:704">704</a><a class="footnote-ref" id="fnref:705" href="#fn:705">705</a>≈</li>
<li><a href="/facts/Midnight_Cowboy/VrqtsJwt">Midnight Cowboy</a> (1969)<a class="footnote-ref" id="fnref:706" href="#fn:706">706</a><a class="footnote-ref" id="fnref:707" href="#fn:707">707</a><a class="footnote-ref" id="fnref:708" href="#fn:708">708</a><a class="footnote-ref" id="fnref:709" href="#fn:709">709</a><a class="footnote-ref" id="fnref:710" href="#fn:710">710</a>≈</li>
<li><a href="/facts/Putney_Swope/vFgfpT6o">Putney Swope</a> (1969)<a class="footnote-ref" id="fnref:711" href="#fn:711">711</a>≈</li>
<li><a href="/facts/The_Rain_People/whYkqamT">The Rain People</a> (1969)<a class="footnote-ref" id="fnref:712" href="#fn:712">712</a><a class="footnote-ref" id="fnref:713" href="#fn:713">713</a><a class="footnote-ref" id="fnref:714" href="#fn:714">714</a></li>
<li><a href="/facts/The_Sterile_Cuckoo/fBVLxW9n">The Sterile Cuckoo</a> (1969)<a class="footnote-ref" id="fnref:715" href="#fn:715">715</a></li>
<li><a href="/facts/Goodbye%2c_Columbus_(film)/I3tCPxdD">Goodbye, Columbus</a> (1969)<a class="footnote-ref" id="fnref:716" href="#fn:716">716</a></li>
<li><a href="/facts/Take_the_Money_and_Run_(film)/1s9xc9ze">Take the Money and Run</a> (1969)<a class="footnote-ref" id="fnref:717" href="#fn:717">717</a></li>
<li><a href="/facts/The_Wild_Bunch/YDSGvEA7">The Wild Bunch</a> (1969)<a class="footnote-ref" id="fnref:718" href="#fn:718">718</a><a class="footnote-ref" id="fnref:719" href="#fn:719">719</a><a class="footnote-ref" id="fnref:720" href="#fn:720">720</a>≈</li>
<li><a href="/facts/Bob_%2526_Carol_%2526_Ted_%2526_Alice/5j7V3nIS">Bob & Carol & Ted & Alice</a> (1969)<a class="footnote-ref" id="fnref:721" href="#fn:721">721</a><a class="footnote-ref" id="fnref:722" href="#fn:722">722</a></li>
<li><a href="/facts/Butch_Cassidy_and_the_Sundance_Kid/StLqvPaE">Butch Cassidy and the Sundance Kid</a> (1969)<a class="footnote-ref" id="fnref:723" href="#fn:723">723</a><a class="footnote-ref" id="fnref:724" href="#fn:724">724</a>≈</li>
<li><a href="/facts/They_Shoot_Horses%2c_Don%2527t_They%253F_(film)/G3nQuRvf">They Shoot Horses, Don't They?</a> (1969)<a class="footnote-ref" id="fnref:725" href="#fn:725">725</a><a class="footnote-ref" id="fnref:726" href="#fn:726">726</a></li>
<li><a href="/facts/Wanda_(film)/Qk4BgfJB">Wanda</a> (1970)<a class="footnote-ref" id="fnref:727" href="#fn:727">727</a><a class="footnote-ref" id="fnref:728" href="#fn:728">728</a><a class="footnote-ref" id="fnref:729" href="#fn:729">729</a><a class="footnote-ref" id="fnref:730" href="#fn:730">730</a><a class="footnote-ref" id="fnref:731" href="#fn:731">731</a><a class="footnote-ref" id="fnref:732" href="#fn:732">732</a><a class="footnote-ref" id="fnref:733" href="#fn:733">733</a><a class="footnote-ref" id="fnref:734" href="#fn:734">734</a>≈</li>
<li><a href="/facts/Watermelon_Man_(film)/p6G6QXwP">Watermelon Man</a> (1970)<a class="footnote-ref" id="fnref:735" href="#fn:735">735</a></li>
<li><a href="/facts/Hi%2c_Mom!/UNx1EfDA">Hi, Mom!</a> (1970)<a class="footnote-ref" id="fnref:736" href="#fn:736">736</a></li>
<li><a href="/facts/The_Boys_in_the_Band_(1970_film)/nBf0CHuG">The Boys in the Band</a> (1970)<a class="footnote-ref" id="fnref:737" href="#fn:737">737</a><a class="footnote-ref" id="fnref:738" href="#fn:738">738</a></li>
<li><a href="/facts/Diary_of_a_Mad_Housewife/Y3oLnrfv">Diary of a Mad Housewife</a> (1970)<a class="footnote-ref" id="fnref:739" href="#fn:739">739</a><a class="footnote-ref" id="fnref:740" href="#fn:740">740</a><a class="footnote-ref" id="fnref:741" href="#fn:741">741</a></li>
<li><a href="/facts/Alex_in_Wonderland/C9R8MGK8">Alex in Wonderland</a> (1970)<a class="footnote-ref" id="fnref:742" href="#fn:742">742</a></li>
<li><a href="/facts/Husbands_(film)/eaeJWj2J">Husbands</a> (1970)<a class="footnote-ref" id="fnref:743" href="#fn:743">743</a><a class="footnote-ref" id="fnref:744" href="#fn:744">744</a></li>
<li><a href="/facts/Catch-22_(film)/j3U5Gslv">Catch-22</a> (1970)<a class="footnote-ref" id="fnref:745" href="#fn:745">745</a><a class="footnote-ref" id="fnref:746" href="#fn:746">746</a><a class="footnote-ref" id="fnref:747" href="#fn:747">747</a></li>
<li><a href="/facts/The_Landlord/YPkpm5RI">The Landlord</a> (1970)<a class="footnote-ref" id="fnref:748" href="#fn:748">748</a><a class="footnote-ref" id="fnref:749" href="#fn:749">749</a><a class="footnote-ref" id="fnref:750" href="#fn:750">750</a></li>
<li><a href="/facts/MASH_(film)/w0Fo6St6">MASH</a> (1970)<a class="footnote-ref" id="fnref:751" href="#fn:751">751</a><a class="footnote-ref" id="fnref:752" href="#fn:752">752</a><a class="footnote-ref" id="fnref:753" href="#fn:753">753</a><a class="footnote-ref" id="fnref:754" href="#fn:754">754</a><a class="footnote-ref" id="fnref:755" href="#fn:755">755</a><a class="footnote-ref" id="fnref:756" href="#fn:756">756</a>≈</li>
<li><a href="/facts/Love_Story_(1970_film)/X9KWBJ8p">Love Story</a> (1970)<a class="footnote-ref" id="fnref:757" href="#fn:757">757</a><a class="footnote-ref" id="fnref:758" href="#fn:758">758</a></li>
<li><a href="/facts/Airport_(1970_film)/oWrn6HMt">Airport</a> (1970)<a class="footnote-ref" id="fnref:759" href="#fn:759">759</a><a class="footnote-ref" id="fnref:760" href="#fn:760">760</a></li>
<li><a href="/facts/Bloody_Mama/GeynXo9s">Bloody Mama</a> (1970)<a class="footnote-ref" id="fnref:761" href="#fn:761">761</a><a class="footnote-ref" id="fnref:762" href="#fn:762">762</a></li>
<li><a href="/facts/The_Strawberry_Statement_(film)/ukpvusk2">The Strawberry Statement</a> (1970)<a class="footnote-ref" id="fnref:763" href="#fn:763">763</a><a class="footnote-ref" id="fnref:764" href="#fn:764">764</a><a class="footnote-ref" id="fnref:765" href="#fn:765">765</a></li>
<li><a href="/facts/Loving_(1970_film)/KT4812rR">Loving</a> (1970)<a class="footnote-ref" id="fnref:766" href="#fn:766">766</a><a class="footnote-ref" id="fnref:767" href="#fn:767">767</a></li>
<li><a href="/facts/Kelly%2527s_Heroes/ryD3ut1w">Kelly's Heroes</a> (1970)<a class="footnote-ref" id="fnref:768" href="#fn:768">768</a></li>
<li><a href="/facts/Two_Mules_for_Sister_Sara/xzFoGSYd">Two Mules for Sister Sara</a> (1970)<a class="footnote-ref" id="fnref:769" href="#fn:769">769</a></li>
<li><a href="/facts/Ice_(1970_film)/8ukEs511">Ice</a> (1970)<a class="footnote-ref" id="fnref:770" href="#fn:770">770</a></li>
<li><a href="/facts/Patton_(film)/9LSjI0TS">Patton</a> (1970)<a class="footnote-ref" id="fnref:771" href="#fn:771">771</a>≈</li>
<li><a href="/facts/Five_Easy_Pieces/t3VBsrVT">Five Easy Pieces</a> (1970)<a class="footnote-ref" id="fnref:772" href="#fn:772">772</a><a class="footnote-ref" id="fnref:773" href="#fn:773">773</a><a class="footnote-ref" id="fnref:774" href="#fn:774">774</a><a class="footnote-ref" id="fnref:775" href="#fn:775">775</a><a class="footnote-ref" id="fnref:776" href="#fn:776">776</a><a class="footnote-ref" id="fnref:777" href="#fn:777">777</a>≈</li>
<li><a href="/facts/Little_Big_Man_(film)/fEmFNRL8">Little Big Man</a> (1970)<a class="footnote-ref" id="fnref:778" href="#fn:778">778</a><a class="footnote-ref" id="fnref:779" href="#fn:779">779</a>≈</li>
<li><a href="/facts/Brewster_McCloud/3TujRg4w">Brewster McCloud</a> (1970)<a class="footnote-ref" id="fnref:780" href="#fn:780">780</a><a class="footnote-ref" id="fnref:781" href="#fn:781">781</a><a class="footnote-ref" id="fnref:782" href="#fn:782">782</a></li>
<li><a href="/facts/Joe_(1970_film)/K4JgBsRk">Joe</a> (1970)<a class="footnote-ref" id="fnref:783" href="#fn:783">783</a><a class="footnote-ref" id="fnref:784" href="#fn:784">784</a></li>
<li><a href="/facts/Woodstock_(film)/GP3PgrjP">Woodstock</a> (1970)<a class="footnote-ref" id="fnref:785" href="#fn:785">785</a><a class="footnote-ref" id="fnref:786" href="#fn:786">786</a>≈</li>
<li><a href="/facts/The_Ballad_of_Cable_Hogue/LVAIcYaU">The Ballad of Cable Hogue</a> (1970)<a class="footnote-ref" id="fnref:787" href="#fn:787">787</a></li>
<li><a href="/facts/Zabriskie_Point_(film)/zddIjj4D">Zabriskie Point</a> (1970)<a class="footnote-ref" id="fnref:788" href="#fn:788">788</a><a class="footnote-ref" id="fnref:789" href="#fn:789">789</a><a class="footnote-ref" id="fnref:790" href="#fn:790">790</a><a class="footnote-ref" id="fnref:791" href="#fn:791">791</a><a class="footnote-ref" id="fnref:792" href="#fn:792">792</a></li>
<li><a href="/facts/Gimme_Shelter_(1970_film)/qWu8ojdS">Gimme Shelter</a> (1970)<a class="footnote-ref" id="fnref:793" href="#fn:793">793</a><a class="footnote-ref" id="fnref:794" href="#fn:794">794</a></li>
<li><a href="/facts/Where%2527s_Poppa/VF93xBoK">Where's Poppa</a> (1970)<a class="footnote-ref" id="fnref:795" href="#fn:795">795</a></li>
<li><a href="/facts/A_New_Leaf_(film)/pswUrlb4">A New Leaf</a> (1971)<a class="footnote-ref" id="fnref:796" href="#fn:796">796</a><a class="footnote-ref" id="fnref:797" href="#fn:797">797</a><a class="footnote-ref" id="fnref:798" href="#fn:798">798</a><a class="footnote-ref" id="fnref:799" href="#fn:799">799</a>≈</li>
<li><a href="/facts/Drive%2c_He_Said/krswfGl8">Drive, He Said</a> (1971)<a class="footnote-ref" id="fnref:800" href="#fn:800">800</a><a class="footnote-ref" id="fnref:801" href="#fn:801">801</a></li>
<li><a href="/facts/A_Safe_Place/bzUDxMvV">A Safe Place</a> (1971)<a class="footnote-ref" id="fnref:802" href="#fn:802">802</a><a class="footnote-ref" id="fnref:803" href="#fn:803">803</a></li>
<li><a href="/facts/Minnie_and_Moskowitz/R7d99nvp">Minnie and Moskowitz</a> (1971)<a class="footnote-ref" id="fnref:804" href="#fn:804">804</a></li>
<li><a href="/facts/Fiddler_on_the_Roof_(film)/er7jy6Rg">Fiddler on the Roof</a> (1971)<a class="footnote-ref" id="fnref:805" href="#fn:805">805</a></li>
<li><a href="/facts/The_Panic_in_Needle_Park/3wpA9jUF">The Panic in Needle Park</a> (1971)<a class="footnote-ref" id="fnref:806" href="#fn:806">806</a><a class="footnote-ref" id="fnref:807" href="#fn:807">807</a><a class="footnote-ref" id="fnref:808" href="#fn:808">808</a></li>
<li><a href="/facts/Play_Misty_for_Me/FW7XJgfc">Play Misty for Me</a> (1971)<a class="footnote-ref" id="fnref:809" href="#fn:809">809</a></li>
<li><a href="/facts/Shaft_(1971_film)/tbtqsJYJ">Shaft</a> (1971)<a class="footnote-ref" id="fnref:810" href="#fn:810">810</a><a class="footnote-ref" id="fnref:811" href="#fn:811">811</a>≈</li>
<li><a href="/facts/Klute/qb7KTUpE">Klute</a> (1971)<a class="footnote-ref" id="fnref:812" href="#fn:812">812</a><a class="footnote-ref" id="fnref:813" href="#fn:813">813</a><a class="footnote-ref" id="fnref:814" href="#fn:814">814</a></li>
<li><a href="/facts/Vanishing_Point_(1971_film)/nmlwk60H">Vanishing Point</a> (1971)<a class="footnote-ref" id="fnref:815" href="#fn:815">815</a><a class="footnote-ref" id="fnref:816" href="#fn:816">816</a></li>
<li><a href="/facts/The_Beguiled_(1971_film)/8aJb9lUv">The Beguiled</a> (1971)<a class="footnote-ref" id="fnref:817" href="#fn:817">817</a></li>
<li><a href="/facts/McCabe_%2526_Mrs._Miller/v3ByYFWJ">McCabe & Mrs. Miller</a> (1971)<a class="footnote-ref" id="fnref:818" href="#fn:818">818</a><a class="footnote-ref" id="fnref:819" href="#fn:819">819</a><a class="footnote-ref" id="fnref:820" href="#fn:820">820</a><a class="footnote-ref" id="fnref:821" href="#fn:821">821</a>≈</li>
<li><a href="/facts/Carnal_Knowledge_(film)/PzNnbp7R">Carnal Knowledge</a> (1971)<a class="footnote-ref" id="fnref:822" href="#fn:822">822</a><a class="footnote-ref" id="fnref:823" href="#fn:823">823</a><a class="footnote-ref" id="fnref:824" href="#fn:824">824</a></li>
<li><a href="/facts/Such_Good_Friends/nMvIcL0P">Such Good Friends</a> (1971)<a class="footnote-ref" id="fnref:825" href="#fn:825">825</a><a class="footnote-ref" id="fnref:826" href="#fn:826">826</a></li>
<li><a href="/facts/Taking_Off_(film)/E2G9DrQl">Taking Off</a> (1971)<a class="footnote-ref" id="fnref:827" href="#fn:827">827</a><a class="footnote-ref" id="fnref:828" href="#fn:828">828</a><a class="footnote-ref" id="fnref:829" href="#fn:829">829</a></li>
<li><a href="/facts/Two-Lane_Blacktop/VBu5XY78">Two-Lane Blacktop</a> (1971)<a class="footnote-ref" id="fnref:830" href="#fn:830">830</a><a class="footnote-ref" id="fnref:831" href="#fn:831">831</a><a class="footnote-ref" id="fnref:832" href="#fn:832">832</a><a class="footnote-ref" id="fnref:833" href="#fn:833">833</a><a class="footnote-ref" id="fnref:834" href="#fn:834">834</a><a class="footnote-ref" id="fnref:835" href="#fn:835">835</a><a class="footnote-ref" id="fnref:836" href="#fn:836">836</a>≈</li>
<li><a href="/facts/The_Last_Movie/EaaFnhFQ">The Last Movie</a> (1971)<a class="footnote-ref" id="fnref:837" href="#fn:837">837</a><a class="footnote-ref" id="fnref:838" href="#fn:838">838</a><a class="footnote-ref" id="fnref:839" href="#fn:839">839</a><a class="footnote-ref" id="fnref:840" href="#fn:840">840</a></li>
<li><a href="/facts/The_Hired_Hand/3WqElbQ7">The Hired Hand</a> (1971)<a class="footnote-ref" id="fnref:841" href="#fn:841">841</a><a class="footnote-ref" id="fnref:842" href="#fn:842">842</a></li>
<li><a href="/facts/The_Last_Picture_Show/7ICkj3jS">The Last Picture Show</a> (1971)<a class="footnote-ref" id="fnref:843" href="#fn:843">843</a><a class="footnote-ref" id="fnref:844" href="#fn:844">844</a><a class="footnote-ref" id="fnref:845" href="#fn:845">845</a><a class="footnote-ref" id="fnref:846" href="#fn:846">846</a><a class="footnote-ref" id="fnref:847" href="#fn:847">847</a><a class="footnote-ref" id="fnref:848" href="#fn:848">848</a>≈</li>
<li><a href="/facts/The_French_Connection_(film)/Hj5hx1w9">The French Connection</a> (1971)<a class="footnote-ref" id="fnref:849" href="#fn:849">849</a><a class="footnote-ref" id="fnref:850" href="#fn:850">850</a><a class="footnote-ref" id="fnref:851" href="#fn:851">851</a><a class="footnote-ref" id="fnref:852" href="#fn:852">852</a>≈</li>
<li><a href="/facts/The_Anderson_Tapes/0uInR6gd">The Anderson Tapes</a> (1971)<a class="footnote-ref" id="fnref:853" href="#fn:853">853</a><a class="footnote-ref" id="fnref:854" href="#fn:854">854</a></li>
<li><a href="/facts/A_Clockwork_Orange_(film)/sUTgCKEC">A Clockwork Orange</a> (1971)<a class="footnote-ref" id="fnref:855" href="#fn:855">855</a><a class="footnote-ref" id="fnref:856" href="#fn:856">856</a><a class="footnote-ref" id="fnref:857" href="#fn:857">857</a>≈</li>
<li><a href="/facts/Dirty_Harry/EblH43Vp">Dirty Harry</a> (1971)<a class="footnote-ref" id="fnref:858" href="#fn:858">858</a><a class="footnote-ref" id="fnref:859" href="#fn:859">859</a><a class="footnote-ref" id="fnref:860" href="#fn:860">860</a>≈</li>
<li><a href="/facts/Harold_and_Maude/IvEk9DWs">Harold and Maude</a> (1971)<a class="footnote-ref" id="fnref:861" href="#fn:861">861</a><a class="footnote-ref" id="fnref:862" href="#fn:862">862</a><a class="footnote-ref" id="fnref:863" href="#fn:863">863</a>≈</li>
<li><a href="/facts/Straw_Dogs_(1971_film)/susEHJTI">Straw Dogs</a> (1971)<a class="footnote-ref" id="fnref:864" href="#fn:864">864</a><a class="footnote-ref" id="fnref:865" href="#fn:865">865</a><a class="footnote-ref" id="fnref:866" href="#fn:866">866</a></li>
<li><a href="/facts/Sweet_Sweetback%2527s_Baadasssss_Song/YjV3RybD">Sweet Sweetback's Baadasssss Song</a> (1971)<a class="footnote-ref" id="fnref:867" href="#fn:867">867</a><a class="footnote-ref" id="fnref:868" href="#fn:868">868</a><a class="footnote-ref" id="fnref:869" href="#fn:869">869</a><a class="footnote-ref" id="fnref:870" href="#fn:870">870</a>≈</li>
<li><a href="/facts/THX_1138/xjUqQlnt">THX 1138</a> (1971)<a class="footnote-ref" id="fnref:871" href="#fn:871">871</a><a class="footnote-ref" id="fnref:872" href="#fn:872">872</a><a class="footnote-ref" id="fnref:873" href="#fn:873">873</a></li>
<li><a href="/facts/Little_Murders/Fp7BTzcL">Little Murders</a> (1971)<a class="footnote-ref" id="fnref:874" href="#fn:874">874</a></li>
<li><a href="/facts/Billy_Jack/NygJRK7A">Billy Jack</a> (1971)<a class="footnote-ref" id="fnref:875" href="#fn:875">875</a></li>
<li><a href="/facts/Bananas_(film)/I2FAdSVD">Bananas</a> (1971)<a class="footnote-ref" id="fnref:876" href="#fn:876">876</a></li>
<li><a href="/facts/Duel_(1971_film)/ntQSHyIv">Duel</a> (1971)<a class="footnote-ref" id="fnref:877" href="#fn:877">877</a><a class="footnote-ref" id="fnref:878" href="#fn:878">878</a></li>
<li><a href="/facts/The_Hospital/WaryeVJd">The Hospital</a> (1971)<a class="footnote-ref" id="fnref:879" href="#fn:879">879</a><a class="footnote-ref" id="fnref:880" href="#fn:880">880</a><a class="footnote-ref" id="fnref:881" href="#fn:881">881</a>≈</li>
<li><a href="/facts/They_Might_Be_Giants_(film)/rXtCH1AC">They Might Be Giants</a> (1971)<a class="footnote-ref" id="fnref:882" href="#fn:882">882</a></li>
<li><a href="/facts/Born_to_Win/F2X5tGrM">Born to Win</a> (1971)<a class="footnote-ref" id="fnref:883" href="#fn:883">883</a><a class="footnote-ref" id="fnref:884" href="#fn:884">884</a><a class="footnote-ref" id="fnref:885" href="#fn:885">885</a><a class="footnote-ref" id="fnref:886" href="#fn:886">886</a></li>
<li><a href="/facts/Dusty_and_Sweets_McGee/cyz5vVVr">Dusty and Sweets McGee</a> (1971)<a class="footnote-ref" id="fnref:887" href="#fn:887">887</a></li>
<li><a href="/facts/Johnny_Got_His_Gun_(film)/2CcUBzzu">Johnny Got His Gun</a> (1971)<a class="footnote-ref" id="fnref:888" href="#fn:888">888</a></li>
<li><a href="/facts/Lady_Sings_the_Blues_(film)/Tdm0ETCu">Lady Sings the Blues</a> (1972)<a class="footnote-ref" id="fnref:889" href="#fn:889">889</a><a class="footnote-ref" id="fnref:890" href="#fn:890">890</a></li>
<li><a href="/facts/The_Heartbreak_Kid_(1972_film)/VphKzew5">The Heartbreak Kid</a> (1972)<a class="footnote-ref" id="fnref:891" href="#fn:891">891</a><a class="footnote-ref" id="fnref:892" href="#fn:892">892</a><a class="footnote-ref" id="fnref:893" href="#fn:893">893</a><a class="footnote-ref" id="fnref:894" href="#fn:894">894</a></li>
<li><a href="/facts/Cabaret_(1972_film)/TqawqBrB">Cabaret</a> (1972)<a class="footnote-ref" id="fnref:895" href="#fn:895">895</a><a class="footnote-ref" id="fnref:896" href="#fn:896">896</a><a class="footnote-ref" id="fnref:897" href="#fn:897">897</a>≈</li>
<li><a href="/facts/Deliverance/T3GKI0wc">Deliverance</a> (1972)<a class="footnote-ref" id="fnref:898" href="#fn:898">898</a>≈</li>
<li><a href="/facts/Tomorrow_(1972_film)/fIMnax1j">Tomorrow</a> (1972)<a class="footnote-ref" id="fnref:899" href="#fn:899">899</a></li>
<li><a href="/facts/Prime_Cut/0MLAh2Uc">Prime Cut</a> (1972)<a class="footnote-ref" id="fnref:900" href="#fn:900">900</a></li>
<li><a href="/facts/Pocket_Money/HQAJc4yw">Pocket Money</a> (1972)<a class="footnote-ref" id="fnref:901" href="#fn:901">901</a></li>
<li><a href="/facts/Cisco_Pike/URggVIRY">Cisco Pike</a> (1972)<a class="footnote-ref" id="fnref:902" href="#fn:902">902</a><a class="footnote-ref" id="fnref:903" href="#fn:903">903</a></li>
<li><a href="/facts/The_Hot_Rock_(film)/cdqTmEAD">The Hot Rock</a> (1972)<a class="footnote-ref" id="fnref:904" href="#fn:904">904</a></li>
<li><a href="/facts/The_Getaway_(1972_film)/r2dlFDJx">The Getaway</a> (1972)<a class="footnote-ref" id="fnref:905" href="#fn:905">905</a><a class="footnote-ref" id="fnref:906" href="#fn:906">906</a><a class="footnote-ref" id="fnref:907" href="#fn:907">907</a></li>
<li><a href="/facts/Bad_Company_(1972_film)/Ibjgkn4W">Bad Company</a> (1972)<a class="footnote-ref" id="fnref:908" href="#fn:908">908</a><a class="footnote-ref" id="fnref:909" href="#fn:909">909</a></li>
<li><a href="/facts/The_Last_House_on_the_Left/eX1y96tr">The Last House on the Left</a> (1972)<a class="footnote-ref" id="fnref:910" href="#fn:910">910</a></li>
<li><a href="/facts/Fat_City_(film)/6tH6uslg">Fat City</a> (1972)<a class="footnote-ref" id="fnref:911" href="#fn:911">911</a><a class="footnote-ref" id="fnref:912" href="#fn:912">912</a><a class="footnote-ref" id="fnref:913" href="#fn:913">913</a><a class="footnote-ref" id="fnref:914" href="#fn:914">914</a><a class="footnote-ref" id="fnref:915" href="#fn:915">915</a></li>
<li><a href="/facts/Fritz_the_Cat_(film)/eurKEzAe">Fritz the Cat</a> (1972)<a class="footnote-ref" id="fnref:916" href="#fn:916">916</a></li>
<li><a href="/facts/Images_(film)/FQcr0VS5">Images</a> (1972)<a class="footnote-ref" id="fnref:917" href="#fn:917">917</a><a class="footnote-ref" id="fnref:918" href="#fn:918">918</a></li>
<li><a href="/facts/The_Poseidon_Adventure_(1972_film)/aA0I8z6Y">The Poseidon Adventure</a> (1972)<a class="footnote-ref" id="fnref:919" href="#fn:919">919</a></li>
<li><a href="/facts/Slaughterhouse-Five_(film)/dezRnful">Slaughterhouse-Five</a> (1972)<a class="footnote-ref" id="fnref:920" href="#fn:920">920</a></li>
<li><a href="/facts/The_Godfather/fHRPS1yq">The Godfather</a> (1972)<a class="footnote-ref" id="fnref:921" href="#fn:921">921</a><a class="footnote-ref" id="fnref:922" href="#fn:922">922</a><a class="footnote-ref" id="fnref:923" href="#fn:923">923</a><a class="footnote-ref" id="fnref:924" href="#fn:924">924</a><a class="footnote-ref" id="fnref:925" href="#fn:925">925</a><a class="footnote-ref" id="fnref:926" href="#fn:926">926</a><a class="footnote-ref" id="fnref:927" href="#fn:927">927</a><a class="footnote-ref" id="fnref:928" href="#fn:928">928</a>≈</li>
<li><a href="/facts/Super_Fly_(1972_film)/VyFnDxjY">Super Fly</a> (1972)<a class="footnote-ref" id="fnref:929" href="#fn:929">929</a>≈</li>
<li><a href="/facts/Junior_Bonner/swSAHBgA">Junior Bonner</a> (1972)<a class="footnote-ref" id="fnref:930" href="#fn:930">930</a></li>
<li><a href="/facts/Boxcar_Bertha/AtSI06kc">Boxcar Bertha</a> (1972)<a class="footnote-ref" id="fnref:931" href="#fn:931">931</a><a class="footnote-ref" id="fnref:932" href="#fn:932">932</a><a class="footnote-ref" id="fnref:933" href="#fn:933">933</a><a class="footnote-ref" id="fnref:934" href="#fn:934">934</a><a class="footnote-ref" id="fnref:935" href="#fn:935">935</a></li>
<li><a href="/facts/The_King_of_Marvin_Gardens/ocYGLy3I">The King of Marvin Gardens</a> (1972)<a class="footnote-ref" id="fnref:936" href="#fn:936">936</a><a class="footnote-ref" id="fnref:937" href="#fn:937">937</a><a class="footnote-ref" id="fnref:938" href="#fn:938">938</a><a class="footnote-ref" id="fnref:939" href="#fn:939">939</a><a class="footnote-ref" id="fnref:940" href="#fn:940">940</a><a class="footnote-ref" id="fnref:941" href="#fn:941">941</a><a class="footnote-ref" id="fnref:942" href="#fn:942">942</a></li>
<li><a href="/facts/What%2527s_Up%2c_Doc%253F_(1972_film)/5LGgBf5f">What's Up, Doc?</a> (1972)<a class="footnote-ref" id="fnref:943" href="#fn:943">943</a><a class="footnote-ref" id="fnref:944" href="#fn:944">944</a><a class="footnote-ref" id="fnref:945" href="#fn:945">945</a></li>
<li><a href="/facts/Hickey_%2526_Boggs/95Vyzqyo">Hickey & Boggs</a> (1972)<a class="footnote-ref" id="fnref:946" href="#fn:946">946</a><a class="footnote-ref" id="fnref:947" href="#fn:947">947</a></li>
<li><a href="/facts/Payday_(1972_film)/DztQ5s4j">Payday</a> (1972)<a class="footnote-ref" id="fnref:948" href="#fn:948">948</a><a class="footnote-ref" id="fnref:949" href="#fn:949">949</a></li>
<li><a href="/facts/Sounder_(film)/83gcz8cx">Sounder</a> (1972)<a class="footnote-ref" id="fnref:950" href="#fn:950">950</a>≈</li>
<li><a href="/facts/The_Candidate_(1972_film)/vIBIaWUl">The Candidate</a> (1972)<a class="footnote-ref" id="fnref:951" href="#fn:951">951</a><a class="footnote-ref" id="fnref:952" href="#fn:952">952</a></li>
<li><a href="/facts/Heavy_Traffic/FVYw1eb4">Heavy Traffic</a> (1973)<a class="footnote-ref" id="fnref:953" href="#fn:953">953</a></li>
<li><a href="/facts/American_Graffiti/HTdDBmCv">American Graffiti</a> (1973)<a class="footnote-ref" id="fnref:954" href="#fn:954">954</a><a class="footnote-ref" id="fnref:955" href="#fn:955">955</a><a class="footnote-ref" id="fnref:956" href="#fn:956">956</a><a class="footnote-ref" id="fnref:957" href="#fn:957">957</a><a class="footnote-ref" id="fnref:958" href="#fn:958">958</a><a class="footnote-ref" id="fnref:959" href="#fn:959">959</a>≈</li>
<li><a href="/facts/Badlands_(film)/M7VYIg5r">Badlands</a> (1973)<a class="footnote-ref" id="fnref:960" href="#fn:960">960</a><a class="footnote-ref" id="fnref:961" href="#fn:961">961</a><a class="footnote-ref" id="fnref:962" href="#fn:962">962</a><a class="footnote-ref" id="fnref:963" href="#fn:963">963</a><a class="footnote-ref" id="fnref:964" href="#fn:964">964</a>≈</li>
<li><a href="/facts/Dillinger_(1973_film)/gpqfLEYt">Dillinger</a> (1973)<a class="footnote-ref" id="fnref:965" href="#fn:965">965</a><a class="footnote-ref" id="fnref:966" href="#fn:966">966</a></li>
<li><a href="/facts/Emperor_of_the_North/IVY6n4KL">Emperor of the North</a> (1973)<a class="footnote-ref" id="fnref:967" href="#fn:967">967</a><a class="footnote-ref" id="fnref:968" href="#fn:968">968</a></li>
<li><a href="/facts/Westworld_(film)/tKFW1Q5L">Westworld</a> (1973)<a class="footnote-ref" id="fnref:969" href="#fn:969">969</a></li>
<li><a href="/facts/The_Friends_of_Eddie_Coyle/LWsX4NUg">The Friends of Eddie Coyle</a> (1973)<a class="footnote-ref" id="fnref:970" href="#fn:970">970</a><a class="footnote-ref" id="fnref:971" href="#fn:971">971</a></li>
<li><a href="/facts/The_Long_Goodbye_(film)/MLbfuHBI">The Long Goodbye</a> (1973)<a class="footnote-ref" id="fnref:972" href="#fn:972">972</a><a class="footnote-ref" id="fnref:973" href="#fn:973">973</a><a class="footnote-ref" id="fnref:974" href="#fn:974">974</a><a class="footnote-ref" id="fnref:975" href="#fn:975">975</a>≈</li>
<li><a href="/facts/The_Last_Detail/ka6q7bsM">The Last Detail</a> (1973)<a class="footnote-ref" id="fnref:976" href="#fn:976">976</a><a class="footnote-ref" id="fnref:977" href="#fn:977">977</a><a class="footnote-ref" id="fnref:978" href="#fn:978">978</a><a class="footnote-ref" id="fnref:979" href="#fn:979">979</a></li>
<li><a href="/facts/Mean_Streets/G0ano3EY">Mean Streets</a> (1973)<a class="footnote-ref" id="fnref:980" href="#fn:980">980</a><a class="footnote-ref" id="fnref:981" href="#fn:981">981</a><a class="footnote-ref" id="fnref:982" href="#fn:982">982</a><a class="footnote-ref" id="fnref:983" href="#fn:983">983</a><a class="footnote-ref" id="fnref:984" href="#fn:984">984</a><a class="footnote-ref" id="fnref:985" href="#fn:985">985</a>≈</li>
<li><a href="/facts/Paper_Moon_(film)/stPmBcam">Paper Moon</a> (1973)<a class="footnote-ref" id="fnref:986" href="#fn:986">986</a><a class="footnote-ref" id="fnref:987" href="#fn:987">987</a><a class="footnote-ref" id="fnref:988" href="#fn:988">988</a><a class="footnote-ref" id="fnref:989" href="#fn:989">989</a></li>
<li><a href="/facts/Charley_Varrick/JVTVYgTv">Charley Varrick</a> (1973)<a class="footnote-ref" id="fnref:990" href="#fn:990">990</a></li>
<li><a href="/facts/The_Last_American_Hero/BAWoJVtA">The Last American Hero</a> (1973)<a class="footnote-ref" id="fnref:991" href="#fn:991">991</a></li>
<li><a href="/facts/Blume_in_Love/xbcFCkbv">Blume in Love</a> (1973)<a class="footnote-ref" id="fnref:992" href="#fn:992">992</a></li>
<li><a href="/facts/Pat_Garrett_and_Billy_the_Kid/CyAVEKm2">Pat Garrett and Billy the Kid</a> (1973)<a class="footnote-ref" id="fnref:993" href="#fn:993">993</a></li>
<li><a href="/facts/Breezy/rND1GUB6">Breezy</a> (1973)<a class="footnote-ref" id="fnref:994" href="#fn:994">994</a><a class="footnote-ref" id="fnref:995" href="#fn:995">995</a></li>
<li><a href="/facts/Serpico/Kk6vblfk">Serpico</a> (1973)<a class="footnote-ref" id="fnref:996" href="#fn:996">996</a><a class="footnote-ref" id="fnref:997" href="#fn:997">997</a><a class="footnote-ref" id="fnref:998" href="#fn:998">998</a><a class="footnote-ref" id="fnref:999" href="#fn:999">999</a></li>
<li><a href="/facts/Sisters_(1973_film)/jAS0lGgz">Sisters</a> (1973)<a class="footnote-ref" id="fnref:1000" href="#fn:1000">1000</a><a class="footnote-ref" id="fnref:1001" href="#fn:1001">1001</a><a class="footnote-ref" id="fnref:1002" href="#fn:1002">1002</a></li>
<li><a href="/facts/Save_the_Tiger/mxkkGLru">Save the Tiger</a> (1973)<a class="footnote-ref" id="fnref:1003" href="#fn:1003">1003</a></li>
<li><a href="/facts/Sleeper_(1973_film)/Rx9rnhAI">Sleeper</a> (1973)<a class="footnote-ref" id="fnref:1004" href="#fn:1004">1004</a><a class="footnote-ref" id="fnref:1005" href="#fn:1005">1005</a></li>
<li><a href="/facts/The_Exorcist_(film)/1dXactIJ">The Exorcist</a> (1973)<a class="footnote-ref" id="fnref:1006" href="#fn:1006">1006</a><a class="footnote-ref" id="fnref:1007" href="#fn:1007">1007</a><a class="footnote-ref" id="fnref:1008" href="#fn:1008">1008</a>≈</li>
<li><a href="/facts/Messiah_of_Evil/NerMJJcI">Messiah of Evil</a> (1973)<a class="footnote-ref" id="fnref:1009" href="#fn:1009">1009</a></li>
<li><a href="/facts/The_Way_We_Were/kvSEh7VA">The Way We Were</a> (1973)<a class="footnote-ref" id="fnref:1010" href="#fn:1010">1010</a></li>
<li><a href="/facts/Scarecrow_(1973_film)/8u73JnhP">Scarecrow</a> (1973)<a class="footnote-ref" id="fnref:1011" href="#fn:1011">1011</a></li>
<li><a href="/facts/The_Sting/gWezn6yw">The Sting</a> (1973)<a class="footnote-ref" id="fnref:1012" href="#fn:1012">1012</a><a class="footnote-ref" id="fnref:1013" href="#fn:1013">1013</a><a class="footnote-ref" id="fnref:1014" href="#fn:1014">1014</a><a class="footnote-ref" id="fnref:1015" href="#fn:1015">1015</a><a class="footnote-ref" id="fnref:1016" href="#fn:1016">1016</a>≈</li>
<li><a href="/facts/Electra_Glide_in_Blue/bXFhpVeI">Electra Glide in Blue</a> (1973)<a class="footnote-ref" id="fnref:1017" href="#fn:1017">1017</a><a class="footnote-ref" id="fnref:1018" href="#fn:1018">1018</a><a class="footnote-ref" id="fnref:1019" href="#fn:1019">1019</a></li>
<li><a href="/facts/Claudine_(film)/tQt6TPBl">Claudine</a> (1974)<a class="footnote-ref" id="fnref:1020" href="#fn:1020">1020</a><a class="footnote-ref" id="fnref:1021" href="#fn:1021">1021</a></li>
<li><a href="/facts/Foxy_Brown_(film)/KQcXRzGs">Foxy Brown</a> (1974)<a class="footnote-ref" id="fnref:1022" href="#fn:1022">1022</a></li>
<li><a href="/facts/Daisy_Miller_(film)/DuoTfY5y">Daisy Miller</a> (1974)<a class="footnote-ref" id="fnref:1023" href="#fn:1023">1023</a></li>
<li><a href="/facts/Alice_Doesn%2527t_Live_Here_Anymore/L7QSDAlA">Alice Doesn't Live Here Anymore</a> (1974)<a class="footnote-ref" id="fnref:1024" href="#fn:1024">1024</a><a class="footnote-ref" id="fnref:1025" href="#fn:1025">1025</a><a class="footnote-ref" id="fnref:1026" href="#fn:1026">1026</a></li>
<li><a href="/facts/Thieves_Like_Us_(film)/3D2sqtqq">Thieves Like Us</a> (1974)<a class="footnote-ref" id="fnref:1027" href="#fn:1027">1027</a><a class="footnote-ref" id="fnref:1028" href="#fn:1028">1028</a><a class="footnote-ref" id="fnref:1029" href="#fn:1029">1029</a></li>
<li><a href="/facts/Harry_and_Tonto/podUsPRo">Harry and Tonto</a> (1974)<a class="footnote-ref" id="fnref:1030" href="#fn:1030">1030</a></li>
<li><a href="/facts/Bring_Me_the_Head_of_Alfredo_Garcia/hLBX9dQ8">Bring Me the Head of Alfredo Garcia</a> (1974)<a class="footnote-ref" id="fnref:1031" href="#fn:1031">1031</a></li>
<li><a href="/facts/Dark_Star_(film)/35LeUYjF">Dark Star</a> (1974)<a class="footnote-ref" id="fnref:1032" href="#fn:1032">1032</a><a class="footnote-ref" id="fnref:1033" href="#fn:1033">1033</a><a class="footnote-ref" id="fnref:1034" href="#fn:1034">1034</a><a class="footnote-ref" id="fnref:1035" href="#fn:1035">1035</a></li>
<li><a href="/facts/California_Split/0AkQ0jpL">California Split</a> (1974)<a class="footnote-ref" id="fnref:1036" href="#fn:1036">1036</a><a class="footnote-ref" id="fnref:1037" href="#fn:1037">1037</a><a class="footnote-ref" id="fnref:1038" href="#fn:1038">1038</a><a class="footnote-ref" id="fnref:1039" href="#fn:1039">1039</a><a class="footnote-ref" id="fnref:1040" href="#fn:1040">1040</a></li>
<li><a href="/facts/Chinatown_(1974_film)/glUxfs49">Chinatown</a> (1974)<a class="footnote-ref" id="fnref:1041" href="#fn:1041">1041</a><a class="footnote-ref" id="fnref:1042" href="#fn:1042">1042</a><a class="footnote-ref" id="fnref:1043" href="#fn:1043">1043</a><a class="footnote-ref" id="fnref:1044" href="#fn:1044">1044</a><a class="footnote-ref" id="fnref:1045" href="#fn:1045">1045</a><a class="footnote-ref" id="fnref:1046" href="#fn:1046">1046</a><a class="footnote-ref" id="fnref:1047" href="#fn:1047">1047</a><a class="footnote-ref" id="fnref:1048" href="#fn:1048">1048</a>≈</li>
<li><a href="/facts/The_Yakuza/JV3MeWl9">The Yakuza</a> (1974)<a class="footnote-ref" id="fnref:1049" href="#fn:1049">1049</a></li>
<li><a href="/facts/The_Gambler_(1974_film)/H09uz5cM">The Gambler</a> (1974)<a class="footnote-ref" id="fnref:1050" href="#fn:1050">1050</a></li>
<li><a href="/facts/Phantom_of_the_Paradise/YCSTM5XM">Phantom of the Paradise</a> (1974)<a class="footnote-ref" id="fnref:1051" href="#fn:1051">1051</a></li>
<li><a href="/facts/The_Conversation/VRFgqyDJ">The Conversation</a> (1974)<a class="footnote-ref" id="fnref:1052" href="#fn:1052">1052</a><a class="footnote-ref" id="fnref:1053" href="#fn:1053">1053</a><a class="footnote-ref" id="fnref:1054" href="#fn:1054">1054</a><a class="footnote-ref" id="fnref:1055" href="#fn:1055">1055</a><a class="footnote-ref" id="fnref:1056" href="#fn:1056">1056</a><a class="footnote-ref" id="fnref:1057" href="#fn:1057">1057</a><a class="footnote-ref" id="fnref:1058" href="#fn:1058">1058</a>≈</li>
<li><a href="/facts/The_Godfather_Part_II/usejdXRM">The Godfather Part II</a> (1974)<a class="footnote-ref" id="fnref:1059" href="#fn:1059">1059</a><a class="footnote-ref" id="fnref:1060" href="#fn:1060">1060</a><a class="footnote-ref" id="fnref:1061" href="#fn:1061">1061</a>≈</li>
<li><a href="/facts/The_Sugarland_Express/lUaXenJj">The Sugarland Express</a> (1974)<a class="footnote-ref" id="fnref:1062" href="#fn:1062">1062</a><a class="footnote-ref" id="fnref:1063" href="#fn:1063">1063</a><a class="footnote-ref" id="fnref:1064" href="#fn:1064">1064</a><a class="footnote-ref" id="fnref:1065" href="#fn:1065">1065</a><a class="footnote-ref" id="fnref:1066" href="#fn:1066">1066</a></li>
<li><a href="/facts/The_Parallax_View/pNey5T67">The Parallax View</a> (1974)<a class="footnote-ref" id="fnref:1067" href="#fn:1067">1067</a><a class="footnote-ref" id="fnref:1068" href="#fn:1068">1068</a><a class="footnote-ref" id="fnref:1069" href="#fn:1069">1069</a><a class="footnote-ref" id="fnref:1070" href="#fn:1070">1070</a></li>
<li><a href="/facts/A_Woman_Under_the_Influence/gPHq4UpE">A Woman Under the Influence</a> (1974)<a class="footnote-ref" id="fnref:1071" href="#fn:1071">1071</a><a class="footnote-ref" id="fnref:1072" href="#fn:1072">1072</a><a class="footnote-ref" id="fnref:1073" href="#fn:1073">1073</a>≈</li>
<li><a href="/facts/The_Towering_Inferno/gujhR8N6">The Towering Inferno</a> (1974)<a class="footnote-ref" id="fnref:1074" href="#fn:1074">1074</a><a class="footnote-ref" id="fnref:1075" href="#fn:1075">1075</a></li>
<li><a href="/facts/Blazing_Saddles/5A381AUv">Blazing Saddles</a> (1974)<a class="footnote-ref" id="fnref:1076" href="#fn:1076">1076</a><a class="footnote-ref" id="fnref:1077" href="#fn:1077">1077</a><a class="footnote-ref" id="fnref:1078" href="#fn:1078">1078</a>≈</li>
<li><a href="/facts/Young_Frankenstein/MW8IpWU4">Young Frankenstein</a> (1974)<a class="footnote-ref" id="fnref:1079" href="#fn:1079">1079</a><a class="footnote-ref" id="fnref:1080" href="#fn:1080">1080</a>≈</li>
<li><a href="/facts/Hearts_and_Minds_(film)/fBwSFgb9">Hearts and Minds</a> (1974)<a class="footnote-ref" id="fnref:1081" href="#fn:1081">1081</a><a class="footnote-ref" id="fnref:1082" href="#fn:1082">1082</a><a class="footnote-ref" id="fnref:1083" href="#fn:1083">1083</a>≈</li>
<li><a href="/facts/The_Texas_Chain_Saw_Massacre/zrUrf4BN">The Texas Chain Saw Massacre</a> (1974)<a class="footnote-ref" id="fnref:1084" href="#fn:1084">1084</a><a class="footnote-ref" id="fnref:1085" href="#fn:1085">1085</a>≈</li>
<li><a href="/facts/Caged_Heat/3frbKIgF">Caged Heat</a> (1974)<a class="footnote-ref" id="fnref:1086" href="#fn:1086">1086</a></li>
<li><a href="/facts/Death_Wish_(1974_film)/k3TXGQBv">Death Wish</a> (1974)<a class="footnote-ref" id="fnref:1087" href="#fn:1087">1087</a><a class="footnote-ref" id="fnref:1088" href="#fn:1088">1088</a><a class="footnote-ref" id="fnref:1089" href="#fn:1089">1089</a></li>
<li><a href="/facts/Lenny_(film)/mYSazMuq">Lenny</a> (1974)<a class="footnote-ref" id="fnref:1090" href="#fn:1090">1090</a><a class="footnote-ref" id="fnref:1091" href="#fn:1091">1091</a><a class="footnote-ref" id="fnref:1092" href="#fn:1092">1092</a><a class="footnote-ref" id="fnref:1093" href="#fn:1093">1093</a></li>
<li><a href="/facts/Freebie_and_the_Bean/sm4LmGIe">Freebie and the Bean</a> (1974)<a class="footnote-ref" id="fnref:1094" href="#fn:1094">1094</a></li>
<li><a href="/facts/The_Taking_of_Pelham_One_Two_Three_(1974_film)/h67eqU1E">The Taking of Pelham One Two Three</a> (1974)<a class="footnote-ref" id="fnref:1095" href="#fn:1095">1095</a></li>
<li><a href="/facts/Thunderbolt_and_Lightfoot/a9h4oeM9">Thunderbolt and Lightfoot</a> (1974)<a class="footnote-ref" id="fnref:1096" href="#fn:1096">1096</a></li>
<li><a href="/facts/Hester_Street_(film)/DsoQl25b">Hester Street</a> (1975)<a class="footnote-ref" id="fnref:1097" href="#fn:1097">1097</a><a class="footnote-ref" id="fnref:1098" href="#fn:1098">1098</a><a class="footnote-ref" id="fnref:1099" href="#fn:1099">1099</a><a class="footnote-ref" id="fnref:1100" href="#fn:1100">1100</a>≈</li>
<li><a href="/facts/Aloha%2c_Bobby_and_Rose/DCa1peXM">Aloha, Bobby and Rose</a> (1975)<a class="footnote-ref" id="fnref:1101" href="#fn:1101">1101</a></li>
<li><a href="/facts/One_Flew_Over_the_Cuckoo%2527s_Nest_(film)/W6Kkl34U">One Flew Over the Cuckoo's Nest</a> (1975)<a class="footnote-ref" id="fnref:1102" href="#fn:1102">1102</a><a class="footnote-ref" id="fnref:1103" href="#fn:1103">1103</a><a class="footnote-ref" id="fnref:1104" href="#fn:1104">1104</a>≈</li>
<li><a href="/facts/Loose_Ends_(1975_film)/kdt4rdNg">Loose Ends</a> (1975)<a class="footnote-ref" id="fnref:1105" href="#fn:1105">1105</a></li>
<li><a href="/facts/Dog_Day_Afternoon/UHwVMYov">Dog Day Afternoon</a> (1975)<a class="footnote-ref" id="fnref:1106" href="#fn:1106">1106</a><a class="footnote-ref" id="fnref:1107" href="#fn:1107">1107</a><a class="footnote-ref" id="fnref:1108" href="#fn:1108">1108</a><a class="footnote-ref" id="fnref:1109" href="#fn:1109">1109</a><a class="footnote-ref" id="fnref:1110" href="#fn:1110">1110</a><a class="footnote-ref" id="fnref:1111" href="#fn:1111">1111</a><a class="footnote-ref" id="fnref:1112" href="#fn:1112">1112</a>≈</li>
<li><a href="/facts/Three_Days_of_the_Condor/eWtd1GHD">Three Days of the Condor</a> (1975)<a class="footnote-ref" id="fnref:1113" href="#fn:1113">1113</a><a class="footnote-ref" id="fnref:1114" href="#fn:1114">1114</a><a class="footnote-ref" id="fnref:1115" href="#fn:1115">1115</a><a class="footnote-ref" id="fnref:1116" href="#fn:1116">1116</a></li>
<li><a href="/facts/The_Eiger_Sanction_(film)/pI7tC05K">The Eiger Sanction</a> (1975)<a class="footnote-ref" id="fnref:1117" href="#fn:1117">1117</a></li>
<li><a href="/facts/Rafferty_and_the_Gold_Dust_Twins/KpE8rwRd">Rafferty and the Gold Dust Twins</a> (1975)<a class="footnote-ref" id="fnref:1118" href="#fn:1118">1118</a></li>
<li><a href="/facts/Jaws_(film)/Pss43naz">Jaws</a> (1975)<a class="footnote-ref" id="fnref:1119" href="#fn:1119">1119</a><a class="footnote-ref" id="fnref:1120" href="#fn:1120">1120</a><a class="footnote-ref" id="fnref:1121" href="#fn:1121">1121</a><a class="footnote-ref" id="fnref:1122" href="#fn:1122">1122</a><a class="footnote-ref" id="fnref:1123" href="#fn:1123">1123</a><a class="footnote-ref" id="fnref:1124" href="#fn:1124">1124</a><a class="footnote-ref" id="fnref:1125" href="#fn:1125">1125</a><a class="footnote-ref" id="fnref:1126" href="#fn:1126">1126</a><a class="footnote-ref" id="fnref:1127" href="#fn:1127">1127</a>≈</li>
<li><a href="/facts/Nashville_(film)/cvrhkgPq">Nashville</a> (1975)<a class="footnote-ref" id="fnref:1128" href="#fn:1128">1128</a><a class="footnote-ref" id="fnref:1129" href="#fn:1129">1129</a><a class="footnote-ref" id="fnref:1130" href="#fn:1130">1130</a>≈</li>
<li><a href="/facts/Smile_(1975_film)/EFEdYxbo">Smile</a> (1975)<a class="footnote-ref" id="fnref:1131" href="#fn:1131">1131</a><a class="footnote-ref" id="fnref:1132" href="#fn:1132">1132</a></li>
<li><a href="/facts/Night_Moves_(1975_film)/8d3GMdtp">Night Moves</a> (1975)<a class="footnote-ref" id="fnref:1133" href="#fn:1133">1133</a><a class="footnote-ref" id="fnref:1134" href="#fn:1134">1134</a><a class="footnote-ref" id="fnref:1135" href="#fn:1135">1135</a><a class="footnote-ref" id="fnref:1136" href="#fn:1136">1136</a></li>
<li><a href="/facts/Shampoo_(film)/0NLK8UII">Shampoo</a> (1975)<a class="footnote-ref" id="fnref:1137" href="#fn:1137">1137</a><a class="footnote-ref" id="fnref:1138" href="#fn:1138">1138</a><a class="footnote-ref" id="fnref:1139" href="#fn:1139">1139</a></li>
<li><a href="/facts/Hard_Times_(1975_film)/bucpWagK">Hard Times</a> (1975)<a class="footnote-ref" id="fnref:1140" href="#fn:1140">1140</a><a class="footnote-ref" id="fnref:1141" href="#fn:1141">1141</a><a class="footnote-ref" id="fnref:1142" href="#fn:1142">1142</a></li>
<li><a href="/facts/The_Day_of_the_Locust_(film)/ldkpT6DG">The Day of the Locust</a> (1975)<a class="footnote-ref" id="fnref:1143" href="#fn:1143">1143</a><a class="footnote-ref" id="fnref:1144" href="#fn:1144">1144</a><a class="footnote-ref" id="fnref:1145" href="#fn:1145">1145</a><a class="footnote-ref" id="fnref:1146" href="#fn:1146">1146</a></li>
<li><a href="/facts/Barry_Lyndon/9R5YgskX">Barry Lyndon</a> (1975)<a class="footnote-ref" id="fnref:1147" href="#fn:1147">1147</a><a class="footnote-ref" id="fnref:1148" href="#fn:1148">1148</a><a class="footnote-ref" id="fnref:1149" href="#fn:1149">1149</a></li>
<li><a href="/facts/The_Wind_and_the_Lion/rQ9xMJMQ">The Wind and the Lion</a> (1975)<a class="footnote-ref" id="fnref:1150" href="#fn:1150">1150</a></li>
<li><a href="/facts/At_Long_Last_Love/bLfq2yaS">At Long Last Love</a> (1975)<a class="footnote-ref" id="fnref:1151" href="#fn:1151">1151</a><a class="footnote-ref" id="fnref:1152" href="#fn:1152">1152</a></li>
<li><a href="/facts/Leadbelly_(film)/wXPLfUcC">Leadbelly</a> (1976)<a class="footnote-ref" id="fnref:1153" href="#fn:1153">1153</a></li>
<li><a href="/facts/Harlan_County%2c_USA/mqhgW4nA">Harlan County, USA</a> (1976)<a class="footnote-ref" id="fnref:1154" href="#fn:1154">1154</a>≈</li>
<li><a href="/facts/Not_a_Pretty_Picture/npmtfsVN">Not a Pretty Picture</a> (1976)<a class="footnote-ref" id="fnref:1155" href="#fn:1155">1155</a></li>
<li><a href="/facts/The_Killing_of_a_Chinese_Bookie/8C1v8PHI">The Killing of a Chinese Bookie</a> (1976)<a class="footnote-ref" id="fnref:1156" href="#fn:1156">1156</a></li>
<li><a href="/facts/Mikey_and_Nicky/HnV0fK0c">Mikey and Nicky</a> (1976)<a class="footnote-ref" id="fnref:1157" href="#fn:1157">1157</a><a class="footnote-ref" id="fnref:1158" href="#fn:1158">1158</a><a class="footnote-ref" id="fnref:1159" href="#fn:1159">1159</a></li>
<li><a href="/facts/All_the_President%2527s_Men_(film)/ekETTdmL">All the President's Men</a> (1976)<a class="footnote-ref" id="fnref:1160" href="#fn:1160">1160</a><a class="footnote-ref" id="fnref:1161" href="#fn:1161">1161</a><a class="footnote-ref" id="fnref:1162" href="#fn:1162">1162</a><a class="footnote-ref" id="fnref:1163" href="#fn:1163">1163</a>≈</li>
<li><a href="/facts/Welcome_to_L.A./dPtV3nuI">Welcome to L.A.</a> (1976)<a class="footnote-ref" id="fnref:1164" href="#fn:1164">1164</a></li>
<li><a href="/facts/Next_Stop%2c_Greenwich_Village/EuWUxp3h">Next Stop, Greenwich Village</a> (1976)<a class="footnote-ref" id="fnref:1165" href="#fn:1165">1165</a><a class="footnote-ref" id="fnref:1166" href="#fn:1166">1166</a></li>
<li><a href="/facts/Carrie_(1976_film)/CeaMwfhL">Carrie</a> (1976)<a class="footnote-ref" id="fnref:1167" href="#fn:1167">1167</a><a class="footnote-ref" id="fnref:1168" href="#fn:1168">1168</a><a class="footnote-ref" id="fnref:1169" href="#fn:1169">1169</a><a class="footnote-ref" id="fnref:1170" href="#fn:1170">1170</a><a class="footnote-ref" id="fnref:1171" href="#fn:1171">1171</a><a class="footnote-ref" id="fnref:1172" href="#fn:1172">1172</a><a class="footnote-ref" id="fnref:1173" href="#fn:1173">1173</a>≈</li>
<li><a href="/facts/Obsession_(1976_film)/I6SE31tg">Obsession</a> (1976)<a class="footnote-ref" id="fnref:1174" href="#fn:1174">1174</a><a class="footnote-ref" id="fnref:1175" href="#fn:1175">1175</a><a class="footnote-ref" id="fnref:1176" href="#fn:1176">1176</a><a class="footnote-ref" id="fnref:1177" href="#fn:1177">1177</a></li>
<li><a href="/facts/The_Omen_(1976_film)/EuGphgot">The Omen</a> (1976)<a class="footnote-ref" id="fnref:1178" href="#fn:1178">1178</a><a class="footnote-ref" id="fnref:1179" href="#fn:1179">1179</a><a class="footnote-ref" id="fnref:1180" href="#fn:1180">1180</a></li>
<li><a href="/facts/The_Outlaw_Josey_Wales/1jdGpF9T">The Outlaw Josey Wales</a> (1976)<a class="footnote-ref" id="fnref:1181" href="#fn:1181">1181</a>≈</li>
<li><a href="/facts/God_Told_Me_To/uREKTkgh">God Told Me To</a> (1976)<a class="footnote-ref" id="fnref:1182" href="#fn:1182">1182</a></li>
<li><a href="/facts/Assault_on_Precinct_13_(1976_film)/bLVLDvYk">Assault on Precinct 13</a> (1976)<a class="footnote-ref" id="fnref:1183" href="#fn:1183">1183</a><a class="footnote-ref" id="fnref:1184" href="#fn:1184">1184</a><a class="footnote-ref" id="fnref:1185" href="#fn:1185">1185</a></li>
<li><a href="/facts/Network_(1976_film)/YwAXcCQm">Network</a> (1976)<a class="footnote-ref" id="fnref:1186" href="#fn:1186">1186</a><a class="footnote-ref" id="fnref:1187" href="#fn:1187">1187</a><a class="footnote-ref" id="fnref:1188" href="#fn:1188">1188</a><a class="footnote-ref" id="fnref:1189" href="#fn:1189">1189</a>≈</li>
<li><a href="/facts/Marathon_Man_(film)/ps4PDrGR">Marathon Man</a> (1976)<a class="footnote-ref" id="fnref:1190" href="#fn:1190">1190</a><a class="footnote-ref" id="fnref:1191" href="#fn:1191">1191</a></li>
<li><a href="/facts/Rocky/LNykCCBb">Rocky</a> (1976)<a class="footnote-ref" id="fnref:1192" href="#fn:1192">1192</a><a class="footnote-ref" id="fnref:1193" href="#fn:1193">1193</a><a class="footnote-ref" id="fnref:1194" href="#fn:1194">1194</a>≈</li>
<li><a href="/facts/Taxi_Driver/Hz2NJ3ge">Taxi Driver</a> (1976)<a class="footnote-ref" id="fnref:1195" href="#fn:1195">1195</a><a class="footnote-ref" id="fnref:1196" href="#fn:1196">1196</a><a class="footnote-ref" id="fnref:1197" href="#fn:1197">1197</a><a class="footnote-ref" id="fnref:1198" href="#fn:1198">1198</a><a class="footnote-ref" id="fnref:1199" href="#fn:1199">1199</a><a class="footnote-ref" id="fnref:1200" href="#fn:1200">1200</a>≈</li>
<li><a href="/facts/Buffalo_Bill_and_the_Indians/4yIFaFgH">Buffalo Bill and the Indians</a> (1976)<a class="footnote-ref" id="fnref:1201" href="#fn:1201">1201</a><a class="footnote-ref" id="fnref:1202" href="#fn:1202">1202</a><a class="footnote-ref" id="fnref:1203" href="#fn:1203">1203</a></li>
<li><a href="/facts/Bound_for_Glory_(1976_film)/eskkLuKD">Bound for Glory</a> (1976)<a class="footnote-ref" id="fnref:1204" href="#fn:1204">1204</a><a class="footnote-ref" id="fnref:1205" href="#fn:1205">1205</a><a class="footnote-ref" id="fnref:1206" href="#fn:1206">1206</a><a class="footnote-ref" id="fnref:1207" href="#fn:1207">1207</a></li>
<li><a href="/facts/Futureworld/PKKro9Cb">Futureworld</a> (1976)<a class="footnote-ref" id="fnref:1208" href="#fn:1208">1208</a></li>
<li><a href="/facts/The_Last_Tycoon_(1976_film)/RXRL8SFC">The Last Tycoon</a> (1976)<a class="footnote-ref" id="fnref:1209" href="#fn:1209">1209</a><a class="footnote-ref" id="fnref:1210" href="#fn:1210">1210</a></li>
<li><a href="/facts/Opening_Night_(1977_film)/rT8uUaEG">Opening Night</a> (1977)<a class="footnote-ref" id="fnref:1211" href="#fn:1211">1211</a></li>
<li><a href="/facts/Annie_Hall/ow31036N">Annie Hall</a> (1977)<a class="footnote-ref" id="fnref:1212" href="#fn:1212">1212</a><a class="footnote-ref" id="fnref:1213" href="#fn:1213">1213</a><a class="footnote-ref" id="fnref:1214" href="#fn:1214">1214</a>≈</li>
<li><a href="/facts/Close_Encounters_of_the_Third_Kind/oMQkVw6J">Close Encounters of the Third Kind</a> (1977)<a class="footnote-ref" id="fnref:1215" href="#fn:1215">1215</a><a class="footnote-ref" id="fnref:1216" href="#fn:1216">1216</a><a class="footnote-ref" id="fnref:1217" href="#fn:1217">1217</a>≈</li>
<li><a href="/facts/The_Private_Files_of_J._Edgar_Hoover/dYK3zs9J">The Private Files of J. Edgar Hoover</a> (1977)<a class="footnote-ref" id="fnref:1218" href="#fn:1218">1218</a></li>
<li><a href="/facts/Eraserhead/IEWYvxgf">Eraserhead</a> (1977)<a class="footnote-ref" id="fnref:1219" href="#fn:1219">1219</a><a class="footnote-ref" id="fnref:1220" href="#fn:1220">1220</a><a class="footnote-ref" id="fnref:1221" href="#fn:1221">1221</a>≈</li>
<li><a href="/facts/The_Hills_Have_Eyes_(1977)/Dg74EEpU">The Hills Have Eyes</a> (1977)<a class="footnote-ref" id="fnref:1222" href="#fn:1222">1222</a><a class="footnote-ref" id="fnref:1223" href="#fn:1223">1223</a></li>
<li><a href="/facts/The_Gauntlet_(film)/C5QCRnvo">The Gauntlet</a> (1977)<a class="footnote-ref" id="fnref:1224" href="#fn:1224">1224</a></li>
<li><a href="/facts/High_Anxiety/l8QUuDAt">High Anxiety</a> (1977)<a class="footnote-ref" id="fnref:1225" href="#fn:1225">1225</a></li>
<li> <a href="/facts/The_Late_Show_(film)/rbdDloaT">The Late Show</a> (1977)<a class="footnote-ref" id="fnref:1226" href="#fn:1226">1226</a><a class="footnote-ref" id="fnref:1227" href="#fn:1227">1227</a></li>
<li><a href="/facts/Handle_with_Care_(1977_film)/8awUURhW">Handle with Care</a> (1977)<a class="footnote-ref" id="fnref:1228" href="#fn:1228">1228</a><a class="footnote-ref" id="fnref:1229" href="#fn:1229">1229</a><a class="footnote-ref" id="fnref:1230" href="#fn:1230">1230</a></li>
<li><a href="/facts/Looking_for_Mr._Goodbar_(film)/UMfALtBH">Looking for Mr. Goodbar</a> (1977)<a class="footnote-ref" id="fnref:1231" href="#fn:1231">1231</a></li>
<li><a href="/facts/New_York%2c_New_York_(1977_film)/uP1a2cuF">New York, New York</a> (1977)<a class="footnote-ref" id="fnref:1232" href="#fn:1232">1232</a><a class="footnote-ref" id="fnref:1233" href="#fn:1233">1233</a><a class="footnote-ref" id="fnref:1234" href="#fn:1234">1234</a><a class="footnote-ref" id="fnref:1235" href="#fn:1235">1235</a><a class="footnote-ref" id="fnref:1236" href="#fn:1236">1236</a><a class="footnote-ref" id="fnref:1237" href="#fn:1237">1237</a></li>
<li><a href="/facts/Saturday_Night_Fever/0AqP8jBy">Saturday Night Fever</a> (1977)<a class="footnote-ref" id="fnref:1238" href="#fn:1238">1238</a><a class="footnote-ref" id="fnref:1239" href="#fn:1239">1239</a><a class="footnote-ref" id="fnref:1240" href="#fn:1240">1240</a><a class="footnote-ref" id="fnref:1241" href="#fn:1241">1241</a>≈</li>
<li><a href="/facts/Sorcerer_(film)/hK0q6zfw">Sorcerer</a> (1977)<a class="footnote-ref" id="fnref:1242" href="#fn:1242">1242</a><a class="footnote-ref" id="fnref:1243" href="#fn:1243">1243</a><a class="footnote-ref" id="fnref:1244" href="#fn:1244">1244</a><a class="footnote-ref" id="fnref:1245" href="#fn:1245">1245</a><a class="footnote-ref" id="fnref:1246" href="#fn:1246">1246</a><a class="footnote-ref" id="fnref:1247" href="#fn:1247">1247</a></li>
<li><a href="/facts/Star_Wars_(film)/J4eECtTN">Star Wars</a> (1977)<a class="footnote-ref" id="fnref:1248" href="#fn:1248">1248</a><a class="footnote-ref" id="fnref:1249" href="#fn:1249">1249</a><a class="footnote-ref" id="fnref:1250" href="#fn:1250">1250</a><a class="footnote-ref" id="fnref:1251" href="#fn:1251">1251</a><a class="footnote-ref" id="fnref:1252" href="#fn:1252">1252</a><a class="footnote-ref" id="fnref:1253" href="#fn:1253">1253</a><a class="footnote-ref" id="fnref:1254" href="#fn:1254">1254</a>≈</li>
<li><a href="/facts/3_Women/9VYaVdDm">3 Women</a> (1977)<a class="footnote-ref" id="fnref:1255" href="#fn:1255">1255</a><a class="footnote-ref" id="fnref:1256" href="#fn:1256">1256</a><a class="footnote-ref" id="fnref:1257" href="#fn:1257">1257</a><a class="footnote-ref" id="fnref:1258" href="#fn:1258">1258</a></li>
<li><a href="/facts/Girlfriends_(1978_film)/tQxKKH8Q">Girlfriends</a> (1978)<a class="footnote-ref" id="fnref:1259" href="#fn:1259">1259</a><a class="footnote-ref" id="fnref:1260" href="#fn:1260">1260</a>≈</li>
<li><a href="/facts/The_Wiz_(film)/xbyulyXt">The Wiz</a> (1978)<a class="footnote-ref" id="fnref:1261" href="#fn:1261">1261</a><a class="footnote-ref" id="fnref:1262" href="#fn:1262">1262</a></li>
<li><a href="/facts/American_Hot_Wax/A0ex1yUy">American Hot Wax</a> (1978)<a class="footnote-ref" id="fnref:1263" href="#fn:1263">1263</a></li>
<li><a href="/facts/An_Unmarried_Woman/Q1MRz5Al">An Unmarried Woman</a> (1978)<a class="footnote-ref" id="fnref:1264" href="#fn:1264">1264</a><a class="footnote-ref" id="fnref:1265" href="#fn:1265">1265</a></li>
<li><a href="/facts/Eyes_of_Laura_Mars/HuMWxCwG">Eyes of Laura Mars</a> (1978)<a class="footnote-ref" id="fnref:1266" href="#fn:1266">1266</a><a class="footnote-ref" id="fnref:1267" href="#fn:1267">1267</a></li>
<li><a href="/facts/Killer_of_Sheep/en8qHIWI">Killer of Sheep</a> (1978)<a class="footnote-ref" id="fnref:1268" href="#fn:1268">1268</a>≈</li>
<li><a href="/facts/Blue_Collar_(film)/J8S2FHBp">Blue Collar</a> (1978)<a class="footnote-ref" id="fnref:1269" href="#fn:1269">1269</a><a class="footnote-ref" id="fnref:1270" href="#fn:1270">1270</a><a class="footnote-ref" id="fnref:1271" href="#fn:1271">1271</a><a class="footnote-ref" id="fnref:1272" href="#fn:1272">1272</a></li>
<li><a href="/facts/Straight_Time/F8AB6pGn">Straight Time</a> (1978)<a class="footnote-ref" id="fnref:1273" href="#fn:1273">1273</a><a class="footnote-ref" id="fnref:1274" href="#fn:1274">1274</a><a class="footnote-ref" id="fnref:1275" href="#fn:1275">1275</a></li>
<li><a href="/facts/Superman_(1978_film)/bERknEUf">Superman</a> (1978)<a class="footnote-ref" id="fnref:1276" href="#fn:1276">1276</a><a class="footnote-ref" id="fnref:1277" href="#fn:1277">1277</a>≈</li>
<li><a href="/facts/Grease_(film)/KSQGTDdS">Grease</a> (1978)<a class="footnote-ref" id="fnref:1278" href="#fn:1278">1278</a><a class="footnote-ref" id="fnref:1279" href="#fn:1279">1279</a><a class="footnote-ref" id="fnref:1280" href="#fn:1280">1280</a>≈</li>
<li><a href="/facts/Days_of_Heaven/yHfMm1G3">Days of Heaven</a> (1978)<a class="footnote-ref" id="fnref:1281" href="#fn:1281">1281</a><a class="footnote-ref" id="fnref:1282" href="#fn:1282">1282</a><a class="footnote-ref" id="fnref:1283" href="#fn:1283">1283</a><a class="footnote-ref" id="fnref:1284" href="#fn:1284">1284</a><a class="footnote-ref" id="fnref:1285" href="#fn:1285">1285</a>≈</li>
<li><a href="/facts/Heaven_Can_Wait_(1978_film)/XJr3w6LK">Heaven Can Wait</a> (1978)<a class="footnote-ref" id="fnref:1286" href="#fn:1286">1286</a></li>
<li><a href="/facts/The_Deer_Hunter/7nUtbJJM">The Deer Hunter</a> (1978)<a class="footnote-ref" id="fnref:1287" href="#fn:1287">1287</a><a class="footnote-ref" id="fnref:1288" href="#fn:1288">1288</a><a class="footnote-ref" id="fnref:1289" href="#fn:1289">1289</a><a class="footnote-ref" id="fnref:1290" href="#fn:1290">1290</a>≈</li>
<li><a href="/facts/Coming_Home_(1978_film)/1bd9D9v0">Coming Home</a> (1978)<a class="footnote-ref" id="fnref:1291" href="#fn:1291">1291</a><a class="footnote-ref" id="fnref:1292" href="#fn:1292">1292</a><a class="footnote-ref" id="fnref:1293" href="#fn:1293">1293</a></li>
<li><a href="/facts/Interiors/CyPcrMgU">Interiors</a> (1978)<a class="footnote-ref" id="fnref:1294" href="#fn:1294">1294</a><a class="footnote-ref" id="fnref:1295" href="#fn:1295">1295</a></li>
<li><a href="/facts/Fingers_(1978_film)/K0oDgk8A">Fingers</a> (1978)<a class="footnote-ref" id="fnref:1296" href="#fn:1296">1296</a></li>
<li><a href="/facts/Invasion_of_the_Body_Snatchers_(1978_film)/jI8MLCBA">Invasion of the Body Snatchers</a> (1978)<a class="footnote-ref" id="fnref:1297" href="#fn:1297">1297</a></li>
<li><a href="/facts/National_Lampoon%2527s_Animal_House/hd28tK3l">National Lampoon's Animal House</a> (1978)<a class="footnote-ref" id="fnref:1298" href="#fn:1298">1298</a><a class="footnote-ref" id="fnref:1299" href="#fn:1299">1299</a>≈</li>
<li><a href="/facts/Coma_(1978_film)/Ae5BbBKQ">Coma</a> (1978)<a class="footnote-ref" id="fnref:1300" href="#fn:1300">1300</a></li>
<li><a href="/facts/Who%2527ll_Stop_the_Rain/dWaRWqgW">Who'll Stop the Rain</a> (1978)<a class="footnote-ref" id="fnref:1301" href="#fn:1301">1301</a><a class="footnote-ref" id="fnref:1302" href="#fn:1302">1302</a></li>
<li><a href="/facts/Convoy_(1978_film)/ak65AdVp">Convoy</a> (1978)<a class="footnote-ref" id="fnref:1303" href="#fn:1303">1303</a></li>
<li><a href="/facts/The_Driver/lRMP13PN">The Driver</a> (1978)<a class="footnote-ref" id="fnref:1304" href="#fn:1304">1304</a></li>
<li><a href="/facts/Dawn_of_the_Dead_(1978_film)/KjfL54R6">Dawn of the Dead</a> (1978)<a class="footnote-ref" id="fnref:1305" href="#fn:1305">1305</a></li>
<li><a href="/facts/Halloween_(1978_film)/nK1zqx3R">Halloween</a> (1978)<a class="footnote-ref" id="fnref:1306" href="#fn:1306">1306</a><a class="footnote-ref" id="fnref:1307" href="#fn:1307">1307</a><a class="footnote-ref" id="fnref:1308" href="#fn:1308">1308</a><a class="footnote-ref" id="fnref:1309" href="#fn:1309">1309</a><a class="footnote-ref" id="fnref:1310" href="#fn:1310">1310</a>≈</li>
<li><a href="/facts/Chilly_Scenes_of_Winter_(film)/97Q3JcyX">Chilly Scenes of Winter</a> (1979)<a class="footnote-ref" id="fnref:1311" href="#fn:1311">1311</a><a class="footnote-ref" id="fnref:1312" href="#fn:1312">1312</a></li>
<li><a href="/facts/Alien_(film)/TyTdD8TR">Alien</a> (1979)<a class="footnote-ref" id="fnref:1313" href="#fn:1313">1313</a><a class="footnote-ref" id="fnref:1314" href="#fn:1314">1314</a><a class="footnote-ref" id="fnref:1315" href="#fn:1315">1315</a><a class="footnote-ref" id="fnref:1316" href="#fn:1316">1316</a>≈</li>
<li><a href="/facts/All_That_Jazz_(film)/hY8I5che">All That Jazz</a> (1979)<a class="footnote-ref" id="fnref:1317" href="#fn:1317">1317</a><a class="footnote-ref" id="fnref:1318" href="#fn:1318">1318</a><a class="footnote-ref" id="fnref:1319" href="#fn:1319">1319</a>≈</li>
<li><a href="/facts/Hardcore_(1979_film)/QrwFIDyd">Hardcore</a> (1979)<a class="footnote-ref" id="fnref:1320" href="#fn:1320">1320</a><a class="footnote-ref" id="fnref:1321" href="#fn:1321">1321</a><a class="footnote-ref" id="fnref:1322" href="#fn:1322">1322</a></li>
<li><a href="/facts/Apocalypse_Now/DNwyjfxf">Apocalypse Now</a> (1979)<a class="footnote-ref" id="fnref:1323" href="#fn:1323">1323</a><a class="footnote-ref" id="fnref:1324" href="#fn:1324">1324</a><a class="footnote-ref" id="fnref:1325" href="#fn:1325">1325</a><a class="footnote-ref" id="fnref:1326" href="#fn:1326">1326</a><a class="footnote-ref" id="fnref:1327" href="#fn:1327">1327</a><a class="footnote-ref" id="fnref:1328" href="#fn:1328">1328</a>≈</li>
<li><a href="/facts/Being_There/MSvg071K">Being There</a> (1979)<a class="footnote-ref" id="fnref:1329" href="#fn:1329">1329</a><a class="footnote-ref" id="fnref:1330" href="#fn:1330">1330</a>≈</li>
<li><a href="/facts/Real_Life_(1979_film)/jatrQl6U">Real Life</a> (1979)<a class="footnote-ref" id="fnref:1331" href="#fn:1331">1331</a></li>
<li><a href="/facts/The_China_Syndrome/pF5UgKrJ">The China Syndrome</a> (1979)<a class="footnote-ref" id="fnref:1332" href="#fn:1332">1332</a><a class="footnote-ref" id="fnref:1333" href="#fn:1333">1333</a></li>
<li><a href="/facts/Norma_Rae/UbdW6sCh">Norma Rae</a> (1979)<a class="footnote-ref" id="fnref:1334" href="#fn:1334">1334</a><a class="footnote-ref" id="fnref:1335" href="#fn:1335">1335</a>≈</li>
<li><a href="/facts/Kramer_vs._Kramer/VrlzUlRo">Kramer vs. Kramer</a> (1979)<a class="footnote-ref" id="fnref:1336" href="#fn:1336">1336</a><a class="footnote-ref" id="fnref:1337" href="#fn:1337">1337</a><a class="footnote-ref" id="fnref:1338" href="#fn:1338">1338</a></li>
<li><a href="/facts/Manhattan_(1979_film)/DU8QHpdo">Manhattan</a> (1979)<a class="footnote-ref" id="fnref:1339" href="#fn:1339">1339</a><a class="footnote-ref" id="fnref:1340" href="#fn:1340">1340</a><a class="footnote-ref" id="fnref:1341" href="#fn:1341">1341</a>≈</li>
<li><a href="/facts/Wise_Blood_(film)/wyBtNrrB">Wise Blood</a> (1979)<a class="footnote-ref" id="fnref:1342" href="#fn:1342">1342</a></li>
<li><a href="/facts/The_Warriors_(film)/T2ryLA43">The Warriors</a> (1979)<a class="footnote-ref" id="fnref:1343" href="#fn:1343">1343</a><a class="footnote-ref" id="fnref:1344" href="#fn:1344">1344</a></li>
<li><a href="/facts/Over_the_Edge_(film)/D4Pfbld8">Over the Edge</a> (1979)<a class="footnote-ref" id="fnref:1345" href="#fn:1345">1345</a></li>
<li><a href="/facts/Bush_Mama/PNygpSpv">Bush Mama</a> (1979)<a class="footnote-ref" id="fnref:1346" href="#fn:1346">1346</a>≈</li>
<li><a href="/facts/1941_(film)/15Blmn0K">1941</a> (1979)<a class="footnote-ref" id="fnref:1347" href="#fn:1347">1347</a><a class="footnote-ref" id="fnref:1348" href="#fn:1348">1348</a><a class="footnote-ref" id="fnref:1349" href="#fn:1349">1349</a></li>
<li><a href="/facts/Gloria_(1980_film)/wXvnHVu6">Gloria</a> (1980)<a class="footnote-ref" id="fnref:1350" href="#fn:1350">1350</a><a class="footnote-ref" id="fnref:1351" href="#fn:1351">1351</a></li>
<li><a href="/facts/Melvin_and_Howard/dr4ybzw3">Melvin and Howard</a> (1980)<a class="footnote-ref" id="fnref:1352" href="#fn:1352">1352</a><a class="footnote-ref" id="fnref:1353" href="#fn:1353">1353</a></li>
<li><a href="/facts/The_Shining_(film)/hWWURJTo">The Shining</a> (1980)<a class="footnote-ref" id="fnref:1354" href="#fn:1354">1354</a><a class="footnote-ref" id="fnref:1355" href="#fn:1355">1355</a><a class="footnote-ref" id="fnref:1356" href="#fn:1356">1356</a><a class="footnote-ref" id="fnref:1357" href="#fn:1357">1357</a><a class="footnote-ref" id="fnref:1358" href="#fn:1358">1358</a><a class="footnote-ref" id="fnref:1359" href="#fn:1359">1359</a>≈</li>
<li><a href="/facts/Popeye_(1980_film)/QKsUWVYn">Popeye</a> (1980)<a class="footnote-ref" id="fnref:1360" href="#fn:1360">1360</a><a class="footnote-ref" id="fnref:1361" href="#fn:1361">1361</a></li>
<li><a href="/facts/Bronco_Billy/yy8v9914">Bronco Billy</a> (1980)<a class="footnote-ref" id="fnref:1362" href="#fn:1362">1362</a></li>
<li><a href="/facts/Raging_Bull/U3luKIB3">Raging Bull</a> (1980)<a class="footnote-ref" id="fnref:1363" href="#fn:1363">1363</a><a class="footnote-ref" id="fnref:1364" href="#fn:1364">1364</a><a class="footnote-ref" id="fnref:1365" href="#fn:1365">1365</a>≈</li>
<li><a href="/facts/The_Empire_Strikes_Back/adwNrWTT">The Empire Strikes Back</a> (1980)<a class="footnote-ref" id="fnref:1366" href="#fn:1366">1366</a><a class="footnote-ref" id="fnref:1367" href="#fn:1367">1367</a><a class="footnote-ref" id="fnref:1368" href="#fn:1368">1368</a>≈</li>
<li><a href="/facts/American_Gigolo/GJBw7Kyb">American Gigolo</a> (1980)<a class="footnote-ref" id="fnref:1369" href="#fn:1369">1369</a><a class="footnote-ref" id="fnref:1370" href="#fn:1370">1370</a></li>
<li><a href="/facts/Cruising_(film)/k8Hy7PAo">Cruising</a> (1980)<a class="footnote-ref" id="fnref:1371" href="#fn:1371">1371</a><a class="footnote-ref" id="fnref:1372" href="#fn:1372">1372</a><a class="footnote-ref" id="fnref:1373" href="#fn:1373">1373</a><a class="footnote-ref" id="fnref:1374" href="#fn:1374">1374</a></li>
<li><a href="/facts/Dressed_to_Kill_(1980_film)/wxaFsA1M">Dressed to Kill</a> (1980)<a class="footnote-ref" id="fnref:1375" href="#fn:1375">1375</a><a class="footnote-ref" id="fnref:1376" href="#fn:1376">1376</a><a class="footnote-ref" id="fnref:1377" href="#fn:1377">1377</a></li>
<li><a href="/facts/Brubaker/nxMYj71w">Brubaker</a> (1980)<a class="footnote-ref" id="fnref:1378" href="#fn:1378">1378</a></li>
<li><a href="/facts/Urban_Cowboy/SEnfu8KC">Urban Cowboy</a> (1980)<a class="footnote-ref" id="fnref:1379" href="#fn:1379">1379</a></li>
<li><a href="/facts/Airplane!/R10R4YvA">Airplane!</a> (1980)<a class="footnote-ref" id="fnref:1380" href="#fn:1380">1380</a><a class="footnote-ref" id="fnref:1381" href="#fn:1381">1381</a>≈</li>
<li><a href="/facts/Stardust_Memories/IWTsWN77">Stardust Memories</a> (1980)<a class="footnote-ref" id="fnref:1382" href="#fn:1382">1382</a><a class="footnote-ref" id="fnref:1383" href="#fn:1383">1383</a><a class="footnote-ref" id="fnref:1384" href="#fn:1384">1384</a></li>
<li><a href="/facts/Heaven%2527s_Gate_(film)/YWzL8TAd">Heaven's Gate</a> (1980)<a class="footnote-ref" id="fnref:1385" href="#fn:1385">1385</a><a class="footnote-ref" id="fnref:1386" href="#fn:1386">1386</a><a class="footnote-ref" id="fnref:1387" href="#fn:1387">1387</a><a class="footnote-ref" id="fnref:1388" href="#fn:1388">1388</a><a class="footnote-ref" id="fnref:1389" href="#fn:1389">1389</a><a class="footnote-ref" id="fnref:1390" href="#fn:1390">1390</a><a class="footnote-ref" id="fnref:1391" href="#fn:1391">1391</a></li>
<li><a href="/facts/Blow_Out/Wde37o1D">Blow Out</a> (1981)<a class="footnote-ref" id="fnref:1392" href="#fn:1392">1392</a><a class="footnote-ref" id="fnref:1393" href="#fn:1393">1393</a><a class="footnote-ref" id="fnref:1394" href="#fn:1394">1394</a><a class="footnote-ref" id="fnref:1395" href="#fn:1395">1395</a><a class="footnote-ref" id="fnref:1396" href="#fn:1396">1396</a></li>
<li><a href="/facts/Raiders_of_the_Lost_Ark/yTPq7cJ5">Raiders of the Lost Ark</a> (1981)<a class="footnote-ref" id="fnref:1397" href="#fn:1397">1397</a><a class="footnote-ref" id="fnref:1398" href="#fn:1398">1398</a><a class="footnote-ref" id="fnref:1399" href="#fn:1399">1399</a><a class="footnote-ref" id="fnref:1400" href="#fn:1400">1400</a><a class="footnote-ref" id="fnref:1401" href="#fn:1401">1401</a>≈</li>
<li><a href="/facts/Cutter%2527s_Way/qyC2RIHu">Cutter's Way</a> (1981)<a class="footnote-ref" id="fnref:1402" href="#fn:1402">1402</a><a class="footnote-ref" id="fnref:1403" href="#fn:1403">1403</a></li>
<li><a href="/facts/Escape_from_New_York/WFfwFE1G">Escape from New York</a> (1981)<a class="footnote-ref" id="fnref:1404" href="#fn:1404">1404</a></li>
<li><a href="/facts/Reds_(film)/MYd3V3BA">Reds</a> (1981)<a class="footnote-ref" id="fnref:1405" href="#fn:1405">1405</a><a class="footnote-ref" id="fnref:1406" href="#fn:1406">1406</a></li>
<li><a href="/facts/They_All_Laughed/tdtEyMGv">They All Laughed</a> (1981)<a class="footnote-ref" id="fnref:1407" href="#fn:1407">1407</a></li>
<li><a href="/facts/Thief_(1981_film)/hP06LXaY">Thief</a> (1981)<a class="footnote-ref" id="fnref:1408" href="#fn:1408">1408</a><a class="footnote-ref" id="fnref:1409" href="#fn:1409">1409</a></li>
<li><a href="/facts/The_Postman_Always_Rings_Twice_(1981_film)/UJv2JAmm">The Postman Always Rings Twice</a> (1981)<a class="footnote-ref" id="fnref:1410" href="#fn:1410">1410</a></li>
<li><a href="/facts/Losing_Ground_(1982_film)/lraae8a7">Losing Ground</a> (1982)<a class="footnote-ref" id="fnref:1411" href="#fn:1411">1411</a>≈</li>
<li><a href="/facts/The_Thing_(1982_film)/8IfnygM5">The Thing</a> (1982)<a class="footnote-ref" id="fnref:1412" href="#fn:1412">1412</a><a class="footnote-ref" id="fnref:1413" href="#fn:1413">1413</a></li>
<li><a href="/facts/Blade_Runner/Fycnw6Lu">Blade Runner</a> (1982)<a class="footnote-ref" id="fnref:1414" href="#fn:1414">1414</a><a class="footnote-ref" id="fnref:1415" href="#fn:1415">1415</a>≈</li>
<li><a href="/facts/Cat_People_(1982_film)/hg2I83aA">Cat People</a> (1982)<a class="footnote-ref" id="fnref:1416" href="#fn:1416">1416</a></li>
<li><a href="/facts/E.T._the_Extra-Terrestrial/1lWvmFAh">E.T. the Extra-Terrestrial</a> (1982)<a class="footnote-ref" id="fnref:1417" href="#fn:1417">1417</a><a class="footnote-ref" id="fnref:1418" href="#fn:1418">1418</a><a class="footnote-ref" id="fnref:1419" href="#fn:1419">1419</a>≈</li>
<li><a href="/facts/First_Blood/8nFU0YlC">First Blood</a> (1982)<a class="footnote-ref" id="fnref:1420" href="#fn:1420">1420</a></li>
<li><a href="/facts/One_from_the_Heart/byBP8waT">One from the Heart</a> (1982)<a class="footnote-ref" id="fnref:1421" href="#fn:1421">1421</a><a class="footnote-ref" id="fnref:1422" href="#fn:1422">1422</a><a class="footnote-ref" id="fnref:1423" href="#fn:1423">1423</a><a class="footnote-ref" id="fnref:1424" href="#fn:1424">1424</a><a class="footnote-ref" id="fnref:1425" href="#fn:1425">1425</a><a class="footnote-ref" id="fnref:1426" href="#fn:1426">1426</a></li>
<li><a href="/facts/The_King_of_Comedy_(film)/4rC4BNMa">The King of Comedy</a> (1982)<a class="footnote-ref" id="fnref:1427" href="#fn:1427">1427</a><a class="footnote-ref" id="fnref:1428" href="#fn:1428">1428</a><a class="footnote-ref" id="fnref:1429" href="#fn:1429">1429</a><a class="footnote-ref" id="fnref:1430" href="#fn:1430">1430</a></li>
<li><a href="/facts/Return_of_the_Jedi/DgH4n192">Return of the Jedi</a> (1983)<a class="footnote-ref" id="fnref:1431" href="#fn:1431">1431</a>≈</li>
<li><a href="/facts/Rumble_Fish/Hc1mHbNP">Rumble Fish</a> (1983)<a class="footnote-ref" id="fnref:1432" href="#fn:1432">1432</a><a class="footnote-ref" id="fnref:1433" href="#fn:1433">1433</a><a class="footnote-ref" id="fnref:1434" href="#fn:1434">1434</a></li>
<li><a href="/facts/The_Outsiders_(film)/IIdF3028">The Outsiders</a> (1983)<a class="footnote-ref" id="fnref:1435" href="#fn:1435">1435</a></li>
<li><a href="/facts/Star_80/NWjIGWbh">Star 80</a> (1983)<a class="footnote-ref" id="fnref:1436" href="#fn:1436">1436</a></li>
<li><a href="/facts/Twilight_Zone%3a_The_Movie/rs4saoS9">Twilight Zone: The Movie</a> (1983)<a class="footnote-ref" id="fnref:1437" href="#fn:1437">1437</a><a class="footnote-ref" id="fnref:1438" href="#fn:1438">1438</a><a class="footnote-ref" id="fnref:1439" href="#fn:1439">1439</a></li>
<li><a href="/facts/Body_Double/sHvIejht">Body Double</a> (1984)<a class="footnote-ref" id="fnref:1440" href="#fn:1440">1440</a></li></ul>

<h3>Notes</h3>
<ul><li>≈ indicates a <a href="/facts/National_Film_Registry/HGoP1Mre">National Film Registry</a> inductee</li></ul>
<h2 id="see-also">See also</h2>
<ul>
<li>Film portal</li><li>1960s portal</li><li>1970s portal</li><li>1980s portal</li><li>United States portal</li></ul>
<ul><li><a href="/facts/Counterculture_of_the_1960s/BjyVc83W">Counterculture of the 1960s</a></li>
<li><a href="/facts/A_Decade_Under_the_Influence_(film)/FJeHFWdk">A Decade Under the Influence</a> – the 2003 documentary about the New Hollywood</li>
<li><a href="/facts/Easy_Riders%2c_Raging_Bulls/1T7rjpj8">Easy Riders, Raging Bulls</a> – <a href="/facts/Peter_Biskind/sCXzLU7k">Peter Biskind</a>'s controversial account of this era of filmmaking</li>
<li><a href="/facts/Z_Channel%3a_A_Magnificent_Obsession/KQAGUlcE">Z Channel: A Magnificent Obsession</a> – 2004 documentary about the troubled life of programmer <a href="/facts/Jerry_Harvey_(screenwriter)/fg99y7Vb">Jerry Harvey</a> and his California-based movie channel that aired <a href="/facts/Director%2527s_cut/16sdYe75">director's cut</a> editions of films such as <a href="/facts/The_Wild_Bunch/YDSGvEA7">The Wild Bunch</a> and <a href="/facts/Heaven%2527s_Gate_(film)/YWzL8TAd">Heaven's Gate</a></li>
<li><a href="/facts/Exploitation_film/tJene6kR">Exploitation film</a> – popular during that time</li>
<li><a href="/facts/Vulgar_auteurism/UzyE4fXC">Vulgar auteurism</a></li>
<li><a href="/facts/Modernist_film/jHWJ989H">Modernist film</a></li>
<li><a href="/facts/L.A._Rebellion/DLEhQbmy">L.A. Rebellion</a> – alternative African-American cinema in the 1970s–1980s</li>
<li><a href="/facts/Midnight_movie/TdJW6a55">Midnight movie</a> – popular during this era</li>
<li><a href="/facts/Hippie_exploitation_films/o2jIdy13">Hippie exploitation films</a></li>
<li><a href="/facts/Blaxploitation/XlInp42E">Blaxploitation</a></li></ul>

<h3>Bibliography</h3>

<ul><li><a href="/facts/Peter_Biskind/sCXzLU7k">Biskind, Peter</a> (1998). <a href="/facts/Easy_Riders%2c_Raging_Bulls/1T7rjpj8">Easy Riders, Raging Bulls: How the Sex-Drugs-And Rock 'N Roll Generation Saved Hollywood</a>. New York: Simon & Schuster. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-684-85708-4.</li>
<li><a href="/facts/Peter_Biskind/sCXzLU7k">Biskind, Peter</a> (1990). The Godfather Companion: Everything You Ever Wanted to Know About All Three Godfather Films (HarperPerennial)</li>
<li>Belton, John (1993). American Cinema/American Culture. New York: McGraw/Hill.</li>
<li>Berliner, Todd (2010). Hollywood Incoherent: Narration in Seventies Cinema. Austin, TX: University of Texas Press.</li>
<li>Cook, David A. "Auteur Cinema and the film generation in 70s Hollywood", in The New American Cinema. Ed. by Jon Lewis. NY: Duke University Press, 1998, pp. 1–37</li>
<li>Harris, Mark (2008). <a href="https://archive.org/details/picturesatrevolu00harr_0">Pictures at a Revolution: Five Movies and the Birth of the New Hollywood</a>. New York: Penguin Press. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-1-594-20152-3.</li>
<li>Harris, Mark. Scenes from a Revolution: The Birth of the New Hollywood. Canongate Books, 2009.</li>
<li>James, David E. Allegories of Cinema: American Film in the Sixties. NY: Princeton University Press, 1989, pp. 1–42</li>
<li><a href="/facts/Pauline_Kael/q3ghyarc">Kael, Pauline</a>. "Bonnie and Clyde", in For Keeps. Ed. by Pauline Kael. NY: Plume, 1994, pp. 141–57.</li>
<li><a href="/facts/Pauline_Kael/q3ghyarc">Kael, Pauline</a>. "Trash, Art, and the Movies", in Going Steady: Film Writings 1968–69. NY: Marion Boyers, 1994, pp. 87–129</li>
<li>Kanfer, Stefan, "The Shock of Freedom in Films", Time Magazine, December 8, 1967, Accessed April 25, 2009, <a href="https://web.archive.org/web/20110421081549/http://www.time.com/time/magazine/article/0,9171,844256-7,00.html">[1]</a></li>
<li>King, Geoff (2002). New Hollywood Cinema: An Introduction. London: <a href="/facts/I.B._Tauris/ByRmsQ1N">I.B. Tauris</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 9781860647499.</li>
<li>Kirshner, Jonathan (2012). Hollywood's Last Golden Age: Politics, Society, and the Seventies Film in America. Ithaca, New York: Cornell University Press. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-801-46540-6.</li>
<li>Krämer, Peter (2005). <a href="https://archive.org/details/newhollywoodfrom0000kram">The New Hollywood: From Bonnie and Clyde to Star Wars</a>. Wallflower Press. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-1-904764-58-8.</li>
<li>Langford, Barry (2010). <a href="https://books.google.com/books?id=mEilBgAAQBAJ">Post-classical Hollywood: Film Industry, Style and Ideology Since 1945</a>. Edinburgh University Press. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0748638574.</li>
<li><a href="https://books.google.com/books?id=HKReEAAAQBAJ">Road Trip to Nowhere: Hollywood Encounters the Counterculture</a>, Jon Lewis, 2022</li>
<li>Monaco, Paul (2001). The Sixties, 1960–69, History of American Cinema. London: University of California Press.</li>
<li>Schatz, Thomas (1993). "The New Hollywood". In Jim Collins, Hilary Radner and Ava Preacher Collins (ed.). <a href="https://archive.org/details/filmtheorygoesto00coll">Film Theory goes to the Movies</a>. New York: Routledge. pp. <a href="https://archive.org/details/filmtheorygoesto00coll/page/8">8</a>–37.</li>
<li>Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill.</li>
<li><a href="https://www.bloomsbury.com/us/new-wave-new-hollywood-9781501372728/">New Wave, New Hollywood: Reassessment, Recovery and Legacy</a>, Nathan Abram and Gregory Frame, 2021</li></ul>

<h2 id="external-links">External links</h2>
<ul><li><a href="https://siskelebert.org/?p=4408">"The First Five Years of the 70s"</a> episode of <a href="/facts/Siskel_and_Ebert/LX0Pmqzs">Siskel and Ebert</a></li>
<li><a href="http://www.dga.org/Craft/DGAQ/All-Articles/1102-Summer-2011/New-Hollywood.aspx">The American Revolution – DGA</a></li>
<li><a href="https://www.learner.org/series/american-cinema/the-film-school-generation/">"The Film School Generation"</a> episode of American Cinema at Annenberg Learner</li></ul>

<h2 id="references">References</h2>

<ol>
<li id="fn:1">Neverlands: David Brooks and the New American Cinema – Art & Trash <a href="https://www.artandtrash.ca/episodes/neverlands" target="_blank">https://www.artandtrash.ca/episodes/neverlands</a> <a href="#fnref:1" class="footnote-back-ref">↩</a></li>
<li id="fn:2">"50 best movies from the 1970s". Stacker. <a href="https://stacker.com/stories/1366/50-best-movies-1970s" target="_blank">https://stacker.com/stories/1366/50-best-movies-1970s</a> <a href="#fnref:2" class="footnote-back-ref">↩</a></li>
<li id="fn:3">The Top 10 Underrated Movies ... and 10 Classics We'd Like to Forget – LAmag <a href="https://lamag.com/news/the-top-10-underrated-movies-and-10-classics-wed-like-to-forget" target="_blank">https://lamag.com/news/the-top-10-underrated-movies-and-10-classics-wed-like-to-forget</a> <a href="#fnref:3" class="footnote-back-ref">↩</a></li>
<li id="fn:4">Hollywood's wildest ever thriller? – BBC <a href="https://www.bbc.com/culture/article/20230811-why-william-friedkins-undersung-masterpiece-sorcerer-represents-everything-hollywood-has-lost" target="_blank">https://www.bbc.com/culture/article/20230811-why-william-friedkins-undersung-masterpiece-sorcerer-represents-everything-hollywood-has-lost</a> <a href="#fnref:4" class="footnote-back-ref">↩</a></li>
<li id="fn:5">How One Movie Killed The 1980s – Patrick (H) Willems on YouTube <a href="https://www.youtube.com/watch?v=NM0VsX1mdL8" target="_blank">https://www.youtube.com/watch?v=NM0VsX1mdL8</a> <a href="#fnref:5" class="footnote-back-ref">↩</a></li>
<li id="fn:6">The Death of the All-Powerful Director - The Ringer <a href="https://www.theringer.com/2021/07/19/movies/heavens-gate-1970s-hollywood-auteur-directors" target="_blank">https://www.theringer.com/2021/07/19/movies/heavens-gate-1970s-hollywood-auteur-directors</a> <a href="#fnref:6" class="footnote-back-ref">↩</a></li>
<li id="fn:7">A Sharper Picture: Revisiting Anthology Drama|wcftr.commarts.wisc.edu <a href="http://wcftr.commarts.wisc.edu/exhibits/golden-age-television/sharper-picture-revisiting-anthology-drama" target="_blank">http://wcftr.commarts.wisc.edu/exhibits/golden-age-television/sharper-picture-revisiting-anthology-drama</a> <a href="#fnref:7" class="footnote-back-ref">↩</a></li>
<li id="fn:8">The Tele-Playwrights|wcftr.commarts.wisc.edu/ <a href="http://wcftr.commarts.wisc.edu/exhibits/golden-age-television/tele-playwrights" target="_blank">http://wcftr.commarts.wisc.edu/exhibits/golden-age-television/tele-playwrights</a> <a href="#fnref:8" class="footnote-back-ref">↩</a></li>
<li id="fn:9">DVD Savant Review: The Golden Age of Television – DVD Talk <a href="https://www.dvdtalk.com/dvdsavant/s3063tele.html" target="_blank">https://www.dvdtalk.com/dvdsavant/s3063tele.html</a> <a href="#fnref:9" class="footnote-back-ref">↩</a></li>
<li id="fn:10">Film in the Television Age – Annenberg Learner <a href="https://www.learner.org/series/american-cinema/film-in-the-television-age/" target="_blank">https://www.learner.org/series/american-cinema/film-in-the-television-age/</a> <a href="#fnref:10" class="footnote-back-ref">↩</a></li>
<li id="fn:11">The Most Influential Classic Shows from TV's 'Golden Age'|HISTORY <a href="https://www.history.com/news/classic-tv-shows-1950s-i-love-lucy-milton-berle" target="_blank">https://www.history.com/news/classic-tv-shows-1950s-i-love-lucy-milton-berle</a> <a href="#fnref:11" class="footnote-back-ref">↩</a></li>
<li id="fn:12">"Playhouse 90 and the End of the Golden Age|wcftr.commarts.wisc.edu". Archived from the original on May 22, 2022. Retrieved December 30, 2023. <a href="https://web.archive.org/web/20220522113319/https://wcftr.commarts.wisc.edu/exhibits/golden-age-television/playhouse-90-and-end-golden-age" target="_blank">https://web.archive.org/web/20220522113319/https://wcftr.commarts.wisc.edu/exhibits/golden-age-television/playhouse-90-and-end-golden-age</a> <a href="#fnref:12" class="footnote-back-ref">↩</a></li>
<li id="fn:13">The Golden Age of Television|wcftr.commarts.wisc.edu <a href="http://wcftr.commarts.wisc.edu/exhibits/golden-age-television" target="_blank">http://wcftr.commarts.wisc.edu/exhibits/golden-age-television</a> <a href="#fnref:13" class="footnote-back-ref">↩</a></li>
<li id="fn:14">Network at 40: the flawed satire that predicted Trump and cable 'news porn'|Movies|The Guardian <a href="https://www.theguardian.com/film/2016/nov/23/network-40-years-reality-tv-donald-trump" target="_blank">https://www.theguardian.com/film/2016/nov/23/network-40-years-reality-tv-donald-trump</a> <a href="#fnref:14" class="footnote-back-ref">↩</a></li>
<li id="fn:15">Hollywood Independents: The Postwar Talent Takeover - Google Books <a href="https://www.google.com/books/edition/Hollywood_Independents/0mPWE4Ysa0wC?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Hollywood_Independents/0mPWE4Ysa0wC?hl=en&gbpv=0</a> <a href="#fnref:15" class="footnote-back-ref">↩</a></li>
<li id="fn:16">David E James, Allegories of Cinema, American Film in the Sixties, Princeton University Press, New York, 1989, pp. 14–26 <a href="#fnref:16" class="footnote-back-ref">↩</a></li>
<li id="fn:17">Hodgins, Eric (June 10, 1957). "Amid Ruins of an Empire a New Hollywood Arises". Life. p. 146. Retrieved April 22, 2012. <a href="https://books.google.com/books?id=Nz8EAAAAMBAJ&pg=PA146" target="_blank">https://books.google.com/books?id=Nz8EAAAAMBAJ&pg=PA146</a> <a href="#fnref:17" class="footnote-back-ref">↩</a></li>
<li id="fn:18">"Top 100 Best 70s Movies". filmschoolwtf.com. Retrieved July 19, 2018. <a href="http://filmschoolwtf.com/best-70s-movies/" target="_blank">http://filmschoolwtf.com/best-70s-movies/</a> <a href="#fnref:18" class="footnote-back-ref">↩</a></li>
<li id="fn:19">Schatz (1993), pp. 15–20 - Schatz, Thomas (1993). "The New Hollywood". In Jim Collins, Hilary Radner and Ava Preacher Collins (ed.). Film Theory goes to the Movies. New York: Routledge. pp. 8–37. <a href="https://archive.org/details/filmtheorygoesto00coll" target="_blank">https://archive.org/details/filmtheorygoesto00coll</a> <a href="#fnref:19" class="footnote-back-ref">↩</a></li>
<li id="fn:20">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:20" class="footnote-back-ref">↩</a></li>
<li id="fn:21">American Films of the 70s: Conflicting Visions - Google Books (pg. "Introduction: "Nobody Knows Anything") <a href="https://www.google.com/books/edition/American_Films_of_the_70s/UmPdEg5fVkQC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/American_Films_of_the_70s/UmPdEg5fVkQC?hl=en&gbpv=1</a> <a href="#fnref:21" class="footnote-back-ref">↩</a></li>
<li id="fn:22">Belton (1993), p. 290 - Belton, John (1993). American Cinema/American Culture. New York: McGraw/Hill. <a href="#fnref:22" class="footnote-back-ref">↩</a></li>
<li id="fn:23">Bob Rafelson, New Hollywood era director, dies at 89| AP News <a href="https://apnews.com/article/entertainment-martin-scorsese-obituaries-steven-spielberg-508d25aabfb6e8ec0c4818dad2dfb16a" target="_blank">https://apnews.com/article/entertainment-martin-scorsese-obituaries-steven-spielberg-508d25aabfb6e8ec0c4818dad2dfb16a</a> <a href="#fnref:23" class="footnote-back-ref">↩</a></li>
<li id="fn:24">David A Cook, "Auteur Cinema and the film generation in 70s Hollywood", in The New American Cinema by Jon Lewis (ed), Duke University Press, New York, 1998, pp. 1–4 <a href="#fnref:24" class="footnote-back-ref">↩</a></li>
<li id="fn:25">"Arthur Penn's 'Bonnie and Clyde': A New Style of Film – TIME". April 21, 2011. Archived from the original on April 21, 2011. <a href="https://web.archive.org/web/20110421081549/http://www.time.com/time/magazine/article/0,9171,844256-7,00.html" target="_blank">https://web.archive.org/web/20110421081549/http://www.time.com/time/magazine/article/0,9171,844256-7,00.html</a> <a href="#fnref:25" class="footnote-back-ref">↩</a></li>
<li id="fn:26">Schatz (1993), pp. 14–16 - Schatz, Thomas (1993). "The New Hollywood". In Jim Collins, Hilary Radner and Ava Preacher Collins (ed.). Film Theory goes to the Movies. New York: Routledge. pp. 8–37. <a href="https://archive.org/details/filmtheorygoesto00coll" target="_blank">https://archive.org/details/filmtheorygoesto00coll</a> <a href="#fnref:26" class="footnote-back-ref">↩</a></li>
<li id="fn:27">Roger Corman: "Hectic, Maddening, but Fun"|Current|The Criterion Collection <a href="https://www.criterion.com/current/posts/8472-roger-corman-hectic-maddening-but-fun" target="_blank">https://www.criterion.com/current/posts/8472-roger-corman-hectic-maddening-but-fun</a> <a href="#fnref:27" class="footnote-back-ref">↩</a></li>
<li id="fn:28">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:28" class="footnote-back-ref">↩</a></li>
<li id="fn:29">Stephanie Rothman, Pioneering Female Director in 1970s Hollywood, Revisited - Air Mail <a href="https://airmail.news/issues/2024-11-16/the-high-priestess-of-grind-house" target="_blank">https://airmail.news/issues/2024-11-16/the-high-priestess-of-grind-house</a> <a href="#fnref:29" class="footnote-back-ref">↩</a></li>
<li id="fn:30">From the Arthouse to the Grindhouse – Google Books (pg.192) <a href="https://books.google.com/books?id=VKhqh3HFH8AC&q=wild%20guitar" target="_blank">https://books.google.com/books?id=VKhqh3HFH8AC&q=wild%20guitar</a> <a href="#fnref:30" class="footnote-back-ref">↩</a></li>
<li id="fn:31">Patterson, John (January 6, 2016). "Vilmos Zsigmond: the cinematographer who transformed how films look". The Guardian. London, United Kingdom. Retrieved November 1, 2018. <a href="https://www.theguardian.com/film/2016/jan/06/vilmos-zsigmond-cinematographer-film-hollywood-easy-rider" target="_blank">https://www.theguardian.com/film/2016/jan/06/vilmos-zsigmond-cinematographer-film-hollywood-easy-rider</a> <a href="#fnref:31" class="footnote-back-ref">↩</a></li>
<li id="fn:32">New Hollywood: Movies, Directors, and Influences of the Era|Backstage <a href="https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/" target="_blank">https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/</a> <a href="#fnref:32" class="footnote-back-ref">↩</a></li>
<li id="fn:33">Schatz (1993) - Schatz, Thomas (1993). "The New Hollywood". In Jim Collins, Hilary Radner and Ava Preacher Collins (ed.). Film Theory goes to the Movies. New York: Routledge. pp. 8–37. <a href="https://archive.org/details/filmtheorygoesto00coll" target="_blank">https://archive.org/details/filmtheorygoesto00coll</a> <a href="#fnref:33" class="footnote-back-ref">↩</a></li>
<li id="fn:34">"AFI Silver Theatre and Cultural Center". www.afi.com. <a href="http://www.afi.com/silver/new/nowplaying/2011/v8i3/penn.aspx" target="_blank">http://www.afi.com/silver/new/nowplaying/2011/v8i3/penn.aspx</a> <a href="#fnref:34" class="footnote-back-ref">↩</a></li>
<li id="fn:35">"Estelle Parsons winning Best Supporting Actress". March 29, 2011 – via www.youtube.com. <a href="https://www.youtube.com/watch?v=KXKBCFosizM" target="_blank">https://www.youtube.com/watch?v=KXKBCFosizM</a> <a href="#fnref:35" class="footnote-back-ref">↩</a></li>
<li id="fn:36">"Burnett Guffey winning the Oscar® for Cinematography for "Bonnie and Clyde"". November 7, 2013 – via www.youtube.com. <a href="https://www.youtube.com/watch?v=A6JpLGrhItM" target="_blank">https://www.youtube.com/watch?v=A6JpLGrhItM</a> <a href="#fnref:36" class="footnote-back-ref">↩</a></li>
<li id="fn:37">"The 40th Academy Awards | 1968". Oscars.org | Academy of Motion Picture Arts and Sciences. October 4, 2014. <a href="https://www.oscars.org/oscars/ceremonies/1968" target="_blank">https://www.oscars.org/oscars/ceremonies/1968</a> <a href="#fnref:37" class="footnote-back-ref">↩</a></li>
<li id="fn:38">"New Hollywood: American New Wave Cinema (1967–69)". www.newwavefilm.com. <a href="http://www.newwavefilm.com/international/new-hollywood.shtml" target="_blank">http://www.newwavefilm.com/international/new-hollywood.shtml</a> <a href="#fnref:38" class="footnote-back-ref">↩</a></li>
<li id="fn:39">Biskind (1998), pp. 40–47 - Biskind, Peter (1998). Easy Riders, Raging Bulls: How the Sex-Drugs-And Rock 'N Roll Generation Saved Hollywood. New York: Simon & Schuster. ISBN 978-0-684-85708-4. <a href="#fnref:39" class="footnote-back-ref">↩</a></li>
<li id="fn:40">Pauline Kael, "Bonnie and Clyde" in, Pauline Kael, For Keeps (Plume, New York, 1994) pp. 141–57. Originally published in The New Yorker, October 21, 1967 <a href="#fnref:40" class="footnote-back-ref">↩</a></li>
<li id="fn:41">"Arthur Penn's 'Bonnie and Clyde': A New Style of Film – TIME". April 21, 2011. Archived from the original on April 21, 2011. <a href="https://web.archive.org/web/20110421081549/http://www.time.com/time/magazine/article/0,9171,844256-7,00.html" target="_blank">https://web.archive.org/web/20110421081549/http://www.time.com/time/magazine/article/0,9171,844256-7,00.html</a> <a href="#fnref:41" class="footnote-back-ref">↩</a></li>
<li id="fn:42">Biskind (1998) - Biskind, Peter (1998). Easy Riders, Raging Bulls: How the Sex-Drugs-And Rock 'N Roll Generation Saved Hollywood. New York: Simon & Schuster. ISBN 978-0-684-85708-4. <a href="#fnref:42" class="footnote-back-ref">↩</a></li>
<li id="fn:43">Berliner (2010), pp. 51–52 - Berliner, Todd (2010). Hollywood Incoherent: Narration in Seventies Cinema. Austin, TX: University of Texas Press. <a href="#fnref:43" class="footnote-back-ref">↩</a></li>
<li id="fn:44">John Frankenheimer's 'Seconds': The Loneliest Studio Film of the 1960s – Film School Rejects <a href="https://filmschoolrejects.com/john-frankenheimers-seconds-the-loneliest-studio-film-of-the-1960s-92cfac80c1ff/" target="_blank">https://filmschoolrejects.com/john-frankenheimers-seconds-the-loneliest-studio-film-of-the-1960s-92cfac80c1ff/</a> <a href="#fnref:44" class="footnote-back-ref">↩</a></li>
<li id="fn:45">How New Hollywood Spirit Lives in 'Armageddon Time,' 'The Inspection' and 'Vengeance' – Variety <a href="https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/" target="_blank">https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/</a> <a href="#fnref:45" class="footnote-back-ref">↩</a></li>
<li id="fn:46">June 1977: When New Hollywood Got Weird – The Film Stage <a href="https://thefilmstage.com/june-1977-when-new-hollywood-got-weird/" target="_blank">https://thefilmstage.com/june-1977-when-new-hollywood-got-weird/</a> <a href="#fnref:46" class="footnote-back-ref">↩</a></li>
<li id="fn:47">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:47" class="footnote-back-ref">↩</a></li>
<li id="fn:48">Features - Reverse Shot <a href="https://reverseshot.org/features/3023/cinema_spec_QT" target="_blank">https://reverseshot.org/features/3023/cinema_spec_QT</a> <a href="#fnref:48" class="footnote-back-ref">↩</a></li>
<li id="fn:49">Twilight of the Movie Brats: Steven Spielberg and the Old 'New' Hollywood – Grantland <a href="https://grantland.com/hollywood-prospectus/steven-spielberg-movie-brats-bridge-of-spies/" target="_blank">https://grantland.com/hollywood-prospectus/steven-spielberg-movie-brats-bridge-of-spies/</a> <a href="#fnref:49" class="footnote-back-ref">↩</a></li>
<li id="fn:50">Essential Cinema: On Our Way to Where: Women of '70s Cinema|Austin Film Society <a href="https://www.austinfilm.org/series/essential-cinema-on-our-way-to-where-women-of-70s-cinema/" target="_blank">https://www.austinfilm.org/series/essential-cinema-on-our-way-to-where-women-of-70s-cinema/</a> <a href="#fnref:50" class="footnote-back-ref">↩</a></li>
<li id="fn:51">The Shadow Cinema of the American '70s|Quad Cinema <a href="https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/" target="_blank">https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/</a> <a href="#fnref:51" class="footnote-back-ref">↩</a></li>
<li id="fn:52">Schatz (1993), pp. 22 - Schatz, Thomas (1993). "The New Hollywood". In Jim Collins, Hilary Radner and Ava Preacher Collins (ed.). Film Theory goes to the Movies. New York: Routledge. pp. 8–37. <a href="https://archive.org/details/filmtheorygoesto00coll" target="_blank">https://archive.org/details/filmtheorygoesto00coll</a> <a href="#fnref:52" class="footnote-back-ref">↩</a></li>
<li id="fn:53">McCormack, J. W. (May 1, 2018). "The 11 Best Gritty New York Films from the 1970s". Culture Trip. <a href="https://theculturetrip.com/north-america/usa/new-york/new-york-city/articles/the-10-best-gritty-new-york-films-from-the-1970s/" target="_blank">https://theculturetrip.com/north-america/usa/new-york/new-york-city/articles/the-10-best-gritty-new-york-films-from-the-1970s/</a> <a href="#fnref:53" class="footnote-back-ref">↩</a></li>
<li id="fn:54">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:54" class="footnote-back-ref">↩</a></li>
<li id="fn:55">Film Fourm resurrects a gritty city with 'New York in the '70s'|amNewYork <a href="https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/" target="_blank">https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/</a> <a href="#fnref:55" class="footnote-back-ref">↩</a></li>
<li id="fn:56">How the Movies Captured Times Square's Grimy Golden Age|Current|The Criterion Collection <a href="https://www.criterion.com/current/posts/8549-how-the-movies-captured-times-square-s-grimy-golden-age" target="_blank">https://www.criterion.com/current/posts/8549-how-the-movies-captured-times-square-s-grimy-golden-age</a> <a href="#fnref:56" class="footnote-back-ref">↩</a></li>
<li id="fn:57">"Filmmuseum – Program SD". www.filmmuseum.at. <a href="https://www.filmmuseum.at/en/film_program/scope?schienen_id=200030" target="_blank">https://www.filmmuseum.at/en/film_program/scope?schienen_id=200030</a> <a href="#fnref:57" class="footnote-back-ref">↩</a></li>
<li id="fn:58">Dargis, Manohla (July 12, 2008). "An Artist of the Cutting-Room Floor". The New York Times. <a href="https://www.nytimes.com/2008/07/12/movies/12conn.html" target="_blank">https://www.nytimes.com/2008/07/12/movies/12conn.html</a> <a href="#fnref:58" class="footnote-back-ref">↩</a></li>
<li id="fn:59">"Bruce Conner: The Artist Who Shaped Our World". DangerousMinds. June 25, 2011. <a href="https://dangerousminds.net/comments/bruce_conner_artist_shaped_our_world" target="_blank">https://dangerousminds.net/comments/bruce_conner_artist_shaped_our_world</a> <a href="#fnref:59" class="footnote-back-ref">↩</a></li>
<li id="fn:60">"Bruce Conner: Father of the Music Video – Utne". www.utne.com. October 2, 2013. <a href="https://www.utne.com/arts/bruce-conner-father-of-the-music-video/" target="_blank">https://www.utne.com/arts/bruce-conner-father-of-the-music-video/</a> <a href="#fnref:60" class="footnote-back-ref">↩</a></li>
<li id="fn:61">Monaco (2001), p. 183 - Monaco, Paul (2001). The Sixties, 1960–69, History of American Cinema. London: University of California Press. <a href="#fnref:61" class="footnote-back-ref">↩</a></li>
<li id="fn:62">April 02, David Canfield; EDT, 2018 at 10:15 am. "Why '2001: A Space Odyssey' was a masterpiece so ahead of its time". EW.com.{{cite web}}: CS1 maint: numeric names: authors list (link) <a href="https://ew.com/books/2018/04/02/space-odyssey-book-excerpt/" target="_blank">https://ew.com/books/2018/04/02/space-odyssey-book-excerpt/</a> <a href="#fnref:62" class="footnote-back-ref">↩</a></li>
<li id="fn:63">Simultaneous Tensions: The Duo-Vision of Wicked, Wicked – Art & Trash <a href="https://www.artandtrash.ca/episodes/wicked" target="_blank">https://www.artandtrash.ca/episodes/wicked</a> <a href="#fnref:63" class="footnote-back-ref">↩</a></li>
<li id="fn:64">"Arthur Lipsett: Inside His Disturbed & Disturbing Collage Films". October 5, 2016. <a href="https://blog.nfb.ca/blog/2016/10/05/arthur-lipsett-week/" target="_blank">https://blog.nfb.ca/blog/2016/10/05/arthur-lipsett-week/</a> <a href="#fnref:64" class="footnote-back-ref">↩</a></li>
<li id="fn:65">"New Hollywood" and the 60s Melting Pot|Jonathan Rosenbaum <a href="https://jonathanrosenbaum.net/2025/01/new-hollywood-and-the-60s-melting-pot/" target="_blank">https://jonathanrosenbaum.net/2025/01/new-hollywood-and-the-60s-melting-pot/</a> <a href="#fnref:65" class="footnote-back-ref">↩</a></li>
<li id="fn:66">Hoberman, J. (April 10, 2020). "Bruce Baillie, 'Essential' Avant-Garde Filmmaker, Dies at 88". The New York Times. <a href="https://www.nytimes.com/2020/04/10/movies/bruce-baillie-essential-avant-garde-filmmaker-dies-at-88.html" target="_blank">https://www.nytimes.com/2020/04/10/movies/bruce-baillie-essential-avant-garde-filmmaker-dies-at-88.html</a> <a href="#fnref:66" class="footnote-back-ref">↩</a></li>
<li id="fn:67">Stanley Kubrick, at the Crossroads of a Work – La cinémathèque française <a href="https://www.cinematheque.fr/expositions-virtuelles/kubrick/item.php?id=23&lang=en" target="_blank">https://www.cinematheque.fr/expositions-virtuelles/kubrick/item.php?id=23&lang=en</a> <a href="#fnref:67" class="footnote-back-ref">↩</a></li>
<li id="fn:68">Kubrick's Space Odyssey – Museum of the Moving Image <a href="https://movingimage.org/feature/2001-a-space-odyssey/" target="_blank">https://movingimage.org/feature/2001-a-space-odyssey/</a> <a href="#fnref:68" class="footnote-back-ref">↩</a></li>
<li id="fn:69">Kubrick's Space Odyssey – Museum of the Moving Image <a href="https://movingimage.org/feature/2001-a-space-odyssey/" target="_blank">https://movingimage.org/feature/2001-a-space-odyssey/</a> <a href="#fnref:69" class="footnote-back-ref">↩</a></li>
<li id="fn:70">Scott Bartlett: The Meaning of the Universe – Spectacle Theater <a href="https://www.spectacletheater.com/scott-bartlett/" target="_blank">https://www.spectacletheater.com/scott-bartlett/</a> <a href="#fnref:70" class="footnote-back-ref">↩</a></li>
<li id="fn:71">"New Hollywood" and the 60s Melting Pot|Jonathan Rosenbaum <a href="https://jonathanrosenbaum.net/2025/01/new-hollywood-and-the-60s-melting-pot/" target="_blank">https://jonathanrosenbaum.net/2025/01/new-hollywood-and-the-60s-melting-pot/</a> <a href="#fnref:71" class="footnote-back-ref">↩</a></li>
<li id="fn:72">"Martin Scorsese: Champion Of The Underground". Underground Film Journal. January 20, 2010. <a href="https://www.undergroundfilmjournal.com/martin-scorsese-champion-of-the-underground/" target="_blank">https://www.undergroundfilmjournal.com/martin-scorsese-champion-of-the-underground/</a> <a href="#fnref:72" class="footnote-back-ref">↩</a></li>
<li id="fn:73">Watch: How New Hollywood Created the American Indie – No Film School <a href="https://nofilmschool.com/2016/11/watch-how-new-hollywood-created-the-american-indie" target="_blank">https://nofilmschool.com/2016/11/watch-how-new-hollywood-created-the-american-indie</a> <a href="#fnref:73" class="footnote-back-ref">↩</a></li>
<li id="fn:74">Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture – Google Books (ch. "Introduction The Business of Auteur Theory") <a href="https://www.google.com/books/edition/Post_Fordist_Cinema/P2NbDwAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Post_Fordist_Cinema/P2NbDwAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:74" class="footnote-back-ref">↩</a></li>
<li id="fn:75">Pye, Michael; Myles, Lynda (1979). The movie brats: how the film generation took over Hollywood. London [etc.]: Faber. pp. 7–9. ISBN 978-0-571-11383-5. <a href="978-0-571-11383-5" target="_blank">978-0-571-11383-5</a> <a href="#fnref:75" class="footnote-back-ref">↩</a></li>
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<li id="fn:124">Peter Jackson's Savage 'Meet the Feebles' Invented the Offensive Puppet Shocker - Bloody Disgusting <a href="https://bloody-disgusting.com/editorials/3517872/peter-jacksons-savage-meet-feebles-invented-offensive-puppet-shocker/" target="_blank">https://bloody-disgusting.com/editorials/3517872/peter-jacksons-savage-meet-feebles-invented-offensive-puppet-shocker/</a> <a href="#fnref:124" class="footnote-back-ref">↩</a></li>
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<li id="fn:202">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:202" class="footnote-back-ref">↩</a></li>
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<li id="fn:204">10 Best New Hollywood Thrillers, Ranked|Collider <a href="https://collider.com/new-hollywood-movie-thrillers-best-ranked/" target="_blank">https://collider.com/new-hollywood-movie-thrillers-best-ranked/</a> <a href="#fnref:204" class="footnote-back-ref">↩</a></li>
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<li id="fn:226">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:226" class="footnote-back-ref">↩</a></li>
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<li id="fn:229">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:229" class="footnote-back-ref">↩</a></li>
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<li id="fn:231">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:231" class="footnote-back-ref">↩</a></li>
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<li id="fn:234">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:234" class="footnote-back-ref">↩</a></li>
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<li id="fn:237">How New Hollywood Spirit Lives in 'Armageddon Time,' 'The Inspection' and 'Vengeance' – Variety <a href="https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/" target="_blank">https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/</a> <a href="#fnref:237" class="footnote-back-ref">↩</a></li>
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<li id="fn:250">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:250" class="footnote-back-ref">↩</a></li>
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<li id="fn:254">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:254" class="footnote-back-ref">↩</a></li>
<li id="fn:255">The Hollywood Renaissance: Revisiting American Cinema's Most Celebrated Era – Google Books <a href="https://www.google.com/books/edition/The_Hollywood_Renaissance/vCFZDwAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/The_Hollywood_Renaissance/vCFZDwAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:255" class="footnote-back-ref">↩</a></li>
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<li id="fn:257">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:257" class="footnote-back-ref">↩</a></li>
<li id="fn:258">10 Best New Hollywood Horror Movies, Ranked|Collider <a href="https://collider.com/best-horror-movies-new-hollywood-ranked/" target="_blank">https://collider.com/best-horror-movies-new-hollywood-ranked/</a> <a href="#fnref:258" class="footnote-back-ref">↩</a></li>
<li id="fn:259">"New Hollywood". Flickchart. Retrieved July 19, 2018. <a href="http://www.flickchart.com/genre/New+Hollywood" target="_blank">http://www.flickchart.com/genre/New+Hollywood</a> <a href="#fnref:259" class="footnote-back-ref">↩</a></li>
<li id="fn:260">The Best 'New Hollywood' Movies You Probably Haven't Seen|/Film <a href="https://www.slashfilm.com/521126/tbyphs-new-hollywood-movies/" target="_blank">https://www.slashfilm.com/521126/tbyphs-new-hollywood-movies/</a> <a href="#fnref:260" class="footnote-back-ref">↩</a></li>
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<li id="fn:262">News and Commentary – George Segal: The New Hollywood Years – MidCenturyCinema <a href="https://midcenturycinema.org/2021/03/31/news-and-commentary-george-segal-the-new-hollywood-years/" target="_blank">https://midcenturycinema.org/2021/03/31/news-and-commentary-george-segal-the-new-hollywood-years/</a> <a href="#fnref:262" class="footnote-back-ref">↩</a></li>
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<li id="fn:264">"Days of Heaven (1978)". Flickchart. Retrieved July 21, 2018. <a href="http://www.flickchart.com/movie/1B3256EDE4" target="_blank">http://www.flickchart.com/movie/1B3256EDE4</a> <a href="#fnref:264" class="footnote-back-ref">↩</a></li>
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<li id="fn:266">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:266" class="footnote-back-ref">↩</a></li>
<li id="fn:267">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:267" class="footnote-back-ref">↩</a></li>
<li id="fn:268">"The Best Movies Starring Tom Skerritt". Flickchart. Retrieved July 21, 2018. <a href="http://www.flickchart.com/Charts.aspx?actor=Tom+Skerritt" target="_blank">http://www.flickchart.com/Charts.aspx?actor=Tom+Skerritt</a> <a href="#fnref:268" class="footnote-back-ref">↩</a></li>
<li id="fn:269">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:269" class="footnote-back-ref">↩</a></li>
<li id="fn:270">"'New Hollywood' in a nostalgic glow". Los Angeles Times. Retrieved April 13, 2025. <a href="https://www.latimes.com/archives/la-xpm-2006-mar-12-ca-cinefile12-story.html" target="_blank">https://www.latimes.com/archives/la-xpm-2006-mar-12-ca-cinefile12-story.html</a> <a href="#fnref:270" class="footnote-back-ref">↩</a></li>
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<li id="fn:272">"Actors of the '70s: Then and now". msn.com. Retrieved July 19, 2018. <a href="https://www.msn.com/en-us/movies/gallery/actors-of-the-70s-then-and-now/ss-AAdp1ho" target="_blank">https://www.msn.com/en-us/movies/gallery/actors-of-the-70s-then-and-now/ss-AAdp1ho</a> <a href="#fnref:272" class="footnote-back-ref">↩</a></li>
<li id="fn:273">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:273" class="footnote-back-ref">↩</a></li>
<li id="fn:274">"Melvin and Howard (1980)". Flickchart. Retrieved July 21, 2018. <a href="http://www.flickchart.com/movie/37DA27FEA4" target="_blank">http://www.flickchart.com/movie/37DA27FEA4</a> <a href="#fnref:274" class="footnote-back-ref">↩</a></li>
<li id="fn:275">"Actors of the '70s: Then and now". msn.com. Retrieved July 19, 2018. <a href="https://www.msn.com/en-us/movies/gallery/actors-of-the-70s-then-and-now/ss-AAdp1ho" target="_blank">https://www.msn.com/en-us/movies/gallery/actors-of-the-70s-then-and-now/ss-AAdp1ho</a> <a href="#fnref:275" class="footnote-back-ref">↩</a></li>
<li id="fn:276">"Actors of the '70s: Then and now". msn.com. Retrieved July 19, 2018. <a href="https://www.msn.com/en-us/movies/gallery/actors-of-the-70s-then-and-now/ss-AAdp1ho" target="_blank">https://www.msn.com/en-us/movies/gallery/actors-of-the-70s-then-and-now/ss-AAdp1ho</a> <a href="#fnref:276" class="footnote-back-ref">↩</a></li>
<li id="fn:277">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:277" class="footnote-back-ref">↩</a></li>
<li id="fn:278">The Hollywood Renaissance: Revisiting American Cinema's Most Celebrated Era – Google Books <a href="https://www.google.com/books/edition/The_Hollywood_Renaissance/vCFZDwAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/The_Hollywood_Renaissance/vCFZDwAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:278" class="footnote-back-ref">↩</a></li>
<li id="fn:279">"Actors of the '70s: Then and now". msn.com. Retrieved July 19, 2018. <a href="https://www.msn.com/en-us/movies/gallery/actors-of-the-70s-then-and-now/ss-AAdp1ho" target="_blank">https://www.msn.com/en-us/movies/gallery/actors-of-the-70s-then-and-now/ss-AAdp1ho</a> <a href="#fnref:279" class="footnote-back-ref">↩</a></li>
<li id="fn:280">10 Best New Hollywood Neo-Noirs, Ranked|Collider <a href="https://collider.com/neo-noir-movies-new-hollywood-ranked/" target="_blank">https://collider.com/neo-noir-movies-new-hollywood-ranked/</a> <a href="#fnref:280" class="footnote-back-ref">↩</a></li>
<li id="fn:281">"The Late Show (1977)". Flickchart. Retrieved July 21, 2018. <a href="http://www.flickchart.com/movie/7DC58356E8" target="_blank">http://www.flickchart.com/movie/7DC58356E8</a> <a href="#fnref:281" class="footnote-back-ref">↩</a></li>
<li id="fn:282">"You're a Big Boy Now (1966)". Flickchart. Retrieved July 21, 2018. <a href="http://www.flickchart.com/movie/922AB8E17E" target="_blank">http://www.flickchart.com/movie/922AB8E17E</a> <a href="#fnref:282" class="footnote-back-ref">↩</a></li>
<li id="fn:283">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:283" class="footnote-back-ref">↩</a></li>
<li id="fn:284">"Actors of the '70s: Then and now". msn.com. Retrieved July 19, 2018. <a href="https://www.msn.com/en-us/movies/gallery/actors-of-the-70s-then-and-now/ss-AAdp1ho" target="_blank">https://www.msn.com/en-us/movies/gallery/actors-of-the-70s-then-and-now/ss-AAdp1ho</a> <a href="#fnref:284" class="footnote-back-ref">↩</a></li>
<li id="fn:285">10 Best New Hollywood Thrillers, Ranked|Collider <a href="https://collider.com/new-hollywood-movie-thrillers-best-ranked/" target="_blank">https://collider.com/new-hollywood-movie-thrillers-best-ranked/</a> <a href="#fnref:285" class="footnote-back-ref">↩</a></li>
<li id="fn:286">Symmons, Tom (June 13, 2016). The New Hollywood Historical Film: 1967–78. Springer. ISBN 9781137529305. <a href="9781137529305" target="_blank">9781137529305</a> <a href="#fnref:286" class="footnote-back-ref">↩</a></li>
<li id="fn:287">"The Greatest Era in Film History: 10 Movies From '70s America". Paste Magazine. October 27, 2011. Retrieved July 19, 2018. <a href="https://www.pastemagazine.com/articles/2011/11/the-greatest-era-in-film-history-10-movies-from-70.html" target="_blank">https://www.pastemagazine.com/articles/2011/11/the-greatest-era-in-film-history-10-movies-from-70.html</a> <a href="#fnref:287" class="footnote-back-ref">↩</a></li>
<li id="fn:288">"20 Movies That Prove That The 1970s Was The Best Decade For Film-Page 2-20.Alien". whatculture.com. January 7, 2015. Retrieved July 19, 2018. <a href="http://whatculture.com/film/20-movies-that-prove-that-the-1970s-was-the-best-decade-for-film?page=2" target="_blank">http://whatculture.com/film/20-movies-that-prove-that-the-1970s-was-the-best-decade-for-film?page=2</a> <a href="#fnref:288" class="footnote-back-ref">↩</a></li>
<li id="fn:289">"Actors of the '70s: Then and now". msn.com. Retrieved July 19, 2018. <a href="https://www.msn.com/en-us/movies/gallery/actors-of-the-70s-then-and-now/ss-AAdp1ho" target="_blank">https://www.msn.com/en-us/movies/gallery/actors-of-the-70s-then-and-now/ss-AAdp1ho</a> <a href="#fnref:289" class="footnote-back-ref">↩</a></li>
<li id="fn:290">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:290" class="footnote-back-ref">↩</a></li>
<li id="fn:291">The Hollywood Renaissance: Revisiting American Cinema's Most Celebrated Era – Google Books <a href="https://www.google.com/books/edition/The_Hollywood_Renaissance/vCFZDwAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/The_Hollywood_Renaissance/vCFZDwAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:291" class="footnote-back-ref">↩</a></li>
<li id="fn:292">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:292" class="footnote-back-ref">↩</a></li>
<li id="fn:293">10 Best '70s Romantic Comedies, Ranked|Collider <a href="https://collider.com/romantic-comedies-70s-best-ranked/" target="_blank">https://collider.com/romantic-comedies-70s-best-ranked/</a> <a href="#fnref:293" class="footnote-back-ref">↩</a></li>
<li id="fn:294">"Actors of the '70s: Then and now". msn.com. Retrieved July 19, 2018. <a href="https://www.msn.com/en-us/movies/gallery/actors-of-the-70s-then-and-now/ss-AAdp1ho" target="_blank">https://www.msn.com/en-us/movies/gallery/actors-of-the-70s-then-and-now/ss-AAdp1ho</a> <a href="#fnref:294" class="footnote-back-ref">↩</a></li>
<li id="fn:295">'70s Play the '30s – Metrogrpah <a href="https://metrograph.com/category/70s-play-the-30s/" target="_blank">https://metrograph.com/category/70s-play-the-30s/</a> <a href="#fnref:295" class="footnote-back-ref">↩</a></li>
<li id="fn:296">September In Theater – Journal – Metrograph <a href="https://metrograph.com/in-theater-september-2022/" target="_blank">https://metrograph.com/in-theater-september-2022/</a> <a href="#fnref:296" class="footnote-back-ref">↩</a></li>
<li id="fn:297">"The 10 Greatest Directors of The New Hollywood Era « Taste of Cinema – Movie Reviews and Classic Movie Lists". www.tasteofcinema.com. December 26, 2015. <a href="http://www.tasteofcinema.com/2015/the-10-greatest-directors-of-the-new-hollywood-era/" target="_blank">http://www.tasteofcinema.com/2015/the-10-greatest-directors-of-the-new-hollywood-era/</a> <a href="#fnref:297" class="footnote-back-ref">↩</a></li>
<li id="fn:298">Davies on Bernardoni, 'The New Hollywood: What the Movies Did with the New Freedoms of the Seventies'|H-Net <a href="https://networks.h-net.org/node/21708/reviews/21838/davies-bernardoni-new-hollywood-what-movies-did-new-freedoms-seventies" target="_blank">https://networks.h-net.org/node/21708/reviews/21838/davies-bernardoni-new-hollywood-what-movies-did-new-freedoms-seventies</a> <a href="#fnref:298" class="footnote-back-ref">↩</a></li>
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<li id="fn:300">Popeye: The WTF Masterstroke in Robert Altman's Filmography – Hollywood Suite <a href="https://hollywoodsuite.ca/popeye-altman-robin-williams/" target="_blank">https://hollywoodsuite.ca/popeye-altman-robin-williams/</a> <a href="#fnref:300" class="footnote-back-ref">↩</a></li>
<li id="fn:301">How New Hollywood Spirit Lives in 'Armageddon Time,' 'The Inspection' and 'Vengeance' – Variety <a href="https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/" target="_blank">https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/</a> <a href="#fnref:301" class="footnote-back-ref">↩</a></li>
<li id="fn:302">'70s Play the '30s – Metrogrpah <a href="https://metrograph.com/category/70s-play-the-30s/" target="_blank">https://metrograph.com/category/70s-play-the-30s/</a> <a href="#fnref:302" class="footnote-back-ref">↩</a></li>
<li id="fn:303">September In Theater – Journal – Metrograph <a href="https://metrograph.com/in-theater-september-2022/" target="_blank">https://metrograph.com/in-theater-september-2022/</a> <a href="#fnref:303" class="footnote-back-ref">↩</a></li>
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<li id="fn:310">Paramount in the 1970s|MoMA <a href="https://www.moma.org/calendar/film/5721" target="_blank">https://www.moma.org/calendar/film/5721</a> <a href="#fnref:310" class="footnote-back-ref">↩</a></li>
<li id="fn:311">"Keeping it Real with Ralph Bakshi (Part II)". Star & Crescent. October 23, 2015. Retrieved August 21, 2018. <a href="https://www.starandcrescent.org.uk/2015/10/23/keeping-it-real-with-ralph-bakshi-part-ii/" target="_blank">https://www.starandcrescent.org.uk/2015/10/23/keeping-it-real-with-ralph-bakshi-part-ii/</a> <a href="#fnref:311" class="footnote-back-ref">↩</a></li>
<li id="fn:312">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:312" class="footnote-back-ref">↩</a></li>
<li id="fn:313">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:313" class="footnote-back-ref">↩</a></li>
<li id="fn:314">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:314" class="footnote-back-ref">↩</a></li>
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<li id="fn:316">Paramount in the 1970s|MoMA <a href="https://www.moma.org/calendar/film/5721" target="_blank">https://www.moma.org/calendar/film/5721</a> <a href="#fnref:316" class="footnote-back-ref">↩</a></li>
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<li id="fn:354">How New Hollywood Spirit Lives in 'Armageddon Time,' 'The Inspection' and 'Vengeance' – Variety <a href="https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/" target="_blank">https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/</a> <a href="#fnref:354" class="footnote-back-ref">↩</a></li>
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<li id="fn:386">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:386" class="footnote-back-ref">↩</a></li>
<li id="fn:387">"Hollywood has never matched the gritty masterpieces of the 1970s". Telegraph. May 23, 2013. Archived from the original on January 12, 2022. Retrieved July 21, 2018. <a href="https://www.telegraph.co.uk/culture/film/10076153/Hollywood-has-never-matched-the-gritty-masterpieces-of-the-1970s.html" target="_blank">https://www.telegraph.co.uk/culture/film/10076153/Hollywood-has-never-matched-the-gritty-masterpieces-of-the-1970s.html</a> <a href="#fnref:387" class="footnote-back-ref">↩</a></li>
<li id="fn:388">New Hollywood: Movies, Directors, and Influences of the Era|Backstage <a href="https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/" target="_blank">https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/</a> <a href="#fnref:388" class="footnote-back-ref">↩</a></li>
<li id="fn:389">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:389" class="footnote-back-ref">↩</a></li>
<li id="fn:390">"A HISTORY OF AMERICAN NEW WAVE CINEMA Part Three: New Hollywood (1967–1969)". newwavefilm.com. Retrieved July 19, 2018. <a href="http://www.newwavefilm.com/international/new-hollywood.shtml" target="_blank">http://www.newwavefilm.com/international/new-hollywood.shtml</a> <a href="#fnref:390" class="footnote-back-ref">↩</a></li>
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<li id="fn:394">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:394" class="footnote-back-ref">↩</a></li>
<li id="fn:395">New Hollywood: Movies, Directors, and Influences of the Era|Backstage <a href="https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/" target="_blank">https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/</a> <a href="#fnref:395" class="footnote-back-ref">↩</a></li>
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<li id="fn:397">Michalis Kokonis (February 4, 2009). "Hollywood's Major Crisis and the American Film "Renaissance"" (PDF). Retrieved July 21, 2018. <a href="http://www.enl.auth.gr/gramma/gramma08/kokonis.pdf" target="_blank">http://www.enl.auth.gr/gramma/gramma08/kokonis.pdf</a> <a href="#fnref:397" class="footnote-back-ref">↩</a></li>
<li id="fn:398">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:398" class="footnote-back-ref">↩</a></li>
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<li id="fn:401">A Brief History Of New Hollywood|The Rise – Little White Lies on YouTube <a href="https://www.youtube.com/watch?v=E6byV69VBLw" target="_blank">https://www.youtube.com/watch?v=E6byV69VBLw</a> <a href="#fnref:401" class="footnote-back-ref">↩</a></li>
<li id="fn:402">New Hollywood: Movies, Directors, and Influences of the Era|Backstage <a href="https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/" target="_blank">https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/</a> <a href="#fnref:402" class="footnote-back-ref">↩</a></li>
<li id="fn:403">American Cinema's Sixties Crack-Up|Current|The Criterion Collection <a href="https://www.criterion.com/current/posts/8482-american-cinema-s-sixties-crack-up" target="_blank">https://www.criterion.com/current/posts/8482-american-cinema-s-sixties-crack-up</a> <a href="#fnref:403" class="footnote-back-ref">↩</a></li>
<li id="fn:404">Bernardoni, J. (2001). The New Hollywood: What the Movies Did with the New Freedoms of the Seventies. McFarland, Incorporated, Publishers. p. 14. ISBN 9780786483075. Retrieved July 19, 2018. <a href="9780786483075" target="_blank">9780786483075</a> <a href="#fnref:404" class="footnote-back-ref">↩</a></li>
<li id="fn:405">The New Hollywood: What the Movies Did with the New Freedoms of the Seventies - Google Books <a href="https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false" target="_blank">https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false</a> <a href="#fnref:405" class="footnote-back-ref">↩</a></li>
<li id="fn:406">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:406" class="footnote-back-ref">↩</a></li>
<li id="fn:407">New Hollywood: Movies, Directors, and Influences of the Era|Backstage <a href="https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/" target="_blank">https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/</a> <a href="#fnref:407" class="footnote-back-ref">↩</a></li>
<li id="fn:408">"The Greatest Era in Film History: 10 Movies From '70s America". Paste Magazine. October 27, 2011. Retrieved July 19, 2018. <a href="https://www.pastemagazine.com/articles/2011/11/the-greatest-era-in-film-history-10-movies-from-70.html" target="_blank">https://www.pastemagazine.com/articles/2011/11/the-greatest-era-in-film-history-10-movies-from-70.html</a> <a href="#fnref:408" class="footnote-back-ref">↩</a></li>
<li id="fn:409">"The 10 Greatest Directors of The New Hollywood Era « Taste of Cinema – Movie Reviews and Classic Movie Lists". www.tasteofcinema.com. December 26, 2015. <a href="http://www.tasteofcinema.com/2015/the-10-greatest-directors-of-the-new-hollywood-era/2/" target="_blank">http://www.tasteofcinema.com/2015/the-10-greatest-directors-of-the-new-hollywood-era/2/</a> <a href="#fnref:409" class="footnote-back-ref">↩</a></li>
<li id="fn:410">Michalis Kokonis (February 4, 2009). "Hollywood's Major Crisis and the American Film "Renaissance"" (PDF). Retrieved July 21, 2018. <a href="http://www.enl.auth.gr/gramma/gramma08/kokonis.pdf" target="_blank">http://www.enl.auth.gr/gramma/gramma08/kokonis.pdf</a> <a href="#fnref:410" class="footnote-back-ref">↩</a></li>
<li id="fn:411">The Criterion Channel's September 2024 Lineup|Current|The Criterion Collection <a href="https://www.criterion.com/current/posts/8566-the-criterion-channel-s-september-2024-lineup" target="_blank">https://www.criterion.com/current/posts/8566-the-criterion-channel-s-september-2024-lineup</a> <a href="#fnref:411" class="footnote-back-ref">↩</a></li>
<li id="fn:412">10 Best New Hollywood Neo-Noirs, Ranked|Collider <a href="https://collider.com/neo-noir-movies-new-hollywood-ranked/" target="_blank">https://collider.com/neo-noir-movies-new-hollywood-ranked/</a> <a href="#fnref:412" class="footnote-back-ref">↩</a></li>
<li id="fn:413">TV News Desk. "BAMcinématek to Present A Different Picture: Women Filmmakers in the New Hollywood Era". broadwayworld.com. Retrieved July 21, 2018. <a href="https://www.broadwayworld.com/bwwtv/article/BAMcinmatek-to-Present-A-Different-Picture-Women-Filmmakers-in-the-New-Hollywood-Era-20180402" target="_blank">https://www.broadwayworld.com/bwwtv/article/BAMcinmatek-to-Present-A-Different-Picture-Women-Filmmakers-in-the-New-Hollywood-Era-20180402</a> <a href="#fnref:413" class="footnote-back-ref">↩</a></li>
<li id="fn:414">New Hollywood: Movies, Directors, and Influences of the Era|Backstage <a href="https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/" target="_blank">https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/</a> <a href="#fnref:414" class="footnote-back-ref">↩</a></li>
<li id="fn:415">10 Best New Hollywood Movies Directed by Women, Ranked|Collider <a href="https://collider.com/new-hollywood-movies-directed-women-best-ranked/" target="_blank">https://collider.com/new-hollywood-movies-directed-women-best-ranked/</a> <a href="#fnref:415" class="footnote-back-ref">↩</a></li>
<li id="fn:416">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:416" class="footnote-back-ref">↩</a></li>
<li id="fn:417">"New Hollywood: Paul Mazursky". Film Comment. <a href="https://www.filmcomment.com/article/paul-mazursky/" target="_blank">https://www.filmcomment.com/article/paul-mazursky/</a> <a href="#fnref:417" class="footnote-back-ref">↩</a></li>
<li id="fn:418">Foundas, Scott (July 2, 2014). "Variety's Scott Foundas Remembers Paul Mazursky: A Poetic Farceur of American Lives". <a href="https://variety.com/2014/film/columns/varietys-scott-foundas-remembers-paul-mazursky-a-poetic-farceur-of-american-lives-1201256744/" target="_blank">https://variety.com/2014/film/columns/varietys-scott-foundas-remembers-paul-mazursky-a-poetic-farceur-of-american-lives-1201256744/</a> <a href="#fnref:418" class="footnote-back-ref">↩</a></li>
<li id="fn:419">The Pickle Exemplifies Everything That Made Paul Mazursky's Exhausting — Nathan Rabin's Happy Place <a href="https://www.nathanrabin.com/happy-place/2022/11/23/the-fractured-mirror-20-40-the-pickle-1993" target="_blank">https://www.nathanrabin.com/happy-place/2022/11/23/the-fractured-mirror-20-40-the-pickle-1993</a> <a href="#fnref:419" class="footnote-back-ref">↩</a></li>
<li id="fn:420">Bernardoni, J. (2001). The New Hollywood: What the Movies Did with the New Freedoms of the Seventies. McFarland, Incorporated, Publishers. p. 14. ISBN 9780786483075. Retrieved July 19, 2018. <a href="9780786483075" target="_blank">9780786483075</a> <a href="#fnref:420" class="footnote-back-ref">↩</a></li>
<li id="fn:421">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:421" class="footnote-back-ref">↩</a></li>
<li id="fn:422">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:422" class="footnote-back-ref">↩</a></li>
<li id="fn:423">The New Hollywood: What the Movies Did with the New Freedoms of the Seventies - Google Books <a href="https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false" target="_blank">https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false</a> <a href="#fnref:423" class="footnote-back-ref">↩</a></li>
<li id="fn:424">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:424" class="footnote-back-ref">↩</a></li>
<li id="fn:425">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:425" class="footnote-back-ref">↩</a></li>
<li id="fn:426">American Cinema's Sixties Crack-Up|Current|The Criterion Collection <a href="https://www.criterion.com/current/posts/8482-american-cinema-s-sixties-crack-up" target="_blank">https://www.criterion.com/current/posts/8482-american-cinema-s-sixties-crack-up</a> <a href="#fnref:426" class="footnote-back-ref">↩</a></li>
<li id="fn:427">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:427" class="footnote-back-ref">↩</a></li>
<li id="fn:428">"A HISTORY OF AMERICAN NEW WAVE CINEMA Part Three: New Hollywood (1970–1971)". newwavefilm.com. Retrieved July 21, 2018. <a href="http://www.newwavefilm.com/international/new-hollywood2.shtml" target="_blank">http://www.newwavefilm.com/international/new-hollywood2.shtml</a> <a href="#fnref:428" class="footnote-back-ref">↩</a></li>
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<li id="fn:430">"A HISTORY OF AMERICAN NEW WAVE CINEMA Part Three: New Hollywood (1967–1969)". newwavefilm.com. Retrieved July 19, 2018. <a href="http://www.newwavefilm.com/international/new-hollywood.shtml" target="_blank">http://www.newwavefilm.com/international/new-hollywood.shtml</a> <a href="#fnref:430" class="footnote-back-ref">↩</a></li>
<li id="fn:431">The Criterion Channel's September 2024 Lineup|Current|The Criterion Collection <a href="https://www.criterion.com/current/posts/8566-the-criterion-channel-s-september-2024-lineup" target="_blank">https://www.criterion.com/current/posts/8566-the-criterion-channel-s-september-2024-lineup</a> <a href="#fnref:431" class="footnote-back-ref">↩</a></li>
<li id="fn:432">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:432" class="footnote-back-ref">↩</a></li>
<li id="fn:433">10 Best New Hollywood Neo-Noirs, Ranked|Collider <a href="https://collider.com/neo-noir-movies-new-hollywood-ranked/" target="_blank">https://collider.com/neo-noir-movies-new-hollywood-ranked/</a> <a href="#fnref:433" class="footnote-back-ref">↩</a></li>
<li id="fn:434">Paramount in the 1970s|MoMA <a href="https://www.moma.org/calendar/film/5721" target="_blank">https://www.moma.org/calendar/film/5721</a> <a href="#fnref:434" class="footnote-back-ref">↩</a></li>
<li id="fn:435">News and Commentary – Karen Black: The New Hollywood Years – MidCenturyCinema <a href="https://midcenturycinema.org/2021/09/02/news-and-commentary-karen-black-the-new-hollywood-years/" target="_blank">https://midcenturycinema.org/2021/09/02/news-and-commentary-karen-black-the-new-hollywood-years/</a> <a href="#fnref:435" class="footnote-back-ref">↩</a></li>
<li id="fn:436">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:436" class="footnote-back-ref">↩</a></li>
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<li id="fn:444">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:444" class="footnote-back-ref">↩</a></li>
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<li id="fn:452">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:452" class="footnote-back-ref">↩</a></li>
<li id="fn:453">Kirshner 2012, p. 191. - Kirshner, Jonathan (2012). Hollywood's Last Golden Age: Politics, Society, and the Seventies Film in America. Ithaca, New York: Cornell University Press. ISBN 978-0-801-46540-6. <a href="#fnref:453" class="footnote-back-ref">↩</a></li>
<li id="fn:454">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:454" class="footnote-back-ref">↩</a></li>
<li id="fn:455">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:455" class="footnote-back-ref">↩</a></li>
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<li id="fn:458">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:458" class="footnote-back-ref">↩</a></li>
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<li id="fn:509">"A Clockwork Orange – Complete Original Score (1971)". www.soundtrack.net. <a href="https://www.soundtrack.net/album/a-clockwork-orange-score/" target="_blank">https://www.soundtrack.net/album/a-clockwork-orange-score/</a> <a href="#fnref:509" class="footnote-back-ref">↩</a></li>
<li id="fn:510">Notebook Soundtrack Mix #9: Secret Synthesis — The Lost Worlds of Wendy Carlos on Notebook|MUBI <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-9-secret-synthesis-the-lost-worlds-of-wendy-carlos" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-9-secret-synthesis-the-lost-worlds-of-wendy-carlos</a> <a href="#fnref:510" class="footnote-back-ref">↩</a></li>
<li id="fn:511">The Evolution of Synth Soundtracks|Current|The Criterion Collection <a href="https://www.criterion.com/current/posts/8515-the-evolution-of-synth-soundtracks" target="_blank">https://www.criterion.com/current/posts/8515-the-evolution-of-synth-soundtracks</a> <a href="#fnref:511" class="footnote-back-ref">↩</a></li>
<li id="fn:512">"The 30 Greatest Cinematographers of All Time « Taste of Cinema – Movie Reviews and Classic Movie Lists". tasteofcinema.com. July 3, 2015. Retrieved July 21, 2018. <a href="http://www.tasteofcinema.com/2015/the-30-greatest-cinematographers/" target="_blank">http://www.tasteofcinema.com/2015/the-30-greatest-cinematographers/</a> <a href="#fnref:512" class="footnote-back-ref">↩</a></li>
<li id="fn:513">"What Paddy Chayefsky's Notes on 'Network' Teach Us about 'Parenting' a Screenplay". No Film School. April 24, 2018. Retrieved July 21, 2018. <a href="https://nofilmschool.com/2018/04/what-paddy-chayefskys-notes-network-teach-us-about-parenting-screenplay" target="_blank">https://nofilmschool.com/2018/04/what-paddy-chayefskys-notes-network-teach-us-about-parenting-screenplay</a> <a href="#fnref:513" class="footnote-back-ref">↩</a></li>
<li id="fn:514">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:514" class="footnote-back-ref">↩</a></li>
<li id="fn:515">"Stewart Copeland – Rumble Fish Album Reviews, Songs & More | AllMusic" – via www.allmusic.com. <a href="https://www.allmusic.com/album/rumble-fish-mw0000313328" target="_blank">https://www.allmusic.com/album/rumble-fish-mw0000313328</a> <a href="#fnref:515" class="footnote-back-ref">↩</a></li>
<li id="fn:516">"Rumble Fish – Original Motion Picture Soundtrack" – via Amazon. <a href="https://www.amazon.com/Rumble-Fish-Original-Picture-Soundtrack/dp/B001CTLVDI/ref=tmm_acs_swatch_0?_encoding=UTF8&qid=&sr=" target="_blank">https://www.amazon.com/Rumble-Fish-Original-Picture-Soundtrack/dp/B001CTLVDI/ref=tmm_acs_swatch_0?_encoding=UTF8&qid=&sr=</a> <a href="#fnref:516" class="footnote-back-ref">↩</a></li>
<li id="fn:517">Sally Cruikshank: A Career Retrospective, Part 1 — Art of the Title <a href="https://www.artofthetitle.com/feature/sally-cruikshank-a-career-retrospective-part-one/" target="_blank">https://www.artofthetitle.com/feature/sally-cruikshank-a-career-retrospective-part-one/</a> <a href="#fnref:517" class="footnote-back-ref">↩</a></li>
<li id="fn:518">"Blow Out Soundtrack (1981)". soundtrack.net. Retrieved July 21, 2018. <a href="https://www.soundtrack.net/album/blow-out-intrada/" target="_blank">https://www.soundtrack.net/album/blow-out-intrada/</a> <a href="#fnref:518" class="footnote-back-ref">↩</a></li>
<li id="fn:519">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:519" class="footnote-back-ref">↩</a></li>
<li id="fn:520">"Sorcerer | Film Review". Slant Magazine. May 23, 2014. Retrieved July 21, 2018. <a href="https://www.slantmagazine.com/film/review/sorcerer" target="_blank">https://www.slantmagazine.com/film/review/sorcerer</a> <a href="#fnref:520" class="footnote-back-ref">↩</a></li>
<li id="fn:521">"Sorcerer Soundtrack (1977)". www.soundtrack.net. <a href="https://www.soundtrack.net/album/sorcerer/" target="_blank">https://www.soundtrack.net/album/sorcerer/</a> <a href="#fnref:521" class="footnote-back-ref">↩</a></li>
<li id="fn:522">Hollywood's wildest ever thriller? – BBC <a href="https://www.bbc.com/culture/article/20230811-why-william-friedkins-undersung-masterpiece-sorcerer-represents-everything-hollywood-has-lost" target="_blank">https://www.bbc.com/culture/article/20230811-why-william-friedkins-undersung-masterpiece-sorcerer-represents-everything-hollywood-has-lost</a> <a href="#fnref:522" class="footnote-back-ref">↩</a></li>
<li id="fn:523">"Pat Garrett & Billy the Kid (1973)". Flickchart. Retrieved July 21, 2018. <a href="http://www.flickchart.com/movie/C4BE8BE1AA" target="_blank">http://www.flickchart.com/movie/C4BE8BE1AA</a> <a href="#fnref:523" class="footnote-back-ref">↩</a></li>
<li id="fn:524">"Watch: 'Siskel And Ebert' Discuss The Lost Classics Of the 1970s". theplaylist.net. Retrieved August 2, 2018. <a href="https://theplaylist.net/watch-siskel-and-ebert-discuss-the-lost-classics-of-the-1970s-20151118/" target="_blank">https://theplaylist.net/watch-siskel-and-ebert-discuss-the-lost-classics-of-the-1970s-20151118/</a> <a href="#fnref:524" class="footnote-back-ref">↩</a></li>
<li id="fn:525">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:525" class="footnote-back-ref">↩</a></li>
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<li id="fn:527">Pablo Ferro: A Career Retrospective, Part 1 – Art of the Title <a href="https://www.artofthetitle.com/feature/pablo-ferro-a-career-retrospective-part-1/" target="_blank">https://www.artofthetitle.com/feature/pablo-ferro-a-career-retrospective-part-1/</a> <a href="#fnref:527" class="footnote-back-ref">↩</a></li>
<li id="fn:528">Pablo Ferro: A Career Retrospective, Part 2 – Art of the Title <a href="https://www.artofthetitle.com/feature/pablo-ferro-a-career-retrospective-part-2/" target="_blank">https://www.artofthetitle.com/feature/pablo-ferro-a-career-retrospective-part-2/</a> <a href="#fnref:528" class="footnote-back-ref">↩</a></li>
<li id="fn:529">Pablo Ferro, Famed Title Designer on ‘Dr. Strangelove,’ ‘The Thomas Crown Affair’ and ‘Bullitt,’ Dies at 83 – The Hollywood Reporter <a href="https://www.hollywoodreporter.com/news/general-news/pablo-ferro-dead-title-designer-dr-strangelove-clockwork-orange-bullitt-was-83-1162488/" target="_blank">https://www.hollywoodreporter.com/news/general-news/pablo-ferro-dead-title-designer-dr-strangelove-clockwork-orange-bullitt-was-83-1162488/</a> <a href="#fnref:529" class="footnote-back-ref">↩</a></li>
<li id="fn:530">"William A. Fraker dies at 86; Hollywood cinematographer". Los Angeles Times. June 2, 2010. <a href="https://www.latimes.com/local/la-me-william-fraker-20100602-story.html#" target="_blank">https://www.latimes.com/local/la-me-william-fraker-20100602-story.html#</a> <a href="#fnref:530" class="footnote-back-ref">↩</a></li>
<li id="fn:531">"Badlands (1973) – Articles – TCM.com". Turner Classic Movies. Retrieved July 21, 2018. <a href="https://www.tcm.com/tcmdb/title/24480/badlands#articles-reviews" target="_blank">https://www.tcm.com/tcmdb/title/24480/badlands#articles-reviews</a> <a href="#fnref:531" class="footnote-back-ref">↩</a></li>
<li id="fn:532">‘Used Cars’ At 40: How The Cynical Black Comedy Became A Preview Of The Reagan Era – The Playlist <a href="https://theplaylist.net/used-cars-40th-anniversary-20200708/" target="_blank">https://theplaylist.net/used-cars-40th-anniversary-20200708/</a> <a href="#fnref:532" class="footnote-back-ref">↩</a></li>
<li id="fn:533">The Top 10 Underrated Movies ... and 10 Classics We'd Like to Forget – LAmag <a href="https://lamag.com/news/the-top-10-underrated-movies-and-10-classics-wed-like-to-forget" target="_blank">https://lamag.com/news/the-top-10-underrated-movies-and-10-classics-wed-like-to-forget</a> <a href="#fnref:533" class="footnote-back-ref">↩</a></li>
<li id="fn:534">"Chinatown Soundtrack (1974)". soundtrack.net. Retrieved July 21, 2018. <a href="https://www.soundtrack.net/album/chinatown-jerry-goldsmith/" target="_blank">https://www.soundtrack.net/album/chinatown-jerry-goldsmith/</a> <a href="#fnref:534" class="footnote-back-ref">↩</a></li>
<li id="fn:535">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:535" class="footnote-back-ref">↩</a></li>
<li id="fn:536">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:536" class="footnote-back-ref">↩</a></li>
<li id="fn:537">The Hollywood Renaissance: Revisiting American Cinema's Most Celebrated Era – Google Books <a href="https://www.google.com/books/edition/The_Hollywood_Renaissance/vCFZDwAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/The_Hollywood_Renaissance/vCFZDwAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:537" class="footnote-back-ref">↩</a></li>
<li id="fn:538">"The 30 Greatest Cinematographers of All Time « Taste of Cinema – Movie Reviews and Classic Movie Lists". tasteofcinema.com. July 3, 2015. Retrieved July 21, 2018. <a href="http://www.tasteofcinema.com/2015/the-30-greatest-cinematographers/2/" target="_blank">http://www.tasteofcinema.com/2015/the-30-greatest-cinematographers/2/</a> <a href="#fnref:538" class="footnote-back-ref">↩</a></li>
<li id="fn:539">Composing for Cassavetes|Current|The Criterion Collection <a href="https://www.criterion.com/current/posts/5478-composing-for-cassavetes" target="_blank">https://www.criterion.com/current/posts/5478-composing-for-cassavetes</a> <a href="#fnref:539" class="footnote-back-ref">↩</a></li>
<li id="fn:540">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:540" class="footnote-back-ref">↩</a></li>
<li id="fn:541">10 Best New Hollywood Horror Movies, Ranked|Collider <a href="https://collider.com/best-horror-movies-new-hollywood-ranked/" target="_blank">https://collider.com/best-horror-movies-new-hollywood-ranked/</a> <a href="#fnref:541" class="footnote-back-ref">↩</a></li>
<li id="fn:542">James Wong Howe: A Gutsy Cinematographer Finally Gets His Due – The New York Times <a href="https://www.nytimes.com/2022/05/27/movies/james-wong-howe-cinematographer.html" target="_blank">https://www.nytimes.com/2022/05/27/movies/james-wong-howe-cinematographer.html</a> <a href="#fnref:542" class="footnote-back-ref">↩</a></li>
<li id="fn:543">The "Messiah of Evil" devours the screen with Radiance Films's special edition release. – Elements of Madness <a href="https://elementsofmadness.com/2023/12/06/messiahofevil-hv/" target="_blank">https://elementsofmadness.com/2023/12/06/messiahofevil-hv/</a> <a href="#fnref:543" class="footnote-back-ref">↩</a></li>
<li id="fn:544">Cooper, Carol. "Quincy Goes to Hollywood". The Criterion Collection. <a href="https://www.criterion.com/current/posts/6848-quincy-goes-to-hollywood" target="_blank">https://www.criterion.com/current/posts/6848-quincy-goes-to-hollywood</a> <a href="#fnref:544" class="footnote-back-ref">↩</a></li>
<li id="fn:545">"Filmmaker's Handbook: What is the New Hollywood movement?". ScreenPrism. Retrieved July 21, 2018. <a href="http://screenprism.com/insights/article/the-filmmakers-handbook-what-is-the-new-hollywood-movement" target="_blank">http://screenprism.com/insights/article/the-filmmakers-handbook-what-is-the-new-hollywood-movement</a> <a href="#fnref:545" class="footnote-back-ref">↩</a></li>
<li id="fn:546">"Personal Criticism". The New Yorker. August 3, 2009. <a href="https://www.newyorker.com/culture/richard-brody/personal-criticism" target="_blank">https://www.newyorker.com/culture/richard-brody/personal-criticism</a> <a href="#fnref:546" class="footnote-back-ref">↩</a></li>
<li id="fn:547">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:547" class="footnote-back-ref">↩</a></li>
<li id="fn:548">When the Movies Mattered – Google Books <a href="https://books.google.com/books?id=WKZzDwAAQBAJ" target="_blank">https://books.google.com/books?id=WKZzDwAAQBAJ</a> <a href="#fnref:548" class="footnote-back-ref">↩</a></li>
<li id="fn:549">Film History: New Hollywood, Explained - MovieWeb <a href="https://movieweb.com/new-hollywood-movement-explained/" target="_blank">https://movieweb.com/new-hollywood-movement-explained/</a> <a href="#fnref:549" class="footnote-back-ref">↩</a></li>
<li id="fn:550">The "Messiah of Evil" devours the screen with Radiance Films's special edition release. – Elements of Madness <a href="https://elementsofmadness.com/2023/12/06/messiahofevil-hv/" target="_blank">https://elementsofmadness.com/2023/12/06/messiahofevil-hv/</a> <a href="#fnref:550" class="footnote-back-ref">↩</a></li>
<li id="fn:551">"A HISTORY OF AMERICAN NEW WAVE CINEMA Part Three: New Hollywood (1970–1971)". newwavefilm.com. Retrieved July 19, 2018. <a href="http://www.newwavefilm.com/international/new-hollywood2.shtml" target="_blank">http://www.newwavefilm.com/international/new-hollywood2.shtml</a> <a href="#fnref:551" class="footnote-back-ref">↩</a></li>
<li id="fn:552">Paper Moon: Partners in Crime|Current|The Criterion Collection <a href="https://www.criterion.com/current/posts/8655-paper-moon-partners-in-crime" target="_blank">https://www.criterion.com/current/posts/8655-paper-moon-partners-in-crime</a> <a href="#fnref:552" class="footnote-back-ref">↩</a></li>
<li id="fn:553">The Hollywood Renaissance and The Blacklist – Culture Matters <a href="https://www.culturematters.org.uk/index.php/arts/films/item/4325-the-hollywood-renaissance-and-the-blacklist" target="_blank">https://www.culturematters.org.uk/index.php/arts/films/item/4325-the-hollywood-renaissance-and-the-blacklist</a> <a href="#fnref:553" class="footnote-back-ref">↩</a></li>
<li id="fn:554">Trouble in Tinseltown: The American blacklist and the New Hollywood rebellion – National Science and Media Museum <a href="https://blog.scienceandmediamuseum.org.uk/american-blacklist-new-hollywood/" target="_blank">https://blog.scienceandmediamuseum.org.uk/american-blacklist-new-hollywood/</a> <a href="#fnref:554" class="footnote-back-ref">↩</a></li>
<li id="fn:555">Barry Malkin Dead: 'The Godfather Part II' Editor Was 80 – Variety <a href="https://variety.com/2019/film/news/barry-malkin-dead-dies-the-godfather-part-two-editor-1203182114/" target="_blank">https://variety.com/2019/film/news/barry-malkin-dead-dies-the-godfather-part-two-editor-1203182114/</a> <a href="#fnref:555" class="footnote-back-ref">↩</a></li>
<li id="fn:556">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:556" class="footnote-back-ref">↩</a></li>
<li id="fn:557">"American Gigolo". July 20, 1980 – via Amazon. <a href="https://www.amazon.com/American-Gigolo-Giorgio-Moroder/dp/B00005BJJZ/ref=sr_1_54?dchild=1&qid=1635609964&refinements=p_32:Giorgio+Moroder&s=music&sr=1-54" target="_blank">https://www.amazon.com/American-Gigolo-Giorgio-Moroder/dp/B00005BJJZ/ref=sr_1_54?dchild=1&qid=1635609964&refinements=p_32:Giorgio+Moroder&s=music&sr=1-54</a> <a href="#fnref:557" class="footnote-back-ref">↩</a></li>
<li id="fn:558">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:558" class="footnote-back-ref">↩</a></li>
<li id="fn:559">"Days Of Heaven Soundtrack (1978)". soundtrack.net. Archived from the original on July 20, 2018. Retrieved July 21, 2018. <a href="https://web.archive.org/web/20180720225354/https://www.soundtrack.net/album/days-of-heaven-morricone/" target="_blank">https://web.archive.org/web/20180720225354/https://www.soundtrack.net/album/days-of-heaven-morricone/</a> <a href="#fnref:559" class="footnote-back-ref">↩</a></li>
<li id="fn:560">Fletcher, Rosie (July 10, 2020). "How Ennio Morricone's Sinister Score to The Thing Earned Him Accolades and a Razzie Nomination". Den of Geek. Retrieved November 14, 2022. <a href="https://www.denofgeek.com/movies/ennio-morricone-the-thing-score-razzie-nomination/" target="_blank">https://www.denofgeek.com/movies/ennio-morricone-the-thing-score-razzie-nomination/</a> <a href="#fnref:560" class="footnote-back-ref">↩</a></li>
<li id="fn:561">The Hollywood Renaissance: Revisiting American Cinema's Most Celebrated Era – Google Books <a href="https://www.google.com/books/edition/The_Hollywood_Renaissance/vCFZDwAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/The_Hollywood_Renaissance/vCFZDwAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:561" class="footnote-back-ref">↩</a></li>
<li id="fn:562">Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture – Google Books (ch. "Introduction The Business of Auteur Theory") <a href="https://www.google.com/books/edition/Post_Fordist_Cinema/P2NbDwAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Post_Fordist_Cinema/P2NbDwAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:562" class="footnote-back-ref">↩</a></li>
<li id="fn:563">"Original Soundtrack – Midnight Cowboy Album Reviews, Songs & More | AllMusic" – via www.allmusic.com. <a href="https://www.allmusic.com/album/midnight-cowboy-mw0000651960" target="_blank">https://www.allmusic.com/album/midnight-cowboy-mw0000651960</a> <a href="#fnref:563" class="footnote-back-ref">↩</a></li>
<li id="fn:564">"Midnight Cowboy" – via Amazon. <a href="https://www.amazon.com/Midnight-Cowboy/dp/B000005JJ9/ref=tmm_acd_swatch_0?_encoding=UTF8&qid=&sr=" target="_blank">https://www.amazon.com/Midnight-Cowboy/dp/B000005JJ9/ref=tmm_acd_swatch_0?_encoding=UTF8&qid=&sr=</a> <a href="#fnref:564" class="footnote-back-ref">↩</a></li>
<li id="fn:565">"Jack Nitzsche, Jack Nitzsche – One Flew Over The Cuckoo's Nest: Original Soundtrack – Amazon.com Music". amazon.com. Retrieved July 21, 2018. <a href="https://www.amazon.com/One-Flew-Over-Cuckoos-Nest/dp/B000000XD0" target="_blank">https://www.amazon.com/One-Flew-Over-Cuckoos-Nest/dp/B000000XD0</a> <a href="#fnref:565" class="footnote-back-ref">↩</a></li>
<li id="fn:566">"One Flew Over The Cuckoo's Nest Soundtrack (1975)". www.soundtrack.net. <a href="https://www.soundtrack.net/album/one-flew-over-the-cuckoos-nest/" target="_blank">https://www.soundtrack.net/album/one-flew-over-the-cuckoos-nest/</a> <a href="#fnref:566" class="footnote-back-ref">↩</a></li>
<li id="fn:567">"The Exorcist Soundtrack (1973)". soundtrack.net. Retrieved July 21, 2018. <a href="https://www.soundtrack.net/album/the-exorcist-1973/" target="_blank">https://www.soundtrack.net/album/the-exorcist-1973/</a> <a href="#fnref:567" class="footnote-back-ref">↩</a></li>
<li id="fn:568">Dan Perri – Art of the Title <a href="https://www.artofthetitle.com/designer/dan-perri/" target="_blank">https://www.artofthetitle.com/designer/dan-perri/</a> <a href="#fnref:568" class="footnote-back-ref">↩</a></li>
<li id="fn:569">Erbland, Kate (May 28, 2020). "'You Must Remember This': How an Unfinished Memoir Reveals Polly Platt's Forgotten Hollywood Legacy". <a href="https://www.indiewire.com/2020/05/you-must-remember-this-polly-platt-karina-longworth-podcast-1202233785/" target="_blank">https://www.indiewire.com/2020/05/you-must-remember-this-polly-platt-karina-longworth-podcast-1202233785/</a> <a href="#fnref:569" class="footnote-back-ref">↩</a></li>
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<li id="fn:571">"OWEN ROIZMAN | Oscars.org | Academy of Motion Picture Arts and Sciences". oscars.org. October 17, 2017. Retrieved July 21, 2018. <a href="http://www.oscars.org/governors-awards/owen-roizman" target="_blank">http://www.oscars.org/governors-awards/owen-roizman</a> <a href="#fnref:571" class="footnote-back-ref">↩</a></li>
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<li id="fn:634">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:634" class="footnote-back-ref">↩</a></li>
<li id="fn:635">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:635" class="footnote-back-ref">↩</a></li>
<li id="fn:636">New Hollywood: Movies, Directors, and Influences of the Era|Backstage <a href="https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/" target="_blank">https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/</a> <a href="#fnref:636" class="footnote-back-ref">↩</a></li>
<li id="fn:637">Trouble in Tinseltown: The American blacklist and the New Hollywood rebellion – National Science and Media Museum <a href="https://blog.scienceandmediamuseum.org.uk/american-blacklist-new-hollywood/" target="_blank">https://blog.scienceandmediamuseum.org.uk/american-blacklist-new-hollywood/</a> <a href="#fnref:637" class="footnote-back-ref">↩</a></li>
<li id="fn:638">Thompson & Bordwell 2003, p. 513. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:638" class="footnote-back-ref">↩</a></li>
<li id="fn:639">Krämer 2005, p. 8. - Krämer, Peter (2005). The New Hollywood: From Bonnie and Clyde to Star Wars. Wallflower Press. ISBN 978-1-904764-58-8. <a href="https://archive.org/details/newhollywoodfrom0000kram" target="_blank">https://archive.org/details/newhollywoodfrom0000kram</a> <a href="#fnref:639" class="footnote-back-ref">↩</a></li>
<li id="fn:640">Harris 2008, p. 1–4. - Harris, Mark (2008). Pictures at a Revolution: Five Movies and the Birth of the New Hollywood. New York: Penguin Press. ISBN 978-1-594-20152-3. <a href="https://archive.org/details/picturesatrevolu00harr_0" target="_blank">https://archive.org/details/picturesatrevolu00harr_0</a> <a href="#fnref:640" class="footnote-back-ref">↩</a></li>
<li id="fn:641">Film History According to Tarantino – ArtReview <a href="https://artreview.com/film-history-according-to-tarantino/" target="_blank">https://artreview.com/film-history-according-to-tarantino/</a> <a href="#fnref:641" class="footnote-back-ref">↩</a></li>
<li id="fn:642">How New Hollywood Spirit Lives in 'Armageddon Time,' 'The Inspection' and 'Vengeance' – Variety <a href="https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/" target="_blank">https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/</a> <a href="#fnref:642" class="footnote-back-ref">↩</a></li>
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<li id="fn:645">The Best 'New Hollywood' Movies You Probably Haven't Seen|/Film <a href="https://www.slashfilm.com/521126/tbyphs-new-hollywood-movies/" target="_blank">https://www.slashfilm.com/521126/tbyphs-new-hollywood-movies/</a> <a href="#fnref:645" class="footnote-back-ref">↩</a></li>
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<li id="fn:647">Cinema '67 Revisited: In Cold Blood – Film Comment Magazine <a href="https://www.filmcomment.com/blog/cinema-67-revisited-cold-blood/" target="_blank">https://www.filmcomment.com/blog/cinema-67-revisited-cold-blood/</a> <a href="#fnref:647" class="footnote-back-ref">↩</a></li>
<li id="fn:648">How New Hollywood Spirit Lives in 'Armageddon Time,' 'The Inspection' and 'Vengeance' – Variety <a href="https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/" target="_blank">https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/</a> <a href="#fnref:648" class="footnote-back-ref">↩</a></li>
<li id="fn:649">Thompson & Bordwell 2003, p. 514. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:649" class="footnote-back-ref">↩</a></li>
<li id="fn:650">Harris 2008, p. 1–4. - Harris, Mark (2008). Pictures at a Revolution: Five Movies and the Birth of the New Hollywood. New York: Penguin Press. ISBN 978-1-594-20152-3. <a href="https://archive.org/details/picturesatrevolu00harr_0" target="_blank">https://archive.org/details/picturesatrevolu00harr_0</a> <a href="#fnref:650" class="footnote-back-ref">↩</a></li>
<li id="fn:651">Robnik, Drehli. "Allegories of post-Fordism in 1970s New Hollywood: Countercultural combat films, conspiracy thrillers as genre-recycling (2004) | Drehli Robnik". The Last Great American Picture Show: 333. Retrieved July 19, 2018. <a href="https://www.academia.edu/9918618" target="_blank">https://www.academia.edu/9918618</a> <a href="#fnref:651" class="footnote-back-ref">↩</a></li>
<li id="fn:652">Symmons, Tom (June 13, 2016). The New Hollywood Historical Film: 1967–78. Springer. ISBN 9781137529305. <a href="9781137529305" target="_blank">9781137529305</a> <a href="#fnref:652" class="footnote-back-ref">↩</a></li>
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<li id="fn:656">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:656" class="footnote-back-ref">↩</a></li>
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<li id="fn:660">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:660" class="footnote-back-ref">↩</a></li>
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<li id="fn:662">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:662" class="footnote-back-ref">↩</a></li>
<li id="fn:663">Thompson & Bordwell 2003, p. 516. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:663" class="footnote-back-ref">↩</a></li>
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<li id="fn:665">Thompson & Bordwell 2003, p. 517. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:665" class="footnote-back-ref">↩</a></li>
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<li id="fn:668">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:668" class="footnote-back-ref">↩</a></li>
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<li id="fn:675">10 Best New Hollywood Thrillers, Ranked|Collider <a href="https://collider.com/new-hollywood-movie-thrillers-best-ranked/" target="_blank">https://collider.com/new-hollywood-movie-thrillers-best-ranked/</a> <a href="#fnref:675" class="footnote-back-ref">↩</a></li>
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<li id="fn:687">Thompson & Bordwell 2003, p. 530. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:687" class="footnote-back-ref">↩</a></li>
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<li id="fn:699">Film History According to Tarantino – ArtReview <a href="https://artreview.com/film-history-according-to-tarantino/" target="_blank">https://artreview.com/film-history-according-to-tarantino/</a> <a href="#fnref:699" class="footnote-back-ref">↩</a></li>
<li id="fn:700">Bob Rafelson, New Hollywood era director, dies at 89| AP News <a href="https://apnews.com/article/entertainment-martin-scorsese-obituaries-steven-spielberg-508d25aabfb6e8ec0c4818dad2dfb16a" target="_blank">https://apnews.com/article/entertainment-martin-scorsese-obituaries-steven-spielberg-508d25aabfb6e8ec0c4818dad2dfb16a</a> <a href="#fnref:700" class="footnote-back-ref">↩</a></li>
<li id="fn:701">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:701" class="footnote-back-ref">↩</a></li>
<li id="fn:702">New Hollywood: American 70s|Film Streams <a href="https://filmstreams.org/series/new-hollywood-american-70s" target="_blank">https://filmstreams.org/series/new-hollywood-american-70s</a> <a href="#fnref:702" class="footnote-back-ref">↩</a></li>
<li id="fn:703">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:703" class="footnote-back-ref">↩</a></li>
<li id="fn:704">Thompson & Bordwell 2003, p. 518. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:704" class="footnote-back-ref">↩</a></li>
<li id="fn:705">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:705" class="footnote-back-ref">↩</a></li>
<li id="fn:706">Thompson & Bordwell 2003, p. 513. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:706" class="footnote-back-ref">↩</a></li>
<li id="fn:707">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:707" class="footnote-back-ref">↩</a></li>
<li id="fn:708">A Brief History Of New Hollywood|The Rise – Little White Lies on YouTube <a href="https://www.youtube.com/watch?v=E6byV69VBLw" target="_blank">https://www.youtube.com/watch?v=E6byV69VBLw</a> <a href="#fnref:708" class="footnote-back-ref">↩</a></li>
<li id="fn:709">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:709" class="footnote-back-ref">↩</a></li>
<li id="fn:710">Trouble in Tinseltown: The American blacklist and the New Hollywood rebellion – National Science and Media Museum <a href="https://blog.scienceandmediamuseum.org.uk/american-blacklist-new-hollywood/" target="_blank">https://blog.scienceandmediamuseum.org.uk/american-blacklist-new-hollywood/</a> <a href="#fnref:710" class="footnote-back-ref">↩</a></li>
<li id="fn:711">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:711" class="footnote-back-ref">↩</a></li>
<li id="fn:712">Thompson & Bordwell 2003, p. 519. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:712" class="footnote-back-ref">↩</a></li>
<li id="fn:713">Francis Ford Coppola is Going All In Again|34th Street Magazine <a href="https://www.34st.com/article/2024/04/francis-ford-coppola-megalopolis-godfather-apocalypse-now" target="_blank">https://www.34st.com/article/2024/04/francis-ford-coppola-megalopolis-godfather-apocalypse-now</a> <a href="#fnref:713" class="footnote-back-ref">↩</a></li>
<li id="fn:714">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:714" class="footnote-back-ref">↩</a></li>
<li id="fn:715">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:715" class="footnote-back-ref">↩</a></li>
<li id="fn:716">Hughes, Woodson (November 20, 2015). "The 30 Most Underappreciated Movies of The New Hollywood Era". <a href="http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/" target="_blank">http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/</a> <a href="#fnref:716" class="footnote-back-ref">↩</a></li>
<li id="fn:717">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:717" class="footnote-back-ref">↩</a></li>
<li id="fn:718">Thompson & Bordwell 2003, p. 515. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:718" class="footnote-back-ref">↩</a></li>
<li id="fn:719">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:719" class="footnote-back-ref">↩</a></li>
<li id="fn:720">Film History: New Hollywood, Explained - MovieWeb <a href="https://movieweb.com/new-hollywood-movement-explained/" target="_blank">https://movieweb.com/new-hollywood-movement-explained/</a> <a href="#fnref:720" class="footnote-back-ref">↩</a></li>
<li id="fn:721">Thompson & Bordwell 2003, p. 515. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:721" class="footnote-back-ref">↩</a></li>
<li id="fn:722">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:722" class="footnote-back-ref">↩</a></li>
<li id="fn:723">Thompson & Bordwell 2003, p. 514. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:723" class="footnote-back-ref">↩</a></li>
<li id="fn:724">Krämer 2005, p. 8. - Krämer, Peter (2005). The New Hollywood: From Bonnie and Clyde to Star Wars. Wallflower Press. ISBN 978-1-904764-58-8. <a href="https://archive.org/details/newhollywoodfrom0000kram" target="_blank">https://archive.org/details/newhollywoodfrom0000kram</a> <a href="#fnref:724" class="footnote-back-ref">↩</a></li>
<li id="fn:725">Thompson & Bordwell 2003, p. 519. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:725" class="footnote-back-ref">↩</a></li>
<li id="fn:726">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:726" class="footnote-back-ref">↩</a></li>
<li id="fn:727">Schasny, Josh (March 4, 2016). "25 New Hollywood Era Films That Projected the Hopes and Fears of the Times". <a href="http://www.tasteofcinema.com/2016/25-new-hollywood-era-films-that-projected-the-hopes-and-fears-of-the-times/" target="_blank">http://www.tasteofcinema.com/2016/25-new-hollywood-era-films-that-projected-the-hopes-and-fears-of-the-times/</a> <a href="#fnref:727" class="footnote-back-ref">↩</a></li>
<li id="fn:728">"Filmmuseum – Program SD". www.filmmuseum.at. <a href="https://www.filmmuseum.at/en/film_program/scope?schienen_id=200030" target="_blank">https://www.filmmuseum.at/en/film_program/scope?schienen_id=200030</a> <a href="#fnref:728" class="footnote-back-ref">↩</a></li>
<li id="fn:729">The Dark Side of the New Hollywood: On Jon Lewis's "Road Trip to Nowhere" – Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/the-dark-side-of-the-new-hollywood-on-jon-lewiss-road-trip-to-nowhere/" target="_blank">https://lareviewofbooks.org/article/the-dark-side-of-the-new-hollywood-on-jon-lewiss-road-trip-to-nowhere/</a> <a href="#fnref:729" class="footnote-back-ref">↩</a></li>
<li id="fn:730">When the Movies Mattered – Google Books <a href="https://books.google.com/books?id=WKZzDwAAQBAJ" target="_blank">https://books.google.com/books?id=WKZzDwAAQBAJ</a> <a href="#fnref:730" class="footnote-back-ref">↩</a></li>
<li id="fn:731">New Hollywood: Movies, Directors, and Influences of the Era|Backstage <a href="https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/" target="_blank">https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/</a> <a href="#fnref:731" class="footnote-back-ref">↩</a></li>
<li id="fn:732">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:732" class="footnote-back-ref">↩</a></li>
<li id="fn:733">10 Best New Hollywood Movies Directed by Women, Ranked|Collider <a href="https://collider.com/new-hollywood-movies-directed-women-best-ranked/" target="_blank">https://collider.com/new-hollywood-movies-directed-women-best-ranked/</a> <a href="#fnref:733" class="footnote-back-ref">↩</a></li>
<li id="fn:734">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:734" class="footnote-back-ref">↩</a></li>
<li id="fn:735">The Criterion Channel's September 2024 Lineup|Current|The Criterion Collection <a href="https://www.criterion.com/current/posts/8566-the-criterion-channel-s-september-2024-lineup" target="_blank">https://www.criterion.com/current/posts/8566-the-criterion-channel-s-september-2024-lineup</a> <a href="#fnref:735" class="footnote-back-ref">↩</a></li>
<li id="fn:736">The Best 'New Hollywood' Movies You Probably Haven't Seen|/Film <a href="https://www.slashfilm.com/521126/tbyphs-new-hollywood-movies/" target="_blank">https://www.slashfilm.com/521126/tbyphs-new-hollywood-movies/</a> <a href="#fnref:736" class="footnote-back-ref">↩</a></li>
<li id="fn:737">Hughes, Woodson (November 20, 2015). "The 30 Most Underappreciated Movies of The New Hollywood Era". <a href="http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/" target="_blank">http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/</a> <a href="#fnref:737" class="footnote-back-ref">↩</a></li>
<li id="fn:738">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:738" class="footnote-back-ref">↩</a></li>
<li id="fn:739">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:739" class="footnote-back-ref">↩</a></li>
<li id="fn:740">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:740" class="footnote-back-ref">↩</a></li>
<li id="fn:741">Film Fourm resurrects a gritty city with 'New York in the '70s'|amNewYork <a href="https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/" target="_blank">https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/</a> <a href="#fnref:741" class="footnote-back-ref">↩</a></li>
<li id="fn:742">Thompson & Bordwell 2003, p. 519. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:742" class="footnote-back-ref">↩</a></li>
<li id="fn:743">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:743" class="footnote-back-ref">↩</a></li>
<li id="fn:744">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:744" class="footnote-back-ref">↩</a></li>
<li id="fn:745">Thompson & Bordwell 2003, p. 519. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:745" class="footnote-back-ref">↩</a></li>
<li id="fn:746">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:746" class="footnote-back-ref">↩</a></li>
<li id="fn:747">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:747" class="footnote-back-ref">↩</a></li>
<li id="fn:748">New Hollywood: American 70s|Film Streams <a href="https://filmstreams.org/series/new-hollywood-american-70s" target="_blank">https://filmstreams.org/series/new-hollywood-american-70s</a> <a href="#fnref:748" class="footnote-back-ref">↩</a></li>
<li id="fn:749">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:749" class="footnote-back-ref">↩</a></li>
<li id="fn:750">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:750" class="footnote-back-ref">↩</a></li>
<li id="fn:751">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:751" class="footnote-back-ref">↩</a></li>
<li id="fn:752">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:752" class="footnote-back-ref">↩</a></li>
<li id="fn:753">How New Hollywood Spirit Lives in 'Armageddon Time,' 'The Inspection' and 'Vengeance' – Variety <a href="https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/" target="_blank">https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/</a> <a href="#fnref:753" class="footnote-back-ref">↩</a></li>
<li id="fn:754">The New Hollywood: What the Movies Did with the New Freedoms of the Seventies - Google Books <a href="https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false" target="_blank">https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false</a> <a href="#fnref:754" class="footnote-back-ref">↩</a></li>
<li id="fn:755">Davies on Bernardoni, 'The New Hollywood: What the Movies Did with the New Freedoms of the Seventies'|H-Net <a href="https://networks.h-net.org/node/21708/reviews/21838/davies-bernardoni-new-hollywood-what-movies-did-new-freedoms-seventies" target="_blank">https://networks.h-net.org/node/21708/reviews/21838/davies-bernardoni-new-hollywood-what-movies-did-new-freedoms-seventies</a> <a href="#fnref:755" class="footnote-back-ref">↩</a></li>
<li id="fn:756">Trouble in Tinseltown: The American blacklist and the New Hollywood rebellion – National Science and Media Museum <a href="https://blog.scienceandmediamuseum.org.uk/american-blacklist-new-hollywood/" target="_blank">https://blog.scienceandmediamuseum.org.uk/american-blacklist-new-hollywood/</a> <a href="#fnref:756" class="footnote-back-ref">↩</a></li>
<li id="fn:757">Krämer 2005, p. 8. - Krämer, Peter (2005). The New Hollywood: From Bonnie and Clyde to Star Wars. Wallflower Press. ISBN 978-1-904764-58-8. <a href="https://archive.org/details/newhollywoodfrom0000kram" target="_blank">https://archive.org/details/newhollywoodfrom0000kram</a> <a href="#fnref:757" class="footnote-back-ref">↩</a></li>
<li id="fn:758">"A HISTORY OF AMERICAN NEW WAVE CINEMA Part Three: New Hollywood (1970–1971)". newwavefilm.com. Retrieved July 19, 2018. <a href="http://www.newwavefilm.com/international/new-hollywood2.shtml" target="_blank">http://www.newwavefilm.com/international/new-hollywood2.shtml</a> <a href="#fnref:758" class="footnote-back-ref">↩</a></li>
<li id="fn:759">Krämer 2005, p. 8. - Krämer, Peter (2005). The New Hollywood: From Bonnie and Clyde to Star Wars. Wallflower Press. ISBN 978-1-904764-58-8. <a href="https://archive.org/details/newhollywoodfrom0000kram" target="_blank">https://archive.org/details/newhollywoodfrom0000kram</a> <a href="#fnref:759" class="footnote-back-ref">↩</a></li>
<li id="fn:760">"A HISTORY OF AMERICAN NEW WAVE CINEMA Part Three: New Hollywood (1970–1971)". newwavefilm.com. Retrieved July 19, 2018. <a href="http://www.newwavefilm.com/international/new-hollywood2.shtml" target="_blank">http://www.newwavefilm.com/international/new-hollywood2.shtml</a> <a href="#fnref:760" class="footnote-back-ref">↩</a></li>
<li id="fn:761">'70s Play the '30s – Metrogrpah <a href="https://metrograph.com/category/70s-play-the-30s/" target="_blank">https://metrograph.com/category/70s-play-the-30s/</a> <a href="#fnref:761" class="footnote-back-ref">↩</a></li>
<li id="fn:762">September In Theater – Journal – Metrograph <a href="https://metrograph.com/in-theater-september-2022/" target="_blank">https://metrograph.com/in-theater-september-2022/</a> <a href="#fnref:762" class="footnote-back-ref">↩</a></li>
<li id="fn:763">Thompson & Bordwell 2003, p. 515. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:763" class="footnote-back-ref">↩</a></li>
<li id="fn:764">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:764" class="footnote-back-ref">↩</a></li>
<li id="fn:765">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:765" class="footnote-back-ref">↩</a></li>
<li id="fn:766">"Return to New Hollywood". March 15, 2006. <a href="http://americancinematheque.com/archive1999/2006/NewHollywood.htm" target="_blank">http://americancinematheque.com/archive1999/2006/NewHollywood.htm</a> <a href="#fnref:766" class="footnote-back-ref">↩</a></li>
<li id="fn:767">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:767" class="footnote-back-ref">↩</a></li>
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<li id="fn:770">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:770" class="footnote-back-ref">↩</a></li>
<li id="fn:771">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:771" class="footnote-back-ref">↩</a></li>
<li id="fn:772">Thompson & Bordwell 2003, p. 516. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:772" class="footnote-back-ref">↩</a></li>
<li id="fn:773">Crawford, Travis (December 16, 2010). "Criterion: American Lost and Found: The BBS Story". Filmmaker Magazine. Retrieved February 19, 2013. <a href="http://filmmakermagazine.com/16844-america-lost-and-found-the-bbs-story/" target="_blank">http://filmmakermagazine.com/16844-america-lost-and-found-the-bbs-story/</a> <a href="#fnref:773" class="footnote-back-ref">↩</a></li>
<li id="fn:774">How New Hollywood Spirit Lives in 'Armageddon Time,' 'The Inspection' and 'Vengeance' – Variety <a href="https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/" target="_blank">https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/</a> <a href="#fnref:774" class="footnote-back-ref">↩</a></li>
<li id="fn:775">Bob Rafelson, New Hollywood era director, dies at 89| AP News <a href="https://apnews.com/article/entertainment-martin-scorsese-obituaries-steven-spielberg-508d25aabfb6e8ec0c4818dad2dfb16a" target="_blank">https://apnews.com/article/entertainment-martin-scorsese-obituaries-steven-spielberg-508d25aabfb6e8ec0c4818dad2dfb16a</a> <a href="#fnref:775" class="footnote-back-ref">↩</a></li>
<li id="fn:776">New Hollywood: American 70s|Film Streams <a href="https://filmstreams.org/series/new-hollywood-american-70s" target="_blank">https://filmstreams.org/series/new-hollywood-american-70s</a> <a href="#fnref:776" class="footnote-back-ref">↩</a></li>
<li id="fn:777">Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 – Google Books (p. 6) <a href="https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0</a> <a href="#fnref:777" class="footnote-back-ref">↩</a></li>
<li id="fn:778">Thompson & Bordwell 2003, p. 518. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:778" class="footnote-back-ref">↩</a></li>
<li id="fn:779">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:779" class="footnote-back-ref">↩</a></li>
<li id="fn:780">"New Hollywood Auteur | wcftr.commarts.wisc.edu". wcftr.commarts.wisc.edu. Archived from the original on December 4, 2022. Retrieved April 20, 2020. <a href="https://web.archive.org/web/20221204104834/https://wcftr.commarts.wisc.edu/exhibits/robert-altmans-early-career/new-hollywood-auteur" target="_blank">https://web.archive.org/web/20221204104834/https://wcftr.commarts.wisc.edu/exhibits/robert-altmans-early-career/new-hollywood-auteur</a> <a href="#fnref:780" class="footnote-back-ref">↩</a></li>
<li id="fn:781">Davidson, James (June 12, 2014). "15 Sleeper Films Of The New Hollywood Era That Are Worth Seeing". <a href="http://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/" target="_blank">http://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/</a> <a href="#fnref:781" class="footnote-back-ref">↩</a></li>
<li id="fn:782">The Best 'New Hollywood' Movies You Probably Haven't Seen|/Film <a href="https://www.slashfilm.com/521126/tbyphs-new-hollywood-movies/" target="_blank">https://www.slashfilm.com/521126/tbyphs-new-hollywood-movies/</a> <a href="#fnref:782" class="footnote-back-ref">↩</a></li>
<li id="fn:783">Thompson & Bordwell 2003, p. 515. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:783" class="footnote-back-ref">↩</a></li>
<li id="fn:784">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:784" class="footnote-back-ref">↩</a></li>
<li id="fn:785">"A HISTORY OF AMERICAN NEW WAVE CINEMA Part Three: New Hollywood (1970–1971)". newwavefilm.com. Retrieved July 19, 2018. <a href="http://www.newwavefilm.com/international/new-hollywood2.shtml" target="_blank">http://www.newwavefilm.com/international/new-hollywood2.shtml</a> <a href="#fnref:785" class="footnote-back-ref">↩</a></li>
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<li id="fn:787">Davidson, James (June 12, 2014). "15 Sleeper Films Of The New Hollywood Era That Are Worth Seeing". <a href="http://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/" target="_blank">http://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/</a> <a href="#fnref:787" class="footnote-back-ref">↩</a></li>
<li id="fn:788">Thompson & Bordwell 2003, p. 518. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:788" class="footnote-back-ref">↩</a></li>
<li id="fn:789">"A HISTORY OF AMERICAN NEW WAVE CINEMA Part Three: New Hollywood (1970–1971)". newwavefilm.com. Retrieved July 19, 2018. <a href="http://www.newwavefilm.com/international/new-hollywood2.shtml" target="_blank">http://www.newwavefilm.com/international/new-hollywood2.shtml</a> <a href="#fnref:789" class="footnote-back-ref">↩</a></li>
<li id="fn:790">Kehr, Dave (June 3, 2009). "Two Views of One Time". The New York Times. <a href="https://www.nytimes.com/2009/06/07/movies/homevideo/07kehr.html" target="_blank">https://www.nytimes.com/2009/06/07/movies/homevideo/07kehr.html</a> <a href="#fnref:790" class="footnote-back-ref">↩</a></li>
<li id="fn:791">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:791" class="footnote-back-ref">↩</a></li>
<li id="fn:792">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:792" class="footnote-back-ref">↩</a></li>
<li id="fn:793">Schasny, Josh (March 4, 2016). "25 New Hollywood Era Films That Projected the Hopes and Fears of the Times". <a href="http://www.tasteofcinema.com/2016/25-new-hollywood-era-films-that-projected-the-hopes-and-fears-of-the-times/" target="_blank">http://www.tasteofcinema.com/2016/25-new-hollywood-era-films-that-projected-the-hopes-and-fears-of-the-times/</a> <a href="#fnref:793" class="footnote-back-ref">↩</a></li>
<li id="fn:794">New Hollywood: American 70s|Film Streams <a href="https://filmstreams.org/series/new-hollywood-american-70s" target="_blank">https://filmstreams.org/series/new-hollywood-american-70s</a> <a href="#fnref:794" class="footnote-back-ref">↩</a></li>
<li id="fn:795">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:795" class="footnote-back-ref">↩</a></li>
<li id="fn:796">10 Best New Hollywood Movies Directed by Women, Ranked|Collider <a href="https://collider.com/new-hollywood-movies-directed-women-best-ranked/" target="_blank">https://collider.com/new-hollywood-movies-directed-women-best-ranked/</a> <a href="#fnref:796" class="footnote-back-ref">↩</a></li>
<li id="fn:797">New Hollywood: American 70s|Film Streams <a href="https://filmstreams.org/series/new-hollywood-american-70s" target="_blank">https://filmstreams.org/series/new-hollywood-american-70s</a> <a href="#fnref:797" class="footnote-back-ref">↩</a></li>
<li id="fn:798">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:798" class="footnote-back-ref">↩</a></li>
<li id="fn:799">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:799" class="footnote-back-ref">↩</a></li>
<li id="fn:800">Crawford, Travis (December 16, 2010). "Criterion: American Lost and Found: The BBS Story". Filmmaker Magazine. Retrieved February 19, 2013. <a href="http://filmmakermagazine.com/16844-america-lost-and-found-the-bbs-story/" target="_blank">http://filmmakermagazine.com/16844-america-lost-and-found-the-bbs-story/</a> <a href="#fnref:800" class="footnote-back-ref">↩</a></li>
<li id="fn:801">News and Commentary – Karen Black: The New Hollywood Years – MidCenturyCinema <a href="https://midcenturycinema.org/2021/09/02/news-and-commentary-karen-black-the-new-hollywood-years/" target="_blank">https://midcenturycinema.org/2021/09/02/news-and-commentary-karen-black-the-new-hollywood-years/</a> <a href="#fnref:801" class="footnote-back-ref">↩</a></li>
<li id="fn:802">Crawford, Travis (December 16, 2010). "Criterion: American Lost and Found: The BBS Story". Filmmaker Magazine. Retrieved February 19, 2013. <a href="http://filmmakermagazine.com/16844-america-lost-and-found-the-bbs-story/" target="_blank">http://filmmakermagazine.com/16844-america-lost-and-found-the-bbs-story/</a> <a href="#fnref:802" class="footnote-back-ref">↩</a></li>
<li id="fn:803">Hendershot, Heather (May 11, 2011). "Losers Take All: On the New American Cinema". The Nation. Archived from the original on July 20, 2018. Retrieved July 21, 2018. <a href="https://web.archive.org/web/20180720200259/https://www.thenation.com/article/losers-take-all-new-american-cinema/" target="_blank">https://web.archive.org/web/20180720200259/https://www.thenation.com/article/losers-take-all-new-american-cinema/</a> <a href="#fnref:803" class="footnote-back-ref">↩</a></li>
<li id="fn:804">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:804" class="footnote-back-ref">↩</a></li>
<li id="fn:805">Thompson & Bordwell 2003, p. 515. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:805" class="footnote-back-ref">↩</a></li>
<li id="fn:806">"Return to New Hollywood". March 15, 2006. <a href="http://americancinematheque.com/archive1999/2006/NewHollywood.htm" target="_blank">http://americancinematheque.com/archive1999/2006/NewHollywood.htm</a> <a href="#fnref:806" class="footnote-back-ref">↩</a></li>
<li id="fn:807">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:807" class="footnote-back-ref">↩</a></li>
<li id="fn:808">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:808" class="footnote-back-ref">↩</a></li>
<li id="fn:809">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:809" class="footnote-back-ref">↩</a></li>
<li id="fn:810">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:810" class="footnote-back-ref">↩</a></li>
<li id="fn:811">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:811" class="footnote-back-ref">↩</a></li>
<li id="fn:812">Kirshner 2012, p. 94. - Kirshner, Jonathan (2012). Hollywood's Last Golden Age: Politics, Society, and the Seventies Film in America. Ithaca, New York: Cornell University Press. ISBN 978-0-801-46540-6. <a href="#fnref:812" class="footnote-back-ref">↩</a></li>
<li id="fn:813">The Criterion Channel's September 2024 Lineup|Current|The Criterion Collection <a href="https://www.criterion.com/current/posts/8566-the-criterion-channel-s-september-2024-lineup" target="_blank">https://www.criterion.com/current/posts/8566-the-criterion-channel-s-september-2024-lineup</a> <a href="#fnref:813" class="footnote-back-ref">↩</a></li>
<li id="fn:814">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:814" class="footnote-back-ref">↩</a></li>
<li id="fn:815">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:815" class="footnote-back-ref">↩</a></li>
<li id="fn:816">The Limits of Auteurism: Case Studies in the Critically Constructed New Hollywood – Google Books <a href="https://www.google.com/books/edition/The_Limits_of_Auteurism/mWZbDwAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/The_Limits_of_Auteurism/mWZbDwAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:816" class="footnote-back-ref">↩</a></li>
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<li id="fn:818">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:818" class="footnote-back-ref">↩</a></li>
<li id="fn:819">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:819" class="footnote-back-ref">↩</a></li>
<li id="fn:820">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:820" class="footnote-back-ref">↩</a></li>
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<li id="fn:826">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:826" class="footnote-back-ref">↩</a></li>
<li id="fn:827">How New Hollywood Spirit Lives in 'Armageddon Time,' 'The Inspection' and 'Vengeance' – Variety <a href="https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/" target="_blank">https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/</a> <a href="#fnref:827" class="footnote-back-ref">↩</a></li>
<li id="fn:828">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:828" class="footnote-back-ref">↩</a></li>
<li id="fn:829">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:829" class="footnote-back-ref">↩</a></li>
<li id="fn:830">Thompson & Bordwell 2003, p. 518. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:830" class="footnote-back-ref">↩</a></li>
<li id="fn:831">Valentine, Genevieve (June 7, 2017). "'Opening Wednesday' Dusts Off Some Overlooked Cinematic Treasures". NPR. <a href="https://www.npr.org/2017/06/07/530794365/opening-wednesday-dusts-off-some-overlooked-cinematic-treasures" target="_blank">https://www.npr.org/2017/06/07/530794365/opening-wednesday-dusts-off-some-overlooked-cinematic-treasures</a> <a href="#fnref:831" class="footnote-back-ref">↩</a></li>
<li id="fn:832">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:832" class="footnote-back-ref">↩</a></li>
<li id="fn:833">Davidson, James (June 12, 2014). "15 Sleeper Films Of The New Hollywood Era That Are Worth Seeing". <a href="http://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/" target="_blank">http://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/</a> <a href="#fnref:833" class="footnote-back-ref">↩</a></li>
<li id="fn:834">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:834" class="footnote-back-ref">↩</a></li>
<li id="fn:835">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:835" class="footnote-back-ref">↩</a></li>
<li id="fn:836">The Limits of Auteurism: Case Studies in the Critically Constructed New Hollywood – Google Books <a href="https://www.google.com/books/edition/The_Limits_of_Auteurism/mWZbDwAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/The_Limits_of_Auteurism/mWZbDwAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:836" class="footnote-back-ref">↩</a></li>
<li id="fn:837">Thompson & Bordwell 2003, p. 518. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:837" class="footnote-back-ref">↩</a></li>
<li id="fn:838">"A HISTORY OF AMERICAN NEW WAVE CINEMA Part Three: New Hollywood (1970–1971)". newwavefilm.com. Retrieved July 19, 2018. <a href="http://www.newwavefilm.com/international/new-hollywood2.shtml" target="_blank">http://www.newwavefilm.com/international/new-hollywood2.shtml</a> <a href="#fnref:838" class="footnote-back-ref">↩</a></li>
<li id="fn:839">The Best 'New Hollywood' Movies You Probably Haven't Seen|/Film <a href="https://www.slashfilm.com/521126/tbyphs-new-hollywood-movies/" target="_blank">https://www.slashfilm.com/521126/tbyphs-new-hollywood-movies/</a> <a href="#fnref:839" class="footnote-back-ref">↩</a></li>
<li id="fn:840">The Limits of Auteurism: Case Studies in the Critically Constructed New Hollywood – Google Books <a href="https://www.google.com/books/edition/The_Limits_of_Auteurism/mWZbDwAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/The_Limits_of_Auteurism/mWZbDwAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:840" class="footnote-back-ref">↩</a></li>
<li id="fn:841">The Best 'New Hollywood' Movies You Probably Haven't Seen|/Film <a href="https://www.slashfilm.com/521126/tbyphs-new-hollywood-movies/" target="_blank">https://www.slashfilm.com/521126/tbyphs-new-hollywood-movies/</a> <a href="#fnref:841" class="footnote-back-ref">↩</a></li>
<li id="fn:842">The Limits of Auteurism: Case Studies in the Critically Constructed New Hollywood – Google Books <a href="https://www.google.com/books/edition/The_Limits_of_Auteurism/mWZbDwAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/The_Limits_of_Auteurism/mWZbDwAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:842" class="footnote-back-ref">↩</a></li>
<li id="fn:843">Thompson & Bordwell 2003, p. 516. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:843" class="footnote-back-ref">↩</a></li>
<li id="fn:844">Crawford, Travis (December 16, 2010). "Criterion: American Lost and Found: The BBS Story". Filmmaker Magazine. Retrieved February 19, 2013. <a href="http://filmmakermagazine.com/16844-america-lost-and-found-the-bbs-story/" target="_blank">http://filmmakermagazine.com/16844-america-lost-and-found-the-bbs-story/</a> <a href="#fnref:844" class="footnote-back-ref">↩</a></li>
<li id="fn:845">A Brief History Of New Hollywood|The Rise – Little White Lies on YouTube <a href="https://www.youtube.com/watch?v=E6byV69VBLw" target="_blank">https://www.youtube.com/watch?v=E6byV69VBLw</a> <a href="#fnref:845" class="footnote-back-ref">↩</a></li>
<li id="fn:846">Bob Rafelson, New Hollywood era director, dies at 89| AP News <a href="https://apnews.com/article/entertainment-martin-scorsese-obituaries-steven-spielberg-508d25aabfb6e8ec0c4818dad2dfb16a" target="_blank">https://apnews.com/article/entertainment-martin-scorsese-obituaries-steven-spielberg-508d25aabfb6e8ec0c4818dad2dfb16a</a> <a href="#fnref:846" class="footnote-back-ref">↩</a></li>
<li id="fn:847">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:847" class="footnote-back-ref">↩</a></li>
<li id="fn:848">New Hollywood: American 70s|Film Streams <a href="https://filmstreams.org/series/new-hollywood-american-70s" target="_blank">https://filmstreams.org/series/new-hollywood-american-70s</a> <a href="#fnref:848" class="footnote-back-ref">↩</a></li>
<li id="fn:849">Harris 2008, p. 422. - Harris, Mark (2008). Pictures at a Revolution: Five Movies and the Birth of the New Hollywood. New York: Penguin Press. ISBN 978-1-594-20152-3. <a href="https://archive.org/details/picturesatrevolu00harr_0" target="_blank">https://archive.org/details/picturesatrevolu00harr_0</a> <a href="#fnref:849" class="footnote-back-ref">↩</a></li>
<li id="fn:850">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:850" class="footnote-back-ref">↩</a></li>
<li id="fn:851">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:851" class="footnote-back-ref">↩</a></li>
<li id="fn:852">The Limits of Auteurism: Case Studies in the Critically Constructed New Hollywood – Google Books <a href="https://www.google.com/books/edition/The_Limits_of_Auteurism/mWZbDwAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/The_Limits_of_Auteurism/mWZbDwAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:852" class="footnote-back-ref">↩</a></li>
<li id="fn:853">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:853" class="footnote-back-ref">↩</a></li>
<li id="fn:854">Film Fourm resurrects a gritty city with 'New York in the '70s'|amNewYork <a href="https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/" target="_blank">https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/</a> <a href="#fnref:854" class="footnote-back-ref">↩</a></li>
<li id="fn:855">Dargis, Manohla (November 12, 2010). "'60s Hollywood, the Rebels and the Studios: Power Shifted (or Did It?)". The New York Times. Retrieved July 19, 2018.Hitchman, Simon (2015). "A History of American New Wave Cinema". <a href="https://www.nytimes.com/2010/11/14/movies/14dargis.html" target="_blank">https://www.nytimes.com/2010/11/14/movies/14dargis.html</a> <a href="#fnref:855" class="footnote-back-ref">↩</a></li>
<li id="fn:856">Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 – Google Books (p. 6) <a href="https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0</a> <a href="#fnref:856" class="footnote-back-ref">↩</a></li>
<li id="fn:857">Film History: New Hollywood, Explained - MovieWeb <a href="https://movieweb.com/new-hollywood-movement-explained/" target="_blank">https://movieweb.com/new-hollywood-movement-explained/</a> <a href="#fnref:857" class="footnote-back-ref">↩</a></li>
<li id="fn:858">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:858" class="footnote-back-ref">↩</a></li>
<li id="fn:859">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:859" class="footnote-back-ref">↩</a></li>
<li id="fn:860">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:860" class="footnote-back-ref">↩</a></li>
<li id="fn:861">"A HISTORY OF AMERICAN NEW WAVE CINEMA Part Three: New Hollywood (1970–1971)". newwavefilm.com. Retrieved July 19, 2018. <a href="http://www.newwavefilm.com/international/new-hollywood2.shtml" target="_blank">http://www.newwavefilm.com/international/new-hollywood2.shtml</a> <a href="#fnref:861" class="footnote-back-ref">↩</a></li>
<li id="fn:862">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:862" class="footnote-back-ref">↩</a></li>
<li id="fn:863">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:863" class="footnote-back-ref">↩</a></li>
<li id="fn:864">Thompson & Bordwell 2003, p. 515. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:864" class="footnote-back-ref">↩</a></li>
<li id="fn:865">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:865" class="footnote-back-ref">↩</a></li>
<li id="fn:866">Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 – Google Books (p. 6) <a href="https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0</a> <a href="#fnref:866" class="footnote-back-ref">↩</a></li>
<li id="fn:867">Thompson & Bordwell 2003, p. 518. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:867" class="footnote-back-ref">↩</a></li>
<li id="fn:868">"Filmmuseum – Program SD". www.filmmuseum.at. <a href="https://www.filmmuseum.at/en/film_program/scope?schienen_id=200030" target="_blank">https://www.filmmuseum.at/en/film_program/scope?schienen_id=200030</a> <a href="#fnref:868" class="footnote-back-ref">↩</a></li>
<li id="fn:869">"Critical Discussion Transforms Art: Haile Gerima, the L.A. Rebellion, and Cinema as Life, PopMatters". November 18, 2019. <a href="https://www.popmatters.com/haile-gerima-bush-mama-2641374183.html" target="_blank">https://www.popmatters.com/haile-gerima-bush-mama-2641374183.html</a> <a href="#fnref:869" class="footnote-back-ref">↩</a></li>
<li id="fn:870">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:870" class="footnote-back-ref">↩</a></li>
<li id="fn:871">"A HISTORY OF AMERICAN NEW WAVE CINEMA Part Three: New Hollywood (1970–1971)". newwavefilm.com. Retrieved July 19, 2018. <a href="http://www.newwavefilm.com/international/new-hollywood2.shtml" target="_blank">http://www.newwavefilm.com/international/new-hollywood2.shtml</a> <a href="#fnref:871" class="footnote-back-ref">↩</a></li>
<li id="fn:872">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:872" class="footnote-back-ref">↩</a></li>
<li id="fn:873">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:873" class="footnote-back-ref">↩</a></li>
<li id="fn:874">Hughes, Woodson (November 20, 2015). "The 30 Most Underappreciated Movies of The New Hollywood Era". <a href="http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/" target="_blank">http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/</a> <a href="#fnref:874" class="footnote-back-ref">↩</a></li>
<li id="fn:875">Michalis Kokonis (February 4, 2009). "Hollywood's Major Crisis and the American Film "Renaissance"" (PDF). Retrieved July 21, 2018. <a href="http://www.enl.auth.gr/gramma/gramma08/kokonis.pdf" target="_blank">http://www.enl.auth.gr/gramma/gramma08/kokonis.pdf</a> <a href="#fnref:875" class="footnote-back-ref">↩</a></li>
<li id="fn:876">The New Hollywood: What the Movies Did with the New Freedoms of the Seventies - Google Books <a href="https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false" target="_blank">https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false</a> <a href="#fnref:876" class="footnote-back-ref">↩</a></li>
<li id="fn:877">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:877" class="footnote-back-ref">↩</a></li>
<li id="fn:878">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:878" class="footnote-back-ref">↩</a></li>
<li id="fn:879">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:879" class="footnote-back-ref">↩</a></li>
<li id="fn:880">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:880" class="footnote-back-ref">↩</a></li>
<li id="fn:881">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:881" class="footnote-back-ref">↩</a></li>
<li id="fn:882">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:882" class="footnote-back-ref">↩</a></li>
<li id="fn:883">News and Commentary – Karen Black: The New Hollywood Years – MidCenturyCinema <a href="https://midcenturycinema.org/2021/09/02/news-and-commentary-karen-black-the-new-hollywood-years/" target="_blank">https://midcenturycinema.org/2021/09/02/news-and-commentary-karen-black-the-new-hollywood-years/</a> <a href="#fnref:883" class="footnote-back-ref">↩</a></li>
<li id="fn:884">News and Commentary – George Segal: The New Hollywood Years – MidCenturyCinema <a href="https://midcenturycinema.org/2021/03/31/news-and-commentary-george-segal-the-new-hollywood-years/" target="_blank">https://midcenturycinema.org/2021/03/31/news-and-commentary-george-segal-the-new-hollywood-years/</a> <a href="#fnref:884" class="footnote-back-ref">↩</a></li>
<li id="fn:885">Film Fourm resurrects a gritty city with 'New York in the '70s'|amNewYork <a href="https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/" target="_blank">https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/</a> <a href="#fnref:885" class="footnote-back-ref">↩</a></li>
<li id="fn:886">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:886" class="footnote-back-ref">↩</a></li>
<li id="fn:887">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:887" class="footnote-back-ref">↩</a></li>
<li id="fn:888">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:888" class="footnote-back-ref">↩</a></li>
<li id="fn:889">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:889" class="footnote-back-ref">↩</a></li>
<li id="fn:890">The Hollywood Renaissance: Revisiting American Cinema's Most Celebrated Era – Google Books <a href="https://www.google.com/books/edition/The_Hollywood_Renaissance/vCFZDwAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/The_Hollywood_Renaissance/vCFZDwAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:890" class="footnote-back-ref">↩</a></li>
<li id="fn:891">New Hollywood: Movies, Directors, and Influences of the Era|Backstage <a href="https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/" target="_blank">https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/</a> <a href="#fnref:891" class="footnote-back-ref">↩</a></li>
<li id="fn:892">10 Best New Hollywood Movies Directed by Women, Ranked|Collider <a href="https://collider.com/new-hollywood-movies-directed-women-best-ranked/" target="_blank">https://collider.com/new-hollywood-movies-directed-women-best-ranked/</a> <a href="#fnref:892" class="footnote-back-ref">↩</a></li>
<li id="fn:893">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:893" class="footnote-back-ref">↩</a></li>
<li id="fn:894">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:894" class="footnote-back-ref">↩</a></li>
<li id="fn:895">Nordine, Michael (April 11, 2017). "New Hollywood: 50 Movies That Reshaped the Film Industry: Cabaret (1972)". IndieWire. Retrieved March 12, 2018. <a href="https://indiewire.com/gallery/new-hollywood-50-movies/#!11/cabaret-1972/" target="_blank">https://indiewire.com/gallery/new-hollywood-50-movies/#!11/cabaret-1972/</a> <a href="#fnref:895" class="footnote-back-ref">↩</a></li>
<li id="fn:896">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:896" class="footnote-back-ref">↩</a></li>
<li id="fn:897">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:897" class="footnote-back-ref">↩</a></li>
<li id="fn:898">Nordine, Michael (April 11, 2017). "New Hollywood: 50 Movies That Reshaped the Film Industry: Deliverance (1972)". IndieWire. Retrieved March 12, 2018. <a href="https://indiewire.com/gallery/new-hollywood-50-movies/#!19/deliverance-1972/" target="_blank">https://indiewire.com/gallery/new-hollywood-50-movies/#!19/deliverance-1972/</a> <a href="#fnref:898" class="footnote-back-ref">↩</a></li>
<li id="fn:899">Hughes, Woodson (November 20, 2015). "The 30 Most Underappreciated Movies of The New Hollywood Era". <a href="http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/3/" target="_blank">http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/3/</a> <a href="#fnref:899" class="footnote-back-ref">↩</a></li>
<li id="fn:900">The Shadow Cinema of the American '70s|Quad Cinema <a href="https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/" target="_blank">https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/</a> <a href="#fnref:900" class="footnote-back-ref">↩</a></li>
<li id="fn:901">Hughes, Woodson (November 20, 2015). "The 30 Most Underappreciated Movies of The New Hollywood Era". <a href="http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/2/" target="_blank">http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/2/</a> <a href="#fnref:901" class="footnote-back-ref">↩</a></li>
<li id="fn:902">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:902" class="footnote-back-ref">↩</a></li>
<li id="fn:903">The Shadow Cinema of the American '70s|Quad Cinema <a href="https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/" target="_blank">https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/</a> <a href="#fnref:903" class="footnote-back-ref">↩</a></li>
<li id="fn:904">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:904" class="footnote-back-ref">↩</a></li>
<li id="fn:905">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:905" class="footnote-back-ref">↩</a></li>
<li id="fn:906">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:906" class="footnote-back-ref">↩</a></li>
<li id="fn:907">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:907" class="footnote-back-ref">↩</a></li>
<li id="fn:908">Hughes, Woodson (November 20, 2015). "The 30 Most Underappreciated Movies of The New Hollywood Era". <a href="http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/3/" target="_blank">http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/3/</a> <a href="#fnref:908" class="footnote-back-ref">↩</a></li>
<li id="fn:909">Paramount in the 1970s|MoMA <a href="https://www.moma.org/calendar/film/5721" target="_blank">https://www.moma.org/calendar/film/5721</a> <a href="#fnref:909" class="footnote-back-ref">↩</a></li>
<li id="fn:910">"Night of Vengeance: Wes Craven's 'The Last House on the Left' 43 Years Later". grantland.com. September 2, 2015. Retrieved September 2, 2015. <a href="https://grantland.com/hollywood-prospectus/wes-craven-last-house-left-anniversary-obit/" target="_blank">https://grantland.com/hollywood-prospectus/wes-craven-last-house-left-anniversary-obit/</a> <a href="#fnref:910" class="footnote-back-ref">↩</a></li>
<li id="fn:911">Nordine, Michael (April 11, 2017). "New Hollywood: 50 Movies That Reshaped the Film Industry: Fat City (1972)". IndieWire. Retrieved March 12, 2018. <a href="https://indiewire.com/gallery/new-hollywood-50-movies/#!22/fat-city-1972/" target="_blank">https://indiewire.com/gallery/new-hollywood-50-movies/#!22/fat-city-1972/</a> <a href="#fnref:911" class="footnote-back-ref">↩</a></li>
<li id="fn:912">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:912" class="footnote-back-ref">↩</a></li>
<li id="fn:913">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:913" class="footnote-back-ref">↩</a></li>
<li id="fn:914">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:914" class="footnote-back-ref">↩</a></li>
<li id="fn:915">The Best 'New Hollywood' Movies You Probably Haven't Seen|/Film <a href="https://www.slashfilm.com/521126/tbyphs-new-hollywood-movies/" target="_blank">https://www.slashfilm.com/521126/tbyphs-new-hollywood-movies/</a> <a href="#fnref:915" class="footnote-back-ref">↩</a></li>
<li id="fn:916">Thompson & Bordwell 2003, p. 515. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:916" class="footnote-back-ref">↩</a></li>
<li id="fn:917">Thompson & Bordwell 2003, p. 519. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:917" class="footnote-back-ref">↩</a></li>
<li id="fn:918">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:918" class="footnote-back-ref">↩</a></li>
<li id="fn:919">Krämer 2005, p. 8. - Krämer, Peter (2005). The New Hollywood: From Bonnie and Clyde to Star Wars. Wallflower Press. ISBN 978-1-904764-58-8. <a href="https://archive.org/details/newhollywoodfrom0000kram" target="_blank">https://archive.org/details/newhollywoodfrom0000kram</a> <a href="#fnref:919" class="footnote-back-ref">↩</a></li>
<li id="fn:920">Thompson & Bordwell 2003, p. 519. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:920" class="footnote-back-ref">↩</a></li>
<li id="fn:921">Thompson & Bordwell 2003, p. 517. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:921" class="footnote-back-ref">↩</a></li>
<li id="fn:922">Krämer 2005, p. 8. - Krämer, Peter (2005). The New Hollywood: From Bonnie and Clyde to Star Wars. Wallflower Press. ISBN 978-1-904764-58-8. <a href="https://archive.org/details/newhollywoodfrom0000kram" target="_blank">https://archive.org/details/newhollywoodfrom0000kram</a> <a href="#fnref:922" class="footnote-back-ref">↩</a></li>
<li id="fn:923">10 Best Films Of The American New Wave, According To IMDb - Screen Rant <a href="https://screenrant.com/american-new-wave-best-films-imdb/" target="_blank">https://screenrant.com/american-new-wave-best-films-imdb/</a> <a href="#fnref:923" class="footnote-back-ref">↩</a></li>
<li id="fn:924">This Disastrous Francis Ford Coppola Production Is Something Out of The Godfather|Collider <a href="https://collider.com/the-cotton-club-francis-ford-coppola-production/" target="_blank">https://collider.com/the-cotton-club-francis-ford-coppola-production/</a> <a href="#fnref:924" class="footnote-back-ref">↩</a></li>
<li id="fn:925">Paramount in the 1970s|MoMA <a href="https://www.moma.org/calendar/film/5721" target="_blank">https://www.moma.org/calendar/film/5721</a> <a href="#fnref:925" class="footnote-back-ref">↩</a></li>
<li id="fn:926">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:926" class="footnote-back-ref">↩</a></li>
<li id="fn:927">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:927" class="footnote-back-ref">↩</a></li>
<li id="fn:928">10 respected directors who became laughing stocks|Far Out Magazine <a href="https://faroutmagazine.co.uk/10-respected-directors-who-became-laughing-stocks/" target="_blank">https://faroutmagazine.co.uk/10-respected-directors-who-became-laughing-stocks/</a> <a href="#fnref:928" class="footnote-back-ref">↩</a></li>
<li id="fn:929">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:929" class="footnote-back-ref">↩</a></li>
<li id="fn:930">Hughes, Woodson (November 20, 2015). "The 30 Most Underappreciated Movies of The New Hollywood Era". <a href="http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/3/" target="_blank">http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/3/</a> <a href="#fnref:930" class="footnote-back-ref">↩</a></li>
<li id="fn:931">"15 Sleeper Films Of The New Hollywood Era That Are Worth Seeing – Page 2 – Taste of Cinema". June 12, 2014. <a href="https://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/2/" target="_blank">https://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/2/</a> <a href="#fnref:931" class="footnote-back-ref">↩</a></li>
<li id="fn:932">'70s Play the '30s – Metrogrpah <a href="https://metrograph.com/category/70s-play-the-30s/" target="_blank">https://metrograph.com/category/70s-play-the-30s/</a> <a href="#fnref:932" class="footnote-back-ref">↩</a></li>
<li id="fn:933">September In Theater – Journal – Metrograph <a href="https://metrograph.com/in-theater-september-2022/" target="_blank">https://metrograph.com/in-theater-september-2022/</a> <a href="#fnref:933" class="footnote-back-ref">↩</a></li>
<li id="fn:934">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:934" class="footnote-back-ref">↩</a></li>
<li id="fn:935">Film History: New Hollywood, Explained - MovieWeb <a href="https://movieweb.com/new-hollywood-movement-explained/" target="_blank">https://movieweb.com/new-hollywood-movement-explained/</a> <a href="#fnref:935" class="footnote-back-ref">↩</a></li>
<li id="fn:936">Thompson & Bordwell 2003, p. 516. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:936" class="footnote-back-ref">↩</a></li>
<li id="fn:937">Crawford, Travis (December 16, 2010). "Criterion: American Lost and Found: The BBS Story". Filmmaker Magazine. Retrieved February 19, 2013. <a href="http://filmmakermagazine.com/16844-america-lost-and-found-the-bbs-story/" target="_blank">http://filmmakermagazine.com/16844-america-lost-and-found-the-bbs-story/</a> <a href="#fnref:937" class="footnote-back-ref">↩</a></li>
<li id="fn:938">Bob Rafelson, New Hollywood era director, dies at 89| AP News <a href="https://apnews.com/article/entertainment-martin-scorsese-obituaries-steven-spielberg-508d25aabfb6e8ec0c4818dad2dfb16a" target="_blank">https://apnews.com/article/entertainment-martin-scorsese-obituaries-steven-spielberg-508d25aabfb6e8ec0c4818dad2dfb16a</a> <a href="#fnref:938" class="footnote-back-ref">↩</a></li>
<li id="fn:939">Davidson, James (June 12, 2014). "15 Sleeper Films Of The New Hollywood Era That Are Worth Seeing". <a href="http://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/" target="_blank">http://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/</a> <a href="#fnref:939" class="footnote-back-ref">↩</a></li>
<li id="fn:940">New Hollywood: Movies, Directors, and Influences of the Era|Backstage <a href="https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/" target="_blank">https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/</a> <a href="#fnref:940" class="footnote-back-ref">↩</a></li>
<li id="fn:941">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:941" class="footnote-back-ref">↩</a></li>
<li id="fn:942">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:942" class="footnote-back-ref">↩</a></li>
<li id="fn:943">Thompson & Bordwell 2003, p. 516. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:943" class="footnote-back-ref">↩</a></li>
<li id="fn:944">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:944" class="footnote-back-ref">↩</a></li>
<li id="fn:945">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:945" class="footnote-back-ref">↩</a></li>
<li id="fn:946">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:946" class="footnote-back-ref">↩</a></li>
<li id="fn:947">The Shadow Cinema of the American '70s|Quad Cinema <a href="https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/" target="_blank">https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/</a> <a href="#fnref:947" class="footnote-back-ref">↩</a></li>
<li id="fn:948">Hughes, Woodson (November 20, 2015). "The 30 Most Underappreciated Movies of The New Hollywood Era". <a href="http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/" target="_blank">http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/</a> <a href="#fnref:948" class="footnote-back-ref">↩</a></li>
<li id="fn:949">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:949" class="footnote-back-ref">↩</a></li>
<li id="fn:950">Symmons, Tom (June 13, 2016). The New Hollywood Historical Film: 1967–78. Springer. ISBN 9781137529305. <a href="9781137529305" target="_blank">9781137529305</a> <a href="#fnref:950" class="footnote-back-ref">↩</a></li>
<li id="fn:951">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:951" class="footnote-back-ref">↩</a></li>
<li id="fn:952">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:952" class="footnote-back-ref">↩</a></li>
<li id="fn:953">"Keeping it Real with Ralph Bakshi (Part II)". Star & Crescent. October 23, 2015. Retrieved August 21, 2018. <a href="https://www.starandcrescent.org.uk/2015/10/23/keeping-it-real-with-ralph-bakshi-part-ii/" target="_blank">https://www.starandcrescent.org.uk/2015/10/23/keeping-it-real-with-ralph-bakshi-part-ii/</a> <a href="#fnref:953" class="footnote-back-ref">↩</a></li>
<li id="fn:954">Krämer 2005, p. 8. - Krämer, Peter (2005). The New Hollywood: From Bonnie and Clyde to Star Wars. Wallflower Press. ISBN 978-1-904764-58-8. <a href="https://archive.org/details/newhollywoodfrom0000kram" target="_blank">https://archive.org/details/newhollywoodfrom0000kram</a> <a href="#fnref:954" class="footnote-back-ref">↩</a></li>
<li id="fn:955">New Hollywood: Movies, Directors, and Influences of the Era|Backstage <a href="https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/" target="_blank">https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/</a> <a href="#fnref:955" class="footnote-back-ref">↩</a></li>
<li id="fn:956">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:956" class="footnote-back-ref">↩</a></li>
<li id="fn:957">The New Hollywood: What the Movies Did with the New Freedoms of the Seventies - Google Books <a href="https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false" target="_blank">https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false</a> <a href="#fnref:957" class="footnote-back-ref">↩</a></li>
<li id="fn:958">Symmons, Tom (June 13, 2016). The New Hollywood Historical Film: 1967–78. Springer. ISBN 9781137529305. <a href="9781137529305" target="_blank">9781137529305</a> <a href="#fnref:958" class="footnote-back-ref">↩</a></li>
<li id="fn:959">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:959" class="footnote-back-ref">↩</a></li>
<li id="fn:960">Thompson & Bordwell 2003, p. 516. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:960" class="footnote-back-ref">↩</a></li>
<li id="fn:961">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:961" class="footnote-back-ref">↩</a></li>
<li id="fn:962">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:962" class="footnote-back-ref">↩</a></li>
<li id="fn:963">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:963" class="footnote-back-ref">↩</a></li>
<li id="fn:964">"The New Hollywood". Lewis Center for the Arts. <a href="https://arts.princeton.edu/courses/new-hollywood/" target="_blank">https://arts.princeton.edu/courses/new-hollywood/</a> <a href="#fnref:964" class="footnote-back-ref">↩</a></li>
<li id="fn:965">Thompson & Bordwell 2003, p. 516. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:965" class="footnote-back-ref">↩</a></li>
<li id="fn:966">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:966" class="footnote-back-ref">↩</a></li>
<li id="fn:967">'70s Play the '30s – Metrogrpah <a href="https://metrograph.com/category/70s-play-the-30s/" target="_blank">https://metrograph.com/category/70s-play-the-30s/</a> <a href="#fnref:967" class="footnote-back-ref">↩</a></li>
<li id="fn:968">September In Theater – Journal – Metrograph <a href="https://metrograph.com/in-theater-september-2022/" target="_blank">https://metrograph.com/in-theater-september-2022/</a> <a href="#fnref:968" class="footnote-back-ref">↩</a></li>
<li id="fn:969">Robnik, Drehli. "Allegories of post-Fordism in 1970s New Hollywood: Countercultural combat films, conspiracy thrillers as genre-recycling (2004) | Drehli Robnik". The Last Great American Picture Show: 333. Retrieved July 19, 2018. <a href="https://www.academia.edu/9918618" target="_blank">https://www.academia.edu/9918618</a> <a href="#fnref:969" class="footnote-back-ref">↩</a></li>
<li id="fn:970">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:970" class="footnote-back-ref">↩</a></li>
<li id="fn:971">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:971" class="footnote-back-ref">↩</a></li>
<li id="fn:972">Phipps, Keith (March 15, 2011). "New Hollywood gumshoes: The Long Goodbye, The Late Show, Night Moves". Film. Archived from the original on March 3, 2021. Retrieved September 25, 2018. <a href="https://www.avclub.com/new-hollywood-gumshoes-the-long-goodbye-the-late-show-1798224936" target="_blank">https://www.avclub.com/new-hollywood-gumshoes-the-long-goodbye-the-late-show-1798224936</a> <a href="#fnref:972" class="footnote-back-ref">↩</a></li>
<li id="fn:973">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:973" class="footnote-back-ref">↩</a></li>
<li id="fn:974">10 Best New Hollywood Neo-Noirs, Ranked|Collider <a href="https://collider.com/neo-noir-movies-new-hollywood-ranked/" target="_blank">https://collider.com/neo-noir-movies-new-hollywood-ranked/</a> <a href="#fnref:974" class="footnote-back-ref">↩</a></li>
<li id="fn:975">"The New Hollywood". Lewis Center for the Arts. <a href="https://arts.princeton.edu/courses/new-hollywood/" target="_blank">https://arts.princeton.edu/courses/new-hollywood/</a> <a href="#fnref:975" class="footnote-back-ref">↩</a></li>
<li id="fn:976">Gleiberman, Owen (January 31, 2018). "Film Review: 'Hal'". <a href="https://variety.com/2018/film/reviews/hal-review-sundance-hal-ashby-1202680558/" target="_blank">https://variety.com/2018/film/reviews/hal-review-sundance-hal-ashby-1202680558/</a> <a href="#fnref:976" class="footnote-back-ref">↩</a></li>
<li id="fn:977">The Criterion Channel's September 2024 Lineup|Current|The Criterion Collection <a href="https://www.criterion.com/current/posts/8566-the-criterion-channel-s-september-2024-lineup" target="_blank">https://www.criterion.com/current/posts/8566-the-criterion-channel-s-september-2024-lineup</a> <a href="#fnref:977" class="footnote-back-ref">↩</a></li>
<li id="fn:978">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:978" class="footnote-back-ref">↩</a></li>
<li id="fn:979">The Best 'New Hollywood' Movies You Probably Haven't Seen|/Film <a href="https://www.slashfilm.com/521126/tbyphs-new-hollywood-movies/" target="_blank">https://www.slashfilm.com/521126/tbyphs-new-hollywood-movies/</a> <a href="#fnref:979" class="footnote-back-ref">↩</a></li>
<li id="fn:980">"The New Hollywood". Lewis Center for the Arts. <a href="https://arts.princeton.edu/courses/new-hollywood/" target="_blank">https://arts.princeton.edu/courses/new-hollywood/</a> <a href="#fnref:980" class="footnote-back-ref">↩</a></li>
<li id="fn:981">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:981" class="footnote-back-ref">↩</a></li>
<li id="fn:982">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:982" class="footnote-back-ref">↩</a></li>
<li id="fn:983">Film Fourm resurrects a gritty city with 'New York in the '70s'|amNewYork <a href="https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/" target="_blank">https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/</a> <a href="#fnref:983" class="footnote-back-ref">↩</a></li>
<li id="fn:984">Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 – Google Books (p. 6) <a href="https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0</a> <a href="#fnref:984" class="footnote-back-ref">↩</a></li>
<li id="fn:985">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:985" class="footnote-back-ref">↩</a></li>
<li id="fn:986">Nordine, Michael (April 11, 2017). "New Hollywood: 50 Movies That Reshaped the Film Industry: Paper Moon (1973)". IndieWire. Retrieved March 12, 2018. <a href="https://indiewire.com/gallery/new-hollywood-50-movies/#!40/paper-moon-1973/" target="_blank">https://indiewire.com/gallery/new-hollywood-50-movies/#!40/paper-moon-1973/</a> <a href="#fnref:986" class="footnote-back-ref">↩</a></li>
<li id="fn:987">'70s Play the '30s – Metrogrpah <a href="https://metrograph.com/category/70s-play-the-30s/" target="_blank">https://metrograph.com/category/70s-play-the-30s/</a> <a href="#fnref:987" class="footnote-back-ref">↩</a></li>
<li id="fn:988">September In Theater – Journal – Metrograph <a href="https://metrograph.com/in-theater-september-2022/" target="_blank">https://metrograph.com/in-theater-september-2022/</a> <a href="#fnref:988" class="footnote-back-ref">↩</a></li>
<li id="fn:989">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:989" class="footnote-back-ref">↩</a></li>
<li id="fn:990">Hughes, Woodson (November 20, 2015). "The 30 Most Underappreciated Movies of The New Hollywood Era". <a href="http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/2/" target="_blank">http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/2/</a> <a href="#fnref:990" class="footnote-back-ref">↩</a></li>
<li id="fn:991">Hughes, Woodson (November 20, 2015). "The 30 Most Underappreciated Movies of The New Hollywood Era". <a href="http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/2/" target="_blank">http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/2/</a> <a href="#fnref:991" class="footnote-back-ref">↩</a></li>
<li id="fn:992">News and Commentary – George Segal: The New Hollywood Years – MidCenturyCinema <a href="https://midcenturycinema.org/2021/03/31/news-and-commentary-george-segal-the-new-hollywood-years/" target="_blank">https://midcenturycinema.org/2021/03/31/news-and-commentary-george-segal-the-new-hollywood-years/</a> <a href="#fnref:992" class="footnote-back-ref">↩</a></li>
<li id="fn:993">Langford 2010, p. 148. - Langford, Barry (2010). Post-classical Hollywood: Film Industry, Style and Ideology Since 1945. Edinburgh University Press. ISBN 978-0748638574. <a href="https://books.google.com/books?id=mEilBgAAQBAJ" target="_blank">https://books.google.com/books?id=mEilBgAAQBAJ</a> <a href="#fnref:993" class="footnote-back-ref">↩</a></li>
<li id="fn:994">Davidson, James (June 12, 2014). "15 Sleeper Films Of The New Hollywood Era That Are Worth Seeing". <a href="http://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/" target="_blank">http://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/</a> <a href="#fnref:994" class="footnote-back-ref">↩</a></li>
<li id="fn:995">"15 Sleeper Films Of The New Hollywood Era That Are Worth Seeing – Page 2 – Taste of Cinema". June 12, 2014. <a href="https://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/2/" target="_blank">https://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/2/</a> <a href="#fnref:995" class="footnote-back-ref">↩</a></li>
<li id="fn:996">Nordine, Michael (April 11, 2017). "New Hollywood: 50 Movies That Reshaped the Film Industry: Serpico (1973)". IndieWire. Retrieved March 12, 2018. <a href="https://indiewire.com/gallery/new-hollywood-50-movies/#!44/serpico-1973/" target="_blank">https://indiewire.com/gallery/new-hollywood-50-movies/#!44/serpico-1973/</a> <a href="#fnref:996" class="footnote-back-ref">↩</a></li>
<li id="fn:997">The Hollywood Renaissance and The Blacklist – Culture Matters <a href="https://www.culturematters.org.uk/index.php/arts/films/item/4325-the-hollywood-renaissance-and-the-blacklist" target="_blank">https://www.culturematters.org.uk/index.php/arts/films/item/4325-the-hollywood-renaissance-and-the-blacklist</a> <a href="#fnref:997" class="footnote-back-ref">↩</a></li>
<li id="fn:998">Film Fourm resurrects a gritty city with 'New York in the '70s'|amNewYork <a href="https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/" target="_blank">https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/</a> <a href="#fnref:998" class="footnote-back-ref">↩</a></li>
<li id="fn:999">Trouble in Tinseltown: The American blacklist and the New Hollywood rebellion – National Science and Media Museum <a href="https://blog.scienceandmediamuseum.org.uk/american-blacklist-new-hollywood/" target="_blank">https://blog.scienceandmediamuseum.org.uk/american-blacklist-new-hollywood/</a> <a href="#fnref:999" class="footnote-back-ref">↩</a></li>
<li id="fn:1000">Thompson & Bordwell 2003, p. 516. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1000" class="footnote-back-ref">↩</a></li>
<li id="fn:1001">"15 Sleeper Films Of The New Hollywood Era That Are Worth Seeing – Page 2 – Taste of Cinema". June 12, 2014. <a href="https://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/2/" target="_blank">https://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/2/</a> <a href="#fnref:1001" class="footnote-back-ref">↩</a></li>
<li id="fn:1002">New Hollywood: Movies, Directors, and Influences of the Era|Backstage <a href="https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/" target="_blank">https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/</a> <a href="#fnref:1002" class="footnote-back-ref">↩</a></li>
<li id="fn:1003">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1003" class="footnote-back-ref">↩</a></li>
<li id="fn:1004">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1004" class="footnote-back-ref">↩</a></li>
<li id="fn:1005">New Hollywood: American 70s|Film Streams <a href="https://filmstreams.org/series/new-hollywood-american-70s" target="_blank">https://filmstreams.org/series/new-hollywood-american-70s</a> <a href="#fnref:1005" class="footnote-back-ref">↩</a></li>
<li id="fn:1006">Krämer 2005, p. 8. - Krämer, Peter (2005). The New Hollywood: From Bonnie and Clyde to Star Wars. Wallflower Press. ISBN 978-1-904764-58-8. <a href="https://archive.org/details/newhollywoodfrom0000kram" target="_blank">https://archive.org/details/newhollywoodfrom0000kram</a> <a href="#fnref:1006" class="footnote-back-ref">↩</a></li>
<li id="fn:1007">New Hollywood: American 70s|Film Streams <a href="https://filmstreams.org/series/new-hollywood-american-70s" target="_blank">https://filmstreams.org/series/new-hollywood-american-70s</a> <a href="#fnref:1007" class="footnote-back-ref">↩</a></li>
<li id="fn:1008">10 Best New Hollywood Horror Movies, Ranked|Collider <a href="https://collider.com/best-horror-movies-new-hollywood-ranked/" target="_blank">https://collider.com/best-horror-movies-new-hollywood-ranked/</a> <a href="#fnref:1008" class="footnote-back-ref">↩</a></li>
<li id="fn:1009">Radiance Blu Ray Release : Messiah of Evil (1973) – B&S About Movies <a href="https://bandsaboutmovies.com/2023/09/26/radiance-blu-ray-release-messiah-of-evil-1973/" target="_blank">https://bandsaboutmovies.com/2023/09/26/radiance-blu-ray-release-messiah-of-evil-1973/</a> <a href="#fnref:1009" class="footnote-back-ref">↩</a></li>
<li id="fn:1010">Symmons, Tom (June 13, 2016). The New Hollywood Historical Film: 1967–78. Springer. ISBN 9781137529305. <a href="9781137529305" target="_blank">9781137529305</a> <a href="#fnref:1010" class="footnote-back-ref">↩</a></li>
<li id="fn:1011">Schasny, Josh (March 4, 2016). "25 New Hollywood Era Films That Projected the Hopes and Fears of the Times". <a href="http://www.tasteofcinema.com/2016/25-new-hollywood-era-films-that-projected-the-hopes-and-fears-of-the-times/" target="_blank">http://www.tasteofcinema.com/2016/25-new-hollywood-era-films-that-projected-the-hopes-and-fears-of-the-times/</a> <a href="#fnref:1011" class="footnote-back-ref">↩</a></li>
<li id="fn:1012">Krämer 2005, p. 8. - Krämer, Peter (2005). The New Hollywood: From Bonnie and Clyde to Star Wars. Wallflower Press. ISBN 978-1-904764-58-8. <a href="https://archive.org/details/newhollywoodfrom0000kram" target="_blank">https://archive.org/details/newhollywoodfrom0000kram</a> <a href="#fnref:1012" class="footnote-back-ref">↩</a></li>
<li id="fn:1013">10 Best Films Of The American New Wave, According To IMDb - Screen Rant <a href="https://screenrant.com/american-new-wave-best-films-imdb/" target="_blank">https://screenrant.com/american-new-wave-best-films-imdb/</a> <a href="#fnref:1013" class="footnote-back-ref">↩</a></li>
<li id="fn:1014">'70s Play the '30s – Metrogrpah <a href="https://metrograph.com/category/70s-play-the-30s/" target="_blank">https://metrograph.com/category/70s-play-the-30s/</a> <a href="#fnref:1014" class="footnote-back-ref">↩</a></li>
<li id="fn:1015">September In Theater – Journal – Metrograph <a href="https://metrograph.com/in-theater-september-2022/" target="_blank">https://metrograph.com/in-theater-september-2022/</a> <a href="#fnref:1015" class="footnote-back-ref">↩</a></li>
<li id="fn:1016">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1016" class="footnote-back-ref">↩</a></li>
<li id="fn:1017">Hughes, Woodson (November 20, 2015). "The 30 Most Underappreciated Movies of The New Hollywood Era". <a href="http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/2/" target="_blank">http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/2/</a> <a href="#fnref:1017" class="footnote-back-ref">↩</a></li>
<li id="fn:1018">"Three Takes #2: James William Guercio's "Electra Glide In Blue"". MUBI. March 19, 2013. <a href="https://mubi.com/notebook/posts/three-takes-2-james-william-guercios-electra-glide-in-blue" target="_blank">https://mubi.com/notebook/posts/three-takes-2-james-william-guercios-electra-glide-in-blue</a> <a href="#fnref:1018" class="footnote-back-ref">↩</a></li>
<li id="fn:1019">Affect Poetics of the New Hollywood: Suspense, Paranoia, and Melancholy - Google Books <a href="https://www.google.com/books/edition/Affect_Poetics_of_the_New_Hollywood/luxcEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Affect_Poetics_of_the_New_Hollywood/luxcEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1019" class="footnote-back-ref">↩</a></li>
<li id="fn:1020">The Hollywood Renaissance and The Blacklist – Culture Matters <a href="https://www.culturematters.org.uk/index.php/arts/films/item/4325-the-hollywood-renaissance-and-the-blacklist" target="_blank">https://www.culturematters.org.uk/index.php/arts/films/item/4325-the-hollywood-renaissance-and-the-blacklist</a> <a href="#fnref:1020" class="footnote-back-ref">↩</a></li>
<li id="fn:1021">Trouble in Tinseltown: The American blacklist and the New Hollywood rebellion – National Science and Media Museum <a href="https://blog.scienceandmediamuseum.org.uk/american-blacklist-new-hollywood/" target="_blank">https://blog.scienceandmediamuseum.org.uk/american-blacklist-new-hollywood/</a> <a href="#fnref:1021" class="footnote-back-ref">↩</a></li>
<li id="fn:1022">The Shadow Cinema of the American '70s|Quad Cinema <a href="https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/" target="_blank">https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/</a> <a href="#fnref:1022" class="footnote-back-ref">↩</a></li>
<li id="fn:1023">Paramount in the 1970s|MoMA <a href="https://www.moma.org/calendar/film/5721" target="_blank">https://www.moma.org/calendar/film/5721</a> <a href="#fnref:1023" class="footnote-back-ref">↩</a></li>
<li id="fn:1024">Wolfe, Denise (July 28, 2014). ""Alice Doesn't Live Here Anymore" – 1974: New Hollywood's Golden Year". Purple Clover. <a href="https://www.purpleclover.com/entertainment/2863-1974-movies/item/2/" target="_blank">https://www.purpleclover.com/entertainment/2863-1974-movies/item/2/</a> <a href="#fnref:1024" class="footnote-back-ref">↩</a></li>
<li id="fn:1025">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1025" class="footnote-back-ref">↩</a></li>
<li id="fn:1026">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1026" class="footnote-back-ref">↩</a></li>
<li id="fn:1027">'70s Play the '30s – Metrogrpah <a href="https://metrograph.com/category/70s-play-the-30s/" target="_blank">https://metrograph.com/category/70s-play-the-30s/</a> <a href="#fnref:1027" class="footnote-back-ref">↩</a></li>
<li id="fn:1028">September In Theater – Journal – Metrograph <a href="https://metrograph.com/in-theater-september-2022/" target="_blank">https://metrograph.com/in-theater-september-2022/</a> <a href="#fnref:1028" class="footnote-back-ref">↩</a></li>
<li id="fn:1029">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:1029" class="footnote-back-ref">↩</a></li>
<li id="fn:1030">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1030" class="footnote-back-ref">↩</a></li>
<li id="fn:1031">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1031" class="footnote-back-ref">↩</a></li>
<li id="fn:1032">Thompson & Bordwell 2003, p. 516. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1032" class="footnote-back-ref">↩</a></li>
<li id="fn:1033">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:1033" class="footnote-back-ref">↩</a></li>
<li id="fn:1034">"15 Sleeper Films Of The New Hollywood Era That Are Worth Seeing – Page 2 – Taste of Cinema". June 12, 2014. <a href="https://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/2/" target="_blank">https://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/2/</a> <a href="#fnref:1034" class="footnote-back-ref">↩</a></li>
<li id="fn:1035">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:1035" class="footnote-back-ref">↩</a></li>
<li id="fn:1036">Thompson & Bordwell 2003, p. 517. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1036" class="footnote-back-ref">↩</a></li>
<li id="fn:1037">"Robert Altman|NE Film Center". Archived from the original on October 22, 2021. Retrieved April 20, 2020. <a href="https://web.archive.org/web/20211022163150/https://nwfilm.org/directors/robert-altman/" target="_blank">https://web.archive.org/web/20211022163150/https://nwfilm.org/directors/robert-altman/</a> <a href="#fnref:1037" class="footnote-back-ref">↩</a></li>
<li id="fn:1038">The Criterion Channel's September 2024 Lineup|Current|The Criterion Collection <a href="https://www.criterion.com/current/posts/8566-the-criterion-channel-s-september-2024-lineup" target="_blank">https://www.criterion.com/current/posts/8566-the-criterion-channel-s-september-2024-lineup</a> <a href="#fnref:1038" class="footnote-back-ref">↩</a></li>
<li id="fn:1039">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1039" class="footnote-back-ref">↩</a></li>
<li id="fn:1040">News and Commentary – George Segal: The New Hollywood Years – MidCenturyCinema <a href="https://midcenturycinema.org/2021/03/31/news-and-commentary-george-segal-the-new-hollywood-years/" target="_blank">https://midcenturycinema.org/2021/03/31/news-and-commentary-george-segal-the-new-hollywood-years/</a> <a href="#fnref:1040" class="footnote-back-ref">↩</a></li>
<li id="fn:1041">Perno, G.S. (September 20, 2015). "Trends in 70's Cinema: New Hollywood". Cinelinx. Archived from the original on March 8, 2018. Retrieved March 12, 2018. <a href="https://web.archive.org/web/20180308114354/http://www.cinelinx.com/movie-stuff/item/8330-trends-in-70-s-cinema-new-hollywood.html" target="_blank">https://web.archive.org/web/20180308114354/http://www.cinelinx.com/movie-stuff/item/8330-trends-in-70-s-cinema-new-hollywood.html</a> <a href="#fnref:1041" class="footnote-back-ref">↩</a></li>
<li id="fn:1042">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1042" class="footnote-back-ref">↩</a></li>
<li id="fn:1043">10 Best Films Of The American New Wave, According To IMDb - Screen Rant <a href="https://screenrant.com/american-new-wave-best-films-imdb/" target="_blank">https://screenrant.com/american-new-wave-best-films-imdb/</a> <a href="#fnref:1043" class="footnote-back-ref">↩</a></li>
<li id="fn:1044">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:1044" class="footnote-back-ref">↩</a></li>
<li id="fn:1045">'70s Play the '30s – Metrogrpah <a href="https://metrograph.com/category/70s-play-the-30s/" target="_blank">https://metrograph.com/category/70s-play-the-30s/</a> <a href="#fnref:1045" class="footnote-back-ref">↩</a></li>
<li id="fn:1046">September In Theater – Journal – Metrograph <a href="https://metrograph.com/in-theater-september-2022/" target="_blank">https://metrograph.com/in-theater-september-2022/</a> <a href="#fnref:1046" class="footnote-back-ref">↩</a></li>
<li id="fn:1047">New Hollywood: American 70s|Film Streams <a href="https://filmstreams.org/series/new-hollywood-american-70s" target="_blank">https://filmstreams.org/series/new-hollywood-american-70s</a> <a href="#fnref:1047" class="footnote-back-ref">↩</a></li>
<li id="fn:1048">10 Best New Hollywood Neo-Noirs, Ranked|Collider <a href="https://collider.com/neo-noir-movies-new-hollywood-ranked/" target="_blank">https://collider.com/neo-noir-movies-new-hollywood-ranked/</a> <a href="#fnref:1048" class="footnote-back-ref">↩</a></li>
<li id="fn:1049">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1049" class="footnote-back-ref">↩</a></li>
<li id="fn:1050">Paramount in the 1970s|MoMA <a href="https://www.moma.org/calendar/film/5721" target="_blank">https://www.moma.org/calendar/film/5721</a> <a href="#fnref:1050" class="footnote-back-ref">↩</a></li>
<li id="fn:1051">10 Best '70s Romantic Comedies, Ranked|Collider <a href="https://collider.com/romantic-comedies-70s-best-ranked/" target="_blank">https://collider.com/romantic-comedies-70s-best-ranked/</a> <a href="#fnref:1051" class="footnote-back-ref">↩</a></li>
<li id="fn:1052">Thompson & Bordwell 2003, p. 519. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1052" class="footnote-back-ref">↩</a></li>
<li id="fn:1053">"The Conversation" – via www.flickchart.com. <a href="http://www.flickchart.com/movie/48E54E4D88" target="_blank">http://www.flickchart.com/movie/48E54E4D88</a> <a href="#fnref:1053" class="footnote-back-ref">↩</a></li>
<li id="fn:1054">The Hollywood Renaissance: Revisiting American Cinema's Most Celebrated Era – Google Books <a href="https://www.google.com/books/edition/The_Hollywood_Renaissance/vCFZDwAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/The_Hollywood_Renaissance/vCFZDwAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1054" class="footnote-back-ref">↩</a></li>
<li id="fn:1055">Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 – Google Books (p. 6) <a href="https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0</a> <a href="#fnref:1055" class="footnote-back-ref">↩</a></li>
<li id="fn:1056">Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture – Google Books (ch. "Introduction The Business of Auteur Theory") <a href="https://www.google.com/books/edition/Post_Fordist_Cinema/P2NbDwAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Post_Fordist_Cinema/P2NbDwAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1056" class="footnote-back-ref">↩</a></li>
<li id="fn:1057">"The New Hollywood". Lewis Center for the Arts. <a href="https://arts.princeton.edu/courses/new-hollywood/" target="_blank">https://arts.princeton.edu/courses/new-hollywood/</a> <a href="#fnref:1057" class="footnote-back-ref">↩</a></li>
<li id="fn:1058">10 respected directors who became laughing stocks|Far Out Magazine <a href="https://faroutmagazine.co.uk/10-respected-directors-who-became-laughing-stocks/" target="_blank">https://faroutmagazine.co.uk/10-respected-directors-who-became-laughing-stocks/</a> <a href="#fnref:1058" class="footnote-back-ref">↩</a></li>
<li id="fn:1059">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1059" class="footnote-back-ref">↩</a></li>
<li id="fn:1060">10 Best Films Of The American New Wave, According To IMDb - Screen Rant <a href="https://screenrant.com/american-new-wave-best-films-imdb/" target="_blank">https://screenrant.com/american-new-wave-best-films-imdb/</a> <a href="#fnref:1060" class="footnote-back-ref">↩</a></li>
<li id="fn:1061">Paramount in the 1970s|MoMA <a href="https://www.moma.org/calendar/film/5721" target="_blank">https://www.moma.org/calendar/film/5721</a> <a href="#fnref:1061" class="footnote-back-ref">↩</a></li>
<li id="fn:1062">Perno, G.S. (September 20, 2015). "Trends in 70's Cinema: New Hollywood". Cinelinx. Archived from the original on March 8, 2018. Retrieved March 12, 2018. <a href="https://web.archive.org/web/20180308114354/http://www.cinelinx.com/movie-stuff/item/8330-trends-in-70-s-cinema-new-hollywood.html" target="_blank">https://web.archive.org/web/20180308114354/http://www.cinelinx.com/movie-stuff/item/8330-trends-in-70-s-cinema-new-hollywood.html</a> <a href="#fnref:1062" class="footnote-back-ref">↩</a></li>
<li id="fn:1063">Michalis Kokonis (February 4, 2009). "Hollywood's Major Crisis and the American Film "Renaissance"" (PDF). Retrieved July 21, 2018. <a href="http://www.enl.auth.gr/gramma/gramma08/kokonis.pdf" target="_blank">http://www.enl.auth.gr/gramma/gramma08/kokonis.pdf</a> <a href="#fnref:1063" class="footnote-back-ref">↩</a></li>
<li id="fn:1064">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1064" class="footnote-back-ref">↩</a></li>
<li id="fn:1065">"15 Sleeper Films Of The New Hollywood Era That Are Worth Seeing – Page 2 – Taste of Cinema". June 12, 2014. <a href="https://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/2/" target="_blank">https://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/2/</a> <a href="#fnref:1065" class="footnote-back-ref">↩</a></li>
<li id="fn:1066">New Hollywood: Movies, Directors, and Influences of the Era|Backstage <a href="https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/" target="_blank">https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/</a> <a href="#fnref:1066" class="footnote-back-ref">↩</a></li>
<li id="fn:1067">Thompson & Bordwell 2003, p. 519. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1067" class="footnote-back-ref">↩</a></li>
<li id="fn:1068">Paramount in the 1970s|MoMA <a href="https://www.moma.org/calendar/film/5721" target="_blank">https://www.moma.org/calendar/film/5721</a> <a href="#fnref:1068" class="footnote-back-ref">↩</a></li>
<li id="fn:1069">New Hollywood: American 70s|Film Streams <a href="https://filmstreams.org/series/new-hollywood-american-70s" target="_blank">https://filmstreams.org/series/new-hollywood-american-70s</a> <a href="#fnref:1069" class="footnote-back-ref">↩</a></li>
<li id="fn:1070">Affect Poetics of the New Hollywood: Suspense, Paranoia, and Melancholy - Google Books <a href="https://www.google.com/books/edition/Affect_Poetics_of_the_New_Hollywood/luxcEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Affect_Poetics_of_the_New_Hollywood/luxcEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1070" class="footnote-back-ref">↩</a></li>
<li id="fn:1071">Dargis, Dargis (August 17, 2003). "The '70s: Get over it". Los Angeles Times. Retrieved March 12, 2018. <a href="https://www.latimes.com/archives/la-xpm-2003-aug-17-ca-dargis17-story.html" target="_blank">https://www.latimes.com/archives/la-xpm-2003-aug-17-ca-dargis17-story.html</a> <a href="#fnref:1071" class="footnote-back-ref">↩</a></li>
<li id="fn:1072">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:1072" class="footnote-back-ref">↩</a></li>
<li id="fn:1073">New Hollywood: Movies, Directors, and Influences of the Era|Backstage <a href="https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/" target="_blank">https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/</a> <a href="#fnref:1073" class="footnote-back-ref">↩</a></li>
<li id="fn:1074">Krämer 2005, p. 8. - Krämer, Peter (2005). The New Hollywood: From Bonnie and Clyde to Star Wars. Wallflower Press. ISBN 978-1-904764-58-8. <a href="https://archive.org/details/newhollywoodfrom0000kram" target="_blank">https://archive.org/details/newhollywoodfrom0000kram</a> <a href="#fnref:1074" class="footnote-back-ref">↩</a></li>
<li id="fn:1075">10 Best New Hollywood Thrillers, Ranked|Collider <a href="https://collider.com/new-hollywood-movie-thrillers-best-ranked/" target="_blank">https://collider.com/new-hollywood-movie-thrillers-best-ranked/</a> <a href="#fnref:1075" class="footnote-back-ref">↩</a></li>
<li id="fn:1076">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1076" class="footnote-back-ref">↩</a></li>
<li id="fn:1077">Krämer 2005, p. 8. - Krämer, Peter (2005). The New Hollywood: From Bonnie and Clyde to Star Wars. Wallflower Press. ISBN 978-1-904764-58-8. <a href="https://archive.org/details/newhollywoodfrom0000kram" target="_blank">https://archive.org/details/newhollywoodfrom0000kram</a> <a href="#fnref:1077" class="footnote-back-ref">↩</a></li>
<li id="fn:1078">Film History: New Hollywood, Explained - MovieWeb <a href="https://movieweb.com/new-hollywood-movement-explained/" target="_blank">https://movieweb.com/new-hollywood-movement-explained/</a> <a href="#fnref:1078" class="footnote-back-ref">↩</a></li>
<li id="fn:1079">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1079" class="footnote-back-ref">↩</a></li>
<li id="fn:1080">Film History: New Hollywood, Explained - MovieWeb <a href="https://movieweb.com/new-hollywood-movement-explained/" target="_blank">https://movieweb.com/new-hollywood-movement-explained/</a> <a href="#fnref:1080" class="footnote-back-ref">↩</a></li>
<li id="fn:1081">Schasny, Josh (March 4, 2016). "25 New Hollywood Era Films That Projected the Hopes and Fears of the Times". <a href="http://www.tasteofcinema.com/2016/25-new-hollywood-era-films-that-projected-the-hopes-and-fears-of-the-times/" target="_blank">http://www.tasteofcinema.com/2016/25-new-hollywood-era-films-that-projected-the-hopes-and-fears-of-the-times/</a> <a href="#fnref:1081" class="footnote-back-ref">↩</a></li>
<li id="fn:1082">"Bert Schneider, 1933 – 2011". MUBI. December 14, 2011. <a href="https://mubi.com/notebook/posts/bert-schneider-1933-2011" target="_blank">https://mubi.com/notebook/posts/bert-schneider-1933-2011</a> <a href="#fnref:1082" class="footnote-back-ref">↩</a></li>
<li id="fn:1083">Hendershot, Heather (May 11, 2011). "Losers Take All: On the New American Cinema". The Nation. Archived from the original on July 20, 2018. Retrieved July 21, 2018. <a href="https://web.archive.org/web/20180720200259/https://www.thenation.com/article/losers-take-all-new-american-cinema/" target="_blank">https://web.archive.org/web/20180720200259/https://www.thenation.com/article/losers-take-all-new-american-cinema/</a> <a href="#fnref:1083" class="footnote-back-ref">↩</a></li>
<li id="fn:1084">Schasny, Josh (March 4, 2016). "25 New Hollywood Era Films That Projected the Hopes and Fears of the Times". <a href="http://www.tasteofcinema.com/2016/25-new-hollywood-era-films-that-projected-the-hopes-and-fears-of-the-times/" target="_blank">http://www.tasteofcinema.com/2016/25-new-hollywood-era-films-that-projected-the-hopes-and-fears-of-the-times/</a> <a href="#fnref:1084" class="footnote-back-ref">↩</a></li>
<li id="fn:1085">10 Best New Hollywood Horror Movies, Ranked|Collider <a href="https://collider.com/best-horror-movies-new-hollywood-ranked/" target="_blank">https://collider.com/best-horror-movies-new-hollywood-ranked/</a> <a href="#fnref:1085" class="footnote-back-ref">↩</a></li>
<li id="fn:1086">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:1086" class="footnote-back-ref">↩</a></li>
<li id="fn:1087">Schasny, Josh (March 4, 2016). "25 New Hollywood Era Films That Projected the Hopes and Fears of the Times". <a href="http://www.tasteofcinema.com/2016/25-new-hollywood-era-films-that-projected-the-hopes-and-fears-of-the-times/" target="_blank">http://www.tasteofcinema.com/2016/25-new-hollywood-era-films-that-projected-the-hopes-and-fears-of-the-times/</a> <a href="#fnref:1087" class="footnote-back-ref">↩</a></li>
<li id="fn:1088">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:1088" class="footnote-back-ref">↩</a></li>
<li id="fn:1089">Paramount in the 1970s|MoMA <a href="https://www.moma.org/calendar/film/5721" target="_blank">https://www.moma.org/calendar/film/5721</a> <a href="#fnref:1089" class="footnote-back-ref">↩</a></li>
<li id="fn:1090">"15 Sleeper Films Of The New Hollywood Era That Are Worth Seeing – Page 2 – Taste of Cinema". June 12, 2014. <a href="https://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/2/" target="_blank">https://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/2/</a> <a href="#fnref:1090" class="footnote-back-ref">↩</a></li>
<li id="fn:1091">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1091" class="footnote-back-ref">↩</a></li>
<li id="fn:1092">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1092" class="footnote-back-ref">↩</a></li>
<li id="fn:1093">Schasny, Josh (March 4, 2016). "25 New Hollywood Era Films That Projected the Hopes and Fears of the Times". <a href="http://www.tasteofcinema.com/2016/25-new-hollywood-era-films-that-projected-the-hopes-and-fears-of-the-times/" target="_blank">http://www.tasteofcinema.com/2016/25-new-hollywood-era-films-that-projected-the-hopes-and-fears-of-the-times/</a> <a href="#fnref:1093" class="footnote-back-ref">↩</a></li>
<li id="fn:1094">Sub-Cult 2.0 # 10 Freebie and the Bean (1974) — Nathan Rabin's Happy Place <a href="https://www.nathanrabin.com/happy-place/2020/5/26/sub-cult-8-freebie-and-the-bean-1974?rq=new%20hollywood" target="_blank">https://www.nathanrabin.com/happy-place/2020/5/26/sub-cult-8-freebie-and-the-bean-1974?rq=new%20hollywood</a> <a href="#fnref:1094" class="footnote-back-ref">↩</a></li>
<li id="fn:1095">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:1095" class="footnote-back-ref">↩</a></li>
<li id="fn:1096">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1096" class="footnote-back-ref">↩</a></li>
<li id="fn:1097">When the Movies Mattered – Google Books <a href="https://books.google.com/books?id=WKZzDwAAQBAJ" target="_blank">https://books.google.com/books?id=WKZzDwAAQBAJ</a> <a href="#fnref:1097" class="footnote-back-ref">↩</a></li>
<li id="fn:1098">10 Best New Hollywood Movies Directed by Women, Ranked|Collider <a href="https://collider.com/new-hollywood-movies-directed-women-best-ranked/" target="_blank">https://collider.com/new-hollywood-movies-directed-women-best-ranked/</a> <a href="#fnref:1098" class="footnote-back-ref">↩</a></li>
<li id="fn:1099">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1099" class="footnote-back-ref">↩</a></li>
<li id="fn:1100">Lost Men, Found Women: Revisiting the New Hollywood|Los Angeles Review of Books <a href="https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/" target="_blank">https://lareviewofbooks.org/article/lost-men-found-women-revisiting-the-new-hollywood/</a> <a href="#fnref:1100" class="footnote-back-ref">↩</a></li>
<li id="fn:1101">The Shadow Cinema of the American '70s|Quad Cinema <a href="https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/" target="_blank">https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/</a> <a href="#fnref:1101" class="footnote-back-ref">↩</a></li>
<li id="fn:1102">Krämer 2005, p. 8. - Krämer, Peter (2005). The New Hollywood: From Bonnie and Clyde to Star Wars. Wallflower Press. ISBN 978-1-904764-58-8. <a href="https://archive.org/details/newhollywoodfrom0000kram" target="_blank">https://archive.org/details/newhollywoodfrom0000kram</a> <a href="#fnref:1102" class="footnote-back-ref">↩</a></li>
<li id="fn:1103">10 Best Films Of The American New Wave, According To IMDb - Screen Rant <a href="https://screenrant.com/american-new-wave-best-films-imdb/" target="_blank">https://screenrant.com/american-new-wave-best-films-imdb/</a> <a href="#fnref:1103" class="footnote-back-ref">↩</a></li>
<li id="fn:1104">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:1104" class="footnote-back-ref">↩</a></li>
<li id="fn:1105">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:1105" class="footnote-back-ref">↩</a></li>
<li id="fn:1106">Nordine, Michael (April 11, 2017). "New Hollywood: 50 Movies That Reshaped the Film Industry: Dog Day Afternoon (1975)". IndieWire. Retrieved March 12, 2018. <a href="https://indiewire.com/gallery/new-hollywood-50-movies/#!20/dog-day-afternoon-1975/" target="_blank">https://indiewire.com/gallery/new-hollywood-50-movies/#!20/dog-day-afternoon-1975/</a> <a href="#fnref:1106" class="footnote-back-ref">↩</a></li>
<li id="fn:1107">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1107" class="footnote-back-ref">↩</a></li>
<li id="fn:1108">A Brief History Of New Hollywood|The Rise – Little White Lies on YouTube <a href="https://www.youtube.com/watch?v=E6byV69VBLw" target="_blank">https://www.youtube.com/watch?v=E6byV69VBLw</a> <a href="#fnref:1108" class="footnote-back-ref">↩</a></li>
<li id="fn:1109">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:1109" class="footnote-back-ref">↩</a></li>
<li id="fn:1110">New Hollywood: American 70s|Film Streams <a href="https://filmstreams.org/series/new-hollywood-american-70s" target="_blank">https://filmstreams.org/series/new-hollywood-american-70s</a> <a href="#fnref:1110" class="footnote-back-ref">↩</a></li>
<li id="fn:1111">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:1111" class="footnote-back-ref">↩</a></li>
<li id="fn:1112">Film Fourm resurrects a gritty city with 'New York in the '70s'|amNewYork <a href="https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/" target="_blank">https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/</a> <a href="#fnref:1112" class="footnote-back-ref">↩</a></li>
<li id="fn:1113">Cheever, Abigail (June 11, 2018). "Unpredictable: Three Days of the Condor, Information Theory, and The Remaking of Professional Ideology". Post45. Retrieved March 11, 2020. <a href="http://post45.org/2018/11/unpredictable-three-days-of-the-condor-information-theory-and-the-remaking-of-professional-ideology/" target="_blank">http://post45.org/2018/11/unpredictable-three-days-of-the-condor-information-theory-and-the-remaking-of-professional-ideology/</a> <a href="#fnref:1113" class="footnote-back-ref">↩</a></li>
<li id="fn:1114">Paramount in the 1970s|MoMA <a href="https://www.moma.org/calendar/film/5721" target="_blank">https://www.moma.org/calendar/film/5721</a> <a href="#fnref:1114" class="footnote-back-ref">↩</a></li>
<li id="fn:1115">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1115" class="footnote-back-ref">↩</a></li>
<li id="fn:1116">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:1116" class="footnote-back-ref">↩</a></li>
<li id="fn:1117">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1117" class="footnote-back-ref">↩</a></li>
<li id="fn:1118">Hughes, Woodson (November 20, 2015). "The 30 Most Underappreciated Movies of The New Hollywood Era". <a href="http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/3/" target="_blank">http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/3/</a> <a href="#fnref:1118" class="footnote-back-ref">↩</a></li>
<li id="fn:1119">Thompson & Bordwell 2003, p. 527. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1119" class="footnote-back-ref">↩</a></li>
<li id="fn:1120">Krämer 2005, p. 8. - Krämer, Peter (2005). The New Hollywood: From Bonnie and Clyde to Star Wars. Wallflower Press. ISBN 978-1-904764-58-8. <a href="https://archive.org/details/newhollywoodfrom0000kram" target="_blank">https://archive.org/details/newhollywoodfrom0000kram</a> <a href="#fnref:1120" class="footnote-back-ref">↩</a></li>
<li id="fn:1121">Palmer, Landon (October 20, 2015). "The Darkness of Steven Spielberg". Film School Rejects. <a href="https://filmschoolrejects.com/the-darkness-of-steven-spielberg-746800968e73/" target="_blank">https://filmschoolrejects.com/the-darkness-of-steven-spielberg-746800968e73/</a> <a href="#fnref:1121" class="footnote-back-ref">↩</a></li>
<li id="fn:1122">This Disastrous Francis Ford Coppola Production Is Something Out of The Godfather|Collider <a href="https://collider.com/the-cotton-club-francis-ford-coppola-production/" target="_blank">https://collider.com/the-cotton-club-francis-ford-coppola-production/</a> <a href="#fnref:1122" class="footnote-back-ref">↩</a></li>
<li id="fn:1123">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1123" class="footnote-back-ref">↩</a></li>
<li id="fn:1124">Twilight of the Movie Brats: Steven Spielberg and the Old 'New' Hollywood – Grantland <a href="https://grantland.com/hollywood-prospectus/steven-spielberg-movie-brats-bridge-of-spies/" target="_blank">https://grantland.com/hollywood-prospectus/steven-spielberg-movie-brats-bridge-of-spies/</a> <a href="#fnref:1124" class="footnote-back-ref">↩</a></li>
<li id="fn:1125">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:1125" class="footnote-back-ref">↩</a></li>
<li id="fn:1126">10 Best New Hollywood Thrillers, Ranked|Collider <a href="https://collider.com/new-hollywood-movie-thrillers-best-ranked/" target="_blank">https://collider.com/new-hollywood-movie-thrillers-best-ranked/</a> <a href="#fnref:1126" class="footnote-back-ref">↩</a></li>
<li id="fn:1127">10 Best New Hollywood Horror Movies, Ranked|Collider <a href="https://collider.com/best-horror-movies-new-hollywood-ranked/" target="_blank">https://collider.com/best-horror-movies-new-hollywood-ranked/</a> <a href="#fnref:1127" class="footnote-back-ref">↩</a></li>
<li id="fn:1128">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1128" class="footnote-back-ref">↩</a></li>
<li id="fn:1129">News and Commentary – Karen Black: The New Hollywood Years – MidCenturyCinema <a href="https://midcenturycinema.org/2021/09/02/news-and-commentary-karen-black-the-new-hollywood-years/" target="_blank">https://midcenturycinema.org/2021/09/02/news-and-commentary-karen-black-the-new-hollywood-years/</a> <a href="#fnref:1129" class="footnote-back-ref">↩</a></li>
<li id="fn:1130">Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 – Google Books (p. 6) <a href="https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0</a> <a href="#fnref:1130" class="footnote-back-ref">↩</a></li>
<li id="fn:1131">Kirshner 2012, p. 191. - Kirshner, Jonathan (2012). Hollywood's Last Golden Age: Politics, Society, and the Seventies Film in America. Ithaca, New York: Cornell University Press. ISBN 978-0-801-46540-6. <a href="#fnref:1131" class="footnote-back-ref">↩</a></li>
<li id="fn:1132">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1132" class="footnote-back-ref">↩</a></li>
<li id="fn:1133">Phipps, Keith (March 15, 2011). "New Hollywood gumshoes: The Long Goodbye, The Late Show, Night Moves". Film. Archived from the original on March 3, 2021. Retrieved September 25, 2018. <a href="https://www.avclub.com/new-hollywood-gumshoes-the-long-goodbye-the-late-show-1798224936" target="_blank">https://www.avclub.com/new-hollywood-gumshoes-the-long-goodbye-the-late-show-1798224936</a> <a href="#fnref:1133" class="footnote-back-ref">↩</a></li>
<li id="fn:1134">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:1134" class="footnote-back-ref">↩</a></li>
<li id="fn:1135">The Criterion Channel's July 2024 Lineup|Current|The Criterion Collection <a href="https://www.criterion.com/current/posts/8503-the-criterion-channel-s-july-2024-lineup" target="_blank">https://www.criterion.com/current/posts/8503-the-criterion-channel-s-july-2024-lineup</a> <a href="#fnref:1135" class="footnote-back-ref">↩</a></li>
<li id="fn:1136">10 Best New Hollywood Neo-Noirs, Ranked|Collider <a href="https://collider.com/neo-noir-movies-new-hollywood-ranked/" target="_blank">https://collider.com/neo-noir-movies-new-hollywood-ranked/</a> <a href="#fnref:1136" class="footnote-back-ref">↩</a></li>
<li id="fn:1137">Harris 2008, p. 419. - Harris, Mark (2008). Pictures at a Revolution: Five Movies and the Birth of the New Hollywood. New York: Penguin Press. ISBN 978-1-594-20152-3. <a href="https://archive.org/details/picturesatrevolu00harr_0" target="_blank">https://archive.org/details/picturesatrevolu00harr_0</a> <a href="#fnref:1137" class="footnote-back-ref">↩</a></li>
<li id="fn:1138">How New Hollywood Spirit Lives in 'Armageddon Time,' 'The Inspection' and 'Vengeance' – Variety <a href="https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/" target="_blank">https://variety.com/2023/awards/spotlight/armageddon-time-inspection-1235483354/</a> <a href="#fnref:1138" class="footnote-back-ref">↩</a></li>
<li id="fn:1139">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1139" class="footnote-back-ref">↩</a></li>
<li id="fn:1140">'70s Play the '30s – Metrogrpah <a href="https://metrograph.com/category/70s-play-the-30s/" target="_blank">https://metrograph.com/category/70s-play-the-30s/</a> <a href="#fnref:1140" class="footnote-back-ref">↩</a></li>
<li id="fn:1141">September In Theater – Journal – Metrograph <a href="https://metrograph.com/in-theater-september-2022/" target="_blank">https://metrograph.com/in-theater-september-2022/</a> <a href="#fnref:1141" class="footnote-back-ref">↩</a></li>
<li id="fn:1142">The Shadow Cinema of the American '70s|Quad Cinema <a href="https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/" target="_blank">https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/</a> <a href="#fnref:1142" class="footnote-back-ref">↩</a></li>
<li id="fn:1143">Symmons, Tom (2016). The 'New Wave' and 'Old Hollywood': The Day of the Locust (1975), 'Movies About the Movies' and the Generational Divide. pp. 21–56. doi:10.1057/978-1-137-52930-5_2. ISBN 978-1-137-52929-9. <a href="978-1-137-52929-9" target="_blank">978-1-137-52929-9</a> <a href="#fnref:1143" class="footnote-back-ref">↩</a></li>
<li id="fn:1144">"15 Sleeper Films Of The New Hollywood Era That Are Worth Seeing – Page 2 – Taste of Cinema". June 12, 2014. <a href="https://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/2/" target="_blank">https://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/2/</a> <a href="#fnref:1144" class="footnote-back-ref">↩</a></li>
<li id="fn:1145">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1145" class="footnote-back-ref">↩</a></li>
<li id="fn:1146">Symmons, Tom (June 13, 2016). The New Hollywood Historical Film: 1967–78. Springer. ISBN 9781137529305. <a href="9781137529305" target="_blank">9781137529305</a> <a href="#fnref:1146" class="footnote-back-ref">↩</a></li>
<li id="fn:1147">Thompson & Bordwell 2003, p. 617. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1147" class="footnote-back-ref">↩</a></li>
<li id="fn:1148">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:1148" class="footnote-back-ref">↩</a></li>
<li id="fn:1149">Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 – Google Books (p. 6) <a href="https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0</a> <a href="#fnref:1149" class="footnote-back-ref">↩</a></li>
<li id="fn:1150">Thompson & Bordwell 2003, p. 516. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1150" class="footnote-back-ref">↩</a></li>
<li id="fn:1151">"On the Tuneless Cole Porter Musical At Long Last Love, Peter Bogdanovich's "Great Debacle," Screening This Weekend – The L Magazine". Archived from the original on November 8, 2022. Retrieved November 8, 2022. <a href="https://web.archive.org/web/20221108152317/https://www.thelmagazine.com/2011/06/on-the-tuneless-cole-porter-musical-at-long-last-love-peter-bogdanovichs-great-debacle-screening-this-weekend/" target="_blank">https://web.archive.org/web/20221108152317/https://www.thelmagazine.com/2011/06/on-the-tuneless-cole-porter-musical-at-long-last-love-peter-bogdanovichs-great-debacle-screening-this-weekend/</a> <a href="#fnref:1151" class="footnote-back-ref">↩</a></li>
<li id="fn:1152">June 1977: When New Hollywood Got Weird – The Film Stage <a href="https://thefilmstage.com/june-1977-when-new-hollywood-got-weird/" target="_blank">https://thefilmstage.com/june-1977-when-new-hollywood-got-weird/</a> <a href="#fnref:1152" class="footnote-back-ref">↩</a></li>
<li id="fn:1153">Paramount in the 1970s|MoMA <a href="https://www.moma.org/calendar/film/5721" target="_blank">https://www.moma.org/calendar/film/5721</a> <a href="#fnref:1153" class="footnote-back-ref">↩</a></li>
<li id="fn:1154">10 Best New Hollywood Movies Directed by Women, Ranked|Collider <a href="https://collider.com/new-hollywood-movies-directed-women-best-ranked/" target="_blank">https://collider.com/new-hollywood-movies-directed-women-best-ranked/</a> <a href="#fnref:1154" class="footnote-back-ref">↩</a></li>
<li id="fn:1155">10 Best New Hollywood Movies Directed by Women, Ranked|Collider <a href="https://collider.com/new-hollywood-movies-directed-women-best-ranked/" target="_blank">https://collider.com/new-hollywood-movies-directed-women-best-ranked/</a> <a href="#fnref:1155" class="footnote-back-ref">↩</a></li>
<li id="fn:1156">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:1156" class="footnote-back-ref">↩</a></li>
<li id="fn:1157">The Criterion Channel's September 2024 Lineup|Current|The Criterion Collection <a href="https://www.criterion.com/current/posts/8566-the-criterion-channel-s-september-2024-lineup" target="_blank">https://www.criterion.com/current/posts/8566-the-criterion-channel-s-september-2024-lineup</a> <a href="#fnref:1157" class="footnote-back-ref">↩</a></li>
<li id="fn:1158">10 Best New Hollywood Movies Directed by Women, Ranked|Collider <a href="https://collider.com/new-hollywood-movies-directed-women-best-ranked/" target="_blank">https://collider.com/new-hollywood-movies-directed-women-best-ranked/</a> <a href="#fnref:1158" class="footnote-back-ref">↩</a></li>
<li id="fn:1159">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:1159" class="footnote-back-ref">↩</a></li>
<li id="fn:1160">Nordine, Michael (April 11, 2017). "New Hollywood: 50 Movies That Reshaped the Film Industry: All the President's Men (1976)". IndieWire. Retrieved March 12, 2018. <a href="https://indiewire.com/gallery/new-hollywood-50-movies/#!3/all-the-presidents-men-1976/" target="_blank">https://indiewire.com/gallery/new-hollywood-50-movies/#!3/all-the-presidents-men-1976/</a> <a href="#fnref:1160" class="footnote-back-ref">↩</a></li>
<li id="fn:1161">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1161" class="footnote-back-ref">↩</a></li>
<li id="fn:1162">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:1162" class="footnote-back-ref">↩</a></li>
<li id="fn:1163">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:1163" class="footnote-back-ref">↩</a></li>
<li id="fn:1164">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1164" class="footnote-back-ref">↩</a></li>
<li id="fn:1165">Hughes, Woodson (November 20, 2015). "The 30 Most Underappreciated Movies of The New Hollywood Era". <a href="http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/4/" target="_blank">http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/4/</a> <a href="#fnref:1165" class="footnote-back-ref">↩</a></li>
<li id="fn:1166">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1166" class="footnote-back-ref">↩</a></li>
<li id="fn:1167">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1167" class="footnote-back-ref">↩</a></li>
<li id="fn:1168">A Brief History Of New Hollywood | The Fall – Little White Lies on YouTube <a href="https://www.youtube.com/watch?v=QSTUCkXjAzc" target="_blank">https://www.youtube.com/watch?v=QSTUCkXjAzc</a> <a href="#fnref:1168" class="footnote-back-ref">↩</a></li>
<li id="fn:1169">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:1169" class="footnote-back-ref">↩</a></li>
<li id="fn:1170">The New Hollywood: What the Movies Did with the New Freedoms of the Seventies - Google Books <a href="https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false" target="_blank">https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false</a> <a href="#fnref:1170" class="footnote-back-ref">↩</a></li>
<li id="fn:1171">10 Best New Hollywood Thrillers, Ranked|Collider <a href="https://collider.com/new-hollywood-movie-thrillers-best-ranked/" target="_blank">https://collider.com/new-hollywood-movie-thrillers-best-ranked/</a> <a href="#fnref:1171" class="footnote-back-ref">↩</a></li>
<li id="fn:1172">10 Best New Hollywood Horror Movies, Ranked|Collider <a href="https://collider.com/best-horror-movies-new-hollywood-ranked/" target="_blank">https://collider.com/best-horror-movies-new-hollywood-ranked/</a> <a href="#fnref:1172" class="footnote-back-ref">↩</a></li>
<li id="fn:1173">Affect Poetics of the New Hollywood: Suspense, Paranoia, and Melancholy - Google Books <a href="https://www.google.com/books/edition/Affect_Poetics_of_the_New_Hollywood/luxcEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Affect_Poetics_of_the_New_Hollywood/luxcEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1173" class="footnote-back-ref">↩</a></li>
<li id="fn:1174">Thompson & Bordwell 2003, p. 527. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1174" class="footnote-back-ref">↩</a></li>
<li id="fn:1175">The Criterion Channel's July 2024 Lineup|Current|The Criterion Collection <a href="https://www.criterion.com/current/posts/8503-the-criterion-channel-s-july-2024-lineup" target="_blank">https://www.criterion.com/current/posts/8503-the-criterion-channel-s-july-2024-lineup</a> <a href="#fnref:1175" class="footnote-back-ref">↩</a></li>
<li id="fn:1176">The Criterion Channel's September 2024 Lineup|Current|The Criterion Collection <a href="https://www.criterion.com/current/posts/8566-the-criterion-channel-s-september-2024-lineup" target="_blank">https://www.criterion.com/current/posts/8566-the-criterion-channel-s-september-2024-lineup</a> <a href="#fnref:1176" class="footnote-back-ref">↩</a></li>
<li id="fn:1177">New Hollywood: Movies, Directors, and Influences of the Era|Backstage <a href="https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/" target="_blank">https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/</a> <a href="#fnref:1177" class="footnote-back-ref">↩</a></li>
<li id="fn:1178">Brayton, Tim (June 11, 2015). "Summer of Blood: New Hollywood Horror – Little devil". Alternative Ending. Retrieved March 12, 2018. <a href="https://www.alternateending.com/2015/07/summer-of-blood-new-hollywood-horror-little-devil.html" target="_blank">https://www.alternateending.com/2015/07/summer-of-blood-new-hollywood-horror-little-devil.html</a> <a href="#fnref:1178" class="footnote-back-ref">↩</a></li>
<li id="fn:1179">10 Best New Hollywood Thrillers, Ranked|Collider <a href="https://collider.com/new-hollywood-movie-thrillers-best-ranked/" target="_blank">https://collider.com/new-hollywood-movie-thrillers-best-ranked/</a> <a href="#fnref:1179" class="footnote-back-ref">↩</a></li>
<li id="fn:1180">Duralde, Alonso (July 5, 2021). "Richard Donner Appreciation: An Old-School Hit-Maker Who Emerged From New Hollywood". <a href="https://www.thewrap.com/richard-donner-appreciation-obituary-superman-lethal-weapon-goonies/" target="_blank">https://www.thewrap.com/richard-donner-appreciation-obituary-superman-lethal-weapon-goonies/</a> <a href="#fnref:1180" class="footnote-back-ref">↩</a></li>
<li id="fn:1181">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1181" class="footnote-back-ref">↩</a></li>
<li id="fn:1182">"Filmmuseum – Program SD". www.filmmuseum.at. <a href="https://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1219068743272&schienen_id=200018" target="_blank">https://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1219068743272&schienen_id=200018</a> <a href="#fnref:1182" class="footnote-back-ref">↩</a></li>
<li id="fn:1183">"Filmmuseum – Program SD". www.filmmuseum.at. <a href="https://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1219068743272&schienen_id=200018" target="_blank">https://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1219068743272&schienen_id=200018</a> <a href="#fnref:1183" class="footnote-back-ref">↩</a></li>
<li id="fn:1184">New Hollywood: Movies, Directors, and Influences of the Era|Backstage <a href="https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/" target="_blank">https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/</a> <a href="#fnref:1184" class="footnote-back-ref">↩</a></li>
<li id="fn:1185">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:1185" class="footnote-back-ref">↩</a></li>
<li id="fn:1186">Nordine, Michael (April 11, 2017). "New Hollywood: 50 Movies That Reshaped the Film Industry". <a href="https://www.indiewire.com/gallery/new-hollywood-50-movies/" target="_blank">https://www.indiewire.com/gallery/new-hollywood-50-movies/</a> <a href="#fnref:1186" class="footnote-back-ref">↩</a></li>
<li id="fn:1187">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1187" class="footnote-back-ref">↩</a></li>
<li id="fn:1188">Film Fourm resurrects a gritty city with 'New York in the '70s'|amNewYork <a href="https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/" target="_blank">https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/</a> <a href="#fnref:1188" class="footnote-back-ref">↩</a></li>
<li id="fn:1189">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:1189" class="footnote-back-ref">↩</a></li>
<li id="fn:1190">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:1190" class="footnote-back-ref">↩</a></li>
<li id="fn:1191">Paramount in the 1970s|MoMA <a href="https://www.moma.org/calendar/film/5721" target="_blank">https://www.moma.org/calendar/film/5721</a> <a href="#fnref:1191" class="footnote-back-ref">↩</a></li>
<li id="fn:1192">Krämer 2005, p. 8. - Krämer, Peter (2005). The New Hollywood: From Bonnie and Clyde to Star Wars. Wallflower Press. ISBN 978-1-904764-58-8. <a href="https://archive.org/details/newhollywoodfrom0000kram" target="_blank">https://archive.org/details/newhollywoodfrom0000kram</a> <a href="#fnref:1192" class="footnote-back-ref">↩</a></li>
<li id="fn:1193">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1193" class="footnote-back-ref">↩</a></li>
<li id="fn:1194">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:1194" class="footnote-back-ref">↩</a></li>
<li id="fn:1195">Perno, G.S. (September 20, 2015). "Trends in 70's Cinema: New Hollywood". Cinelinx. Archived from the original on March 8, 2018. Retrieved March 12, 2018. <a href="https://web.archive.org/web/20180308114354/http://www.cinelinx.com/movie-stuff/item/8330-trends-in-70-s-cinema-new-hollywood.html" target="_blank">https://web.archive.org/web/20180308114354/http://www.cinelinx.com/movie-stuff/item/8330-trends-in-70-s-cinema-new-hollywood.html</a> <a href="#fnref:1195" class="footnote-back-ref">↩</a></li>
<li id="fn:1196">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1196" class="footnote-back-ref">↩</a></li>
<li id="fn:1197">10 Best Films Of The American New Wave, According To IMDb - Screen Rant <a href="https://screenrant.com/american-new-wave-best-films-imdb/" target="_blank">https://screenrant.com/american-new-wave-best-films-imdb/</a> <a href="#fnref:1197" class="footnote-back-ref">↩</a></li>
<li id="fn:1198">Film History According to Tarantino – ArtReview <a href="https://artreview.com/film-history-according-to-tarantino/" target="_blank">https://artreview.com/film-history-according-to-tarantino/</a> <a href="#fnref:1198" class="footnote-back-ref">↩</a></li>
<li id="fn:1199">Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 – Google Books (p. 6) <a href="https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0</a> <a href="#fnref:1199" class="footnote-back-ref">↩</a></li>
<li id="fn:1200">10 Best New Hollywood Neo-Noirs, Ranked|Collider <a href="https://collider.com/neo-noir-movies-new-hollywood-ranked/" target="_blank">https://collider.com/neo-noir-movies-new-hollywood-ranked/</a> <a href="#fnref:1200" class="footnote-back-ref">↩</a></li>
<li id="fn:1201">Robert Altman Sixteen Films. 1970–2006 – Filmmuseum – Program SD <a href="https://www.filmmuseum.at/en/film_program/scope?schienen_id=1324565075166" target="_blank">https://www.filmmuseum.at/en/film_program/scope?schienen_id=1324565075166</a> <a href="#fnref:1201" class="footnote-back-ref">↩</a></li>
<li id="fn:1202">News and Commentary – Robert Altman: The New Hollywood Years – MidCenturyCinema <a href="https://midcenturycinema.org/2020/07/08/news-and-commentary-robert-altman-the-new-hollywood-years/" target="_blank">https://midcenturycinema.org/2020/07/08/news-and-commentary-robert-altman-the-new-hollywood-years/</a> <a href="#fnref:1202" class="footnote-back-ref">↩</a></li>
<li id="fn:1203">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1203" class="footnote-back-ref">↩</a></li>
<li id="fn:1204">'70s Play the '30s – Metrogrpah <a href="https://metrograph.com/category/70s-play-the-30s/" target="_blank">https://metrograph.com/category/70s-play-the-30s/</a> <a href="#fnref:1204" class="footnote-back-ref">↩</a></li>
<li id="fn:1205">September In Theater – Journal – Metrograph <a href="https://metrograph.com/in-theater-september-2022/" target="_blank">https://metrograph.com/in-theater-september-2022/</a> <a href="#fnref:1205" class="footnote-back-ref">↩</a></li>
<li id="fn:1206">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1206" class="footnote-back-ref">↩</a></li>
<li id="fn:1207">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:1207" class="footnote-back-ref">↩</a></li>
<li id="fn:1208">Robnik, Drehli. "Allegories of post-Fordism in 1970s New Hollywood: Countercultural combat films, conspiracy thrillers as genre-recycling (2004) | Drehli Robnik". The Last Great American Picture Show: 333. Retrieved July 19, 2018. <a href="https://www.academia.edu/9918618" target="_blank">https://www.academia.edu/9918618</a> <a href="#fnref:1208" class="footnote-back-ref">↩</a></li>
<li id="fn:1209">'70s Play the '30s – Metrogrpah <a href="https://metrograph.com/category/70s-play-the-30s/" target="_blank">https://metrograph.com/category/70s-play-the-30s/</a> <a href="#fnref:1209" class="footnote-back-ref">↩</a></li>
<li id="fn:1210">September In Theater – Journal – Metrograph <a href="https://metrograph.com/in-theater-september-2022/" target="_blank">https://metrograph.com/in-theater-september-2022/</a> <a href="#fnref:1210" class="footnote-back-ref">↩</a></li>
<li id="fn:1211">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1211" class="footnote-back-ref">↩</a></li>
<li id="fn:1212">Nordine, Michael (April 11, 2017). "New Hollywood: 50 Movies That Reshaped the Film Industry: Annie Hall (1977)". IndieWire. Retrieved March 12, 2018. <a href="https://indiewire.com/gallery/new-hollywood-50-movies/#!5/annie-hall-1977/" target="_blank">https://indiewire.com/gallery/new-hollywood-50-movies/#!5/annie-hall-1977/</a> <a href="#fnref:1212" class="footnote-back-ref">↩</a></li>
<li id="fn:1213">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1213" class="footnote-back-ref">↩</a></li>
<li id="fn:1214">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:1214" class="footnote-back-ref">↩</a></li>
<li id="fn:1215">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1215" class="footnote-back-ref">↩</a></li>
<li id="fn:1216">Twilight of the Movie Brats: Steven Spielberg and the Old 'New' Hollywood – Grantland <a href="https://grantland.com/hollywood-prospectus/steven-spielberg-movie-brats-bridge-of-spies/" target="_blank">https://grantland.com/hollywood-prospectus/steven-spielberg-movie-brats-bridge-of-spies/</a> <a href="#fnref:1216" class="footnote-back-ref">↩</a></li>
<li id="fn:1217">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:1217" class="footnote-back-ref">↩</a></li>
<li id="fn:1218">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:1218" class="footnote-back-ref">↩</a></li>
<li id="fn:1219">Thompson & Bordwell 2003, p. 516. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1219" class="footnote-back-ref">↩</a></li>
<li id="fn:1220">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:1220" class="footnote-back-ref">↩</a></li>
<li id="fn:1221">Film History: New Hollywood, Explained - MovieWeb <a href="https://movieweb.com/new-hollywood-movement-explained/" target="_blank">https://movieweb.com/new-hollywood-movement-explained/</a> <a href="#fnref:1221" class="footnote-back-ref">↩</a></li>
<li id="fn:1222">Shail, Robert (July 25, 2019). Seventies British Cinema. United Kingdom: Bloomsbury Publishing. p. 33. ISBN 9781838718060. <a href="9781838718060" target="_blank">9781838718060</a> <a href="#fnref:1222" class="footnote-back-ref">↩</a></li>
<li id="fn:1223">Film History: New Hollywood, Explained - MovieWeb <a href="https://movieweb.com/new-hollywood-movement-explained/" target="_blank">https://movieweb.com/new-hollywood-movement-explained/</a> <a href="#fnref:1223" class="footnote-back-ref">↩</a></li>
<li id="fn:1224">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1224" class="footnote-back-ref">↩</a></li>
<li id="fn:1225">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1225" class="footnote-back-ref">↩</a></li>
<li id="fn:1226">Phipps, Keith (March 15, 2011). "New Hollywood gumshoes: The Long Goodbye, The Late Show, Night Moves". Film. Archived from the original on March 3, 2021. Retrieved September 25, 2018. <a href="https://www.avclub.com/new-hollywood-gumshoes-the-long-goodbye-the-late-show-1798224936" target="_blank">https://www.avclub.com/new-hollywood-gumshoes-the-long-goodbye-the-late-show-1798224936</a> <a href="#fnref:1226" class="footnote-back-ref">↩</a></li>
<li id="fn:1227">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1227" class="footnote-back-ref">↩</a></li>
<li id="fn:1228">Hughes, Woodson (November 20, 2015). "The 30 Most Underappreciated Movies of The New Hollywood Era". <a href="http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/4/" target="_blank">http://www.tasteofcinema.com/2015/the-30-most-underappreciated-movies-of-the-new-hollywood-era/4/</a> <a href="#fnref:1228" class="footnote-back-ref">↩</a></li>
<li id="fn:1229">Paramount in the 1970s|MoMA <a href="https://www.moma.org/calendar/film/5721" target="_blank">https://www.moma.org/calendar/film/5721</a> <a href="#fnref:1229" class="footnote-back-ref">↩</a></li>
<li id="fn:1230">The Shadow Cinema of the American '70s|Quad Cinema <a href="https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/" target="_blank">https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/</a> <a href="#fnref:1230" class="footnote-back-ref">↩</a></li>
<li id="fn:1231">Nordine, Michael (April 11, 2017). "New Hollywood: 50 Movies That Reshaped the Film Industry: Looking for Mr. Goodbar (1977)". IndieWire. Retrieved March 12, 2018. <a href="https://indiewire.com/gallery/new-hollywood-50-movies/#!33/looking-for-mr-goodbar-1977/" target="_blank">https://indiewire.com/gallery/new-hollywood-50-movies/#!33/looking-for-mr-goodbar-1977/</a> <a href="#fnref:1231" class="footnote-back-ref">↩</a></li>
<li id="fn:1232">A Brief History Of New Hollywood | The Fall – Little White Lies on YouTube <a href="https://www.youtube.com/watch?v=QSTUCkXjAzc" target="_blank">https://www.youtube.com/watch?v=QSTUCkXjAzc</a> <a href="#fnref:1232" class="footnote-back-ref">↩</a></li>
<li id="fn:1233">"On the Tuneless Cole Porter Musical At Long Last Love, Peter Bogdanovich's "Great Debacle," Screening This Weekend – The L Magazine". Archived from the original on November 8, 2022. Retrieved November 8, 2022. <a href="https://web.archive.org/web/20221108152317/https://www.thelmagazine.com/2011/06/on-the-tuneless-cole-porter-musical-at-long-last-love-peter-bogdanovichs-great-debacle-screening-this-weekend/" target="_blank">https://web.archive.org/web/20221108152317/https://www.thelmagazine.com/2011/06/on-the-tuneless-cole-porter-musical-at-long-last-love-peter-bogdanovichs-great-debacle-screening-this-weekend/</a> <a href="#fnref:1233" class="footnote-back-ref">↩</a></li>
<li id="fn:1234">June 1977: When New Hollywood Got Weird – The Film Stage <a href="https://thefilmstage.com/june-1977-when-new-hollywood-got-weird/" target="_blank">https://thefilmstage.com/june-1977-when-new-hollywood-got-weird/</a> <a href="#fnref:1234" class="footnote-back-ref">↩</a></li>
<li id="fn:1235">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1235" class="footnote-back-ref">↩</a></li>
<li id="fn:1236">The Death of the All-Powerful Director - The Ringer <a href="https://www.theringer.com/2021/07/19/movies/heavens-gate-1970s-hollywood-auteur-directors" target="_blank">https://www.theringer.com/2021/07/19/movies/heavens-gate-1970s-hollywood-auteur-directors</a> <a href="#fnref:1236" class="footnote-back-ref">↩</a></li>
<li id="fn:1237">Film History: New Hollywood, Explained - MovieWeb <a href="https://movieweb.com/new-hollywood-movement-explained/" target="_blank">https://movieweb.com/new-hollywood-movement-explained/</a> <a href="#fnref:1237" class="footnote-back-ref">↩</a></li>
<li id="fn:1238">Thompson & Bordwell 2003, p. 527. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1238" class="footnote-back-ref">↩</a></li>
<li id="fn:1239">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:1239" class="footnote-back-ref">↩</a></li>
<li id="fn:1240">Paramount in the 1970s|MoMA <a href="https://www.moma.org/calendar/film/5721" target="_blank">https://www.moma.org/calendar/film/5721</a> <a href="#fnref:1240" class="footnote-back-ref">↩</a></li>
<li id="fn:1241">10 Best New Hollywood Thrillers, Ranked|Collider <a href="https://collider.com/new-hollywood-movie-thrillers-best-ranked/" target="_blank">https://collider.com/new-hollywood-movie-thrillers-best-ranked/</a> <a href="#fnref:1241" class="footnote-back-ref">↩</a></li>
<li id="fn:1242">Nordine, Michael (April 11, 2017). "Sorcerer (1977)". IndieWire. Retrieved March 12, 2018. <a href="https://indiewire.com/gallery/new-hollywood-50-movies/#!45/sorcerer-1977/" target="_blank">https://indiewire.com/gallery/new-hollywood-50-movies/#!45/sorcerer-1977/</a> <a href="#fnref:1242" class="footnote-back-ref">↩</a></li>
<li id="fn:1243">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1243" class="footnote-back-ref">↩</a></li>
<li id="fn:1244">This Disastrous Francis Ford Coppola Production Is Something Out of The Godfather|Collider <a href="https://collider.com/the-cotton-club-francis-ford-coppola-production/" target="_blank">https://collider.com/the-cotton-club-francis-ford-coppola-production/</a> <a href="#fnref:1244" class="footnote-back-ref">↩</a></li>
<li id="fn:1245">June 1977: When New Hollywood Got Weird – The Film Stage <a href="https://thefilmstage.com/june-1977-when-new-hollywood-got-weird/" target="_blank">https://thefilmstage.com/june-1977-when-new-hollywood-got-weird/</a> <a href="#fnref:1245" class="footnote-back-ref">↩</a></li>
<li id="fn:1246">The Death of the All-Powerful Director - The Ringer <a href="https://www.theringer.com/2021/07/19/movies/heavens-gate-1970s-hollywood-auteur-directors" target="_blank">https://www.theringer.com/2021/07/19/movies/heavens-gate-1970s-hollywood-auteur-directors</a> <a href="#fnref:1246" class="footnote-back-ref">↩</a></li>
<li id="fn:1247">Film History: New Hollywood, Explained - MovieWeb <a href="https://movieweb.com/new-hollywood-movement-explained/" target="_blank">https://movieweb.com/new-hollywood-movement-explained/</a> <a href="#fnref:1247" class="footnote-back-ref">↩</a></li>
<li id="fn:1248">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1248" class="footnote-back-ref">↩</a></li>
<li id="fn:1249">A Brief History Of New Hollywood | The Fall – Little White Lies on YouTube <a href="https://www.youtube.com/watch?v=QSTUCkXjAzc" target="_blank">https://www.youtube.com/watch?v=QSTUCkXjAzc</a> <a href="#fnref:1249" class="footnote-back-ref">↩</a></li>
<li id="fn:1250">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1250" class="footnote-back-ref">↩</a></li>
<li id="fn:1251">Crawford, Travis (December 16, 2010). "Criterion: American Lost and Found: The BBS Story". Filmmaker Magazine. Retrieved February 19, 2013. <a href="http://filmmakermagazine.com/16844-america-lost-and-found-the-bbs-story/" target="_blank">http://filmmakermagazine.com/16844-america-lost-and-found-the-bbs-story/</a> <a href="#fnref:1251" class="footnote-back-ref">↩</a></li>
<li id="fn:1252">Davies on Bernardoni, 'The New Hollywood: What the Movies Did with the New Freedoms of the Seventies'|H-Net <a href="https://networks.h-net.org/node/21708/reviews/21838/davies-bernardoni-new-hollywood-what-movies-did-new-freedoms-seventies" target="_blank">https://networks.h-net.org/node/21708/reviews/21838/davies-bernardoni-new-hollywood-what-movies-did-new-freedoms-seventies</a> <a href="#fnref:1252" class="footnote-back-ref">↩</a></li>
<li id="fn:1253">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:1253" class="footnote-back-ref">↩</a></li>
<li id="fn:1254">Film History: New Hollywood, Explained - MovieWeb <a href="https://movieweb.com/new-hollywood-movement-explained/" target="_blank">https://movieweb.com/new-hollywood-movement-explained/</a> <a href="#fnref:1254" class="footnote-back-ref">↩</a></li>
<li id="fn:1255">Thompson & Bordwell 2003, p. 519. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1255" class="footnote-back-ref">↩</a></li>
<li id="fn:1256">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:1256" class="footnote-back-ref">↩</a></li>
<li id="fn:1257">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1257" class="footnote-back-ref">↩</a></li>
<li id="fn:1258">Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 – Google Books (p. 6) <a href="https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0</a> <a href="#fnref:1258" class="footnote-back-ref">↩</a></li>
<li id="fn:1259">When the Movies Mattered – Google Books <a href="https://books.google.com/books?id=WKZzDwAAQBAJ" target="_blank">https://books.google.com/books?id=WKZzDwAAQBAJ</a> <a href="#fnref:1259" class="footnote-back-ref">↩</a></li>
<li id="fn:1260">10 Best New Hollywood Movies Directed by Women, Ranked|Collider <a href="https://collider.com/new-hollywood-movies-directed-women-best-ranked/" target="_blank">https://collider.com/new-hollywood-movies-directed-women-best-ranked/</a> <a href="#fnref:1260" class="footnote-back-ref">↩</a></li>
<li id="fn:1261">Film Fourm resurrects a gritty city with 'New York in the '70s'|amNewYork <a href="https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/" target="_blank">https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/</a> <a href="#fnref:1261" class="footnote-back-ref">↩</a></li>
<li id="fn:1262">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:1262" class="footnote-back-ref">↩</a></li>
<li id="fn:1263">The Shadow Cinema of the American '70s|Quad Cinema <a href="https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/" target="_blank">https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/</a> <a href="#fnref:1263" class="footnote-back-ref">↩</a></li>
<li id="fn:1264">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1264" class="footnote-back-ref">↩</a></li>
<li id="fn:1265">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:1265" class="footnote-back-ref">↩</a></li>
<li id="fn:1266">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:1266" class="footnote-back-ref">↩</a></li>
<li id="fn:1267">The Shadow Cinema of the American '70s|Quad Cinema <a href="https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/" target="_blank">https://quadcinema.com/program/the-shadow-cinema-of-the-american-70s/</a> <a href="#fnref:1267" class="footnote-back-ref">↩</a></li>
<li id="fn:1268">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:1268" class="footnote-back-ref">↩</a></li>
<li id="fn:1269">Thompson & Bordwell 2003, p. 516. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1269" class="footnote-back-ref">↩</a></li>
<li id="fn:1270">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1270" class="footnote-back-ref">↩</a></li>
<li id="fn:1271">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1271" class="footnote-back-ref">↩</a></li>
<li id="fn:1272">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1272" class="footnote-back-ref">↩</a></li>
<li id="fn:1273">Davidson, James (June 12, 2014). "15 Sleeper Films Of The New Hollywood Era That Are Worth Seeing". <a href="http://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/" target="_blank">http://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/</a> <a href="#fnref:1273" class="footnote-back-ref">↩</a></li>
<li id="fn:1274">"15 Sleeper Films Of The New Hollywood Era That Are Worth Seeing – Page 2 – Taste of Cinema". June 12, 2014. <a href="https://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/2/" target="_blank">https://www.tasteofcinema.com/2014/15-sleeper-films-of-the-new-hollywood-era-that-are-worth-seeing/2/</a> <a href="#fnref:1274" class="footnote-back-ref">↩</a></li>
<li id="fn:1275">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1275" class="footnote-back-ref">↩</a></li>
<li id="fn:1276">Duralde, Alonso (July 5, 2021). "Richard Donner Appreciation: An Old-School Hit-Maker Who Emerged From New Hollywood". <a href="https://www.thewrap.com/richard-donner-appreciation-obituary-superman-lethal-weapon-goonies/" target="_blank">https://www.thewrap.com/richard-donner-appreciation-obituary-superman-lethal-weapon-goonies/</a> <a href="#fnref:1276" class="footnote-back-ref">↩</a></li>
<li id="fn:1277">The Death of the All-Powerful Director - The Ringer <a href="https://www.theringer.com/2021/07/19/movies/heavens-gate-1970s-hollywood-auteur-directors" target="_blank">https://www.theringer.com/2021/07/19/movies/heavens-gate-1970s-hollywood-auteur-directors</a> <a href="#fnref:1277" class="footnote-back-ref">↩</a></li>
<li id="fn:1278">Thompson & Bordwell 2003, p. 527. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1278" class="footnote-back-ref">↩</a></li>
<li id="fn:1279">Symmons, Tom (June 13, 2016). The New Hollywood Historical Film: 1967–78. Springer. ISBN 9781137529305. <a href="9781137529305" target="_blank">9781137529305</a> <a href="#fnref:1279" class="footnote-back-ref">↩</a></li>
<li id="fn:1280">10 Best New Hollywood Thrillers, Ranked|Collider <a href="https://collider.com/new-hollywood-movie-thrillers-best-ranked/" target="_blank">https://collider.com/new-hollywood-movie-thrillers-best-ranked/</a> <a href="#fnref:1280" class="footnote-back-ref">↩</a></li>
<li id="fn:1281">Thompson & Bordwell 2003, p. 516. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1281" class="footnote-back-ref">↩</a></li>
<li id="fn:1282">"Filmmuseum – Program SD". www.filmmuseum.at. <a href="https://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1219068743272&schienen_id=200018" target="_blank">https://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1219068743272&schienen_id=200018</a> <a href="#fnref:1282" class="footnote-back-ref">↩</a></li>
<li id="fn:1283">New Hollywood: American 70s|Film Streams <a href="https://filmstreams.org/series/new-hollywood-american-70s" target="_blank">https://filmstreams.org/series/new-hollywood-american-70s</a> <a href="#fnref:1283" class="footnote-back-ref">↩</a></li>
<li id="fn:1284">The New Hollywood: What the Movies Did with the New Freedoms of the Seventies - Google Books <a href="https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false" target="_blank">https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false</a> <a href="#fnref:1284" class="footnote-back-ref">↩</a></li>
<li id="fn:1285">Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 – Google Books (p. 6) <a href="https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0</a> <a href="#fnref:1285" class="footnote-back-ref">↩</a></li>
<li id="fn:1286">Paramount in the 1970s|MoMA <a href="https://www.moma.org/calendar/film/5721" target="_blank">https://www.moma.org/calendar/film/5721</a> <a href="#fnref:1286" class="footnote-back-ref">↩</a></li>
<li id="fn:1287">Thompson & Bordwell 2003, p. 516. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1287" class="footnote-back-ref">↩</a></li>
<li id="fn:1288">A Brief History Of New Hollywood|The Rise – Little White Lies on YouTube <a href="https://www.youtube.com/watch?v=E6byV69VBLw" target="_blank">https://www.youtube.com/watch?v=E6byV69VBLw</a> <a href="#fnref:1288" class="footnote-back-ref">↩</a></li>
<li id="fn:1289">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:1289" class="footnote-back-ref">↩</a></li>
<li id="fn:1290">Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 – Google Books (p. 6) <a href="https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0</a> <a href="#fnref:1290" class="footnote-back-ref">↩</a></li>
<li id="fn:1291">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1291" class="footnote-back-ref">↩</a></li>
<li id="fn:1292">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1292" class="footnote-back-ref">↩</a></li>
<li id="fn:1293">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1293" class="footnote-back-ref">↩</a></li>
<li id="fn:1294">Thompson & Bordwell 2003, p. 519. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1294" class="footnote-back-ref">↩</a></li>
<li id="fn:1295">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:1295" class="footnote-back-ref">↩</a></li>
<li id="fn:1296">New Hollywood Cinema in the 1970s. Amsterdam University Press. 2004. ISBN 9789053566312. JSTOR j.ctt46mxhc. <a href="9789053566312" target="_blank">9789053566312</a> <a href="#fnref:1296" class="footnote-back-ref">↩</a></li>
<li id="fn:1297">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:1297" class="footnote-back-ref">↩</a></li>
<li id="fn:1298">Thompson & Bordwell 2003, p. 527. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1298" class="footnote-back-ref">↩</a></li>
<li id="fn:1299">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1299" class="footnote-back-ref">↩</a></li>
<li id="fn:1300">Robnik, Drehli. "Allegories of post-Fordism in 1970s New Hollywood: Countercultural combat films, conspiracy thrillers as genre-recycling (2004) | Drehli Robnik". The Last Great American Picture Show: 333. Retrieved July 19, 2018. <a href="https://www.academia.edu/9918618" target="_blank">https://www.academia.edu/9918618</a> <a href="#fnref:1300" class="footnote-back-ref">↩</a></li>
<li id="fn:1301">"Filmmuseum – Program SD". www.filmmuseum.at. <a href="https://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1219068743272&schienen_id=200018" target="_blank">https://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1219068743272&schienen_id=200018</a> <a href="#fnref:1301" class="footnote-back-ref">↩</a></li>
<li id="fn:1302">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1302" class="footnote-back-ref">↩</a></li>
<li id="fn:1303">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1303" class="footnote-back-ref">↩</a></li>
<li id="fn:1304">The Driver (1978) 4K Blu-Ray Review <a href="https://thegeekshow.co.uk/the-driver-1978-blu-ray-review/" target="_blank">https://thegeekshow.co.uk/the-driver-1978-blu-ray-review/</a> <a href="#fnref:1304" class="footnote-back-ref">↩</a></li>
<li id="fn:1305">"Filmmuseum – Program SD". www.filmmuseum.at. <a href="https://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1219068743272&schienen_id=200018" target="_blank">https://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1219068743272&schienen_id=200018</a> <a href="#fnref:1305" class="footnote-back-ref">↩</a></li>
<li id="fn:1306">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1306" class="footnote-back-ref">↩</a></li>
<li id="fn:1307">New Hollywood: Movies, Directors, and Influences of the Era|Backstage <a href="https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/" target="_blank">https://www.backstage.com/magazine/article/new-hollywood-movies-explained-77096/</a> <a href="#fnref:1307" class="footnote-back-ref">↩</a></li>
<li id="fn:1308">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:1308" class="footnote-back-ref">↩</a></li>
<li id="fn:1309">10 Best New Hollywood Horror Movies, Ranked|Collider <a href="https://collider.com/best-horror-movies-new-hollywood-ranked/" target="_blank">https://collider.com/best-horror-movies-new-hollywood-ranked/</a> <a href="#fnref:1309" class="footnote-back-ref">↩</a></li>
<li id="fn:1310">Film History: New Hollywood, Explained - MovieWeb <a href="https://movieweb.com/new-hollywood-movement-explained/" target="_blank">https://movieweb.com/new-hollywood-movement-explained/</a> <a href="#fnref:1310" class="footnote-back-ref">↩</a></li>
<li id="fn:1311">10 Best New Hollywood Movies Directed by Women, Ranked|Collider <a href="https://collider.com/new-hollywood-movies-directed-women-best-ranked/" target="_blank">https://collider.com/new-hollywood-movies-directed-women-best-ranked/</a> <a href="#fnref:1311" class="footnote-back-ref">↩</a></li>
<li id="fn:1312">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1312" class="footnote-back-ref">↩</a></li>
<li id="fn:1313">Thompson & Bordwell 2003, p. 530. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1313" class="footnote-back-ref">↩</a></li>
<li id="fn:1314">10 Best Films Of The American New Wave, According To IMDb - Screen Rant <a href="https://screenrant.com/american-new-wave-best-films-imdb/" target="_blank">https://screenrant.com/american-new-wave-best-films-imdb/</a> <a href="#fnref:1314" class="footnote-back-ref">↩</a></li>
<li id="fn:1315">10 Best New Hollywood Horror Movies, Ranked|Collider <a href="https://collider.com/best-horror-movies-new-hollywood-ranked/" target="_blank">https://collider.com/best-horror-movies-new-hollywood-ranked/</a> <a href="#fnref:1315" class="footnote-back-ref">↩</a></li>
<li id="fn:1316">Film History: New Hollywood, Explained - MovieWeb <a href="https://movieweb.com/new-hollywood-movement-explained/" target="_blank">https://movieweb.com/new-hollywood-movement-explained/</a> <a href="#fnref:1316" class="footnote-back-ref">↩</a></li>
<li id="fn:1317">Nordine, Michael (April 11, 2017). "All That Jazz (1979)". IndieWire. Retrieved March 12, 2018. <a href="https://indiewire.com/gallery/new-hollywood-50-movies/#!2/all-that-jazz-1979/" target="_blank">https://indiewire.com/gallery/new-hollywood-50-movies/#!2/all-that-jazz-1979/</a> <a href="#fnref:1317" class="footnote-back-ref">↩</a></li>
<li id="fn:1318">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1318" class="footnote-back-ref">↩</a></li>
<li id="fn:1319">The New Hollywood: What the Movies Did with the New Freedoms of the Seventies - Google Books <a href="https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false" target="_blank">https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false</a> <a href="#fnref:1319" class="footnote-back-ref">↩</a></li>
<li id="fn:1320">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:1320" class="footnote-back-ref">↩</a></li>
<li id="fn:1321">Film History According to Tarantino – ArtReview <a href="https://artreview.com/film-history-according-to-tarantino/" target="_blank">https://artreview.com/film-history-according-to-tarantino/</a> <a href="#fnref:1321" class="footnote-back-ref">↩</a></li>
<li id="fn:1322">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1322" class="footnote-back-ref">↩</a></li>
<li id="fn:1323">Perno, G.S. (September 20, 2015). "Trends in 70's Cinema: New Hollywood". Cinelinx. Archived from the original on March 8, 2018. Retrieved March 12, 2018. <a href="https://web.archive.org/web/20180308114354/http://www.cinelinx.com/movie-stuff/item/8330-trends-in-70-s-cinema-new-hollywood.html" target="_blank">https://web.archive.org/web/20180308114354/http://www.cinelinx.com/movie-stuff/item/8330-trends-in-70-s-cinema-new-hollywood.html</a> <a href="#fnref:1323" class="footnote-back-ref">↩</a></li>
<li id="fn:1324">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1324" class="footnote-back-ref">↩</a></li>
<li id="fn:1325">10 Best Films Of The American New Wave, According To IMDb - Screen Rant <a href="https://screenrant.com/american-new-wave-best-films-imdb/" target="_blank">https://screenrant.com/american-new-wave-best-films-imdb/</a> <a href="#fnref:1325" class="footnote-back-ref">↩</a></li>
<li id="fn:1326">This Disastrous Francis Ford Coppola Production Is Something Out of The Godfather|Collider <a href="https://collider.com/the-cotton-club-francis-ford-coppola-production/" target="_blank">https://collider.com/the-cotton-club-francis-ford-coppola-production/</a> <a href="#fnref:1326" class="footnote-back-ref">↩</a></li>
<li id="fn:1327">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:1327" class="footnote-back-ref">↩</a></li>
<li id="fn:1328">Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 – Google Books (p. 6) <a href="https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Lost_Illusions/HVygqYMVP2wC?hl=en&gbpv=0</a> <a href="#fnref:1328" class="footnote-back-ref">↩</a></li>
<li id="fn:1329">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1329" class="footnote-back-ref">↩</a></li>
<li id="fn:1330">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1330" class="footnote-back-ref">↩</a></li>
<li id="fn:1331">Paramount in the 1970s|MoMA <a href="https://www.moma.org/calendar/film/5721" target="_blank">https://www.moma.org/calendar/film/5721</a> <a href="#fnref:1331" class="footnote-back-ref">↩</a></li>
<li id="fn:1332">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1332" class="footnote-back-ref">↩</a></li>
<li id="fn:1333">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1333" class="footnote-back-ref">↩</a></li>
<li id="fn:1334">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1334" class="footnote-back-ref">↩</a></li>
<li id="fn:1335">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1335" class="footnote-back-ref">↩</a></li>
<li id="fn:1336">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:1336" class="footnote-back-ref">↩</a></li>
<li id="fn:1337">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1337" class="footnote-back-ref">↩</a></li>
<li id="fn:1338">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1338" class="footnote-back-ref">↩</a></li>
<li id="fn:1339">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1339" class="footnote-back-ref">↩</a></li>
<li id="fn:1340">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:1340" class="footnote-back-ref">↩</a></li>
<li id="fn:1341">The New Hollywood: What the Movies Did with the New Freedoms of the Seventies - Google Books <a href="https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false" target="_blank">https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false</a> <a href="#fnref:1341" class="footnote-back-ref">↩</a></li>
<li id="fn:1342">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1342" class="footnote-back-ref">↩</a></li>
<li id="fn:1343">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1343" class="footnote-back-ref">↩</a></li>
<li id="fn:1344">Film Fourm resurrects a gritty city with 'New York in the '70s'|amNewYork <a href="https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/" target="_blank">https://www.amny.com/entertainment/film-forum-resurrects-a-gritty-city-with-new-york-in-the-70s-1.13782216/</a> <a href="#fnref:1344" class="footnote-back-ref">↩</a></li>
<li id="fn:1345">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:1345" class="footnote-back-ref">↩</a></li>
<li id="fn:1346">The Outsiders: New Hollywood Cinema in the Seventies|BAMPFA <a href="https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies" target="_blank">https://bampfa.org/program/outsiders-new-hollywood-cinema-seventies</a> <a href="#fnref:1346" class="footnote-back-ref">↩</a></li>
<li id="fn:1347">For Criterion Consideration: Steven Spielberg's 1941 – CriterionCast <a href="https://criterioncast.com/column/for-criterion-consideration/for-criterion-consideration-steven-spielbergs-1941" target="_blank">https://criterioncast.com/column/for-criterion-consideration/for-criterion-consideration-steven-spielbergs-1941</a> <a href="#fnref:1347" class="footnote-back-ref">↩</a></li>
<li id="fn:1348">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1348" class="footnote-back-ref">↩</a></li>
<li id="fn:1349">The Death of the All-Powerful Director - The Ringer <a href="https://www.theringer.com/2021/07/19/movies/heavens-gate-1970s-hollywood-auteur-directors" target="_blank">https://www.theringer.com/2021/07/19/movies/heavens-gate-1970s-hollywood-auteur-directors</a> <a href="#fnref:1349" class="footnote-back-ref">↩</a></li>
<li id="fn:1350">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1350" class="footnote-back-ref">↩</a></li>
<li id="fn:1351">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:1351" class="footnote-back-ref">↩</a></li>
<li id="fn:1352">Thompson & Bordwell 2003, p. 516. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1352" class="footnote-back-ref">↩</a></li>
<li id="fn:1353">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1353" class="footnote-back-ref">↩</a></li>
<li id="fn:1354">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1354" class="footnote-back-ref">↩</a></li>
<li id="fn:1355">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:1355" class="footnote-back-ref">↩</a></li>
<li id="fn:1356">10 Best Films Of The American New Wave, According To IMDb - Screen Rant <a href="https://screenrant.com/american-new-wave-best-films-imdb/" target="_blank">https://screenrant.com/american-new-wave-best-films-imdb/</a> <a href="#fnref:1356" class="footnote-back-ref">↩</a></li>
<li id="fn:1357">10 Best New Hollywood Horror Movies, Ranked|Collider <a href="https://collider.com/best-horror-movies-new-hollywood-ranked/" target="_blank">https://collider.com/best-horror-movies-new-hollywood-ranked/</a> <a href="#fnref:1357" class="footnote-back-ref">↩</a></li>
<li id="fn:1358">Film History: New Hollywood, Explained - MovieWeb <a href="https://movieweb.com/new-hollywood-movement-explained/" target="_blank">https://movieweb.com/new-hollywood-movement-explained/</a> <a href="#fnref:1358" class="footnote-back-ref">↩</a></li>
<li id="fn:1359">History of Hollywood in the 1980s-1990s: Everything You Need to Know|TheCollector <a href="https://www.thecollector.com/history-hollywood-1980s-1990s/" target="_blank">https://www.thecollector.com/history-hollywood-1980s-1990s/</a> <a href="#fnref:1359" class="footnote-back-ref">↩</a></li>
<li id="fn:1360">Robert Altman's McCabe & Mrs. Miller: Reframing the American West – Google Books (pg.139) <a href="https://books.google.com/books?id=_3aGAAAAIAAJ&dq=Popeye+new+hollywood+1980&pg=PA139" target="_blank">https://books.google.com/books?id=_3aGAAAAIAAJ&dq=Popeye+new+hollywood+1980&pg=PA139</a> <a href="#fnref:1360" class="footnote-back-ref">↩</a></li>
<li id="fn:1361">This Disastrous Francis Ford Coppola Production Is Something Out of The Godfather|Collider <a href="https://collider.com/the-cotton-club-francis-ford-coppola-production/" target="_blank">https://collider.com/the-cotton-club-francis-ford-coppola-production/</a> <a href="#fnref:1361" class="footnote-back-ref">↩</a></li>
<li id="fn:1362">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1362" class="footnote-back-ref">↩</a></li>
<li id="fn:1363">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1363" class="footnote-back-ref">↩</a></li>
<li id="fn:1364">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1364" class="footnote-back-ref">↩</a></li>
<li id="fn:1365">History of Hollywood in the 1980s-1990s: Everything You Need to Know|TheCollector <a href="https://www.thecollector.com/history-hollywood-1980s-1990s/" target="_blank">https://www.thecollector.com/history-hollywood-1980s-1990s/</a> <a href="#fnref:1365" class="footnote-back-ref">↩</a></li>
<li id="fn:1366">Jameson, A.D (May 8, 2018). I Find Your Lack of Faith Disturbing: Star Wars and the Triumph of Geek Culture. Farrar, Straus and Giroux. ISBN 978-0374537364. <a href="978-0374537364" target="_blank">978-0374537364</a> <a href="#fnref:1366" class="footnote-back-ref">↩</a></li>
<li id="fn:1367">10 Best Films Of The American New Wave, According To IMDb - Screen Rant <a href="https://screenrant.com/american-new-wave-best-films-imdb/" target="_blank">https://screenrant.com/american-new-wave-best-films-imdb/</a> <a href="#fnref:1367" class="footnote-back-ref">↩</a></li>
<li id="fn:1368">History of Hollywood in the 1980s-1990s: Everything You Need to Know|TheCollector <a href="https://www.thecollector.com/history-hollywood-1980s-1990s/" target="_blank">https://www.thecollector.com/history-hollywood-1980s-1990s/</a> <a href="#fnref:1368" class="footnote-back-ref">↩</a></li>
<li id="fn:1369">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:1369" class="footnote-back-ref">↩</a></li>
<li id="fn:1370">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1370" class="footnote-back-ref">↩</a></li>
<li id="fn:1371">Nordine, Michael (April 11, 2017). "Cruising (1980)". IndieWire. Retrieved March 12, 2018. <a href="https://indiewire.com/gallery/new-hollywood-50-movies/#!16/cruising-1980/" target="_blank">https://indiewire.com/gallery/new-hollywood-50-movies/#!16/cruising-1980/</a> <a href="#fnref:1371" class="footnote-back-ref">↩</a></li>
<li id="fn:1372">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1372" class="footnote-back-ref">↩</a></li>
<li id="fn:1373">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1373" class="footnote-back-ref">↩</a></li>
<li id="fn:1374">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:1374" class="footnote-back-ref">↩</a></li>
<li id="fn:1375">Thompson & Bordwell 2003, p. 527. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1375" class="footnote-back-ref">↩</a></li>
<li id="fn:1376">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1376" class="footnote-back-ref">↩</a></li>
<li id="fn:1377">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:1377" class="footnote-back-ref">↩</a></li>
<li id="fn:1378">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1378" class="footnote-back-ref">↩</a></li>
<li id="fn:1379">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1379" class="footnote-back-ref">↩</a></li>
<li id="fn:1380">Thompson & Bordwell 2003, p. 528. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1380" class="footnote-back-ref">↩</a></li>
<li id="fn:1381">12 Essential New Hollywood Movies Everyone Should See At Least Once|Collider <a href="https://collider.com/new-hollywood-movies-essential/" target="_blank">https://collider.com/new-hollywood-movies-essential/</a> <a href="#fnref:1381" class="footnote-back-ref">↩</a></li>
<li id="fn:1382">Thompson & Bordwell 2003, p. 521. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1382" class="footnote-back-ref">↩</a></li>
<li id="fn:1383">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1383" class="footnote-back-ref">↩</a></li>
<li id="fn:1384">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1384" class="footnote-back-ref">↩</a></li>
<li id="fn:1385">Nordine, Michael (April 11, 2017). "Heaven's Gate (1980)". IndieWire. Retrieved March 12, 2018. <a href="https://indiewire.com/gallery/new-hollywood-50-movies/#!28/heavens-gate-1981/" target="_blank">https://indiewire.com/gallery/new-hollywood-50-movies/#!28/heavens-gate-1981/</a> <a href="#fnref:1385" class="footnote-back-ref">↩</a></li>
<li id="fn:1386">Nayman, Adam (July 19, 2021). "How 'Heaven's Gate' Killed 1970s Hollywood". The Ringer. <a href="https://www.theringer.com/movies/2021/7/19/22582814/heavens-gate-1970s-hollywood-auteur-directors" target="_blank">https://www.theringer.com/movies/2021/7/19/22582814/heavens-gate-1970s-hollywood-auteur-directors</a> <a href="#fnref:1386" class="footnote-back-ref">↩</a></li>
<li id="fn:1387">April Books | Current | The Criterion Collection <a href="https://www.criterion.com/current/posts/7759-april-books" target="_blank">https://www.criterion.com/current/posts/7759-april-books</a> <a href="#fnref:1387" class="footnote-back-ref">↩</a></li>
<li id="fn:1388">This Disastrous Francis Ford Coppola Production Is Something Out of The Godfather|Collider <a href="https://collider.com/the-cotton-club-francis-ford-coppola-production/" target="_blank">https://collider.com/the-cotton-club-francis-ford-coppola-production/</a> <a href="#fnref:1388" class="footnote-back-ref">↩</a></li>
<li id="fn:1389">20 essential films from the American New Wave|Far Out Magazine <a href="https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/" target="_blank">https://faroutmagazine.co.uk/the-20-best-american-new-wave-martin-scorsese-stanley-kubrick/</a> <a href="#fnref:1389" class="footnote-back-ref">↩</a></li>
<li id="fn:1390">How One Movie Killed The 1980s – Patrick (H) Willems on YouTube <a href="https://www.youtube.com/watch?v=NM0VsX1mdL8" target="_blank">https://www.youtube.com/watch?v=NM0VsX1mdL8</a> <a href="#fnref:1390" class="footnote-back-ref">↩</a></li>
<li id="fn:1391">History of Hollywood in the 1980s-1990s: Everything You Need to Know|TheCollector <a href="https://www.thecollector.com/history-hollywood-1980s-1990s/" target="_blank">https://www.thecollector.com/history-hollywood-1980s-1990s/</a> <a href="#fnref:1391" class="footnote-back-ref">↩</a></li>
<li id="fn:1392">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1392" class="footnote-back-ref">↩</a></li>
<li id="fn:1393">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1393" class="footnote-back-ref">↩</a></li>
<li id="fn:1394">10 Best New Hollywood Thrillers, Ranked|Collider <a href="https://collider.com/new-hollywood-movie-thrillers-best-ranked/" target="_blank">https://collider.com/new-hollywood-movie-thrillers-best-ranked/</a> <a href="#fnref:1394" class="footnote-back-ref">↩</a></li>
<li id="fn:1395">10 Best New Hollywood Neo-Noirs, Ranked|Collider <a href="https://collider.com/neo-noir-movies-new-hollywood-ranked/" target="_blank">https://collider.com/neo-noir-movies-new-hollywood-ranked/</a> <a href="#fnref:1395" class="footnote-back-ref">↩</a></li>
<li id="fn:1396">History of Hollywood in the 1980s-1990s: Everything You Need to Know|TheCollector <a href="https://www.thecollector.com/history-hollywood-1980s-1990s/" target="_blank">https://www.thecollector.com/history-hollywood-1980s-1990s/</a> <a href="#fnref:1396" class="footnote-back-ref">↩</a></li>
<li id="fn:1397">Thompson & Bordwell 2003, p. 524. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1397" class="footnote-back-ref">↩</a></li>
<li id="fn:1398">Palmer, Landon (October 20, 2015). "The Darkness of Steven Spielberg". Film School Rejects. <a href="https://filmschoolrejects.com/the-darkness-of-steven-spielberg-746800968e73/" target="_blank">https://filmschoolrejects.com/the-darkness-of-steven-spielberg-746800968e73/</a> <a href="#fnref:1398" class="footnote-back-ref">↩</a></li>
<li id="fn:1399">10 Best Films Of The American New Wave, According To IMDb - Screen Rant <a href="https://screenrant.com/american-new-wave-best-films-imdb/" target="_blank">https://screenrant.com/american-new-wave-best-films-imdb/</a> <a href="#fnref:1399" class="footnote-back-ref">↩</a></li>
<li id="fn:1400">The New Hollywood: What the Movies Did with the New Freedoms of the Seventies - Google Books <a href="https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false" target="_blank">https://books.google.mw/books?id=pUPM9LFmetoC&printsec=frontcover#v=onepage&q&f=false</a> <a href="#fnref:1400" class="footnote-back-ref">↩</a></li>
<li id="fn:1401">History of Hollywood in the 1980s-1990s: Everything You Need to Know|TheCollector <a href="https://www.thecollector.com/history-hollywood-1980s-1990s/" target="_blank">https://www.thecollector.com/history-hollywood-1980s-1990s/</a> <a href="#fnref:1401" class="footnote-back-ref">↩</a></li>
<li id="fn:1402">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1402" class="footnote-back-ref">↩</a></li>
<li id="fn:1403">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1403" class="footnote-back-ref">↩</a></li>
<li id="fn:1404">Film Fourm · "Ford to City: Drop Dead" – New York in the 70s <a href="https://filmforum.org/series/new-york-in-the-70s-series" target="_blank">https://filmforum.org/series/new-york-in-the-70s-series</a> <a href="#fnref:1404" class="footnote-back-ref">↩</a></li>
<li id="fn:1405">Harris 2008, p. 419. - Harris, Mark (2008). Pictures at a Revolution: Five Movies and the Birth of the New Hollywood. New York: Penguin Press. ISBN 978-1-594-20152-3. <a href="https://archive.org/details/picturesatrevolu00harr_0" target="_blank">https://archive.org/details/picturesatrevolu00harr_0</a> <a href="#fnref:1405" class="footnote-back-ref">↩</a></li>
<li id="fn:1406">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1406" class="footnote-back-ref">↩</a></li>
<li id="fn:1407">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1407" class="footnote-back-ref">↩</a></li>
<li id="fn:1408">10 Best New Hollywood Neo-Noirs, Ranked|Collider <a href="https://collider.com/neo-noir-movies-new-hollywood-ranked/" target="_blank">https://collider.com/neo-noir-movies-new-hollywood-ranked/</a> <a href="#fnref:1408" class="footnote-back-ref">↩</a></li>
<li id="fn:1409">History of Hollywood in the 1980s-1990s: Everything You Need to Know|TheCollector <a href="https://www.thecollector.com/history-hollywood-1980s-1990s/" target="_blank">https://www.thecollector.com/history-hollywood-1980s-1990s/</a> <a href="#fnref:1409" class="footnote-back-ref">↩</a></li>
<li id="fn:1410">"Film History of the 1970s". www.filmsite.org.M*A*S*H at 50: the Robert Altman comedy that revels in cruel misogyny The Guardian. January 21, 2020. <a href="https://www.filmsite.org/70sintro.html" target="_blank">https://www.filmsite.org/70sintro.html</a> <a href="#fnref:1410" class="footnote-back-ref">↩</a></li>
<li id="fn:1411">10 Best New Hollywood Movies Directed by Women, Ranked|Collider <a href="https://collider.com/new-hollywood-movies-directed-women-best-ranked/" target="_blank">https://collider.com/new-hollywood-movies-directed-women-best-ranked/</a> <a href="#fnref:1411" class="footnote-back-ref">↩</a></li>
<li id="fn:1412">10 Best New Hollywood Horror Movies, Ranked|Collider <a href="https://collider.com/best-horror-movies-new-hollywood-ranked/" target="_blank">https://collider.com/best-horror-movies-new-hollywood-ranked/</a> <a href="#fnref:1412" class="footnote-back-ref">↩</a></li>
<li id="fn:1413">History of Hollywood in the 1980s-1990s: Everything You Need to Know|TheCollector <a href="https://www.thecollector.com/history-hollywood-1980s-1990s/" target="_blank">https://www.thecollector.com/history-hollywood-1980s-1990s/</a> <a href="#fnref:1413" class="footnote-back-ref">↩</a></li>
<li id="fn:1414">Thompson & Bordwell 2003, p. 621. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1414" class="footnote-back-ref">↩</a></li>
<li id="fn:1415">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:1415" class="footnote-back-ref">↩</a></li>
<li id="fn:1416">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1416" class="footnote-back-ref">↩</a></li>
<li id="fn:1417">Thompson & Bordwell 2003, p. 524. - Thompson, Kristin & Bordwell, David (2003). Film History: An Introduction (2nd ed.). McGraw–Hill. <a href="#fnref:1417" class="footnote-back-ref">↩</a></li>
<li id="fn:1418">Twilight of the Movie Brats: Steven Spielberg and the Old 'New' Hollywood – Grantland <a href="https://grantland.com/hollywood-prospectus/steven-spielberg-movie-brats-bridge-of-spies/" target="_blank">https://grantland.com/hollywood-prospectus/steven-spielberg-movie-brats-bridge-of-spies/</a> <a href="#fnref:1418" class="footnote-back-ref">↩</a></li>
<li id="fn:1419">History of Hollywood in the 1980s-1990s: Everything You Need to Know|TheCollector <a href="https://www.thecollector.com/history-hollywood-1980s-1990s/" target="_blank">https://www.thecollector.com/history-hollywood-1980s-1990s/</a> <a href="#fnref:1419" class="footnote-back-ref">↩</a></li>
<li id="fn:1420">10 Best New Hollywood Thrillers, Ranked|Collider <a href="https://collider.com/new-hollywood-movie-thrillers-best-ranked/" target="_blank">https://collider.com/new-hollywood-movie-thrillers-best-ranked/</a> <a href="#fnref:1420" class="footnote-back-ref">↩</a></li>
<li id="fn:1421">Saporito, Jeff (July 14, 2016). "The Filmmaker's Handbook: What was the New Hollywood movement". Screen Prism. Retrieved March 12, 2018. <a href="http://screenprism.com/insights/article/the-filmmakers-handbook-what-is-the-new-hollywood-movement" target="_blank">http://screenprism.com/insights/article/the-filmmakers-handbook-what-is-the-new-hollywood-movement</a> <a href="#fnref:1421" class="footnote-back-ref">↩</a></li>
<li id="fn:1422">directorsseries (May 8, 2017). "Francis Ford Coppola's "One From The Heart" (1982)". <a href="https://directorsseries.net/2017/05/08/francis-ford-coppolas-one-from-the-heart-1982/" target="_blank">https://directorsseries.net/2017/05/08/francis-ford-coppolas-one-from-the-heart-1982/</a> <a href="#fnref:1422" class="footnote-back-ref">↩</a></li>
<li id="fn:1423">"One great New Hollywood film for every year (1967 to 82)". BFI. August 17, 2017. <a href="https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82" target="_blank">https://www.bfi.org.uk/lists/one-great-new-hollywood-film-every-year-1967-82</a> <a href="#fnref:1423" class="footnote-back-ref">↩</a></li>
<li id="fn:1424">A Brief History Of New Hollywood | The Fall – Little White Lies on YouTube <a href="https://www.youtube.com/watch?v=QSTUCkXjAzc" target="_blank">https://www.youtube.com/watch?v=QSTUCkXjAzc</a> <a href="#fnref:1424" class="footnote-back-ref">↩</a></li>
<li id="fn:1425">"On the Tuneless Cole Porter Musical At Long Last Love, Peter Bogdanovich's "Great Debacle," Screening This Weekend – The L Magazine". Archived from the original on November 8, 2022. Retrieved November 8, 2022. <a href="https://web.archive.org/web/20221108152317/https://www.thelmagazine.com/2011/06/on-the-tuneless-cole-porter-musical-at-long-last-love-peter-bogdanovichs-great-debacle-screening-this-weekend/" target="_blank">https://web.archive.org/web/20221108152317/https://www.thelmagazine.com/2011/06/on-the-tuneless-cole-porter-musical-at-long-last-love-peter-bogdanovichs-great-debacle-screening-this-weekend/</a> <a href="#fnref:1425" class="footnote-back-ref">↩</a></li>
<li id="fn:1426">This Disastrous Francis Ford Coppola Production Is Something Out of The Godfather|Collider <a href="https://collider.com/the-cotton-club-francis-ford-coppola-production/" target="_blank">https://collider.com/the-cotton-club-francis-ford-coppola-production/</a> <a href="#fnref:1426" class="footnote-back-ref">↩</a></li>
<li id="fn:1427">New Wave, New Hollywood: Reasessment, Recovery and Legacy – Google Books (pg.17) <a href="https://books.google.com/books?id=p7Q8EAAAQBAJ" target="_blank">https://books.google.com/books?id=p7Q8EAAAQBAJ</a> <a href="#fnref:1427" class="footnote-back-ref">↩</a></li>
<li id="fn:1428">"Keeping it Real with Ralph Bakshi (Part I)". Star & Crescent. October 9, 2015. Retrieved August 21, 2018. <a href="https://www.starandcrescent.org.uk/2015/10/09/keeping-it-real-with-ralph-bakshi-part-1" target="_blank">https://www.starandcrescent.org.uk/2015/10/09/keeping-it-real-with-ralph-bakshi-part-1</a> <a href="#fnref:1428" class="footnote-back-ref">↩</a></li>
<li id="fn:1429">New Hollywood Era: How Visionary Filmmakers Transformed American Cinema from 1967–1980 – Robert C Morton <a href="https://www.robertcmorton.com/new-hollywood/" target="_blank">https://www.robertcmorton.com/new-hollywood/</a> <a href="#fnref:1429" class="footnote-back-ref">↩</a></li>
<li id="fn:1430">History of Hollywood in the 1980s-1990s: Everything You Need to Know|TheCollector <a href="https://www.thecollector.com/history-hollywood-1980s-1990s/" target="_blank">https://www.thecollector.com/history-hollywood-1980s-1990s/</a> <a href="#fnref:1430" class="footnote-back-ref">↩</a></li>
<li id="fn:1431">Jameson, A.D (May 8, 2018). I Find Your Lack of Faith Disturbing: Star Wars and the Triumph of Geek Culture. Farrar, Straus and Giroux. ISBN 978-0374537364. <a href="978-0374537364" target="_blank">978-0374537364</a> <a href="#fnref:1431" class="footnote-back-ref">↩</a></li>
<li id="fn:1432">"Notebook Soundtrack Mix #6: The New Hollywood Mixtape". MUBI. October 14, 2019. <a href="https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape" target="_blank">https://mubi.com/notebook/posts/notebook-soundtrack-mix-6-the-new-hollywood-mixtape</a> <a href="#fnref:1432" class="footnote-back-ref">↩</a></li>
<li id="fn:1433">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1433" class="footnote-back-ref">↩</a></li>
<li id="fn:1434">10 respected directors who became laughing stocks|Far Out Magazine <a href="https://faroutmagazine.co.uk/10-respected-directors-who-became-laughing-stocks/" target="_blank">https://faroutmagazine.co.uk/10-respected-directors-who-became-laughing-stocks/</a> <a href="#fnref:1434" class="footnote-back-ref">↩</a></li>
<li id="fn:1435">New Hollywood – Der Amerikanische Film Nach 1968 (The American Film After 1968) – Google Books <a href="https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1" target="_blank">https://www.google.com/books/edition/New_Hollywood_Der_Amerikanische_Film_Nac/SRia-uAcQzMC?hl=en&gbpv=1</a> <a href="#fnref:1435" class="footnote-back-ref">↩</a></li>
<li id="fn:1436">Other Hollywood Renaissance – Google Books <a href="https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0" target="_blank">https://www.google.com/books/edition/Other_Hollywood_Renaissance/MHcxEAAAQBAJ?hl=en&gbpv=0</a> <a href="#fnref:1436" class="footnote-back-ref">↩</a></li>
<li id="fn:1437">"Deadliest horror movies ever made: Films surrounded by real-life death". gulfnews.com. October 19, 2020. <a href="https://gulfnews.com/entertainment/hollywood/deadliest-horror-movies-ever-made-films-surrounded-by-real-life-death-1.74669152" target="_blank">https://gulfnews.com/entertainment/hollywood/deadliest-horror-movies-ever-made-films-surrounded-by-real-life-death-1.74669152</a> <a href="#fnref:1437" class="footnote-back-ref">↩</a></li>
<li id="fn:1438">Film History: New Hollywood, Explained - MovieWeb <a href="https://movieweb.com/new-hollywood-movement-explained/" target="_blank">https://movieweb.com/new-hollywood-movement-explained/</a> <a href="#fnref:1438" class="footnote-back-ref">↩</a></li>
<li id="fn:1439">December Will Be a Great Month for The Twilight Zone Fans – CBR <a href="https://www.cbr.com/december-twilight-zone-the-movie-stream/" target="_blank">https://www.cbr.com/december-twilight-zone-the-movie-stream/</a> <a href="#fnref:1439" class="footnote-back-ref">↩</a></li>
<li id="fn:1440">10 Best New Hollywood Neo-Noirs, Ranked|Collider <a href="https://collider.com/neo-noir-movies-new-hollywood-ranked/" target="_blank">https://collider.com/neo-noir-movies-new-hollywood-ranked/</a> <a href="#fnref:1440" class="footnote-back-ref">↩</a></li>
</ol>

New Hollywood open-in-new

New Hollywood