Since the camera's scan rate was much lower than the approximately 30 fps for NTSC video, the television standard used in North America at the time, a real-time scan conversion was needed to be able to show its images on a regular TV set. NASA selected a scan converter manufactured by RCA to convert the black-and-white SSTV signals from the Apollo 7, 8, 9 and 11 missions.
When the Apollo TV camera radioed its images, the ground stations received its raw unconverted SSTV signal and split it into two branches. One signal branch was sent unprocessed to a 14-track analog data tape recorder, where it was recorded onto 14-inch (36 cm) diameter reels of one-inch-wide (25 mm) analog magnetic data tapes at 120 inches (3.0 m) per second. The other raw SSTV signal branch was sent to the RCA scan converter, where it was processed into an NTSC broadcast television signal.
The RCA scan converter operated on an optical conversion principle. The conversion process started when the signal was sent to a high-quality 10-inch (25 cm) video monitor, where a conventional RCA TK-22 television camera—using the NTSC broadcast standard of 525 scanned lines interlaced at 30 fps—merely re-photographed its screen. The monitor had persistent phosphors that acted as a primitive framebuffer. An analog disk recorder, based on the Ampex HS-100 model, was used to record the first field from the camera. It then fed that field, and an appropriately time-delayed copy of the first field, to the NTSC Field Interlace Switch (encoder). The combined original and copied fields created the first full 525-line interlaced frame and the signal was then sent to Houston. The disk recorder repeated this sequence five more times, until the camera imaged the next SSTV frame. The converter then repeated the whole process with each new frame downloaded from space in real time. In this way, the RCA converter produced the extra 20 frames per second needed to produce flicker-free images to the world's television broadcasters.
This live conversion was crude compared to early-21st-century electronic digital conversion techniques. Image degradation was unavoidable with this system as the monitor and camera's optical limitations significantly lowered the original SSTV signal's contrast, brightness and resolution. If the scan converter's settings were incorrectly set, as they were at the Goldstone station during the first few minutes of Apollo 11's moonwalk, the negative impact on the image could be very obvious. When Armstrong first came down the Lunar Module's ladder, he was barely visible because the contrast and the vertical phase were not set correctly by the scan converter operator. The video seen on home television sets was further degraded by the very long and noisy analog transmission path. The converted signal was sent by satellite from the three receiving ground stations to Houston. Then the network pool feed was sent by microwave relay to New York, where it was broadcast live to the United States and the world. Because all of these links were analog, each one added additional noise and distortion to the signal.
This low-quality optical conversion of the Apollo 11 moonwalk video images—made with a TV camera taking pictures of a video monitor—is what was widely recorded in real-time onto kinescope film and NTSC broadcast-quality two-inch quadruplex videotape. Recordings of this conversion were not lost and have long been available to the public (along with much higher-quality video from later Apollo missions). If the one-inch (25 mm) data tapes, containing the raw unprocessed Apollo 11 SSTV signals, were to be found, modern digital technology would allow for significantly better conversion and processing. The quality would be similar to that viewed by a few technicians and others at SSTV-receiving ground stations before the video was converted to NTSC.
News that these analog data tapes were missing emerged on August 5, 2006, when the print and online versions of The Sydney Morning Herald published a story with the title One giant blunder for mankind: how NASA lost moon pictures. The missing tapes were among over 700 boxes of magnetic data tapes recorded throughout the Apollo program that have not been found. On August 16, 2006 NASA announced its official search, saying, "The original tapes may be at the Goddard Space Flight Center ... or at another location within the NASA archiving system" and "NASA engineers are hopeful that when the tapes are found they can use today's digital technology to provide a version of the moonwalk that is much better quality than what we have today." NASA also had ongoing research reasons for finding these higher-resolution tapes, as the Constellation program shared some similar tasks with the original Apollo program.
The Goddard Center's Data Evaluation Laboratory has the only known surviving piece of equipment that can read the missing tapes and was set to be closed in October 2006, causing some fear that, even if the tapes were later found, there would be no ready way to read and copy them. However, equipment that could read the tapes was maintained.
Australian backup tapes were also erased after Goddard received the reels, following the procedures established by NASA. The SSTV signal was recorded on telemetry data tapes mostly as a backup in case the real-time conversion and broadcast around the world failed. Since the real-time broadcast conversion worked, and was widely recorded on both videotape and film, the backup video was not deemed important at the time.
There was also documentation that the Apollo 11 moonwalk SSTV was recorded at the Parkes, Australia facility on modified Ampex two-inch helical scan VTRs. The VTRs were modified by Johns Hopkins University's Applied Physics Labs to record 320-line slow-scan video directly to the videotape without converting it. It was confirmed that these tapes were shipped to Johns Hopkins University, but they could not be found by the search team.
Nafzger stated that the team did find several post-conversion copies of the broadcast that were of higher quality than what had been previously seen by the public. Their findings included a videotape recorded in Sydney after the conversion but before the satellite transmission around the world, videotape from CBS News archives (direct from NASA, without commentary) and kinescopes at Johnson Space Center. At the news conference, it was mentioned that Lowry Digital would complete enhancing and restoring the tapes. Mike Inchalik, president of Lowry Digital, mentioned that his company would only restore the video and would not remove defects (such as reflections that looked like flag poles). A few short clips were shown at the news conference, showing their improved quality. NASA released some partially restored samples on its website after the news conference. The full restoration of the footage, about three hours long, was completed in December 2009.
Some other footage from Australian ground-station feeds showing SSTV video of Armstrong's descent and first steps surfaced through John Sarkissian's efforts. Highlights of this fully enhanced video were shown to the public for the first time at the Australian Geographic Society Awards on October 6, 2010, where Buzz Aldrin was the guest of honor.
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For the purposes of clarity and simplicity in this article, 60 fields and 30 frames per second are used. NTSC actually runs at 60/1.001 ≅ 59.94 fields per second, and 30/1.001 ≅ 29.97 frames per second. Two interlaced fields create one complete video frame. /wiki/Interlaced_video
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