If s ( t ) {\displaystyle s(t)} is a real-valued function with Fourier transform S ( f ) {\displaystyle S(f)} (where f {\displaystyle f} is the real value denoting frequency), then the transform has Hermitian symmetry about the f = 0 {\displaystyle f=0} axis:
where S ( f ) ∗ {\displaystyle S(f)^{*}} is the complex conjugate of S ( f ) {\displaystyle S(f)} . The function:
where
contains only the non-negative frequency components of S ( f ) {\displaystyle S(f)} . And the operation is reversible, due to the Hermitian symmetry of S ( f ) {\displaystyle S(f)} :
The analytic signal of s ( t ) {\displaystyle s(t)} is the inverse Fourier transform of S a ( f ) {\displaystyle S_{\mathrm {a} }(f)} :
Noting that s ( t ) = s ( t ) ∗ δ ( t ) , {\displaystyle s(t)=s(t)*\delta (t),} this can also be expressed as a filtering operation that directly removes negative frequency components:
Since s ( t ) = Re [ s a ( t ) ] {\displaystyle s(t)=\operatorname {Re} [s_{\mathrm {a} }(t)]} , restoring the negative frequency components is a simple matter of discarding Im [ s a ( t ) ] {\displaystyle \operatorname {Im} [s_{\mathrm {a} }(t)]} which may seem counter-intuitive. The complex conjugate s a ∗ ( t ) {\displaystyle s_{\mathrm {a} }^{*}(t)} comprises only the negative frequency components. And therefore s ( t ) = Re [ s a ∗ ( t ) ] {\displaystyle s(t)=\operatorname {Re} [s_{\mathrm {a} }^{*}(t)]} restores the suppressed positive frequency components. Another viewpoint is that the imaginary component in either case is a term that subtracts frequency components from s ( t ) . {\displaystyle s(t).} The Re {\displaystyle \operatorname {Re} } operator removes the subtraction, giving the appearance of adding new components.
Then:
The last equality is Euler's formula, of which a corollary is cos ( ω t ) = 1 2 ( e j ω t + e j ( − ω ) t ) . {\textstyle \cos(\omega t)={\frac {1}{2}}\left(e^{j\omega t}+e^{j(-\omega )t}\right).} In general, the analytic representation of a simple sinusoid is obtained by expressing it in terms of complex-exponentials, discarding the negative frequency component, and doubling the positive frequency component. And the analytic representation of a sum of sinusoids is the sum of the analytic representations of the individual sinusoids.
Here we use Euler's formula to identify and discard the negative frequency.
This is another example of using the Hilbert transform method to remove negative frequency components. Nothing prevents us from computing s a ( t ) {\displaystyle s_{\mathrm {a} }(t)} for a complex-valued s ( t ) {\displaystyle s(t)} . But it might not be a reversible representation, because the original spectrum is not symmetrical in general. So except for this example, the general discussion assumes real-valued s ( t ) {\displaystyle s(t)} .
An analytic signal can also be expressed in polar coordinates:
where the following time-variant quantities are introduced:
In the accompanying diagram, the blue curve depicts s ( t ) {\displaystyle s(t)} and the red curve depicts the corresponding s m ( t ) {\displaystyle s_{\mathrm {m} }(t)} .
The time derivative of the unwrapped instantaneous phase has units of radians/second, and is called the instantaneous angular frequency:
The instantaneous frequency (in hertz) is therefore:
The instantaneous amplitude, and the instantaneous phase and frequency are in some applications used to measure and detect local features of the signal. Another application of the analytic representation of a signal relates to demodulation of modulated signals. The polar coordinates conveniently separate the effects of amplitude modulation and phase (or frequency) modulation, and effectively demodulates certain kinds of signals.
Analytic signals are often shifted in frequency (down-converted) toward 0 Hz, possibly creating [non-symmetrical] negative frequency components: s a ↓ ( t ) ≜ s a ( t ) e − j ω 0 t = s m ( t ) e j ( ϕ ( t ) − ω 0 t ) , {\displaystyle {s_{\mathrm {a} }}_{\downarrow }(t)\triangleq s_{\mathrm {a} }(t)e^{-j\omega _{0}t}=s_{\mathrm {m} }(t)e^{j(\phi (t)-\omega _{0}t)},} where ω 0 {\displaystyle \omega _{0}} is an arbitrary reference angular frequency.4
This function goes by various names, such as complex envelope and complex baseband. The complex envelope is not unique; it is determined by the choice of ω 0 {\displaystyle \omega _{0}} . This concept is often used when dealing with passband signals. If s ( t ) {\displaystyle s(t)} is a modulated signal, ω 0 {\displaystyle \omega _{0}} might be equated to its carrier frequency.
In other cases, ω 0 {\displaystyle \omega _{0}} is selected to be somewhere in the middle of the desired passband. Then a simple low-pass filter with real coefficients can excise the portion of interest. Another motive is to reduce the highest frequency, which reduces the minimum rate for alias-free sampling. A frequency shift does not undermine the mathematical tractability of the complex signal representation. So in that sense, the down-converted signal is still analytic. However, restoring the real-valued representation is no longer a simple matter of just extracting the real component. Up-conversion may be required, and if the signal has been sampled (discrete-time), interpolation (upsampling) might also be necessary to avoid aliasing.
If ω 0 {\displaystyle \omega _{0}} is chosen larger than the highest frequency of s a ( t ) , {\displaystyle s_{\mathrm {a} }(t),} then s a ↓ ( t ) {\displaystyle {s_{\mathrm {a} }}_{\downarrow }(t)} has no positive frequencies. In that case, extracting the real component restores them, but in reverse order; the low-frequency components are now high ones and vice versa. This can be used to demodulate a type of single-sideband signal called lower sideband or inverted sideband.
Other choices of reference frequency are sometimes considered:
In the field of time-frequency signal processing, it was shown that the analytic signal was needed in the definition of the Wigner–Ville distribution so that the method can have the desirable properties needed for practical applications.6
Sometimes the phrase "complex envelope" is given the simpler meaning of the complex amplitude of a (constant-frequency) phasor;78 other times the complex envelope s m ( t ) {\displaystyle s_{m}(t)} as defined above is interpreted as a time-dependent generalization of the complex amplitude.9 Their relationship is not unlike that in the real-valued case: varying envelope generalizing constant amplitude.
The concept of analytic signal is well-defined for signals of a single variable which typically is time. For signals of two or more variables, an analytic signal can be defined in different ways, and two approaches are presented below.
A straightforward generalization of the analytic signal can be done for a multi-dimensional signal once it is established what is meant by negative frequencies for this case. This can be done by introducing a unit vector u ^ {\displaystyle {\boldsymbol {\hat {u}}}} in the Fourier domain and label any frequency vector ξ {\displaystyle {\boldsymbol {\xi }}} as negative if ξ ⋅ u ^ < 0 {\displaystyle {\boldsymbol {\xi }}\cdot {\boldsymbol {\hat {u}}}<0} . The analytic signal is then produced by removing all negative frequencies and multiply the result by 2, in accordance to the procedure described for the case of one-variable signals. However, there is no particular direction for u ^ {\displaystyle {\boldsymbol {\hat {u}}}} which must be chosen unless there are some additional constraints. Therefore, the choice of u ^ {\displaystyle {\boldsymbol {\hat {u}}}} is ad hoc, or application specific.
The real and imaginary parts of the analytic signal correspond to the two elements of the vector-valued monogenic signal, as it is defined for one-variable signals. However, the monogenic signal can be extended to arbitrary number of variables in a straightforward manner, producing an (n + 1)-dimensional vector-valued function for the case of n-variable signals.
Smith, J.O. "Analytic Signals and Hilbert Transform Filters", in Mathematics of the Discrete Fourier Transform (DFT) with Audio Applications, Second Edition, https://ccrma.stanford.edu/~jos/r320/Analytic_Signals_Hilbert_Transform.html, or https://www.dsprelated.com/freebooks/mdft/Analytic_Signals_Hilbert_Transform.html, online book, 2007 edition, accessed 2021-04-29. https://ccrma.stanford.edu/~jos/r320/Analytic_Signals_Hilbert_Transform.html ↩
Bracewell, Ron. The Fourier Transform and Its Applications. McGraw-Hill, 2000. pp. 361-362 ↩
B. Boashash, "Estimating and Interpreting the Instantaneous Frequency of a Signal-Part I: Fundamentals", Proceedings of the IEEE, Vol. 80, No. 4, pp. 519–538, April 1992 ↩
Justice, J. (1979-12-01). "Analytic signal processing in music computation". IEEE Transactions on Acoustics, Speech, and Signal Processing. 27 (6): 670–684. doi:10.1109/TASSP.1979.1163321. ISSN 0096-3518. /wiki/Doi_(identifier) ↩
B. Boashash, "Notes on the use of the Wigner distribution for time frequency signal analysis", IEEE Trans. on Acoustics, Speech, and Signal Processing, vol. 26, no. 9, 1987 ↩
"the complex envelope (or complex amplitude)"[6] ↩
"the complex envelope (or complex amplitude)", p. 586 [7] ↩
"Complex envelope is an extended interpretation of complex amplitude as a function of time." p. 85[8] ↩