"Zen" is traditionally a proper noun as it usually describes a particular Buddhist sect. In more recent times, the lowercase "zen" is used when discussing a worldview or attitude that is "peaceful and calm". It was officially added to the Merriam-Webster dictionary in 2018.
These early Chinese meditation works continued to exert influence on Zen practice well into the modern era. For example, the 18th century Rinzai Zen master Tōrei Enji wrote a commentary on the Damoduoluo Chan Jing and used the Zuochan Sanmei Jing as a source in the writing of this commentary. Tōrei believed that the Damoduoluo Chan Jing had been authored by Bodhidharma.
Modern scholars like Robert Sharf argue that early Chan, while having unique teachings and myths, also made use of classic Buddhist meditation methods, and this is why it is hard to find many uniquely "Chan" meditation instructions in some of the earliest sources. However, Sharf also notes there was a unique kind of Chan meditation taught in some early sources which also tend to deprecate the traditional Buddhist meditations. This uniquely Zen approach goes by various names like “maintaining mind” (shouxin 守心), “maintaining unity” (shouyi 守一), “discerning the mind” (guanxin 觀心), “viewing the mind” (kanxin 看心), and “pacifying the mind” (anxin 安心). A traditional phrase that describes this practice states that "Chán points directly to the human mind, to enable people to see their true nature and become buddhas."
According to McRae the "first explicit statement of the sudden and direct approach that was to become the hallmark of Ch'an religious practice" is associated with the East Mountain School. It is a method named "maintaining the one without wavering" (守一不移, shǒu yī bù yí), the one being the true nature of mind or Suchness, which is equated with buddha-nature. Sharf writes that in this practice, one turns the attention from the objects of experience to "the nature of conscious awareness itself", the innately pure buddha-nature, which was compared to a clear mirror or to the sun (which is always shining but may be covered by clouds). This type of meditation is based on classic Mahāyāna ideas which are not uniquely "Chan", but according to McRae it differs from traditional practice in that "no preparatory requirements, no moral prerequisites or preliminary exercises are given," and is "without steps or gradations. One concentrates, understands, and is enlightened, all in one undifferentiated practice."
Sharf also notes that the early notion of contemplating a pure Buddha "Mind" was tempered and balanced by other Zen sources with terms like "no-mind" (wuxin), and "no-mindfulness" (wunian), to avoid any metaphysical reification of mind, and any clinging to mind or language. This kind of negative Madhyamaka style dialectic is found in early Zen sources like the Treatise on No Mind (Wuxin lun 無心論) of the Oxhead School and the Platform Sutra. These sources tend to emphasize emptiness, negation, and absence (wusuo 無所) as the main theme of contemplation. These two contemplative themes (the buddha mind and no-mind, positive and the negative rhetoric) continued to shape the development of Zen theory and practice throughout its history.
Later Chinese Chan Buddhists developed their own meditation ("chan") manuals which taught their unique method of direct and sudden contemplation. The earliest of these is the widely imitated and influential Zuòchán Yí (c. turn of the 12th century), which recommends a simple contemplative practice which is said to lead to the discovery of inherent wisdom already present in the mind. This work also shows the influence of the earlier meditation manuals composed by Tiantai patriarch Zhiyi.
However, other Zen sources de-emphasize traditional practices like sitting meditation, and instead focus on effortlessness and on ordinary daily activities. One example of this is found in the Record of Linji which states: "Followers of the Way, as to buddhadharma, no effort is necessary. You have only to be ordinary, with nothing to do—defecating, urinating, wearing clothes, eating food, and lying down when tired." Similarly, some Zen sources also emphasize non-action or having no concerns (wushi 無事). For example, Chan master Huangbo states that nothing compares with non-seeking, describing the Zen adept as follows: "the person of the Way is the one who has nothing to do [wu-shih], who has no mind at all and no doctrine to preach. Having nothing to do, such a person lives at ease."
Likewise, John McRae notes that a major development in early Ch'an was the rejection of traditional meditation techniques in favor of a uniquely Zen direct approach. Early Chan sources like the Long Scroll (dubbed the Bodhidharma Anthology by Jeffrey Broughton), the Platform Sutra and the works of Shenhui question such things as mindfulness and concentration, and instead state that insight can be attained directly and suddenly. For example, Record I of the Long Scroll states: "The man of sharp abilities hears of the path without producing a covetous mind. He does not even produce right mindfulness and right reflection," and the iconoclastic Master Yüan states in Record III of the same text, "If mind is not produced, what need is there for cross-legged sitting dhyana?" Similarly, the Platform Sutra criticizes the practice of sitting samādhi: "One is enlightened to the Way through the mind. How could it depend on sitting?", while Shenhui's four pronouncements criticize the "freezing", "stopping", "activating", and "concentrating" of the mind.
Zen sources which focus on the sudden teaching can sometimes be quite radical in their rejection of the importance of traditional Buddhist ideas and practices. The Record of the Dharma-Jewel Through the Ages (Lidai Fabao Ji) for example states "better that one should destroy śīla [ethics], and not destroy true seeing. Śīla [causes] rebirth in Heaven, adding more [karmic] bonds, while true seeing attains nirvāṇa." Similarly the Bloodstream Sermon states that it doesn't matter whether one is a butcher or not, if one sees one's true nature, then one will not be affected by karma. The Bloodstream Sermon also rejects the worshiping of buddhas and bodhisattvas, stating that "Those who hold onto appearances are devils. They fall from the Path. Why worship illusions born of the mind? Those who worship don't know, and those who know don't worship." Similarly, in the Lidai Fabao Ji, Wuzhu states that "No-thought is none other than seeing the Buddha" and rejects the practice of worship and recitation. Most famously, the Record of Linji has the master state that "if you meet a buddha, kill the buddha" (as well as patriarchs, arhats, parents, and kinfolk), further claiming that through this "you will gain emancipation, will not be entangled with things."
Hongzhi's practice of silent illumination does not depend on concentration on particular objects, "such as visual images, sounds, breathing, concepts, stories, or deities." Instead, it is a non-dual "objectless" meditation, involving "withdrawal from exclusive focus on a particular sensory or mental object." This practice allows the meditator to be aware of "all phenomena as a unified totality," without any conceptualizing, grasping, goal seeking, or subject-object duality. According to Leighton, this method "rests on the faith, verified in experience, that the field of vast brightness is ours from the outset." This "vast luminous buddha field" is our immanent "inalienable endowment of wisdom" which cannot be cultivated or enhanced. Instead, one just has to recognize this radiant clarity without any interference.
While the Japanese and the Chinese forms of these simple methods are similar, they are considered distinct approaches.
In the Caodong and Sōtō traditions, koans were studied and commented on, for example Hongzhi published a collection of koans and Dogen discussed koans extensively. However, they were not traditionally used in sitting meditation. Some Zen masters have also critiqued the practice of using koans for meditation. According to Haskel, Bankei called kōans "old wastepaper" and saw the kōan method as hopelessly contrived. Similarly, the Song era master Foyan Qingyuan (1067–1120) was critical of the use of koans (public cases) and similar stories, arguing that they did not exist during the time of Bodhidharma. He said, "In other places they like to have people look at model case stories, but here we have the model case story of what is presently coming into being; you should look at it, but no one can make you see all the way through such an immense affair."
Zen Monastics in Japan are particularly exceptional in the Buddhist tradition because the monks and nuns can marry after receiving their ordination. This is because they follow the practice of ordaining under the bodhisattva vows instead of the traditional monastic Vinaya.
Intensive group meditation may be practiced by serious Zen practitioners. In the Japanese language, this practice is called sesshin. While the daily routine may require monks to meditate for several hours each day, during the intensive period they devote themselves almost exclusively to zen practice. The numerous 30–50 minute long sitting meditation (zazen) periods are interwoven with rest breaks, ritualized formal meals (Jp. oryoki), and short periods of work (Jp. samu) that are to be performed with the same state of mindfulness. In modern Buddhist practice in Japan, Taiwan, and the West, lay students often attend these intensive practice sessions or retreats. These are held at many Zen centers or temples.
In Japan, Zen schools also adopted esoteric rites and continue to perform them. These include the ambrosia gate (甘露門 kanro mon) ghost festival ritual which includes esoteric elements, the secret Dharma transmission (嗣法 shihō) rituals and in some cases the homa ritual.
In Zen, doctrinal teaching is often compared to "the finger pointing at the moon". While Zen doctrines point to the moon (awakening, the Dharma-realm, the originally enlightened mind), one should not mistake fixating on the finger (the teachings) to be Zen, instead one must look at the moon (reality). As such, doctrinal teachings are just another skillful means (upaya) which can help one attain awakening. They are not the goal of Zen, nor are they held as fixed dogmas to be attached to (since ultimate reality transcends all concepts), but are nevertheless seen as useful (as long as one does not reify them or cling to them).
Thus, the Zen path is one of recognizing the inherently enlightened source that is already here. Indeed, the Zen insight and the Zen path are based on that very innate awakening. By the time of the codification of the Platform Sutra (c. 8th to 13th century), the Zen scripture par excellence, original enlightenment had become a central teaching of the Zen tradition.
Zen teachings also often include a seemingly paradoxical use of both negation and affirmation. For example, the teachings of the influential Tang dynasty master Mazu Daoyi, founder of the Hongzhou school, could include affirmative phrases like "Mind is Buddha" as well as negative ones like "it is neither mind nor Buddha". Since no concepts or differentiations can capture the true nature of things, Zen affirms the importance of the non-conceptual and non-differentiating perfection of wisdom (prajñaparamita), which transcends all relative and conventional language (even the language of negation itself). According to Kasulis, this is the basis of much apophatic rhetoric found in Zen which often seems paradoxical or contradictory.
A related explanation of non-duality which is influential in Zen makes use of the Chinese Buddhist discourse of essence-function (Ch: tiyong), which is most famously taught in the influential Awakening of Faith. In this type of discourse, the essence refers to the inner nature of things, the absolute reality, while the functions refer to the more external, relative and secondary characteristics of things. The Platform Sutra compares the essence to a lamp, while the function is its light.
Another application of non-duality in Zen discourse is the idea that mundane reality (which includes the natural world) i.e. samsara (the world of suffering) and nirvana (the ultimate, enlightened reality) are not separate. This is a view found in Indian Mahayana sources like Nagarjuna's Root Verses on Madhyamaka. As such, Buddhas and sentient beings as well as Buddhahood and the natural world, are also considered to be non-dual in Zen. This idea influenced Zen attitudes on social harmony and harmony (he, 和) with the natural world.
A further meaning of non-duality in Zen is as the absence of a duality between the perceiving subject and the perceived object. This understanding of non-duality is derived from the Indian Yogachara school. The philosophy of the Huayan school also had an influence on Chinese Chan's conception of the non-dual ultimate truth and its understanding of essence-function. One example is the Huayan doctrine of the interpenetration of phenomena or "perfect interfusion" (yuanrong, 圓融), which also makes use of native Chinese philosophical concepts such as principle (li) and phenomena (shi). The influence of the related Huayan theory of the Fourfold Dharmadhatu can be seen in the Five Ranks of Dongshan Liangjie (806–869), the founder of the Caodong lineage of Chan.
The idea of the immanent character of Buddha-nature influenced Zen's characteristic emphasis on a direct insight.[218] As such, a central topic of discussion in Zen is "seeing the nature" (見性, pinyin: jiànxìng, Jp: kenshō). Zen teachings use this term to refer to an insight which can occur to a Zen practitioner suddenly, and often equate it with a kind of enlightenment. The "nature" here is the buddha-nature, the originally enlightened mind. As such, this experience provides one with a glimpse of the ultimate truth. The term jiànxìng occurs in the classic Zen phrase "seeing one's nature, becoming Buddha", which is held to encapsulate the meaning of Zen. Zen schools have disagreed with each other on how to achieve "seeing nature" (the Linji school's huatou practice vs Caodong's silent illumination) as well as how to relate to, cultivate, express, and deepen one's relationship with the experience. This remains a major topic of debate and discussion among contemporary Zen traditions.
Traditionally, Zen considers that its practices aim at a sudden insight into the true nature of things. This idea of sudden enlightenment or instant awakening (頓悟; dùnwù), which is closely related to "seeing the nature", is another important theme in Zen. Zen sources often argue that its "sudden" method is more direct and superior to the "gradual" paths, which take place in a step by step fashion. Such methods can be found in some of the earliest Zen traditions, like the East Mountain school's teaching of "maintaining the one," a direct contemplation on buddha-nature that was not dependent on preliminary practices or step by step instructions.
This means that the Zen path does not end at "seeing the nature", since further practice and cultivation is considered necessary to deepen one's insight, remove the traces of the defilements (attachments, aversions, etc.), and to learn to express buddha-nature in daily life. Zen masters like Zongmi described this method as "sudden enlightenment followed by gradual cultivation", holding that the sudden and gradual teachings point to the same truth. Zongmi argued that even though sudden awakening reveals the truth directly and instantly, the Zen practitioner still has deeply rooted defilements (Skt: kleśa, Ch: fánnǎo) which cloud the mind and can only be removed through further training.
This sudden-gradual schema became a standard view of Zen practice in China after the time of Zongmi. It is found in Zen sources like Dongshan's Five Ranks, the works of Jinul, the Four Ways of Knowing of Hakuin, Torei's Undying Lamp of Zen, and the Ten Ox-Herding Pictures, which depict a gradual set of steps on the Zen path while also including the idea of a sudden awakening to an immanent innate pure nature.
Today, there are two major traditions or groupings of Zen schools, along with numerous other smaller lineages, orders and schools. The two main lineages are the Caodong tradition traced back to Dongshan Liangjie (807–869) and the Linji school which is traced to Linji Yixuan (died 866 CE). During the Song dynasty, the Caodong lineage became closely associated with the teaching of "silent illumination" (Ch: mozhao) as formulated by Hongzhi Zhengjue (1091—1157). The competing Linji school meanwhile became associated with the contemplation method of Dahui Zonggao (1089–1163) which focuses on meditating on the huatou (critical phrase) of a koan. Some traditions and organizations include both lineages, so these categories should not be seen as mutually exclusive.
Both the Linji school and the Caodong school were transmitted outside of China to Japan, Korea and Vietnam. Sōtō is the Japanese line of Caodong and it was founded by Dōgen (1200–1253), who emphasized the practice of shikantaza (nothing but just sitting). The Sōtō school has de-emphasized kōans since Gentō Sokuchū (circa 1800). A Vietnamese Caodong lineage (Tào Động) was founded by 17th-century Chan master Thông Giác Đạo Nam. Recently, the Caodong silent illumination method was revived in the Sinosphere by Sheng Yen and his Dharma Drum Mountain association.
Besides the two major families or traditions of Zen, there are several smaller schools. These include:
Zen practice, like that of all religions, is supported by collective endeavors. Though some Zen sources sometimes emphasize individual experience and antinomianism, Zen traditions are maintained and transferred by mostly hierarchical temple based institutions focused around a core of ordained clergy.[250] These Zen masters or teachers (Ch: shīfu 師父; Jp: rōshi or oshō) may or may not be celibate monastics (bhiksus who follow the Vinaya, the traditional Buddhist monastic code) depending on the tradition.
The formal practice of dharma transmission is generally understood in two main ways by Zen traditions. It can be seen as a formal recognition of a disciple's deep spiritual realization, which is separate from clerical ordination. It could also be understood as an institutional procedure which ensures the transmission of a temple lineage.
The institutions of Dharma transmission have come under criticism in various times throughout Zen history. Zen masters like Linji and Ikkyū "were said to have refused to receive transmission certificates", seeing the procedure as corrupt and institutionalized. During the Ming dynasty, important masters like Hanshan Deqing, Zibo Zhenke, and Yunqi Zhuhong did not belong to any formal lineage. According to Jiang Wu, these eminent Ming Chan monks emphasized self-cultivation while criticizing formulaic instructions and nominal recognition. Wu writes that at this time "eminent monks, who practiced meditation and asceticism but without proper dharma transmission, were acclaimed as acquiring 'wisdom without teachers' (wushizhi)." Hanshan's writings indicate that he seriously questioned the value of dharma transmission, seeing personal enlightenment as what truly mattered in Zen.
This radical antinomian view of Zen became more pronounced during a period between the late Tang and the Song Dynasty (960–1297), when Chán (especially the Hongzhou school) became the dominant in China, and gained great popularity among the literary classes who were attracted to the idea that true sages did not depend on texts and language. Several famous phrases from this period defined Zen as "not established on words and letters" and as "a special transmission outside the scriptures" (statements which were anachronistically attributed to Bodhidharma). The Record of Linji is even more radical, stating that the Buddhist scriptures are "all so much old toilet paper to wipe away filth". Another example of this attitude is found in the story of Deshan Xuanjian, who is known for having burned all his scriptural commentaries.
However, scholars like Welter and Hori write that these rhetorical statements were not a complete denial of the importance of study and scripture, but a warning to those who mistake the teachings for the direct insight into truth itself. Indeed, Chan masters of this period continue to cite and refer to Buddhist sutra passages. Furthermore, not all masters made use of this kind of "rhetorical" Chan which was popular in the Chinese Linji school and emphasized a direct "mind to mind" transmission of the truth from master to disciple while de-emphasizing sutra study. Another contrasting style of Chinese Chan was a more moderate "literary Chan" (wenzi chan, 文字禪) associated with figures like Nanyang Huizhong, Zongmi, and Yongming Yanshou. This type of Chan continued to actively promote doctrinal study as a part of Chan practice with the slogan of "the correspondence of the teachings and Chan" (chiao-ch'an i-chih). Even Mazu Daoyi, often depicted as a great iconoclast, alludes to and quotes numerous Mahayana sutras (as do other Hongzhou school masters). He also stated in his sermons that Bodhidharma "used the Lankāvatāra Scripture to seal the sentient beings' mind-ground".
Zongmi's perspective was that "the scriptures are like a marking line to be used as a standard to determine true and false....those who transmit Ch'an must use the scriptures and treatises as a standard." Juefan Huihong (1071–1128) coined the term "literary chan" and wrote on the importance of studying the sutras in his Zhizheng zhuan (Commentary on wisdom and enlightenment). Later figures like Zibo Zhenke and Hanyue Fazang (1573–1635) promoted the view of Chan practice which makes use of the sutras based on the Zhizheng zhuan. Similarly, the Japanese Rinzai master Hakuin writes that the Zen path begins with studying all the classic Buddhist sutras and commentaries, citing one of the four vows which states: "the Dharma teachings are infinite, I vow to study them all."
As such, while the various Zen traditions today emphasize that enlightenment arises from a direct non-conceptual insight, they also generally accept that study and understanding of the Buddhist teachings support and guide one's practice. Hori writes that modern Rinzai Zen teachers "do not teach that intellectual understanding has nothing to do with Zen; instead they teach the quite opposite lesson that Zen requires intellectual understanding and literary study". Since the emphasis is generally on a balanced approach to study and practice, the extremes which reject either pole are seen as problematic by most Zen traditions. As Hori writes (referring to the attitude of the modern Rinzai school): "the intellectual understanding of Zen and the experience itself are presented as standing in a complementary, both/and relationship." As such, it is said that the master of Zen uses two swords, the study of the teaching (kyoso) and the experience of the way (doriki).
The early Buddhist schools in China were each based on a specific sutra. At the beginning of the Tang dynasty, by the time of the Fifth Patriarch Hongren (601–674), the Zen school became established as a separate school of Buddhism and began to develop its doctrinal position based on the scriptures.[218] Various sutras were used by the early Zen tradition, even before the time of Hongren. They include the Śrīmālādevī Sūtra (Huike), Awakening of Faith (Daoxin), the Lankavatara Sutra (East Mountain School), the Diamond Sutra (Shenhui), and the Platform Sutra (a Chinese composition).
The Chan tradition drew inspiration from a variety of scriptural sources and did not follow any single scripture over the others. Subsequently, the Zen tradition produced a rich corpus of written literature, which has become a part of its practice and teaching. Other influential sutras in Zen are the Vimalakirti Sutra, Avatamsaka Sutra, the Shurangama Sutra, and the Mahaparinirvana Sutra. Important apocryphal sutras composed in China include the Sutra of Perfect Enlightenment and the Vajrasamadhi sutra.
Zen developed a rich textual tradition, based on original Zen writings, such as poems, dialogues, histories, and the recorded sayings of Zen masters. Important Zen texts and genres include:
Ferguson distinguishes three periods from the 5th century into the 13th century: the Legendary period of the six patriarchs (5th century to the 760s CE); the Classical period of the Hongzhou masters (760s to 950); and the Literary period (950-1250) of Song dynasty Chan which saw the compilation of the gongan-collections and the rise of Linji and Caodong.[218]
McRae distinguishes four rough phases in the history of Chán (though he notes this is only an expedient device and the reality was much more complicated):
Neither Ferguson nor McRae give a periodisation for Chinese Chán following the Song-dynasty, though McRae mentions "at least a post-classical phase or perhaps multiple phases". David McMahan discusses the later Ming (1368–1644) and Qing (1644–1912) era of Chan, which saw increasing syncretism with other traditions, and a later modern phase (19th century onwards) during which Chan adapted western ideas and attempted to modernize in response to the pressure of foreign imperialism.
Taoist terminology was used to express Buddhist doctrines in the oldest translations of Buddhist texts, a practice termed ko-i, "matching the concepts."The first Buddhist recruits in China were Taoists. They developed high esteem for the newly introduced Buddhist meditational techniques, and blended them with Taoist meditation. It was against this background that the Taoist concept of naturalness was inherited by the early Chán disciples: they equated – to some extent – the ineffable Tao and Buddha-nature, and thus, rather than feeling bound to the abstract "wisdom of the sūtras," emphasized Buddha-nature to be found in "everyday" human life, just like the Tao.
Some sources depict these masters as highly antinomian and iconoclastic people, who make paradoxical or nonsensical statements, shout at and beat their students to shock them into realization. However, modern scholars have seen much of the literature that presents these "iconoclastic" encounters as being later revisions during the Song era. The Hongzhou masters may not have been as radical as the Song sources depict them to be and they seem to have promoted traditional Buddhist practices like keeping precepts, accumulating good karma and practicing meditation.
There were other important schools of Zen in this period as well, such as the Jìngzhòng school of Zhishen (609–702) and Kim Hwasang which was based in Sichuan, the Baotang school (also in Sichuan), and the more moderate and intellectual Heze lineage of Guifeng Zongmi (780–841). Zongmi, who was also a Huayan patriarch, is known for his critique of the Hongzhou tradition, his sutra commentaries, and for his extensive writings on Chan.
During the subsequent Five Dynasties and Ten Kingdoms era, the Hongzhou school gradually split into several regional traditions led by various masters. These eventually became known as the Five Houses of Chán: Guīyǎng, Cáodòng, Línjì, Fǎyǎn and Yúnmén. Some schools of this period, particularly that of Linji Yixuan (d. 866), promoted an iconoclastic and often absurd style, with masters often hitting and shouting at students. This period also saw the development of encounter dialogue literature, some of which were retroactively attributed to past Chan masters. An important encounter dialogue text from this period is the Anthology of the Patriarchal Hall (952), which also establishes a genealogy of the Chán school.
Another important element of the traditional Zen narrative is that Zen is an unbroken lineage that has transmitted the enlightened Buddha-mind from the time of the Shakyamuni Buddha to the present. This narrative is traditionally supported through Zen histories and Zen lineage charts, which developed in China throughout several centuries until they became canonized in the Song.
The traditional picture of the ancient iconoclastic Zen masters has gained great popularity in the West in the 20th century, especially due to the influence of D.T. Suzuki, and Hakuun Yasutani. This traditional narrative has been challenged, and complemented, since the 1970s by modern academic research on Zen history and pre-Song sources.[218]
Modern scientific research on the history of Zen discerns three main narratives concerning Zen, its history and its teachings: Traditional Zen Narrative (TZN), Buddhist Modernism (BM), Historical and Cultural Criticism (HCC). An external narrative is Nondualism, which claims Zen to be a token of a universal nondualist essence of religions.
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In this article, the English term Zen, while derived from Japanese, is used to refer to the school of Buddhism as a whole. There is a separate article specifically on Japanese Zen. /wiki/Japanese_Zen
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Dumoulin writes in his preface to Zen. A History. Part One: India and China: "Zen (Chin. Ch'an, an abbreviation of ch'an-na, which transliterates the Sanskrit Dhyāna (Devanagari: ध्यान) or its Pali cognate Jhāna (Sanskrit; Pāli झान), terms meaning 'meditation') is the name of a Mahāyāna Buddhist school of meditation originating in China. It is characterized by the practice of meditation in the lotus position (Jpn., zazen; Chin., tso-ch'an and the use of the koan (Chin., kung-an) as well as by the enlightenment experience of satori."[18] /wiki/Satori
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Harold Stewart, "Awakening to One's True Personality": "In Buddhist terminology this all-decisive moment is known as the Awakening of the Buddha-Mind, or Bodaishin, when the third, or frontal, eye of prajna, the intellectual intuition, first opens. There are three practically synonymous terms in the Mahayana for this: Bodaishin (Sanskrit: Bodhicitta); Busshin, literally 'Buddha-Heart' of Great Compassion (Sanskrit: Tathagatagarbha, or the latent possibility of Buddhahood inherent in all beings); and Bussho (Sanskrit: Buddhata), or the Buddha-nature.Compare "Buddha's compassion, Buddha's heart",[23] and "The term buddha-mind also functions in certain cases as a synonym for Buddhadatū (foxing) or tathagatagarbha."[3] http://www.nembutsu.info/hsrtp.htm
Buswell & Lopez (2014), p. "buddhakāya". - Buswell; Lopez (2014), The Princeton Dictionary of Buddhism, Princeton University Press
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Buswell, Robert E. Jr.; Lopez, Donald S. Jr. (24 November 2013). The Princeton Dictionary of Buddhism. Princeton University Press. ISBN 978-0-691-15786-3. Archived from the original on 14 January 2023. Retrieved 4 November 2020. 978-0-691-15786-3
Wang 2017, p. 59. - Wang, Youru (2017). Historical Dictionary of Chan Buddhism. Rowman & Littlefield. ISBN 978-1-5381-0552-8. Archived from the original on 14 January 2023. Retrieved 14 January 2020. https://books.google.com/books?id=uicnDwAAQBAJ
Mohr, Michel (2006). "Imagining Indian Zen: Tōrei's Commentary on the Ta-Mo-to-Lo Ch'an Ching and the Rediscovery of Early Meditation Techniques During the Tokugawa Era". In Steven Heine; Dale S. Wright (eds.). Zen Classics: Formative Texts in the History of Zen Buddhism. Oxford and New York: Oxford University Press. pp. 215–246.
Fischer-Schreiber, Ehrhard & Diener 2008, p. 103. - Fischer-Schreiber, Ingrid; Ehrhard, Franz-Karl; Diener, Michael S. (2008), Lexicon Boeddhisme. Wijsbegeerte, religie, psychologie, mystiek, cultuur en literatuur, Asoka
Ven. Dr. Yuanci. A Study of the Meditation Methods in the DESM and Other Early Chinese Texts (PDF). The Buddhist Academy of China. Archived from the original (PDF) on 8 May 2013. https://web.archive.org/web/20130508164744/http://www.undv.org/vesak2012/iabudoc/31YuanciFINAL.pdf
Zhang & Stevenson 2002, pp. 27–28. - Zhang, Shengyen; Stevenson, Dan (2002), Hoofprint of the Ox: Principles of the Chan Buddhist Path as Taught by a Modern Chinese Master, Oxford University Press
Zhang & Stevenson 2002, pp. 29–30. - Zhang, Shengyen; Stevenson, Dan (2002), Hoofprint of the Ox: Principles of the Chan Buddhist Path as Taught by a Modern Chinese Master, Oxford University Press
McRae 2003, p. 39. - McRae, John (2003), Seeing through Zen. Encounter, Transformation, and Genealogy in Chinese Chan Buddhism, University of California Press, ISBN 978-0-520-23798-8 https://books.google.com/books?id=z0v-xn-SZ_0C
Luk, Charles (1964). The Secrets of Chinese Meditation. p. 44.
Sharf 2014, p. 939. - Sharf, Robert (2014), "Mindfullness and Mindlessness in Early Chan", Philosophy East & West, 64 (4): 933–964, doi:10.1353/pew.2014.0074, S2CID 144208166, archived from the original on 21 June 2022, retrieved 10 November 2023 https://web.archive.org/web/20220621101600/https://muse.jhu.edu/article/558818
Sharf 2014, p. 939. - Sharf, Robert (2014), "Mindfullness and Mindlessness in Early Chan", Philosophy East & West, 64 (4): 933–964, doi:10.1353/pew.2014.0074, S2CID 144208166, archived from the original on 21 June 2022, retrieved 10 November 2023 https://web.archive.org/web/20220621101600/https://muse.jhu.edu/article/558818
An early Chan critique of the notion of "pacifying the mind" can be found in the Oxhead School text, the Jueguan lun:"What is the mind? What is it to pacify the mind (an-hsin 安心)?" [The master] answered: "You should not posit a mind, nor should you attempt to pacify it—this may be called 'pacified.'"[38] /wiki/Oxhead_School
Nan, Huai-Chin (1997). Basic Buddhism: Exploring Buddhism and Zen. p. 92.
McRae 1986, p. 143. - McRae, John (1986), The Northern School and the Formation of Early Chʻan Buddhism, University of Hawaii Press
McRae 1986, p. 143. - McRae, John (1986), The Northern School and the Formation of Early Chʻan Buddhism, University of Hawaii Press
Sharf 2014, p. 939, 951. - Sharf, Robert (2014), "Mindfullness and Mindlessness in Early Chan", Philosophy East & West, 64 (4): 933–964, doi:10.1353/pew.2014.0074, S2CID 144208166, archived from the original on 21 June 2022, retrieved 10 November 2023 https://web.archive.org/web/20220621101600/https://muse.jhu.edu/article/558818
Sharf observes that "maintaining the one" or "guarding the one" (shou yi 守一) fell out of favor with the eclipse of the Northern School. Evidence of this can be seen in the Xinxin Ming, for example: “If there is even a trace of ‘is’ or ‘is not,’ the mind will be lost in confusion. Although the two comes from the One, do not guard even this One.”[42]Other sources explicitly reject the notion of "maintaining" or "preserving" (shou 守). See for example the Xin Ming (not to be confused with the Xinxin Ming):"Bodhi exists originallyIt has no need of being preservedAfflictions have no intrinsic existenceThey do not need to be eradicatedNuminous knowing is self-illuminatedThe myriad dharmas return to ThusnessThere is no return, no receivingCut off contemplation, forget preservation"[43] /wiki/Xinxin_Ming
Sharf 2014, p. 939. - Sharf, Robert (2014), "Mindfullness and Mindlessness in Early Chan", Philosophy East & West, 64 (4): 933–964, doi:10.1353/pew.2014.0074, S2CID 144208166, archived from the original on 21 June 2022, retrieved 10 November 2023 https://web.archive.org/web/20220621101600/https://muse.jhu.edu/article/558818
McRae 1986, p. 143. - McRae, John (1986), The Northern School and the Formation of Early Chʻan Buddhism, University of Hawaii Press
It first appears in a Chinese text named the Ju-tao an-hsin yao-fang-pien fa-men (JTFM, Instructions on essential expedients for calming the mind and accessing the path), itself a part of the Leng Ch'ieh Shih Tzu Chi (Records of the Masters of the Lankavatara).[40] The Records of the Masters of the Lankavatara is associated with the early Chan tradition known as the "East Mountain School" and has been dated to around 713.[44]
Buswell & Lopez 2014, p. 296. - Buswell; Lopez (2014), The Princeton Dictionary of Buddhism, Princeton University Press
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Sharf 2014, p. 945-950. - Sharf, Robert (2014), "Mindfullness and Mindlessness in Early Chan", Philosophy East & West, 64 (4): 933–964, doi:10.1353/pew.2014.0074, S2CID 144208166, archived from the original on 21 June 2022, retrieved 10 November 2023 https://web.archive.org/web/20220621101600/https://muse.jhu.edu/article/558818
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The original title of the Long Scroll, the earliest extant Chan text, is unknown. Although it has been called the Long Scroll of the Treatise on the Two Entrances and Four Practices, John Jorgensen writes in his thesis on this text, "I have titled it the Long Scroll rather than the Erh-ju ssu-hsing lun [Treatise on the Two Entrances and Four Practices] or Ta-mo lun because these latter titles are confusing and ill-defined."[56]
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The Japanese Rinzai master Takuan Sōhō was critical of the practice of placing the mind below the navel (at the hara/tanden) in concentration. He said, "...viewed from the highest standpoint of Buddhism, putting the mind just below the navel and not allowing it to wander is a low level of understanding, not a high one. [...] If you consider putting your mind below your navel and not letting it wander, your mind will be taken by the mind that thinks of this plan. You will have no ability to move ahead and will be exceptionally unfree."[68] /wiki/Takuan_S%C5%8Dh%C5%8D
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Similarly, according to the famous East Asian śāstra, the Awakening of Faith, one does not concentrate on the breath:"Should there be a person who desires to practice “cessation,” he should stay in a quiet place and sit erect in an even temper. [His attention should be focused] neither on breathing nor on any form or color, nor on empty space, earth, water, fire, wind, nor even on what has been seen, heard, remembered, or conceived."[74] /wiki/Awakening_of_Faith_in_the_Mahayana
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Compare Mazu's "Mind is Buddha" versus "No mind, no Buddha": "When Ch'an Master Fa-ch'ang of Ta-mei Mountain went to see the Patriarch for the first time, he asked, "What is Buddha?"
The Patriarch replied, "Mind is Buddha." [On hearing this] Fa-ch'ang had great awakening.
Later he went to live on Ta-mei mountain. When the Patriarch heard that he was residing on the mountain, he sent one of his monks to go there and ask Fa-ch'ang, "What did the Venerable obtain when he saw Ma-tsu, so that he has come to live on this mountain?"
Fach'ang said, "Ma-tsu told me that mind is Buddha; so I came to live here."
The monk said, "Ma-tsu's teaching has changed recently."
Fa-ch'ang asked, "What is the difference?"
The monk said, "Nowadays he also says, 'Neither mind nor Buddha."'
Fa-ch'ang said, "That old man still hasn't stopped confusing people. You can have 'neither mind nor Buddha,' I only care for 'mind is Buddha."'
The monk returned to the Patriarch and reported what has happened. "The plum is ripe." said the Patriarch."[202]
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Wu, Jiang. Enlightenment in Dispute: The Reinvention of Chan Buddhism in Seventeenth-Century China, p, 41. Oxford University Press, 2008.
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Low 2000. - Low, Albert (2000), Zen and the Sutras, Boston: Turtle Publishing
Cheng 1981. - Cheng, Hsueh-Li (1981), "The Roots of zen Buddhism", Journal of Chinese Philosophy, 8 (4): 451–478, doi:10.1111/j.1540-6253.1981.tb00267.x, archived from the original on 2 June 2019, retrieved 12 May 2015 http://www.thezensite.com/ZenEssays/Nagarjuna/roots_of_zen.htm
Lai 1985. - Lai, Whalen (1985), "Ma-Tsu Tao-I And The Unfolding Of Southern Zen", Japanese Journal of Religious Studies, 12 (2/3): 173–192, doi:10.18874/jjrs.12.2-3.1985.173-192, archived from the original on 13 March 2012, retrieved 14 February 2012 http://www.thezensite.com/ZenEssays/HistoricalZen/MaTsu_and_Unfolding_of_Southern_Zen.html
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Poceski n.d. - Poceski, Mario (n.d.), Attitudes Towards Canonicity and Religious Authority in Tang Chan, archived from the original on 14 April 2012, retrieved 14 February 2012 http://www.thezensite.com/ZenEssays/HistoricalZen/Attitudes_Towards_Canonicity.htm
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Low 2000. - Low, Albert (2000), Zen and the Sutras, Boston: Turtle Publishing
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Sasaki's translation of the Linji yulu contains an extensive biography of 62 pages, listing influential Chinese Buddhist texts that played a role in Song dynasty Chán.[285]
Albert Low: "It is evident that the masters were well versed in the sutras. Zen master Tokusan, for example, knew the Diamond Sutra well and, before meeting with his own Zen master, lectured upon it extensively; the founder of the Zen sect, Bodhidharma, the very one who preached selfrealization outside the scriptures, nevertheless advocated the Lankavatara Sutra; Zen master Hogen knew the Avatamsaka Sutra well, and koan twenty-six in the Mumonkan, in which Hogen is involved, comes out of the teaching of that sutra. Other koans, too, make reference directly or indirectly to the sutras. The autobiography of yet another Zen master, Hui Neng, subsequently became the Platform Sutra, one of those sutras so condemned by those who reject intellectual and sutra studies"[286]
Poceski: "Direct references to specific scriptures are relatively rare in the records of Mazu and his disciples, but that does not mean that they rejected the canon or repudiated its authority. On the contrary, one of the striking features of their records is that they are filled with scriptural quotations and allusions, even though the full extent of their usage of canonical sources is not immediately obvious and its discernment requires familiarity with Buddhist literature." See source for a full-length example from "one of Mazu's sermons", in which can be found references to the Vimalakīrti Scripture, the Huayan Scripture, the Mahāsamnipata-sūtra, the Foshuo Foming Scripture 佛說佛名經, the Lankāvatāra scripture and the Faju jing.[8]
Yi-hsun Huang. "Chan Master Hanyue's Attitude toward Sutra Teachings in the Ming Yi-hsun Huang." Journal of the Oxford Centre for Buddhist Studies 2018 (15): 28-54. http://jocbs.org/index.php/jocbs/article/view/185
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Welter, Albert (2011), Yongming Yanshou's Conception of Chan in the Zongjing Lu: A Special Transmission Within the Scriptures, Oxford University Press, pp. 77–79, ISBN 978-0-19-976031-2 978-0-19-976031-2
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Yi-hsun Huang. "Chan Master Hanyue's Attitude toward Sutra Teachings in the Ming Yi-hsun Huang." Journal of the Oxford Centre for Buddhist Studies 2018 (15): 28-54. http://jocbs.org/index.php/jocbs/article/view/185
"[A] person [...] must first gain wide-ranging knowledge, accumulate a treasure-store of wisdom by studying all the Buddhist sutras and commentaries, reading through all the classic works Buddhist and non-Buddhist and perusing the writings of the wise men of other traditions. It is for that reason the vow states 'the Dharma teachings are infinite, I vow to study them all.'"[291]
Yanagida 2009, p. 62. - Yanagida, Seizan (2009), Historical Introduction to The Record of Linji. In: The record of Linji, translated by Ruth Fuller Sasakia e.a. Pages 59–115 (PDF), University of Hawaii Press, archived from the original (PDF) on 22 June 2012, retrieved 30 January 2012 https://web.archive.org/web/20120622092345/http://info.stiltij.nl/publiek/meditatie/leraren/_historisch/linji-sasaki.pdf
Hori 2000, p. 295-297.
Hakuin goes as far as to state that the buddhat path even starts with study: "[A] person [...] must first gain wide-ranging knowledge, accumulate a treasure-store of wisdom by studying all the Buddhist sutras and commentaries, reading through all the classic works Buddhist and nonBuddhist and perusing the writings of the wise men of other traditions. It is for that reason the vow states "the Dharma teachings are infinite, I vow to study them all.""[291]
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Yampolski, Philip. "Chan. A Historical Sketch." In: Buddhist Spirituality. Later China, Korea, Japan and the Modern World; edited by Takeuchi Yoshinori, Delhi: Motilal Banarsidass, 2003.
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McRae gives no further information on this "Hubei faction". It may be the continuation of Shenxiu's "Northern School". See Nadeau 2012 p.89.[313] Hebei was also the place where the Linji branch of chán arose.[314]
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See also The Tao of Zen which argues that Zen is almost entirely grounded in Taoist philosophy, though this fact is well covered by Mahayana Buddhism.[328] /wiki/The_Tao_of_Zen
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