Since the 1030s, migratory Turkish groups in search of pastureland had penetrated Byzantine borders into Anatolia. In the 1070s, after the battle of Manzikert, the Seljuk commander Suleiman ibn Qutulmish, a distant cousin of Alp Arslan and a former contender for the throne of the Seljuk Empire, came to power in western Anatolia. Between 1075 and 1081, he gained control of the Byzantine cities of Nicaea (present-day İznik) and briefly also Nicomedia (present-day İzmit). Around two years later, he established a principality that, while initially a Byzantine vassal state, became increasingly independent after six to ten years. Nevertheless, it seems that Suleiman was tasked by Byzantine emperor Alexios I Komnenos in 1085 to reconquer Antioch and the former travelled there on a secret route, presumably guided by the Byzantines.
Following Kilij Arslan II's death, the sultanate was divided amongst his sons. Elbistan was given to Tughril ibn Kılıç Arslan II, but when Erzurum was taken from the Saltukids at the start of the thirteenth century, he was installed there. Tughril governed Erzurum from 1192 to 1221. During 1211–1212, he broke free from the Seljuk state. In 1230, Jahan Shah bin Tughril who was allied to the Khwarazmshah Jalal al-Din, lost the Battle of Yassıçemen, allowing for Erzurum to be annexed by the Seljuk sultanate.
Near the end of his reign, Kaykhusraw III could claim direct sovereignty only over lands around Konya. Some of the beyliks (including the early Ottoman state) and Seljuk governors of Anatolia continued to recognize, albeit nominally, the supremacy of the sultan in Konya, delivering the khutbah in the name of the sultans in Konya in recognition of their sovereignty, and the sultans continued to call themselves Fahreddin, the Pride of Islam. When Kaykhusraw III was executed in 1284, the Seljuk dynasty suffered another blow from internal struggles which lasted until 1303 when the son of Kaykaus II, Mesud II, established himself as sultan in Kayseri. He was murdered in 1308 and his son Mesud III soon afterwards. A distant relative to the Seljuk dynasty momentarily installed himself as emir of Konya, but he was defeated and his lands conquered by the Karamanids in 1328. The sultanate's monetary sphere of influence lasted slightly longer and coins of Seljuk mint, generally considered to be of reliable value, continued to be used throughout the 14th century, once again, including by the Ottomans.
The Seljuk dynasty of Rum, as successors to the Great Seljuks, based its political, religious and cultural heritage on the Turco-Persian tradition and Greco-Roman world, even to the point of naming their sons with New Persian names. The Seljuks of Rum had inherited the administrative method of Persian statecraft from the Seljuk Empire, which they would later pass on to the Ottomans. Despites such influences, Seljuk art remained essentially Central Asian in character.
It was in the 13th century that the proneness of imitating Iran in terms of administration, religion and culture reached its zenith, encouraged by the major influx of Persian refugees fleeing Mongol invasions, who brought Persian culture with them and were instrumental in creating a "second Iran" in Anatolia. Iranian cultural, political, and literary traditions deeply influenced Anatolia in the early 13th century. The notable historian Ibn Bibi composed a six-volume Persian language poetic work called the Selçukname, modeled after the Shahnamah, which focused on the Seljuk sultans.
Despite their Turkic origins, the Seljuks used Persian for administrative purposes; even their histories, which replaced Arabic, were in Persian. Their usage of Turkish was hardly promoted at all. Even Sultan Kilij Arslan II, as a child, spoke to courtiers in Persian. Khanbaghi states the Anatolian Seljuks were even more Persianized than the Seljuks that ruled the Iranian plateau. Persian poetry was written by sultans Suleiman II, Kayqubad I, and Kaykhusraw II. Written documents used either Persian or Anatolian Turkic, but the army used the Turkic language exclusively.
Architectural styles of the Sultanate of Rum were rather eclectic. The walls of Konya in particular, built by Kayqubad I (r.1220–1237), adopted many western decorative elements, such as a statue of Hercules, a frieze from a Roman sarcophagus, courtly scenes with seated figures in toga, winged deities around the figure of the sun, mixed with inscriptions in Arabic. It would seem that such symbolism mixing Western and Eastern elements was mostly derived from the influence of the Artuqids, who were adept at combining Classical and Perso-Islamic approaches.
There are other particular cases, like the settlement in Kalehisar contiguous to an ancient Hittite site near Alaca, founded by the Seljuk commander Hüsameddin Temurlu, who had taken refuge in the region after the defeat in the Battle of Köse Dağ and had founded a township comprising a castle, a madrasa, a habitation zone and a caravanserai, which were later abandoned apparently around the 16th century. All but the caravanserai, which remains undiscovered, was explored in the 1960s by the art historian Oktay Aslanapa, and the finds as well as several documents attest to the existence of a vivid settlement in the site, such as a 1463 Ottoman firman which instructs the headmaster of the madrasa to lodge not in the school but in the caravanserai.
The miniatures represent typical Central Asian people, thickset with large round heads. They also provide rare depictions of the contemporary military of the Seljuk period, and may have influenced other known depictions of Turkic Seljuk soldiers. All depicted costumes and accoutrements are contemporary to the artist, in the 13th century CE. The miniatures constitute the first known example of illustrated Persian-language manuscript, dating from the pre-Mongol era, and are useful in studying weapons of the period. Particularly, metal face masks and chainmail helmets in Turkic fashion, and armor with small metal plates connected through straps, large round shields (the largest of them called "kite-shields") and long teardrop shields, armoured horses are depicted. The weapons and armour types depicted in the miniatures were common in the Middle East and the Caucasus in the Seljuk era.
The earliest documented Rum Seljuq copper coins were made in the first part of the twelfth century in Konya and the eastern Anatolian emirates. Extensive numismatic evidence suggests that, starting in the middle of the thirteenth century and continuing until the end of the Seljuk dynasty, silver-producing mints and silver coinage flourished, particularly in central and eastern Anatolia.
Most of Kilij Arslan II's coins were minted in Konya between 1177–78 and 1195, with a small amount also occurring in Sivas, which the Rum Seljuks conquered from the Danishmendids. Sivas may have started minting coins in 1185–1186. The majority of Kılıj Arslan II's coins are silver dirhams; however, there are also a few dinars and one or two fulūs (small copper coins) issues. Following his death the sultanate was divided among his sons. Muhyiddin Mesut, son of Kilij Arslan II, minted coins in the northwesterly cities of Ankara, Çankırı, Eskişehir, and Kaztamunu from 1186 to 1200. Tughril ibn Kılıç Arslan II's reign in Erzurum, another son of Kilij Arslan II, minted silver dirhams in 1211–1212.
The sun-lion and the equestrian are the two central motifs in the Rum Seljuq numismatic figural repertoire. The image of a horseman with two more arrows ready and his bow taut represents strength and control and is a representation of the ideal Seljuq king of the Great Age. The image initially appeared on Rum Seljuq copper coins in the late eleventh century. The first to add equestrian iconography to silver and gold coins was Suleiman II of Rûm(r. 1196–1204). Antalya minted coins with Kaykaus I's name from November 1261 to November 1262. Between 1211 and 1219, the bulk of his coins are minted at Konya and Sivas.
A significant portion of the Islamic Near East may have experienced a "silver famine" owing to little, or very little, silver mintings from the eleventh and most of the twelfth centuries. However, at the start of the thirteenth century a "silver flood" occurred in Rum Seljuq territory when Anatolian silver mines were discovered. The fineness of Rum Seljuq dirhams is similar to that of dinars; frequently, both were struck using the same dies. The Seljuq silver coinage's superior quality and prominence contributed to the dynasty's affluence throughout the early part of the thirteenth century and explains why it served as a kind of anchor for the local "currency community." The Empire of Trebizond and Armenian Kingdom of Cilicia silver coins were modeled after the fineness and weight specifications of Rum Seljuq coins.
As regards with the names of the sultans, there are variants in form and spelling depending on the preferences displayed by one source or the other, either for fidelity in transliterating the Persian variant of the Arabic script which the sultans used, or for a rendering corresponding to the modern Turkish phonology and orthography. Some sultans had two names that they chose to use alternatively in reference to their legacy. While the two palaces built by Alaeddin Keykubad I carry the names Kubadabad Palace and Keykubadiye Palace, he named his mosque in Konya as Alâeddin Mosque and the port city of Alanya he had captured as "Alaiye". Similarly, the medrese built by Kaykhusraw I in Kayseri, within the complex (külliye) dedicated to his sister Gevher Nesibe, was named Gıyasiye Medrese, and the one built by Kaykaus I in Sivas as Izzediye Medrese.
Also referred to as the Anatolian Seljuk Sultanate (Persian: سلجوقیان روم, romanized: Saljûqiyân-i Rûm, lit. 'Seljuks of Rûm'), the Sultanate of Iconium, the Anatolian Seljuk State (Turkish: Anadolu Selçuklu Devleti), the Seljuks of Turkey (Türkiye Selçukluları, or the Konya Sultanate)[7][8] /wiki/Persian_language
Alexander Kazhdan, "Rūm" The Oxford Dictionary of Byzantium (Oxford University Press, 1991), vol. 3, p. 1816.
Paul Wittek, Rise of the Ottoman Empire, Royal Asiatic Society Books, Routledge (2013), p. 81:
"This state too bore the name of Rûm, if not officially, then at least in everyday usage, and its princes appear in the Eastern chronicles under the name Seljuks of Rûm (Ar.: Salâjika ar-Rûm). A. Christian Van Gorder, Christianity in Persia and the Status of Non-muslims in Iran p. 215: "The Seljuqs called the lands of their sultanate Rûm because it had been established on territory long considered 'Roman', i.e. Byzantine, by Muslim armies." /wiki/Paul_Wittek
Shukurov 2020, p. 145. - Shukurov, Rustam (2020). "Grasping the Magnitude: Saljuq Rum between Byzantium and Persia". In Canby, Sheila; Beyazit, Deniz; Rugiadi, Martina (eds.). The Seljuqs and their Successors: Art, Culture and History. Edinburgh University Press. pp. 144–162. ISBN 978-1474450348. https://books.google.com/books?id=46MxEAAAQBAJ
Everett-Heath, John (2018). "Anatolia". The Concise Dictionary of World Place-Names. Vol. 1. Oxford University Press. doi:10.1093/acref/9780191866326.001.0001. ISBN 978-0191866326. Archived from the original on 6 December 2018. Retrieved 5 December 2018. 978-0191866326
John Joseph Saunders, The History of the Mongol Conquests (University of Pennsylvania Press, 1971), 79.
A.C.S. Peacock and Sara Nur Yildiz, The Seljuks of Anatolia: Court and Society in the Medieval Middle East, (I.B. Tauris, 2015), 12.
Sicker, Martin, The Islamic world in ascendancy: from the Arab conquests to the siege of Vienna, (Greenwood Publishing Group, 2000), 63–64.
A.C.S. Peacock and Sara Nur Yildiz, The Seljuks of Anatolia: Court and Society in the Medieval Middle East, (I.B. Tauris, 2015), 72.
Frankopan 2013, p. 51. - Frankopan, Peter (2013). The First Crusade: The call from the East. London: Vintage. ISBN 9780099555032.
Frankopan 2013, p. 52. - Frankopan, Peter (2013). The First Crusade: The call from the East. London: Vintage. ISBN 9780099555032.
Sicker, Martin, The Islamic world in ascendancy: from the Arab conquests to the siege of Vienna , (Greenwood Publishing Group, 2000), 65.
Frankopan 2013, pp. 68–69. - Frankopan, Peter (2013). The First Crusade: The call from the East. London: Vintage. ISBN 9780099555032.
A.C.S. Peacock and Sara Nur Yildiz, The Seljuks of Anatolia: Court and Society in the Medieval Middle East, (I.B. Tauris, 2015), 73.
Anatolia in the period of the Seljuks and the "beyliks", Osman Turan, The Cambridge History of Islam, Vol. 1A, ed. P.M. Holt, Ann K.S. Lambton and Bernard Lewis, (Cambridge University Press, 1995), 244–245.
Anatolia in the period of the Seljuks and the "beyliks", Osman Turan, The Cambridge History of Islam, Vol. 1A, ed. P.M. Holt, Ann K.S. Lambton and Bernard Lewis, (Cambridge University Press, 1995), 244–245.
A.C.S. Peacock and Sara Nur Yildiz, The Seljuks of Anatolia: Court and Society in the Medieval Middle East, (I.B. Tauris, 2015), 29.
Sinclair 2020, p. 41. - Sinclair, Thomas (2020). Eastern Trade and the Mediterranean in the Middle Ages: Pegolotti's Ayas. Routledge.
Sinclair 2020, pp. 137–138. - Sinclair, Thomas (2020). Eastern Trade and the Mediterranean in the Middle Ages: Pegolotti's Ayas. Routledge.
Sinclair 2020, pp. 137–138. - Sinclair, Thomas (2020). Eastern Trade and the Mediterranean in the Middle Ages: Pegolotti's Ayas. Routledge.
Sinclair 2020, pp. 137–138. - Sinclair, Thomas (2020). Eastern Trade and the Mediterranean in the Middle Ages: Pegolotti's Ayas. Routledge.
Sinclair 2020, pp. 137–138. - Sinclair, Thomas (2020). Eastern Trade and the Mediterranean in the Middle Ages: Pegolotti's Ayas. Routledge.
Alexander Mikaberidze, Historical Dictionary of Georgia, (Rowman & Littlefield, 2015), 184.
Claude Cahen, The Formation of Turkey: The Seljukid Sultanate of Rum: Eleventh to Fourteenth, transl. & ed. P.M. Holt, (Pearson Education Limited, 2001), 42.
Claude Cahen, The Formation of Turkey: The Seljukid Sultanate of Rum: Eleventh to Fourteenth, transl. & ed. P.M. Holt, (Pearson Education Limited, 2001), 42.
Claude Cahen, The Formation of Turkey: The Seljukid Sultanate of Rum: Eleventh to Fourteenth, transl. & ed. P.M. Holt, (Pearson Education Limited, 2001), 42.
Tricht 2011, p. 355. - Tricht, Filip Van (2011). The Latin Renovatio of Byzantium: The Empire of Constantinople (1204–1228). Translated by Longbottom, Peter. Brill.
Ring, Watson & Schellinger 1995, p. 651. - Ring, Trudy; Watson, Noelle; Schellinger, Paul, eds. (1995). Southern Europe: International Dictionary of Historic Places. Vol. 3. Routledge.
A.C.S. Peacock, "The Saliūq Campaign against the Crimea and the Expansionist Policy of the Early Reign of'Alā' al-Dīn Kayqubād", Journal of the Royal Asiatic Society, Vol. 16 (2006), pp. 133–149. https://www.jstor.org/stable/25188622
John Joseph Saunders, The History of the Mongol Conquests (University of Pennsylvania Press, 1971), 79.
Kastritsis 2013, p. 26. - Kastritsis, Dimitris (2013). "The Historical Epic "Ahval-i Sultan Mehemmed" (The Tales of Sultan Mehmed) in the Context of Early Ottoman Historiography". Writing History at the Ottoman Court: Editing the Past, Fashioning the Future. Indiana University Press.
Saljuqs: Saljuqs of Anatolia, Robert Hillenbrand, The Dictionary of Art, Vol.27, Ed. Jane Turner, (Macmillan Publishers Limited, 1996), 632.
Rudi Paul Lindner, Explorations in Ottoman Prehistory, (University of Michigan Press, 2003), 3.
Itzkowitz 1980, p. 48. - Itzkowitz, Norman (1980). Ottoman Empire and Islamic Tradition. University of Chicago Press. ISBN 978-0226388069.
Turks: a journey of a thousand years, 600-1600. London : New York: Royal Academy of Arts ; Distributed in the U.S. and Canada by Harry N. Abrams. 2005. p. 106. ISBN 978-1903973578. Despite the undoubted influence of Iranian culture on the Great Seljuks and the Anatolian Seljuks, Seljuk art remained essentially Central Asian in character. 978-1903973578
Lewis, Bernard, Istanbul and the Civilization of the Ottoman Empire, p. 29, Even when the land of Rum became politically independent, it remained a colonial extension of Turco-Persian culture which had its centers in Iran and Central Asia ... The literature of Seljuk Anatolia was almost entirely in Persian ...
Khanbaghi 2016, p. 202. - Khanbaghi, Aptin (2016). "Champions of the Persian Language: The Mongols or the Turks?". In De Nicola, Bruno; Melville, Charles (eds.). The Mongols' Middle East: Continuity and Transformation in Ilkhanid Iran. Brill.
Turks: a journey of a thousand years, 600-1600. London : New York: Royal Academy of Arts ; Distributed in the U.S. and Canada by Harry N. Abrams. 2005. p. 106. ISBN 978-1903973578. 978-1903973578
Hillenbrand 2020, p. 15. - Hillenbrand, Carole (2020). "What is Special about Seljuq History?". In Canby, Sheila; Beyazit, Deniz; Rugiadi, Martina (eds.). The Seljuqs and their Successors: Art, Culture and History. Edinburgh University Press. pp. 6–16. ISBN 978-1474450348. https://books.google.com/books?id=46MxEAAAQBAJ
Shukurov 2020, p. 155. - Shukurov, Rustam (2020). "Grasping the Magnitude: Saljuq Rum between Byzantium and Persia". In Canby, Sheila; Beyazit, Deniz; Rugiadi, Martina (eds.). The Seljuqs and their Successors: Art, Culture and History. Edinburgh University Press. pp. 144–162. ISBN 978-1474450348. https://books.google.com/books?id=46MxEAAAQBAJ
Hillenbrand 2021, p. 211 "Inner Anatolia was now set to become Muslim gradually, and this process occurred under the leadership of the Turks. In Anatolia, as elsewhere, the Seljuq rulers drank in Persian cultural ways in their cities. This tendency to copy Iran in administration, religion and culture reached its height in the thirteenth century with the fuller development of the Seljuq state in Anatolia and the influx of Persian refugees to Anatolian cities. Thus ‘a second Iran’ was created in Anatolia. It is food for thought that, while it was the Turks who conquered and settled the land of Anatolia in the eleventh and twelfth centuries, it was the Persians who were instrumental in bringing to these territories a developed Islamic religious and secular culture. (...) Quote in French: Les réfugiés iraniens qui entrèrent en grand nombre en Anatolie à la suite des invasions mongoles de l’Iran – les fonctionnaires, les poètes, les Sufis et, avant tout, les cadres religieux – transformèrent de l’intérieur la culture urbaine de cette région." - Hillenbrand, Carole (2021). The Medieval Turks: Collected Essays. Edinburgh University Press. ISBN 978-1474485944.
Findley, Carter V. (2005). The Turks in World History. Oxford University Press, USA. p. 72. ISBN 978-0-19-517726-8. Meanwhile, amid the migratory swarm that Turkified Anatolia, the dispersion of learned men from the Persian-speaking east paradoxically made the Seljuk court at Konya a new center for Perso-Islamic court culture. 978-0-19-517726-8
Hickman & Leiser 2016, p. 278. - Hickman, Bill; Leiser, Gary (2016). Turkish Language, Literature, and History: Travelers' Tales, Sultans, and Scholars Since the Eighth Century. Routledge.
Inalcik 2008, p. 20. - Inalcik, Halil (2008). "The Origins of Classical Ottoman Literature: Persian Tradition, Court Entertainments, and Court Poets". Journal of Turkish Literature (5). Translated by Sheridan, Michael D. Bilkent University Centure for Turkish Literature: 5–76.
Khanbaghi 2016, p. 202. - Khanbaghi, Aptin (2016). "Champions of the Persian Language: The Mongols or the Turks?". In De Nicola, Bruno; Melville, Charles (eds.). The Mongols' Middle East: Continuity and Transformation in Ilkhanid Iran. Brill.
Khanbaghi 2016, p. 202. - Khanbaghi, Aptin (2016). "Champions of the Persian Language: The Mongols or the Turks?". In De Nicola, Bruno; Melville, Charles (eds.). The Mongols' Middle East: Continuity and Transformation in Ilkhanid Iran. Brill.
Khanbaghi 2016, p. 202. - Khanbaghi, Aptin (2016). "Champions of the Persian Language: The Mongols or the Turks?". In De Nicola, Bruno; Melville, Charles (eds.). The Mongols' Middle East: Continuity and Transformation in Ilkhanid Iran. Brill.
Khanbaghi 2016, p. 202. - Khanbaghi, Aptin (2016). "Champions of the Persian Language: The Mongols or the Turks?". In De Nicola, Bruno; Melville, Charles (eds.). The Mongols' Middle East: Continuity and Transformation in Ilkhanid Iran. Brill.
Inalcik 2008, p. 21. - Inalcik, Halil (2008). "The Origins of Classical Ottoman Literature: Persian Tradition, Court Entertainments, and Court Poets". Journal of Turkish Literature (5). Translated by Sheridan, Michael D. Bilkent University Centure for Turkish Literature: 5–76.
Turks: a journey of a thousand years, 600-1600. London : New York: Royal Academy of Arts ; Distributed in the U.S. and Canada by Harry N. Abrams. 2005. p. 106. ISBN 978-1903973578. However, scholarship and literature were influences by Iran, and Persian was used alongside Anatolian Turkic in written documents during this period, although Turkic was the only language used by the army. 978-1903973578
Richards & Robinson 2003, p. 265. - Richards, Donald S.; Robinson, Chase F. (2003). Texts, documents, and Artefacts. Brill.
Crane 1993, p. 2. - Crane, H. (1993). "Notes on Saldjūq Architectural Patronage in Thirteenth Century Anatolia". Journal of the Economic and Social History of the Orient. 36 (1): 1–57. doi:10.1163/156852093X00010. https://doi.org/10.1163%2F156852093X00010
Cahen & Holt 2001, p. 163. - Cahen, Claude; Holt, Peter Malcolm (2001). The Formation of Turkey. The Seljukid Sultanate of Rūm: Eleventh to Fourteenth Century. Longman.
Cahen & Holt 2001, p. 163. - Cahen, Claude; Holt, Peter Malcolm (2001). The Formation of Turkey. The Seljukid Sultanate of Rūm: Eleventh to Fourteenth Century. Longman.
Cahen & Holt 2001, p. 163. - Cahen, Claude; Holt, Peter Malcolm (2001). The Formation of Turkey. The Seljukid Sultanate of Rūm: Eleventh to Fourteenth Century. Longman.
Shukurov, Rustam (2011), "The Oriental Margins of the Byzantine World: a Prosopographical Perspective", in Herrin, Judith; Saint-Guillain, Guillaume (eds.), Identities and Allegiances in the Eastern Mediterranean After 1204, Ashgate Publishing, Ltd., pp. 181–191, ISBN 978-1-4094-1098-0 978-1-4094-1098-0
Korobeinikov, Dimitri (2007), "A sultan in Constantinople: the feasts of Ghiyath al-Din Kay-Khusraw I", in Brubaker, Leslie; Linardou, Kallirroe (eds.), Eat, Drink, and be Merry (Luke 12:19): Food and Wine in Byzantium: Papers of the 37th Annual Spring Symposium of Byzantine Studies, in Honour of Professor A.A.M. Bryer, Ashgate Publishing, Ltd., p. 96, ISBN 978-0-7546-6119-1 978-0-7546-6119-1
A.C.S. Peacock and Sara Nur Yildiz, The Seljuks of Anatolia: Court and Society in the Medieval Middle East, (I.B. Tauris, 2015), 121.
Hillenbrand 2021, p. 211. - Hillenbrand, Carole (2021). The Medieval Turks: Collected Essays. Edinburgh University Press. ISBN 978-1474485944.
Hillenbrand 2021, p. 333. - Hillenbrand, Carole (2021). The Medieval Turks: Collected Essays. Edinburgh University Press. ISBN 978-1474485944.
Yalman, Suzan (1 January 2012). "'ALA AL-DIN KAYQUBAD ILLUMINATED: A RUM SELJUQ SULTAN AS COSMIC RULER". Muqarnas Online. 29 (1): 151–186. doi:10.1163/22118993-90000186. In some cases—such as the sultan's well-known city walls in Konya—there appears to be, at first sight, an antiquarian penchant for the "classical" or "Roman" past (fig. 1). (...) Nevertheless, the portrait's classicizing aspect is important in that it resonates with the use of spoliated classical sculpture in the walls of Konya (fig. 1). (...) Kayqubad's walls in Konya. (...) above the statue of Hercules was a reused Roman sarcophagus frieze carved in high relief; the latter featured a courtly scene with a seated figure wearing a toga and holding an orb ("a ball, the symbol of the world" according to Kinneir). Above this image was an Arabic inscription and then winged "genies" making offerings to the "sun" (as described by Olivier). https://www.researchgate.net/publication/274996239_'ALA_AL-DIN_KAYQUBAD_ILLUMINATED_A_RUM_SELJUQ_SULTAN_AS_COSMIC_RULER
Yalman, Suzan (1 January 2012). "'ALA AL-DIN KAYQUBAD ILLUMINATED: A RUM SELJUQ SULTAN AS COSMIC RULER". Muqarnas Online. 29 (1): 151–186. doi:10.1163/22118993-90000186. As I will argue below, in addition to obvious "Western" links, Kayqubad was also inspired by sources further "East," such as the Artuqids of Hisn Kaifa and Amid (1102-1232), which combining Classical and Perso-Islamic impulses, seemed better suited as models. In fact, upon closer examination, these pagan/secular Roman imperial ("Western") signs seemed to be infused with mystical/Sufi ("Eastern") readings that imbued them with new meaning. Most significant was the emergence of an unexpected undercurrent of light symbolism. https://www.researchgate.net/publication/274996239_'ALA_AL-DIN_KAYQUBAD_ILLUMINATED_A_RUM_SELJUQ_SULTAN_AS_COSMIC_RULER
Blair, Sheila; Bloom, Jonathan (2004), "West Asia: 1000–1500", in Onians, John (ed.), Atlas of World Art, Laurence King Publishing, p. 130
Architecture (Muhammadan), H. Saladin, Encyclopaedia of Religion and Ethics, Vol.1, Ed. James Hastings and John Alexander, (Charles Scribner's son, 1908), 753.
Armenia during the Seljuk and Mongol Periods, Robert Bedrosian, The Armenian People From Ancient to Modern Times: The Dynastic Periods from Antiquity to the Fourteenth Century, Vol. I, Ed. Richard Hovannisian, (St. Martin's Press, 1999), 250.
Lost in Translation: Architecture, Taxonomy, and the "Eastern Turks", Finbarr Barry Flood, Muqarnas: History and Ideology: Architectural Heritage of the "Lands of Rum, 96.
Rodriguez, Junius P. (1997). The Historical Encyclopedia of World Slavery. ABC-CLIO. p. 306. ISBN 978-0-87436-885-7. 978-0-87436-885-7
Hillenbrand 2021, p. 208 "The earliest illustrated Persian manuscript, signed by an artist from Khuy in north-west Iran, was produced between 1225 and 1250, almost certainly in Konya. (Cf. A. S. Melikian-Chirvani, ‘Le roman de Varqe et Golsâh’, Arts Asiatiques XXII (Paris, 1970))" - Hillenbrand, Carole (2021). The Medieval Turks: Collected Essays. Edinburgh University Press. ISBN 978-1474485944.
Blair, Sheila S. (19 January 2020). Islamic Calligraphy. Edinburgh University Press. p. 366. ISBN 978-1-4744-6447-5. 978-1-4744-6447-5
Necipoğlu, Gülru; Leal, Karen A. (1 October 2009). Muqarnas. BRILL. ISBN 978-90-04-17589-1. 978-90-04-17589-1
Bloom, Jonathan; Blair, Sheila (14 May 2009). Grove Encyclopedia of Islamic Art & Architecture: Three-Volume Set. OUP USA. p. 214–215. ISBN 978-0-19-530991-1. 978-0-19-530991-1
Ettinghausen, Richard (1977). Arab painting. New York : Rizzoli. p. 91, 92, 162 commentary. ISBN 978-0-8478-0081-0. The two scenes in the top and bottom registers (...) may be strongly influenced by contemporary Seljuk Persian (...) like those in the recently discovered Varqeh and Gulshah (p.92) (...) In the painting the facial cast of these Turks is obviously reflected, and so are the special fashions and accoutrements they favored. (p.162, commentary on image from p.91){{cite book}}: CS1 maint: publisher location (link) 978-0-8478-0081-0
Waley, P.; Titley, Norah M. (1975). "An Illustrated Persian Text of Kalīla and Dimna Dated 707/1307-8". The British Library Journal. 1 (1): 42–61. ISSN 0305-5167. JSTOR 42553970. A unique Seljùq manuscript in the Topkapi Sarayi Museum Library (Hazine 841) (fig. 7). This manuscript, the romance Varqa va Gulshah, probably dates from the early thirteenth century . The figures in the miniatures with the typical features of Central Asian people are squat and thickset with large round heads. They are to be seen again in a more sophisticated form in the so-called Turkman style miniatures produced in Shiraz c. 1460 – 1502 under the patronage of another dynasty of Turkman invaders. https://www.jstor.org/stable/42553970
Ettinghausen, Richard (1977). Arab painting. New York : Rizzoli. pp. 91–92. ISBN 978-0-8478-0081-0.{{cite book}}: CS1 maint: publisher location (link) 978-0-8478-0081-0
Sabuhi, Ahmadov Ahmad oglu (July–August 2015). "The miniatures of the manuscript "Varka and Gulshah" as a source for the study of weapons of XII–XIII centuries in Azerbaijan". Austrian Journal of Humanities and Social Sciences (7–8): 14–16. https://www.researchgate.net/publication/305236939
Sabuhi, Ahmadov Ahmad oglu (July–August 2015). "The miniatures of the manuscript "Varka and Gulshah" as a source for the study of weapons of XII–XIII centuries in Azerbaijan". Austrian Journal of Humanities and Social Sciences (7–8): 14–16. https://www.researchgate.net/publication/305236939
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After 1249 triple reign of three brothers
Zahîrüddîn-i Nîsâbûrî, Selcûḳnâme, (Muhammed Ramazânî Publications), Tahran 1332, p. 10. https://tr.wikipedia.org/wiki/Sel%C3%A7ukn%C3%A2me
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Enverî, Düstûrnâme-i Enverî, pp. 78–80, 1464. /wiki/Enveri
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Sümer, Faruk (2009). "IRAK SELÇUKLULARI" (PDF). TDV Encyclopedia of Islam, Vol. 36 (Sakal – Sevm) (in Turkish). Istanbul: Turkiye Diyanet Foundation, Centre for Islamic Studies. p. 387. ISBN 978-975-389-566-8. 978-975-389-566-8
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Sümer, Faruk (1991). "ARSLANŞAH b. TUĞRUL" (PDF). TDV Encyclopedia of Islam, Vol. 3 (Amasya – Âşik Mûsi̇ki̇si̇) (in Turkish). Istanbul: Turkiye Diyanet Foundation, Centre for Islamic Studies. pp. 404–406. ISBN 978-975-389-430-2. 978-975-389-430-2
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Sümer, Faruk (2012). "Ebû Tâlib TUĞRUL b. ARSLANŞAH b. TUĞRUL" (PDF). TDV Encyclopedia of Islam, Vol. 41 (Tevekkül – Tüsterî) (in Turkish). Istanbul: Turkiye Diyanet Foundation, Centre for Islamic Studies. pp. 342–344. ISBN 978-975-389-713-6. 978-975-389-713-6
Grand Vizier Sāhīp Shams ad-Dīn Īsfahānī ruled the country on behalf of ʿIzz ad-Dīn Kay Kāwus II between 1246 and 1249 /wiki/Shams_al-Din_Isfahani
Grand Vizier Parwāna Mu‘in al-Din Suleyman ruled the country on behalf of Ghiyāth ad-Dīn Kay Khusraw III between 1266 and 2 August 1277 (1 Rabi' al-awwal 676) /wiki/Perv%C3%A2ne
Shukurov 2016, p. 108–109. - Shukurov, Rustam (2016). The Byzantine Turks, 1204–1461. Brill.
Between 1246 and 1249 ʿIzz ad-Dīn Kay Kāwus II reigned alone /wiki/Kaykaus_II
ʿIzz ad-Dīn Kay Kāwus II was defeated on October 14, 1256 in Sultanhanı (Sultan Han, Aksaray) and he acceded to the throne on May 1, 1257 again after the departure of Baiju Noyan from Anatolia /wiki/Kaykaus_II
Between 1262 and 1266 Rukn ad-Dīn Kilij Arslan IV reigned alone /wiki/Kilij_Arslan_IV
Between 1249 and 1254 triple reign of three brothers
According to İbn Bîbî, el-Evâmirü’l-ʿAlâʾiyye, p. 727. (10 Dhu al-Hijjah 675 – 17 Muharram 676) /wiki/Ibn_Bibi
According to Yazıcıoğlu Ali, Tevârih-i Âl-i Selçuk, p. 62. (10 Dhu al-Hijjah 677 – 17 Muharram 678) https://tr.wikipedia.org/wiki/Tev%C3%A2rih-i_%C3%82l-i_Sel%C3%A7uk
Sümer, Faruk (2009). ANADOLU SELÇUKLULARI (PDF). Vol. 36. Istanbul: TDV İslâm Ansiklopedisi. pp. 380–384. ISBN 978-9-7538-9566-8. 978-9-7538-9566-8
Sümer, Faruk (2009). ANADOLU SELÇUKLULARI (PDF). Vol. 36. Istanbul: TDV İslâm Ansiklopedisi. pp. 380–384. ISBN 978-9-7538-9566-8. 978-9-7538-9566-8
Sümer, Faruk (2009). ANADOLU SELÇUKLULARI (PDF). Vol. 36. Istanbul: TDV İslâm Ansiklopedisi. pp. 380–384. ISBN 978-9-7538-9566-8. 978-9-7538-9566-8