In early Assyriological scholarship it was often assumed that the variant form Nannar was the standard form of the name, but further research demonstrated that it does not predate the Old Babylonian period. The writing dna-an-na-ar is attested in Akkadian and Elamite texts, and was the result of linguistic contamination between the theonym Nanna and the common Akkadian noun nannaru, "light". As an epithet, nannaru could be used to address the moon god, but also Ishtar and Girra.
In Akkadian the moon god was called Sin (Sîn) or Suen (Su’en). The former is the standard reading of the name from the Old Babylonian period onward, while the latter was presumably the older uncontracted pronunciation. The etymology of this name remains uncertain. One of the inscriptions of Gudea from the third millennium BCE refers to Sin as a god "whose name nobody can explain", which might be an indication that his name was already unclear and a subject of scribal speculation during his reign.
The name Sin was typically written in cuneiform as dEN.ZU, as possibly already attested in a text from the Uruk period, though oldest certain examples, such as entries in the god lists from Fara and Abu Salabikh, only date back to the Early Dynastic period. Most likely it initially developed as a rebus meant to graphically resemble the names of gods whose names had Sumerian etymologies and contained the element EN, for example Enlil. Various phonetic spellings are also attested, for example sú-en, sí-in, si-in and se-en. The large variety of these variants might indicate that the first sibilant was difficult to render in cuneiform. In early Akkadian, the sound /s/ was an affricate [ts], which would explain its initial representation with Z-signs and later with S-signs.
From the Old Babylonian period onward Sin's name could be represented by the logogram d30 (𒀭𒌍), derived from the cuneiform numeral 30, symbolically associated with him due to the number of days in the lunar month. It was originally assumed that an even earlier example occurs in the writing of a personal name from the Ur III period, but subsequent research demonstrated that this was the result of erroneous collation. In the first millennium BCE d30 became the most common writing. For example, in the text corpus from Neo-Babylonian Uruk only a single text, a kudurru inscription of Ibni-Ishtar, uses dEN.ZU instead of d30. Uncommonly dNANNA was used in Akkadian texts as a sumerogram meant to be read as Sin.
Dilimbabbar is already attested in the Early Dynastic god list from Abu Salabikh. The Zame Hymns from the same period link this title with the worship of the moon god in Urum (Tell Uqair). It is not certain if at this point in time it was understood as a title of Sin or as the name of a distinct deity of analogous character. Mark Glenn Hall notes that the absence of theophoric names invoking the moon god under this name from available sources might indicate that if Dilimbabbar was ever understood as a distinct deity this tradition disappeared very early on. However, Manfred Krebernik and Jan Lisman point out that in the Temple Hymns (hymn 37) Dilimbabbar is addressed as a shepherd of Sin, which they argue might be a relic of an intermediate stage between the existence of two independent moon gods and their full conflation.
For unknown reasons the name Dilimbabbar is absent from all the other known Early Dynastic sources, as well as these from the subsequent Sargonic and Ur III periods, with the next oldest attestation being identified in an inscription of Nur-Adad of Larsa from Ur from the Isin-Larsa period, which might reflect a rediscovery of the name by scribes under hitherto unknown circumstances. It remained in use through subsequent periods, down to the first millennium BCE.
The Akkadian epithet Namraṣit was considered analogous to Dilimbabbar, as attested in the god list An = Anum (tablet III, line 26). It can be translated as "whose rise is luminous". Steinkeller points out that it is not a direct translation of Dilimbabbar, as it effectively leaves out the element dilim. Bendt Alster assumed that the equivalence was the result of late reinterpretation.
Sin was understood both as an anthropomorphic deity representing the moon, and as the astral body itself. He was responsible for providing light during the night. His luminous character could be highlighted with epithets such as "the luminary of the heavens and earth" (nannār šamê u erṣeti) or "the luminary of all creation" (nannār kullati binīti). The growth of the moon over the course of the month was reflected in comparing Sin to the growth of fruit (Akkadian inbu, Sumerian gurun) as attested in Neo-Assyrian and Neo-Babylonian sources, especially hemerologies. However, it was not applied consistently as a designation for a specific phase of the moon. Lunar eclipses were believed to be the result of Sin being surrounded by seven evil utukku sent by Anu.
Next to his astral aspect, Sin's other main role has been described as that of a pastoral deity. He was associated with cattle and with dairy products. This link is reflected in his secondary names Abkar, "shining cow", and Ablulu, "the one who makes the cows abundant". He could be addressed as a herdsman in astral context, with stars being poetically described as his herd. In addition to cows, he could also be associated with sheep and with wild animals inhabiting steppes, especially ibexes and gazelles.
Sin was perceived as a benign deity who could be petitioned for help. He was responsible for guaranteeing abundance and growth, especially in Ur and Harran, which most likely reflects the well attested phenomenon of locally assigning such a role to tutelary deities of specific areas. It was also believed that he could provide people with offspring, as evidenced by prayer in which he is asked for that by childless worshipers, both men and women. He was also believed to aid pregnant women, both during the beginning of pregnancy and in labour. This aspect of his character is highlighted in the incantation Cow of Sîn, which states that he would send a pair of lamassu goddesses to help mothers with difficult births. The common epithet of Sin, "father" (a-a), underlined his ability to cause growth and bring abundance. However, it also reflected his role as a senior member of his pantheon, as well as his authority over deities regarded as his children or servants. It has also been suggested that it metaphorically referred to him as the divine representation of the full moon, with texts instead describing him as a youthful god instead reflecting his role as the new moon. Another epithet commonly applied to him was lugal ("king"). Presumably it constituted an implicit reference to his status as the tutelary god of Ur. In the first millennium BCE, as the god of Harran he could be called Bēl-Ḫarrān (dEN.KASKAL), "lord of Harran". This title appears particularly commonly in theophoric names.
A number of sources attest the existence of a tradition in which Sin was regarded as the sole head of the Mesopotamian pantheon or a deity equal in rank to the traditional kings of the gods, Anu and Enlil. According to Wilfred G. Lambert, most of the evidence for this view postdates the reign of Meli-Shipak II, and indicates it might have been particularly popular in Harran. An Old Babylonian literary composition written in Sumerian describes Sin as the head of the divine assembly (Ubšu’ukkin),with Anu, Enlil, Inanna, Utu, Enki and Ninhursag serving as his advisers. Two of his titles known from the god list An = Anum, dUkkin ("the assembly") and Ukkin-uru ("mighty assembly"), might reflect this portrayal. Some Old Babylonian theophoric names might also be connected to the view that Sin was the head of the pantheon, namely Sîn-bēl-ili ("Sin is the lord of the gods"), Sîn-šar-ili ("Sin is the king of the gods") or Sîn-il-ili ("Sin is god of the gods"). Lambert notes that while similar names invoking other gods, for example Shamash and Adad, are also known, Sîn-bēl-ili is ultimately the most common.
Despite Sin's popularity documented in textual sources, depictions of him are not common in Mesopotamian art. His most common attribute was the crescent. In accordance with the appearance of the new moon in the latitude of Mesopotamia, it was consistently represented as recumbent. It was frequently compared to bull horns and to a barge. On seals, Sin could be depicted with the crescent either placed on his tiara or atop a standard he held. It was also used to represent him on kudurru, decorated boundary stones. It consistently occurs in the upper section of such objects, next to symbols of Shamash and Ishtar, though their exact arrangement can vary. A survey of 110 stones or their fragments indicated that this trio of deities is depicted on all known kudurru. Aniconic portrayals of Sin as the lunar crescent also predominate in Neo-Assyrian and Neo-Babylonian art. Furthermore, the logogram dU4.SAKAR (𒀭𒌓𒊬) which could be used to write his name was derived from a term referring to the crescent.
Like other Mesopotamian gods Sin was depicted as a mature, bearded man dressed in a flounced robe. In some cases he holds a mace or a stick, with the latter occurring particularly often, though these attributes were not exclusively associated with him and cannot be used to identify depictions of him. A further object associated with him in art was a tripod, possibly a candelabrum, sometimes with a lunar crescent on top and with an unidentified sandal-like object hanging from it.
In some cases, Sin could be portrayed rising from between two mountains, similarly to Shamash, and Dominique Collon has suggests that in some cases reassessment of works of art often presumed to represent the latter in this situation might be necessary due to this similarity. Depictions of Sin in a barge are known too, and presumably reflect the belief that he traversed the night sky in this vehicle, as documented in textual sources. Based on Old Babylonian sources is presumed that the lunar barge was considered a representation of a phase of the moon, specifically the gibbous moon. It could be metaphorically compared to a type bowl (Sumerian dilim2, Akkadian tilimtu), apparently also regarded as an attribute of the moon god. Piotr Steinkeller suggests that the latter might have been considered a representation of the half moon.
Further attested children of Sin include the goddesses Amarazu and Amaraḫea, known from the god list An = Anum, Ningublaga (the city god of Kiabrig) and Numushda (the city god of Kazallu). Ningublaga's connection with the moon god is well attested in god lists (An = Anum, the Weidner god list, the Nippur god list) and other sources, one example being the formula "servant of Sin and Ningublaga," known from an Old Babylonian cylinder seal. While he was not always explicitly identified as his son, with such references lacking for example from An = Anum, direct statements confirming the existence of such a tradition have been identified in an inscription of Abisare of Larsa and in a hymn dedicated to Ningublaga's temple in Kiabrig. Designating Numushda as a son of Sin was likely meant to be a way to assimilate him into the pantheon of lower Mesopotamia, and might be based on perceived similarity to Ningublaga. The tradition according to which he was a son of the moon god is absent from sources from the third millennium BCE. Additionally, a single literary text calls Numushda a son of Enki, rather than Sin and Ningal. Amarazu and Amaraḫea are overall sparsely attested, and despite their status as Sin's daughters in god lists and the incantation series Udug Hul there is no evidence they were worshiped alongside him in Ur. The reason behind the association between these two goddesses and the moon god is unknown.
A tradition according to which Ninazu was a son of Sin is also known. Frans Wiggermann proposes that the occasional association between these two gods might have reflected the dependence of Enegi, Ninazu's cult center, on nearby Ur.
Sin was recognized as a major deity all across ancient Mesopotamia. His status was already high in the earliest periods to which the history of the Mesopotamian pantheon can be traced. It is presumed that Sin was actively worshiped in most of the major cities of the region, with remains of multiple temples dedicated to him identified during excavations both in Babylonia and in Assyria.
It is presumed that while prominent in the third and early second millennia BCE, the institution of en gradually declined and finally disappeared.
While Ur is not directly referenced in any of the texts agreed to come from the archives of the First Sealand dynasty, it is nonetheless possible that both the city and Sin had a particular importance to rulers belonging to it. He is one of the best attested deities in the Sealand text corpus next to Nanshe, Ishtar, Ninurta and Shamash. He is the single most common deity in theophoric names from it, which reflects his popularity in the onomasticon attested from Old Babylonian to Middle Babylonian period. At the same time, other evidence points to his cult only having a modest scope, which might indicate its center was a temple only loosely tied to the royal administration. Three texts indicate he could receive offerings in the beginning of a lunar month, during the new moon. He is also invoked alongside Enlil, Ea and the respective spouses of all three of these gods (Ningal, Ninlil and Damkina) in a seal inscription of Akurduana. In addition to the worship of Sin himself, offerings to a distinct manifestation of Inanna known under the epithet "daughter of Sin", d(INANNA.)DUMU(.MÍ)-(d)30(‐NA)/dEN.ZU are also documented in the Sealand texts.
After the period of Sîn-balāssu-iqbi's activity sources pertaining to the worship of Sin in Ur only reappear during the reign of Nebuchadnezzar II, who similarly renovated Ekišnugal. He might have been motivated by the importance he attributed to the moon god as responsible for determining destiny through lunar omens. His successor Nabonidus carried out further construction work pertaining to the cult of Sin in Ur. He commissioned multiple large building projects, including the reconstruction of houses of worship connected to Sin and his wife Ningal. Elugalgalgasisa was among them, and in an inscription commemorating this event the king asserted work on the same structure had earlier been made by Ur-Nammu and Shulgi. He also showed interest in earlier traditions of Ur and revived the institution of the en priestess, placing his daughter in this role and bestowing the new name Ennigaldi-Nanna ("priestess requested by Nanna") upon her. Her birth name is unknown. In an inscription Nabonidus claimed that he relied on a document authored by Enanedu [pl] while restoring the office. Paul-Alain Beaulieu notes that his investigation of the nature of the office of en priestess in the previous periods of Mesopotamian history can be compared to a degree to the work of a modern archeologist.
The worship of Sin in Harran is not well documented through the rest of the second millennium BCE, though he does appear among the divine witnesses in a treaty between Šuppiluliuma I of the Hittite Empire and Šattiwaza of the Mitanni Empire as one of the deities of the latter of these two states. Alfonso Archi points out that he and Kušuḫ, the Hurrian moon god, are listed separately in this source. There is no evidence that Sin of Harran was worshiped by Hittites. However, he was incorporated into Luwian religion, as indicated by references to his introduction to Tarḫuntašša from the second millennium BCE. Manfred Hutter states that his cult spread there from Kizzuwatna, where he and Kušuḫ were the moon deities favored by Luwians, in contrast with Arma's popularity among western Luwian communities.
Royal cult of Sin in Harran ceased after the fall of Assyria, and after the defeat of Aššur-uballiṭ II his temple was looted by Nabopolassar and his Median allies (Ummanmanda). However, royal interest in it was revived later on in the Neo-Babylonian period by Nabonidus. His mother Adad-guppi most likely hailed from this city, and she was either a priestess of Sin or an upper class laywoman particularly devoted to this god. It has been suggested that her personal devotion to the tutelary god of Harran influenced the religious outlook of her son. The rebuilding of Eḫulḫul started during the reign of Nabonidus, but it is not known if the project was complete by the time he was deposed by Cyrus the Great in 539 BCE.
Harran retained importance as a religious site after the fall of the Neo-Babylonian Empire through the Persian, Hellenistic and Roman periods, though references to it are less common than in earlier sources. Presumably the temple of Sin retained its form from the reign of Nabonidus under the Achaemenids, but it was most likely rebuilt under Greek rule. Coins from the mint established in Harran in the late fourth century BCE under the rule of Antigonus I Monophthalmus are marked with a crescent, which is presumed to be an indication of continuation of the worship of Sin. Lunar symbols continued to appear on locally minted coins in the Roman period, with examples available from the reigns of Roman emperors such as Lucius Verus, Septimius Severus and Elagabalus.
Sin was also worshiped in the immediate proximity of Babylon in Damru, as evidenced by his epithet bēl Damru, "lord of Damru". A temple dedicated to him bearing the ceremonial name Egissubiduga, "house whose shade is pleasant", existed in this settlement.
Sin is also the most commonly occurring god in personal names known from tablets from the Chogha Gavaneh site in western Iran, which in the early second millennium BCE was an Akkadian settlement most likely connected to the kingdom of Eshnunna.
While in Babylonia sanctuaries dedicated to Sin were typically located in cities associated with deities regarded as his relatives, for example his father Enlil in the case of Nippur and his daughter Ishtar in Uruk and Babylon, in Assyria they occur mostly in settlements which served as this region's capitals at various points in time. A double temple dedicated jointly to him and Shamash, the Eḫulḫuldirdirra, "house of surpassing joys", existed in Assur. It is not clear if this rarely used ceremonial name was influenced by the better attested Eḫulḫul [de], referring to the temple in Harran. It was rebuilt by Ashur-nirari I, Tukulti-Ninurta I and Ashurnasirpal II. A similar joint temple existed in Nineveh, as indicated in documents from the reign of Esarhaddon, though its name is presently unknown. Since yet another comparable double sanctuary was located in Dur-Sharrukin, it is possible that the topography of temples of Assur was used as a model for other cities which served as capitals at different points in the history of Assyria.
Despite his religious importance, Sin only uncommonly appears in myths, especially when compared with his children Ishtar and Shamash.
Dina Katz argues that a direct parallel to this passage can be found in the myth Gilgamesh, Enkidu and the Netherworld and on this basis suggests an intertextual relation between these two compositions. She assumes Inanna's Descent was older and influenced Gilgamesh, Enkidu and the Netherworld, with the opposite possibility being less likely. However, Alhena Gadotti disagrees with Katz's proposal and argues that evidence for a connection between the two texts is lacking, and the passages are not directly parallel as Gilgamesh, Enkidu and the Netherworld notably does not feature Nanna. However, she does point out a similar sequence is present in the composition preserved on tablet XII of the Epic of Gilgamesh.
Sin is also mentioned on Tablet XII of the standard edition of the epic, an Akkadian adaptation of Gilgamesh, Enkidu and the Netherworld, which forms a separate narrative. When Enkidu is imprisoned in the underworld, Gilgamesh begs Sin, Enlil and Ea to help him recover his companion, but the first two of these gods refuse.
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