Nymphs were sometimes beloved by many and dwelt in specific areas related to the natural environment: e.g. mountainous regions; forests; springs. Other nymphs were part of the retinue of a god (such as Dionysus, Hermes, or Pan) or of a goddess (generally the huntress Artemis).
The Greek nymphs were also spirits invariably bound to places, not unlike the Latin genius loci, and sometimes this produced complicated myths like the cult of Arethusa to Sicily. In some of the works of the Greek-educated Latin poets, the nymphs gradually absorbed into their ranks the indigenous Italian divinities of springs and streams (Juturna, Egeria, Carmentis, Fontus) while the Lymphae (originally Lumpae), Italian water goddesses, owing to the accidental similarity of their names, could be identified with the Greek Nymphae. The classical mythologies of the Roman poets were unlikely to have affected the rites and cults of individual nymphs venerated by country people in the springs and clefts of Latium. Among the Roman literate class, their sphere of influence was restricted and they appear almost exclusively as divinities of the watery element.
The ancient Greek belief in nymphs survived in many parts of the country into the early years of the twentieth century when they were usually known as "nereids". Nymphs often tended to frequent areas distant from humans but could be encountered by lone travelers outside the village, where their music might be heard, and the traveler could spy on their dancing or bathing in a stream or pool, either during the noon heat or in the middle of the night. They might appear in a whirlwind. Such encounters could be dangerous, bringing dumbness, besotted infatuation, madness or stroke to the unfortunate man. When parents believed their child to be nereid-struck, they would pray to the Saint Artemidos (Artemis), an example of "practical polytheism in the worship of the saints."
Nymphs are often depicted in classic works across art, literature, mythology, and fiction. They are often associated with the medieval romances or Renaissance literature of the elusive fairies or elves.
All the names for various classes of nymphs have plural feminine adjectives, most agreeing with the substantive numbers and groups of nymphai. There is no single adopted classification that could be seen as canonical and exhaustive. Some classes of nymphs tend to overlap, which complicates the task of precise classification. e.g. dryads and hamadryads as nymphs of trees generally, meliai as nymphs of ash trees. According to classicist Robin Hard, these terms "were hardly proper names at all, but feminine adjectives that could be assigned to the noun nymphē at will", adding that "[n]o orthodox or exhaustive classification of such beings was ever attempted, and ancient authors were often careless or arbitrary in the application of such titles".
The following is not the authentic Greek classification, but is intended as a guide:
The following is a list of individual nymphs or groups thereof associated with this or that particular location. Nymphs in such groups could belong to any of the classes mentioned above (Naiades, Oreades, and so on).
The following is a selection of names of the nymphs whose class was not specified in the source texts. For lists of Naiads, Oceanids, Dryades etc., see respective articles.
Individual names of some of the nymphs
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