The worship of Aphrodite and Adonis is probably a Greek continuation of the ancient Sumerian worship of Inanna and Dumuzid. The Greek name Ἄδωνις (Ádōnis), Ancient Greek pronunciation: [ádɔːnis]) is derived from the Canaanite word 𐤀𐤃𐤍 (ʼadōn), meaning "lord".
The earliest known Greek reference to Adonis comes from a fragment of a poem by the poet Sappho of Lesbos (c. 630 – c. 570 BC), in which a chorus of young girls asks Aphrodite what they can do to mourn Adonis' death. Aphrodite replies that they must beat their breasts and tear their tunics. The cult of Adonis has also been described as corresponding to the cult of the Phoenician god Baal. As Walter Burkert explains:
The exact date when the worship of Adonis became integrated into Greek culture is still disputed. Walter Burkert questions whether Adonis had not from the very beginning come to Greece along with Aphrodite. "In Greece," Burkert concludes, "the special function of the Adonis legend is as an opportunity for the unbridled expression of emotion in the strictly circumscribed life of women, in contrast to the rigid order of polis and family with the official women's festivals in honour of Demeter." The significant influence of Near Eastern culture on early Greek religion in general, and on the cult of Aphrodite in particular, is now widely recognised as dating to a period of orientalisation during the eighth century BC, when archaic Greece was on the fringes of the Neo-Assyrian Empire.
The worship of Adonis is associated with the festival of Adonia, which was celebrated by Greek women every year in midsummer. The festival, which was evidently already celebrated in Lesbos by Sappho's time in the seventh century BC, seems to have first become popular in Athens in the mid-fifth century BC. At the start of the festival, the women would plant a "garden of Adonis", a small garden planted inside a small basket or a shallow piece of broken pottery containing a variety of quick-growing plants, such as lettuce and fennel, or even quick-sprouting grains, such as wheat and barley. The women would then climb ladders to the roofs of their houses, where they would place the gardens out under the heat of the summer sun. The plants would sprout in the sunlight, but wither quickly in the heat. While they waited for the plants to first sprout and then wither, the women would burn incense to Adonis. Once the plants had withered, the women would mourn and lament loudly over the death of Adonis, tearing their clothes and beating their breasts in a public display of grief. The women would lay a statuette of Adonis out on a bier and then carry it to the sea along with all the withered plants as a funeral procession. The festival concluded with the women throwing the effigy of Adonis and the withered plants out to sea.
While Sappho does not describe the myth of Adonis, later sources flesh out the details. According to the retelling of the story found in the poem Metamorphoses by the Roman poet Ovid (43 BC – AD 17/18), Adonis was the son of Myrrha, who was cursed by Aphrodite with insatiable lust for her own father, King Cinyras of Cyprus, after Myrrha's mother bragged that her daughter was more beautiful than the goddess. It was to her nurse that, with much reluctance, Myrrha revealed her shameful passion. Sometime later, during a festival in honour of Demeter, the nurse found Cinyras half-passed out with wine and Myrrha's mother nowhere near him. Thus, she spoke to him of a girl who truly loved him and desired to sleep with him, giving him a fictitious name and simply describing her as Myrrha's age. Cinyras agreed, and the nurse was quick to bring Myrrha to him. Myrrha left her father's room impregnated. After several couplings, Cinyras discovered his lover's identity and drew his sword to kill her; driven out after becoming pregnant, Myrrha was changed into a myrrh tree but still gave birth to Adonis. According to classicist William F. Hansen, the story of how Adonis was conceived falls in line with the conventional ideas about sex and gender that were prevalent in the classical world, since the Greeks and Romans believed that women, such as Adonis's mother Myrrha, were less capable of controlling their primal wants and passions than men.
Then, one day, while Adonis was out hunting, he was wounded by a wild boar and bled to death in Aphrodite's arms. In different versions of the story, the boar was either sent by Ares, who was jealous that Aphrodite was spending so much time with Adonis, by Artemis, who wanted revenge against Aphrodite for having killed her devoted follower Hippolytus, or by Apollo, to punish Aphrodite for blinding his son Erymanthus. The story also provides an etiology for Aphrodite's associations with certain flowers. Reportedly, as she mourned Adonis's death, she caused anemones to grow wherever his blood fell, and declared a festival on the anniversary of his death. In one late account, his blood transformed into roses instead.
In a very different version from the standard, surviving in the works of fifth century AD grammarian Servius and perhaps originating from the island of Cyprus, Adonis was made to fall in love with a mortal girl named Erinoma by Aphrodite herself at the command of Hera. Erinoma, a virgin girl favoured by Artemis and Athena, rejected his advances, so Adonis crept up stealthily in her bedroom and raped her. Adonis then fled and went into a cave to hide from Zeus, who also loved Erinoma and would surely avenge the violence done against her. Hermes, however, lured him with a trick, as Ares wounded him mortally in the form of a boar. Adonis died, but was eventually restored to life after Aphrodite begged Zeus. Erinoma bore him a son named Taleus.
Biblical scholars Eddy and Boyd (2007) applied this rationale to Adonis based on the fact that his portion of the year spent in the Underworld with Persephone is not really a death and resurrection, but merely an instance of a living person staying in the Underworld. They further argued that Adonis is not explicitly described as rising from the dead in any extant Classical Greek writings, though the fact that such a belief existed is attested by authors in Late Antiquity. For example, Origen discusses Adonis, whom he associates with Tammuz, in his Selecta in Ezechielem ( "Comments on Ezekiel"), noting that "they say that for a long time certain rites of initiation are conducted: first, that they weep for him, since he has died; second, that they rejoice for him because he has risen from the dead (apo nekrôn anastanti)" (cf. J.-P. Migne, Patrologiae Cursus Completus: Series Graeca, 13:800).
Some other scholars have continued to cite Adonis/Tammuz as an example of a dying and rising god, suggesting that the descent into and return from the underworld is a functional analogue for death even if no physical cause of death is depicted.
West 1997, p. 57. - West, M. L. (1997), The East Face of Helicon: West Asiatic Elements in Greek Poetry and Myth, Oxford, England: Clarendon Press, p. 57, ISBN 0-19-815221-3 https://books.google.com/books?id=fIp0RYIjazQC&q=Adonis
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R. S. P. Beekes, Etymological Dictionary of Greek, Brill, 2009, p. 23. /wiki/Robert_S._P._Beekes
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Botterweck & Ringgren 1990, pp. 59–74. - Botterweck, G. Johannes; Ringgren, Helmer (1990), Theological Dictionary of the Old Testament, vol. VI, Grand Rapids, Michigan: Wm. B. Eerdmans Publishing Co., ISBN 978-0-8028-2330-4 https://books.google.com/books?id=MCOd-uAEQy0C&q=Ishtar+doves&pg=PA35
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West 1997, pp. 530–531. - West, M. L. (1997), The East Face of Helicon: West Asiatic Elements in Greek Poetry and Myth, Oxford, England: Clarendon Press, p. 57, ISBN 0-19-815221-3 https://books.google.com/books?id=fIp0RYIjazQC&q=Adonis
West 1997, pp. 530–531. - West, M. L. (1997), The East Face of Helicon: West Asiatic Elements in Greek Poetry and Myth, Oxford, England: Clarendon Press, p. 57, ISBN 0-19-815221-3 https://books.google.com/books?id=fIp0RYIjazQC&q=Adonis
West 1997, p. 57. - West, M. L. (1997), The East Face of Helicon: West Asiatic Elements in Greek Poetry and Myth, Oxford, England: Clarendon Press, p. 57, ISBN 0-19-815221-3 https://books.google.com/books?id=fIp0RYIjazQC&q=Adonis
Burkert 1985, p. 177. - Burkert, Walter (1985), Greek Religion, Cambridge, Massachusetts: Harvard University Press, ISBN 0-674-36281-0
Burkert 1985, p. 177. - Burkert, Walter (1985), Greek Religion, Cambridge, Massachusetts: Harvard University Press, ISBN 0-674-36281-0
Burkert 1985, p. 177. - Burkert, Walter (1985), Greek Religion, Cambridge, Massachusetts: Harvard University Press, ISBN 0-674-36281-0
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Atallah 1966.
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W. Atallah, Adonis dans la littérature et l'art grecs, Paris, 1966.
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Burkert 1985, pp. 176–177. - Burkert, Walter (1985), Greek Religion, Cambridge, Massachusetts: Harvard University Press, ISBN 0-674-36281-0
Cyrino 2010, p. 97. - Cyrino, Monica S. (2010), Aphrodite, Gods and Heroes of the Ancient World, New York City, New York and London, England: Routledge, ISBN 978-0-415-77523-6 https://books.google.com/books?id=7gyVn5GjXPkC&q=Aphrodite+Monica+S.+Cyrino
Detienne 1977. - Detienne, Marcel (1977). "Introduction by J.-P. Vernant". The Gardens of Adonis: Spices in Greek Mythology. Translated by Lloyd, Janet. New Jersey: The Humanities Press. pp. xii.
Burkert 1985, p. 177. - Burkert, Walter (1985), Greek Religion, Cambridge, Massachusetts: Harvard University Press, ISBN 0-674-36281-0
Cyrino 2010, p. 97. - Cyrino, Monica S. (2010), Aphrodite, Gods and Heroes of the Ancient World, New York City, New York and London, England: Routledge, ISBN 978-0-415-77523-6 https://books.google.com/books?id=7gyVn5GjXPkC&q=Aphrodite+Monica+S.+Cyrino
Burkert 1985, p. 177. - Burkert, Walter (1985), Greek Religion, Cambridge, Massachusetts: Harvard University Press, ISBN 0-674-36281-0
Cyrino 2010, pp. 97–98. - Cyrino, Monica S. (2010), Aphrodite, Gods and Heroes of the Ancient World, New York City, New York and London, England: Routledge, ISBN 978-0-415-77523-6 https://books.google.com/books?id=7gyVn5GjXPkC&q=Aphrodite+Monica+S.+Cyrino
Burkert 1985, p. 177. - Burkert, Walter (1985), Greek Religion, Cambridge, Massachusetts: Harvard University Press, ISBN 0-674-36281-0
Cyrino 2010, p. 98. - Cyrino, Monica S. (2010), Aphrodite, Gods and Heroes of the Ancient World, New York City, New York and London, England: Routledge, ISBN 978-0-415-77523-6 https://books.google.com/books?id=7gyVn5GjXPkC&q=Aphrodite+Monica+S.+Cyrino
Burkert 1985, p. 177. - Burkert, Walter (1985), Greek Religion, Cambridge, Massachusetts: Harvard University Press, ISBN 0-674-36281-0
Burkert 1985, p. 177. - Burkert, Walter (1985), Greek Religion, Cambridge, Massachusetts: Harvard University Press, ISBN 0-674-36281-0
Detienne 1977, p. xii. - Detienne, Marcel (1977). "Introduction by J.-P. Vernant". The Gardens of Adonis: Spices in Greek Mythology. Translated by Lloyd, Janet. New Jersey: The Humanities Press. pp. xii.
Burkert 1985, p. 177. - Burkert, Walter (1985), Greek Religion, Cambridge, Massachusetts: Harvard University Press, ISBN 0-674-36281-0
Cyrino 2010, p. 95. - Cyrino, Monica S. (2010), Aphrodite, Gods and Heroes of the Ancient World, New York City, New York and London, England: Routledge, ISBN 978-0-415-77523-6 https://books.google.com/books?id=7gyVn5GjXPkC&q=Aphrodite+Monica+S.+Cyrino
Ovid, Metamorphoses 10.298–355 /wiki/Ovid
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Ovid, Metamorphoses 10.298–355 /wiki/Ovid
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Ovid, Metamorphoses 10.356-430 /wiki/Ovid
Ovid, Metamorphoses 10.431-502 /wiki/Ovid
Ovid, Metamorphoses 10.503 /wiki/Ovid
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Hansen 2004, pp. 289–290. - Hansen, William F. (2004), Classical Mythology: A Guide to the Mythical World of the Greeks and Romans, Oxford, England: Oxford University Press, ISBN 978-0-19-530035-2 https://books.google.com/books?id=a-NmaO-kM2UC&q=satyr+mythology&pg=PA280
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Kerényi 1951, p. 76. - Kerényi, Karl (1951), The Gods of the Greeks, London, England: Thames and Hudson, ISBN 0-500-27048-1 https://archive.org/details/godsofgreeks00kerrich
Kerényi 1951, p. 76. - Kerényi, Karl (1951), The Gods of the Greeks, London, England: Thames and Hudson, ISBN 0-500-27048-1 https://archive.org/details/godsofgreeks00kerrich
Kerényi 1951, p. 76. - Kerényi, Karl (1951), The Gods of the Greeks, London, England: Thames and Hudson, ISBN 0-500-27048-1 https://archive.org/details/godsofgreeks00kerrich
Kerényi 1951, p. 76. - Kerényi, Karl (1951), The Gods of the Greeks, London, England: Thames and Hudson, ISBN 0-500-27048-1 https://archive.org/details/godsofgreeks00kerrich
Grimal, s.v. Adonis; Bell, s.v. Aphrodite; Tripp s.v Adonis https://archive.org/details/concisedictionar00grim/page/12/mode/2up?view=theater
Kerényi 1951, p. 76. - Kerényi, Karl (1951), The Gods of the Greeks, London, England: Thames and Hudson, ISBN 0-500-27048-1 https://archive.org/details/godsofgreeks00kerrich
Greek anthology Agathias Scholasticus 5.289 /wiki/Greek_anthology
Alciphron, Letters to Courtesans 4.14.1 /wiki/Alciphron
Clement of Alexandria, Exhortations 2.29 /wiki/Clement_of_Alexandria
Pseudo-Apollodorus, Bibliotheca 3.14.4 /wiki/Pseudo-Apollodorus
Kerényi 1951, p. 76. - Kerényi, Karl (1951), The Gods of the Greeks, London, England: Thames and Hudson, ISBN 0-500-27048-1 https://archive.org/details/godsofgreeks00kerrich
Kerényi 1951, p. 76. - Kerényi, Karl (1951), The Gods of the Greeks, London, England: Thames and Hudson, ISBN 0-500-27048-1 https://archive.org/details/godsofgreeks00kerrich
Hyginus, Astronomica 2.7.4 /wiki/Gaius_Julius_Hyginus
Aelian, On Animals 9.36 /wiki/Claudius_Aelianus
Lucian, Dialogues of the Gods Aphrodite and the Moon /wiki/Lucian
Kerényi 1951, p. 76. - Kerényi, Karl (1951), The Gods of the Greeks, London, England: Thames and Hudson, ISBN 0-500-27048-1 https://archive.org/details/godsofgreeks00kerrich
Cyrino 2010, p. 96. - Cyrino, Monica S. (2010), Aphrodite, Gods and Heroes of the Ancient World, New York City, New York and London, England: Routledge, ISBN 978-0-415-77523-6 https://books.google.com/books?id=7gyVn5GjXPkC&q=Aphrodite+Monica+S.+Cyrino
Cyrino 2010, p. 96. - Cyrino, Monica S. (2010), Aphrodite, Gods and Heroes of the Ancient World, New York City, New York and London, England: Routledge, ISBN 978-0-415-77523-6 https://books.google.com/books?id=7gyVn5GjXPkC&q=Aphrodite+Monica+S.+Cyrino
According to Nonnus, Dionysiaca 42.1f. Servius on Virgil's Eclogues x.18; Orphic Hymn lv.10; Ptolemy Hephaestionos, i.306u, all noted by Graves. Atallah (1966) fails to find any cultic or cultural connection with the boar, which he sees simply as a heroic myth-element. /wiki/Nonnus
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Cyrino 2010, p. 96. - Cyrino, Monica S. (2010), Aphrodite, Gods and Heroes of the Ancient World, New York City, New York and London, England: Routledge, ISBN 978-0-415-77523-6 https://books.google.com/books?id=7gyVn5GjXPkC&q=Aphrodite+Monica+S.+Cyrino
Kerényi 1951, p. 76. - Kerényi, Karl (1951), The Gods of the Greeks, London, England: Thames and Hudson, ISBN 0-500-27048-1 https://archive.org/details/godsofgreeks00kerrich
Servius Commentary on Virgil's Eclogues 10.18 /wiki/Maurus_Servius_Honoratus
Servius Commentary on Virgil's Eclogues 10.18 /wiki/Maurus_Servius_Honoratus
Fontenrose 1981, p. 171. - Fontenrose, Joseph Eddy (1981). Orion: The Myth of the Hunter and the Huntress. University of California Press. ISBN 0-520-09632-0. https://books.google.com/books?id=tD4lJxC95mEC
Ptolemy Hephaestion, New History Book 5 (summary from Photius, Myriobiblon 190).
Ptolemy Hephaestion, New History Book 2 (summary from Photius, Myriobiblon 190).
Phanocles ap.
Plut. Sumpos. iv. 5.
Hull 2010, p. 7. - Hull, Elizabeth M. (2010), "Adonis", in Grafton, Anthony; Most, Glenn W.; Settis, Salvatore (eds.), The Classical Tradition, Cambridge, Massachusetts and London, England: The Belknap Press of Harvard University Press, pp. 7–8, ISBN 978-0-674-03572-0 https://books.google.com/books?id=LbqF8z2bq3sC&q=Adonis
Ps.-Apollodorus, iii.14.4.1.
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Roman, L., & Roman, M. (2010). Encyclopedia of Greek and Roman mythology., p. 11, at Google Books https://books.google.com/books?id=tOgWfjNIxoMC&pg=PA11
Remarked upon in passing by Photius, Biblioteca 190 (on-line translation). /wiki/Photios_I_of_Constantinople
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Kerényi 1951, p. 76. - Kerényi, Karl (1951), The Gods of the Greeks, London, England: Thames and Hudson, ISBN 0-500-27048-1 https://archive.org/details/godsofgreeks00kerrich
Hull 2010, p. 7. - Hull, Elizabeth M. (2010), "Adonis", in Grafton, Anthony; Most, Glenn W.; Settis, Salvatore (eds.), The Classical Tradition, Cambridge, Massachusetts and London, England: The Belknap Press of Harvard University Press, pp. 7–8, ISBN 978-0-674-03572-0 https://books.google.com/books?id=LbqF8z2bq3sC&q=Adonis
Hull 2010, p. 7. - Hull, Elizabeth M. (2010), "Adonis", in Grafton, Anthony; Most, Glenn W.; Settis, Salvatore (eds.), The Classical Tradition, Cambridge, Massachusetts and London, England: The Belknap Press of Harvard University Press, pp. 7–8, ISBN 978-0-674-03572-0 https://books.google.com/books?id=LbqF8z2bq3sC&q=Adonis
Hull 2010, p. 7. - Hull, Elizabeth M. (2010), "Adonis", in Grafton, Anthony; Most, Glenn W.; Settis, Salvatore (eds.), The Classical Tradition, Cambridge, Massachusetts and London, England: The Belknap Press of Harvard University Press, pp. 7–8, ISBN 978-0-674-03572-0 https://books.google.com/books?id=LbqF8z2bq3sC&q=Adonis
Hull 2010, p. 7. - Hull, Elizabeth M. (2010), "Adonis", in Grafton, Anthony; Most, Glenn W.; Settis, Salvatore (eds.), The Classical Tradition, Cambridge, Massachusetts and London, England: The Belknap Press of Harvard University Press, pp. 7–8, ISBN 978-0-674-03572-0 https://books.google.com/books?id=LbqF8z2bq3sC&q=Adonis
Hull 2010, pp. 7–8. - Hull, Elizabeth M. (2010), "Adonis", in Grafton, Anthony; Most, Glenn W.; Settis, Salvatore (eds.), The Classical Tradition, Cambridge, Massachusetts and London, England: The Belknap Press of Harvard University Press, pp. 7–8, ISBN 978-0-674-03572-0 https://books.google.com/books?id=LbqF8z2bq3sC&q=Adonis
Hull 2010, p. 7. - Hull, Elizabeth M. (2010), "Adonis", in Grafton, Anthony; Most, Glenn W.; Settis, Salvatore (eds.), The Classical Tradition, Cambridge, Massachusetts and London, England: The Belknap Press of Harvard University Press, pp. 7–8, ISBN 978-0-674-03572-0 https://books.google.com/books?id=LbqF8z2bq3sC&q=Adonis
Hull 2010, p. 7. - Hull, Elizabeth M. (2010), "Adonis", in Grafton, Anthony; Most, Glenn W.; Settis, Salvatore (eds.), The Classical Tradition, Cambridge, Massachusetts and London, England: The Belknap Press of Harvard University Press, pp. 7–8, ISBN 978-0-674-03572-0 https://books.google.com/books?id=LbqF8z2bq3sC&q=Adonis
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Lákta 2017, pp. 56–58. - Lákta, Peter (2017), ""All Adonises Must Die": Shakespeare's Venus and Adonis and the episodic imaginary", in Marrapodi, Michele (ed.), Shakespeare and the Visual Arts: The Italian Influence, New York City, New York and London, England: Routledge, ISBN 978-1-315-21225-8 https://books.google.com/books?id=pzslDwAAQBAJ&q=Venus+and+Adonis+popularity&pg=PA58
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Hiscock 2017, p. unpaginated. - Hiscock, Andrew (2017), ""Suppose thou dost defend me from what is past": Shakespeare's Venus and Adonis and The Rape of Lucrece and the appetite for ancient memory", in Hiscock, Andrew; Wilder, Lina Perkins (eds.), The Routledge Handbook of Shakespeare and Memory, New York City, New York and London, England: Routledge, ISBN 978-1-315-74594-7 https://books.google.com/books?id=tUIwDwAAQBAJ&q=Venus+and+Adonis+most+popular&pg=PT400
Hiscock 2017, p. unpaginated. - Hiscock, Andrew (2017), ""Suppose thou dost defend me from what is past": Shakespeare's Venus and Adonis and The Rape of Lucrece and the appetite for ancient memory", in Hiscock, Andrew; Wilder, Lina Perkins (eds.), The Routledge Handbook of Shakespeare and Memory, New York City, New York and London, England: Routledge, ISBN 978-1-315-74594-7 https://books.google.com/books?id=tUIwDwAAQBAJ&q=Venus+and+Adonis+most+popular&pg=PT400
Lákta 2017, p. 58. - Lákta, Peter (2017), ""All Adonises Must Die": Shakespeare's Venus and Adonis and the episodic imaginary", in Marrapodi, Michele (ed.), Shakespeare and the Visual Arts: The Italian Influence, New York City, New York and London, England: Routledge, ISBN 978-1-315-21225-8 https://books.google.com/books?id=pzslDwAAQBAJ&q=Venus+and+Adonis+popularity&pg=PA58
Hiscock 2017, p. unpaginated. - Hiscock, Andrew (2017), ""Suppose thou dost defend me from what is past": Shakespeare's Venus and Adonis and The Rape of Lucrece and the appetite for ancient memory", in Hiscock, Andrew; Wilder, Lina Perkins (eds.), The Routledge Handbook of Shakespeare and Memory, New York City, New York and London, England: Routledge, ISBN 978-1-315-74594-7 https://books.google.com/books?id=tUIwDwAAQBAJ&q=Venus+and+Adonis+most+popular&pg=PT400
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Lákta 2017, p. 58. - Lákta, Peter (2017), ""All Adonises Must Die": Shakespeare's Venus and Adonis and the episodic imaginary", in Marrapodi, Michele (ed.), Shakespeare and the Visual Arts: The Italian Influence, New York City, New York and London, England: Routledge, ISBN 978-1-315-21225-8 https://books.google.com/books?id=pzslDwAAQBAJ&q=Venus+and+Adonis+popularity&pg=PA58
Hull 2010, p. 7. - Hull, Elizabeth M. (2010), "Adonis", in Grafton, Anthony; Most, Glenn W.; Settis, Salvatore (eds.), The Classical Tradition, Cambridge, Massachusetts and London, England: The Belknap Press of Harvard University Press, pp. 7–8, ISBN 978-0-674-03572-0 https://books.google.com/books?id=LbqF8z2bq3sC&q=Adonis
Hull 2010, p. 8. - Hull, Elizabeth M. (2010), "Adonis", in Grafton, Anthony; Most, Glenn W.; Settis, Salvatore (eds.), The Classical Tradition, Cambridge, Massachusetts and London, England: The Belknap Press of Harvard University Press, pp. 7–8, ISBN 978-0-674-03572-0 https://books.google.com/books?id=LbqF8z2bq3sC&q=Adonis
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Corrente 2019. - Corrente, Paola (2019), Philology and the Comparative Study of Myths, The Religious Studies Project https://www.religiousstudiesproject.com/podcast/philology-and-the-comparative-study-of-myths