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Michael Jackson
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<h2 id="life-and-career">Life and career</h2> <h3>Early life and the Jackson 5 (1958–1975)</h3> <p>Michael Joseph Jackson<a class="footnote-ref" id="fnref:4" href="#fn:4"><sup>4</sup></a><a class="footnote-ref" id="fnref:5" href="#fn:5"><sup>5</sup></a> was born in <a href="/facts/Gary%2c_Indiana/M6zm2x4L">Gary, Indiana</a>, on August 29, 1958.<a class="footnote-ref" id="fnref:6" href="#fn:6"><sup>6</sup></a><a class="footnote-ref" id="fnref:7" href="#fn:7"><sup>7</sup></a> He was the eighth of ten children in the <a href="/facts/Jackson_family/Dg8nRDeY">Jackson family</a>, a working-class <a href="/facts/African_Americans/pTgcAdo8">African-American</a> family living in a two-bedroom house on Jackson Street.<a class="footnote-ref" id="fnref:8" href="#fn:8"><sup>8</sup></a><a class="footnote-ref" id="fnref:9" href="#fn:9"><sup>9</sup></a> His mother, <a href="/facts/Katherine_Jackson/ACM5QRoo">Katherine Esther Jackson</a> (<i>née</i> Scruse), played clarinet and piano, had aspired to be a <a href="/facts/Country_music/UJM3Un98">country-and-western</a> performer, and worked part-time at <a href="/facts/Sears/cFEFwARE">Sears</a>.<a class="footnote-ref" id="fnref:10" href="#fn:10"><sup>10</sup></a> She was a <a href="/facts/Jehovah%2527s_Witness/MCSKHs8S">Jehovah's Witness</a>.<a class="footnote-ref" id="fnref:11" href="#fn:11"><sup>11</sup></a> His father, <a href="/facts/Joe_Jackson_(manager)/CEV6PLJE">Joseph Walter "Joe" Jackson</a>, was a former boxer, crane operator at <a href="/facts/US_Steel/Fc63gRfj">US Steel</a>, and guitarist for local <a href="/facts/Rhythm_and_blues/UT5v5rXb">rhythm and blues</a> band the Falcons.<a class="footnote-ref" id="fnref:12" href="#fn:12"><sup>12</sup></a><a class="footnote-ref" id="fnref:13" href="#fn:13"><sup>13</sup></a> Joe's great-grandfather, July "Jack" Gale, was a US Army <a href="/facts/Cavalry_scout/qugTTwfj">scout</a>; family lore held that he was also a Native American <a href="/facts/Medicine_man/tL5EghzQ">medicine man</a>.<a class="footnote-ref" id="fnref:14" href="#fn:14"><sup>14</sup></a> Michael grew up with three sisters (<a href="/facts/Rebbie_Jackson/DBlCMmj5">Rebbie</a>, <a href="/facts/La_Toya_Jackson/vBaf6IB3">La Toya</a>, and <a href="/facts/Janet_Jackson/J4ACIKyy">Janet</a>) and five brothers (<a href="/facts/Jackie_Jackson/8laVQx5p">Jackie</a>, <a href="/facts/Tito_Jackson/QSAvDuSV">Tito</a>, <a href="/facts/Jermaine_Jackson/11E0euJc">Jermaine</a>, <a href="/facts/Marlon_Jackson/KqIK2zoU">Marlon</a>, and <a href="/facts/Randy_Jackson_(Jacksons_singer)/BfQ10krs">Randy</a>).<a class="footnote-ref" id="fnref:15" href="#fn:15"><sup>15</sup></a> A sixth brother, Marlon's twin Brandon, died shortly after his birth.<a class="footnote-ref" id="fnref:16" href="#fn:16"><sup>16</sup></a> </p><p>In 1964, Michael and Marlon joined the Jackson Brothers—a band formed by their father which included Jackie, Tito and Jermaine—as backup musicians playing <a href="/facts/Conga/5LEvJquE">congas</a> and <a href="/facts/Tambourine/e6IwRVRd">tambourine</a>.<a class="footnote-ref" id="fnref:17" href="#fn:17"><sup>17</sup></a><a class="footnote-ref" id="fnref:18" href="#fn:18"><sup>18</sup></a> Michael said his father told him he had a "fat nose",<a class="footnote-ref" id="fnref:19" href="#fn:19"><sup>19</sup></a> and physically and emotionally abused him during rehearsals. He recalled that Joe often sat in a chair with a belt in his hand as he and his siblings rehearsed, ready to punish any mistakes.<a class="footnote-ref" id="fnref:20" href="#fn:20"><sup>20</sup></a><a class="footnote-ref" id="fnref:21" href="#fn:21"><sup>21</sup></a> Joe acknowledged that he regularly whipped Michael.<a class="footnote-ref" id="fnref:22" href="#fn:22"><sup>22</sup></a> Katherine said that although whipping came to be considered abuse, it was a common way to discipline children when Michael was growing up.<a class="footnote-ref" id="fnref:23" href="#fn:23"><sup>23</sup></a><a class="footnote-ref" id="fnref:24" href="#fn:24"><sup>24</sup></a> Jackie, Tito, Jermaine and Marlon denied that their father was abusive and said that the whippings, which had a deeper impact on Michael because he was younger, kept them disciplined and out of trouble.<a class="footnote-ref" id="fnref:25" href="#fn:25"><sup>25</sup></a> Michael said that during his youth he was lonely and isolated.<a class="footnote-ref" id="fnref:26" href="#fn:26"><sup>26</sup></a> </p><p>Later in 1965, Michael began sharing lead vocals with Jermaine, and the group's name was changed to <a href="/facts/The_Jackson_5/pMAVrKL8">the Jackson 5</a>.<a class="footnote-ref" id="fnref:27" href="#fn:27"><sup>27</sup></a> In 1965, the group won a talent show; Michael performed the dance to <a href="/facts/Robert_Parker_(singer)/oGgtsTSH">Robert Parker</a>'s 1965 song "<a href="/facts/Barefootin%2527_(song)/1wgXuf9g">Barefootin'</a>" and sang <a href="/facts/The_Temptations/9kGnjkNI">the Temptations</a>' "<a href="/facts/My_Girl_(The_Temptations_song)/t3cCucR3">My Girl</a>".<a class="footnote-ref" id="fnref:28" href="#fn:28"><sup>28</sup></a> From 1966 to 1968, the Jacksons 5 toured the <a href="/facts/Midwestern_United_States/VanHjkw2">Midwest</a>; they frequently played at a string of black clubs known as the <a href="/facts/Chitlin%2527_Circuit/PtIV781N">Chitlin' Circuit</a> as the opening act for artists such as <a href="/facts/Sam_%2526_Dave/QAyJ1WE3">Sam & Dave</a>, <a href="/facts/The_O%2527Jays/mbMblKdr">the O'Jays</a>, <a href="/facts/Gladys_Knight/yeBqb3zY">Gladys Knight</a> and <a href="/facts/Etta_James/2DKsnj4K">Etta James</a>. The Jackson 5 also performed at clubs and cocktail lounges, where <a href="/facts/Striptease/LHXvCuW5">striptease</a> shows were featured, and at local auditoriums and high school dances.<a class="footnote-ref" id="fnref:29" href="#fn:29"><sup>29</sup></a><a class="footnote-ref" id="fnref:30" href="#fn:30"><sup>30</sup></a> In August 1967, while touring the <a href="/facts/Eastern_United_States/VnPT6jFW">East Coast</a>, they won a weekly amateur night concert at the <a href="/facts/Apollo_Theater/0x78lSFU">Apollo Theater</a> in <a href="/facts/Harlem/AX8IgAxE">Harlem</a>.<a class="footnote-ref" id="fnref:31" href="#fn:31"><sup>31</sup></a> </p> <p>The Jackson 5 recorded several songs for a Gary record label, <a href="/facts/Steeltown_Records/9YgNvAqg">Steeltown Records</a>; their first single, "<a href="/facts/Big_Boy_(song)/TGzPWy3M">Big Boy</a>", was released in 1968.<a class="footnote-ref" id="fnref:32" href="#fn:32"><sup>32</sup></a> Bobby Taylor of <a href="/facts/Bobby_Taylor_%2526_the_Vancouvers/u7LCKbxF">Bobby Taylor & the Vancouvers</a> brought the Jackson 5 to <a href="/facts/Motown/c3uuwLK9">Motown</a> after they opened for Taylor at Chicago's <a href="/facts/Regal_Theater%2c_Chicago/94sfsk5A">Regal Theater</a> in 1968. Taylor produced some of their early Motown recordings, including a version of "<a href="/facts/Who%2527s_Lovin%2527_You/0qodcDGW">Who's Lovin' You</a>".<a class="footnote-ref" id="fnref:33" href="#fn:33"><sup>33</sup></a> After signing with Motown, the Jackson family relocated to Los Angeles.<a class="footnote-ref" id="fnref:34" href="#fn:34"><sup>34</sup></a> In 1969, Motown executives decided <a href="/facts/Diana_Ross/FxFHbeWy">Diana Ross</a> should introduce the Jackson 5 to the public — partly to bolster her career in television — sending off what was considered Motown's last product of its "production line".<a class="footnote-ref" id="fnref:35" href="#fn:35"><sup>35</sup></a> The Jackson 5 made their first television appearance in 1969 in the <a href="/facts/Miss_Black_America/UUGIsfQw">Miss Black America</a> pageant, performing a cover of "<a href="/facts/It%2527s_Your_Thing/KVz6cQog">It's Your Thing</a>".<a class="footnote-ref" id="fnref:36" href="#fn:36"><sup>36</sup></a> <i><a href="/facts/Rolling_Stone/HhCFoJ9F">Rolling Stone</a></i> later described the young Michael as "a prodigy" with "overwhelming musical gifts" who "quickly emerged as the main draw and lead singer".<a class="footnote-ref" id="fnref:37" href="#fn:37"><sup>37</sup></a> </p> <p>In January 1970, "<a href="/facts/I_Want_You_Back/j59no7NF">I Want You Back</a>" became the first Jackson 5 song to reach number one on the US <a href="/facts/Billboard_Hot_100/gwKl8VL9"><i>Billboard</i> Hot 100</a>; it stayed there for four weeks. Three more singles with Motown topped the chart: "<a href="/facts/ABC_(The_Jackson_5_song)/as9a41PW">ABC</a>", "<a href="/facts/The_Love_You_Save/j7afqtpM">The Love You Save</a>", and "<a href="/facts/I%2527ll_Be_There_(The_Jackson_5_song)/IucYTCFd">I'll Be There</a>".<a class="footnote-ref" id="fnref:38" href="#fn:38"><sup>38</sup></a> In May 1971, the Jackson family moved into a large house at <a href="/facts/Hayvenhurst/YrPsszzG">Hayvenhurst</a>, a 2-acre (0.81 ha) estate in <a href="/facts/Encino%2c_Los_Angeles/0wGzNvFY">Encino, California</a>.<a class="footnote-ref" id="fnref:39" href="#fn:39"><sup>39</sup></a> During this period, Michael developed from a child performer into a <a href="/facts/Teen_idol/eAkbhk56">teen idol</a>.<a class="footnote-ref" id="fnref:40" href="#fn:40"><sup>40</sup></a> Between 1972 and 1975, he released four solo studio albums with Motown: <i><a href="/facts/Got_to_Be_There/JPz3R3h8">Got to Be There</a></i> (1972), <i><a href="/facts/Ben_(Michael_Jackson_album)/8Q8KI2CQ">Ben</a></i> (1972), <i><a href="/facts/Music_%2526_Me/MlTDzhWN">Music & Me</a></i> (1973) and <i><a href="/facts/Forever%2c_Michael/VNrcP5my">Forever, Michael</a></i> (1975).<a class="footnote-ref" id="fnref:41" href="#fn:41"><sup>41</sup></a> "<a href="/facts/Got_to_Be_There_(song)/X25bTqNo">Got to Be There</a>" and "<a href="/facts/Ben_(song)/7mBbbWJv">Ben</a>", the title tracks from his first two solo albums, sold well as singles, as did a cover of <a href="/facts/Bobby_Day/N82USVWq">Bobby Day</a>'s "<a href="/facts/Rockin%2527_Robin_(song)/8J7HHnXd">Rockin' Robin</a>".<a class="footnote-ref" id="fnref:42" href="#fn:42"><sup>42</sup></a> </p><p>Michael maintained ties to the Jackson 5.<a class="footnote-ref" id="fnref:43" href="#fn:43"><sup>43</sup></a> The Jackson 5 were later described as "a cutting-edge example of black <a href="/facts/Crossover_music/SSEseWUw">crossover artists</a>".<a class="footnote-ref" id="fnref:44" href="#fn:44"><sup>44</sup></a> They were frustrated by Motown's refusal to allow them creative input.<a class="footnote-ref" id="fnref:45" href="#fn:45"><sup>45</sup></a> Jackson's performance of their top five single "<a href="/facts/Dancing_Machine/WL92rbt2">Dancing Machine</a>" on <i><a href="/facts/Soul_Train/xcabQjMs">Soul Train</a></i> popularized the <a href="/facts/Robot_(dance)/bgvAWkJ5">robot dance</a>.<a class="footnote-ref" id="fnref:46" href="#fn:46"><sup>46</sup></a><a class="footnote-ref" id="fnref:47" href="#fn:47"><sup>47</sup></a> </p> <h3>Move to Epic and <i>Off the Wall</i> (1975–1981)</h3> <p>The Jackson 5 left Motown in 1975, signing with <a href="/facts/Epic_Records/FYuvCn2y">Epic Records</a> and renaming themselves the Jacksons.<a class="footnote-ref" id="fnref:48" href="#fn:48"><sup>48</sup></a> Their younger brother Randy joined the band around this time; Jermaine stayed with Motown and pursued a solo career.<a class="footnote-ref" id="fnref:49" href="#fn:49"><sup>49</sup></a> The Jacksons continued to tour internationally, and released six more albums between 1976 and 1984. Michael, the group's main songwriter during this time, wrote songs such as "<a href="/facts/Shake_Your_Body_(Down_to_the_Ground)/QJUjr0kd">Shake Your Body (Down to the Ground)</a>" (1978), "<a href="/facts/This_Place_Hotel/FLswGBex">This Place Hotel</a>" (1980), and "<a href="/facts/Can_You_Feel_It_(The_Jacksons_song)/7sHsQmlW">Can You Feel It</a>" (1980).<a class="footnote-ref" id="fnref:50" href="#fn:50"><sup>50</sup></a> </p><p>In 1977, Jackson moved to New York City to star as the <a href="/facts/Scarecrow_(Oz)/ezdmhJUS">Scarecrow</a> in <i><a href="/facts/The_Wiz_(film)/xbyulyXt">The Wiz</a></i>, a musical film directed by <a href="/facts/Sidney_Lumet/jsKVHTbX">Sidney Lumet</a>, alongside <a href="/facts/Diana_Ross/FxFHbeWy">Diana Ross</a>, <a href="/facts/Nipsey_Russell/m9kY5DI8">Nipsey Russell</a>, and Ted Ross.<a class="footnote-ref" id="fnref:51" href="#fn:51"><sup>51</sup></a> The film was a box-office failure.<a class="footnote-ref" id="fnref:52" href="#fn:52"><sup>52</sup></a> Its score was arranged by <a href="/facts/Quincy_Jones/cNDqEm1X">Quincy Jones</a>,<a class="footnote-ref" id="fnref:53" href="#fn:53"><sup>53</sup></a> who later produced three of Jackson's solo albums.<a class="footnote-ref" id="fnref:54" href="#fn:54"><sup>54</sup></a> During his time in New York, Jackson frequented the <a href="/facts/Studio_54/LqCJSojH">Studio 54</a> nightclub, where he heard early <a href="/facts/Hip_hop_music/0lsHpwAD">hip hop</a>; this influenced his <a href="/facts/Beatboxing/PhueepPz">beatboxing</a> on future tracks such as "<a href="/facts/Working_Day_and_Night/MKqJh965">Working Day and Night</a>".<a class="footnote-ref" id="fnref:55" href="#fn:55"><sup>55</sup></a> In 1978, Jackson felt unsatisfied with his nose, and decided to have a <a href="/facts/Rhinoplasty/kzd1ll7H">rhinoplasty</a>.<a class="footnote-ref" id="fnref:56" href="#fn:56"><sup>56</sup></a> He was referred to <a href="/facts/Steven_Hoefflin/TA8Gnhbn">Steven Hoefflin</a>, who performed his operations.<a class="footnote-ref" id="fnref:57" href="#fn:57"><sup>57</sup></a> </p><p>Jackson's fifth solo album and first album as an adult, <i><a href="/facts/Off_the_Wall/hqXzrYxF">Off the Wall</a></i> (1979), established him as a solo performer and helped him move from the <a href="/facts/Bubblegum_music/L4xEUGKK">bubblegum</a> pop of his youth to more complex sounds.<a class="footnote-ref" id="fnref:58" href="#fn:58"><sup>58</sup></a> It produced four top 10 entries in the US: "<a href="/facts/Off_the_Wall_(Michael_Jackson_song)/ApqQtxma">Off the Wall</a>", "<a href="/facts/She%2527s_Out_of_My_Life/6cCW3k55">She's Out of My Life</a>", and the chart-topping singles "<a href="/facts/Don%2527t_Stop_%2527Til_You_Get_Enough/np3fuShy">Don't Stop 'Til You Get Enough</a>" and "<a href="/facts/Rock_with_You/1rhPaYcK">Rock with You</a>".<a class="footnote-ref" id="fnref:59" href="#fn:59"><sup>59</sup></a> The album reached number three on the US <a href="/facts/Billboard_200/XtbnoFSM"><i>Billboard</i> 200</a> and sold over 20 million copies worldwide.<a class="footnote-ref" id="fnref:60" href="#fn:60"><sup>60</sup></a> In 1980, Jackson won three <a href="/facts/American_Music_Award/3rSsshn4">American Music Awards</a> for his solo work: Favorite Soul/R&B Album, Favorite Soul/R&B Male Artist, and Favorite Soul/R&B Single for "Don't Stop 'Til You Get Enough".<a class="footnote-ref" id="fnref:61" href="#fn:61"><sup>61</sup></a><a class="footnote-ref" id="fnref:62" href="#fn:62"><sup>62</sup></a> He also won a Grammy Award for Best Male R&B Vocal Performance for 1979 with "Don't Stop 'Til You Get Enough".<a class="footnote-ref" id="fnref:63" href="#fn:63"><sup>63</sup></a> In 1981, Jackson was the American Music Awards winner for Favorite Soul/R&B Album and Favorite Soul/R&B Male Artist.<a class="footnote-ref" id="fnref:64" href="#fn:64"><sup>64</sup></a> </p><p>Jackson felt <i>Off the Wall</i> should have made a bigger impact, and was determined to exceed expectations with his next release.<a class="footnote-ref" id="fnref:65" href="#fn:65"><sup>65</sup></a> In 1980, he secured the highest <a href="/facts/Royalties/8caVPHCP">royalty</a> rate in the music industry: 37 percent of wholesale album profit.<a class="footnote-ref" id="fnref:66" href="#fn:66"><sup>66</sup></a> </p> <h3><i>Thriller</i>, <i>Motown 25: Yesterday, Today, Forever</i> and Pepsi incident (1982–1984)</h3> <p>Jackson recorded with <a href="/facts/Queen_(band)/J425pBjw">Queen</a>'s lead singer <a href="/facts/Freddie_Mercury/hQj4X5MR">Freddie Mercury</a> from 1981 to 1983, recording demos of "<a href="/facts/State_of_Shock_(song)/A2t7NQke">State of Shock</a>", "Victory" and "<a href="/facts/There_Must_Be_More_to_Life_Than_This/hPWJK8Kh">There Must Be More to Life Than This</a>". The recordings were intended for an album of duets but, according to Queen's manager <a href="/facts/Jim_Beach/b9makwWx">Jim Beach</a>, the relationship soured when Jackson brought a <a href="/facts/Llama/k8q7YN1H">llama</a> into the recording studio,<a class="footnote-ref" id="fnref:67" href="#fn:67"><sup>67</sup></a> and Jackson was upset by Mercury's drug use.<a class="footnote-ref" id="fnref:68" href="#fn:68"><sup>68</sup></a> "There Must Be More to Life Than This" was released in 2014.<a class="footnote-ref" id="fnref:69" href="#fn:69"><sup>69</sup></a> Jackson went on to record "State of Shock" with <a href="/facts/Mick_Jagger/vSaC62yn">Mick Jagger</a> for the Jacksons' album <i><a href="/facts/Victory_(The_Jacksons_album)/pklBIRKv">Victory</a></i> (1984).<a class="footnote-ref" id="fnref:70" href="#fn:70"><sup>70</sup></a> </p><p> In 1982, Jackson contributed "Someone in the Dark" to the <a href="/facts/E.T._the_Extra-Terrestrial_(album)/km8xC6bx">audiobook for the film <i>E.T. the Extra-Terrestrial</i></a>. Jackson's sixth album, <i><a href="/facts/Thriller_(album)/x5Nus6lN">Thriller</a></i>, was released in late 1982. It was the bestselling album worldwide in 1983,<a class="footnote-ref" id="fnref:71" href="#fn:71"><sup>71</sup></a><a class="footnote-ref" id="fnref:72" href="#fn:72"><sup>72</sup></a> and became the bestselling album of all time in the US<a class="footnote-ref" id="fnref:73" href="#fn:73"><sup>73</sup></a> and the <a href="/facts/List_of_best-selling_albums/6btu6YSd">best-selling album of all time worldwide</a>, selling an estimated 70 million copies.<a class="footnote-ref" id="fnref:74" href="#fn:74"><sup>74</sup></a><a class="footnote-ref" id="fnref:75" href="#fn:75"><sup>75</sup></a> It topped the <i>Billboard</i> 200 chart for 37 weeks and was in the top 10 of the 200 for 80 consecutive weeks. It was the first album to produce seven <i>Billboard</i> Hot 100 top-10 singles, including "<a href="/facts/Billie_Jean/YczPUNLp">Billie Jean</a>", "<a href="/facts/Beat_It/1y9L9Dfu">Beat It</a>", and "<a href="/facts/Wanna_Be_Startin%2527_Somethin%2527/RCJlEWDy">Wanna Be Startin' Somethin'</a>".<a class="footnote-ref" id="fnref:76" href="#fn:76"><sup>76</sup></a></p><p>On March 25, 1983, Jackson reunited with his brothers for <i><a href="/facts/Motown_25%3a_Yesterday%2c_Today%2c_Forever/RVBgSey3">Motown 25: Yesterday, Today, Forever</a></i>, an NBC television special. The show aired on May 16 to an estimated audience of 47 million, and featured the Jacksons and other Motown stars.<a class="footnote-ref" id="fnref:77" href="#fn:77"><sup>77</sup></a> Jackson's solo performance of "Billie Jean" earned him his first <a href="/facts/Emmy_Award/M6GvMDJc">Emmy Award</a> nomination.<a class="footnote-ref" id="fnref:78" href="#fn:78"><sup>78</sup></a> Wearing a glove decorated with <a href="/facts/Rhinestone/MFSroTKK">rhinestones</a>,<a class="footnote-ref" id="fnref:79" href="#fn:79"><sup>79</sup></a> he debuted his <a href="/facts/Moonwalk_(dance)/A6vo7vaG">moonwalk dance</a>, which <a href="/facts/Jeffrey_Daniel/rXS2f8e8">Jeffrey Daniel</a> had taught him three years earlier, and it became his signature dance in his repertoire.<a class="footnote-ref" id="fnref:80" href="#fn:80"><sup>80</sup></a> Jackson had originally turned down the invitation to the show, believing he had been doing too much television. But at the request of Motown founder <a href="/facts/Berry_Gordy/Rsx6PEVT">Berry Gordy</a>, he performed in exchange for an opportunity to do a solo performance.<a class="footnote-ref" id="fnref:81" href="#fn:81"><sup>81</sup></a> <i>Rolling Stone</i> reporter Mikal Gilmore called the performance "extraordinary".<a class="footnote-ref" id="fnref:82" href="#fn:82"><sup>82</sup></a> Jackson's performance drew comparisons to <a href="/facts/Elvis_Presley/T0RDjznN">Elvis Presley</a>'s and <a href="/facts/The_Beatles/2syHWLcM">the Beatles</a>' appearances on <i><a href="/facts/The_Ed_Sullivan_Show/Fn35u4GR">The Ed Sullivan Show</a></i>.<a class="footnote-ref" id="fnref:83" href="#fn:83"><sup>83</sup></a> <a href="/facts/Anna_Kisselgoff/7UoudIcS">Anna Kisselgoff</a> of <i><a href="/facts/The_New_York_Times/T9marWVX">The New York Times</a></i> praised the perfect timing and technique involved in the dance.<a class="footnote-ref" id="fnref:84" href="#fn:84"><sup>84</sup></a> Gordy described being "mesmerized" by the performance.<a class="footnote-ref" id="fnref:85" href="#fn:85"><sup>85</sup></a> <i><a href="/facts/British_Vogue/PyXKmFwx">British Vogue</a></i> called Jackson "a fashion pioneer [...] who gave new meaning to <a href="/facts/Moonwalk_(dance)/A6vo7vaG">moonwalking</a>, immortalised solitary, [and] sparkly gloves".<a class="footnote-ref" id="fnref:86" href="#fn:86"><sup>86</sup></a> </p><p>At the <a href="/facts/26th_Annual_Grammy_Awards/nIwarX2F">26th Annual Grammy Awards</a>, <i>Thriller</i> won eight awards, and Jackson won an award for the <i>E.T. the Extra-Terrestrial</i> storybook. Winning eight Grammys in one ceremony is a record he holds with the band <a href="/facts/Santana_(band)/jmrh4yT9">Santana</a>.<a class="footnote-ref" id="fnref:87" href="#fn:87"><sup>87</sup></a> Jackson and Quincy Jones won the award for Producer of the Year (Non-Classical). <i>Thriller</i> won Album of the Year (with Jackson as the album's artist and Jones as its co-producer), and the single won Best Pop Vocal Performance (Male) award for Jackson. "Beat It" won Record of the Year and Best Rock Vocal Performance (Male). "Billie Jean" won two Grammy awards: Best R&B Song and Best R&B Vocal Performance (Male), with Jackson as songwriter and singer, respectively.<a class="footnote-ref" id="fnref:88" href="#fn:88"><sup>88</sup></a> </p><p><i>Thriller</i> won the Grammy for Best Engineered Recording (Non Classical), acknowledging <a href="/facts/Bruce_Swedien/nFtQlj8g">Bruce Swedien</a> for his work on the album.<a class="footnote-ref" id="fnref:89" href="#fn:89"><sup>89</sup></a> At the <a href="/facts/American_Music_Awards_of_1984/pGDVX50Y">11th Annual American Music Awards</a>, Jackson won another eight awards and became the youngest artist to win the Award of Merit.<a class="footnote-ref" id="fnref:90" href="#fn:90"><sup>90</sup></a> He also won Favorite Male Artist, Favorite Soul/R&B Artist, and Favorite Pop/Rock Artist. "Beat It" won Favorite Soul/R&B Video, Favorite Pop/Rock Video and Favorite Pop/Rock Single. The album won Favorite Soul/R&B Album and Favorite Pop/Rock Album.<a class="footnote-ref" id="fnref:91" href="#fn:91"><sup>91</sup></a><a class="footnote-ref" id="fnref:92" href="#fn:92"><sup>92</sup></a> <i>Thriller</i>'s sales doubled after the release of an extended music video, <a href="/facts/Michael_Jackson%2527s_Thriller_(music_video)/mnshKJ2p"><i>Michael Jackson's Thriller</i></a>, which sees Jackson dancing with a horde of zombies.<a class="footnote-ref" id="fnref:93" href="#fn:93"><sup>93</sup></a><a class="footnote-ref" id="fnref:94" href="#fn:94"><sup>94</sup></a> </p><p> The success transformed Jackson into a dominant force in global pop culture,<a class="footnote-ref" id="fnref:95" href="#fn:95"><sup>95</sup></a> and the album "conquered racial divides".<a class="footnote-ref" id="fnref:96" href="#fn:96"><sup>96</sup></a> Jackson had the highest royalty rate in the music industry at that point, with about $2 for every album sold (equivalent to $6 in 2024), and was making record-breaking profits. Dolls modeled after Jackson appeared in stores in May 1984 for $12 each.<a class="footnote-ref" id="fnref:97" href="#fn:97"><sup>97</sup></a> In the same year, <i>The Making of Michael Jackson's Thriller</i>, a documentary about the music video, won a Grammy for Best Music Video (Longform).<a class="footnote-ref" id="fnref:98" href="#fn:98"><sup>98</sup></a> <i>Time</i> described Jackson's influence at that point as "star of records, radio, rock video. A one-man rescue team for the music business. A songwriter who sets the beat for a decade. A dancer with the fanciest feet on the street. A singer who cuts across all boundaries of taste and style and color too."<a class="footnote-ref" id="fnref:99" href="#fn:99"><sup>99</sup></a> <i>The New York Times</i> wrote "in the world of pop music, there is Michael Jackson and there is everybody else".<a class="footnote-ref" id="fnref:100" href="#fn:100"><sup>100</sup></a></p><p>In November 1983, Jackson and his brothers partnered with <a href="/facts/PepsiCo/eIyvU5fF">PepsiCo</a> in a $5 million promotional deal that broke records for a celebrity endorsement (equivalent to $15.8 million in 2024). The first Pepsi campaign, which ran in the US from 1983 to 1984 and launched its "New Generation" theme, included tour sponsorship, public relations events, and in-store displays. Jackson helped to create the advertisement, and suggested using his song "Billie Jean", with revised lyrics, as its <a href="/facts/Jingle/ECWgjMSl">jingle</a>.<a class="footnote-ref" id="fnref:101" href="#fn:101"><sup>101</sup></a> </p><p>On January 27, 1984, Michael and other members of the Jacksons filmed a Pepsi commercial overseen by <a href="/facts/Phil_Dusenberry/f5oLocug">Phil Dusenberry</a>,<a class="footnote-ref" id="fnref:102" href="#fn:102"><sup>102</sup></a> a <a href="/facts/BBDO/uFxCGoxv">BBDO</a> ad agency executive, and <a href="/facts/Alan_Pottasch/Ka6y21SC">Alan Pottasch</a>, Pepsi's Worldwide Creative Director, at the <a href="/facts/Shrine_Auditorium/xuoLABJe">Shrine Auditorium</a> in Los Angeles. During a simulated concert before a full house of fans, pyrotechnics accidentally set Jackson's hair on fire, causing <a href="/facts/Burn/EHdVoSxB">second-degree burns</a> to his scalp. Jackson underwent treatment to hide the scars and had his third rhinoplasty shortly thereafter.<a class="footnote-ref" id="fnref:103" href="#fn:103"><sup>103</sup></a> Pepsi settled out of court, and Jackson donated the $1.5 million (equivalent to $4.5 million in 2024) settlement to the <a href="/facts/Southern_California_Hospital_at_Culver_City/84qcN5NF">Brotman Medical Center</a> in <a href="/facts/Culver_City%2c_California/FTH560p1">Culver City, California</a>; its now-closed Michael Jackson Burn Center was named in his honor.<a class="footnote-ref" id="fnref:104" href="#fn:104"><sup>104</sup></a><a class="footnote-ref" id="fnref:105" href="#fn:105"><sup>105</sup></a> Jackson signed a second agreement with Pepsi in the late 1980s for $10 million (equivalent to $27.7 million in 2024). The second campaign covered 20 countries and provided financial support for Jackson's <i>Bad</i> album and 1987–1988 world tour. Jackson had endorsements and advertising deals with other companies, such as <a href="/facts/LA_Gear/A3f93RoP">LA Gear</a>, <a href="/facts/Suzuki/PeHeHnSA">Suzuki</a>, and <a href="/facts/Sony/7x4tCtBd">Sony</a>, but none were as significant as his deals with Pepsi.<a class="footnote-ref" id="fnref:106" href="#fn:106"><sup>106</sup></a> </p><p>The <a href="/facts/Victory_Tour_(The_Jacksons)/glBXT8rc">Victory Tour</a> of 1984 headlined the Jacksons and showcased Jackson's new solo material to more than two million Americans. It was the last tour he did with his brothers.<a class="footnote-ref" id="fnref:107" href="#fn:107"><sup>107</sup></a> Following <a href="/facts/Victory_Tour_(The_Jacksons_tour)/glBXT8rc">controversy over the concert's ticket sales</a>, Jackson donated his share of the proceeds, an estimated $3 to 5 million, to charity.<a class="footnote-ref" id="fnref:108" href="#fn:108"><sup>108</sup></a> During the last concert of the Victory Tour at the <a href="/facts/Dodger_Stadium/CAuPyhYa">Dodger Stadium</a> in Los Angeles, Jackson announced his split from the Jacksons during "Shake Your Body".<a class="footnote-ref" id="fnref:109" href="#fn:109"><sup>109</sup></a> </p> <h3>"We Are the World" and other commercial activities (1985)</h3> <p>With <a href="/facts/Lionel_Richie/cDNxNovE">Lionel Richie</a>, Jackson co-wrote the charity single "<a href="/facts/We_Are_the_World/Lk295wQ2">We Are the World</a>" (1985), which raised money for the poor in the US and Africa.<a class="footnote-ref" id="fnref:110" href="#fn:110"><sup>110</sup></a><a class="footnote-ref" id="fnref:111" href="#fn:111"><sup>111</sup></a> It earned $63 million (equivalent to $184 million in 2024),<a class="footnote-ref" id="fnref:112" href="#fn:112"><sup>112</sup></a> and became one of the <a href="/facts/List_of_best-selling_singles/wP7Ak2lq">best-selling singles of all time</a>, with 20 million copies sold.<a class="footnote-ref" id="fnref:113" href="#fn:113"><sup>113</sup></a> It won four Grammy Awards in 1985, including Song of the Year for Jackson and Richie.<a class="footnote-ref" id="fnref:114" href="#fn:114"><sup>114</sup></a> Jackson, Jones, and the promoter Ken Kragen received special awards for their roles in the song's creation.<a class="footnote-ref" id="fnref:115" href="#fn:115"><sup>115</sup></a><a class="footnote-ref" id="fnref:116" href="#fn:116"><sup>116</sup></a><a class="footnote-ref" id="fnref:117" href="#fn:117"><sup>117</sup></a><a class="footnote-ref" id="fnref:118" href="#fn:118"><sup>118</sup></a> </p> <p>Jackson collaborated with <a href="/facts/Paul_McCartney/TfhC0oaF">Paul McCartney</a> in the early 1980s, and learned that McCartney was making $40 million a year from owning the rights to other artists' songs.<a class="footnote-ref" id="fnref:119" href="#fn:119"><sup>119</sup></a> By 1983, Jackson had begun buying publishing rights to others' songs, but he was careful with his acquisitions, only bidding on a few of the dozens that were offered to him. Jackson's early acquisitions of <a href="/facts/Music_catalog/Q02bIWxW">music catalogs</a> and song copyrights such as the <a href="/facts/Sly_Stone/NaxyeM9E">Sly Stone</a> collection included "Everyday People" (1968), <a href="/facts/Len_Barry/nbk9L4g8">Len Barry</a>'s "<a href="/facts/1-2-3_(Len_Barry_song)/ooIGRD3J">1-2-3</a>" (1965), and <a href="/facts/Dion_DiMucci/NGQPN5WA">Dion DiMucci</a>'s "<a href="/facts/The_Wanderer_(Dion_song)/f0S8hCDL">The Wanderer</a>" (1961) and "<a href="/facts/Runaround_Sue/1xK22nfs">Runaround Sue</a>" (1961). In 1984, <a href="/facts/Robert_Holmes_%25C3%25A0_Court/JTFFpcKr">Robert Holmes à Court</a> announced he was selling the <a href="/facts/Sony%2fATV_Music_Publishing/UkmsRyXs">ATV Music Publishing</a> catalog comprising the publishing rights to nearly 4,000 songs, including most of the Beatles' material.<a class="footnote-ref" id="fnref:120" href="#fn:120"><sup>120</sup></a> In 1981, McCartney had been offered the catalog for £20 million ($40 million) (equivalent to $138 million in 2024).<a class="footnote-ref" id="fnref:121" href="#fn:121"><sup>121</sup></a><a class="footnote-ref" id="fnref:122" href="#fn:122"><sup>122</sup></a> Jackson submitted a bid of $46 million (equivalent to $139 million in 2024) on November 20, 1984.<a class="footnote-ref" id="fnref:123" href="#fn:123"><sup>123</sup></a> When Jackson and McCartney were unable to make a joint purchase, McCartney did not want to be the sole owner of the Beatles' songs, and did not pursue an offer on his own.<a class="footnote-ref" id="fnref:124" href="#fn:124"><sup>124</sup></a><a class="footnote-ref" id="fnref:125" href="#fn:125"><sup>125</sup></a> Jackson's agents were unable to come to a deal, and in May 1985 left talks after having spent more than $1 million and four months of <a href="/facts/Due_diligence/EUCeRUTy">due diligence</a> work on the negotiations.<a class="footnote-ref" id="fnref:126" href="#fn:126"><sup>126</sup></a> </p><p>In June 1985, Jackson and Branca learned that <a href="/facts/Charles_Koppelman/GgsEUT9R">Charles Koppelman</a>'s and <a href="/facts/Martin_Bandier/7orlI4ht">Marty Bandier</a>'s The Entertainment Company had made a tentative offer to buy ATV Music for $50 million; in early August, Holmes à Court contacted Jackson and talks resumed. Jackson's increased bid of $47.5 million (equivalent to $139 million in 2024) was accepted because he could close the deal more quickly, having already completed due diligence.<a class="footnote-ref" id="fnref:127" href="#fn:127"><sup>127</sup></a> Jackson agreed to visit Holmes à Court in Australia, where he would appear on the <a href="/facts/Channel_Seven_Perth_Telethon/r1gI30yL">Channel Seven Perth Telethon</a>.<a class="footnote-ref" id="fnref:128" href="#fn:128"><sup>128</sup></a> His purchase of ATV Music was finalized on August 10, 1985.<a class="footnote-ref" id="fnref:129" href="#fn:129"><sup>129</sup></a><a class="footnote-ref" id="fnref:130" href="#fn:130"><sup>130</sup></a> </p> <h3>Increased tabloid speculation (1986–1987)</h3> <p class="note">See also: <a href="/facts/Health_and_appearance_of_Michael_Jackson/Fhq4C3kS">Health and appearance of Michael Jackson</a></p> <p>Jackson's skin had been medium-brown during his youth, but from the mid-1980s gradually grew paler. The change drew widespread media coverage, including speculation that he had been <a href="/facts/Skin_whitening/TKSA8P8e">bleaching his skin</a>.<a class="footnote-ref" id="fnref:131" href="#fn:131"><sup>131</sup></a><a class="footnote-ref" id="fnref:132" href="#fn:132"><sup>132</sup></a><a class="footnote-ref" id="fnref:133" href="#fn:133"><sup>133</sup></a> His dermatologist, <a href="/facts/Arnold_Klein/lcdpFD0I">Arnold Klein</a>, said he observed in 1983 that Jackson had <a href="/facts/Vitiligo/d8xPRXQB">vitiligo</a>,<a class="footnote-ref" id="fnref:134" href="#fn:134"><sup>134</sup></a> a condition characterized by patches of the skin losing their pigment. He also identified <a href="/facts/Discoid_lupus_erythematosus/TP0dup6r">discoid lupus erythematosus</a> in Jackson. He diagnosed Jackson with lupus that year,<a class="footnote-ref" id="fnref:135" href="#fn:135"><sup>135</sup></a> and with vitiligo in 1986.<a class="footnote-ref" id="fnref:136" href="#fn:136"><sup>136</sup></a> Vitiligo's drastic effects on the body can cause psychological distress. Jackson used fair-colored makeup,<a class="footnote-ref" id="fnref:137" href="#fn:137"><sup>137</sup></a> and possibly skin-bleaching prescription creams,<a class="footnote-ref" id="fnref:138" href="#fn:138"><sup>138</sup></a> to cover up the uneven blotches of color caused by the illness. The creams would depigment the blotches, and, with the application of makeup, he could appear very pale.<a class="footnote-ref" id="fnref:139" href="#fn:139"><sup>139</sup></a> Jackson said he had not purposely bleached his skin and could not control his vitiligo, adding, "When people make up stories that I don't want to be who I am, it hurts me."<a class="footnote-ref" id="fnref:140" href="#fn:140"><sup>140</sup></a> He became friends with Klein and Klein's assistant, <a href="/facts/Debbie_Rowe/oGgGMGwp">Debbie Rowe</a>. Rowe later became Jackson's second wife and the mother of his first two children.<a class="footnote-ref" id="fnref:141" href="#fn:141"><sup>141</sup></a> </p><p>In his 1988 autobiography and a 1993 interview, Jackson said he had had two <a href="/facts/Rhinoplasty/kzd1ll7H">rhinoplasty</a> surgeries and a <a href="/facts/Cleft_chin/aC3Lt3du">cleft chin</a> surgery but no more than that. He said he lost weight in the early 1980s because of a change in diet to achieve a dancer's body.<a class="footnote-ref" id="fnref:142" href="#fn:142"><sup>142</sup></a> Witnesses reported that he was often dizzy, and speculated he was suffering from <a href="/facts/Anorexia_nervosa/00KSqEn7">anorexia nervosa</a>. Periods of weight loss became a recurring problem later in his life.<a class="footnote-ref" id="fnref:143" href="#fn:143"><sup>143</sup></a> After his death, Jackson's mother said that he first turned to <a href="/facts/Plastic_surgery/zLCAX9hN">cosmetic procedures</a> to remedy his vitiligo, because he did not want to look like a "spotted cow". She said he had received more than the two cosmetic surgeries he claimed and speculated that he had become addicted to them.<a class="footnote-ref" id="fnref:144" href="#fn:144"><sup>144</sup></a> </p><p>In 1986, it was reported that Jackson slept in a <a href="/facts/Hyperbaric_medicine/AjJVW8Qs">hyperbaric oxygen chamber</a> to slow aging. He denied the story,<a class="footnote-ref" id="fnref:145" href="#fn:145"><sup>145</sup></a> although it was alleged that Jackson leaked an image of him sleeping in a glass chamber (according to Jackson, this was a promotional shot from an <a href="/facts/Captain_EO/443WhezE">upcoming space opera featuring himself</a>) to <i><a href="/facts/The_National_Enquirer/qfCnlBeU">The National Enquirer</a></i>.<a class="footnote-ref" id="fnref:146" href="#fn:146"><sup>146</sup></a> It was also reported that Jackson took female hormone shots to keep his voice high and facial hair wispy, proposed to <a href="/facts/Elizabeth_Taylor/Ur7qy9lK">Elizabeth Taylor</a> and possibly had a shrine of her, and had cosmetic surgery on his eyes. Jackson's manager <a href="/facts/Frank_DiLeo/d2tHTYjR">Frank DiLeo</a> denied all of them, except for Jackson having a chamber. DiLeo added "I don't know if he sleeps in it. I'm not for it. But Michael thinks it's something that's probably healthy for him. He's a bit of a health fanatic."<a class="footnote-ref" id="fnref:147" href="#fn:147"><sup>147</sup></a> </p><p>When Jackson took his pet chimpanzee <a href="/facts/Bubbles_(chimpanzee)/78k126f6">Bubbles</a> to tour in Japan, the media portrayed Jackson as an aspiring <a href="/facts/Disney/R8kCbAVc">Disney</a> cartoon character who befriended animals.<a class="footnote-ref" id="fnref:148" href="#fn:148"><sup>148</sup></a> It was also reported that Jackson had offered to buy the bones of <a href="/facts/Joseph_Merrick/GV455Iql">Joseph Merrick</a> (the "Elephant Man").<a class="footnote-ref" id="fnref:149" href="#fn:149"><sup>149</sup></a> In June 1987, the <i><a href="/facts/Chicago_Tribune/Bbms9uy5">Chicago Tribune</a></i> reported Jackson's publicist bidding $1 million for the skeleton to the <a href="/facts/London_Hospital_Medical_College/8qzLK7MK">London Hospital Medical College</a> on his behalf. The college maintained the skeleton was not for sale. DiLeo said Jackson had an "absorbing interest" in Merrick, "purely based on his awareness of the ethical, medical and historical significance".<a class="footnote-ref" id="fnref:150" href="#fn:150"><sup>150</sup></a> </p><p>In September 1986, using the oxygen chamber story, the British tabloid <i>The Sun</i> branded Jackson "Wacko Jacko", a name Jackson came to despise.<a class="footnote-ref" id="fnref:151" href="#fn:151"><sup>151</sup></a><a class="footnote-ref" id="fnref:152" href="#fn:152"><sup>152</sup></a> <i><a href="/facts/The_Atlantic/zVtl4Lcr">The Atlantic</a></i> noted that the name "Jacko" has racist connotations, as it originates from <a href="/facts/Jacco_Macacco/cNjwT80v">Jacko Macacco</a>, a monkey used in <a href="/facts/Monkey-baiting/mLU2Nyn6">monkey-baiting</a> matches at the <a href="/facts/Westminster_Pit/x0Bh66cX">Westminster Pit</a> in the early 1820s, and "Jacko" was used in <a href="/facts/Cockney_slang/vmYl4EQR">Cockney slang</a> to refer to monkeys in general.<a class="footnote-ref" id="fnref:153" href="#fn:153"><sup>153</sup></a> </p><p>Jackson worked with <a href="/facts/George_Lucas/1bLspXbj">George Lucas</a> and <a href="/facts/Francis_Ford_Coppola/c3h1RwhH">Francis Ford Coppola</a> on the 17-minute $30 million <a href="/facts/3D_film/nuwLrplG">3D film</a> <i><a href="/facts/Captain_EO/443WhezE">Captain EO</a></i>, which ran from 1986 at <a href="/facts/Disneyland/Sur3NUsJ">Disneyland</a> and <a href="/facts/Epcot/As0a1TNT">Epcot</a>, and later at <a href="/facts/Tokyo_Disneyland/jmWLKREt">Tokyo Disneyland</a> and <a href="/facts/Disneyland_Park_(Paris)/MQP8xhAI">Euro Disneyland</a>.<a class="footnote-ref" id="fnref:154" href="#fn:154"><sup>154</sup></a> After having been removed in the late 1990s, it returned to the theme park for several years after Jackson's death.<a class="footnote-ref" id="fnref:155" href="#fn:155"><sup>155</sup></a> In 1987, <i><a href="/facts/Ebony_(magazine)/0r2EeRY1">Ebony</a></i> reported that Jackson had disassociated himself from the Jehovah's Witnesses.<a class="footnote-ref" id="fnref:156" href="#fn:156"><sup>156</sup></a> Katherine Jackson said this might have been because some Witnesses strongly opposed the <i>Thriller</i> video,<a class="footnote-ref" id="fnref:157" href="#fn:157"><sup>157</sup></a> which Michael denounced in a Witness publication in 1984.<a class="footnote-ref" id="fnref:158" href="#fn:158"><sup>158</sup></a> In 2001, Jackson told an interviewer he was still a Jehovah's Witness.<a class="footnote-ref" id="fnref:159" href="#fn:159"><sup>159</sup></a> </p> <h3><i>Bad</i>, autobiography, and Neverland (1987–1990)</h3> <p>Jackson's first album in five years, <i><a href="/facts/Bad_(album)/F34rPK1r">Bad</a></i> (1987), was highly anticipated, with the industry expecting another major success.<a class="footnote-ref" id="fnref:160" href="#fn:160"><sup>160</sup></a> It became the first album to produce five US number-one singles: "<a href="/facts/I_Just_Can%2527t_Stop_Loving_You/Gc64UIs0">I Just Can't Stop Loving You</a>", "<a href="/facts/Bad_(Michael_Jackson_song)/PvdNatX7">Bad</a>", "<a href="/facts/The_Way_You_Make_Me_Feel/QK4ByqB1">The Way You Make Me Feel</a>", "<a href="/facts/Man_in_the_Mirror/hc48SCdK">Man in the Mirror</a>", and "<a href="/facts/Dirty_Diana/CNh3R1dX">Dirty Diana</a>". Another song, "<a href="/facts/Smooth_Criminal/FTQFDx4H">Smooth Criminal</a>", peaked at number seven.<a class="footnote-ref" id="fnref:161" href="#fn:161"><sup>161</sup></a> <i>Bad</i> won the 1988 Grammy for Best Engineered Recording – Non Classical and the 1990 <a href="/facts/Grammy_Award_for_Best_Music_Video/elRA7dMk">Grammy Award for Best Music Video</a>, Short Form for "<a href="/facts/Leave_Me_Alone_(Michael_Jackson_song)/4zrHfJll">Leave Me Alone</a>".<a class="footnote-ref" id="fnref:162" href="#fn:162"><sup>162</sup></a><a class="footnote-ref" id="fnref:163" href="#fn:163"><sup>163</sup></a> Jackson won an Award of Achievement at the American Music Awards in 1989 after <i>Bad</i> generated five number-one singles, became the first album to top the charts in 25 countries and the best-selling album worldwide in 1987 and 1988.<a class="footnote-ref" id="fnref:164" href="#fn:164"><sup>164</sup></a><a class="footnote-ref" id="fnref:165" href="#fn:165"><sup>165</sup></a> The <a href="/facts/Bad_(tour)/Ybk3bm0J">Bad</a> tour ran from September 12, 1987, to January 27, 1989.<a class="footnote-ref" id="fnref:166" href="#fn:166"><sup>166</sup></a> In Japan, the tour had 14 sellouts and drew 570,000 people, nearly tripling the previous record for a single tour.<a class="footnote-ref" id="fnref:167" href="#fn:167"><sup>167</sup></a> The 504,000 people who attended seven sold-out shows at <a href="/facts/Wembley_Stadium_(1923)/Rm4uUK6k">Wembley Stadium</a> set a new <i><a href="/facts/Guinness_World_Record/Az88wVWk">Guinness World Record</a></i>.<a class="footnote-ref" id="fnref:168" href="#fn:168"><sup>168</sup></a> <i>Bad</i> cemented Jackson's status as a dominant music force;<a class="footnote-ref" id="fnref:169" href="#fn:169"><sup>169</sup></a> the album has sold over 35 million copies worldwide, which ranks it amongst the <a href="/facts/List_of_best-selling_albums/6btu6YSd">best-selling albums ever</a>.<a class="footnote-ref" id="fnref:170" href="#fn:170"><sup>170</sup></a><a class="footnote-ref" id="fnref:171" href="#fn:171"><sup>171</sup></a><a class="footnote-ref" id="fnref:172" href="#fn:172"><sup>172</sup></a><a class="footnote-ref" id="fnref:173" href="#fn:173"><sup>173</sup></a><a class="footnote-ref" id="fnref:174" href="#fn:174"><sup>174</sup></a> </p><p>In 1988, Jackson released his autobiography, <i><a href="/facts/Moonwalk_(book)/UC7kGIJ2">Moonwalk</a></i>, with input from Stephen Davis and <a href="/facts/Jacqueline_Kennedy_Onassis/UfTC5DxJ">Jacqueline Kennedy Onassis</a>.<a class="footnote-ref" id="fnref:175" href="#fn:175"><sup>175</sup></a> It sold 200,000 copies,<a class="footnote-ref" id="fnref:176" href="#fn:176"><sup>176</sup></a> and reached the top of <i>The New York Times</i> bestsellers list.<a class="footnote-ref" id="fnref:177" href="#fn:177"><sup>177</sup></a> Jackson discussed his childhood, the Jackson 5, and the abuse from his father.<a class="footnote-ref" id="fnref:178" href="#fn:178"><sup>178</sup></a> He attributed his changing facial appearance to three plastic surgeries, puberty, weight loss, a strict vegetarian diet, a change in hairstyle, and stage lighting.<a class="footnote-ref" id="fnref:179" href="#fn:179"><sup>179</sup></a><a class="footnote-ref" id="fnref:180" href="#fn:180"><sup>180</sup></a> In June, Jackson was honored with the Grand Vermeil <a href="/facts/Medal_of_the_City_of_Paris/jJD1guCR">Medal of the City of Paris</a> by the then Mayor of Paris <a href="/facts/Jacques_Chirac/DxxFJ6H7">Jacques Chirac</a> during his stay in the city as part of the Bad tour.<a class="footnote-ref" id="fnref:181" href="#fn:181"><sup>181</sup></a><a class="footnote-ref" id="fnref:182" href="#fn:182"><sup>182</sup></a> On July 20, he became the first <a href="/facts/Commoner/fflFNBwD">commoner</a> in history to enter London's <a href="/facts/Guildhall%2c_London/Ifxa2DNL">Guildhall</a> through the building's Royal Entrance.<a class="footnote-ref" id="fnref:183" href="#fn:183"><sup>183</sup></a> In October, Jackson released a film, <i><a href="/facts/Moonwalker/Ko2rjXNb">Moonwalker</a></i>, which featured live footage and short films starring Jackson and <a href="/facts/Joe_Pesci/YcX8IKwD">Joe Pesci</a>. In the US it was released <a href="/facts/Direct-to-video/p9xIx0TC">direct-to-video</a> and became the bestselling video cassette in the country.<a class="footnote-ref" id="fnref:184" href="#fn:184"><sup>184</sup></a><a class="footnote-ref" id="fnref:185" href="#fn:185"><sup>185</sup></a> The <a href="/facts/Recording_Industry_Association_of_America/8a7K0Ubf">Recording Industry Association of America</a> (RIAA) certified it as eight times Platinum in the US.<a class="footnote-ref" id="fnref:186" href="#fn:186"><sup>186</sup></a> </p><p>In March 1988, Jackson purchased 2,700 acres (11 km2) of land near <a href="/facts/Santa_Ynez%2c_California/Y7rUCX1H">Santa Ynez, California</a>, to build a new home, <a href="/facts/Neverland_Ranch/M7DazAIu">Neverland Ranch</a>, at a cost of $17 million (equivalent to $45 million in 2024).<a class="footnote-ref" id="fnref:187" href="#fn:187"><sup>187</sup></a> He installed a <a href="/facts/Ferris_wheel/CSsDYVXl">Ferris wheel</a>, a <a href="/facts/Carousel/FSs5Nz0H">carousel</a>, a movie theater and a zoo.<a class="footnote-ref" id="fnref:188" href="#fn:188"><sup>188</sup></a><a class="footnote-ref" id="fnref:189" href="#fn:189"><sup>189</sup></a><a class="footnote-ref" id="fnref:190" href="#fn:190"><sup>190</sup></a> A security staff of 40 patrolled the grounds.<a class="footnote-ref" id="fnref:191" href="#fn:191"><sup>191</sup></a> Shortly afterwards, he appeared in the first Western television advertisement in the <a href="/facts/Soviet_Union/m7wWsPto">Soviet Union</a>.<a class="footnote-ref" id="fnref:192" href="#fn:192"><sup>192</sup></a> </p><p>Jackson became known as the "<a href="/facts/Honorific_nicknames_in_popular_music/hFc1V7E6">King of Pop</a>", a nickname that Jackson's publicists embraced.<a class="footnote-ref" id="fnref:193" href="#fn:193"><sup>193</sup></a><a class="footnote-ref" id="fnref:194" href="#fn:194"><sup>194</sup></a><a class="footnote-ref" id="fnref:195" href="#fn:195"><sup>195</sup></a> When <a href="/facts/Elizabeth_Taylor/Ur7qy9lK">Elizabeth Taylor</a> presented him with the Soul Train Heritage Award in 1989, she called him "the true king of pop, rock and soul."<a class="footnote-ref" id="fnref:196" href="#fn:196"><sup>196</sup></a> President <a href="/facts/George_H._W._Bush/Xk5UxRqp">George H. W. Bush</a> designated him the White House's "Artist of the Decade".<a class="footnote-ref" id="fnref:197" href="#fn:197"><sup>197</sup></a> At the 38th <a href="/facts/BMI_Film_%2526_TV_Awards/udMNTlb6">BMI Awards</a> in 1990, Jackson was the first person to be honored with an award named after its recipient.<a class="footnote-ref" id="fnref:198" href="#fn:198"><sup>198</sup></a> From 1985 to 1990, Jackson donated $455,000 to the <a href="/facts/United_Negro_College_Fund/NDuu5vBT">United Negro College Fund</a>,<a class="footnote-ref" id="fnref:199" href="#fn:199"><sup>199</sup></a> and all profits from his single "Man in the Mirror" went to charity.<a class="footnote-ref" id="fnref:200" href="#fn:200"><sup>200</sup></a> His rendition of "You Were There" at <a href="/facts/Sammy_Davis_Jr./EgtypGSn">Sammy Davis Jr.</a>'s 60th birthday celebration won Jackson a second Emmy nomination.<a class="footnote-ref" id="fnref:201" href="#fn:201"><sup>201</sup></a> Jackson was the bestselling artist of the 1980s.<a class="footnote-ref" id="fnref:202" href="#fn:202"><sup>202</sup></a> </p> <h3><i>Dangerous</i> and public social work (1991–1993)</h3> <p>In March 1991, Jackson renewed his contract with Sony for $65 million (equivalent to $150 million in 2024), a <a href="/facts/List_of_largest_music_deals/C1kXqqcS">record-breaking deal</a>,<a class="footnote-ref" id="fnref:203" href="#fn:203"><sup>203</sup></a> beating <a href="/facts/Neil_Diamond/ygVICSfv">Neil Diamond</a>'s renewal contract with <a href="/facts/Columbia_Records/yV1YYE69">Columbia Records</a>.<a class="footnote-ref" id="fnref:204" href="#fn:204"><sup>204</sup></a> In 1991, he released his eighth album, <i><a href="/facts/Dangerous_(Michael_Jackson_album)/FhpnBq6D">Dangerous</a></i>, co-produced with <a href="/facts/Teddy_Riley/IkFk84eN">Teddy Riley</a>.<a class="footnote-ref" id="fnref:205" href="#fn:205"><sup>205</sup></a> It was certified eight times platinum in the US, and by 2018 had sold 32 million copies worldwide.<a class="footnote-ref" id="fnref:206" href="#fn:206"><sup>206</sup></a><a class="footnote-ref" id="fnref:207" href="#fn:207"><sup>207</sup></a> In the US, the first single, "<a href="/facts/Black_or_White/r5SYTMhJ">Black or White</a>", was the album's highest-charting song; it was number one on the <i>Billboard</i> Hot 100 for seven weeks and achieved similar chart performances worldwide.<a class="footnote-ref" id="fnref:208" href="#fn:208"><sup>208</sup></a> The second single, "<a href="/facts/Remember_the_Time/QzrhS1vY">Remember the Time</a>" peaked at number three on the <i>Billboard</i> Hot 100 singles chart.<a class="footnote-ref" id="fnref:209" href="#fn:209"><sup>209</sup></a> At the end of 1992, <i>Dangerous</i> was the bestselling album of the year worldwide and "Black or White" the bestselling single of the year worldwide at the <a href="/facts/Billboard_Music_Award/D2TyHa1P"><i>Billboard</i> Music Awards</a>.<a class="footnote-ref" id="fnref:210" href="#fn:210"><sup>210</sup></a> In 1993, he performed "Remember the Time" at the <a href="/facts/Soul_Train_Music_Awards/2hUDpjro">Soul Train Music Awards</a> in a chair, saying he twisted his ankle during dance rehearsals.<a class="footnote-ref" id="fnref:211" href="#fn:211"><sup>211</sup></a> In the UK, "<a href="/facts/Heal_the_World/Pp6NoGm6">Heal the World</a>" made No. 2 on the charts in 1992.<a class="footnote-ref" id="fnref:212" href="#fn:212"><sup>212</sup></a> </p><p>Jackson founded the <a href="/facts/Heal_the_World_Foundation/3r5LnWco">Heal the World Foundation</a> in 1992. The charity brought underprivileged children to Jackson's ranch to use the theme park rides, and sent millions of dollars around the globe to help children threatened by war, poverty, and disease. That July, Jackson published his second book, <i><a href="/facts/Dancing_the_Dream/Qw9n7XH1">Dancing the Dream</a>,</i> a collection of poetry. The <a href="/facts/Dangerous_World_Tour/mnCmeKmP">Dangerous World Tour</a> ran between June 1992 and November 1993 and grossed $100 million (equivalent to $220 million in 2024); Jackson performed for over 3.5 million people in 70 concerts, all of which were outside the US.<a class="footnote-ref" id="fnref:213" href="#fn:213"><sup>213</sup></a><a class="footnote-ref" id="fnref:214" href="#fn:214"><sup>214</sup></a> Part of the proceeds went to Heal the World Foundation.<a class="footnote-ref" id="fnref:215" href="#fn:215"><sup>215</sup></a> Jackson sold the broadcast rights of the tour to <a href="/facts/HBO/gGSPvEEu">HBO</a> for $20 million (equivalent to $45 million in 2024), a record-breaking deal that still stands.<a class="footnote-ref" id="fnref:216" href="#fn:216"><sup>216</sup></a> </p><p>Following the death of <a href="/facts/HIV%2fAIDS/RqLIEMuJ">HIV/AIDS</a> spokesperson and friend <a href="/facts/Ryan_White/QmEkShor">Ryan White</a>, Jackson pleaded with the Clinton administration at <a href="/facts/First_inauguration_of_Bill_Clinton/28zqskWl">Bill Clinton's inaugural gala</a> to give more money to HIV/AIDS charities and research<a class="footnote-ref" id="fnref:217" href="#fn:217"><sup>217</sup></a><a class="footnote-ref" id="fnref:218" href="#fn:218"><sup>218</sup></a> and performed "<a href="/facts/Gone_Too_Soon/YE1VdBRp">Gone Too Soon</a>", a song dedicated to White, and "Heal the World" at the gala.<a class="footnote-ref" id="fnref:219" href="#fn:219"><sup>219</sup></a> Jackson visited Africa in early 1992; on his first stop in Gabon he was greeted by more than 100,000 people, some of them carrying signs that read "Welcome Home Michael",<a class="footnote-ref" id="fnref:220" href="#fn:220"><sup>220</sup></a> and was awarded an Officer of the <a href="/facts/National_Order_of_Merit_(Gabon)/8sw08DaF">National Order of Merit</a> from President <a href="/facts/Omar_Bongo/vhbh4vJX">Omar Bongo</a>.<a class="footnote-ref" id="fnref:221" href="#fn:221"><sup>221</sup></a><a class="footnote-ref" id="fnref:222" href="#fn:222"><sup>222</sup></a> During his trip to Ivory Coast, Jackson drew larger crowds than <a href="/facts/Pope_John_Paul_II/Md3PoDuj">Pope John Paul II</a> on his previous visits.<a class="footnote-ref" id="fnref:223" href="#fn:223"><sup>223</sup></a> He was crowned "King Sani" by a tribal chief in the Ivorian village of <a href="/facts/Krindjabo/QGQGNdpe">Krindjabo</a>, where he thanked the dignitaries in French and English, signed documents formalizing his kingship, and sat on a golden throne while presiding over ceremonial dances.<a class="footnote-ref" id="fnref:224" href="#fn:224"><sup>224</sup></a> </p><p>In January 1993, Jackson performed at the <a href="/facts/Super_Bowl_XXVII_halftime_show/HbsrUVkF">Super Bowl XXVII halftime show</a> in Pasadena, California. The <a href="/facts/National_Football_League/cBH0hxRV">NFL</a> sought a big-name artist to keep ratings high during halftime following dwindling audience figures.<a class="footnote-ref" id="fnref:225" href="#fn:225"><sup>225</sup></a><a class="footnote-ref" id="fnref:226" href="#fn:226"><sup>226</sup></a> With 133.4 million viewers, it was the first Super Bowl whose halftime show drew greater audience figures than the game.<a class="footnote-ref" id="fnref:227" href="#fn:227"><sup>227</sup></a> Jackson played "<a href="/facts/Jam_(Michael_Jackson_song)/GT6ovKbm">Jam</a>", "Billie Jean", "Black or White", and "Heal the World". <i>Dangerous</i> rose 90 places in the US albums chart after the performance.<a class="footnote-ref" id="fnref:228" href="#fn:228"><sup>228</sup></a> </p><p>Jackson gave <a href="/facts/Michael_Jackson_Talks_..._to_Oprah/N2ldRd2m">a 90-minute interview</a> with <a href="/facts/Oprah_Winfrey/vnH4DEDp">Oprah Winfrey</a> on February 10, 1993. He spoke of his childhood abuse at the hands of his father; he believed he had missed out on much of his childhood, and said that he often cried from loneliness. He denied tabloid rumors that he had bought the bones of the Elephant Man, slept in a hyperbaric oxygen chamber, or bleached his skin, and stated for the first time that he had vitiligo. After the interview, <i>Dangerous</i> re-entered the US albums chart in the top 10, more than a year after its release.<a class="footnote-ref" id="fnref:229" href="#fn:229"><sup>229</sup></a><a class="footnote-ref" id="fnref:230" href="#fn:230"><sup>230</sup></a> The interview itself became <a href="/facts/List_of_most-watched_television_broadcasts/sajXy1Jb">the most-watched television interview in United States history</a> to date, with more than 90 million viewers.<a class="footnote-ref" id="fnref:231" href="#fn:231"><sup>231</sup></a> </p><p>In January 1993, Jackson won three <a href="/facts/American_Music_Awards/3rSsshn4">American Music Awards</a>: Favorite Pop/Rock Album (<i>Dangerous</i>), Favorite Soul/R&B Single ("Remember the Time"), and was the first to win the International Artist Award of Excellence.<a class="footnote-ref" id="fnref:232" href="#fn:232"><sup>232</sup></a><a class="footnote-ref" id="fnref:233" href="#fn:233"><sup>233</sup></a> In February, he won the "Living Legend Award" at the <a href="/facts/35th_Annual_Grammy_Awards/vcjqrL6E">35th Annual Grammy Awards</a> in Los Angeles.<a class="footnote-ref" id="fnref:234" href="#fn:234"><sup>234</sup></a> He attended the award ceremony with <a href="/facts/Brooke_Shields/YxJNGs9J">Brooke Shields</a>.<a class="footnote-ref" id="fnref:235" href="#fn:235"><sup>235</sup></a> <i>Dangerous</i> was nominated for Best Vocal Performance (for "Black or White"), Best R&B Vocal Performance ("Jam") and Best R&B Song ("Jam"), and Bruce Swedien and Teddy Riley won the Grammy for Best Engineered – Non Classical.<a class="footnote-ref" id="fnref:236" href="#fn:236"><sup>236</sup></a> </p> <h3>First child sexual abuse accusations and first marriage (1993–1995)</h3> <p class="note">Main article: <a href="/facts/1993_Michael_Jackson_sexual_abuse_allegations/G6aDyB4Y">1993 Michael Jackson sexual abuse allegations</a></p> <p>In early 1993, Michael Jackson befriended 13-year-old Jordan Chandler through Jordan's stepfather who became acquainted after Jackson had rented a vehicle.<a class="footnote-ref" id="fnref:237" href="#fn:237"><sup>237</sup></a> On July 8, 1993, Evan Chandler, Jordan's father and a Los Angeles dentist, was recorded threatening to "destroy" Jackson's career with a "carefully planned plot, with people in place ready to set it in motion" if Jackson did not meet his demands, revealing clear financial motives: "If I go through with this, I win big-time. There’s no way I lose".<a class="footnote-ref" id="fnref:238" href="#fn:238"><sup>238</sup></a><a class="footnote-ref" id="fnref:239" href="#fn:239"><sup>239</sup></a> On July 9, Jackson's investigator, Anthony Pellicano, met Jordan, who denied any abuse or inappropriate touching by Jackson.<a class="footnote-ref" id="fnref:240" href="#fn:240"><sup>240</sup></a> Evan Chandler's lawyer would later call Beverly Hills psychiatrist Dr. Mathis Abrams and present him with a hypothetical situation. In reply and without having met either Jordan Chandler or his parents, Abrams sent Rothman a two-page letter in which he states that "reasonable suspicion would exist that sexual abuse may have occurred" <a class="footnote-ref" id="fnref:241" href="#fn:241"><sup>241</sup></a> after receiving the letter from Dr Abrams Evan Chandler allegedly received a confession from his son Jordan.<a class="footnote-ref" id="fnref:242" href="#fn:242"><sup>242</sup></a> Evan demands $20 million from Jackson on August 4, 1993, without going to law enforcement regarding the reports of the abuse that was claimed to have taken place, but Jackson refused and sued Chandler for extortion.<a class="footnote-ref" id="fnref:243" href="#fn:243"><sup>243</sup></a> Later a meeting at the Westwood Marquis Hotel, Evan and his son Jordan met Michael Jackson and Anthony Pellicano without their lawyer Barry Rothman, Evan greeted Jackson with a hug before pulling out a letter from Dr. Mathis Abrams and reading its allegations of child molestation aloud, As Evan cited the molestation references, Jordan lowered his head and then looked at Jackson with evident surprise, casting doubt on the claims as he had reportedly already reported his confession weeks prior. The encounter concluded with Evan pointing at Jackson and declaring, "I'm going to ruin you," revealing a clear intent to threaten rather than seek justice—a stark contrast to the embrace that opened the meeting.<a class="footnote-ref" id="fnref:244" href="#fn:244"><sup>244</sup></a> From August 9–13, 1993 Evan Chandler and his legal team made various counteroffers to secure a settlement from Jackson, escalating their financial demands after his refusal to pay the initial $20 million, with Evan later filing a civil suit in September demanding $30 million for alleged damages <a class="footnote-ref" id="fnref:245" href="#fn:245"><sup>245</sup></a> which were all denied by Jackson, prompting Chandler to go public with the claims of child molestation.<a class="footnote-ref" id="fnref:246" href="#fn:246"><sup>246</sup></a><a class="footnote-ref" id="fnref:247" href="#fn:247"><sup>247</sup></a><a class="footnote-ref" id="fnref:248" href="#fn:248"><sup>248</sup></a> Jackson's older sister La Toya accused him of being a pedophile;<a class="footnote-ref" id="fnref:249" href="#fn:249"><sup>249</sup></a> she later retracted this, saying she had been forced into it by her abusive husband.<a class="footnote-ref" id="fnref:250" href="#fn:250"><sup>250</sup></a> </p><p>Prosecutors raided Neverland Ranch and other places of residency while Jackson was on tour in August, but no leads were found as the investigators ruled that there was no medical evidence or physical evidence. Additionally hundreds of children were investigated but all of them stated no abuse or improper behavior had taken place.<a class="footnote-ref" id="fnref:251" href="#fn:251"><sup>251</sup></a> Attention was later brought to two legal art books depicting featuring young boys playing, running, and swimming in various states of undress, however Jackson denied knowing of the books' content and claimed if they were there, someone had to have sent them to him and he did not open them. No child pornography or other incriminating evidence was found.<a class="footnote-ref" id="fnref:252" href="#fn:252"><sup>252</sup></a><a class="footnote-ref" id="fnref:253" href="#fn:253"><sup>253</sup></a> In December 1993, Prosecutor Tom Sneddon filed a strip search on Jackson based on the drawing obtained by Jordan Chandler which had been sent to the authorities, however the drawing did not match and prosecutors sought out Jackson's doctors and family inquiring about the possibility the singer had altered his genitals as to explain the mismatch.<a class="footnote-ref" id="fnref:254" href="#fn:254"><sup>254</sup></a><a class="footnote-ref" id="fnref:255" href="#fn:255"><sup>255</sup></a><a class="footnote-ref" id="fnref:256" href="#fn:256"><sup>256</sup></a> In November 1993, Jackson requested that the civil trial be postponed until after the criminal hearing was completed due to a violation of his <a href="/facts/Civil_and_political_rights/DBK7m6s2">civil rights</a>, under the circumstances of having to defend himself under <a href="/facts/Double_jeopardy/LS3DMqPo">double jeopardy</a>. This motion was denied and in January 1994 the civil lawsuit was settled for $15,331,250 with separate payments of 1.5 million for Evan and June Chandler coming out to a total of 18.3 million allocated to the Chandler family, lower than the initial demand of 20-30 million requested by Evan Chandler.<a class="footnote-ref" id="fnref:257" href="#fn:257"><sup>257</sup></a><a class="footnote-ref" id="fnref:258" href="#fn:258"><sup>258</sup></a> The document shows that the Chandlers dropped the child molestation allegations from their complaint with Jackson's settlement being filed over claims of negligence. It was later revealed that this settlement did not prevent the Chandlers from testifying in the criminal case <a class="footnote-ref" id="fnref:259" href="#fn:259"><sup>259</sup></a> The police never pressed criminal charges.<a class="footnote-ref" id="fnref:260" href="#fn:260"><sup>260</sup></a> The prosecution continued to investigate Jackson from January to June 1994 with Jordan Chandler continuing to co-operate with investigators,<a class="footnote-ref" id="fnref:261" href="#fn:261"><sup>261</sup></a> by July 1994 multiple grand juries had been called however jurors remarked that no damaging evidence was heard against Jackson. "The [Santa Barbara] grand jury in Michael Jackson's case was dismissed and one juror said he heard no evidence against [Jackson]... Another juror told CNN that he heard no evidence against him [Jackson] during the hearing."<a class="footnote-ref" id="fnref:262" href="#fn:262"><sup>262</sup></a> On September 21, 1994, after 400 witnesses had been investigated with another 30 called in front of the grand juries, the investigation was closed. A few potential leads had been found but all of them turned out to be false.<a class="footnote-ref" id="fnref:263" href="#fn:263"><sup>263</sup></a> </p><p>Jackson had been taking <a href="/facts/Painkiller/xLj4XBcq">painkillers</a> for his reconstructive scalp surgeries, administered due to the Pepsi commercial accident in 1984, and became dependent on them to cope with the stress of the sexual abuse allegations.<a class="footnote-ref" id="fnref:264" href="#fn:264"><sup>264</sup></a> On November 12, 1993, Jackson canceled the remainder of the Dangerous World Tour due to health problems, stress from the allegations and painkiller addiction. He thanked his close friend <a href="/facts/Elizabeth_Taylor/Ur7qy9lK">Elizabeth Taylor</a> for support, encouragement and counsel. The end of the tour concluded his sponsorship deal with Pepsi.<a class="footnote-ref" id="fnref:265" href="#fn:265"><sup>265</sup></a> </p><p>In late 1993, Jackson proposed to <a href="/facts/Lisa_Marie_Presley/2hoXIJgj">Lisa Marie Presley</a>, the daughter of Elvis Presley, over the phone.<a class="footnote-ref" id="fnref:266" href="#fn:266"><sup>266</sup></a> They were married in <a href="/facts/La_Vega%2c_Dominican_Republic/vUWm5HMx">La Vega, Dominican Republic</a>, in May 1994 by civil judge Hugo Francisco Álvarez Pérez.<a class="footnote-ref" id="fnref:267" href="#fn:267"><sup>267</sup></a> The tabloid media speculated that the wedding was a publicity stunt to deflect away from Jackson's sexual abuse allegations and jump-start Presley's career as a singer.<a class="footnote-ref" id="fnref:268" href="#fn:268"><sup>268</sup></a><a class="footnote-ref" id="fnref:269" href="#fn:269"><sup>269</sup></a> Their marriage ended little more than a year later, and they separated in December 1995.<a class="footnote-ref" id="fnref:270" href="#fn:270"><sup>270</sup></a> Presley cited "irreconcilable differences" when filing for divorce the next month and only sought to reclaim her maiden name as her settlement.<a class="footnote-ref" id="fnref:271" href="#fn:271"><sup>271</sup></a><a class="footnote-ref" id="fnref:272" href="#fn:272"><sup>272</sup></a> After the divorce, Judge Pérez said, "They lasted longer than I thought they would. I gave them a year. They lasted a year and a half."<a class="footnote-ref" id="fnref:273" href="#fn:273"><sup>273</sup></a> Presley later said she and Jackson had attempted to reconcile intermittently for four years following their divorce, and that she had traveled the world to be with him.<a class="footnote-ref" id="fnref:274" href="#fn:274"><sup>274</sup></a> </p><p>Jackson composed music for the <a href="/facts/Sega_Genesis/7GuPYDhM">Sega Genesis</a> video game <i><a href="/facts/Sonic_the_Hedgehog_3/1IUEbNxx">Sonic the Hedgehog 3</a></i> (1994), but left the project around the time the sexual abuse allegations surfaced and went uncredited. Jackson's involvement was the subject of fan speculation for decades until <i>Sonic</i> co-creator <a href="/facts/Yuji_Naka/Rd2Tu06E">Yuji Naka</a> confirmed it in 2022.<a class="footnote-ref" id="fnref:275" href="#fn:275"><sup>275</sup></a><a class="footnote-ref" id="fnref:276" href="#fn:276"><sup>276</sup></a> <a href="/facts/Sega_Technical_Institute/kHSmKL2A">Sega Technical Institute</a> director Roger Hector and <i>Sonic</i> co-creator <a href="/facts/Naoto_Ohshima/3hzH0KPk">Naoto Ohshima</a> said that Jackson was terminated and his music reworked following the allegations.<a class="footnote-ref" id="fnref:277" href="#fn:277"><sup>277</sup></a><a class="footnote-ref" id="fnref:278" href="#fn:278"><sup>278</sup></a> However, Jackson's musical director <a href="/facts/Brad_Buxer/MNdC9ofM">Brad Buxer</a> and other members of Jackson's team said he went uncredited because he was unhappy with how the Genesis replicated his music.<a class="footnote-ref" id="fnref:279" href="#fn:279"><sup>279</sup></a> The game's credits theme served as the basis for Jackson's 1996 song "<a href="/facts/Stranger_in_Moscow/s8IuCVWD">Stranger in Moscow</a>".<a class="footnote-ref" id="fnref:280" href="#fn:280"><sup>280</sup></a> </p> <h3><i>HIStory</i>, second marriage, fatherhood and <i>Blood on the Dance Floor: HIStory in the Mix</i> (1995–1997)</h3> <p>In June 1995, Jackson released the double album <i><a href="/facts/HIStory%3a_Past%2c_Present_and_Future%2c_Book_I/ssjryDu3">HIStory: Past, Present and Future, Book I</a></i>. The first disc, <i>HIStory Begins</i>, is a <a href="/facts/Greatest_hits_album/4IT6bnIq">greatest hits album</a> (reissued in 2001 as <i>Greatest Hits: HIStory, Volume I</i>). The second disc, <i>HIStory Continues</i>, contains 13 original songs and two cover versions. The album debuted at number one on the charts and has been certified for eight million shipments in the US.<a class="footnote-ref" id="fnref:281" href="#fn:281"><sup>281</sup></a> It is the bestselling multi-disc album of all time, with 20 million copies (40 million units) sold worldwide.<a class="footnote-ref" id="fnref:282" href="#fn:282"><sup>282</sup></a><a class="footnote-ref" id="fnref:283" href="#fn:283"><sup>283</sup></a> <i>HIStory</i> received a Grammy nomination for <a href="/facts/Grammy_Award_for_Album_of_the_Year/N7gTMqGf">Album of the Year</a>.<a class="footnote-ref" id="fnref:284" href="#fn:284"><sup>284</sup></a> The <i>New York Times</i> reviewed it as "the testimony of a musician whose self-pity now equals his talent".<a class="footnote-ref" id="fnref:285" href="#fn:285"><sup>285</sup></a> </p><p>The first single from <i>HIStory</i> was "<a href="/facts/Scream_(Michael_Jackson_and_Janet_Jackson_song)/uqK9Fyuu">Scream</a>/<a href="/facts/Childhood_(Michael_Jackson_song)/nKQtt5fA">Childhood</a>". "Scream", a duet with Jackson's youngest sister Janet, protests the media's treatment of Jackson during the 1993 child abuse allegations against him. The single reached number five on the <i>Billboard</i> Hot 100,<a class="footnote-ref" id="fnref:286" href="#fn:286"><sup>286</sup></a> and received a Grammy nomination for "Best Pop Collaboration with Vocals".<a class="footnote-ref" id="fnref:287" href="#fn:287"><sup>287</sup></a> The second single, "<a href="/facts/You_Are_Not_Alone/a4dEP1fd">You Are Not Alone</a>", holds the Guinness world record for the first song to debut at number one on the <i>Billboard</i> Hot 100 chart.<a class="footnote-ref" id="fnref:288" href="#fn:288"><sup>288</sup></a> It received a Grammy nomination for "Best Pop Vocal Performance" in 1995.<a class="footnote-ref" id="fnref:289" href="#fn:289"><sup>289</sup></a> </p><p>In 1995 the <a href="/facts/Anti-Defamation_League/oSCrg8fy">Anti-Defamation League</a> and other groups complained that "Jew me, sue me, everybody do me/ Kick me, <a href="/facts/Kike/VNkVewoa">kike</a> me, don't you black or white me", the original lyrics of "<a href="/facts/They_Don%2527t_Care_About_Us/A7CzLzQY">They Don't Care About Us</a>", were <a href="/facts/Antisemitism_in_the_United_States/30LHGEPB">antisemitic</a>. Jackson released a revised version of the song.<a class="footnote-ref" id="fnref:290" href="#fn:290"><sup>290</sup></a> In late 1995, Jackson was admitted to a hospital after collapsing during rehearsals for a televised performance, caused by a stress-related <a href="/facts/Panic_attack/qwDgfN2f">panic attack</a>.<a class="footnote-ref" id="fnref:291" href="#fn:291"><sup>291</sup></a> In November, Jackson merged his ATV Music catalog with Sony's music publishing division, creating <a href="/facts/Sony%2fATV_Music_Publishing/UkmsRyXs">Sony/ATV Music Publishing</a>. He retained ownership of half the company, earning $95 million up front (equivalent to $196 million in 2024) as well as the <a href="/facts/List_of_Sony%2fATV_Music_Publishing_artists/vrrQMAx0">rights to more songs</a>.<a class="footnote-ref" id="fnref:292" href="#fn:292"><sup>292</sup></a><a class="footnote-ref" id="fnref:293" href="#fn:293"><sup>293</sup></a> </p><p>"<a href="/facts/Earth_Song/wXFleSzA">Earth Song</a>" was the third single released from <i>HIStory</i>, and topped the <a href="/facts/UK_Singles_Chart/s2yyGUlD">UK Singles Chart</a> for six weeks over Christmas 1995.<a class="footnote-ref" id="fnref:294" href="#fn:294"><sup>294</sup></a> It became the 87th-bestselling single in the UK.<a class="footnote-ref" id="fnref:295" href="#fn:295"><sup>295</sup></a> At the <a href="/facts/1996_Brit_Awards/hxxQKxJs">1996 Brit Awards</a>, Jackson's performance of "Earth Song" was disrupted by <a href="/facts/Pulp_(band)/yv49IDGC">Pulp</a> singer <a href="/facts/Jarvis_Cocker/HRdCnxCU">Jarvis Cocker</a>, who was protesting what Cocker saw as Jackson's "Christ-like" persona. Jackson said the stage invasion was "disgusting and cowardly".<a class="footnote-ref" id="fnref:296" href="#fn:296"><sup>296</sup></a><a class="footnote-ref" id="fnref:297" href="#fn:297"><sup>297</sup></a> </p><p>In 1996, Jackson won a Grammy for Best Music Video, Short Form, for "Scream" and an American Music Award for Favorite Pop/Rock Male Artist.<a class="footnote-ref" id="fnref:298" href="#fn:298"><sup>298</sup></a><a class="footnote-ref" id="fnref:299" href="#fn:299"><sup>299</sup></a> In July 1996, Jackson performed for <a href="/facts/Sultan_Hassanal_Bolkiah/AFpJlgUH">Sultan Hassanal Bolkiah</a>'s fiftieth birthday at <a href="/facts/Jerudong_Park_Amphitheater/02TCXzwp">Jerudong Park Amphitheater</a>, which was specifically built for that birthday concert.<a class="footnote-ref" id="fnref:300" href="#fn:300"><sup>300</sup></a> Jackson was reportedly paid $17 million (equivalent to $34 million in 2024).<a class="footnote-ref" id="fnref:301" href="#fn:301"><sup>301</sup></a> Jackson promoted <i>HIStory</i> with the <a href="/facts/HIStory_World_Tour/w74DJ8G1">HIStory World Tour</a>, from September 7, 1996, to October 15, 1997. He performed 82 concerts in five continents, 35 countries and 58 cities to over 4.5 million fans, his most attended tour. It grossed $165 million (equivalent to $323 million in 2024).<a class="footnote-ref" id="fnref:302" href="#fn:302"><sup>302</sup></a> During the tour, in Sydney, Australia, Jackson married <a href="/facts/Debbie_Rowe/oGgGMGwp">Debbie Rowe</a>, a dermatology assistant, who was six months pregnant with his first child.<a class="footnote-ref" id="fnref:303" href="#fn:303"><sup>303</sup></a> </p><p>Michael Joseph Jackson Jr. (commonly known as Prince) was born on February 13, 1997. His sister <a href="/facts/Paris_Jackson/zdpbWS6Q">Paris-Michael Katherine Jackson</a> was born on April 3, 1998.<a class="footnote-ref" id="fnref:304" href="#fn:304"><sup>304</sup></a> Jackson and Rowe divorced in 2000, Rowe conceded custody of the children, with an $8 million settlement (equivalent to $15.1 million in 2024).<a class="footnote-ref" id="fnref:305" href="#fn:305"><sup>305</sup></a> In 2004, after the <a href="/facts/Trial_of_Michael_Jackson/lyuP7VcL">second child abuse allegations against Jackson</a>, she returned to court to reclaim custody. The suit was settled in 2006.<a class="footnote-ref" id="fnref:306" href="#fn:306"><sup>306</sup></a> </p><p>In 1997, Jackson released <i><a href="/facts/Blood_on_the_Dance_Floor%3a_HIStory_in_the_Mix/hSofFPAx">Blood on the Dance Floor: HIStory in the Mix</a></i>, which contained remixes of singles from <i>HIStory</i> and five new songs. Worldwide sales stand at 6 million copies, making it the <a href="/facts/List_of_best-selling_remix_albums/LNPcUbyU">bestselling remix album</a>. It reached number one in the UK, as did the single "<a href="/facts/Blood_on_the_Dance_Floor_(song)/Az0jJkJD">Blood on the Dance Floor</a>".<a class="footnote-ref" id="fnref:307" href="#fn:307"><sup>307</sup></a> In the US, the album reached number 24 and was certified platinum.<a class="footnote-ref" id="fnref:308" href="#fn:308"><sup>308</sup></a> </p> <h3>Label dispute and <i>Invincible</i> (1997–2002)</h3> <p>From October 1997 to September 2001, Jackson worked on his tenth solo album, <i><a href="/facts/Invincible_(Michael_Jackson_album)/Qxk3NFDL">Invincible</a></i>, which cost $30 million (equivalent to $53.3 million in 2024) to record, making it the <a href="/facts/List_of_most_expensive_albums/hogwHwHx">most expensive album</a> of all time.<a class="footnote-ref" id="fnref:309" href="#fn:309"><sup>309</sup></a> In June 1999, Jackson joined <a href="/facts/Luciano_Pavarotti/bCeeMYph">Luciano Pavarotti</a> for a <a href="/facts/War_Child_(charity)/XIqMMxQm">War Child</a> benefit concert in <a href="/facts/Modena%2c_Italy/UAHSfJXy">Modena, Italy</a>. The show raised a million dollars for refugees of the <a href="/facts/Kosovo_War/54xPuVXC">Kosovo War</a>, and additional funds for the children of <a href="/facts/Guatemala/MoMcSnla">Guatemala</a>.<a class="footnote-ref" id="fnref:310" href="#fn:310"><sup>310</sup></a> Later that month, Jackson organized a series of "<a href="/facts/MJ_%2526_Friends/ekpx4oJa">Michael Jackson & Friends</a>" benefit concerts in Germany and <a href="/facts/Korea/cj2kDBzc">Korea</a>. Other artists involved included <a href="/facts/Slash_(musician)/oqz9DDaR">Slash</a>, <a href="/facts/Scorpions_(band)/J5sVKN46">The Scorpions</a>, <a href="/facts/Boyz_II_Men/XAbKTVKY">Boyz II Men</a>, <a href="/facts/Luther_Vandross/Gd78mVoA">Luther Vandross</a>, <a href="/facts/Mariah_Carey/DlaF3a03">Mariah Carey</a>, <a href="/facts/A._R._Rahman/rP8WeDEy">A. R. Rahman</a>, <a href="/facts/Prabhu_Deva/SGEQf6Yt">Prabhu Deva</a> Sundaram, <a href="/facts/Shobana/BmYDAn4o">Shobana</a>, <a href="/facts/Andrea_Bocelli/BAN9kWbg">Andrea Bocelli</a> and Luciano Pavarotti. The proceeds went to the <a href="/facts/Nelson_Mandela_Children%2527s_Fund/Fe0aoAoR">Nelson Mandela Children's Fund</a>, the <a href="/facts/International_Red_Cross_and_Red_Crescent_Movement/KcT9EGnA">Red Cross</a> and <a href="/facts/UNESCO/QSbkRv3o">UNESCO</a>.<a class="footnote-ref" id="fnref:311" href="#fn:311"><sup>311</sup></a> In 1999, Jackson was presented with the "Outstanding Humanitarian Award" at <a href="/facts/Bollywood_Movie_Awards/sJ7sAs4U">Bollywood Movie Awards</a> in New York City where he noted <a href="/facts/Mahatma_Gandhi/epTj0j19">Mahatma Gandhi</a> to have been an inspiration for him.<a class="footnote-ref" id="fnref:312" href="#fn:312"><sup>312</sup></a><a class="footnote-ref" id="fnref:313" href="#fn:313"><sup>313</sup></a> From August 1999 to 2000, he lived in New York City at 4 <a href="/facts/74th_Street_(Manhattan)/qR382uBj">East 74th Street</a>.<a class="footnote-ref" id="fnref:314" href="#fn:314"><sup>314</sup></a> At the turn of the century, Jackson was awarded with the Artist of the 1980s Decade Award at the <a href="/facts/American_Music_Awards_of_2000/WYNmuj9C">27th American Music Awards</a>,<a class="footnote-ref" id="fnref:315" href="#fn:315"><sup>315</sup></a> and the Best-Selling Pop Male Artist of the Millennium Award at the 12nd <a href="/facts/World_Music_Awards/vQu1oADp">World Music Awards</a>.<a class="footnote-ref" id="fnref:316" href="#fn:316"><sup>316</sup></a> In 2000, <i><a href="/facts/Guinness_World_Records/Az88wVWk">Guinness World Records</a></i> recognized him for supporting 39 charities, more than any other entertainer.<a class="footnote-ref" id="fnref:317" href="#fn:317"><sup>317</sup></a> In September 2001, <a href="/facts/Michael_Jackson%3a_30th_Anniversary_Special/1vMVmrsr">two concerts</a> were held at Madison Square Garden to mark Jackson's 30th year as a solo artist. Jackson performed with his brothers for the first time since 1984. The show also featured <a href="/facts/M%25C3%25BDa/PNk7wHtB">Mýa</a>, <a href="/facts/Usher_(singer)/62RLD0FF">Usher</a>, <a href="/facts/Whitney_Houston/FUNyXLjm">Whitney Houston</a>, <a href="/facts/Destiny%2527s_Child/DL7PMfx4">Destiny's Child</a>, <a href="/facts/Monica_(singer)/8hwU8xFv">Monica</a>, <a href="/facts/Liza_Minnelli/U8HHduEt">Liza Minnelli</a> and Slash. The first show was marred by technical lapses, and the crowd booed a speech by <a href="/facts/Marlon_Brando/9eYnscbA">Marlon Brando</a>.<a class="footnote-ref" id="fnref:318" href="#fn:318"><sup>318</sup></a> 45 million people watched the television broadcast of the shows in November according to <a href="/facts/Nielsen_Media_Research/AwygC4z6">Nielsen Media Research</a>.<a class="footnote-ref" id="fnref:319" href="#fn:319"><sup>319</sup></a> After the <a href="/facts/September_11_attacks/PfWQcQNx">September 11 attacks</a> (in which Jackson narrowly avoided death by oversleeping and missing a scheduled meeting at the <a href="/facts/World_Trade_Center_(1973%25E2%2580%25932001)/mtSktMFe">World Trade Center</a><a class="footnote-ref" id="fnref:320" href="#fn:320"><sup>320</sup></a>), Jackson helped organize the <a href="/facts/United_We_Stand%3a_What_More_Can_I_Give/K0WKVn0L">United We Stand: What More Can I Give</a> benefit concert at <a href="/facts/Robert_F._Kennedy_Memorial_Stadium/2NYQMyDm">Robert F. Kennedy Memorial Stadium</a> in Washington, D.C., on October 21, 2001. Jackson performed "<a href="/facts/What_More_Can_I_Give/vjy5YEJm">What More Can I Give</a>" as the finale.<a class="footnote-ref" id="fnref:321" href="#fn:321"><sup>321</sup></a> </p><p>The release of <i>Invincible</i> was preceded by a dispute between Jackson and his record label, Sony Music Entertainment. Jackson had expected the licenses to the masters of his albums to revert to him in the early 2000s, after which he would be able to promote the material however he pleased and keep the profits, but clauses in the contract set the revert date years into the future. Jackson sought an early exit from his contract.<a class="footnote-ref" id="fnref:322" href="#fn:322"><sup>322</sup></a> <i>Invincible</i> was released on October 30, 2001. It was Jackson's first full-length album in six years, and the last album of original material he released in his lifetime.<a class="footnote-ref" id="fnref:323" href="#fn:323"><sup>323</sup></a> It debuted at number one in 13 countries, and went on to sell eight million copies worldwide, receiving double-platinum certification in the US.<a class="footnote-ref" id="fnref:324" href="#fn:324"><sup>324</sup></a><a class="footnote-ref" id="fnref:325" href="#fn:325"><sup>325</sup></a><a class="footnote-ref" id="fnref:326" href="#fn:326"><sup>326</sup></a> </p><p>On January 9, 2002, Jackson won his 22nd American Music Award for Artist of the Century.<a class="footnote-ref" id="fnref:327" href="#fn:327"><sup>327</sup></a><a class="footnote-ref" id="fnref:328" href="#fn:328"><sup>328</sup></a> Later that year, an anonymous <a href="/facts/Surrogacy/lFdW1Fp9">surrogate mother</a> gave birth to his third child, Prince Michael Jackson II (nicknamed "Blanket"<a class="footnote-ref" id="fnref:329" href="#fn:329"><sup>329</sup></a>), who had been conceived by <a href="/facts/Artificial_insemination/ccbKoyu4">artificial insemination</a>.<a class="footnote-ref" id="fnref:330" href="#fn:330"><sup>330</sup></a> On November 20, Jackson briefly held Blanket over the railing of his Berlin hotel room, four stories above ground level, prompting widespread criticism in the media. Jackson apologized for the incident, calling it "a terrible mistake".<a class="footnote-ref" id="fnref:331" href="#fn:331"><sup>331</sup></a> On January 22, promoter Marcel Avram filed a breach of contract complaint against Jackson for failing to perform two planned 1999 concerts.<a class="footnote-ref" id="fnref:332" href="#fn:332"><sup>332</sup></a> In March, a Santa Maria jury ordered Jackson to pay Avram $5.3 million (equivalent to $9.3 million in 2024).<a class="footnote-ref" id="fnref:333" href="#fn:333"><sup>333</sup></a><a class="footnote-ref" id="fnref:334" href="#fn:334"><sup>334</sup></a> On December 18, 2003, Jackson's attorneys dropped all appeals on the verdict and settled the lawsuit for an undisclosed amount.<a class="footnote-ref" id="fnref:335" href="#fn:335"><sup>335</sup></a> </p><p>On April 24, 2002, Jackson performed at <a href="/facts/Apollo_Theater/0x78lSFU">Apollo Theater</a>. The concert was a fundraiser for the Democratic National Committee and former President Bill Clinton.<a class="footnote-ref" id="fnref:336" href="#fn:336"><sup>336</sup></a> The money collected would be used to encourage citizens to vote. It raised $2.5 million (equivalent to $3.8 million in 2024).<a class="footnote-ref" id="fnref:337" href="#fn:337"><sup>337</sup></a> The concert was called <a href="/facts/Michael_Jackson%3a_Live_at_the_Apollo_2002/MF6CxSG3">Michael Jackson: Live at the Apollo</a> and was one of Jackson's final on-stage performances.<a class="footnote-ref" id="fnref:338" href="#fn:338"><sup>338</sup></a> </p><p>In July 2002, at <a href="/facts/Al_Sharpton/tlnTaTGc">Al Sharpton</a>'s <a href="/facts/National_Action_Network/b8A4tslm">National Action Network</a> in Harlem, Jackson called the Sony Music chairman <a href="/facts/Tommy_Mottola/tPBkzbID">Tommy Mottola</a> "a racist, and very, very, very devilish", and accused him of exploiting black artists for his own gain. The accusation prompted Sharpton to form a coalition investigating whether Mottola exploited black artists.<a class="footnote-ref" id="fnref:339" href="#fn:339"><sup>339</sup></a> Jackson charged that Mottola had called his colleague <a href="/facts/Irv_Gotti/F8HTzvuu">Irv Gotti</a> a "fat <a href="/facts/Nigger/tK1KUcYt">nigger</a>".<a class="footnote-ref" id="fnref:340" href="#fn:340"><sup>340</sup></a> Sony issued a statement calling the accusations "ludicrous, spiteful, and hurtful" and said Mottola had championed Jackson's career for years.<a class="footnote-ref" id="fnref:341" href="#fn:341"><sup>341</sup></a> Sony refused to renew Jackson's contract and said that a $25 million (equivalent to $43.7 million in 2024) promotional campaign had failed because Jackson refused to tour in the US for <i>Invincible</i>.<a class="footnote-ref" id="fnref:342" href="#fn:342"><sup>342</sup></a> </p> <h3>Documentary, <i>Number Ones</i>, second child abuse allegations and acquittal (2002–2005)</h3> <p class="note">Further information: <a href="/facts/Trial_of_Michael_Jackson/lyuP7VcL">Trial of Michael Jackson</a></p> <p>Beginning in May 2002, a documentary film crew led by <a href="/facts/Martin_Bashir/AV6dWPtJ">Martin Bashir</a> followed Jackson for several months.<a class="footnote-ref" id="fnref:343" href="#fn:343"><sup>343</sup></a> The documentary, broadcast in February 2003 as <i><a href="/facts/Living_with_Michael_Jackson/sfqBq5tg">Living with Michael Jackson</a></i>, showed Jackson holding hands and discussing sleeping arrangements with a twelve-year-old boy.<a class="footnote-ref" id="fnref:344" href="#fn:344"><sup>344</sup></a><a class="footnote-ref" id="fnref:345" href="#fn:345"><sup>345</sup></a> He said that he saw nothing wrong with having sleepovers with minors and sharing his bed and bedroom with various people, which aroused controversy. He insisted that the sleepovers were not sexual and that his words had been misunderstood.<a class="footnote-ref" id="fnref:346" href="#fn:346"><sup>346</sup></a><a class="footnote-ref" id="fnref:347" href="#fn:347"><sup>347</sup></a> </p><p>In October 2003, Jackson received the <a href="/facts/Freedom_of_the_City/aAIkoGwV">Key to the City</a> of <a href="/facts/Las_Vegas/DLwGjxJt">Las Vegas</a> from Mayor <a href="/facts/Oscar_Goodman/rwyjUQgq">Oscar Goodman</a>.<a class="footnote-ref" id="fnref:348" href="#fn:348"><sup>348</sup></a> On November 18, 2003, Sony released <i><a href="/facts/Number_Ones_(Michael_Jackson_album)/lSR7Th7K">Number Ones</a></i>, a <a href="/facts/Greatest_hits_album/4IT6bnIq">greatest hits album</a>. It was certified five times platinum by the RIAA, and ten times platinum in the UK, for shipments of at least 3 million units.<a class="footnote-ref" id="fnref:349" href="#fn:349"><sup>349</sup></a><a class="footnote-ref" id="fnref:350" href="#fn:350"><sup>350</sup></a> </p> <p>On December 18, 2003, Santa Barbara authorities charged Jackson with seven counts of child molestation and two counts of intoxicating a minor with <a href="/facts/Alcoholic_drink/HSHVWBtX">alcoholic drinks</a>.<a class="footnote-ref" id="fnref:351" href="#fn:351"><sup>351</sup></a> Jackson denied the allegations and pleaded not guilty.<a class="footnote-ref" id="fnref:352" href="#fn:352"><sup>352</sup></a> The <i><a href="/facts/Trial_of_Michael_Jackson/lyuP7VcL">People v. Jackson</a></i> trial began on January 31, 2005, in <a href="/facts/Santa_Maria%2c_California/2mg8IhH7">Santa Maria, California</a>, and lasted until the end of May. Jackson found the experience stressful and it affected his health. If convicted, he would have faced up to twenty years in prison.<a class="footnote-ref" id="fnref:353" href="#fn:353"><sup>353</sup></a> On June 13, 2005, Jackson was acquitted on all counts.<a class="footnote-ref" id="fnref:354" href="#fn:354"><sup>354</sup></a> <a href="/facts/FBI_files_on_Michael_Jackson/6E8hE4JM">FBI files on Jackson</a>, released in 2009, revealed the FBI's role in the 2005 trial and the 1993 allegations, and showed that the FBI found no evidence of criminal conduct on Jackson's behalf.<a class="footnote-ref" id="fnref:355" href="#fn:355"><sup>355</sup></a><a class="footnote-ref" id="fnref:356" href="#fn:356"><sup>356</sup></a> </p> <h3>Final years, financial problems, <i>Thriller 25</i> and This Is It (2005–2009)</h3> <p>After the trial, Jackson became reclusive.<a class="footnote-ref" id="fnref:357" href="#fn:357"><sup>357</sup></a> In June 2005, he moved to <a href="/facts/Bahrain/ndXdWPhr">Bahrain</a> as a guest of <a href="/facts/Abdullah_bin_Hamad_bin_Isa_Al_Khalifa/SgMPoUrY">Sheikh Abdullah</a>.<a class="footnote-ref" id="fnref:358" href="#fn:358"><sup>358</sup></a> In early 2006, it was announced that Jackson had signed a contract with a Bahrain startup, Two Seas Records. Nothing came of the deal, and the Two Seas CEO, <a href="/facts/Gut_Records/y2NcuG8s">Guy Holmes</a>, later said it was never finalized.<a class="footnote-ref" id="fnref:359" href="#fn:359"><sup>359</sup></a><a class="footnote-ref" id="fnref:360" href="#fn:360"><sup>360</sup></a> Holmes also found that Jackson was on the verge of bankruptcy and was involved in 47 ongoing lawsuits.<a class="footnote-ref" id="fnref:361" href="#fn:361"><sup>361</sup></a> By September 2006, Jackson was no longer affiliated with Two Seas.<a class="footnote-ref" id="fnref:362" href="#fn:362"><sup>362</sup></a> </p><p>In April 2006, Jackson agreed to use a piece of his ATV catalog stake, then worth about $1 billion, as <a href="/facts/Collateral_(finance)/A2UHNMj4">collateral</a> against his $270 million worth of loans from <a href="/facts/Bank_of_America/fXUQI9vp">Bank of America</a>. Bank of America had sold the loans to <a href="/facts/Fortress_Investment_Group/Aq1lzpcd">Fortress Investments</a>, an investment company that buys distressed loans, the year before. As part of the agreement, Fortress Investments provided Jackson a new loan of $300 million with reduced interest payments (equivalent to $470 million in 2024). Sony Music would have the option to buy half of his stake, or about 25% of the catalog, at a set price. Jackson's financial managers had urged him to shed part of his stake to avoid bankruptcy.<a class="footnote-ref" id="fnref:363" href="#fn:363"><sup>363</sup></a><a class="footnote-ref" id="fnref:364" href="#fn:364"><sup>364</sup></a> The main house at Neverland Ranch was closed as a cost-cutting measure, while Jackson lived in Bahrain at the hospitality of Abdullah.<a class="footnote-ref" id="fnref:365" href="#fn:365"><sup>365</sup></a> At least thirty of Jackson's employees had not been paid on time and were owed $306,000 in back wages. Jackson was ordered to pay $100,000 in penalties.<a class="footnote-ref" id="fnref:366" href="#fn:366"><sup>366</sup></a> Jackson never returned to Neverland after his acquittal.<a class="footnote-ref" id="fnref:367" href="#fn:367"><sup>367</sup></a> </p><p>In mid-2006, Jackson moved to <a href="/facts/Grouse_Lodge/LoL93gTS">Grouse Lodge</a>, a residential recording studio near <a href="/facts/Rosemount%2c_County_Westmeath/jVgUgtzk">Rosemount, County Westmeath</a>, Ireland. There, he began work on a new album with the American producers <a href="/facts/Will.i.am/D0z1u6uB">will.i.am</a> and <a href="/facts/Rodney_Jerkins/clwBIt3Q">Rodney Jenkins</a>.<a class="footnote-ref" id="fnref:368" href="#fn:368"><sup>368</sup></a> That November, Jackson invited an <i><a href="/facts/Access_Hollywood/gd2PgVY1">Access Hollywood</a></i> camera crew into the studio in Westmeath.<a class="footnote-ref" id="fnref:369" href="#fn:369"><sup>369</sup></a> On November 15, Jackson briefly joined in on a performance of "We Are the World" at the <a href="/facts/2006_World_Music_Awards/qjYCl8Nt">World Music Awards</a> in London, his last public performance, and accepted the Diamond Award for sales of 100 million records.<a class="footnote-ref" id="fnref:370" href="#fn:370"><sup>370</sup></a><a class="footnote-ref" id="fnref:371" href="#fn:371"><sup>371</sup></a> He returned to the US in December, settling in Las Vegas. That month, he attended <a href="/facts/James_Brown/YpWnK7KH">James Brown</a>'s funeral in <a href="/facts/Augusta%2c_Georgia/CQYzKRyy">Augusta, Georgia</a>, where he gave a eulogy calling Brown his greatest inspiration.<a class="footnote-ref" id="fnref:372" href="#fn:372"><sup>372</sup></a> </p> <p>In 2007, Jackson and Sony bought another music publishing company, <a href="/facts/Famous_Music/4TEzWyGk">Famous Music</a> LLC, formerly owned by <a href="/facts/Viacom_(2005%25E2%2580%25932019)/A8xmS6wG">Viacom</a>. The deal gave Jackson the rights to songs by <a href="/facts/Eminem/zXSQb1nS">Eminem</a> and <a href="/facts/Beck/FD32zLF1">Beck</a>, among others.<a class="footnote-ref" id="fnref:373" href="#fn:373"><sup>373</sup></a><a class="footnote-ref" id="fnref:374" href="#fn:374"><sup>374</sup></a> In a brief interview, Jackson said he had no regrets about his career despite his problems and "deliberate attempts to hurt [him]".<a class="footnote-ref" id="fnref:375" href="#fn:375"><sup>375</sup></a> That March, Jackson visited a US Army post in Japan, <a href="/facts/Camp_Zama/m3T2xWNY">Camp Zama</a>, to greet more than 3,000 troops and their families.<a class="footnote-ref" id="fnref:376" href="#fn:376"><sup>376</sup></a><a class="footnote-ref" id="fnref:377" href="#fn:377"><sup>377</sup></a> As of September, Jackson was still working on his next album, which he never completed.<a class="footnote-ref" id="fnref:378" href="#fn:378"><sup>378</sup></a> </p><p>In 2008, for the 25th anniversary of <i>Thriller</i>, Jackson and Sony released <i><a href="/facts/Thriller_25/mF29DcFE">Thriller 25</a></i>, with two remixes released as singles: "<a href="/facts/The_Girl_Is_Mine_2008/kGyM1WIp">The Girl Is Mine 2008</a>" and "<a href="/facts/Wanna_Be_Startin%2527_Somethin%2527_2008/RCJlEWDy">Wanna Be Startin' Somethin' 2008</a>".<a class="footnote-ref" id="fnref:379" href="#fn:379"><sup>379</sup></a> <i>Thriller 25</i> was the last recorded work released during his life which he was extensively involved with, with Jackson co-producing the album's remix tracks. For his 50th birthday, Sony BMG released a series of greatest hits albums, <i><a href="/facts/King_of_Pop_(album)/tr6F20Qw">King of Pop</a>,</i> with different tracklists for different regions.<a class="footnote-ref" id="fnref:380" href="#fn:380"><sup>380</sup></a> That July, Fortress Investments threatened to <a href="/facts/Foreclosure/GN8aoeyl">foreclose</a> on Neverland Ranch, which he had used as collateral for his loans. Fortress sold Jackson's debts to <a href="/facts/Colony_Capital/AWRsXFIT">Colony Capital</a> LLC.<a class="footnote-ref" id="fnref:381" href="#fn:381"><sup>381</sup></a> In November, Jackson transferred Neverland Ranch's title to Sycamore Valley Ranch Company LLC, a joint venture between Jackson and Colony Capital LLC. The deal earned him $35 million.<a class="footnote-ref" id="fnref:382" href="#fn:382"><sup>382</sup></a> In 2009, Jackson arranged to sell a collection of his memorabilia of more than 1,000 items through <a href="/facts/Julien%2527s_Auctions/nk6BT1jK">Julien's Auction House</a>, but canceled the auction in April.<a class="footnote-ref" id="fnref:383" href="#fn:383"><sup>383</sup></a> </p><p>In March 2009, amid speculation about his finances and health, Jackson announced a series of comeback concerts, <a href="/facts/This_Is_It_(concert_residency)/qSXavwz6">This Is It</a>, at a press conference at <a href="/facts/The_O2_Arena/3MTLGXmE">the O2 Arena</a>.<a class="footnote-ref" id="fnref:384" href="#fn:384"><sup>384</sup></a> The shows were to be his first major concerts since the HIStory World Tour in 1997. Jackson suggested he would retire after the shows. The initial plan was for ten concerts in London, followed by shows in Paris, New York City and Mumbai. Randy Phillips, the president and chief executive of <a href="/facts/Anschutz_Entertainment_Group/C3c8wIWg">AEG Live</a>, predicted the first ten dates would earn Jackson £50 million.<a class="footnote-ref" id="fnref:385" href="#fn:385"><sup>385</sup></a> </p><p>The London residency was increased to fifty dates after record-breaking ticket sales; more than one million were sold in less than two hours.<a class="footnote-ref" id="fnref:386" href="#fn:386"><sup>386</sup></a> The concerts were to run from July 13, 2009, to March 6, 2010. Jackson moved to Los Angeles, where he rehearsed in the weeks leading up to the tour under the direction of the choreographer <a href="/facts/Kenny_Ortega/o5e6IazJ">Kenny Ortega</a>, whom he had worked with during his previous tours. Rehearsals took place at <a href="/facts/Kia_Forum/89HRyLSs">the Forum</a> and the <a href="/facts/Staples_Center/2FmbRRM2">Staples Center</a> owned by AEG.<a class="footnote-ref" id="fnref:387" href="#fn:387"><sup>387</sup></a> By this point, Jackson's debt had grown to almost $500 million. By the time of his death, he was three or four months behind payments on his home in San Fernando Valley.<a class="footnote-ref" id="fnref:388" href="#fn:388"><sup>388</sup></a><a class="footnote-ref" id="fnref:389" href="#fn:389"><sup>389</sup></a> <i><a href="/facts/The_Independent/g1P75Mfz">The Independent</a></i> reported that Jackson planned a string of further ventures designed to recoup his debts, including a world tour, a new album, films, a museum and a casino.<a class="footnote-ref" id="fnref:390" href="#fn:390"><sup>390</sup></a> </p> <h2 id="death">Death</h2> <p class="note">Main article: <a href="/facts/Death_of_Michael_Jackson/ow5QU3gp">Death of Michael Jackson</a></p> <p>On June 25, 2009, less than three weeks before his concert residency was due to begin in London, with all concerts sold out, Jackson died from cardiac arrest, caused by a <a href="/facts/Propofol/t34FW3fL">propofol</a> and <a href="/facts/Benzodiazepine/IgbJr4jy">benzodiazepine</a> overdose.<a class="footnote-ref" id="fnref:391" href="#fn:391"><sup>391</sup></a><a class="footnote-ref" id="fnref:392" href="#fn:392"><sup>392</sup></a> <a href="/facts/Conrad_Murray/Ho4qIfCl">Conrad Murray</a>, his personal physician, had given Jackson various medications to help him sleep at his rented mansion in <a href="/facts/Holmby_Hills%2c_Los_Angeles/xm68qmLt">Holmby Hills, Los Angeles</a>. Paramedics received a <a href="/facts/9-1-1/8IRJCy4X">911</a> call at 12:21 pm <a href="/facts/Pacific_Time_Zone/v04MPIjz">Pacific time</a> (19:21 UTC) and arrived at the property four minutes later.<a class="footnote-ref" id="fnref:393" href="#fn:393"><sup>393</sup></a> Jackson was not breathing and <a href="/facts/Cardiopulmonary_resuscitation/0LNkmTVf">CPR</a> was performed.<a class="footnote-ref" id="fnref:394" href="#fn:394"><sup>394</sup></a> Resuscitation efforts continued en route to <a href="/facts/Ronald_Reagan_UCLA_Medical_Center/LqeCgBQM">Ronald Reagan UCLA Medical Center</a>, and for more than an hour after Jackson's arrival there, but were unsuccessful,<a class="footnote-ref" id="fnref:395" href="#fn:395"><sup>395</sup></a><a class="footnote-ref" id="fnref:396" href="#fn:396"><sup>396</sup></a> and Jackson was pronounced dead at 2:26 pm Pacific time (21:26 UTC).<a class="footnote-ref" id="fnref:397" href="#fn:397"><sup>397</sup></a><a class="footnote-ref" id="fnref:398" href="#fn:398"><sup>398</sup></a> Murray had administered <a href="/facts/Propofol/t34FW3fL">propofol</a>, <a href="/facts/Lorazepam/59gNSrMN">lorazepam</a>, and <a href="/facts/Midazolam/mpw0AEvr">midazolam</a>;<a class="footnote-ref" id="fnref:399" href="#fn:399"><sup>399</sup></a> Jackson's death was caused by a propofol overdose.<a class="footnote-ref" id="fnref:400" href="#fn:400"><sup>400</sup></a><a class="footnote-ref" id="fnref:401" href="#fn:401"><sup>401</sup></a> </p><p>News of his death spread quickly online, causing websites to slow down and <a href="/facts/Crash_(computing)/I8yn65yt">crash</a> from user overload,<a class="footnote-ref" id="fnref:402" href="#fn:402"><sup>402</sup></a> and it put unprecedented strain<a class="footnote-ref" id="fnref:403" href="#fn:403"><sup>403</sup></a> on many services and websites including <a href="/facts/Google_Search/LFnCogKt">Google</a>,<a class="footnote-ref" id="fnref:404" href="#fn:404"><sup>404</sup></a> <a href="/facts/AOL_Instant_Messenger/0dHP73Sk">AOL Instant Messenger</a>,<a class="footnote-ref" id="fnref:405" href="#fn:405"><sup>405</sup></a> Twitter and Wikipedia.<a class="footnote-ref" id="fnref:406" href="#fn:406"><sup>406</sup></a> Overall, <a href="/facts/Web_traffic/vmR1QQDP">web traffic</a> rose by between 11% and 20%.<a class="footnote-ref" id="fnref:407" href="#fn:407"><sup>407</sup></a><a class="footnote-ref" id="fnref:408" href="#fn:408"><sup>408</sup></a> MTV and <a href="/facts/BET/n8VkMqdK">BET</a> aired <a href="/facts/Marathon_(media)/ghKsIltr">marathons</a> of Jackson's music videos,<a class="footnote-ref" id="fnref:409" href="#fn:409"><sup>409</sup></a> and Jackson specials aired on television stations around the world.<a class="footnote-ref" id="fnref:410" href="#fn:410"><sup>410</sup></a> MTV briefly returned to its original music video format,<a class="footnote-ref" id="fnref:411" href="#fn:411"><sup>411</sup></a> and they aired hours of Jackson's music videos, with live news specials featuring reactions from MTV personalities and other celebrities.<a class="footnote-ref" id="fnref:412" href="#fn:412"><sup>412</sup></a> </p> <h3>Memorial service</h3> <p class="note">Main article: <a href="/facts/Michael_Jackson_memorial_service/W4YxrH9V">Michael Jackson memorial service</a></p> <p>Jackson's memorial was held on July 7, 2009, at the <a href="/facts/Staples_Center/2FmbRRM2">Staples Center</a> in Los Angeles, preceded by a private family service at <a href="/facts/Forest_Lawn_Memorial_Park%2c_Hollywood_Hills/7yP4YrcG">Forest Lawn Memorial Park's Hall of Liberty</a>. Over 1.6 million fans applied for tickets to the memorial; the 8,750 recipients were drawn at random, and each received two tickets.<a class="footnote-ref" id="fnref:413" href="#fn:413"><sup>413</sup></a> The memorial service was one of the most watched events in <a href="/facts/Streaming_media/4rPhSq0Y">streaming</a> history,<a class="footnote-ref" id="fnref:414" href="#fn:414"><sup>414</sup></a> with an estimated US audience of 31.1 million<a class="footnote-ref" id="fnref:415" href="#fn:415"><sup>415</sup></a> and a worldwide audience of an estimated 2.5 to 3 billion.<a class="footnote-ref" id="fnref:416" href="#fn:416"><sup>416</sup></a><a class="footnote-ref" id="fnref:417" href="#fn:417"><sup>417</sup></a> </p><p><a href="/facts/Mariah_Carey/DlaF3a03">Mariah Carey</a>, <a href="/facts/Stevie_Wonder/z5Kqx9mr">Stevie Wonder</a>, <a href="/facts/Lionel_Richie/cDNxNovE">Lionel Richie</a>, <a href="/facts/Jennifer_Hudson/MtLz8FeF">Jennifer Hudson</a>, and <a href="/facts/Shaheen_Jafargholi/xuKhR8Iy">Shaheen Jafargholi</a> performed at the memorial, and <a href="/facts/Smokey_Robinson/pXqPAx7k">Smokey Robinson</a> and <a href="/facts/Queen_Latifah/lzogbVxq">Queen Latifah</a> gave eulogies.<a class="footnote-ref" id="fnref:418" href="#fn:418"><sup>418</sup></a> <a href="/facts/Al_Sharpton/tlnTaTGc">Al Sharpton</a> received a standing ovation with cheers when he told Jackson's children: "Wasn't nothing strange about your daddy. It was strange what your daddy had to deal with. But he dealt with it anyway."<a class="footnote-ref" id="fnref:419" href="#fn:419"><sup>419</sup></a> Jackson's 11-year-old daughter <a href="/facts/Paris_Jackson/zdpbWS6Q">Paris Katherine</a>, speaking publicly for the first time, wept as she addressed the crowd.<a class="footnote-ref" id="fnref:420" href="#fn:420"><sup>420</sup></a><a class="footnote-ref" id="fnref:421" href="#fn:421"><sup>421</sup></a> Lucious Smith provided a closing prayer.<a class="footnote-ref" id="fnref:422" href="#fn:422"><sup>422</sup></a> On September 3, 2009, the body of Jackson was entombed at <a href="/facts/Forest_Lawn_Memorial_Park_(Glendale)/IxL4KtP4">Forest Lawn Memorial Park</a> in <a href="/facts/Glendale%2c_California/N84urPeB">Glendale, California</a>.<a class="footnote-ref" id="fnref:423" href="#fn:423"><sup>423</sup></a> </p> <h3>Criminal investigation and prosecution of Conrad Murray</h3> <p class="note">Main article: <a href="/facts/People_v._Murray/Jm4a4K7G">People v. Murray</a></p> <p>In August 2009, the <a href="/facts/Los_Angeles_County_Coroner/dfdH5otQ">Los Angeles County Coroner</a> ruled that Jackson's death was a <a href="/facts/Homicide/DshYlIoD">homicide</a>.<a class="footnote-ref" id="fnref:424" href="#fn:424"><sup>424</sup></a><a class="footnote-ref" id="fnref:425" href="#fn:425"><sup>425</sup></a> Law enforcement officials <a href="/facts/People_v._Murray/Jm4a4K7G">charged Murray</a> with <a href="/facts/Involuntary_manslaughter/NGPBCB66">involuntary manslaughter</a> on February 8, 2010.<a class="footnote-ref" id="fnref:426" href="#fn:426"><sup>426</sup></a> In late 2011, he was found guilty of involuntary manslaughter<a class="footnote-ref" id="fnref:427" href="#fn:427"><sup>427</sup></a> and held without bail to await sentencing.<a class="footnote-ref" id="fnref:428" href="#fn:428"><sup>428</sup></a> Murray was sentenced to four years in prison, but was released after one year and eleven months.<a class="footnote-ref" id="fnref:429" href="#fn:429"><sup>429</sup></a> </p> <h3>Posthumous sales</h3> <p>At the <a href="/facts/American_Music_Awards_of_2009/Cv0DSWgV">2009 American Music Awards</a>, Jackson won four posthumous awards, including two for his compilation album <i><a href="/facts/Number_Ones_(Michael_Jackson_album)/lSR7Th7K">Number Ones</a></i>, bringing his total American Music Awards to 26.<a class="footnote-ref" id="fnref:430" href="#fn:430"><sup>430</sup></a><a class="footnote-ref" id="fnref:431" href="#fn:431"><sup>431</sup></a> In the year after his death, more than 16.1 million copies of Jackson's albums were sold in the US alone, and 35 million copies were sold worldwide, more than any other artist in 2009.<a class="footnote-ref" id="fnref:432" href="#fn:432"><sup>432</sup></a><a class="footnote-ref" id="fnref:433" href="#fn:433"><sup>433</sup></a> He became the first artist to sell one million <a href="/facts/Music_download/96QbSLNp">music downloads</a> in a week, with 2.6 million song downloads. <i>Thriller</i>, <i>Number Ones</i> and <i><a href="/facts/The_Essential_Michael_Jackson/s52hI0vC">The Essential Michael Jackson</a></i> became the first catalog albums to outsell any new album.<a class="footnote-ref" id="fnref:434" href="#fn:434"><sup>434</sup></a> Jackson also became the first artist to have four of the top-20 bestselling albums in a single year in the US.<a class="footnote-ref" id="fnref:435" href="#fn:435"><sup>435</sup></a> Within the year following his death, Jackson sold over 75 million records worldwide.<a class="footnote-ref" id="fnref:436" href="#fn:436"><sup>436</sup></a> By the end of 2013, Jackson had sold over 50 million albums worldwide since his death.<a class="footnote-ref" id="fnref:437" href="#fn:437"><sup>437</sup></a> </p><p>Following the surge in sales, in March 2010, Sony Music signed a $250 million deal (equivalent to $360 million in 2024) with the <a href="/facts/Jackson_estate/jpKHcVxX">Jackson estate</a> to extend their distribution rights to Jackson's back catalog until at least 2017; it had been due to expire in 2015. It was the <a href="/facts/List_of_largest_music_deals/C1kXqqcS">most expensive music contract</a> for a single artist in history.<a class="footnote-ref" id="fnref:438" href="#fn:438"><sup>438</sup></a><a class="footnote-ref" id="fnref:439" href="#fn:439"><sup>439</sup></a> They agreed to release ten albums of previously unreleased material and new collections of released work.<a class="footnote-ref" id="fnref:440" href="#fn:440"><sup>440</sup></a><a class="footnote-ref" id="fnref:441" href="#fn:441"><sup>441</sup></a> The deal was extended in 2017.<a class="footnote-ref" id="fnref:442" href="#fn:442"><sup>442</sup></a> That July, a Los Angeles court awarded <a href="/facts/Quincy_Jones/cNDqEm1X">Quincy Jones</a> $9.4 million of disputed royalty payments for <i>Off the Wall</i>, <i>Thriller</i>, and <i>Bad</i>.<a class="footnote-ref" id="fnref:443" href="#fn:443"><sup>443</sup></a> In July 2018, Sony/ATV bought the estate's stake in EMI for $287.5 million.<a class="footnote-ref" id="fnref:444" href="#fn:444"><sup>444</sup></a> </p><p>In 2014, Jackson became the first artist to have a top-ten single in the <i>Billboard</i> Hot 100 in five different decades.<a class="footnote-ref" id="fnref:445" href="#fn:445"><sup>445</sup></a> The following year, <i>Thriller</i> became the first album to be certified for 30 million shipments by the <a href="/facts/Recording_Industry_Association_of_America/8a7K0Ubf">Recording Industry Association of America</a> (RIAA).<a class="footnote-ref" id="fnref:446" href="#fn:446"><sup>446</sup></a> A year later, it was certified 33× platinum after <a href="/facts/Soundscan/vnNMy1at">Soundscan</a> added streams and audio downloads to album certifications.<a class="footnote-ref" id="fnref:447" href="#fn:447"><sup>447</sup></a><a class="footnote-ref" id="fnref:448" href="#fn:448"><sup>448</sup></a> </p><p>In February 2024, Sony Music acquired half of Jackson's publishing rights and recording masters for an estimated $600 million. The deal includes assets from Jackson's Mijac publishing catalog, but excludes royalties from several Jackson-related productions, including the <i>MJ</i> Broadway musical and the <i>Michael</i> biopic. The deal is possibly the largest transaction ever for a single musician's work.<a class="footnote-ref" id="fnref:449" href="#fn:449"><sup>449</sup></a><a class="footnote-ref" id="fnref:450" href="#fn:450"><sup>450</sup></a> </p> <h3>Posthumous releases and productions</h3> <p>Jackson's posthumous releases and productions are administered by the <a href="/facts/Estate_of_Michael_Jackson/jpKHcVxX">estate of Michael Jackson</a>, which owns Jackson's trademarks and rights to his name, image and likeness.<a class="footnote-ref" id="fnref:451" href="#fn:451"><sup>451</sup></a> The first posthumous Jackson song, "<a href="/facts/This_Is_It_(Michael_Jackson_song)/qrklfnpV">This Is It</a>", co-written in the 1980s with <a href="/facts/Paul_Anka/NYd8sJ7c">Paul Anka</a>, was released in October 2009. The surviving Jackson brothers reunited to record backing vocals.<a class="footnote-ref" id="fnref:452" href="#fn:452"><sup>452</sup></a> It was followed by a documentary film about the rehearsals for the canceled This Is It tour, <i><a href="/facts/Michael_Jackson%2527s_This_Is_It/Var2raX5">Michael Jackson's This Is It</a>,</i><a class="footnote-ref" id="fnref:453" href="#fn:453"><sup>453</sup></a> and <a href="/facts/Michael_Jackson%2527s_This_Is_It_(album)/Yt3Dw7Vw">a compilation album</a>.<a class="footnote-ref" id="fnref:454" href="#fn:454"><sup>454</sup></a> Despite a limited two-week engagement, the film became the highest-grossing documentary or concert film ever, with earnings of more than $260 million worldwide.<a class="footnote-ref" id="fnref:455" href="#fn:455"><sup>455</sup></a> Jackson's estate received 90% of the profits.<a class="footnote-ref" id="fnref:456" href="#fn:456"><sup>456</sup></a> In late 2010, Sony released the first posthumous album, <i><a href="/facts/Michael_(Michael_Jackson_album)/crMTX0j4">Michael</a></i>, and the lead single "<a href="/facts/Hold_My_Hand_(Michael_Jackson_and_Akon_song)/BGFv8DMB">Hold My Hand</a>", a duet with <a href="/facts/Akon/zozohA2K">Akon</a>. The Jackson collaborator will.i.am expressed disgust, saying that Jackson would not have approved the release.<a class="footnote-ref" id="fnref:457" href="#fn:457"><sup>457</sup></a> </p><p>The video game developer <a href="/facts/Ubisoft/Pnw08RvF">Ubisoft</a> released a <a href="/facts/Music_video_game/taerCJIQ">music game</a> featuring Jackson for the 2010 holiday season, <i><a href="/facts/Michael_Jackson%3a_The_Experience/cvfu3gD1">Michael Jackson: The Experience</a></i>. It was among the first games to use <a href="/facts/Kinect/dD5P9XDW">Kinect</a> and <a href="/facts/PlayStation_Move/soPgPSAh">PlayStation Move</a>, the motion-detecting camera systems for <a href="/facts/Xbox_360/dYlE3mL5">Xbox 360</a> and <a href="/facts/PlayStation_3/obhuo97V">PlayStation 3</a>.<a class="footnote-ref" id="fnref:458" href="#fn:458"><sup>458</sup></a> In April 2011, <a href="/facts/Mohamed_Al-Fayed/AF4Wh6Wy">Mohamed Al-Fayed</a>, the chairman of <a href="/facts/Fulham_F.C./eclkBVKX">Fulham Football Club</a>, unveiled a <a href="/facts/Fulham_statue_of_Michael_Jackson/ETXpvpPb">statue of Jackson</a> outside the club stadium, <a href="/facts/Craven_Cottage/pCDV2zlb">Craven Cottage</a>.<a class="footnote-ref" id="fnref:459" href="#fn:459"><sup>459</sup></a> It was moved to the <a href="/facts/National_Football_Museum/p7MRwAHn">National Football Museum</a> in Manchester in May 2014,<a class="footnote-ref" id="fnref:460" href="#fn:460"><sup>460</sup></a> and removed from display in March 2019 following renewed sexual assault allegations.<a class="footnote-ref" id="fnref:461" href="#fn:461"><sup>461</sup></a> </p><p>In October 2011, the theater company <a href="/facts/Cirque_du_Soleil/SKrKW9dh">Cirque du Soleil</a> launched <i><a href="/facts/Michael_Jackson%3a_The_Immortal_World_Tour/PDS9GgGp">Michael Jackson: The Immortal World Tour</a>,</i> a $57-million production,<a class="footnote-ref" id="fnref:462" href="#fn:462"><sup>462</sup></a> in Montreal, with a permanent show <a href="/facts/Residency_show/TVhKqPHp">resident</a> in Las Vegas.<a class="footnote-ref" id="fnref:463" href="#fn:463"><sup>463</sup></a> A larger and more theatrical Cirque show, <i><a href="/facts/Michael_Jackson%3a_One/WmjDJLGG">Michael Jackson: One</a>,</i> designed for residency at the <a href="/facts/Mandalay_Bay/PpDrVtb9">Mandalay Bay</a> resort in Las Vegas, opened on May 23, 2013, in a renovated theater.<a class="footnote-ref" id="fnref:464" href="#fn:464"><sup>464</sup></a><a class="footnote-ref" id="fnref:465" href="#fn:465"><sup>465</sup></a> </p><p>In 2012, in an attempt to end a family dispute, Jackson's brother Jermaine retracted his signature on a public letter criticizing executors of Jackson's estate and his mother's advisors over the legitimacy of his brother's will.<a class="footnote-ref" id="fnref:466" href="#fn:466"><sup>466</sup></a> T.J. Jackson, the son of Tito Jackson, was given co-guardianship of Michael Jackson's children after false reports of Katherine Jackson going missing.<a class="footnote-ref" id="fnref:467" href="#fn:467"><sup>467</sup></a> <i><a href="/facts/Xscape_(album)/BqckNA5q">Xscape</a></i>, an album of unreleased material, was released on May 13, 2014.<a class="footnote-ref" id="fnref:468" href="#fn:468"><sup>468</sup></a> The lead single, a duet between Jackson and <a href="/facts/Justin_Timberlake/bj9jcewn">Justin Timberlake</a>, "<a href="/facts/Love_Never_Felt_So_Good/fHcUzTQI">Love Never Felt So Good</a>", reached number 9 on the US <i>Billboard</i> Hot 100, making Jackson the first artist to have a top-10 single on the chart in five different decades.<a class="footnote-ref" id="fnref:469" href="#fn:469"><sup>469</sup></a> </p><p>Later in 2014, <a href="/facts/Queen_(band)/J425pBjw">Queen</a> released a duet recorded with Jackson in the 1980s.<a class="footnote-ref" id="fnref:470" href="#fn:470"><sup>470</sup></a> A compilation album, <i><a href="/facts/Scream_(Michael_Jackson_album)/glC4VcE7">Scream</a></i>, was released on September 29, 2017.<a class="footnote-ref" id="fnref:471" href="#fn:471"><sup>471</sup></a> A <a href="/facts/Jukebox_musical/RCIhSuJb">jukebox musical</a>, <i><a href="/facts/MJ_the_Musical/tk8t9tVe">MJ the Musical</a></i>, premiered on Broadway in 2022.<a class="footnote-ref" id="fnref:472" href="#fn:472"><sup>472</sup></a> <a href="/facts/Myles_Frost/G49xQVJ8">Myles Frost</a> won the 2022 <a href="/facts/Tony_Award_for_Best_Actor_in_a_Musical/DoU2D1Ba">Tony Award for Best Actor in a Musical</a> for his portrayal of Jackson.<a class="footnote-ref" id="fnref:473" href="#fn:473"><sup>473</sup></a> On November 18, 2022, Epic released a <a href="/facts/Thriller_40/9hQ4rrsy">40th-anniversary edition reissue of <i>Thriller</i></a>.<a class="footnote-ref" id="fnref:474" href="#fn:474"><sup>474</sup></a><a class="footnote-ref" id="fnref:475" href="#fn:475"><sup>475</sup></a> A biographical film based on Jackson's life, <i><a href="/facts/Michael_(2025_film)/6tM2QMvE">Michael</a></i>, directed by <a href="/facts/Antoine_Fuqua/8mYVM2Ur">Antoine Fuqua</a>, is scheduled for October 2025.<a class="footnote-ref" id="fnref:476" href="#fn:476"><sup>476</sup></a> Jackson is played by his nephew <a href="/facts/Jaafar_Jackson/11E0euJc">Jaafar Jackson</a>. <i><a href="/facts/Deadline_Hollywood/zh0o1H25">Deadline Hollywood</a></i> reported that the film "will not shy away from the controversies of Jackson's life".<a class="footnote-ref" id="fnref:477" href="#fn:477"><sup>477</sup></a> Since Jackson's death, his estate has grossed $2 billion in ticket revenue from <i>MJ the Musical</i>, <i><a href="/facts/Michael_Jackson%2527s_This_Is_It/Var2raX5">Michael Jackson's This Is It</a></i> and two <a href="/facts/Cirque_du_Soleil/SKrKW9dh">Cirque du Soleil</a> productions.<a class="footnote-ref" id="fnref:478" href="#fn:478"><sup>478</sup></a> </p> <h3>Posthumous child sexual abuse allegations</h3> <p>In 2013, choreographer <a href="/facts/Wade_Robson/H5SwVGPp">Wade Robson</a> filed a lawsuit alleging that Jackson had sexually abused him for seven years, beginning when he was seven years old (1989–1996).<a class="footnote-ref" id="fnref:479" href="#fn:479"><sup>479</sup></a> In 2014, a case was filed by James Safechuck, alleging similar sexual abuse over a four-year period starting when Safechuck was ten (1988–1992).<a class="footnote-ref" id="fnref:480" href="#fn:480"><sup>480</sup></a><a class="footnote-ref" id="fnref:481" href="#fn:481"><sup>481</sup></a><a class="footnote-ref" id="fnref:482" href="#fn:482"><sup>482</sup></a> Both had previously testified in Jackson's defense during the 1993 allegations; Robson did so again in 2005.<a class="footnote-ref" id="fnref:483" href="#fn:483"><sup>483</sup></a><a class="footnote-ref" id="fnref:484" href="#fn:484"><sup>484</sup></a> In 2015, Robson's case against Jackson's estate was dismissed as it had been filed too late. Safechuck's claim was also time-barred.<a class="footnote-ref" id="fnref:485" href="#fn:485"><sup>485</sup></a> </p><p>In 2017, it was ruled that Jackson's corporations could not be held accountable for his alleged past actions.<a class="footnote-ref" id="fnref:486" href="#fn:486"><sup>486</sup></a><a class="footnote-ref" id="fnref:487" href="#fn:487"><sup>487</sup></a> The rulings were appealed. On October 20, 2020, Safechuck's lawsuit against Jackson's corporations was again dismissed. The judge ruled that there was no evidence that Safechuck had had a relationship with Jackson's corporation, nor was it proven that there was a special relationship between the two.<a class="footnote-ref" id="fnref:488" href="#fn:488"><sup>488</sup></a><a class="footnote-ref" id="fnref:489" href="#fn:489"><sup>489</sup></a><a class="footnote-ref" id="fnref:490" href="#fn:490"><sup>490</sup></a><a class="footnote-ref" id="fnref:491" href="#fn:491"><sup>491</sup></a> On April 26, 2021, Robson's case was dismissed because of a lack of supporting evidence that the defendants exercised control over Jackson.<a class="footnote-ref" id="fnref:492" href="#fn:492"><sup>492</sup></a> </p><p>Robson and Safechuck's allegations were the subject of the documentary film <i><a href="/facts/Leaving_Neverland/GVtaEDce">Leaving Neverland</a></i>, released in March 2019.<a class="footnote-ref" id="fnref:493" href="#fn:493"><sup>493</sup></a> Radio stations in New Zealand, Canada, the UK and the Netherlands removed Jackson's music from their playlists.<a class="footnote-ref" id="fnref:494" href="#fn:494"><sup>494</sup></a><a class="footnote-ref" id="fnref:495" href="#fn:495"><sup>495</sup></a><a class="footnote-ref" id="fnref:496" href="#fn:496"><sup>496</sup></a> Jackson's family condemned the film as a "public lynching",<a class="footnote-ref" id="fnref:497" href="#fn:497"><sup>497</sup></a> and the Jackson estate released a statement calling the film a "tabloid character assassination [Jackson] endured in life, and now in death".<a class="footnote-ref" id="fnref:498" href="#fn:498"><sup>498</sup></a> Close associates of Jackson, such as <a href="/facts/Corey_Feldman/HSkjf09v">Corey Feldman</a>, <a href="/facts/Aaron_Carter/h8pttj2o">Aaron Carter</a>, Brett Barnes, and <a href="/facts/Macaulay_Culkin/J31AdThH">Macaulay Culkin</a>, defended Jackson in the wake of the documentary's release, saying that Jackson had never molested them.<a class="footnote-ref" id="fnref:499" href="#fn:499"><sup>499</sup></a><a class="footnote-ref" id="fnref:500" href="#fn:500"><sup>500</sup></a><a class="footnote-ref" id="fnref:501" href="#fn:501"><sup>501</sup></a> </p><p>Documentaries such as <i><a href="/facts/Square_One%3a_Michael_Jackson/wEKSkWa7">Square One: Michael Jackson</a></i>, <i><a href="/facts/Neverland_Firsthand%3a_Investigating_the_Michael_Jackson_Documentary/KljaGmEK">Neverland Firsthand: Investigating the Michael Jackson Documentary</a></i> and <i><a href="/facts/Michael_Jackson%3a_Chase_the_Truth/YkbyjeA3">Michael Jackson: Chase the Truth</a></i>, presented information countering the claims suggested by <i>Leaving Neverland</i>.<a class="footnote-ref" id="fnref:502" href="#fn:502"><sup>502</sup></a><a class="footnote-ref" id="fnref:503" href="#fn:503"><sup>503</sup></a><a class="footnote-ref" id="fnref:504" href="#fn:504"><sup>504</sup></a> Jackson's album sales increased following the documentary screenings.<a class="footnote-ref" id="fnref:505" href="#fn:505"><sup>505</sup></a> <i>Billboard</i> senior editor Gail Mitchell said she and a colleague interviewed about thirty music executives who believed Jackson's legacy could withstand the controversy.<a class="footnote-ref" id="fnref:506" href="#fn:506"><sup>506</sup></a> In late 2019, some New Zealand and Canadian radio stations re-added Jackson's music to their playlists, citing "positive listener survey results".<a class="footnote-ref" id="fnref:507" href="#fn:507"><sup>507</sup></a><a class="footnote-ref" id="fnref:508" href="#fn:508"><sup>508</sup></a> </p><p>On February 21, 2019, the Jackson estate sued HBO for breaching a non-disparagement clause from a 1992 contract. The suit sought to compel HBO to participate in a non-confidential arbitration that could result in $100 million or more in damages awarded to the estate.<a class="footnote-ref" id="fnref:509" href="#fn:509"><sup>509</sup></a> HBO said they did not breach a contract and filed an anti-<a href="/facts/Strategic_lawsuit_against_public_participation/WVJ9kDef">SLAPP</a> motion against the estate. In September 2019, Judge <a href="/facts/George_H._Wu/vEqc9b6D">George H. Wu</a> denied HBO's motion to dismiss the case, allowing the Jackson estate to arbitrate.<a class="footnote-ref" id="fnref:510" href="#fn:510"><sup>510</sup></a> HBO appealed, but in December 2020 the appeals court affirmed Wu's ruling.<a class="footnote-ref" id="fnref:511" href="#fn:511"><sup>511</sup></a> </p><p>In 2020, a state law passed in California which granted plaintiffs in child sex abuse cases an additional period to file lawsuits. In October 2020 and again in April 2021, the <a href="/facts/Los_Angeles_County_Superior_Court/hdowmgKE">Los Angeles County Superior Court</a> ruled that MJJ Productions Inc. and MJJ Ventures Inc. employees were not legally obligated to protect the two men from Jackson. In August 2023, California's Second District Court of Appeal overturned the ruling, and the case was approved to move forward to <a href="/facts/Trial_court/J959zCGl">trial court</a>.<a class="footnote-ref" id="fnref:512" href="#fn:512"><sup>512</sup></a> </p> <h2 id="legacy">Legacy</h2> <p class="note">Main article: <a href="/facts/Cultural_impact_of_Michael_Jackson/bT1j70pF">Cultural impact of Michael Jackson</a></p> <p class="note">See also: <a href="/facts/List_of_Michael_Jackson_records_and_achievements/FprVjeNb">List of Michael Jackson records and achievements</a></p> <p>Jackson has been referred to as the "<a href="/facts/Honorific_nicknames_in_popular_music/hFc1V7E6">King of Pop</a>" for having transformed the art of music videos and paving the way for modern pop music. For much of Jackson's career, he had an unparalleled worldwide influence over the younger generation.<a class="footnote-ref" id="fnref:513" href="#fn:513"><sup>513</sup></a> His influence extended beyond the music industry; he impacted dance, led fashion trends, and raised awareness for global affairs.<a class="footnote-ref" id="fnref:514" href="#fn:514"><sup>514</sup></a> Jackson's music and videos fostered racial diversity in MTV's roster and steered its focus from rock to pop music and R&B, leading to the discontinuation of the <a href="/facts/Album-oriented_rock/AnAqQ6xp">album-oriented rock</a> format previously dominant on the channel.<a class="footnote-ref" id="fnref:515" href="#fn:515"><sup>515</sup></a><a class="footnote-ref" id="fnref:516" href="#fn:516"><sup>516</sup></a> In songs such as "<a href="/facts/Black_or_White/r5SYTMhJ">Black or White</a>", "<a href="/facts/Heal_the_World/Pp6NoGm6">Heal the World</a>", "<a href="/facts/Earth_Song/wXFleSzA">Earth Song</a>" and "<a href="/facts/They_Don%2527t_Care_About_Us/A7CzLzQY">They Don't Care About Us</a>", Jackson's music emphasized <a href="/facts/Racial_integration/2uw7Nbhq">racial integration</a> and environmentalism and protested injustice.<a class="footnote-ref" id="fnref:517" href="#fn:517"><sup>517</sup></a><a class="footnote-ref" id="fnref:518" href="#fn:518"><sup>518</sup></a> He is considered one of the most significant figures of the 20th century,<a class="footnote-ref" id="fnref:519" href="#fn:519"><sup>519</sup></a> and his contributions to music, dance, and fashion, along with his publicized personal life, made him a global figure in popular culture for over four decades.<a class="footnote-ref" id="fnref:520" href="#fn:520"><sup>520</sup></a><a class="footnote-ref" id="fnref:521" href="#fn:521"><sup>521</sup></a><a class="footnote-ref" id="fnref:522" href="#fn:522"><sup>522</sup></a><a class="footnote-ref" id="fnref:523" href="#fn:523"><sup>523</sup></a> </p><p> Jackson's meteoric rise in the 1980s catapulted him to global stardom, and his influence transcended borders. In Africa, his influence was compared to Nelson Mandela for his ability to inspire and unite diverse audiences through his music.<a class="footnote-ref" id="fnref:524" href="#fn:524"><sup>524</sup></a><a class="footnote-ref" id="fnref:525" href="#fn:525"><sup>525</sup></a> Similarly, in India, Jackson was likened to <a href="/facts/Mahatma_Gandhi/epTj0j19">Mahatma Gandhi</a>, with his art championing themes of social justice and humanitarianism,<a class="footnote-ref" id="fnref:526" href="#fn:526"><sup>526</sup></a> and his influence extending to <a href="/facts/Bollywood/e8fwANBT">Bollywood</a> where it was said that anyone who danced well was compared to Jackson.<a class="footnote-ref" id="fnref:527" href="#fn:527"><sup>527</sup></a> In Europe, Jackson's impact was compared to that of the <a href="/facts/Pope/9zVokNjn">Pope</a>, drawing huge crowds of people who gathered to see the singer in public and even more to his concerts, which spread messages of love and healing during rough economic and political times.<a class="footnote-ref" id="fnref:528" href="#fn:528"><sup>528</sup></a> His presence in the Middle East was considered as widespread as <a href="/facts/Coca-Cola/wbnCJYb6">Coca-Cola</a>, symbolizing a shared global culture through his music.<a class="footnote-ref" id="fnref:529" href="#fn:529"><sup>529</sup></a> Additionally, Jackson is considered the backbone of the <a href="/facts/K-pop/3d7p4uKH">K-pop</a> industry in South Korea, influencing countless artists and shaping the genre's development.<a class="footnote-ref" id="fnref:530" href="#fn:530"><sup>530</sup></a><a class="footnote-ref" id="fnref:531" href="#fn:531"><sup>531</sup></a></p><blockquote><p>Trying to trace Michael Jackson's influence on the pop stars that followed him is like trying to trace the influence of oxygen and gravity. So vast, far-reaching and was his impact—particularly in the wake of <i><a href="/facts/Thriller_(album)/x5Nus6lN">Thriller</a></i>'s colossal and heretofore unmatched commercial success—that there weren't a whole lot of artists who <i>weren't</i> trying to mimic some of the Jackson formula.</p>— J. Edward Keyes of <i><a href="/facts/Rolling_Stone/HhCFoJ9F">Rolling Stone</a></i><a class="footnote-ref" id="fnref:532" href="#fn:532"><sup>532</sup></a></blockquote><p><a href="/facts/Danyel_Smith/IhjHLYKu">Danyel Smith</a>, chief content officer of Vibe Media Group and the editor-in-chief of <i><a href="/facts/Vibe_(magazine)/aVllgTgv">Vibe</a>,</i> described Jackson as "the greatest star".<a class="footnote-ref" id="fnref:533" href="#fn:533"><sup>533</sup></a> Steve Huey of AllMusic called him "an unstoppable juggernaut, possessed of all the skills to dominate the charts seemingly at will: an instantly identifiable voice, eye-popping dance moves, stunning musical versatility and loads of sheer star power".<a class="footnote-ref" id="fnref:534" href="#fn:534"><sup>534</sup></a> BET said Jackson was "quite simply the greatest entertainer of all time" whose "sound, style, movement and legacy continues to inspire artists of all genres".<a class="footnote-ref" id="fnref:535" href="#fn:535"><sup>535</sup></a> In 1984, <i><a href="/facts/Time_(magazine)/N4FXc99l">Time</a></i> pop critic <a href="/facts/Jay_Cocks/oqpsNl7k">Jay Cocks</a> wrote that "Jackson is the biggest thing since the Beatles. He is the hottest single phenomenon since Elvis Presley. He just may be the most popular black singer ever." He described Jackson as a "star of records, radio, rock video. A one-man rescue team for the music business. A songwriter who sets the beat for a decade. A dancer with the fanciest feet on the street. A singer who cuts across all boundaries of taste and style, and color too."<a class="footnote-ref" id="fnref:536" href="#fn:536"><sup>536</sup></a> In 2003, <i><a href="/facts/The_Daily_Telegraph/aHa5nNw5">The Daily Telegraph</a></i> writer <a href="/facts/Tom_Utley/d4dVhgL9">Tom Utley</a> described Jackson as "extremely important" and a "genius".<a class="footnote-ref" id="fnref:537" href="#fn:537"><sup>537</sup></a> At Jackson's memorial service on July 7, 2009, Motown founder Berry Gordy called Jackson "the greatest entertainer that ever lived".<a class="footnote-ref" id="fnref:538" href="#fn:538"><sup>538</sup></a><a class="footnote-ref" id="fnref:539" href="#fn:539"><sup>539</sup></a> Jackson is recognized as the Most Successful Entertainer of All Time by <i><a href="/facts/Guinness_World_Records/Az88wVWk">Guinness World Records</a></i>.<a class="footnote-ref" id="fnref:540" href="#fn:540"><sup>540</sup></a><a class="footnote-ref" id="fnref:541" href="#fn:541"><sup>541</sup></a> He has also appeared on <i><a href="/facts/Rolling_Stone/HhCFoJ9F">Rolling Stone</a></i>'s lists of the Greatest Singers of All Time.<a class="footnote-ref" id="fnref:542" href="#fn:542"><sup>542</sup></a><a class="footnote-ref" id="fnref:543" href="#fn:543"><sup>543</sup></a> </p> <p>Craig Glenday, the Editor-in-Chief of <i><a href="/facts/Guinness_World_Records/Az88wVWk">Guinness World Records</a></i>, called Jackson the most famous person in the world in 2006. Following Jackson's death, Glenday wrote in an obituary that Jackson had maintained this status up until his death,<a class="footnote-ref" id="fnref:544" href="#fn:544"><sup>544</sup></a> later remarking that his fame had exceeded that of Confucius.<a class="footnote-ref" id="fnref:545" href="#fn:545"><sup>545</sup></a> <i><a href="/facts/The_Guardian/H84wwJYM">The Guardian</a></i> wrote that he was in a league of his own in terms of fame, noting that Jackson had become so famous that the number of people who might not know who he was had become statistically insignificant.<a class="footnote-ref" id="fnref:546" href="#fn:546"><sup>546</sup></a> Due to his unprecedented influence, Jackson is recognized today as one of the most globally renowned figures in history. Reports of his fame extend from the Middle East,<a class="footnote-ref" id="fnref:547" href="#fn:547"><sup>547</sup></a><a class="footnote-ref" id="fnref:548" href="#fn:548"><sup>548</sup></a> Africa,<a class="footnote-ref" id="fnref:549" href="#fn:549"><sup>549</sup></a><a class="footnote-ref" id="fnref:550" href="#fn:550"><sup>550</sup></a> India,<a class="footnote-ref" id="fnref:551" href="#fn:551"><sup>551</sup></a><a class="footnote-ref" id="fnref:552" href="#fn:552"><sup>552</sup></a> and China<a class="footnote-ref" id="fnref:553" href="#fn:553"><sup>553</sup></a><a class="footnote-ref" id="fnref:554" href="#fn:554"><sup>554</sup></a> to tribes in the Amazon.<a class="footnote-ref" id="fnref:555" href="#fn:555"><sup>555</sup></a> His influence even reaches remote corners of the world such as <a href="/facts/S%25C3%25A3o_Tom%25C3%25A9_and_Pr%25C3%25ADncipe/7EbNfgsJ">São Tomé and Príncipe</a>, or <a href="/facts/Tristan_da_Cunha/GU6oyxTd">Tristan da Cunha</a>, where tribute artists keep his legacy alive by celebrating his music.<a class="footnote-ref" id="fnref:556" href="#fn:556"><sup>556</sup></a><a class="footnote-ref" id="fnref:557" href="#fn:557"><sup>557</sup></a> </p><p>In 2018, the <a href="/facts/National_Portrait_Gallery%2c_London/56X9MWTo">National Portrait Gallery</a> named Jackson the most depicted cultural figure of the century,<a class="footnote-ref" id="fnref:558" href="#fn:558"><sup>558</sup></a> later stating that Jackson's influence on art rivaled that of <a href="/facts/Jesus/Hcd9hEzI">Jesus Christ</a>.<a class="footnote-ref" id="fnref:559" href="#fn:559"><sup>559</sup></a> <a href="/facts/Nicholas_Cullinan/6znm0pHh">Nicholas Cullinan</a>, director of the National Portrait Gallery and curator of the <a href="/facts/Michael_Jackson%3a_On_the_Wall/a8yN1A4B">Michael Jackson: On the Wall exhibition</a>, described Jackson's impact on art as unprecedented and claimed in 2018 that Jackson was the most depicted figure in the history of <a href="/facts/Contemporary_art/UDyTXLez">contemporary art</a>.<a class="footnote-ref" id="fnref:560" href="#fn:560"><sup>560</sup></a> In 2014, a comprehensive study conducted by researcher Young-Ho Eom at the <a href="/facts/University_of_Toulouse/AfFVggJQ">University of Toulouse</a> identified Jackson as one of the most influential people of all time.<a class="footnote-ref" id="fnref:561" href="#fn:561"><sup>561</sup></a> The study utilized advanced ranking methods, including 2D Rank and PageRank algorithms, to analyze the impact of historical figures. Jackson was prominently placed on the list of top influencers, alongside Swedish botanist <a href="/facts/Carl_Linnaeus/gy5HWkHS">Carl Linnaeus</a>, <a href="/facts/Adolf_Hitler/3zyXG1L8">Adolf Hitler</a>, and <a href="/facts/Jesus/Hcd9hEzI">Jesus Christ</a>. An additional study conducted in 2013 also identified Jackson as one of the most influential people of all time. This study ranked Jackson at the top of the list, alongside <a href="/facts/Napoleon_Bonaparte/8TKBIjPM">Napoleon Bonaparte</a>, highlighting the extraordinary influence and global recognition that Jackson achieved throughout his career.<a class="footnote-ref" id="fnref:562" href="#fn:562"><sup>562</sup></a> Additionally, numerous publications and academic studies <a class="footnote-ref" id="fnref:563" href="#fn:563"><sup>563</sup></a> have recognized Michael Jackson as one of the most influential figures in history, noting his impact beyond music in fields such as psychology, law, chemistry, and engineering<i>.</i> <a class="footnote-ref" id="fnref:564" href="#fn:564"><sup>564</sup></a><a class="footnote-ref" id="fnref:565" href="#fn:565"><sup>565</sup></a><a class="footnote-ref" id="fnref:566" href="#fn:566"><sup>566</sup></a> </p> <h2 id="philanthropy-and-humanitarian-work">Philanthropy and humanitarian work</h2> <p class="note">Main article: <a href="/facts/Philanthropy_of_Michael_Jackson/FlLMH6E6">Philanthropy of Michael Jackson</a></p> <p>Jackson is widely regarded as having been a prolific philanthropist and humanitarian.<a class="footnote-ref" id="fnref:567" href="#fn:567"><sup>567</sup></a><a class="footnote-ref" id="fnref:568" href="#fn:568"><sup>568</sup></a><a class="footnote-ref" id="fnref:569" href="#fn:569"><sup>569</sup></a><a class="footnote-ref" id="fnref:570" href="#fn:570"><sup>570</sup></a> Jackson's early charitable work has been described by <i><a href="/facts/The_Chronicle_of_Philanthropy/INgbt9NH">The Chronicle of Philanthropy</a></i> as having "paved the way for the current surge in celebrity philanthropy",<a class="footnote-ref" id="fnref:571" href="#fn:571"><sup>571</sup></a> and by the <i><a href="/facts/Los_Angeles_Times/jFHbcmb9">Los Angeles Times</a></i> as having "set the standard for generosity for other entertainers".<a class="footnote-ref" id="fnref:572" href="#fn:572"><sup>572</sup></a> </p><p>By some estimates, he donated over $500 million, not accounting for inflation, to various charities over the course of his life.<a class="footnote-ref" id="fnref:573" href="#fn:573"><sup>573</sup></a> In 1992, Jackson established his <a href="/facts/Heal_the_World_Foundation/3r5LnWco">Heal the World Foundation</a>, to which he donated several million dollars in revenue from his <a href="/facts/Dangerous_World_Tour/mnCmeKmP">Dangerous World Tour</a>.<a class="footnote-ref" id="fnref:574" href="#fn:574"><sup>574</sup></a> </p><p>Jackson's philanthropic activities went beyond just monetary donations. He also performed at <a href="/facts/Benefit_concert/euy1ybWj">benefit concerts</a>, some of which he arranged.<a class="footnote-ref" id="fnref:575" href="#fn:575"><sup>575</sup></a> He gifted tickets for his regular concert performances to groups that assist underprivileged children.<a class="footnote-ref" id="fnref:576" href="#fn:576"><sup>576</sup></a> He visited sick children in hospitals around the world.<a class="footnote-ref" id="fnref:577" href="#fn:577"><sup>577</sup></a> </p><p>Jackson donated valuable, personal and professional paraphernalia for numerous charity auctions. He received various awards and accolades for his philanthropic work, including two bestowed by <a href="/facts/President_of_the_United_States/oMsfmLb1">presidents of the United States</a>. The vast breadth of Jackson's philanthropic work has earned recognition in the <i><a href="/facts/Guinness_World_Records/Az88wVWk">Guinness World Records</a></i>.<a class="footnote-ref" id="fnref:578" href="#fn:578"><sup>578</sup></a><a class="footnote-ref" id="fnref:579" href="#fn:579"><sup>579</sup></a><a class="footnote-ref" id="fnref:580" href="#fn:580"><sup>580</sup></a> </p><p>On May 14, 1984, President <a href="/facts/Ronald_Reagan/z6AaKAad">Ronald Reagan</a> gave Jackson an award recognizing his support of alcohol and drug abuse charities,<a class="footnote-ref" id="fnref:581" href="#fn:581"><sup>581</sup></a> and in recognition of his support for the <a href="/facts/Ad_Council/qnpCJSnE">Ad Council</a>'s and the <a href="/facts/National_Highway_Traffic_Safety_Administration/hz6QB8SN">National Highway Traffic Safety Administration</a>'s Drunk Driving Prevention campaign. Jackson allowed the campaign to use "Beat It" for its public service announcements.<a class="footnote-ref" id="fnref:582" href="#fn:582"><sup>582</sup></a> </p> <h2 id="artistry">Artistry</h2> <h3>Vocal style</h3> <p>Jackson was known as an expressive vocalist with <a href="/facts/Absolute_pitch/hMUtdNnu">absolute pitch</a>.<a class="footnote-ref" id="fnref:583" href="#fn:583"><sup>583</sup></a><a class="footnote-ref" id="fnref:584" href="#fn:584"><sup>584</sup></a><a class="footnote-ref" id="fnref:585" href="#fn:585"><sup>585</sup></a> Critics describe his vocal theatricality having a range from clear and soft to harsh and aggressive,<a class="footnote-ref" id="fnref:586" href="#fn:586"><sup>586</sup></a><a class="footnote-ref" id="fnref:587" href="#fn:587"><sup>587</sup></a><a class="footnote-ref" id="fnref:588" href="#fn:588"><sup>588</sup></a><a class="footnote-ref" id="fnref:589" href="#fn:589"><sup>589</sup></a> depending on the genre sung. Principally in history, Jackson is the sole recipient to receive <a href="/facts/Grammy_Awards/2bxYJjPV">Grammy Awards</a> for three different genres of vocal performance (as a soloist), winning <a href="/facts/Grammy_Award_for_Best_Male_Pop_Vocal_Performance/c9tjyxhT">Pop Vocal</a> for "<a href="/facts/Thriller_(song)/yNUXoIM9">Thriller</a>", <a href="/facts/Grammy_Award_for_Best_Male_Rock_Vocal_Performance/4x17FGwL">Rock Vocal</a> for "<a href="/facts/Beat_It/1y9L9Dfu">Beat It</a>", and <a href="/facts/Grammy_Award_for_Best_Male_R%2526B_Vocal_Performance/yUEm4AYS">Rhythm and Blues Vocal</a> with both "<a href="/facts/Billie_Jean/YczPUNLp">Billie Jean</a>" and "<a href="/facts/Don%2527t_Stop_%2527Til_You_Get_Enough/np3fuShy">Don't Stop 'Til You Get Enough</a>". <a href="/facts/Bruce_Swedien/nFtQlj8g">Bruce Swedien</a>, his long-time sound engineer, emphasized that a critical element of their vocal recordings are of him and Jackson trying numerous approaches to rhythmic, emotional and technical distinctions to consummate a "sonic character".<a class="footnote-ref" id="fnref:590" href="#fn:590"><sup>590</sup></a> His stylings, such as common use of <a href="/facts/Staccato/sJykEK2o">staccato</a>, <a href="/facts/Legato/XK9Va75K">legato</a>, <a href="/facts/Falsetto/EKSCxHhz">falsetto</a> as well as <a href="/facts/Hiccup/dTyQsvSn">vocal hiccups</a>,<a class="footnote-ref" id="fnref:591" href="#fn:591"><sup>591</sup></a> adlibs, wailings and growls are all signature to his sound.<a class="footnote-ref" id="fnref:592" href="#fn:592"><sup>592</sup></a><a class="footnote-ref" id="fnref:593" href="#fn:593"><sup>593</sup></a> </p><p>Jackson sang from childhood, and over time his voice and vocal style changed. Between 1971 and 1975, his voice descended from boy <a href="/facts/Soprano/CeoEVKTQ">soprano</a> to lyric <a href="/facts/Tenor/nYVSWeEI">tenor</a>.<a class="footnote-ref" id="fnref:594" href="#fn:594"><sup>594</sup></a> He was known for his intonation and vocal range.<a class="footnote-ref" id="fnref:595" href="#fn:595"><sup>595</sup></a> Through each music release, his vocal development and changes were positively narrated by music journalists. With the arrival of <i>Off the Wall</i> in the late 1970s, Jackson's abilities in his <a href="/facts/Coming_of_age/GfCHsl8K">coming-of-age</a> period had <i>Rolling Stone</i> comparing his vocals to the "breathless, dreamy stutter" of Stevie Wonder, and wrote that "Jackson's feathery-timbred tenor is extraordinarily beautiful. It slides smoothly into a startling <a href="/facts/Falsetto/EKSCxHhz">falsetto</a> that's used very daringly."<a class="footnote-ref" id="fnref:596" href="#fn:596"><sup>596</sup></a> By the time of 1982's <i>Thriller</i>, <i>Rolling Stone</i> wrote that Jackson was singing in a "fully adult voice" that was "tinged by sadness".<a class="footnote-ref" id="fnref:597" href="#fn:597"><sup>597</sup></a> The turn of the 1990s saw the release of the introspective album <i>Dangerous</i>. <i>The New York Times</i> noted that on some tracks, "he gulps for breath, his voice quivers with anxiety or drops to a desperate whisper, hissing through clenched teeth" and he had a "wretched tone". When singing of brotherhood or self-esteem the musician would return to "smooth" vocals.<a class="footnote-ref" id="fnref:598" href="#fn:598"><sup>598</sup></a> Of <i>Invincible</i>, <i>Rolling Stone</i> wrote that, at 43, Jackson still performed "exquisitely voiced rhythm tracks and vibrating vocal harmonies".<a class="footnote-ref" id="fnref:599" href="#fn:599"><sup>599</sup></a> <a href="/facts/Joseph_Vogel_(author)/zI8beyy5">Joseph Vogel</a> notes Jackson's ability to use non-verbal sounds to express emotion.<a class="footnote-ref" id="fnref:600" href="#fn:600"><sup>600</sup></a> <a href="/facts/Neil_McCormick/7tL4kWv5">Neil McCormick</a> wrote that Jackson's unorthodox singing style "was original and utterly distinctive".<a class="footnote-ref" id="fnref:601" href="#fn:601"><sup>601</sup></a> </p> <h3>Influences</h3> <p>Jackson was influenced by musicians including <a href="/facts/James_Brown/YpWnK7KH">James Brown</a>, <a href="/facts/Little_Richard/Rge7ckPJ">Little Richard</a>, <a href="/facts/Jackie_Wilson/A27nVtGC">Jackie Wilson</a>, <a href="/facts/Diana_Ross/FxFHbeWy">Diana Ross</a>, <a href="/facts/Fred_Astaire/BX0hAvft">Fred Astaire</a>, <a href="/facts/Sammy_Davis_Jr/EgtypGSn">Sammy Davis Jr</a>., <a href="/facts/Gene_Kelly/sKNa3c7n">Gene Kelly</a>,<a class="footnote-ref" id="fnref:602" href="#fn:602"><sup>602</sup></a> and <a href="/facts/David_Ruffin/54GN3YYc">David Ruffin</a>.<a class="footnote-ref" id="fnref:603" href="#fn:603"><sup>603</sup></a> Little Richard had a substantial influence on Jackson,<a class="footnote-ref" id="fnref:604" href="#fn:604"><sup>604</sup></a> but Brown was his greatest inspiration. When Jackson was a small child, his mother would wake him whenever Brown appeared on television. Jackson described being "mesmerized".<a class="footnote-ref" id="fnref:605" href="#fn:605"><sup>605</sup></a> </p><p>Jackson's vocal technique was influenced by Diana Ross; his use of the <i>oooh</i> interjection from a young age was something Ross had used on many of her songs with <a href="/facts/The_Supremes/2rN8DymP">the Supremes</a>.<a class="footnote-ref" id="fnref:606" href="#fn:606"><sup>606</sup></a> She was a mother figure to him, and he often watched her rehearse.<a class="footnote-ref" id="fnref:607" href="#fn:607"><sup>607</sup></a> He said he had learned a lot from watching how she moved and sang, and that she had encouraged him to have confidence in himself.<a class="footnote-ref" id="fnref:608" href="#fn:608"><sup>608</sup></a> </p><p>Choreographer <a href="/facts/David_Winters_(choreographer)/TL0kUUvb">David Winters</a>, who met Jackson while choreographing the 1971 Diana Ross TV special <i><a href="/facts/Diana!/fds9lI0v">Diana!</a></i>, said that Jackson watched the musical <i><a href="/facts/West_Side_Story_(1961_film)/v8Lx0NtG">West Side Story</a></i> almost every week, and it was his favorite film; he paid tribute to it in "Beat It" and the "Bad" video.<a class="footnote-ref" id="fnref:609" href="#fn:609"><sup>609</sup></a><a class="footnote-ref" id="fnref:610" href="#fn:610"><sup>610</sup></a><a class="footnote-ref" id="fnref:611" href="#fn:611"><sup>611</sup></a> </p> <h3>Musicianship</h3> <p>Jackson had no formal music training and could not read or write <a href="/facts/Musical_notation/eubaB0AK">music notation</a>. He is credited for playing guitar, keyboard, and drums, but was not proficient in them.<a class="footnote-ref" id="fnref:612" href="#fn:612"><sup>612</sup></a> When composing, he recorded ideas by <a href="/facts/Beatboxing/PhueepPz">beatboxing</a> and imitating instruments vocally.<a class="footnote-ref" id="fnref:613" href="#fn:613"><sup>613</sup></a> Describing the process, he said: "I'll just sing the bass part into the <a href="/facts/Tape_recorder/fWXgHUwY">tape recorder</a>. I'll take that bass lick and put the chords of the melody over the bass lick and that's what inspires the melody." These were shown in his demos for "Beat It" and "Billie Jean" where he vocalized the melody, bass instrumentals as well as lead and backing vocals by overlaying each component. The engineer Robert Hoffman recalled that after Jackson came in with a song he had written overnight, Jackson sang every note of every chord to a guitar player. Hoffman also remembered Jackson singing string arrangements part by part into a cassette recorder.<a class="footnote-ref" id="fnref:614" href="#fn:614"><sup>614</sup></a> </p> <h3>Dance</h3> <p>Jackson danced from a young age as part of the Jackson 5,<a class="footnote-ref" id="fnref:615" href="#fn:615"><sup>615</sup></a> and incorporated dance extensively in his performances and music videos.<a class="footnote-ref" id="fnref:616" href="#fn:616"><sup>616</sup></a> According to Sanjoy Roy of <i><a href="/facts/The_Guardian/H84wwJYM">The Guardian</a></i>, Jackson would "flick and retract his limbs like switchblades, or snap out of a tornado spin into a perfectly poised toe-stand".<a class="footnote-ref" id="fnref:617" href="#fn:617"><sup>617</sup></a> The <a href="/facts/Moonwalk_(dance)/A6vo7vaG">moonwalk</a>, taught to him by <a href="/facts/Jeffrey_Daniel/rXS2f8e8">Jeffrey Daniel</a>,<a class="footnote-ref" id="fnref:618" href="#fn:618"><sup>618</sup></a> was Jackson's signature dance move and one of the most famous of the 20th century.<a class="footnote-ref" id="fnref:619" href="#fn:619"><sup>619</sup></a> Jackson is credited for coining the name "moonwalk" for this street dance move, previously known as the "backslide".<a class="footnote-ref" id="fnref:620" href="#fn:620"><sup>620</sup></a><a class="footnote-ref" id="fnref:621" href="#fn:621"><sup>621</sup></a> His other moves included the <a href="/facts/Robot_(dance)/bgvAWkJ5">robot</a>,<a class="footnote-ref" id="fnref:622" href="#fn:622"><sup>622</sup></a><a class="footnote-ref" id="fnref:623" href="#fn:623"><sup>623</sup></a> crotch grab, and the "anti-gravity" lean of the "Smooth Criminal" video.<a class="footnote-ref" id="fnref:624" href="#fn:624"><sup>624</sup></a> </p> <h3>Themes and genres</h3> <p>Jackson explored genres including pop,<a class="footnote-ref" id="fnref:625" href="#fn:625"><sup>625</sup></a><a class="footnote-ref" id="fnref:626" href="#fn:626"><sup>626</sup></a> <a href="/facts/Soul_music/y68RPFIa">soul</a>,<a class="footnote-ref" id="fnref:627" href="#fn:627"><sup>627</sup></a><a class="footnote-ref" id="fnref:628" href="#fn:628"><sup>628</sup></a> <a href="/facts/Rhythm_and_blues/UT5v5rXb">rhythm and blues</a>,<a class="footnote-ref" id="fnref:629" href="#fn:629"><sup>629</sup></a> <a href="/facts/Funk/NVuzVek1">funk</a>,<a class="footnote-ref" id="fnref:630" href="#fn:630"><sup>630</sup></a> rock,<a class="footnote-ref" id="fnref:631" href="#fn:631"><sup>631</sup></a><a class="footnote-ref" id="fnref:632" href="#fn:632"><sup>632</sup></a> <a href="/facts/Disco/BQu4rHxV">disco</a>,<a class="footnote-ref" id="fnref:633" href="#fn:633"><sup>633</sup></a> <a href="/facts/Post-disco/fagzmaTk">post-disco</a>,<a class="footnote-ref" id="fnref:634" href="#fn:634"><sup>634</sup></a> <a href="/facts/Dance-pop/4zC0B7HB">dance-pop</a>,<a class="footnote-ref" id="fnref:635" href="#fn:635"><sup>635</sup></a> and <a href="/facts/New_jack_swing/SpoDPRpE">new jack swing</a>.<a class="footnote-ref" id="fnref:636" href="#fn:636"><sup>636</sup></a> Steve Huey of <a href="/facts/AllMusic/Hb8cU8Fb">AllMusic</a> wrote that <i>Thriller</i> refined the strengths of <i>Off the Wall</i>; the dance and rock tracks were more aggressive, while the pop tunes and ballads were softer and more soulful.<a class="footnote-ref" id="fnref:637" href="#fn:637"><sup>637</sup></a> Its tracks included the ballads "The Lady in My Life", "<a href="/facts/Human_Nature_(Michael_Jackson_song)/zg0UDeH4">Human Nature</a>", and "<a href="/facts/The_Girl_Is_Mine/kGyM1WIp">The Girl Is Mine</a>",<a class="footnote-ref" id="fnref:638" href="#fn:638"><sup>638</sup></a><a class="footnote-ref" id="fnref:639" href="#fn:639"><sup>639</sup></a><a class="footnote-ref" id="fnref:640" href="#fn:640"><sup>640</sup></a> the funk pieces "Billie Jean" and "Wanna Be Startin' Somethin'",<a class="footnote-ref" id="fnref:641" href="#fn:641"><sup>641</sup></a><a class="footnote-ref" id="fnref:642" href="#fn:642"><sup>642</sup></a> and the disco set "<a href="/facts/Baby_Be_Mine_(Michael_Jackson_song)/x5Nus6lN">Baby Be Mine</a>" and "<a href="/facts/P.Y.T._(Pretty_Young_Thing)/n1YSeUBm">P.Y.T. (Pretty Young Thing)</a>".<a class="footnote-ref" id="fnref:643" href="#fn:643"><sup>643</sup></a> </p><p> With <i>Off the Wall</i>, Jackson's "vocabulary of grunts, squeals, hiccups, moans, and asides" vividly showed his maturation into an adult, <a href="/facts/Robert_Christgau/0U1Du9U9">Robert Christgau</a> wrote in <i><a href="/facts/Christgau%2527s_Record_Guide%3a_Rock_Albums_of_the_Seventies/lbz769kj">Christgau's Record Guide: Rock Albums of the Seventies</a></i> (1981). The album's title track suggested to the critic a parallel between Jackson and <a href="/facts/Stevie_Wonder/z5Kqx9mr">Stevie Wonder</a>'s "oddball" music personas: "Since childhood his main contact with the real world has been on stage and in bed."<a class="footnote-ref" id="fnref:644" href="#fn:644"><sup>644</sup></a> With <i>Thriller</i>, Christopher Connelly of <i>Rolling Stone</i> commented that Jackson developed his long association with the subliminal theme of <a href="/facts/Paranoia/6SR9jv8y">paranoia</a> and darker imagery.<a class="footnote-ref" id="fnref:645" href="#fn:645"><sup>645</sup></a> AllMusic's <a href="/facts/Stephen_Thomas_Erlewine/7HnXs404">Stephen Thomas Erlewine</a> noted this on the songs "Billie Jean" and "Wanna Be Startin' Somethin'".<a class="footnote-ref" id="fnref:646" href="#fn:646"><sup>646</sup></a> In "Billie Jean", Jackson depicts an obsessive fan who alleges he has fathered her child,<a class="footnote-ref" id="fnref:647" href="#fn:647"><sup>647</sup></a> and in "Wanna Be Startin' Somethin'" he argues against gossip and the media.<a class="footnote-ref" id="fnref:648" href="#fn:648"><sup>648</sup></a> "Beat It" decried gang violence in a homage to <i><a href="/facts/West_Side_Story/GTtTkzt9">West Side Story</a></i>, and was Jackson's first successful rock cross-over piece, according to Huey.<a class="footnote-ref" id="fnref:649" href="#fn:649"><sup>649</sup></a><a class="footnote-ref" id="fnref:650" href="#fn:650"><sup>650</sup></a> He observed that "<a href="/facts/Thriller_(song)/yNUXoIM9">Thriller</a>" began Jackson's interest with the theme of the <a href="/facts/Supernatural/qSlTK0Ss">supernatural</a>, a topic he revisited in subsequent years. In 1985, Jackson co-wrote the charity anthem "We Are the World"; humanitarian themes later became a recurring theme in his lyrics and public persona.<a class="footnote-ref" id="fnref:651" href="#fn:651"><sup>651</sup></a></p><p>In <i>Bad</i>, Jackson's concept of the predatory lover is seen on the rock song "Dirty Diana".<a class="footnote-ref" id="fnref:652" href="#fn:652"><sup>652</sup></a> The lead single "I Just Can't Stop Loving You" is a traditional love ballad, and "Man in the Mirror" is a ballad of confession and resolution. "<a href="/facts/Smooth_Criminal/FTQFDx4H">Smooth Criminal</a>" is an evocation of bloody assault, rape and likely murder.<a class="footnote-ref" id="fnref:653" href="#fn:653"><sup>653</sup></a> AllMusic's Stephen Thomas Erlewine states that <i>Dangerous</i> presents Jackson as a paradoxical person.<a class="footnote-ref" id="fnref:654" href="#fn:654"><sup>654</sup></a> The first half of the record is dedicated to new jack swing, including songs like "Jam" and "Remember the Time". It was the first Jackson album in which social ills became a primary theme; "Why You Wanna Trip on Me", for example, protests world hunger, AIDS, homelessness and drugs. <i>Dangerous</i> contains sexually charged songs such as "<a href="/facts/In_the_Closet/78ls8FXd">In the Closet</a>". The title track continues the theme of the predatory lover and compulsive desire. The second half includes introspective, pop-gospel anthems such as "<a href="/facts/Will_You_Be_There/3kSL9eyV">Will You Be There</a>", "Heal the World", and "Keep the Faith".<a class="footnote-ref" id="fnref:655" href="#fn:655"><sup>655</sup></a> In the ballad "<a href="/facts/Gone_Too_Soon/YE1VdBRp">Gone Too Soon</a>", Jackson gives tribute to Ryan White and the plight of those with AIDS.<a class="footnote-ref" id="fnref:656" href="#fn:656"><sup>656</sup></a> </p><p><i>HIStory</i> creates an atmosphere of paranoia.<a class="footnote-ref" id="fnref:657" href="#fn:657"><sup>657</sup></a> In the new jack swing-funk rock tracks "Scream" and "Tabloid Junkie", and the R&B ballad "<a href="/facts/You_Are_Not_Alone/a4dEP1fd">You Are Not Alone</a>", Jackson retaliates against the injustice and isolation he feels, and directs his anger at the media.<a class="footnote-ref" id="fnref:658" href="#fn:658"><sup>658</sup></a> In the introspective ballad "<a href="/facts/Stranger_in_Moscow/s8IuCVWD">Stranger in Moscow</a>", Jackson laments his "fall from grace"; "Earth Song", "Childhood", "Little Susie", and "Smile" are operatic pop songs.<a class="footnote-ref" id="fnref:659" href="#fn:659"><sup>659</sup></a><a class="footnote-ref" id="fnref:660" href="#fn:660"><sup>660</sup></a> In "<a href="/facts/D.S._(song)/GyMwhLvx">D.S.</a>", Jackson attacks lawyer <a href="/facts/Thomas_W._Sneddon_Jr./Hwqram33">Thomas W. Sneddon Jr.</a>, who had prosecuted him in both child sexual abuse cases; he describes Sneddon as a white supremacist who wanted to "get my ass, dead or alive".<a class="footnote-ref" id="fnref:661" href="#fn:661"><sup>661</sup></a> <i>Invincible</i> includes urban soul tracks such as "<a href="/facts/Cry_(Michael_Jackson_song)/eg6R8D4W">Cry</a>" and "The Lost Children", ballads such as "<a href="/facts/Speechless_(Michael_Jackson_song)/KJDT2wJz">Speechless</a>", "Break of Dawn", and "Butterflies", and mixes hip hop, pop, and R&B in "2000 Watts", "Heartbreaker", and "Invincible".<a class="footnote-ref" id="fnref:662" href="#fn:662"><sup>662</sup></a><a class="footnote-ref" id="fnref:663" href="#fn:663"><sup>663</sup></a> </p> <h3>Music videos and choreography</h3> <p>Jackson released "<a href="/facts/Michael_Jackson%2527s_Thriller_(music_video)/mnshKJ2p">Thriller</a>", a 14-minute music video directed by <a href="/facts/John_Landis/9wtWPKgb">John Landis</a>, in 1983.<a class="footnote-ref" id="fnref:664" href="#fn:664"><sup>664</sup></a> The <a href="/facts/Zombie/LR5MoBP8">zombie</a>-themed video "defined music videos and broke racial barriers" on <a href="/facts/MTV/S5gxqCxh">MTV</a>, which had launched two years earlier.<a class="footnote-ref" id="fnref:665" href="#fn:665"><sup>665</sup></a> Before <i>Thriller</i>, Jackson struggled to receive coverage on MTV, allegedly because he was African American.<a class="footnote-ref" id="fnref:666" href="#fn:666"><sup>666</sup></a> Pressure from CBS Records persuaded MTV to start showing "Billie Jean" and later "Beat It", which led to a lengthy partnership with Jackson, and helped other black music artists gain recognition.<a class="footnote-ref" id="fnref:667" href="#fn:667"><sup>667</sup></a> The popularity of his videos on MTV helped the relatively new channel's viewing figures, and MTV's focus shifted toward pop and R&B.<a class="footnote-ref" id="fnref:668" href="#fn:668"><sup>668</sup></a><a class="footnote-ref" id="fnref:669" href="#fn:669"><sup>669</sup></a> His performance on <i>Motown 25: Yesterday, Today, Forever</i> changed the scope of live stage shows, making it acceptable for artists to lip-sync to music video on stage.<a class="footnote-ref" id="fnref:670" href="#fn:670"><sup>670</sup></a> The choreography in <i>Thriller</i> has been copied in <a href="/facts/Cinema_of_India/5RuW3fUU">Indian films</a> and <a href="/facts/Thriller_(viral_video)/p6Gn72oE">prisons in the Philippines</a>.<a class="footnote-ref" id="fnref:671" href="#fn:671"><sup>671</sup></a> <i>Thriller</i> marked an increase in scale for music videos, and was named the most successful music video ever by the <i>Guinness World Records</i>.<a class="footnote-ref" id="fnref:672" href="#fn:672"><sup>672</sup></a> </p><p>In "Bad"'s 19-minute video—directed by <a href="/facts/Martin_Scorsese/WcboUwcB">Martin Scorsese</a>—Jackson used sexual imagery and choreography, and touched his chest, torso and crotch. When asked by Winfrey in the 1993 interview about why he grabbed his crotch, he said it was spontaneously compelled by the music. <i>Time</i> magazine described the "Bad" video as "infamous". It featured <a href="/facts/Wesley_Snipes/CCCdSL03">Wesley Snipes</a>; Jackson's later videos often featured famous cameo roles.<a class="footnote-ref" id="fnref:673" href="#fn:673"><sup>673</sup></a><a class="footnote-ref" id="fnref:674" href="#fn:674"><sup>674</sup></a> For the "Smooth Criminal" video, Jackson experimented with leaning forward at a 45-degree angle, beyond the performer's center of gravity. To accomplish this live, Jackson and designers developed a special shoe to lock the performer's feet to the stage, allowing them to lean forward. They were granted <a href="http://patft.uspto.gov/netacgi/nph-Parser?patentnumber=5255452">U.S. patent 5,255,452</a> for the device.<a class="footnote-ref" id="fnref:675" href="#fn:675"><sup>675</sup></a> The video for "Leave Me Alone" was not officially released in the US, but in 1989 was nominated for three <i>Billboard</i> Music Video Awards<a class="footnote-ref" id="fnref:676" href="#fn:676"><sup>676</sup></a> and won a Golden Lion Award for its special effects. It won a Grammy for <a href="/facts/Grammy_Award_for_Best_Music_Video/elRA7dMk">Best Music Video, Short Form</a>.<a class="footnote-ref" id="fnref:677" href="#fn:677"><sup>677</sup></a> </p> <p>He received the <a href="/facts/Michael_Jackson_Video_Vanguard_Award/KeraTned">MTV Video Vanguard Award</a> in 1988; in 2001 the award was renamed in his honor.<a class="footnote-ref" id="fnref:678" href="#fn:678"><sup>678</sup></a> The "Black or White" video simultaneously premiered on November 14, 1991, in 27 countries with an estimated audience of 500 million people, the largest audience ever for a music video at the time.<a class="footnote-ref" id="fnref:679" href="#fn:679"><sup>679</sup></a> Along with Jackson, it featured <a href="/facts/Macaulay_Culkin/J31AdThH">Macaulay Culkin</a>, <a href="/facts/Peggy_Lipton/G5cbbegy">Peggy Lipton</a>, and <a href="/facts/George_Wendt/tBGVhAeJ">George Wendt</a>. It helped introduce <a href="/facts/Morphing/KKsCeSHp">morphing</a> to music videos.<a class="footnote-ref" id="fnref:680" href="#fn:680"><sup>680</sup></a> It was controversial for scenes in which Jackson rubs his crotch, vandalizes cars, and throws a garbage can through a storefront. He apologized and removed the final scene of the video.<a class="footnote-ref" id="fnref:681" href="#fn:681"><sup>681</sup></a> </p><p>"In the Closet" featured <a href="/facts/Naomi_Campbell/83r5av1a">Naomi Campbell</a> in a courtship dance with Jackson.<a class="footnote-ref" id="fnref:682" href="#fn:682"><sup>682</sup></a> "Remember the Time" was set in <a href="/facts/Ancient_Egypt/BDsEGK4g">ancient Egypt</a>, and featured <a href="/facts/Eddie_Murphy/QfABxjvj">Eddie Murphy</a>, <a href="/facts/Iman_(model)/lSW1JSgF">Iman</a>, and <a href="/facts/Magic_Johnson/JL7JQDpo">Magic Johnson</a>.<a class="footnote-ref" id="fnref:683" href="#fn:683"><sup>683</sup></a> The video for "Scream", directed by <a href="/facts/Mark_Romanek/9gDARrmw">Mark Romanek</a> and production designer Tom Foden, gained a record 11 <a href="/facts/MTV_Video_Music_Award/F9H94We9">MTV Video Music Award</a> Nominations, and won "Best Dance Video", "Best Choreography", and "Best Art Direction".<a class="footnote-ref" id="fnref:684" href="#fn:684"><sup>684</sup></a> The song and its video are Jackson's response to being accused of child molestation in 1993.<a class="footnote-ref" id="fnref:685" href="#fn:685"><sup>685</sup></a> A year later, it won a Grammy for Best Music Video, Short Form. It has been reported as the <a href="/facts/List_of_most_expensive_music_videos/JPPbbM7X">most expensive music video ever made</a>, at $7 million;<a class="footnote-ref" id="fnref:686" href="#fn:686"><sup>686</sup></a> Romanek has contradicted this.<a class="footnote-ref" id="fnref:687" href="#fn:687"><sup>687</sup></a> The "Earth Song" video was nominated for the 1997 Grammy for Best Music Video, Short Form.<a class="footnote-ref" id="fnref:688" href="#fn:688"><sup>688</sup></a> </p><p><i><a href="/facts/Michael_Jackson%2527s_Ghosts/az1hdkRg">Michael Jackson's Ghosts</a>,</i> a short film written by Jackson and <a href="/facts/Stephen_King/cxPru2vA">Stephen King</a> and directed by <a href="/facts/Stan_Winston/GgE7PUNm">Stan Winston</a>, premiered at the 1996 <a href="/facts/Cannes_Film_Festival/4FU7Kbfc">Cannes Film Festival</a>. At over 38 minutes long, it held the Guinness world record for the longest music video until 2013, when it was eclipsed by the video for the <a href="/facts/Pharrell_Williams/z04fEWSv">Pharrell Williams</a> song "<a href="/facts/Happy_(Pharrell_Williams_song)/RBpqvMl3">Happy</a>".<a class="footnote-ref" id="fnref:689" href="#fn:689"><sup>689</sup></a> The 2001 video for "<a href="/facts/You_Rock_My_World/FByFd3Kw">You Rock My World</a>" lasts over 13 minutes, was directed by <a href="/facts/Paul_Hunter_(director)/IDytWD03">Paul Hunter</a>, and features <a href="/facts/Chris_Tucker/RRox0KtK">Chris Tucker</a> and <a href="/facts/Marlon_Brando/9eYnscbA">Marlon Brando</a>.<a class="footnote-ref" id="fnref:690" href="#fn:690"><sup>690</sup></a> It won an <a href="/facts/NAACP_Image_Award/WcjtyMTU">NAACP Image Award</a> for Outstanding Music Video in 2002.<a class="footnote-ref" id="fnref:691" href="#fn:691"><sup>691</sup></a> </p><p>In December 2009, the <a href="/facts/Library_of_Congress/TfB6dEN5">Library of Congress</a> selected "Thriller" as the only music video to be preserved in the <a href="/facts/National_Film_Registry/HGoP1Mre">National Film Registry</a>, as a work of "enduring importance to American culture".<a class="footnote-ref" id="fnref:692" href="#fn:692"><sup>692</sup></a><a class="footnote-ref" id="fnref:693" href="#fn:693"><sup>693</sup></a> Huey wrote that Jackson transformed the music video into an artform and a promotional tool through complex story lines, dance routines, special effects and famous cameos, while breaking down racial barriers.<a class="footnote-ref" id="fnref:694" href="#fn:694"><sup>694</sup></a> </p> <h2 id="honors-and-awards">Honors and awards</h2> <p class="note">See also: <a href="/facts/List_of_awards_and_nominations_received_by_Michael_Jackson/ecfd9eBq">List of awards and nominations received by Michael Jackson</a></p><p>Jackson is one of the <a href="/facts/List_of_best-selling_music_artists/LnwvfKQU">best selling music artists</a> in history,<a class="footnote-ref" id="fnref:695" href="#fn:695"><sup>695</sup></a> with sales estimated of over 500 million records worldwide.<a class="footnote-ref" id="fnref:696" href="#fn:696"><sup>696</sup></a><a class="footnote-ref" id="fnref:697" href="#fn:697"><sup>697</sup></a><a class="footnote-ref" id="fnref:698" href="#fn:698"><sup>698</sup></a>[Note 2] He had 13 <a href="/facts/List_of_artists_who_reached_number_one_in_the_United_States/D9aIXxKJ">number-one singles in the US</a> in his solo career—more than any other male artist in the Hot 100 era at the time of his death.<a class="footnote-ref" id="fnref:699" href="#fn:699"><sup>699</sup></a> He was invited and honored by a president of the United States at the <a href="/facts/White_House/CJQc7dKF">White House</a> three times. In 1984, he was honored with a "Presidential Public Safety Commendation" award by <a href="/facts/Ronald_Reagan/z6AaKAad">Ronald Reagan</a> for his humanitarian endeavors.<a class="footnote-ref" id="fnref:700" href="#fn:700"><sup>700</sup></a> In 1990, he was honored as the "Artist of the Decade", which was awarded by the <a href="/facts/National_Children%2527s_Museum/qTSRjhP2">National Children's Museum</a>, by <a href="/facts/George_H._W._Bush/Xk5UxRqp">George H. W. Bush</a>.<a class="footnote-ref" id="fnref:701" href="#fn:701"><sup>701</sup></a> In 1992, he was honored as a "Point of Light Ambassador" by Bush for inviting disadvantaged children to his <a href="/facts/Neverland_Ranch/M7DazAIu">Neverland Ranch</a>.<a class="footnote-ref" id="fnref:702" href="#fn:702"><sup>702</sup></a> </p><p>Jackson won <a href="/facts/List_of_awards_and_nominations_received_by_Michael_Jackson/ecfd9eBq">hundreds of awards</a>, making him one of the most-awarded artists in popular music.<a class="footnote-ref" id="fnref:703" href="#fn:703"><sup>703</sup></a> His awards include 39 Guinness World Records, including the Most Successful Entertainer of All Time,<a class="footnote-ref" id="fnref:704" href="#fn:704"><sup>704</sup></a><a class="footnote-ref" id="fnref:705" href="#fn:705"><sup>705</sup></a> 13 <a href="/facts/Grammy_Award/2bxYJjPV">Grammy Awards</a>,<a class="footnote-ref" id="fnref:706" href="#fn:706"><sup>706</sup></a> as well as the <a href="/facts/Grammy_Legend_Award/YYjP9mqM">Grammy Legend Award</a><a class="footnote-ref" id="fnref:707" href="#fn:707"><sup>707</sup></a> and the <a href="/facts/Grammy_Lifetime_Achievement_Award/4x6TepeI">Grammy Lifetime Achievement Award</a>,<a class="footnote-ref" id="fnref:708" href="#fn:708"><sup>708</sup></a> and 26 American Music Awards, including the Artist of the Century and Artist of the 1980s.<a class="footnote-ref" id="fnref:709" href="#fn:709"><sup>709</sup></a> He also received the <a href="/facts/World_Music_Awards/vQu1oADp">World Music Awards</a>' Best-Selling Male Artist of the Millennium and the <a href="/facts/Bambi_Award/v2vTQuom">Bambi</a> Pop Artist of the Millennium Award.<a class="footnote-ref" id="fnref:710" href="#fn:710"><sup>710</sup></a><a class="footnote-ref" id="fnref:711" href="#fn:711"><sup>711</sup></a> Jackson was inducted onto the <a href="/facts/Hollywood_Walk_of_Fame/vCQcm9yu">Hollywood Walk of Fame</a> in 1980 as a member of the Jacksons, and in 1984 as a solo artist. He was <a href="/facts/List_of_Rock_and_Roll_Hall_of_Fame_inductees/fe4BEjrT">inducted to the Rock and Roll Hall of Fame</a> and <a href="/facts/Vocal_Group_Hall_of_Fame/U7MnBTjH">Vocal Group Hall of Fame</a> as a member of the Jackson 5 in 1997 and 1999,<a class="footnote-ref" id="fnref:712" href="#fn:712"><sup>712</sup></a> respectively, and again as a solo artist in 2001.<a class="footnote-ref" id="fnref:713" href="#fn:713"><sup>713</sup></a> In 2002, he was added to the <a href="/facts/Songwriters_Hall_of_Fame/6uv4LrM0">Songwriters Hall of Fame</a>.<a class="footnote-ref" id="fnref:714" href="#fn:714"><sup>714</sup></a> In 2010, he was the first recording artist to be inducted into the <a href="/facts/National_Museum_of_Dance_and_Hall_of_Fame/0oUpPsFp">Dance Hall of Fame</a>,<a class="footnote-ref" id="fnref:715" href="#fn:715"><sup>715</sup></a> and in 2014, he was posthumously inducted into the <a href="/facts/Rhythm_and_Blues_Music_Hall_of_Fame/wvbaYVkL">Rhythm and Blues Music Hall of Fame</a>.<a class="footnote-ref" id="fnref:716" href="#fn:716"><sup>716</sup></a> In 2021, he was among the inaugural inductees into the <a href="/facts/Black_Music_%2526_Entertainment_Walk_of_Fame/gNE3wbQp">Black Music & Entertainment Walk of Fame</a>.<a class="footnote-ref" id="fnref:717" href="#fn:717"><sup>717</sup></a> </p><p>In 1988, <a href="/facts/Fisk_University/EAH8qgfQ">Fisk University</a> honored him with an Honorary Doctorate of Humane Letters.<a class="footnote-ref" id="fnref:718" href="#fn:718"><sup>718</sup></a> In 1992, he was invested as a <a href="/facts/Title_of_honour/Kwr02q2T">titular king</a> of <a href="/facts/Kingdom_of_Sanwi/g1yQExSK">Sanwi</a>, a traditional kingdom located in the south-east of <a href="/facts/Republic_of_Ivory_Coast/mSSED5Yl">Ivory Coast</a>.<a class="footnote-ref" id="fnref:719" href="#fn:719"><sup>719</sup></a> In July 2009, the Lunar Republic Society named a crater on the Moon after Jackson.<a class="footnote-ref" id="fnref:720" href="#fn:720"><sup>720</sup></a> In August, for what would have been Jackson's 51st birthday, Google dedicated their <a href="/facts/Google_Doodle/3wysmHgU">Google Doodle</a> to him.<a class="footnote-ref" id="fnref:721" href="#fn:721"><sup>721</sup></a> In 2012, the extinct hermit crab <i><a href="/facts/Mesoparapylocheles_michaeljacksoni/t8JEh7TS">Mesoparapylocheles michaeljacksoni</a></i> was named in his honor.<a class="footnote-ref" id="fnref:722" href="#fn:722"><sup>722</sup></a> In 2014, the <a href="/facts/British_Council/zdz5k2sS">British Council</a> of Cultural Relations deemed Jackson's life one of the 80 most important cultural moments of the 20th century.<a class="footnote-ref" id="fnref:723" href="#fn:723"><sup>723</sup></a> <a href="/facts/World_Vitiligo_Day/xKr2UNAg">World Vitiligo Day</a> has been celebrated on June 25, the anniversary of Jackson's death, to raise awareness of the auto-immune disorder that Jackson suffered from.<a class="footnote-ref" id="fnref:724" href="#fn:724"><sup>724</sup></a> </p> <h2 id="earnings">Earnings</h2> <p class="note">Main article: <a href="/facts/Estate_of_Michael_Jackson/jpKHcVxX">Estate of Michael Jackson</a></p> <p>In 1989, Jackson's annual earnings from album sales, endorsements, and concerts were estimated at $125 million.<a class="footnote-ref" id="fnref:725" href="#fn:725"><sup>725</sup></a> <i><a href="/facts/Forbes/lyULpGhW">Forbes</a></i> placed Jackson's annual income at $35 million in 1996 and $20 million in 1997.<a class="footnote-ref" id="fnref:726" href="#fn:726"><sup>726</sup></a> Jackson has been one of the wealthiest <a href="/facts/List_of_celebrities_by_net_worth/nn6T7jEq">celebrities</a> and <a href="/facts/List_of_music_artists_by_net_worth/LWAYG76j">musical artists</a>; estimates of Jackson's net worth during his life range from negative $285 million to positive $350 million for 2002, 2003 and 2007.<a class="footnote-ref" id="fnref:727" href="#fn:727"><sup>727</sup></a><a class="footnote-ref" id="fnref:728" href="#fn:728"><sup>728</sup></a> <i>Forbes</i> reported in August 2018 that Jackson's total career pretax earnings in life and death were $4.2 billion.<a class="footnote-ref" id="fnref:729" href="#fn:729"><sup>729</sup></a><a class="footnote-ref" id="fnref:730" href="#fn:730"><sup>730</sup></a> Sales of his recordings through Sony's music unit earned him an estimated $300 million in royalties. He may have earned another $400 million from concerts, music publishing (including his share of the Beatles catalog), endorsements, merchandising and music videos.<a class="footnote-ref" id="fnref:731" href="#fn:731"><sup>731</sup></a> </p><p>In 2013, the executors of Jackson's estate filed a petition in the <a href="/facts/United_States_Tax_Court/2Ee0Plv2">United States Tax Court</a> as a result of a dispute with the <a href="/facts/Internal_Revenue_Service/GBdRoslU">Internal Revenue Service</a> (IRS) over <a href="/facts/Estate_tax_in_the_United_States/rrNVX0H4">estate taxes</a>.<a class="footnote-ref" id="fnref:732" href="#fn:732"><sup>732</sup></a> The executors claimed that it was worth about $7 million, while the IRS that it was worth over $1.1 billion. In February 2014, the IRS reported that Jackson's estate owed $702 million; $505 million in taxes, and $197 million in penalties.<a class="footnote-ref" id="fnref:733" href="#fn:733"><sup>733</sup></a> In 2021, the Tax Court issued a ruling in favor of the estate, ruling that the estate's total combined value of the estate was $111.5 million and that the value of Jackson's name and likeness was $4 million.<a class="footnote-ref" id="fnref:734" href="#fn:734"><sup>734</sup></a> </p><p>In 2016, <i>Forbes</i> estimated annual gross earnings by the Jackson Estate at $825 million, the largest ever recorded for a celebrity, mostly due to the sale of the Sony/ATV catalog.<a class="footnote-ref" id="fnref:735" href="#fn:735"><sup>735</sup></a> In 2018, the figure was $400 million,<a class="footnote-ref" id="fnref:736" href="#fn:736"><sup>736</sup></a> and by 2024, it rose to $600 million,<a class="footnote-ref" id="fnref:737" href="#fn:737"><sup>737</sup></a> bringing Jackson's postmortem total to $3.3 billion.<a class="footnote-ref" id="fnref:738" href="#fn:738"><sup>738</sup></a> <i>Forbes</i> has consistently recognized Jackson as one of the <a href="/facts/Forbes%2527_list_of_the_world%2527s_highest-paid_dead_celebrity/14f0a5JR">top-earning dead celebrities</a>, and placed him at the top spot from 2010 to 2024, except for 2012, 2021, and 2022.<a class="footnote-ref" id="fnref:739" href="#fn:739"><sup>739</sup></a><a class="footnote-ref" id="fnref:740" href="#fn:740"><sup>740</sup></a> </p> <h2 id="discography">Discography</h2> <p class="note">Main articles: <a href="/facts/Michael_Jackson_albums_discography/YTQym3qw">Michael Jackson albums discography</a>, <a href="/facts/Michael_Jackson_singles_discography/F3oYol1K">Michael Jackson singles discography</a>, and <a href="/facts/List_of_songs_recorded_by_Michael_Jackson/sTy0beLj">List of songs recorded by Michael Jackson</a></p> <p class="note">See also: <a href="/facts/The_Jackson_5_discography/FLIsR2To">The Jackson 5 discography</a></p> <ul><li><i><a href="/facts/Got_to_Be_There/JPz3R3h8">Got to Be There</a></i> (1972)</li> <li><i><a href="/facts/Ben_(Michael_Jackson_album)/8Q8KI2CQ">Ben</a></i> (1972)</li> <li><i><a href="/facts/Music_%2526_Me/MlTDzhWN">Music & Me</a></i> (1973)</li> <li><i><a href="/facts/Forever%2c_Michael/VNrcP5my">Forever, Michael</a></i> (1975)</li> <li><i><a href="/facts/Off_the_Wall/hqXzrYxF">Off the Wall</a></i> (1979)</li> <li><i><a href="/facts/Thriller_(album)/x5Nus6lN">Thriller</a></i> (1982)</li> <li><i><a href="/facts/Bad_(album)/F34rPK1r">Bad</a></i> (1987)</li> <li><i><a href="/facts/Dangerous_(Michael_Jackson_album)/FhpnBq6D">Dangerous</a></i> (1991)</li> <li><i><a href="/facts/HIStory%3a_Past%2c_Present_and_Future%2c_Book_I/ssjryDu3">HIStory: Past, Present and Future, Book I</a></i> (1995)</li> <li><i><a href="/facts/Invincible_(Michael_Jackson_album)/Qxk3NFDL">Invincible</a></i> (2001)</li></ul> <h2 id="filmography">Filmography</h2> <p class="note">See also: <a href="/facts/Michael_Jackson_videography/qPvbJ0If">Michael Jackson videography</a></p> <ul><li><i><a href="/facts/The_Wiz_(film)/xbyulyXt">The Wiz</a></i> (1978)</li> <li><i><a href="/facts/Michael_Jackson%2527s_Thriller_(music_video)/mnshKJ2p">Michael Jackson's Thriller</a></i> (1983)</li> <li><i><a href="/facts/Captain_EO/443WhezE">Captain EO</a></i> (1986)</li> <li><i><a href="/facts/Moonwalker/Ko2rjXNb">Moonwalker</a></i> (1988)</li> <li><i><a href="/facts/Michael_Jackson%3a_The_Legend_Continues/LLa098zX">Michael Jackson: The Legend Continues</a></i> (1989)</li> <li><i><a href="/facts/Michael_Jackson%2527s_Ghosts/az1hdkRg">Michael Jackson's Ghosts</a></i> (1997)</li> <li><i><a href="/facts/Men_in_Black_II/rfHFLAby">Men in Black II</a></i> (2002)</li> <li><i><a href="/facts/Miss_Cast_Away_and_the_Island_Girls/tdrGbKbP">Miss Cast Away and the Island Girls</a></i> (2004)</li> <li><i><a href="/facts/Michael_Jackson%2527s_This_Is_It/Var2raX5">Michael Jackson's This Is It</a></i> (2009)</li> <li><i><a href="/facts/Bad_25_(film)/Jlu4PMKe">Bad 25</a></i> (2012)</li> <li><i><a href="/facts/Michael_Jackson%2527s_Journey_from_Motown_to_Off_the_Wall/EdredbMs">Michael Jackson's Journey from Motown to Off the Wall</a></i> (2016)</li> <li><i><a href="/facts/Thriller_40_(film)/lHBb8K96">Thriller 40</a></i> (2023)</li></ul> <h2 id="tours">Tours</h2> <p class="note">Main article: <a href="/facts/List_of_Michael_Jackson_concerts/6vEgtjR8">List of Michael Jackson concerts</a></p> <ul><li><a href="/facts/Bad_(tour)/Ybk3bm0J">Bad World Tour</a> (1987–1989)</li> <li><a href="/facts/Dangerous_World_Tour/mnCmeKmP">Dangerous World Tour</a> (1992–1993)</li> <li><a href="/facts/HIStory_World_Tour/w74DJ8G1">HIStory World Tour</a> (1996–1997)</li></ul> <h2 id="see-also">See also</h2> <ul><li><a href="/facts/List_of_dancers/lhw7C75n">List of dancers</a></li></ul> <h2 id="notes">Notes</h2> <h3>Citations</h3> <h3>Print sources</h3> <ul><li>Boepple, Leanne (1995). "Scream: Space Odyssey, Jackson-Style. (video production; Michael and Janet Jackson video)". <i>TCI: Theatre Crafts International</i>. 29. Theatre Crafts International. <a href="/facts/ISSN_(identifier)/DPAflDvU">ISSN</a> <a href="https://search.worldcat.org/issn/1063-9497">1063-9497</a>.</li> <li>Brackett, Nathan; Hoard, Christian (2004). <a href="/facts/The_Rolling_Stone_Album_Guide/RRNrAt8J"><i>The Rolling Stone Album Guide</i></a>. <a href="/facts/Fireside_Books/pESq8Dxl">Fireside</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li>Bronson, Fred (2003). <i>Billboard's Hottest Hot 100 Hits</i> (3rd ed.). Billboard Books. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li>Campbell, Lisa D (1993). <i>Michael Jackson: The King of Pop</i>. Branden. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li>Campbell, Lisa D (1995). <a href="https://books.google.com/books?id=BVC9zltjf-EC&pg=PP1"><i>Michael Jackson: The King of Pop's Darkest Hour</i></a>. Branden. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li><a href="/facts/Robert_Christgau/0U1Du9U9">Christgau, Robert</a> (1981). <a href="https://www.robertchristgau.com/get_chap.php?k=J&bk=70">"Consumer Guide '70s: J"</a>. <a href="/facts/Christgau%2527s_Record_Guide%3a_Rock_Albums_of_the_Seventies/lbz769kj"><i>Christgau's Record Guide: Rock Albums of the Seventies</i></a>. <a href="/facts/Ticknor_%2526_Fields/5670B8be">Ticknor & Fields</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> . Retrieved February 27, 2019.</li> <li>DeMello, Margo (2012). <a href="https://books.google.com/books?id=39B8fpdg_NwC&pg=PA152"><i>Faces Around the World: A Cultural Encyclopedia of the Human Face</i></a>. <a href="/facts/ABC-CLIO/7B9JFAeq">ABC-CLIO</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li><a href="/facts/Nelson_George/BQgADPdI">George, Nelson</a> (2004). <i><a href="/facts/Michael_Jackson%3a_The_Ultimate_Collection/bAk49hLy">Michael Jackson: The Ultimate Collection</a></i> (booklet). <a href="/facts/Sony_BMG/ppgz8esd">Sony BMG</a>.</li> <li>Inglis, Ian (2006). <i>Performance and Popular Music: History, Place and Time</i>. <a href="/facts/Ashgate_Publishing/NmuvtuCX">Ashgate Publishing</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li>Jackson, Michael (2009) [First published 1988]. <a href="/facts/Moonwalk_(book)/UC7kGIJ2"><i>Moonwalk</i></a>. Random House. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li>Knopper, Steve (2016). <a href="https://books.google.com/books?id=60p5DAAAQBAJ&pg=PA6"><i>MJ: The Genius of Michael Jackson</i></a>. <a href="/facts/Charles_Scribner%2527s_Sons/VRo5mFWQ">Scribner</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li>Lehman, Christopher P. (2008). <a href="https://books.google.com/books?id=XlWQBQAAQBAJ&pg=PA84"><i>A Critical History of Soul Train on Television</i></a>. McFarland. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li>Lewis Jones, Jel D. (2005). <a href="https://books.google.com/books?id=LuEPnk7irOMC"><i>Michael Jackson, the King of Pop: The Big Picture: the Music! the Man! the Legend! the Interviews: an Anthology</i></a>. Amber Books Publishing. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li>Mansour, David (2005). <a href="https://books.google.com/books?id=hK0rPUF85loC&pg=PA403"><i>From Abba to Zoom: A Pop Culture Encyclopedia of the Late 20th Century</i></a>. <a href="/facts/Andrews_McMeel_Publishing/VEx7Wzc5">Andrews McMeel Publishing</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li><a href="/facts/Robert_Palmer_(American_writer)/AfsgwbCk">Palmer, Robert</a> (1995). <a href="https://archive.org/details/rockrollunrulyh00palm"><i>Rock & Roll: An Unruly History</i></a>. <a href="/facts/Harmony_Books/zrTL7l8u">Harmony Books</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li>Parameswaran, Radhika (2011). <a href="https://books.google.com/books?id=dXaPIHee5GkC&pg=PA75">"E-Race-ing Color: Gender and Transnational Visual Economies of Beauty in India"</a>. In Sarma Hegde, Radha (ed.). <i>Circuits of Visibility: Gender and Transnational Media Cultures</i>. <a href="/facts/NYU_Press/12gzb04e">NYU Press</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li>Ramage, John D.; Bean, John C.; Johnson, June (2001). <a href="https://books.google.com/books?id=nDnUQkn28lUC"><i>Writing arguments: a rhetoric with readings</i></a>. Allyn and Bacon. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li>Rojek, Chris (2007). <i>Cultural Studies</i>. <a href="/facts/Polity_(publisher)/ynNdJaE4">Polity</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li>St John, Graham (2004). <a href="https://books.google.com/books?id=ze2MCltwfigC&pg=PA51"><i>Rave Culture and Religion</i></a>. <a href="/facts/Routledge/aSwcES11">Routledge</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li>Tannenbaum, Rob; Marks, Craig (2011). <a href="https://books.google.com/books?id=zrBolXPYq40C&pg=RA4-PT175"><i>I Want My MTV: The Uncensored Story of the Music Video Revolution</i></a>. <a href="/facts/Penguin_Books/Q2ETlwbp">Penguin Books</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li><a href="/facts/J._Randy_Taraborrelli/NsBh9pAg">Taraborrelli, J. Randy</a> (2009). <a href="https://archive.org/details/michaeljacksonma0000tara"><i>Michael Jackson: The Magic, The Madness, The Whole Story, 1958–2009</i></a>. Grand Central Publishing, 2009. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li><a href="/facts/Joseph_Vogel_(author)/zI8beyy5">Vogel, Joseph</a> (2012). <a href="https://archive.org/details/maninmusiccreati0000voge"><i>Man in the Music: The Creative Life and Work of Michael Jackson</i></a>. New York: <a href="/facts/Sterling_Publishing/66RY23hh">Sterling</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> .</li> <li>Young, Julie (Fall 2009). <a href="https://web.archive.org/web/20140415035650/https://www.indianahistory.org/our-services/books-publications/magazines/michaeljackson">"A Hoosier Thriller: Gary, Indiana's Michael Jackson"</a>. <i>Traces of Indiana and Midwestern History</i>. 21 (4). Indianapolis: Indiana Historical Society. Archived from <a href="https://www.indianahistory.org/our-services/books-publications/magazines/michaeljackson">the original</a> on April 15, 2014. Retrieved April 14, 2014.</li></ul> <h2 id="further-reading">Further reading</h2> <ul><li>Hidalgo, Susan; Weiner, Robert G. (2010). <a href="https://www.jpanafrican.org/docs/vol3no7/3.7MJ-Wanna-3.pdf">"Wanna Be Startin' Somethin': MJ in the Scholarly Literature: A Selected Bibliographic Guide"</a> (PDF). <i><a href="/facts/The_Journal_of_Pan_African_Studies/jfyCakxq">The Journal of Pan African Studies</a></i>. 3 (7).</li> <li><a href="https://www.biography.com/news/how-michael-jackson-changed-dance-history#:~:text=When%20the%20world%20saw%20Michael,style%20of%20movement%20called%20popping.">How Michael Jackson Changed Dance History</a> – <i>biography.com</i></li></ul> <h2 id="external-links">External links</h2> <ul><li><a href="https://www.michaeljackson.com">Official website</a> </li> <li><a href="https://music.amazon.com/artists/B000QJK2YE">Michael Jackson</a> at <a href="/facts/Amazon_Music/WzvCzmNr">Amazon Music</a></li></ul> <ul><li><a href="https://vault.fbi.gov/Michael%20Jackson">Michael Jackson</a> at the <a href="/facts/FBI/UY93jwX6">FBI</a>'s website</li> <li><a href="https://www.imdb.com/name/nm0001391/">Michael Jackson</a> at <a href="/facts/IMDb_(identifier)/uWrqVYVy">IMDb</a></li></ul> <h2 id="references">References</h2> <ol> <li id="fn:1"><p>Villarreal, Yvonne (June 29, 2009). "Remembering Michael Jackson: 'The Greatest Entertainer of All Time'". Los Angeles Times. Retrieved January 16, 2025. "Michael Jackson Was The Most Influential Entertainer Of The 20th Century & Shaped The Future Of Music, Dance & Film". OK!. December 6, 2022. Retrieved December 24, 2024. Satariano, Adam (July 8, 2009). "Family, Fans Mourn Jackson at Site of Final Rehearsal". Bloomberg News. Retrieved January 16, 2025. the greatest entertainer that ever lived. Bennett, Jessica (December 31, 2024). "The Greatest Live Performer Of Every Decade, 1950-Present". Vibe. Retrieved January 16, 2025. Widely considered the greatest performer of all time, Michael Jackson Ratliff, Michaela (August 29, 2024). "'The greatest artist who ever lived': Michael Jackson leaves impact 15 years after death". Yahoo! News. Retrieved January 16, 2025. "Michael Jackson Immortalized". Rolling Stone. June 5, 2010. Retrieved December 25, 2024. Michael Jackson, the greatest pop artist that ever lived <a href="https://www.latimes.com/archives/la-xpm-2009-jun-29-et-jackson-tribute29-story.html" target="_blank">https://www.latimes.com/archives/la-xpm-2009-jun-29-et-jackson-tribute29-story.html</a> <a href="#fnref:1" class="footnote-back-ref">↩</a></p></li> <li id="fn:2"><p>"Michael Jackson Is Los Olivos Most Famous, Reclusive Resident". Los Angeles Daily News. February 27, 1993. The Most Recognizable Person in the World "Weird Al Couldn't resist Fat Parody". Chicago Tribune. May 30, 1988. Michael Jackson is probably the most famous and popular person in the world Handelman, Michael Goldberg,David (September 24, 1987). "Is Michael Jackson For Real?". Rolling Stone. Retrieved May 28, 2025. The World's Biggest Celebrity{{cite magazine}}: CS1 maint: multiple names: authors list (link) Lewis, Claude (December 30, 1993). "Michael: Neither man nor woman, black nor white, when he sings 'I'm Bad'". Rome News-Tribune. Jackson is perhaps the most spellbinding performer ever, few cultures have been able to escape the Michael Jackson mystique, he's been able to transcend all standard barometers and escape any description that might categorize him. Teenagers swoon over the singer in every single language, he's just as popular in Liechtenstein as he is in London. "Jackson Reaps Global Support As Fans Rally Around The Star". The Vindicator. November 27, 2003. "Brice Gansore, a law student from impoverished Burkina Faso who calls himself 'Michael' in homage to Jackson, said the singer 'made me understand that in life there's always someone, somewhere thinking of you.' 'In even the remotest villages of Africa, where there are no televisions or radios, little Africans know Michael Jackson,' the 21-year-old said Glenday, Craig (2011). Guinness World Records 2011. Sterling Pub. ISBN 978-0-440-42310-2. Before his death, Michael Jackson was the most famous living human being in the world. <a href="978-0-440-42310-2" target="_blank">978-0-440-42310-2</a> <a href="#fnref:2" class="footnote-back-ref">↩</a></p></li> <li id="fn:3"><p>The estimates of Michael Jackson's record sales vary up to 1 billion records worldwide.[3][4] <a href="#fnref:3" class="footnote-back-ref">↩</a></p></li> <li id="fn:4"><p>County of Los Angeles Department of Health Services (2009). Michael Jackson death certificate. <a href="/wiki/Los_Angeles_County_Department_of_Health_Services" target="_blank">/wiki/Los_Angeles_County_Department_of_Health_Services</a> <a href="#fnref:4" class="footnote-back-ref">↩</a></p></li> <li id="fn:5"><p>Huey, Steve. "Michael Jackson – Artist Biography". AllMusic. Archived from the original on May 7, 2015. 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Retrieved October 20, 2016. <a href="https://www.grammy.com/blogs/michael-jackson-10-achievements-that-made-him-the-king-of-pop" target="_blank">https://www.grammy.com/blogs/michael-jackson-10-achievements-that-made-him-the-king-of-pop</a> <a href="#fnref:7" class="footnote-back-ref">↩</a></p></li> <li id="fn:8"><p>Jackson 2009, p. 26. - Jackson, Michael (2009) [First published 1988]. Moonwalk. Random House. ISBN 978-0-307-71698-9. <a href="#fnref:8" class="footnote-back-ref">↩</a></p></li> <li id="fn:9"><p>Young 2009, p. 18. - Young, Julie (Fall 2009). "A Hoosier Thriller: Gary, Indiana's Michael Jackson". Traces of Indiana and Midwestern History. 21 (4). Indianapolis: Indiana Historical Society. Archived from the original on April 15, 2014. Retrieved April 14, 2014. <a href="https://web.archive.org/web/20140415035650/https://www.indianahistory.org/our-services/books-publications/magazines/michaeljackson" target="_blank">https://web.archive.org/web/20140415035650/https://www.indianahistory.org/our-services/books-publications/magazines/michaeljackson</a> <a href="#fnref:9" class="footnote-back-ref">↩</a></p></li> <li id="fn:10"><p>Young 2009, pp. 17, 19. - Young, Julie (Fall 2009). "A Hoosier Thriller: Gary, Indiana's Michael Jackson". Traces of Indiana and Midwestern History. 21 (4). Indianapolis: Indiana Historical Society. Archived from the original on April 15, 2014. Retrieved April 14, 2014. <a href="https://web.archive.org/web/20140415035650/https://www.indianahistory.org/our-services/books-publications/magazines/michaeljackson" target="_blank">https://web.archive.org/web/20140415035650/https://www.indianahistory.org/our-services/books-publications/magazines/michaeljackson</a> <a href="#fnref:10" class="footnote-back-ref">↩</a></p></li> <li id="fn:11"><p>Petridis, Alexis (June 27, 2018). "Joe Jackson was one of the most monstrous fathers in pop". The Guardian. Archived from the original on December 8, 2022. Retrieved April 18, 2019. <a href="https://www.theguardian.com/music/2018/jun/27/joe-jackson-one-of-the-most-monstrous-fathers-in-pop" target="_blank">https://www.theguardian.com/music/2018/jun/27/joe-jackson-one-of-the-most-monstrous-fathers-in-pop</a> <a href="#fnref:11" class="footnote-back-ref">↩</a></p></li> <li id="fn:12"><p>Sweeting, Adam (June 27, 2018). "Joe Jackson obituary". The Guardian. Archived from the original on December 8, 2022. Retrieved April 14, 2019. <a href="https://www.theguardian.com/music/2018/jun/27/joe-jackson-obituary" target="_blank">https://www.theguardian.com/music/2018/jun/27/joe-jackson-obituary</a> <a href="#fnref:12" class="footnote-back-ref">↩</a></p></li> <li id="fn:13"><p>Young 2009, pp. 18–19. - Young, Julie (Fall 2009). "A Hoosier Thriller: Gary, Indiana's Michael Jackson". Traces of Indiana and Midwestern History. 21 (4). Indianapolis: Indiana Historical Society. Archived from the original on April 15, 2014. Retrieved April 14, 2014. <a href="https://web.archive.org/web/20140415035650/https://www.indianahistory.org/our-services/books-publications/magazines/michaeljackson" target="_blank">https://web.archive.org/web/20140415035650/https://www.indianahistory.org/our-services/books-publications/magazines/michaeljackson</a> <a href="#fnref:13" class="footnote-back-ref">↩</a></p></li> <li id="fn:14"><p>Knopper 2016, p. 6. Note: No tribal affiliation named in source. - Knopper, Steve (2016). MJ: The Genius of Michael Jackson. Scribner. ISBN 978-1-4767-3037-0. <a href="https://books.google.com/books?id=60p5DAAAQBAJ&pg=PA6" target="_blank">https://books.google.com/books?id=60p5DAAAQBAJ&pg=PA6</a> <a href="#fnref:14" class="footnote-back-ref">↩</a></p></li> <li id="fn:15"><p>Sweeting, Adam (June 27, 2018). "Joe Jackson obituary". The Guardian. Archived from the original on December 8, 2022. Retrieved April 14, 2019. <a href="https://www.theguardian.com/music/2018/jun/27/joe-jackson-obituary" target="_blank">https://www.theguardian.com/music/2018/jun/27/joe-jackson-obituary</a> <a href="#fnref:15" class="footnote-back-ref">↩</a></p></li> <li id="fn:16"><p>Morris, Chris (June 27, 2018). "Joe Jackson, Jackson Family Patriarch, Dies at 89". Variety. Archived from the original on November 8, 2022. Retrieved April 27, 2019. <a href="https://variety.com/2018/music/news/joe-jackson-dead-dies-89-1202859242/" target="_blank">https://variety.com/2018/music/news/joe-jackson-dead-dies-89-1202859242/</a> <a href="#fnref:16" class="footnote-back-ref">↩</a></p></li> <li id="fn:17"><p>"Michael Jackson: a life of highs and lows". The Daily Telegraph. June 26, 2009. Archived from the original on January 10, 2022. Retrieved November 28, 2019. <a href="https://www.telegraph.co.uk/culture/music/michael-jackson/5642588/Michael-Jackson-a-life-of-highs-and-lows.html" target="_blank">https://www.telegraph.co.uk/culture/music/michael-jackson/5642588/Michael-Jackson-a-life-of-highs-and-lows.html</a> <a href="#fnref:17" class="footnote-back-ref">↩</a></p></li> <li id="fn:18"><p>Jackson, Jermaine (2011). You Are Not Alone: Michael: Through a Brother's Eyes. Simon & Schuster. p. 41. ISBN 978-1-4516-5156-0. Archived from the original on July 28, 2023. Retrieved November 28, 2019. <a href="978-1-4516-5156-0" target="_blank">978-1-4516-5156-0</a> <a href="#fnref:18" class="footnote-back-ref">↩</a></p></li> <li id="fn:19"><p>"Jackson interview seen by 14 m". BBC News. February 4, 2003. Archived from the original on December 8, 2022. Retrieved May 31, 2015. <a href="https://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/2719763.stm" target="_blank">https://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/2719763.stm</a> <a href="#fnref:19" class="footnote-back-ref">↩</a></p></li> <li id="fn:20"><p>Petridis, Alexis (June 27, 2018). "Joe Jackson was one of the most monstrous fathers in pop". The Guardian. Archived from the original on December 8, 2022. Retrieved April 18, 2019. <a href="https://www.theguardian.com/music/2018/jun/27/joe-jackson-one-of-the-most-monstrous-fathers-in-pop" target="_blank">https://www.theguardian.com/music/2018/jun/27/joe-jackson-one-of-the-most-monstrous-fathers-in-pop</a> <a href="#fnref:20" class="footnote-back-ref">↩</a></p></li> <li id="fn:21"><p>Lewis Jones 2005, pp. 165–168. - Lewis Jones, Jel D. (2005). Michael Jackson, the King of Pop: The Big Picture: the Music! the Man! the Legend! the Interviews: an Anthology. Amber Books Publishing. ISBN 978-0-9749779-0-4. <a href="https://books.google.com/books?id=LuEPnk7irOMC" target="_blank">https://books.google.com/books?id=LuEPnk7irOMC</a> <a href="#fnref:21" class="footnote-back-ref">↩</a></p></li> <li id="fn:22"><p>"Can Michael Jackson's demons be explained?". BBC News. June 27, 2009. Archived from the original on September 28, 2022. Retrieved May 31, 2015. <a href="https://news.bbc.co.uk/2/hi/uk_news/magazine/8121599.stm" target="_blank">https://news.bbc.co.uk/2/hi/uk_news/magazine/8121599.stm</a> <a href="#fnref:22" class="footnote-back-ref">↩</a></p></li> <li id="fn:23"><p>Katherine Jackson: Michael's strict upbringing not abuse (video). CNN. May 15, 2012. Archived from the original on November 14, 2021. Retrieved May 31, 2015. <a href="https://www.youtube.com/watch?v=ldyRUqGN3XA" target="_blank">https://www.youtube.com/watch?v=ldyRUqGN3XA</a> <a href="#fnref:23" class="footnote-back-ref">↩</a></p></li> <li id="fn:24"><p>Duke, Alan (July 21, 2009). "Joe Jackson denies abusing Michael". CNN. Archived from the original on June 12, 2015. Retrieved May 31, 2015. <a href="https://edition.cnn.com/2009/SHOWBIZ/Music/07/21/joe.jackson/index.html" target="_blank">https://edition.cnn.com/2009/SHOWBIZ/Music/07/21/joe.jackson/index.html</a> <a href="#fnref:24" class="footnote-back-ref">↩</a></p></li> <li id="fn:25"><p>"Jackson Brothers: Was Joe Jackson Abusive?". Yahoo! Celebrity. Archived from the original on May 22, 2015. Retrieved May 31, 2015. <a href="https://web.archive.org/web/20150522073344/https://celebrity.yahoo.com/video/jackson-brothers-joe-jackson-abusive-170000051.html" target="_blank">https://web.archive.org/web/20150522073344/https://celebrity.yahoo.com/video/jackson-brothers-joe-jackson-abusive-170000051.html</a> <a href="#fnref:25" class="footnote-back-ref">↩</a></p></li> <li id="fn:26"><p>Young 2009, p. 24. - Young, Julie (Fall 2009). "A Hoosier Thriller: Gary, Indiana's Michael Jackson". Traces of Indiana and Midwestern History. 21 (4). Indianapolis: Indiana Historical Society. Archived from the original on April 15, 2014. Retrieved April 14, 2014. <a href="https://web.archive.org/web/20140415035650/https://www.indianahistory.org/our-services/books-publications/magazines/michaeljackson" target="_blank">https://web.archive.org/web/20140415035650/https://www.indianahistory.org/our-services/books-publications/magazines/michaeljackson</a> <a href="#fnref:26" class="footnote-back-ref">↩</a></p></li> <li id="fn:27"><p>Burton, Charlie (February 7, 2018). "Inside the Jackson machine". GQ. Archived from the original on October 7, 2022. Retrieved April 14, 2019. <a href="https://www.gq-magazine.co.uk/article/jacksons-legacy-jackson-5" target="_blank">https://www.gq-magazine.co.uk/article/jacksons-legacy-jackson-5</a> <a href="#fnref:27" class="footnote-back-ref">↩</a></p></li> <li id="fn:28"><p>Taraborrelli 2009, pp. 13–14. - Taraborrelli, J. Randy (2009). Michael Jackson: The Magic, The Madness, The Whole Story, 1958–2009. Grand Central Publishing, 2009. ISBN 978-0-446-56474-8. <a href="https://archive.org/details/michaeljacksonma0000tara" target="_blank">https://archive.org/details/michaeljacksonma0000tara</a> <a href="#fnref:28" class="footnote-back-ref">↩</a></p></li> <li id="fn:29"><p>Young 2009, pp. 21–22. - Young, Julie (Fall 2009). "A Hoosier Thriller: Gary, Indiana's Michael Jackson". Traces of Indiana and Midwestern History. 21 (4). Indianapolis: Indiana Historical Society. Archived from the original on April 15, 2014. Retrieved April 14, 2014. <a href="https://web.archive.org/web/20140415035650/https://www.indianahistory.org/our-services/books-publications/magazines/michaeljackson" target="_blank">https://web.archive.org/web/20140415035650/https://www.indianahistory.org/our-services/books-publications/magazines/michaeljackson</a> <a href="#fnref:29" class="footnote-back-ref">↩</a></p></li> <li id="fn:30"><p>"Triumph & Tragedy: The Life of Michael Jackson". Rolling Stone India. August 25, 2009. 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Retrieved April 14, 2014. <a href="https://web.archive.org/web/20140415035650/https://www.indianahistory.org/our-services/books-publications/magazines/michaeljackson" target="_blank">https://web.archive.org/web/20140415035650/https://www.indianahistory.org/our-services/books-publications/magazines/michaeljackson</a> <a href="#fnref:31" class="footnote-back-ref">↩</a></p></li> <li id="fn:32"><p>Young 2009, p. 21. - Young, Julie (Fall 2009). "A Hoosier Thriller: Gary, Indiana's Michael Jackson". Traces of Indiana and Midwestern History. 21 (4). Indianapolis: Indiana Historical Society. Archived from the original on April 15, 2014. 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Michael Jackson: The Magic, The Madness, The Whole Story, 1958–2009. Grand Central Publishing, 2009. ISBN 978-0-446-56474-8. <a href="https://archive.org/details/michaeljacksonma0000tara" target="_blank">https://archive.org/details/michaeljacksonma0000tara</a> <a href="#fnref:34" class="footnote-back-ref">↩</a></p></li> <li id="fn:35"><p>Harper, Phillip Brian (Winter 1989). "Synesthesia, "Crossover," and Blacks in Popular Music". Social Text (23): 110. doi:10.2307/466423. ISSN 0164-2472. JSTOR 466423. <a href="/wiki/Social_Text" target="_blank">/wiki/Social_Text</a> <a href="#fnref:35" class="footnote-back-ref">↩</a></p></li> <li id="fn:36"><p>Easlea, Daryl (2016). Michael Jackson: Rewind: The Life and Legacy of Pop Music's King. Race Point Publishing. p. 178. ISBN 978-1-63106-253-7. <a href="978-1-63106-253-7" target="_blank">978-1-63106-253-7</a> <a href="#fnref:36" class="footnote-back-ref">↩</a></p></li> <li id="fn:37"><p>"Michael Jackson – Biography". Rolling Stone. 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People named their cars after him, not to mention their pets - my own white-and-black cat is called MJ, I cannot think of another foreign artist who has infiltrated our culture so much as him. <a href="https://www.thenationalnews.com/world/mena/he-meant-so-much-to-arabs-1.541703" target="_blank">https://www.thenationalnews.com/world/mena/he-meant-so-much-to-arabs-1.541703</a> <a href="#fnref:547" class="footnote-back-ref">↩</a></p></li> <li id="fn:548"><p>Grundey, Adam (June 29, 2019). "Wanted dead or alive: Despite 'Leaving Neverland,' Michael Jackson's star seems undiminished in the Middle East". Arab News. Retrieved December 7, 2024. As a performer and musician, Jackson was idolized around the world. 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Always dressed as his idol, he attracts crowds with his performance and dreams one day of being able to meet the Jackson family. <a href="https://www.uol.com.br/carnaval/videos/?id=michael-jackson-continua-vivo-em-sao-tome-e-principe-0402CC1C3764C8892326" target="_blank">https://www.uol.com.br/carnaval/videos/?id=michael-jackson-continua-vivo-em-sao-tome-e-principe-0402CC1C3764C8892326</a> <a href="#fnref:556" class="footnote-back-ref">↩</a></p></li> <li id="fn:557"><p>Kerr, Jim; Squibb, Shirley. "Tristen De Cunha Performing Arts Show". Tristan da Cunha Government. Retrieved December 7, 2024. The show started with a dance to Thriller, zombies appeared from all directions and danced with Nathan Swain, the island's Michael Jackson lookalike. <a href="https://www.tristandc.com/newsschool2014artsshow.php" target="_blank">https://www.tristandc.com/newsschool2014artsshow.php</a> <a href="#fnref:557" class="footnote-back-ref">↩</a></p></li> <li id="fn:558"><p>Haider, Arwa (June 29, 2018). 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