Beyoncé

<h2 id="life-and-career">Life and career</h2>
<h3>Early life</h3>
Beyoncé Giselle Knowles was born in <a href="/facts/Houston/1v8AwQUN">Houston</a>, Texas, on September 4, 1981.<a class="footnote-ref" id="fnref:3" href="#fn:3">3</a><a class="footnote-ref" id="fnref:4" href="#fn:4">4</a> Her mother, <a href="/facts/Tina_Knowles/tLfXqFr5">Tina Knowles</a> (<a href="/facts/N%25C3%25A9e/FctFJcbg">née</a> Beyoncé), was a hairdresser and salon owner,<a class="footnote-ref" id="fnref:5" href="#fn:5">5</a><a class="footnote-ref" id="fnref:6" href="#fn:6">6</a> while her father, <a href="/facts/Mathew_Knowles/drVVAVvo">Mathew Knowles</a>, was a sales manager at <a href="/facts/Xerox/qyxVVqaa">Xerox</a>.<a class="footnote-ref" id="fnref:7" href="#fn:7">7</a><a class="footnote-ref" id="fnref:8" href="#fn:8">8</a> Mathew is African-American,<a class="footnote-ref" id="fnref:9" href="#fn:9">9</a> while Tina is <a href="/facts/Louisiana_Creole_people/2bPrs37m">Louisiana Creole</a> with African, French, Irish, and Native American ancestry.<a class="footnote-ref" id="fnref:10" href="#fn:10">10</a><a class="footnote-ref" id="fnref:11" href="#fn:11">11</a> Beyoncé's younger sister, <a href="/facts/Solange_Knowles/otYaTmkV">Solange</a>, is also a singer and actress.<a class="footnote-ref" id="fnref:12" href="#fn:12">12</a><a class="footnote-ref" id="fnref:13" href="#fn:13">13</a> Both sisters are descendants of <a href="/facts/Acadians/2lWj42q4">Acadian</a> militia officer <a href="/facts/Joseph_Broussard/qHkAWo8B">Joseph Broussard</a>, who was exiled to <a href="/facts/Louisiana_(New_France)/Q1cy1DI2">French Louisiana</a> after the <a href="/facts/Expulsion_of_the_Acadians/YVAj6VUF">expulsion of the Acadians</a>, and of the French military officer and <a href="/facts/Abenaki/AYr24sSP">Abenaki</a> chief <a href="/facts/Jean-Vincent_d%2527Abbadie_de_Saint-Castin/4Hwo9vkb">Jean-Vincent d'Abbadie, Baron de Saint-Castin</a>.<a class="footnote-ref" id="fnref:14" href="#fn:14">14</a>
Beyoncé was raised within multiple religious traditions, attending both St. John's United Methodist Church and St. Mary of the Purification Catholic Church in Houston.<a class="footnote-ref" id="fnref:15" href="#fn:15">15</a><a class="footnote-ref" id="fnref:16" href="#fn:16">16</a> She began her education at St. Mary's Catholic Montessori School, where she also took dance classes.<a class="footnote-ref" id="fnref:17" href="#fn:17">17</a> Her vocals were discovered when her dance instructor, Darlette Johnson, began humming a song and Beyoncé completed it, showing her ability to reach high-pitched notes.<a class="footnote-ref" id="fnref:18" href="#fn:18">18</a> Beyoncé's interest in music and performing grew after she won a school talent show at the age of seven by singing <a href="/facts/John_Lennon/voXHuusf">John Lennon</a>'s "<a href="/facts/Imagine_(John_Lennon_song)/1qUKKfRK">Imagine</a>", outperforming older competitors aged fifteen and sixteen.<a class="footnote-ref" id="fnref:19" href="#fn:19">19</a><a class="footnote-ref" id="fnref:20" href="#fn:20">20</a> 
In 1990, nine-year-old Beyoncé enrolled in Parker Elementary School, a music <a href="/facts/Magnet_school/ARhpVdva">magnet school</a> in Houston, where she performed with the school's choir.<a class="footnote-ref" id="fnref:21" href="#fn:21">21</a><a class="footnote-ref" id="fnref:22" href="#fn:22">22</a> She later attended the <a href="/facts/Kinder_High_School_for_the_Performing_and_Visual_Arts/3pfI2nJy">Kinder High School for the Performing and Visual Arts</a> and subsequently <a href="/facts/Alief_Elsik_High_School/DT2VxblA">Alief Elsik High School</a>.<a class="footnote-ref" id="fnref:23" href="#fn:23">23</a> Beyoncé was also a member of the choir at St. John's United Methodist Church, where she sang her first <a href="/facts/Solo_(music)/6hoE0Yvz">solo</a> and was a soloist for two years.<a class="footnote-ref" id="fnref:24" href="#fn:24">24</a><a class="footnote-ref" id="fnref:25" href="#fn:25">25</a> Beyoncé's first job as a child was sweeping hair and occasionally performing for customers at her mother's hair salon. Retrospectively, she said that the women at the salon helped her understand beauty, healing, and the importance of service.<a class="footnote-ref" id="fnref:26" href="#fn:26">26</a>

<h3>1990–2001: Early career and Destiny's Child</h3>
In 1990, Beyoncé met <a href="/facts/LaTavia_Roberson/I794jR47">LaTavia Roberson</a> while in an audition for an all-girl entertainment group.<a class="footnote-ref" id="fnref:27" href="#fn:27">27</a> They were placed in a group named "Girl's Tyme" with three other girls, a group that performed rap and dance routines on Houston's talent show circuit.<a class="footnote-ref" id="fnref:28" href="#fn:28">28</a><a class="footnote-ref" id="fnref:29" href="#fn:29">29</a> <a href="/facts/Contemporary_R%2526B/rsafQLga">R&B</a> producer Arne Frager noticed them and later entered the group in <a href="/facts/Star_Search/3Egb5k9B">Star Search</a>, the largest national talent show on television at the time. Competing in the show's singing category, the group lost the competition, which Beyoncé attributed to a poor song choice.<a class="footnote-ref" id="fnref:30" href="#fn:30">30</a><a class="footnote-ref" id="fnref:31" href="#fn:31">31</a> In 1995, Mathew Knowles left his job to manage the group, which halved the Knowles family's income, leading to them moving into separated apartments.<a class="footnote-ref" id="fnref:32" href="#fn:32">32</a><a class="footnote-ref" id="fnref:33" href="#fn:33">33</a><a class="footnote-ref" id="fnref:34" href="#fn:34">34</a> He reduced the group's lineup to four members and they continued performing as an opening act for established R&B girl groups.<a class="footnote-ref" id="fnref:35" href="#fn:35">35</a> After being briefly signed by <a href="/facts/Elektra_Records/qwRKPND1">Elektra Records</a> and later dropped, tensions led to a six-month separation of Beyoncé's parents.<a class="footnote-ref" id="fnref:36" href="#fn:36">36</a><a class="footnote-ref" id="fnref:37" href="#fn:37">37</a> The Knowles family later reunited and the group secured a contract with <a href="/facts/Columbia_Records/yV1YYE69">Columbia Records</a>, aided by talent scout <a href="/facts/Teresa_LaBarbera_Whites/y0mHmQ6V">Teresa LaBarbera Whites</a>.<a class="footnote-ref" id="fnref:38" href="#fn:38">38</a>

The group adopted the name <a href="/facts/Destiny%2527s_Child/DL7PMfx4">Destiny's Child</a> in 1997, based upon a passage in the <a href="/facts/Book_of_Isaiah/TypwqRnK">Book of Isaiah</a>.<a class="footnote-ref" id="fnref:39" href="#fn:39">39</a><a class="footnote-ref" id="fnref:40" href="#fn:40">40</a> That year, they released their major-label debut song, "Killing Time", which appeared on <a href="/facts/Men_in_Black%3a_The_Album/QUtYfb2d">the soundtrack</a> for the film <a href="/facts/Men_in_Black_(1997_film)/oAS9CWyp">Men in Black</a>.<a class="footnote-ref" id="fnref:41" href="#fn:41">41</a> In November of that year, the group issued their debut single and first major hit, "<a href="/facts/No%2c_No%2c_No_(Destiny%2527s_Child_song)/tgyN03an">No, No, No</a>", followed by their <a href="/facts/Destiny%2527s_Child_(album)/c22Ln2jY">self-titled debut album</a> in 1998.<a class="footnote-ref" id="fnref:42" href="#fn:42">42</a><a class="footnote-ref" id="fnref:43" href="#fn:43">43</a> In 1999, the group released their second studio album, <a href="/facts/The_Writing%2527s_on_the_Wall/z59sxYRB">The Writing's on the Wall</a>, which achieved <a href="/facts/RIAA_certification/TWwUbkQP">multi-platinum</a> status.<a class="footnote-ref" id="fnref:44" href="#fn:44">44</a> The album spawned several successful singles, including "<a href="/facts/Bills%2c_Bills%2c_Bills/F5r8bs4z">Bills, Bills, Bills</a>", "<a href="/facts/Jumpin%2527%2c_Jumpin%2527/n97KqHpa">Jumpin', Jumpin'</a>", and "<a href="/facts/Say_My_Name/3mwSstSR">Say My Name</a>". "Bills, Bills, Bills" and "Say My Name" both peaked at number one on the U.S. <a href="/facts/Billboard_Hot_100/gwKl8VL9">Billboard Hot 100</a>.<a class="footnote-ref" id="fnref:45" href="#fn:45">45</a><a class="footnote-ref" id="fnref:46" href="#fn:46">46</a><a class="footnote-ref" id="fnref:47" href="#fn:47">47</a> "Say My Name" earned two awards at the <a href="/facts/43rd_Annual_Grammy_Awards/Kfz33D6E">2001 Grammy Awards</a>: <a href="/facts/Best_R%2526B_Performance_by_a_Duo_or_Group_with_Vocals/BfLp73Cp">Best R&B Performance by a Duo or Group with Vocals</a> and <a href="/facts/Grammy_Award_for_Best_R%2526B_Song/9bw7m75d">Best R&B Song</a>.<a class="footnote-ref" id="fnref:48" href="#fn:48">48</a> The Writing's on the Wall became one of the best-selling R&B albums of all time.<a class="footnote-ref" id="fnref:49" href="#fn:49">49</a>
Following several lineup changes, the remaining members of Destiny's Child—Beyoncé, <a href="/facts/Kelly_Rowland/JvLno0eG">Kelly Rowland</a>, and <a href="/facts/Michelle_Williams_(singer)/FX9tuvuV">Michelle Williams</a>—recorded "<a href="/facts/Independent_Women_Part_I/xHVocjhe">Independent Women Part I</a>" in 2000, which featured on the soundtrack of the film <a href="/facts/Charlie%2527s_Angels_(2000_film)/dm5gJvKc">Charlie's Angels</a>. The song became the group's highest-charting single, spending eleven consecutive weeks at number one in the U.S.<a class="footnote-ref" id="fnref:50" href="#fn:50">50</a> In early 2001, while Destiny's Child was completing work on their third album, Beyoncé secured a leading role in the MTV made-for-television film <a href="/facts/Carmen%3a_A_Hip_Hopera/dhcQgf8P">Carmen: A Hip Hopera</a>, an interpretation of the 19th-century opera <a href="/facts/Carmen/T7ewFqov">Carmen</a>.<a class="footnote-ref" id="fnref:51" href="#fn:51">51</a> Destiny's Child's third studio album, <a href="/facts/Survivor_(Destiny%2527s_Child_album)/U44yu8EM">Survivor</a>, was released in May 2001; it debuted at number one on the <a href="/facts/Billboard_200/XtbnoFSM">Billboard 200</a>, selling 663,000 copies in its first week.<a class="footnote-ref" id="fnref:52" href="#fn:52">52</a> The album produced the singles "<a href="/facts/Bootylicious/00AzenBM">Bootylicious</a>" and the <a href="/facts/Survivor_(Destiny%2527s_Child_song)/qdVmF7nP">title track</a>, which peaked at number one and two in the United States, respectively.<a class="footnote-ref" id="fnref:53" href="#fn:53">53</a><a class="footnote-ref" id="fnref:54" href="#fn:54">54</a> "Survivor" earned the group a Grammy Award for Best R&B Performance by a Duo or Group with Vocals.<a class="footnote-ref" id="fnref:55" href="#fn:55">55</a> Following the release of their holiday album, <a href="/facts/8_Days_of_Christmas/37yG6pve">8 Days of Christmas</a> (2001), Destiny's Child announced a hiatus to allow each member to pursue solo careers.<a class="footnote-ref" id="fnref:56" href="#fn:56">56</a>

<h3>2002–2007: Dangerously in Love, B'Day, and Dreamgirls</h3>

In July 2002, Beyoncé made her theatrical film debut, portraying <a href="/facts/Foxxy_Cleopatra/89QrFVvA">Foxxy Cleopatra</a> in <a href="/facts/Austin_Powers_in_Goldmember/89QrFVvA">Austin Powers in Goldmember</a>.<a class="footnote-ref" id="fnref:57" href="#fn:57">57</a> She released "<a href="/facts/Work_It_Out_(Beyonc%25C3%25A9_song)/Ua1cy3uP">Work It Out</a>" as the lead single from the film's soundtrack.<a class="footnote-ref" id="fnref:58" href="#fn:58">58</a> Her breakthrough as a solo artist came when she featured on <a href="/facts/Jay-Z/8j905fCC">Jay-Z</a>'s track "<a href="/facts/%252703_Bonnie_%2526_Clyde/HV8vU4FC">'03 Bonnie & Clyde</a>" from his album <a href="/facts/The_Blueprint_2%3a_The_Gift_%2526_The_Curse/krqf1xI4">The Blueprint 2: The Gift & The Curse</a> (2002).<a class="footnote-ref" id="fnref:59" href="#fn:59">59</a> The single peaked at number four on the Hot 100 chart.<a class="footnote-ref" id="fnref:60" href="#fn:60">60</a> Beyoncé appeared as Jay-Z's girlfriend in the music video for the song, fueling speculation about a relationship.<a class="footnote-ref" id="fnref:61" href="#fn:61">61</a> She later shared that they began dating when she was nineteen, after a year and a half of friendship.<a class="footnote-ref" id="fnref:62" href="#fn:62">62</a>
On June 14, 2003, Beyoncé premiered songs from her debut solo album, <a href="/facts/Dangerously_in_Love/bRl4Ip5Q">Dangerously in Love</a>, during her first solo concert, which was broadcast as a <a href="/facts/Pay-per-view/pgoMWMbp">pay-per-view</a> television special.<a class="footnote-ref" id="fnref:63" href="#fn:63">63</a> The album was released on June 24, 2003, following the solo releases of her Destiny's Child bandmates Williams and Rowland.<a class="footnote-ref" id="fnref:64" href="#fn:64">64</a><a class="footnote-ref" id="fnref:65" href="#fn:65">65</a> Dangerously in Love debuted at number one on the Billboard 200 chart, selling 317,000 copies in its first week.<a class="footnote-ref" id="fnref:66" href="#fn:66">66</a> The album's lead single, "<a href="/facts/Crazy_in_Love/oSjmgQGT">Crazy in Love</a>", featuring Jay-Z, became Beyoncé's first number-one single as a solo artist in the US.<a class="footnote-ref" id="fnref:67" href="#fn:67">67</a> The single "<a href="/facts/Baby_Boy_(Beyonc%25C3%25A9_song)/BSGYHcMo">Baby Boy</a>" also reached number one,<a class="footnote-ref" id="fnref:68" href="#fn:68">68</a> while "<a href="/facts/Me%2c_Myself_and_I_(Beyonc%25C3%25A9_song)/DBRCNNEw">Me, Myself and I</a>" and "<a href="/facts/Naughty_Girl_(Beyonc%25C3%25A9_song)/ozVYQsrr">Naughty Girl</a>" both reached the top five.<a class="footnote-ref" id="fnref:69" href="#fn:69">69</a> The album earned Beyoncé a then record-tying five awards at the <a href="/facts/46th_Annual_Grammy_Awards/R9Pk91s5">46th Annual Grammy Awards</a>, including <a href="/facts/Grammy_Award_for_Best_Contemporary_R%2526B_Album/0Rd0hNDE">Best Contemporary R&B Album</a> and Best R&B Song for "Crazy in Love".<a class="footnote-ref" id="fnref:70" href="#fn:70">70</a> She starred alongside <a href="/facts/Cuba_Gooding_Jr./Plm5kuuA">Cuba Gooding Jr.</a> in the musical comedy <a href="/facts/The_Fighting_Temptations/Vqv3NGWN">The Fighting Temptations</a> (2003), which <a href="/facts/Box-office_bomb/30YnUj8p">underperformed at the box office</a>. Beyoncé portrayed a single mother and the love interest of Gooding's character.<a class="footnote-ref" id="fnref:71" href="#fn:71">71</a><a class="footnote-ref" id="fnref:72" href="#fn:72">72</a> Beyoncé performed several songs for the <a href="/facts/The_Fighting_Temptations_(soundtrack)/gm4sGJcv">film's soundtrack</a>, including its two singles, "<a href="/facts/Fighting_Temptation/SmK31fvJ">Fighting Temptation</a>" and "<a href="/facts/Summertime_(Beyonc%25C3%25A9_song)/nKGLwhue">Summertime</a>".<a class="footnote-ref" id="fnref:73" href="#fn:73">73</a>
In November 2003, Beyoncé embarked on the <a href="/facts/Dangerously_in_Love_Tour/lyyJ1LeR">Dangerously in Love Tour</a> across Europe<a class="footnote-ref" id="fnref:74" href="#fn:74">74</a> and joined <a href="/facts/Missy_Elliott/IU21WmBV">Missy Elliott</a> and <a href="/facts/Alicia_Keys/AD1wndRx">Alicia Keys</a> for the <a href="/facts/Verizon_Ladies_First_Tour/wM41PUaa">Verizon Ladies First Tour</a> in North America.<a class="footnote-ref" id="fnref:75" href="#fn:75">75</a><a class="footnote-ref" id="fnref:76" href="#fn:76">76</a> On February 1, 2004, she performed "<a href="/facts/The_Star-Spangled_Banner/GrMnRnSd">The Star-Spangled Banner</a>", the national anthem of the United States, at the <a href="/facts/Super_Bowl_XXXVIII/Nva3hDpR">Super Bowl XXXVIII</a>.<a class="footnote-ref" id="fnref:77" href="#fn:77">77</a><a class="footnote-ref" id="fnref:78" href="#fn:78">78</a> Beyoncé had planned to produce a follow-up to Dangerously in Love using unreleased material recorded; this was put on hold so she could concentrate on recording Destiny's Child's final album, <a href="/facts/Destiny_Fulfilled/1NgrMQwq">Destiny Fulfilled</a>.<a class="footnote-ref" id="fnref:79" href="#fn:79">79</a> Destiny Fulfilled was released on November 15, 2004,<a class="footnote-ref" id="fnref:80" href="#fn:80">80</a> and peaked at number two on the Billboard 200;<a class="footnote-ref" id="fnref:81" href="#fn:81">81</a><a class="footnote-ref" id="fnref:82" href="#fn:82">82</a> it included the singles "<a href="/facts/Lose_My_Breath/ld3RtD8N">Lose My Breath</a>" and "<a href="/facts/Soldier_(Destiny%2527s_Child_song)/wrxzJnja">Soldier</a>", both of which peaked within the top five in the U.S.<a class="footnote-ref" id="fnref:83" href="#fn:83">83</a> Destiny's Child embarked on a global concert tour titled <a href="/facts/Destiny_Fulfilled..._and_Lovin%2527_It/7YeSKQ7Y">Destiny Fulfilled... and Lovin' It</a>.<a class="footnote-ref" id="fnref:84" href="#fn:84">84</a><a class="footnote-ref" id="fnref:85" href="#fn:85">85</a> The group announced that they would disband at the end of the tour.<a class="footnote-ref" id="fnref:86" href="#fn:86">86</a><a class="footnote-ref" id="fnref:87" href="#fn:87">87</a> The group released their first compilation album, <a href="/facts/Number_1%2527s_(Destiny%2527s_Child_album)/RlsazELV">#1's</a>, in October and were honored with a star on the <a href="/facts/Hollywood_Walk_of_Fame/vCQcm9yu">Hollywood Walk of Fame</a> in March 2006.<a class="footnote-ref" id="fnref:88" href="#fn:88">88</a><a class="footnote-ref" id="fnref:89" href="#fn:89">89</a>

Beyoncé's second solo album, <a href="/facts/B%2527Day/mvzxqBy0">B'Day</a>, was released in the United States on September 4, 2006, to coincide with her 25th birthday.<a class="footnote-ref" id="fnref:90" href="#fn:90">90</a><a class="footnote-ref" id="fnref:91" href="#fn:91">91</a> The album debuted at number one on the Billboard 200 chart, selling 541,000 copies in its first week, making it her second consecutive number-one album in the U.S.<a class="footnote-ref" id="fnref:92" href="#fn:92">92</a><a class="footnote-ref" id="fnref:93" href="#fn:93">93</a> The album's lead single, "<a href="/facts/D%25C3%25A9j%25C3%25A0_Vu_(Beyonc%25C3%25A9_song)/qpAEygFt">Déjà Vu</a>", featuring Jay-Z, reached number four on the Billboard Hot 100,<a class="footnote-ref" id="fnref:94" href="#fn:94">94</a> while the second single, "<a href="/facts/Irreplaceable/AeS2IkKK">Irreplaceable</a>", topped the chart.<a class="footnote-ref" id="fnref:95" href="#fn:95">95</a> B'Day produced several additional singles, including "<a href="/facts/Ring_the_Alarm/abHL8Ho1">Ring the Alarm</a>", "<a href="/facts/Get_Me_Bodied/mvMHaCna">Get Me Bodied</a>", and "<a href="/facts/Green_Light_(Beyonc%25C3%25A9_song)/5YJ82XQW">Green Light</a>".<a class="footnote-ref" id="fnref:96" href="#fn:96">96</a><a class="footnote-ref" id="fnref:97" href="#fn:97">97</a> At the <a href="/facts/49th_Annual_Grammy_Awards/jW5J3gx1">2007 Grammy Awards</a>, B'Day received five nominations, including <a href="/facts/Best_Contemporary_R%2526B_Album/0Rd0hNDE">Best Contemporary R&B Album</a> and <a href="/facts/Grammy_Award_for_Best_R%2526B_Song/9bw7m75d">Best R&B Song</a> and <a href="/facts/Best_Rap%2fSung_Collaboration/mWW4eYPu">Best Rap/Sung Collaboration</a> for "Déjà Vu".<a class="footnote-ref" id="fnref:98" href="#fn:98">98</a> In 2008, the album garnered more nominations, including <a href="/facts/Grammy_Award_for_Record_of_the_Year/6zTGxkBP">Record of the Year</a> for "Irreplaceable".<a class="footnote-ref" id="fnref:99" href="#fn:99">99</a>
Beyoncé's first acting role in 2006 was in the commercially successful comedy film <a href="/facts/The_Pink_Panther_(2006_film)/CXWUQjqL">The Pink Panther</a>.<a class="footnote-ref" id="fnref:100" href="#fn:100">100</a><a class="footnote-ref" id="fnref:101" href="#fn:101">101</a> Later that year, she starred in <a href="/facts/Dreamgirls_(film)/4bbjfdwG">Dreamgirls</a>, a cinematic adaptation of <a href="/facts/Dreamgirls/IPSJ52dC">the 1981 Broadway musical</a>; Beyoncé portrayed a pop singer modeled after <a href="/facts/Diana_Ross/FxFHbeWy">Diana Ross</a>.<a class="footnote-ref" id="fnref:102" href="#fn:102">102</a> In April 2007, Beyoncé embarked on <a href="/facts/The_Beyonc%25C3%25A9_Experience/Kk1AgEYg">the Beyoncé Experience</a>, her first worldwide concert tour, which visited 97 venues<a class="footnote-ref" id="fnref:103" href="#fn:103">103</a> and grossed over $24 million.<a class="footnote-ref" id="fnref:104" href="#fn:104">104</a> At the same time, B'Day was re-released with additional songs,<a class="footnote-ref" id="fnref:105" href="#fn:105">105</a> including her duet with <a href="/facts/Shakira/rgLP12Am">Shakira</a> "<a href="/facts/Beautiful_Liar/NYEFUpqA">Beautiful Liar</a>", which peaked at number three in the U.S.<a class="footnote-ref" id="fnref:106" href="#fn:106">106</a> In December 2007, Beyoncé and Jay-Z became engaged.<a class="footnote-ref" id="fnref:107" href="#fn:107">107</a>

<h3>2008–2009: I Am... Sasha Fierce and marriage</h3>

On April 4, 2008, Beyoncé and Jay-Z married in a small, private ceremony.<a class="footnote-ref" id="fnref:108" href="#fn:108">108</a><a class="footnote-ref" id="fnref:109" href="#fn:109">109</a> Influenced by their marriage, Beyoncé released the album <a href="/facts/I_Am..._Sasha_Fierce/Cv5V2txL">I Am... Sasha Fierce</a> in November 2008 and introduced her <a href="/facts/Alter_ego/Vyx9HPMv">alter ego</a> Sasha Fierce.<a class="footnote-ref" id="fnref:110" href="#fn:110">110</a><a class="footnote-ref" id="fnref:111" href="#fn:111">111</a> A <a href="/facts/Double_album/x6999LvF">double album</a>, it comprises two discs—I Am... and Sasha Fierce; the former contains slow and <a href="/facts/Midtempo/P5PfkpTb">midtempo</a> pop and <a href="/facts/R%2526B/UT5v5rXb">R&B</a> <a href="/facts/Ballad/fy4mVSDS">ballads</a>, while the latter focuses on uptempo beats that blend <a href="/facts/Electropop/kJlnJCgB">electropop</a> and <a href="/facts/Europop/bck2cu9Y">Europop</a> elements.<a class="footnote-ref" id="fnref:112" href="#fn:112">112</a><a class="footnote-ref" id="fnref:113" href="#fn:113">113</a> Debuting at number one on the Billboard 200, it sold 482,000 copies in its first week, marking Beyoncé's third consecutive U.S. number-one album.<a class="footnote-ref" id="fnref:114" href="#fn:114">114</a>
I Am... Sasha Fierce included Beyoncé's fifth number one on U.S. Billboard Hot 100, "<a href="/facts/Single_Ladies_(Put_a_Ring_on_It)/YgAWAJcg">Single Ladies (Put a Ring on It)</a>", as well as the UK chart-topping single, "<a href="/facts/If_I_Were_a_Boy/pzKU8Ny1">If I Were a Boy</a>".<a class="footnote-ref" id="fnref:115" href="#fn:115">115</a><a class="footnote-ref" id="fnref:116" href="#fn:116">116</a> "<a href="/facts/Halo_(Beyonc%25C3%25A9_song)/7BbzKnqV">Halo</a>" became her longest-running Hot 100 single at the time,<a class="footnote-ref" id="fnref:117" href="#fn:117">117</a> and its success in the U.S. helped Beyoncé attain more top-ten singles on the list than any other woman during the 2000s.<a class="footnote-ref" id="fnref:118" href="#fn:118">118</a> Parodied and imitated around the world, the "Single Ladies" music video was described by the <a href="/facts/Toronto_Star/LL01Epdy">Toronto Star</a> as the "first major dance craze" of the <a href="/facts/Internet_age/PJUfNEx5">Internet age</a>.<a class="footnote-ref" id="fnref:119" href="#fn:119">119</a> At the <a href="/facts/2009_MTV_Video_Music_Awards/RBcIwQoz">2009 MTV Video Music Awards</a>, the video won three categories, including <a href="/facts/MTV_Video_Music_Award_for_Video_of_the_Year/jLkvRJFH">Video of the Year</a>.<a class="footnote-ref" id="fnref:120" href="#fn:120">120</a> In March 2009, Beyoncé embarked on the <a href="/facts/I_Am..._(Beyonc%25C3%25A9_tour)/aREugpvK">I Am... Tour</a>, her second headlining worldwide concert tour, grossing $119.5 million.<a class="footnote-ref" id="fnref:121" href="#fn:121">121</a>
Beyoncé portrayed blues singer <a href="/facts/Etta_James/2DKsnj4K">Etta James</a> in the <a href="/facts/Musical_film/GWjDGYnj">musical</a> <a href="/facts/Biopic/lkJANhWB">biopic</a> <a href="/facts/Cadillac_Records/lAe5GJ6J">Cadillac Records</a> (2008),<a class="footnote-ref" id="fnref:122" href="#fn:122">122</a><a class="footnote-ref" id="fnref:123" href="#fn:123">123</a> garnering several nominations including an <a href="/facts/NAACP_Image_Award/WcjtyMTU">NAACP Image Award</a> nomination for <a href="/facts/NAACP_Image_Award_for_Outstanding_Supporting_Actress_in_a_Motion_Picture/l4fV4Y0y">Outstanding Supporting Actress</a>.<a class="footnote-ref" id="fnref:124" href="#fn:124">124</a> In the psychological thriller <a href="/facts/Obsessed_(2009_film)/lqQbChPc">Obsessed</a> (2009), Beyoncé played Sharon Charles, a woman protecting her family from her husband's stalker, opposite <a href="/facts/Ali_Larter/zPFvaDvg">Ali Larter</a> and <a href="/facts/Idris_Elba/FV1vVf5G">Idris Elba</a>.<a class="footnote-ref" id="fnref:125" href="#fn:125">125</a><a class="footnote-ref" id="fnref:126" href="#fn:126">126</a> The film received negative reviews from critics, with <a href="/facts/Rotten_Tomatoes/rLs7ktSY">Rotten Tomatoes</a>' consensus calling this "instantly predictable and instantly forgettable". It performed strongly at the U.S. box office, earning $68 million on a $20 million budget, surpassing Cadillac Records by $60 million.<a class="footnote-ref" id="fnref:127" href="#fn:127">127</a><a class="footnote-ref" id="fnref:128" href="#fn:128">128</a><a class="footnote-ref" id="fnref:129" href="#fn:129">129</a>
At the <a href="/facts/52nd_Annual_Grammy_Awards/dmRCCF8u">52nd Annual Grammy Awards</a> in 2010, Beyoncé received ten nominations—both for I Am... Sasha Fierce and for her work in film soundtracks—tying with <a href="/facts/Lauryn_Hill/vF3AnQSq">Lauryn Hill</a> for most Grammy nominations in a single year by a female artist.<a class="footnote-ref" id="fnref:130" href="#fn:130">130</a> Beyoncé won six of those nominations, including <a href="/facts/Grammy_Award_for_Best_Contemporary_R%2526B_Album/0Rd0hNDE">Best Contemporary R&B Album</a> for I Am... Sasha Fierce and <a href="/facts/Grammy_Award_for_Song_of_the_Year/zFgkyQB5">Song of the Year</a> for "Single Ladies", <a href="/facts/Grammy_Award_records/bMFNe1dB">breaking a record</a> she previously tied in 2004 for the most Grammy awards won in a single night by a female artist with six.<a class="footnote-ref" id="fnref:131" href="#fn:131">131</a><a class="footnote-ref" id="fnref:132" href="#fn:132">132</a> Beyoncé provided vocals on <a href="/facts/Lady_Gaga/UfMIcHaV">Lady Gaga</a>'s single "<a href="/facts/Telephone_(song)/VqCswI8L">Telephone</a>", from the latter's extended play <a href="/facts/The_Fame_Monster/9sBggpEN">The Fame Monster</a> (2009).<a class="footnote-ref" id="fnref:133" href="#fn:133">133</a><a class="footnote-ref" id="fnref:134" href="#fn:134">134</a> It peaked at number three on the Billboard Hot 100.<a class="footnote-ref" id="fnref:135" href="#fn:135">135</a>

<h3>2010–2012: 4 and first child</h3>
In January 2010, Beyoncé announced a hiatus from her music career.<a class="footnote-ref" id="fnref:136" href="#fn:136">136</a><a class="footnote-ref" id="fnref:137" href="#fn:137">137</a> Over the nine-month break, she traveled to several European cities, the <a href="/facts/Great_Wall_of_China/aXVq4FrH">Great Wall of China</a>, the <a href="/facts/Egyptian_pyramids/gad114LI">Egyptian pyramids</a>, Australia, <a href="/facts/List_of_festivals_in_the_United_Kingdom/J2eFDUfz">English music festivals</a>, and attended museum exhibitions and ballet performances.<a class="footnote-ref" id="fnref:138" href="#fn:138">138</a><a class="footnote-ref" id="fnref:139" href="#fn:139">139</a> "Eat, Play, Love", a cover story written by Beyoncé for <a href="/facts/Essence_(magazine)/NLGV40HF">Essence</a> that detailed her career break, won her a writing award from the <a href="/facts/National_Association_of_Black_Journalists/ppBHv9fr">New York Association of Black Journalists</a>.<a class="footnote-ref" id="fnref:140" href="#fn:140">140</a> Around this time, she miscarried, retrospectively describing the experience as "the saddest thing" she had endured.<a class="footnote-ref" id="fnref:141" href="#fn:141">141</a> Beyoncé returned to the studio and wrote music to cope with the loss.<a class="footnote-ref" id="fnref:142" href="#fn:142">142</a><a class="footnote-ref" id="fnref:143" href="#fn:143">143</a> In September 2010, Beyoncé made her runway modelling debut at <a href="/facts/Tom_Ford/bocxj8xG">Tom Ford</a>'s Spring/Summer 2011 fashion show.<a class="footnote-ref" id="fnref:144" href="#fn:144">144</a> In March 2011, she and her father Mathew parted ways as business partners.<a class="footnote-ref" id="fnref:145" href="#fn:145">145</a><a class="footnote-ref" id="fnref:146" href="#fn:146">146</a>

In April 2011, during a photoshoot in <a href="/facts/Paris/DrNHpwnA">Paris</a> for her upcoming album cover, Beyoncé discovered she was unexpectedly pregnant. She initially kept her pregnancy private.<a class="footnote-ref" id="fnref:147" href="#fn:147">147</a><a class="footnote-ref" id="fnref:148" href="#fn:148">148</a> Her fourth studio album, <a href="/facts/4_(Beyonc%25C3%25A9_album)/fnkx0b3R">4</a>, was released on June 24, 2011, in the U.S. and debuted at number one on the Billboard 200, selling 310,000 copies in its first week.<a class="footnote-ref" id="fnref:149" href="#fn:149">149</a><a class="footnote-ref" id="fnref:150" href="#fn:150">150</a> This marked her fourth consecutive number-one album in the United States.<a class="footnote-ref" id="fnref:151" href="#fn:151">151</a><a class="footnote-ref" id="fnref:152" href="#fn:152">152</a> 4 marked Beyoncé's first project of creative control since she split from her father, and was conceived as a traditional <a href="/facts/Rhythm_and_blues/UT5v5rXb">R&B</a> and <a href="/facts/Soul_music/y68RPFIa">soul</a> record that stood apart from contemporary popular music.<a class="footnote-ref" id="fnref:153" href="#fn:153">153</a><a class="footnote-ref" id="fnref:154" href="#fn:154">154</a><a class="footnote-ref" id="fnref:155" href="#fn:155">155</a> Five of its singles—"<a href="/facts/Run_the_World_(Girls)/0EhqnXlb">Run the World (Girls)</a>", "<a href="/facts/Party_(Beyonc%25C3%25A9_song)/2pgejE9S">Party</a>", "<a href="/facts/Countdown_(Beyonc%25C3%25A9_song)/C5GU6xwu">Countdown</a>", "<a href="/facts/Best_Thing_I_Never_Had/DwzDmTf0">Best Thing I Never Had</a>", "<a href="/facts/Love_on_Top/UKMJ0mDB">Love on Top</a>"—reached the Billboard Hot 100,<a class="footnote-ref" id="fnref:156" href="#fn:156">156</a><a class="footnote-ref" id="fnref:157" href="#fn:157">157</a> with the latter two peaking at number sixteen and twenty respectively.<a class="footnote-ref" id="fnref:158" href="#fn:158">158</a><a class="footnote-ref" id="fnref:159" href="#fn:159">159</a>
On June 26, 2011, Beyoncé became the first solo female artist in over two decades to headline the main Pyramid Stage at the <a href="/facts/2011_Glastonbury_Festival/orGIqz5B">Glastonbury Festival</a>.<a class="footnote-ref" id="fnref:160" href="#fn:160">160</a><a class="footnote-ref" id="fnref:161" href="#fn:161">161</a> <a href="/facts/Beyonc%25C3%25A9_2011_Glastonbury_performance/aQDJ158I">The performance</a> received praise from critics, with some outlets praising her growth as a live performer.<a class="footnote-ref" id="fnref:162" href="#fn:162">162</a><a class="footnote-ref" id="fnref:163" href="#fn:163">163</a><a class="footnote-ref" id="fnref:164" href="#fn:164">164</a> In August 2011, Beyoncé and Jay-Z attended the <a href="/facts/MTV_Video_Music_Award/F9H94We9">MTV Video Music Awards</a>, in which the former performed "Love On Top" and revealed her pregnancy.<a class="footnote-ref" id="fnref:165" href="#fn:165">165</a><a class="footnote-ref" id="fnref:166" href="#fn:166">166</a> Her announcement contributed to the ceremony becoming the most-watched broadcast in MTV history at the time, drawing 12.4 million viewers.<a class="footnote-ref" id="fnref:167" href="#fn:167">167</a><a class="footnote-ref" id="fnref:168" href="#fn:168">168</a> The moment also set a <a href="/facts/Guinness_World_Record/Az88wVWk">Guinness World Record</a> for the most <a href="/facts/Tweet_(social_media)/6jFvpqAr">tweets</a> per second for a single event, with 8,868 tweets per second, and "Beyonce pregnant" became the most <a href="/facts/Googled/uhznDJIn">Googled</a> phrase during the week of August 29, 2011.<a class="footnote-ref" id="fnref:169" href="#fn:169">169</a><a class="footnote-ref" id="fnref:170" href="#fn:170">170</a>
In late 2011, Beyoncé headlined four exclusive shows at New York's <a href="/facts/Roseland_Ballroom/e9KDNqY5">Roseland Ballroom</a> titled <a href="/facts/4_Intimate_Nights_with_Beyonc%25C3%25A9/CjTnvVjN">4 Intimate Nights with Beyoncé</a>, performing songs from 4.<a class="footnote-ref" id="fnref:171" href="#fn:171">171</a><a class="footnote-ref" id="fnref:172" href="#fn:172">172</a> That month, the album was certified platinum by the <a href="/facts/Recording_Industry_Association_of_America/8a7K0Ubf">Recording Industry Association of America</a> after shipping one million copies to retail stores.<a class="footnote-ref" id="fnref:173" href="#fn:173">173</a> The album reached one billion <a href="/facts/Spotify/wsTSvDD8">Spotify</a> streams on February 5, 2018, making Beyoncé the first female artist to have three of her albums surpass one billion streams on the platform.<a class="footnote-ref" id="fnref:174" href="#fn:174">174</a> On January 7, 2012, Beyoncé gave birth to her first daughter, <a href="/facts/Blue_Ivy_Carter/yR61Sr5w">Blue Ivy Carter</a>, in New York City.<a class="footnote-ref" id="fnref:175" href="#fn:175">175</a> In June 2012, she <a href="/facts/Revel_Presents%3a_Beyonc%25C3%25A9_Live/cnauED98">performed for four nights</a> at <a href="/facts/Revel_Atlantic_City/gIXlwTr8">Revel Atlantic City</a>'s Ovation Hall to celebrate the resort's opening, her first performances since giving birth to her daughter.<a class="footnote-ref" id="fnref:176" href="#fn:176">176</a>

<h3>2013–2014: Beyoncé</h3>

In January 2013, Beyoncé performed the <a href="/facts/American_national_anthem/GrMnRnSd">American national anthem</a> during <a href="/facts/Barack_Obama/76wUMgL1">Barack Obama</a>'s <a href="/facts/Second_inauguration_of_Barack_Obama/j6qVQqop">second presidential inauguration</a>.<a class="footnote-ref" id="fnref:177" href="#fn:177">177</a> In February, she headlined the <a href="/facts/Super_Bowl_XLVII_halftime_show/ajPmfhNv">Super Bowl XLVII halftime show</a> in New Orleans.<a class="footnote-ref" id="fnref:178" href="#fn:178">178</a> The performance became the second most tweeted-about moment in history at the time, generating 268,000 tweets per minute.<a class="footnote-ref" id="fnref:179" href="#fn:179">179</a> That same month, she co-directed and premiered her feature-length documentary <a href="/facts/Life_Is_But_a_Dream_(film)/e2Dxw2rV">Life Is But a Dream</a> on <a href="/facts/HBO/gGSPvEEu">HBO</a>,<a class="footnote-ref" id="fnref:180" href="#fn:180">180</a> offering an introspective look into both her personal and professional life.<a class="footnote-ref" id="fnref:181" href="#fn:181">181</a> She launched <a href="/facts/The_Mrs._Carter_Show_World_Tour/mvCBL3yA">The Mrs. Carter Show World Tour</a> in April 2013, which spanned 132 dates and concluded in March 2014.<a class="footnote-ref" id="fnref:182" href="#fn:182">182</a><a class="footnote-ref" id="fnref:183" href="#fn:183">183</a> In May 2013, she released a cover of <a href="/facts/Amy_Winehouse/QwB1SFP9">Amy Winehouse</a>'s "<a href="/facts/Back_to_Black_(song)/gxa5LvJj">Back to Black</a>" with <a href="/facts/Andr%25C3%25A9_3000/zLqRhQQV">André 3000</a> for <a href="/facts/The_Great_Gatsby%3a_Music_from_Baz_Luhrmann%2527s_Film/SCw29dAU">the soundtrack</a> of the drama film <a href="/facts/The_Great_Gatsby_(2013_film)/q8gUID0B">The Great Gatsby</a>.<a class="footnote-ref" id="fnref:184" href="#fn:184">184</a><a class="footnote-ref" id="fnref:185" href="#fn:185">185</a> Also in May, Beyoncé voiced Queen Tara in the 3D animated film <a href="/facts/Epic_(2013_film)/5gATM4cf">Epic</a>.<a class="footnote-ref" id="fnref:186" href="#fn:186">186</a><a class="footnote-ref" id="fnref:187" href="#fn:187">187</a>
On December 13, 2013, Beyoncé <a href="/facts/Surprise_release/H8LHzfyl">unexpectedly released</a> her <a href="/facts/Beyonc%25C3%25A9_(album)/7FhLdAaS">eponymous fifth studio album</a> on the <a href="/facts/ITunes_Store/c3XFlT3q">iTunes Store</a> without prior announcement or promotion.<a class="footnote-ref" id="fnref:188" href="#fn:188">188</a><a class="footnote-ref" id="fnref:189" href="#fn:189">189</a> The album debuted at number one on the Billboard 200 chart, marking her fifth consecutive U.S. number-one debut and making her the first woman in the chart's history to achieve this milestone with her first five studio albums.<a class="footnote-ref" id="fnref:190" href="#fn:190">190</a><a class="footnote-ref" id="fnref:191" href="#fn:191">191</a> Beyoncé received widespread critical acclaim<a class="footnote-ref" id="fnref:192" href="#fn:192">192</a> and was a commercial success, selling one million digital copies globally within six days.<a class="footnote-ref" id="fnref:193" href="#fn:193">193</a> Musically rooted in <a href="/facts/Electro_(music)/sELCNSRv">electro</a>-R&B, the album explored darker, more personal themes than her previous work, including <a href="/facts/Bulimia/vha4lPpd">bulimia</a>, <a href="/facts/Postnatal_depression/etgHVyPC">postnatal depression</a>, and the emotional complexities of marriage and motherhood.<a class="footnote-ref" id="fnref:194" href="#fn:194">194</a><a class="footnote-ref" id="fnref:195" href="#fn:195">195</a> Beyoncé is credited with helping popularize digital releases, as well as surprise and <a href="/facts/Visual_album/FccodeNC">visual album</a> formats; its release influenced the industry's adoption of Friday as <a href="/facts/Global_Release_Day/FPA53L14">Global Release Day</a>.<a class="footnote-ref" id="fnref:196" href="#fn:196">196</a><a class="footnote-ref" id="fnref:197" href="#fn:197">197</a> The lead single, "<a href="/facts/Drunk_in_Love/VNPLg6Fh">Drunk in Love</a>", featuring Jay-Z, peaked at number two on the Billboard Hot 100.<a class="footnote-ref" id="fnref:198" href="#fn:198">198</a><a class="footnote-ref" id="fnref:199" href="#fn:199">199</a>
Beyoncé sold 2.3 million units worldwide, making it the tenth best-selling album of 2013 and the twentieth best-selling album of 2014.<a class="footnote-ref" id="fnref:200" href="#fn:200">200</a><a class="footnote-ref" id="fnref:201" href="#fn:201">201</a> At the <a href="/facts/57th_Annual_Grammy_Awards/CavpunMX">57th Annual Grammy Awards</a>, Beyoncé received six nominations and won three: <a href="/facts/Best_R%2526B_Performance/xRpmmACA">Best R&B Performance</a> and <a href="/facts/Best_R%2526B_Song/9bw7m75d">Best R&B Song</a> for "Drunk in Love", and <a href="/facts/Best_Surround_Sound_Album/QKmJ0PRz">Best Surround Sound Album</a> for Beyoncé.<a class="footnote-ref" id="fnref:202" href="#fn:202">202</a><a class="footnote-ref" id="fnref:203" href="#fn:203">203</a> In April 2014, Beyoncé and Jay-Z—known collectively by their stage name <a href="/facts/The_Carters/MnEgRVsk">the Carters</a>—announced their first co-headlining stadium tour called <a href="/facts/On_the_Run_Tour_(Beyonc%25C3%25A9_and_Jay-Z)/o70hogDt">On the Run Tour</a>.<a class="footnote-ref" id="fnref:204" href="#fn:204">204</a><a class="footnote-ref" id="fnref:205" href="#fn:205">205</a> On August 24, 2014, she received the <a href="/facts/Michael_Jackson_Video_Vanguard_Award/KeraTned">Michael Jackson Video Vanguard Award</a> at the <a href="/facts/2014_MTV_Video_Music_Awards/R3N3U2Xt">MTV Video Music Awards</a>, and won three additional honors: <a href="/facts/MTV_Video_Music_Award_for_Video_for_Good/bqByrhel">Best Video with a Social Message</a> and <a href="/facts/MTV_Video_Music_Award_for_Best_Cinematography/VXa9VlPa">Best Cinematography</a> for "<a href="/facts/Pretty_Hurts/cYPUI3hH">Pretty Hurts</a>", and <a href="/facts/MTV_Video_Music_Award_for_Best_Collaboration/9GkRIIGa">Best Collaboration</a> for "Drunk in Love".<a class="footnote-ref" id="fnref:206" href="#fn:206">206</a><a class="footnote-ref" id="fnref:207" href="#fn:207">207</a>

<h3>2015–2017: Lemonade</h3>
Beyoncé released "<a href="/facts/Formation_(song)/Vu1noMsL">Formation</a>" on February 6, 2016, and performed it live for the first time during the <a href="/facts/National_Football_League/cBH0hxRV">NFL</a> <a href="/facts/Super_Bowl_50_halftime_show/9MtWhVIn">Super Bowl 50 halftime show</a>.<a class="footnote-ref" id="fnref:208" href="#fn:208">208</a><a class="footnote-ref" id="fnref:209" href="#fn:209">209</a> The performance sparked controversy due to its perceived allusions to the <a href="/facts/Black_Panther_Party/lKRoINcE">Black Panther Party</a> on its fiftieth anniversary, as the NFL prohibits political statements during its events.<a class="footnote-ref" id="fnref:210" href="#fn:210">210</a><a class="footnote-ref" id="fnref:211" href="#fn:211">211</a> Afterward, Beyoncé announced <a href="/facts/The_Formation_World_Tour/AHAMLH6Q">The Formation World Tour</a>, which included stops across North America and Europe.<a class="footnote-ref" id="fnref:212" href="#fn:212">212</a><a class="footnote-ref" id="fnref:213" href="#fn:213">213</a> It was the first all-stadium tour by a female artist and concluded in October,<a class="footnote-ref" id="fnref:214" href="#fn:214">214</a> later winning Tour of the Year at the <a href="/facts/American_Music_Awards_of_2016/FjDAUwu1">44th American Music Awards</a>.<a class="footnote-ref" id="fnref:215" href="#fn:215">215</a>

On April 16, 2016, Beyoncé released a teaser for a project titled Lemonade.<a class="footnote-ref" id="fnref:216" href="#fn:216">216</a><a class="footnote-ref" id="fnref:217" href="#fn:217">217</a> <a href="/facts/Lemonade_(2016_film)/j4RCSMY2">An hour-long musical film</a> premiered on <a href="/facts/HBO/gGSPvEEu">HBO</a> on April 23,<a class="footnote-ref" id="fnref:218" href="#fn:218">218</a><a class="footnote-ref" id="fnref:219" href="#fn:219">219</a> coinciding with the release of <a href="/facts/Lemonade_(album)/dNEjoGAQ">the corresponding studio album of the same name</a> exclusively on <a href="/facts/Tidal_(service)/w5dTu6IN">Tidal</a> the same day.<a class="footnote-ref" id="fnref:220" href="#fn:220">220</a><a class="footnote-ref" id="fnref:221" href="#fn:221">221</a> The album debuted at number one on the U.S. Billboard 200, making Beyoncé the first artist in Billboard history to have her first six studio albums debut at number one.<a class="footnote-ref" id="fnref:222" href="#fn:222">222</a><a class="footnote-ref" id="fnref:223" href="#fn:223">223</a> All twelve tracks from Lemonade entered the Billboard Hot 100, making her the first female artist to chart twelve songs simultaneously.<a class="footnote-ref" id="fnref:224" href="#fn:224">224</a><a class="footnote-ref" id="fnref:225" href="#fn:225">225</a> With 115 million streams in its first week, Lemonade became the most-streamed album in a single week by a female artist on Tidal.<a class="footnote-ref" id="fnref:226" href="#fn:226">226</a> It was the third best-selling album in the U.S. in 2016, with 1.554 million copies sold, and the best-selling album globally that year, with 2.5 million copies sold.<a class="footnote-ref" id="fnref:227" href="#fn:227">227</a><a class="footnote-ref" id="fnref:228" href="#fn:228">228</a>
Several music publications included Lemonade amongst their lists of best albums of 2016.<a class="footnote-ref" id="fnref:229" href="#fn:229">229</a><a class="footnote-ref" id="fnref:230" href="#fn:230">230</a><a class="footnote-ref" id="fnref:231" href="#fn:231">231</a> The album's visuals earned eleven nominations at the <a href="/facts/2016_MTV_Video_Music_Awards/yoqkAuk9">2016 MTV Video Music Awards</a>—the most Beyoncé had ever received in a single year—and won eight awards, including Video of the Year for "Formation".<a class="footnote-ref" id="fnref:232" href="#fn:232">232</a><a class="footnote-ref" id="fnref:233" href="#fn:233">233</a> The eight wins made Beyoncé the most-awarded artist in MTV Video Music Awards history with twenty-four total awards, surpassing <a href="/facts/Madonna/kHDBUtL7">Madonna</a>'s previous record of twenty wins.<a class="footnote-ref" id="fnref:234" href="#fn:234">234</a> In January 2017, Beyoncé was announced as a headliner for the <a href="/facts/Coachella_Valley_Music_and_Arts_Festival/LYcmg4QJ">Coachella Valley Music and Arts Festival</a>, which would have made her only the second female artist to headline the event. However, on February 23, it was confirmed she would no longer perform as a result of her pregnancy.<a class="footnote-ref" id="fnref:235" href="#fn:235">235</a><a class="footnote-ref" id="fnref:236" href="#fn:236">236</a> Festival organizers later announced she would headline the 2018 edition instead.<a class="footnote-ref" id="fnref:237" href="#fn:237">237</a>
At the <a href="/facts/59th_Grammy_Awards/VNx5LGmH">59th Grammy Awards</a> in February 2017, Lemonade led with nine nominations, including <a href="/facts/Grammy_Award_for_Album_of_the_Year/N7gTMqGf">Album of the Year</a>, and <a href="/facts/Grammy_Award_for_Record_of_the_Year/6zTGxkBP">Record</a> and <a href="/facts/Grammy_Award_for_Song_of_the_Year/zFgkyQB5">Song for the Year</a> for "Formation".<a class="footnote-ref" id="fnref:238" href="#fn:238">238</a> Beyoncé won two awards: <a href="/facts/Best_Urban_Contemporary_Album/wsylz5CI">Best Urban Contemporary Album</a> for Lemonade and <a href="/facts/Grammy_Award_for_Best_Music_Video/elRA7dMk">Best Music Video</a> for "Formation".<a class="footnote-ref" id="fnref:239" href="#fn:239">239</a><a class="footnote-ref" id="fnref:240" href="#fn:240">240</a> Shortly before the Grammys, on February 1, 2017, Beyoncé announced on <a href="/facts/Instagram/33s91jnV">Instagram</a> that she was expecting twins.<a class="footnote-ref" id="fnref:241" href="#fn:241">241</a><a class="footnote-ref" id="fnref:242" href="#fn:242">242</a> The post garnered over 6.3 million likes within a few hours, setting a world record for the <a href="/facts/List_of_most-liked_Instagram_posts/cDV5Aw74">most-liked image on the platform</a> at the time.<a class="footnote-ref" id="fnref:243" href="#fn:243">243</a><a class="footnote-ref" id="fnref:244" href="#fn:244">244</a> On July 13, she shared the first photo of herself with the twins, confirming they were born a month earlier on June 13.<a class="footnote-ref" id="fnref:245" href="#fn:245">245</a><a class="footnote-ref" id="fnref:246" href="#fn:246">246</a> That post became the second most-liked on <a href="/facts/Instagram/33s91jnV">Instagram</a>, following her original pregnancy announcement.<a class="footnote-ref" id="fnref:247" href="#fn:247">247</a><a class="footnote-ref" id="fnref:248" href="#fn:248">248</a> The twins—a daughter, Rumi, and a son, Sir—were born via <a href="/facts/Caesarean_section/GJ623ers">caesarean section</a> in California.<a class="footnote-ref" id="fnref:249" href="#fn:249">249</a><a class="footnote-ref" id="fnref:250" href="#fn:250">250</a> Later that year, Beyoncé featured on Eminem's "<a href="/facts/Walk_on_Water_(Eminem_song)/kTYHQUGP">Walk on Water</a>" and on the remix of <a href="/facts/Ed_Sheeran/fTMtkDBn">Ed Sheeran</a>'s "<a href="/facts/Perfect_Duet/nPTaRD6v">Perfect</a>"; the latter reached number one in the U.S., marking her sixth chart-topper as a solo artist.<a class="footnote-ref" id="fnref:251" href="#fn:251">251</a><a class="footnote-ref" id="fnref:252" href="#fn:252">252</a>

<h3>2018–2021: Everything Is Love and The Lion King</h3>
Beyoncé <a href="/facts/Beyonc%25C3%25A9_2018_Coachella_performance/c3amwmf6">headlined both weekends</a> of the 2018 <a href="/facts/Coachella_Valley_Music_and_Arts_Festival/LYcmg4QJ">Coachella Valley Music and Arts Festival</a>.<a class="footnote-ref" id="fnref:253" href="#fn:253">253</a><a class="footnote-ref" id="fnref:254" href="#fn:254">254</a> Her performance on April 14 was the most-tweeted-about performance of the first weekend and became the most-watched live performance on YouTube.<a class="footnote-ref" id="fnref:255" href="#fn:255">255</a><a class="footnote-ref" id="fnref:256" href="#fn:256">256</a><a class="footnote-ref" id="fnref:257" href="#fn:257">257</a> It received widespread praise from critics, some of whom described it as historic.<a class="footnote-ref" id="fnref:258" href="#fn:258">258</a><a class="footnote-ref" id="fnref:259" href="#fn:259">259</a><a class="footnote-ref" id="fnref:260" href="#fn:260">260</a> The performance paid homage to Black culture—particularly focusing on <a href="/facts/Historically_Black_colleges_and_universities/NC4q44T5">historically Black colleges and universities</a>—and included a brief reunion of Destiny's Child.<a class="footnote-ref" id="fnref:261" href="#fn:261">261</a><a class="footnote-ref" id="fnref:262" href="#fn:262">262</a>

On June 6, 2018, Beyoncé and Jay-Z launched their <a href="/facts/On_the_Run_II_Tour/jVt15F6P">On the Run II Tour</a>. After its final show, the couple released their first collaborative studio album, <a href="/facts/Everything_Is_Love/0s14La4H">Everything Is Love</a>, which debuted at number two in the U.S. with 123,000 <a href="/facts/Album-equivalent_units/ufWpSCqb">album-equivalent units</a>.<a class="footnote-ref" id="fnref:263" href="#fn:263">263</a> It spawned the single "<a href="/facts/Apeshit_(song)/tI2syrsc">Apeshit</a>", which peaked at number thirteen in the U.S.<a class="footnote-ref" id="fnref:264" href="#fn:264">264</a> On December 2, 2018, Beyoncé and Jay-Z headlined the <a href="/facts/Global_Citizen_Festival/9QXUrTg2">Global Citizen Festival</a>: Mandela 100 at <a href="/facts/FNB_Stadium/91CNBm2c">FNB Stadium</a> in <a href="/facts/Johannesburg/DQd9T8FY">Johannesburg</a>, South Africa.<a class="footnote-ref" id="fnref:265" href="#fn:265">265</a> <a href="/facts/Homecoming%3a_A_Film_by_Beyonc%25C3%25A9/forTVqBe">Homecoming: A Film by Beyoncé</a>, a documentary and concert film chronicling the 2018 Coachella performances, was released on <a href="/facts/Netflix/TKtlFVY9">Netflix</a> on April 17, 2019, alongside <a href="/facts/Homecoming%3a_The_Live_Album/GxxvKLyh">Homecoming: The Live Album</a>.<a class="footnote-ref" id="fnref:266" href="#fn:266">266</a><a class="footnote-ref" id="fnref:267" href="#fn:267">267</a> After the release, it was reported that Beyoncé signed a $60 million Netflix deal covering three projects, including Homecoming.<a class="footnote-ref" id="fnref:268" href="#fn:268">268</a> The film earned six nominations at the <a href="/facts/71st_Primetime_Creative_Arts_Emmy_Awards/35tlGVUN">71st Primetime Creative Arts Emmy Awards</a> in 2019.<a class="footnote-ref" id="fnref:269" href="#fn:269">269</a>
Beyoncé starred as the voice of <a href="/facts/Nala_(The_Lion_King)/fQIoaYT4">Nala</a> in the <a href="/facts/The_Lion_King_(2019_film)/9B57cVvI">2019 remake of The Lion King</a>, released in July that year.<a class="footnote-ref" id="fnref:270" href="#fn:270">270</a><a class="footnote-ref" id="fnref:271" href="#fn:271">271</a> She also contributed to the <a href="/facts/The_Lion_King_(2019_soundtrack)/hPeGEfQd">film's soundtrack</a>, performing a remade version of "<a href="/facts/Can_You_Feel_the_Love_Tonight/oJEBRMmG">Can You Feel the Love Tonight</a>".<a class="footnote-ref" id="fnref:272" href="#fn:272">272</a><a class="footnote-ref" id="fnref:273" href="#fn:273">273</a> Beyoncé's original song "<a href="/facts/Spirit_(Beyonc%25C3%25A9_song)/TejKe1n5">Spirit</a>" was the lead single from both the official soundtrack and <a href="/facts/The_Lion_King%3a_The_Gift/QLVIsNDl">The Lion King: The Gift</a>, a companion album she curated and produced.<a class="footnote-ref" id="fnref:274" href="#fn:274">274</a><a class="footnote-ref" id="fnref:275" href="#fn:275">275</a> Incorporating <a href="/facts/Gqom/mlLQSo8n">gqom</a> and <a href="/facts/Afrobeat/6HLNuD4B">Afrobeat</a>, the album featured African producers to create The Gift, given the film's African setting.<a class="footnote-ref" id="fnref:276" href="#fn:276">276</a><a class="footnote-ref" id="fnref:277" href="#fn:277">277</a><a class="footnote-ref" id="fnref:278" href="#fn:278">278</a> In September, <a href="/facts/American_Broadcasting_Company/WGxg4vRX">ABC</a> aired <a href="/facts/Beyonc%25C3%25A9_Presents%3a_Making_The_Gift/QLVIsNDl">Beyoncé Presents: Making The Gift</a>, a surprise documentary detailing the album's creation.<a class="footnote-ref" id="fnref:279" href="#fn:279">279</a><a class="footnote-ref" id="fnref:280" href="#fn:280">280</a>
Released in April 2020, the remix of <a href="/facts/Megan_Thee_Stallion/yEdmUUQ9">Megan Thee Stallion</a>'s "<a href="/facts/Savage_(Beyonc%25C3%25A9_remix)/Tgdumkk4">Savage</a>", featuring Beyoncé, peaked at number one on the Billboard Hot 100, becoming Beyoncé's seventh chart-topper as a soloist.<a class="footnote-ref" id="fnref:281" href="#fn:281">281</a><a class="footnote-ref" id="fnref:282" href="#fn:282">282</a> On July 31, 2020, she released <a href="/facts/Black_Is_King/cFpjKvzb">Black Is King</a> on Disney+. A visual album inspired by The Lion King: The Gift, it was written, directed, and executive produced by Beyoncé.<a class="footnote-ref" id="fnref:283" href="#fn:283">283</a> At the <a href="/facts/63rd_Annual_Grammy_Awards/PySVI5XN">63rd Annual Grammy Awards</a> in 2021, she led with nine nominations and won four awards, making her the <a href="/facts/Grammy_Award_milestones/bMFNe1dB">most-awarded singer and female individual</a> in Grammy history, and the second most-awarded individual overall.<a class="footnote-ref" id="fnref:284" href="#fn:284">284</a><a class="footnote-ref" id="fnref:285" href="#fn:285">285</a><a class="footnote-ref" id="fnref:286" href="#fn:286">286</a> That same year, she co-wrote and recorded "<a href="/facts/Be_Alive/JkC1IJPQ">Be Alive</a>" for the <a href="/facts/Biographical_film/lkJANhWB">biographical</a> <a href="/facts/Sports_drama_film/6hVpYlFK">sports drama film</a> <a href="/facts/King_Richard_(film)/nvhj6tWc">King Richard</a>, earning her first <a href="/facts/Academy_Award/CwTxYuNQ">Academy Award</a> nomination for <a href="/facts/Academy_Award_for_Best_Original_Song/DzpS6KsM">Best Original Song</a> at the <a href="/facts/94th_Academy_Awards/UIue3wMr">94th Academy Awards</a>.<a class="footnote-ref" id="fnref:287" href="#fn:287">287</a><a class="footnote-ref" id="fnref:288" href="#fn:288">288</a>

<h3>2022–present: Renaissance and Cowboy Carter</h3>
On June 16, 2022, Beyoncé announced the title of her seventh studio album, <a href="/facts/Renaissance_(Beyonc%25C3%25A9_album)/w0eHE4UX">Renaissance</a>.<a class="footnote-ref" id="fnref:289" href="#fn:289">289</a><a class="footnote-ref" id="fnref:290" href="#fn:290">290</a> The album's lead single, "<a href="/facts/Break_My_Soul/dz0RcDNQ">Break My Soul</a>", was released four days later<a class="footnote-ref" id="fnref:291" href="#fn:291">291</a> and peaked atop the Billboard Hot 100,<a class="footnote-ref" id="fnref:292" href="#fn:292">292</a> becoming Beyoncé's eighth number-one and twentieth top-ten song on the chart. This placed her alongside <a href="/facts/Paul_McCartney/TfhC0oaF">Paul McCartney</a> and <a href="/facts/Michael_Jackson/LLa098zX">Michael Jackson</a> as the only artists in chart history to earn at least twenty top-ten singles as solo acts and ten as members of a group.<a class="footnote-ref" id="fnref:293" href="#fn:293">293</a>

Renaissance was released on July 29, 2022, to critical acclaim.<a class="footnote-ref" id="fnref:294" href="#fn:294">294</a><a class="footnote-ref" id="fnref:295" href="#fn:295">295</a> The album featured <a href="/facts/Black_music/9spxUkMP">Black</a> <a href="/facts/Dance_music/MsDMMnvz">dance music</a> styles such as <a href="/facts/Disco/BQu4rHxV">disco</a> and <a href="/facts/House_music/2UFwER68">house</a> and largely pays homage to the Black <a href="/facts/LGBTQ_music/QMf5FtSv">queer</a> pioneers of those genres.<a class="footnote-ref" id="fnref:296" href="#fn:296">296</a><a class="footnote-ref" id="fnref:297" href="#fn:297">297</a> It explored themes of <a href="/facts/Escapism/w4qRxqa6">escapism</a>, <a href="/facts/Hedonism/AGw0FGFN">hedonism</a>, and self-expression.<a class="footnote-ref" id="fnref:298" href="#fn:298">298</a><a class="footnote-ref" id="fnref:299" href="#fn:299">299</a> The album debuted at number one on the U.S. Billboard 200, making Beyoncé the first artist to have their first seven studio albums debut at number one in the United States.<a class="footnote-ref" id="fnref:300" href="#fn:300">300</a><a class="footnote-ref" id="fnref:301" href="#fn:301">301</a> All of its sixteen songs charted on the Hot 100,<a class="footnote-ref" id="fnref:302" href="#fn:302">302</a> with its second single, "<a href="/facts/Cuff_It/q2SX8AHj">Cuff It</a>", peaking at number six.<a class="footnote-ref" id="fnref:303" href="#fn:303">303</a> Upon the album's release, Beyoncé revealed that it was the first installment of a trilogy developed and recorded during the <a href="/facts/COVID-19_pandemic/0xTsh7Ut">COVID-19 pandemic</a>—a period she described as her "most creative".<a class="footnote-ref" id="fnref:304" href="#fn:304">304</a><a class="footnote-ref" id="fnref:305" href="#fn:305">305</a>
On January 21, 2023, Beyoncé gave <a href="/facts/Beyonc%25C3%25A9_2023_Dubai_performance/VED62WqD">her first full concert in over four years at a private event in Dubai</a>, performing for an audience of influencers and journalists.<a class="footnote-ref" id="fnref:306" href="#fn:306">306</a><a class="footnote-ref" id="fnref:307" href="#fn:307">307</a> She was reportedly paid $24 million for the show, which sparked criticism due to the <a href="/facts/United_Arab_Emirates/o1bEjgbR">United Arab Emirates</a>' laws <a href="/facts/LGBTQ_rights_in_the_United_Arab_Emirates/oG5qSyDX">criminalizing homosexuality</a>.<a class="footnote-ref" id="fnref:308" href="#fn:308">308</a><a class="footnote-ref" id="fnref:309" href="#fn:309">309</a> Later in the year, she headlined the <a href="/facts/Renaissance_World_Tour/8MUSFA7t">Renaissance World Tour</a> across North America and Europe, which became the <a href="/facts/List_of_highest-grossing_concert_tours_by_women/UXtFST1t">highest-grossing tour by a female artist</a> at the time.<a class="footnote-ref" id="fnref:310" href="#fn:310">310</a><a class="footnote-ref" id="fnref:311" href="#fn:311">311</a> In November 2023, she released <a href="/facts/Renaissance%3a_A_Film_by_Beyonc%25C3%25A9/uUsJT90e">Renaissance: A Film by Beyoncé</a>, a documentary concert that chronicled the tour's creation. She wrote, directed, and produced the film in partnership with <a href="/facts/AMC_Theatres/3frJVFlT">AMC Theatres</a>.<a class="footnote-ref" id="fnref:312" href="#fn:312">312</a> Her four wins at the <a href="/facts/65th_Annual_Grammy_Awards/C9rD82gf">65th Annual Grammy Awards</a> in 2023 brought her total up to thirty-two, making Beyoncé the most awarded individual in Grammy history.<a class="footnote-ref" id="fnref:313" href="#fn:313">313</a><a class="footnote-ref" id="fnref:314" href="#fn:314">314</a>
On February 11, 2024, Beyoncé announced the second installment of her trilogy project and released its first two singles, "<a href="/facts/Texas_Hold_%2527Em_(song)/qqtuC8x9">Texas Hold 'Em</a>" and "<a href="/facts/16_Carriages/Rc9JYfEK">16 Carriages</a>";<a class="footnote-ref" id="fnref:315" href="#fn:315">315</a><a class="footnote-ref" id="fnref:316" href="#fn:316">316</a> "Texas Hold 'Em" became her ninth solo number-one on the Billboard Hot 100.<a class="footnote-ref" id="fnref:317" href="#fn:317">317</a> She announced the album's title, <a href="/facts/Cowboy_Carter/3crgGhGb">Cowboy Carter</a>, on March 12 and released it on March 29.<a class="footnote-ref" id="fnref:318" href="#fn:318">318</a><a class="footnote-ref" id="fnref:319" href="#fn:319">319</a> An <a href="/facts/Americana_music/4Va5HvTx">Americana</a> and <a href="/facts/Country_music/UJM3Un98">country</a>-inspired record,<a class="footnote-ref" id="fnref:320" href="#fn:320">320</a><a class="footnote-ref" id="fnref:321" href="#fn:321">321</a> Cowboy Carter highlights the historically overlooked contributions of Black pioneers to <a href="/facts/Music_history_of_the_United_States/Pn4jK5BR">American musical</a> and <a href="/facts/Culture_of_the_United_States/q6xq3kHG">cultural history</a>.<a class="footnote-ref" id="fnref:322" href="#fn:322">322</a><a class="footnote-ref" id="fnref:323" href="#fn:323">323</a> It debuted at number one on the Billboard 200, with Beyoncé becoming the only female artist to debut her first eight studio albums at number one in the U.S.<a class="footnote-ref" id="fnref:324" href="#fn:324">324</a><a class="footnote-ref" id="fnref:325" href="#fn:325">325</a> The album's third single, <a href="/facts/II_Most_Wanted/UErkxdaY">II Most Wanted</a>, featuring <a href="/facts/Miley_Cyrus/0luIt9v6">Miley Cyrus</a>, debuted at number six in the U.S.<a class="footnote-ref" id="fnref:326" href="#fn:326">326</a> In July 2024, <a href="/facts/NBC/zyfTYCvW">NBC</a> released two promotional commercials featuring Beyoncé for their coverage of the <a href="/facts/2024_Summer_Olympics/lo0czN5R">2024 Summer Olympics</a> in Paris.<a class="footnote-ref" id="fnref:327" href="#fn:327">327</a> 
Beyoncé returned as Nala in <a href="/facts/Mufasa%3a_The_Lion_King/DNRCMUck">Mufasa: The Lion King</a> (2024), a prequel to the 2019 remake.<a class="footnote-ref" id="fnref:328" href="#fn:328">328</a> In December 2024, she headlined the first-ever <a href="/facts/Beyonc%25C3%25A9_2024_NFL_Halftime_Show/1daAyYSj">NFL Christmas Gameday Halftime Show</a>, debuting songs from Cowboy Carter.<a class="footnote-ref" id="fnref:329" href="#fn:329">329</a><a class="footnote-ref" id="fnref:330" href="#fn:330">330</a> At the <a href="/facts/67th_Annual_Grammy_Awards/qTmT5vph">67th Annual Grammy Awards</a> in 2025, she became the first Black artist in 50 years to win in the country categories,<a class="footnote-ref" id="fnref:331" href="#fn:331">331</a> and the first Black artist ever to win <a href="/facts/Best_Country_Album/olEB5GMj">Best Country Album</a>.<a class="footnote-ref" id="fnref:332" href="#fn:332">332</a> She also won <a href="/facts/Grammy_Award_for_Album_of_the_Year/N7gTMqGf">Album of the Year</a>, the first Black woman to do so since <a href="/facts/Lauryn_Hill/vF3AnQSq">Lauryn Hill</a> in 1999.<a class="footnote-ref" id="fnref:333" href="#fn:333">333</a> Beyoncé launched the <a href="/facts/Cowboy_Carter_Tour/cnj0Uyat">Cowboy Carter Tour</a> on April 28, with dates scheduled through July 26 across the United States and Europe.<a class="footnote-ref" id="fnref:334" href="#fn:334">334</a><a class="footnote-ref" id="fnref:335" href="#fn:335">335</a>

<h2 id="artistry">Artistry</h2>
<h3>Voice and musical style</h3>

Critics have described Beyoncé's voice as being <a href="/facts/Mezzo-soprano/vx1hYjEX">mezzo-soprano</a>.<a class="footnote-ref" id="fnref:336" href="#fn:336">336</a><a class="footnote-ref" id="fnref:337" href="#fn:337">337</a><a class="footnote-ref" id="fnref:338" href="#fn:338">338</a><a class="footnote-ref" id="fnref:339" href="#fn:339">339</a> The magazine <a href="/facts/The_New_York_Times_Style_Magazine/8sbALt3k">T</a>'s <a href="/facts/Jody_Rosen/yTPHRgG1">Jody Rosen</a> praised her <a href="/facts/Musical_tone/dL8Bck9W">musical tone</a> and <a href="/facts/Timbre/lVXB949E">timbre</a> as especially distinctive, calling her voice "one of the most compelling instruments in popular music".<a class="footnote-ref" id="fnref:340" href="#fn:340">340</a> While Rosen credited the <a href="/facts/Hip-hop/7HjAPIEh">hip-hop</a> era for shaping her rhythmic vocal style, he also noted her traditionalist leanings through <a href="/facts/Ballad/fy4mVSDS">balladry</a>, <a href="/facts/Gospel_music/KSumCkFG">gospel</a>, and <a href="/facts/Falsetto/EKSCxHhz">falsetto</a>.<a class="footnote-ref" id="fnref:341" href="#fn:341">341</a> Her voice was described as "velvety yet tart, with an insistent flutter and reserves of soul <a href="/facts/Belting_(music)/CXaCvPSa">belting</a>" by <a href="/facts/Jon_Pareles/oXB8qNzB">Jon Pareles</a>—writing for <a href="/facts/The_New_York_Times/T9marWVX">The New York Times</a>.<a class="footnote-ref" id="fnref:342" href="#fn:342">342</a> Chris Richards, in an article for <a href="/facts/The_Washington_Post/dRvzvqJc">The Washington Post</a>, highlighted her <a href="/facts/Vocal_range/nlkCgBEr">vocal range</a> and power, noting she could "punctuate any beat with goose-bump-inducing whispers or full-bore diva-roars".<a class="footnote-ref" id="fnref:343" href="#fn:343">343</a> In <a href="/facts/Rolling_Stone/HhCFoJ9F">Rolling Stone</a>'s 2023 list of the "<a href="/facts/Rolling_Stone%2527s_200_Greatest_Singers_of_All_Time/N1RaChMj">200 Greatest Singers of All Time</a>", Beyoncé ranked eighth, with the magazine stating, "in [her] voice lies the entire history of Black music".<a class="footnote-ref" id="fnref:344" href="#fn:344">344</a>
Beyoncé's music is primarily <a href="/facts/Contemporary_R%2526B/rsafQLga">R&B</a>,<a class="footnote-ref" id="fnref:345" href="#fn:345">345</a><a class="footnote-ref" id="fnref:346" href="#fn:346">346</a><a class="footnote-ref" id="fnref:347" href="#fn:347">347</a> <a href="/facts/Pop_music/kgshFE5B">pop</a>,<a class="footnote-ref" id="fnref:348" href="#fn:348">348</a><a class="footnote-ref" id="fnref:349" href="#fn:349">349</a> and hip-hop,<a class="footnote-ref" id="fnref:350" href="#fn:350">350</a><a class="footnote-ref" id="fnref:351" href="#fn:351">351</a> while also incorporating elements of <a href="/facts/Soul_music/y68RPFIa">soul</a> and <a href="/facts/Funk_music/NVuzVek1">funk</a>.<a class="footnote-ref" id="fnref:352" href="#fn:352">352</a><a class="footnote-ref" id="fnref:353" href="#fn:353">353</a> With continuous musical reinventions,<a class="footnote-ref" id="fnref:354" href="#fn:354">354</a><a class="footnote-ref" id="fnref:355" href="#fn:355">355</a> publications such as <a href="/facts/Vox_(magazine)/yB2QQoU6">Vox</a> and <a href="/facts/Billboard_(magazine)/CVruQGq5">Billboard</a> have described Beyoncé as a musical "chameleon".<a class="footnote-ref" id="fnref:356" href="#fn:356">356</a><a class="footnote-ref" id="fnref:357" href="#fn:357">357</a> Expanding beyond the hip-hop and R&B sound she featured in her previous two albums—Dangerously in Love and B'Day—I Am... Sasha Fierce incorporates a 1980s <a href="/facts/Electropop/kJlnJCgB">electropop</a>- and <a href="/facts/Europop/bck2cu9Y">Europop</a>-imbued sound, featuring instruments such as <a href="/facts/Synthesizer/NrmdVrPa">synthesizers</a> and the <a href="/facts/Acoustic_guitar/E9ITItBq">acoustic guitar</a>.<a class="footnote-ref" id="fnref:358" href="#fn:358">358</a><a class="footnote-ref" id="fnref:359" href="#fn:359">359</a> With the album 4, she expanded her use of soul and hip-hop compared to earlier work.<a class="footnote-ref" id="fnref:360" href="#fn:360">360</a><a class="footnote-ref" id="fnref:361" href="#fn:361">361</a> Drawing from 1970s funk, 1980s pop, and 1990s soul influences, 4 featured elements of <a href="/facts/Hard_rock/yC1FkQcC">hard rock</a>, <a href="/facts/Reggae/JC95IvF6">reggae</a>, and <a href="/facts/Adult_contemporary/85e6MkFa">adult contemporary</a>.<a class="footnote-ref" id="fnref:362" href="#fn:362">362</a><a class="footnote-ref" id="fnref:363" href="#fn:363">363</a> <a href="/facts/Minimal_music/5c01jljF">Minimalism</a> inspired Beyoncé's self-titled album,<a class="footnote-ref" id="fnref:364" href="#fn:364">364</a><a class="footnote-ref" id="fnref:365" href="#fn:365">365</a> which employed emotive <a href="/facts/Falsetto/EKSCxHhz">falsetto</a> and often <a href="/facts/Braggadocio_(rap)/3n04F2Hc">braggadocio</a>, using fragmented song structures that rejected traditional pop formats in favor of <a href="/facts/Ambient_music/QNnE3krK">atmosphere</a>.<a class="footnote-ref" id="fnref:366" href="#fn:366">366</a><a class="footnote-ref" id="fnref:367" href="#fn:367">367</a> Lemonade incorporated a broader range of genres, including <a href="/facts/Rock_music/zBM2guyQ">rock</a>, <a href="/facts/Country_music/UJM3Un98">country</a>, <a href="/facts/Gospel_music/KSumCkFG">gospel</a>, <a href="/facts/Reggae/JC95IvF6">reggae</a>, and <a href="/facts/Blues/f2WSr9QQ">blues</a>.<a class="footnote-ref" id="fnref:368" href="#fn:368">368</a><a class="footnote-ref" id="fnref:369" href="#fn:369">369</a><a class="footnote-ref" id="fnref:370" href="#fn:370">370</a>
The Lion King: The Gift was conceived as a record rooted in cultural celebration. As such, Beyoncé recruited artists and producers from across the African continent and explored genres such as <a href="/facts/Afropop/TIHXRlcQ">Afropop</a> and <a href="/facts/Gqom/mlLQSo8n">gqom</a>.<a class="footnote-ref" id="fnref:371" href="#fn:371">371</a><a class="footnote-ref" id="fnref:372" href="#fn:372">372</a> Renaissance delved into <a href="/facts/Disco_music/BQu4rHxV">disco</a>, <a href="/facts/Ballroom_culture/X5bx6THE">ballroom culture</a>, and <a href="/facts/Electronic_dance_music/5KDaMNG8">1990s club sounds</a>.<a class="footnote-ref" id="fnref:373" href="#fn:373">373</a><a class="footnote-ref" id="fnref:374" href="#fn:374">374</a> It prominently used <a href="/facts/Four_on_the_floor_(music)/KoHH9LyC">four-on-the-floor</a> beats, pulsating synths, and interpolations of queer and Black dance music pioneers.<a class="footnote-ref" id="fnref:375" href="#fn:375">375</a><a class="footnote-ref" id="fnref:376" href="#fn:376">376</a><a class="footnote-ref" id="fnref:377" href="#fn:377">377</a> She conceived Cowboy Carter as a multi-genre reclamation of American roots music.<a class="footnote-ref" id="fnref:378" href="#fn:378">378</a><a class="footnote-ref" id="fnref:379" href="#fn:379">379</a> The country and gospel-tinged record features instrumentation such as the accordion, harmonica, acoustic guitar, and banjo.<a class="footnote-ref" id="fnref:380" href="#fn:380">380</a><a class="footnote-ref" id="fnref:381" href="#fn:381">381</a> Although she mainly records in English, Beyoncé has also released Spanish-language tracks for <a href="/facts/Irreemplazable/NmLtHgXj">Irreemplazable</a> (2007)—a Spanish reissue of songs from B'Day.<a class="footnote-ref" id="fnref:382" href="#fn:382">382</a><a class="footnote-ref" id="fnref:383" href="#fn:383">383</a>

<h3>Songwriting and themes</h3>
Beyoncé has a collaborative and experimental songwriting process, often merging different song parts to create new structures.<a class="footnote-ref" id="fnref:384" href="#fn:384">384</a><a class="footnote-ref" id="fnref:385" href="#fn:385">385</a><a class="footnote-ref" id="fnref:386" href="#fn:386">386</a> Beyoncé has received co-writing credits on most of her songs.<a class="footnote-ref" id="fnref:387" href="#fn:387">387</a> By 2006, she became the third woman to earn writing credits on three U.S. number-one singles in a single year.<a class="footnote-ref" id="fnref:388" href="#fn:388">388</a> Beyoncé has faced scrutiny over the number of writing credits she receives, with some questioning the extent of her contributions. In interviews, she has described herself as the sole writer of songs she had co-written or where her input was reportedly limited.<a class="footnote-ref" id="fnref:389" href="#fn:389">389</a><a class="footnote-ref" id="fnref:390" href="#fn:390">390</a> In 2005, she claimed to have written several Destiny's Child number-one singles despite the shared credits.<a class="footnote-ref" id="fnref:391" href="#fn:391">391</a> In an interview with <a href="/facts/Barbara_Walters/uATF1UHx">Barbara Walters</a> two years later, she said she conceived the musical idea for the song "<a href="/facts/Bootylicious/00AzenBM">Bootylicious</a>".<a class="footnote-ref" id="fnref:392" href="#fn:392">392</a> Record producer <a href="/facts/Rob_Fusari/PUIpbG8J">Rob Fusari</a> objected privately to her manager and later told Billboard that Beyoncé explained people "want to believe the artist is everything".<a class="footnote-ref" id="fnref:393" href="#fn:393">393</a> In 2016, Fusari stated that Beyoncé "had the 'Bootylicious' concept in her head" and "knew what she wanted to say".<a class="footnote-ref" id="fnref:394" href="#fn:394">394</a>
Early in Beyoncé's career with Destiny's Child, her lyrics often focused on themes of <a href="/facts/Female_empowerment/jbn7ASCV">female empowerment</a>, as seen in songs like "<a href="/facts/Independent_Women/xHVocjhe">Independent Women</a>" and "<a href="/facts/Survivor_(Destiny%2527s_Child_song)/qdVmF7nP">Survivor</a>". When her relationship with Jay-Z began, her songwriting style shifted to include more romantic and relationship-focused content with songs such as "<a href="/facts/Cater_2_U/oDwwRgse">Cater 2 U</a>".<a class="footnote-ref" id="fnref:395" href="#fn:395">395</a> Her first three solo projects—Dangerously in Love, B'Day, and I Am... Sasha Fierce—predominantly explored romance and relationships;<a class="footnote-ref" id="fnref:396" href="#fn:396">396</a><a class="footnote-ref" id="fnref:397" href="#fn:397">397</a><a class="footnote-ref" id="fnref:398" href="#fn:398">398</a><a class="footnote-ref" id="fnref:399" href="#fn:399">399</a> more personal themes characterized 4 and Beyonce, which delved into marriage, monogamy, and intimacy.<a class="footnote-ref" id="fnref:400" href="#fn:400">400</a><a class="footnote-ref" id="fnref:401" href="#fn:401">401</a><a class="footnote-ref" id="fnref:402" href="#fn:402">402</a> Beginning with Lemonade, Beyoncé began exploring historical and political themes.<a class="footnote-ref" id="fnref:403" href="#fn:403">403</a> Storytelling and poetry inspired Lemonade, a record that discusses Black womanhood and reconciliation.<a class="footnote-ref" id="fnref:404" href="#fn:404">404</a><a class="footnote-ref" id="fnref:405" href="#fn:405">405</a><a class="footnote-ref" id="fnref:406" href="#fn:406">406</a> Renaissance and Cowboy Carter were conceived to highlight the historically overlooked and marginalized contributions of Black pioneers to American musical and cultural history. The former pays tribute to the influence of Black <a href="/facts/Queer/CmoY75C6">queer</a> artists in shaping dance music, while the latter centers on the role of Black people in the development of country music.<a class="footnote-ref" id="fnref:407" href="#fn:407">407</a><a class="footnote-ref" id="fnref:408" href="#fn:408">408</a>
Critics and music artists have analyzed Beyoncé's distinctive style of songwriting. <a href="/facts/Caroline_Polachek/SGs3x2fN">Caroline Polachek</a>, who worked on "<a href="/facts/No_Angel_(Beyonc%25C3%25A9_song)/3Nopra6G">No Angel</a>", praised her ability to make connections between ideas, and called her as a "genius" writer and producer.<a class="footnote-ref" id="fnref:409" href="#fn:409">409</a> While working on songwriting with Beyoncé, record producer <a href="/facts/Sean_Garrett/EzSTKpRe">Sean Garrett</a> described her as "very particular about her brand", stating that she rejects anything that feels off-brand.<a class="footnote-ref" id="fnref:410" href="#fn:410">410</a> Author Z. B. Hill praised her lyrics for capturing "the story of a real woman's life" and analyzed that her emotions inspired the creation of new lyrical content.<a class="footnote-ref" id="fnref:411" href="#fn:411">411</a> Dubbed a "meticulous curator" by <a href="/facts/The_New_Yorker/2RfeBrsR">The New Yorker</a>,<a class="footnote-ref" id="fnref:412" href="#fn:412">412</a> some academics have studied her as a musical archivist,<a class="footnote-ref" id="fnref:413" href="#fn:413">413</a><a class="footnote-ref" id="fnref:414" href="#fn:414">414</a> while others have likened her storytelling to that of a modern-day <a href="/facts/Griot/BYFHECh1">griot</a>.<a class="footnote-ref" id="fnref:415" href="#fn:415">415</a><a class="footnote-ref" id="fnref:416" href="#fn:416">416</a>

<h3>Influences</h3>

Beyoncé has named <a href="/facts/Michael_Jackson/LLa098zX">Michael Jackson</a> as her greatest musical influence.<a class="footnote-ref" id="fnref:417" href="#fn:417">417</a><a class="footnote-ref" id="fnref:418" href="#fn:418">418</a> At the age of five, she attended her first concert where Jackson performed, an experience she later said helped her realize her purpose as a performer.<a class="footnote-ref" id="fnref:419" href="#fn:419">419</a> She has also credited <a href="/facts/Tina_Turner/zaJVusgy">Tina Turner</a> as a major inspiration, admiring how she embodied strength while remaining feminine and sexy.<a class="footnote-ref" id="fnref:420" href="#fn:420">420</a><a class="footnote-ref" id="fnref:421" href="#fn:421">421</a> <a href="/facts/Diana_Ross/FxFHbeWy">Diana Ross</a> influenced her as an "all-around entertainer",<a class="footnote-ref" id="fnref:422" href="#fn:422">422</a> and <a href="/facts/Whitney_Houston/FUNyXLjm">Whitney Houston</a> inspired her to pursue performing, saying Houston made her believe she could do the same.<a class="footnote-ref" id="fnref:423" href="#fn:423">423</a><a class="footnote-ref" id="fnref:424" href="#fn:424">424</a>
Beyoncé praised <a href="/facts/Madonna/kHDBUtL7">Madonna</a> for her music and <a href="/facts/Business_of_Madonna/wDozheBl">roles as a businesswoman</a>.<a class="footnote-ref" id="fnref:425" href="#fn:425">425</a> She has cited <a href="/facts/Mariah_Carey/DlaF3a03">Mariah Carey</a>'s vocal style—especially on her song "<a href="/facts/Vision_of_Love/JlYBtSPY">Vision of Love</a>"—as an early influence that inspired her to practice vocal runs as a child.<a class="footnote-ref" id="fnref:426" href="#fn:426">426</a><a class="footnote-ref" id="fnref:427" href="#fn:427">427</a> Other artists that Beyoncé has mentioned as inspirations are <a href="/facts/Rachelle_Ferrell/EKXoCgw3">Rachelle Ferrell</a>,<a class="footnote-ref" id="fnref:428" href="#fn:428">428</a> <a href="/facts/Aaliyah/pzDFtxvj">Aaliyah</a>,<a class="footnote-ref" id="fnref:429" href="#fn:429">429</a> <a href="/facts/Prince_(musician)/cSkbYHIA">Prince</a>,<a class="footnote-ref" id="fnref:430" href="#fn:430">430</a> <a href="/facts/Janet_Jackson/J4ACIKyy">Janet Jackson</a>,<a class="footnote-ref" id="fnref:431" href="#fn:431">431</a> <a href="/facts/Lauryn_Hill/vF3AnQSq">Lauryn Hill</a>,<a class="footnote-ref" id="fnref:432" href="#fn:432">432</a> <a href="/facts/Sade_(singer)/osXXJSXD">Sade Adu</a>,<a class="footnote-ref" id="fnref:433" href="#fn:433">433</a> <a href="/facts/Donna_Summer/f9lh9GfD">Donna Summer</a>,<a class="footnote-ref" id="fnref:434" href="#fn:434">434</a> <a href="/facts/Fairuz/SGEQQnf4">Fairuz</a>,<a class="footnote-ref" id="fnref:435" href="#fn:435">435</a> <a href="/facts/Mary_J._Blige/q9JbdUsQ">Mary J. Blige</a>,<a class="footnote-ref" id="fnref:436" href="#fn:436">436</a> <a href="/facts/Selena/3Qt4rcov">Selena</a>,<a class="footnote-ref" id="fnref:437" href="#fn:437">437</a> <a href="/facts/Anita_Baker/Sf7eCJgX">Anita Baker</a>,<a class="footnote-ref" id="fnref:438" href="#fn:438">438</a> and <a href="/facts/Toni_Braxton/FXC0DSob">Toni Braxton</a>.<a class="footnote-ref" id="fnref:439" href="#fn:439">439</a><a class="footnote-ref" id="fnref:440" href="#fn:440">440</a>
Beyoncé has cited <a href="/facts/Michelle_Obama/W0shnydr">Michelle Obama</a>—44th <a href="/facts/First_Lady_of_the_United_States/NpbrzLdI">First Lady of the United States</a>—as a personal inspiration.<a class="footnote-ref" id="fnref:441" href="#fn:441">441</a><a class="footnote-ref" id="fnref:442" href="#fn:442">442</a> She described <a href="/facts/Oprah_Winfrey/vnH4DEDp">Oprah Winfrey</a> as "the definition of inspiration and a strong woman".<a class="footnote-ref" id="fnref:443" href="#fn:443">443</a> Beyoncé has stated that her husband, rapper <a href="/facts/Jay-Z/8j905fCC">Jay-Z</a>, inspires her, and she has praised his lyrical talent and the challenges he has overcome.<a class="footnote-ref" id="fnref:444" href="#fn:444">444</a> She expressed admiration for artist <a href="/facts/Jean-Michel_Basquiat/Pm4E86Hc">Jean-Michel Basquiat</a>, stating that she wants to emulate his lyrical and raw artistic traits in her music.<a class="footnote-ref" id="fnref:445" href="#fn:445">445</a> She has named Ross and <a href="/facts/Cher/PeKz1P3l">Cher</a> as some of her fashion inspirations.<a class="footnote-ref" id="fnref:446" href="#fn:446">446</a>

<h3>Videography and stage</h3>
Beyoncé has been praised for her stage presence and voice during live performances.<a class="footnote-ref" id="fnref:447" href="#fn:447">447</a> According to Barbara Ellen of The Guardian, Beyoncé is the "most in-charge [...] female artist [she has] seen onstage".<a class="footnote-ref" id="fnref:448" href="#fn:448">448</a> Alice Jones of <a href="/facts/The_Independent/g1P75Mfz">The Independent</a> wrote she "takes her role as entertainer so seriously she's almost too good".<a class="footnote-ref" id="fnref:449" href="#fn:449">449</a> <a href="/facts/L.A._Reid/nrtd1t3r">L.A. Reid</a>, the ex-President of <a href="/facts/Def_Jam_Recordings/Eb133YGl">Def Jam Recordings</a>, described Beyoncé as the "greatest entertainer alive".<a class="footnote-ref" id="fnref:450" href="#fn:450">450</a> Beyoncé has worked with numerous directors for her music videos, such as <a href="/facts/Melina_Matsoukas/LXVY8LUT">Melina Matsoukas</a>,<a class="footnote-ref" id="fnref:451" href="#fn:451">451</a> <a href="/facts/Jonas_%25C3%2585kerlund/UmxV1b2s">Jonas Åkerlund</a>,<a class="footnote-ref" id="fnref:452" href="#fn:452">452</a> and <a href="/facts/Jake_Nava/krwKSSpX">Jake Nava</a>.<a class="footnote-ref" id="fnref:453" href="#fn:453">453</a> <a href="/facts/Bill_Condon/1A8lBAzq">Bill Condon</a> stated that the Lemonade visuals inspired his film <a href="/facts/Beauty_and_the_Beast_(2017_film)/V2nTTBfB">Beauty and the Beast</a> (2017) and credited it with reintroducing and repopularizing the musical trope of characters breaking into song.<a class="footnote-ref" id="fnref:454" href="#fn:454">454</a> In 2006, Beyoncé introduced her all-female tour band <a href="/facts/Suga_Mama_(band)/gNNTHsC7">Suga Mama</a> which includes bassists, drummers, guitarists, horn players, keyboardists and percussionists.<a class="footnote-ref" id="fnref:455" href="#fn:455">455</a><a class="footnote-ref" id="fnref:456" href="#fn:456">456</a>
Caitlin Johnson of <a href="/facts/CBS_News/E1IB4hb0">CBS News</a> described Beyoncé as "sexy, seductive, and provocative" when performing on stage.<a class="footnote-ref" id="fnref:457" href="#fn:457">457</a> She created the <a href="/facts/Alter_ego/Vyx9HPMv">alter ego</a> Sasha Fierce to separate her stage persona from her personal attributes. She characterized her persona as "too aggressive, too strong, too sassy [and] too sexy", adding that she is not like her in real life at all.<a class="footnote-ref" id="fnref:458" href="#fn:458">458</a> Sasha Fierce was created during the production of "Crazy in Love"<a class="footnote-ref" id="fnref:459" href="#fn:459">459</a> and was introduced with the release of her third solo studio album, I Am... Sasha Fierce, in 2008.<a class="footnote-ref" id="fnref:460" href="#fn:460">460</a> By February 2010, Beyoncé stated she no longer needed the alter ego, having grown more comfortable with herself.<a class="footnote-ref" id="fnref:461" href="#fn:461">461</a> In May 2012, she announced Sasha Fierce would return for her Revel Presents: Beyoncé Live performances later that month.<a class="footnote-ref" id="fnref:462" href="#fn:462">462</a>

<h2 id="public-image">Public image</h2>

Beyoncé has been described by critics as having <a href="/facts/Sex_appeal/Chrx539m">sex appeal</a>.<a class="footnote-ref" id="fnref:463" href="#fn:463">463</a><a class="footnote-ref" id="fnref:464" href="#fn:464">464</a><a class="footnote-ref" id="fnref:465" href="#fn:465">465</a> Writing for <a href="/facts/Rolling_Stone/HhCFoJ9F">Rolling Stone</a>, <a href="/facts/Music_journalism/o9vznrwQ">music journalist</a> <a href="/facts/Tour%25C3%25A9_(journalist)/tDNqKqeI">Touré</a> noted that she became a "crossover <a href="/facts/Sex_symbol/7Sma9Tbu">sex symbol</a>" after the release of Dangerously in Love (2003).<a class="footnote-ref" id="fnref:466" href="#fn:466">466</a> The media often used the term "bootylicious"—a <a href="/facts/Portmanteau/d124JEbz">portmanteau</a> of "<a href="/facts/Buttocks/dtybFpGI">booty</a>"—in reference to her curvaceous figure; the phrase was popularized by Destiny's Child's <a href="/facts/Bootylicious/00AzenBM">2001 single of the same name</a>.<a class="footnote-ref" id="fnref:467" href="#fn:467">467</a><a class="footnote-ref" id="fnref:468" href="#fn:468">468</a> In 2004, "bootylicious" was added to the <a href="/facts/Oxford_English_Dictionary/qaxKX8Bc">Oxford English Dictionary</a>, defined as "(of a woman) sexually attractive".<a class="footnote-ref" id="fnref:469" href="#fn:469">469</a><a class="footnote-ref" id="fnref:470" href="#fn:470">470</a>
Beyoncé has been <a href="/facts/Honorific_nicknames_in_popular_music/hFc1V7E6">nicknamed</a> "Queen Bey" by the media.<a class="footnote-ref" id="fnref:471" href="#fn:471">471</a><a class="footnote-ref" id="fnref:472" href="#fn:472">472</a><a class="footnote-ref" id="fnref:473" href="#fn:473">473</a> Her fanbase is known as the "BeyHive", having previously been known as "The Beyontourage" until 2011.<a class="footnote-ref" id="fnref:474" href="#fn:474">474</a><a class="footnote-ref" id="fnref:475" href="#fn:475">475</a> <a href="/facts/The_Guardian/H84wwJYM">The Guardian</a>'s Kuba Shand-Baptiste called them "the most dedicated group of superfans ... on the planet".<a class="footnote-ref" id="fnref:476" href="#fn:476">476</a> <a href="/facts/Time_(magazine)/N4FXc99l">Time</a> magazine named Beyoncé one of the <a href="/facts/Time_100/12J5tflY">100 most influential people in the world</a> in 2013,<a class="footnote-ref" id="fnref:477" href="#fn:477">477</a> 2014,<a class="footnote-ref" id="fnref:478" href="#fn:478">478</a> and 2023.<a class="footnote-ref" id="fnref:479" href="#fn:479">479</a> She occupied the sixth place for the magazine's 2016 <a href="/facts/Time_Person_of_the_Year/kaqqgbh3">Person of the Year</a>.<a class="footnote-ref" id="fnref:480" href="#fn:480">480</a> She was named the "<a href="/facts/People_Magazine%2527s_100_Most_Beautiful_People/oMofkIN9">World's Most Beautiful Woman</a>" by <a href="/facts/People_(magazine)/oMofkIN9">People</a><a class="footnote-ref" id="fnref:481" href="#fn:481">481</a> and the "Hottest Female Singer of All Time" by <a href="/facts/Complex_(magazine)/fxFrvRKs">Complex</a> in 2012.<a class="footnote-ref" id="fnref:482" href="#fn:482">482</a> In January 2013, <a href="/facts/GQ/elYRBjsb">GQ</a> placed her on its cover, featuring her atop its "100 Sexiest Women of the 21st Century" list.<a class="footnote-ref" id="fnref:483" href="#fn:483">483</a><a class="footnote-ref" id="fnref:484" href="#fn:484">484</a> <a href="/facts/VH1/QHke2pHv">VH1</a> listed her at number one on its 2013 list of the "100 Sexiest Artists".<a class="footnote-ref" id="fnref:485" href="#fn:485">485</a>
Beyoncé's lighter skin tone and styling choices have drawn criticism, with some arguing that it may perpetuate <a href="/facts/Eurocentrism/TDweDqra">Eurocentric</a> beauty standards and contribute to issues of <a href="/facts/Discrimination_based_on_skin_tone/0JNuYAtV">colorism</a>, particularly regarding the underrepresentation of darker-skinned Black women in mainstream media.<a class="footnote-ref" id="fnref:486" href="#fn:486">486</a><a class="footnote-ref" id="fnref:487" href="#fn:487">487</a><a class="footnote-ref" id="fnref:488" href="#fn:488">488</a> Emmett Price, a professor of music at <a href="/facts/Northeastern_University/8maXMkEb">Northeastern University</a>, wrote in 2007 that he thinks race plays a role in many of these criticisms, saying white celebrities who dress similarly attract less comments.<a class="footnote-ref" id="fnref:489" href="#fn:489">489</a> In 2008, <a href="/facts/L%2527Oreal/pUkFnueA">L'Oreal</a> denied accusations of whitening her skin in their <a href="/facts/Feria/5bSNMaS5">Feria</a> hair color advertisements,<a class="footnote-ref" id="fnref:490" href="#fn:490">490</a><a class="footnote-ref" id="fnref:491" href="#fn:491">491</a> and in 2013, Beyoncé criticized <a href="/facts/H%2526M/8PXv02qs">H&M</a> for their proposed "retouching" of promotional images of her, requesting only "natural pictures be used".<a class="footnote-ref" id="fnref:492" href="#fn:492">492</a> When performing, Beyoncé uses different fashion styles that coordinate with the music she is singing.<a class="footnote-ref" id="fnref:493" href="#fn:493">493</a> In 2007, she became the second African American woman after <a href="/facts/Tyra_Banks/cHCSEN3I">Tyra Banks</a> to appear on the cover of the <a href="/facts/Sports_Illustrated_Swimsuit_Issue/ybJKdTpY">Sports Illustrated Swimsuit Issue</a> magazine,<a class="footnote-ref" id="fnref:494" href="#fn:494">494</a> and People recognized her as the best-dressed celebrity.<a class="footnote-ref" id="fnref:495" href="#fn:495">495</a>

<h2 id="wealth">Wealth</h2>
Beyoncé is one of the <a href="/facts/List_of_music_artists_by_net_worth/LWAYG76j">wealthiest musical artists</a>; as of June 2025, <a href="/facts/Forbes/lyULpGhW">Forbes</a> estimates her net worth to be $780 million.<a class="footnote-ref" id="fnref:496" href="#fn:496">496</a> The magazine named Beyoncé the annual <a href="/facts/Forbes_list_of_highest-earning_musicians/EYudQBqz">highest-earning female musician</a> in 2008,<a class="footnote-ref" id="fnref:497" href="#fn:497">497</a> 2010,<a class="footnote-ref" id="fnref:498" href="#fn:498">498</a> 2014,<a class="footnote-ref" id="fnref:499" href="#fn:499">499</a> and 2017.<a class="footnote-ref" id="fnref:500" href="#fn:500">500</a> Forbes began reporting on her earnings in 2008, calculating that the $80 million earned between June 2007 and June 2008 made her the second highest-paid musician in 2008.<a class="footnote-ref" id="fnref:501" href="#fn:501">501</a><a class="footnote-ref" id="fnref:502" href="#fn:502">502</a> On the <a href="/facts/Forbes_Celebrity_100/00rrlaeV">Forbes Celebrity 100</a> list, Beyoncé was placed fourth in 2008 and 2009,<a class="footnote-ref" id="fnref:503" href="#fn:503">503</a><a class="footnote-ref" id="fnref:504" href="#fn:504">504</a> second in 2010,<a class="footnote-ref" id="fnref:505" href="#fn:505">505</a> and fourth in 2013.<a class="footnote-ref" id="fnref:506" href="#fn:506">506</a> She ranked at number one on the Celebrity 100 list in 2014, earning an estimated $115 million.<a class="footnote-ref" id="fnref:507" href="#fn:507">507</a> <a href="/facts/Billboard_(magazine)/CVruQGq5">Billboard</a> named Beyoncé the highest-paid musician of 2016, with estimated earnings of $62.1 million.<a class="footnote-ref" id="fnref:508" href="#fn:508">508</a> She was listed as the third <a href="/facts/Forbes_list_of_highest-earning_musicians/EYudQBqz">highest-paid musician of the 2010s</a> by Forbes, earning $685 million.<a class="footnote-ref" id="fnref:509" href="#fn:509">509</a>
Forbes placed Beyoncé and Jay-Z at number one on the "World's Highest-Paid Celebrity Couples" list, collectively earning $78 million and $107.5 million in 2012 and 2016, respectively.<a class="footnote-ref" id="fnref:510" href="#fn:510">510</a><a class="footnote-ref" id="fnref:511" href="#fn:511">511</a> The couple made it into the previous year's <a href="/facts/Guinness_Book_of_World_Records/Az88wVWk">Guinness Book of World Records</a> as the "highest-earning power couple" for collectively earning $122 million in 2009.<a class="footnote-ref" id="fnref:512" href="#fn:512">512</a> They officially became a billion-dollar couple in 2017, when Forbes estimated a combined net worth of $1.16 billion.<a class="footnote-ref" id="fnref:513" href="#fn:513">513</a>

<h2 id="legacy">Legacy</h2>

Main article: <a href="/facts/Cultural_impact_of_Beyonc%25C3%25A9/6Ih1VTAH">Cultural impact of Beyoncé</a>See also: <a href="/facts/Destiny%2527s_Child/DL7PMfx4">Destiny's Child § Legacy</a>
Beyoncé has been recognized as one of the most influential figures in music history by outlets such as <a href="/facts/Rolling_Stone/HhCFoJ9F">Rolling Stone</a>, the <a href="/facts/Associated_Press/b4T5P1bT">Associated Press</a>, and <a href="/facts/NPR/BohIW9Xg">NPR</a>.<a class="footnote-ref" id="fnref:514" href="#fn:514">514</a> In 2024, <a href="/facts/Billboard_(magazine)/CVruQGq5">Billboard</a> ranked her the <a href="/facts/Billboard%2527s_Greatest_Pop_Stars_of_the_21st_Century/3ugP9Kxn">"Greatest Pop Star of the 21st Century"</a>.<a class="footnote-ref" id="fnref:515" href="#fn:515">515</a><a class="footnote-ref" id="fnref:516" href="#fn:516">516</a> She is also featured on the publication's "Greatest of All Time" list.<a class="footnote-ref" id="fnref:517" href="#fn:517">517</a> Beyoncé has been named as the defining artist of both the 2000s<a class="footnote-ref" id="fnref:518" href="#fn:518">518</a><a class="footnote-ref" id="fnref:519" href="#fn:519">519</a><a class="footnote-ref" id="fnref:520" href="#fn:520">520</a> and 2010s.<a class="footnote-ref" id="fnref:521" href="#fn:521">521</a><a class="footnote-ref" id="fnref:522" href="#fn:522">522</a><a class="footnote-ref" id="fnref:523" href="#fn:523">523</a> Writing in <a href="/facts/The_New_Yorker/2RfeBrsR">The New Yorker</a>, critic <a href="/facts/Jody_Rosen/yTPHRgG1">Jody Rosen</a> called her "the logical end point of a century-plus of pop".<a class="footnote-ref" id="fnref:524" href="#fn:524">524</a> Critics have hailed several of Beyoncé's <a href="/facts/Beyonc%25C3%25A9_albums_discography/hwqvVnuV">albums</a>, <a href="/facts/Beyonc%25C3%25A9_singles_discography/rNSFXBVB">singles</a>, <a href="/facts/Beyonc%25C3%25A9_videography/rC5dI0er">music videos</a>, and <a href="/facts/List_of_Beyonc%25C3%25A9_live_performances/rL1Bzcws">live performances</a> as among the greatest of all time.<a class="footnote-ref" id="fnref:525" href="#fn:525">525</a>
Beyoncé has revolutionized the <a href="/facts/Music_industry/8qnJau3F">music industry</a>, transforming the <a href="/facts/Record_producer/RcLFfQKL">production</a>, <a href="/facts/Music_industry/8qnJau3F">distribution</a>, <a href="/facts/Promoter_(entertainment)/mo242W3y">promotion</a>, and consumption of music.<a class="footnote-ref" id="fnref:526" href="#fn:526">526</a><a class="footnote-ref" id="fnref:527" href="#fn:527">527</a> She has been credited with reviving the <a href="/facts/Album/WFW6z2fj">album</a> format in an era dominated by <a href="/facts/Single_(music)/xkeLPy2P">singles</a> and <a href="/facts/Streaming_media/4rPhSq0Y">streaming</a>, with albums becoming increasingly cohesive and narrative-led.<a class="footnote-ref" id="fnref:528" href="#fn:528">528</a><a class="footnote-ref" id="fnref:529" href="#fn:529">529</a> Beyoncé redefined how music is released and marketed with her reinvention of the <a href="/facts/Surprise_album/H8LHzfyl">surprise album</a> in 2013, reorienting the music market to cohesive albums and unconventional promotional rollouts; surprise albums became a common practice in the 2010s and 2020s.<a class="footnote-ref" id="fnref:530" href="#fn:530">530</a><a class="footnote-ref" id="fnref:531" href="#fn:531">531</a> She is also recognized for reviving the music video as an art form and popularizing the <a href="/facts/Visual_album/FccodeNC">visual album</a> format.<a class="footnote-ref" id="fnref:532" href="#fn:532">532</a><a class="footnote-ref" id="fnref:533" href="#fn:533">533</a><a class="footnote-ref" id="fnref:534" href="#fn:534">534</a> Beyoncé's impact on the music industry led to the <a href="/facts/Global_Release_Day/FPA53L14">Global Release Day</a> being moved to Friday.<a class="footnote-ref" id="fnref:535" href="#fn:535">535</a>

Beyoncé's use of <a href="/facts/Staccato/sJykEK2o">staccato</a> rap-singing and chopped and re-pitched vocals became defining features of music in the 21st century.<a class="footnote-ref" id="fnref:536" href="#fn:536">536</a><a class="footnote-ref" id="fnref:537" href="#fn:537">537</a><a class="footnote-ref" id="fnref:538" href="#fn:538">538</a> Her work transcends traditional <a href="/facts/Music_genre/ceqIJRjh">genre</a> boundaries, creating new artistic standards that shaped contemporary music and set the precedent for music artists to move between and beyond genre confines.<a class="footnote-ref" id="fnref:539" href="#fn:539">539</a><a class="footnote-ref" id="fnref:540" href="#fn:540">540</a> She helped renew subgenres of music such as <a href="/facts/Rhythm_and_blues/UT5v5rXb">R&B</a>,<a class="footnote-ref" id="fnref:541" href="#fn:541">541</a> <a href="/facts/Country_music/UJM3Un98">country</a>,<a class="footnote-ref" id="fnref:542" href="#fn:542">542</a><a class="footnote-ref" id="fnref:543" href="#fn:543">543</a> <a href="/facts/Dance_music/MsDMMnvz">dance</a>,<a class="footnote-ref" id="fnref:544" href="#fn:544">544</a> <a href="/facts/House_music/2UFwER68">house</a>,<a class="footnote-ref" id="fnref:545" href="#fn:545">545</a> and <a href="/facts/Afrobeats/TIHXRlcQ">Afrobeats</a>.<a class="footnote-ref" id="fnref:546" href="#fn:546">546</a><a class="footnote-ref" id="fnref:547" href="#fn:547">547</a><a class="footnote-ref" id="fnref:548" href="#fn:548">548</a> Beyoncé is also known for transforming concert tours into cultural and artistic events.<a class="footnote-ref" id="fnref:549" href="#fn:549">549</a> She has also significantly influenced <a href="/facts/Political_sociology/48UfHpGT">socio-political matters</a>, using her platform to advocate for women's empowerment, Black culture, and <a href="/facts/Social_justice/yPVcRR0w">social justice</a>.<a class="footnote-ref" id="fnref:550" href="#fn:550">550</a><a class="footnote-ref" id="fnref:551" href="#fn:551">551</a><a class="footnote-ref" id="fnref:552" href="#fn:552">552</a><a class="footnote-ref" id="fnref:553" href="#fn:553">553</a> Critics credit her with significantly influencing political conversations and movements, such as <a href="/facts/Fourth-wave_feminism/wpSsedAn">fourth-wave feminism</a> and Black Lives Matter.<a class="footnote-ref" id="fnref:554" href="#fn:554">554</a><a class="footnote-ref" id="fnref:555" href="#fn:555">555</a><a class="footnote-ref" id="fnref:556" href="#fn:556">556</a> Beyoncé's impact is studied globally through <a href="/facts/Cultural_impact_of_Beyonc%25C3%25A9/6Ih1VTAH">university courses</a><a class="footnote-ref" id="fnref:557" href="#fn:557">557</a><a class="footnote-ref" id="fnref:558" href="#fn:558">558</a> and museum exhibitions.<a class="footnote-ref" id="fnref:559" href="#fn:559">559</a><a class="footnote-ref" id="fnref:560" href="#fn:560">560</a>
Beyoncé has been recognized for setting new standards for success in the modern era, with musicians from across genres, generations and countries citing her as a major influence on their career. <a href="/facts/Taylor_Swift/gdDeCTku">Taylor Swift</a> called her a major influence, crediting her with showing other artists how to oppose industry standards and create new opportunities.<a class="footnote-ref" id="fnref:561" href="#fn:561">561</a><a class="footnote-ref" id="fnref:562" href="#fn:562">562</a> Lady Gaga said Beyoncé inspired her to become a musician,<a class="footnote-ref" id="fnref:563" href="#fn:563">563</a> while <a href="/facts/Rihanna/SVplktjf">Rihanna</a> was motivated to pursue music after watching Beyoncé.<a class="footnote-ref" id="fnref:564" href="#fn:564">564</a> <a href="/facts/Ariana_Grande/uJ7AyqTK">Ariana Grande</a> said she learned to sing by mimicking artists like Beyoncé,<a class="footnote-ref" id="fnref:565" href="#fn:565">565</a> while <a href="/facts/Adele/FGoB5wNL">Adele</a> described her as part of her artistic influence since she was a preteen.<a class="footnote-ref" id="fnref:566" href="#fn:566">566</a> <a href="/facts/Paul_McCartney/TfhC0oaF">Paul McCartney</a> and <a href="/facts/Garth_Brooks/v1fayUu5">Garth Brooks</a> have also cited Beyoncé's live performances as inspirational, with the latter recommending that both new and veteran musicians analyse these performances to improve their work.<a class="footnote-ref" id="fnref:567" href="#fn:567">567</a><a class="footnote-ref" id="fnref:568" href="#fn:568">568</a>
Beyoncé popularized phrases that entered mainstream culture: "put a ring on it" (from "Single Ladies") to signify a marriage proposal;<a class="footnote-ref" id="fnref:569" href="#fn:569">569</a> "I woke up like this" (from "<a href="/facts/Flawless_(Beyonc%25C3%25A9_song)/gSGaDmfk">Flawless</a>"), which sparked a trend of morning selfies;<a class="footnote-ref" id="fnref:570" href="#fn:570">570</a> and "boy, bye" (from "<a href="/facts/Sorry_(Beyonc%25C3%25A9_song)/BQV66Awy">Sorry</a>"), used as a way to break up with a romantic partner.<a class="footnote-ref" id="fnref:571" href="#fn:571">571</a> In January 2012, Australian research scientist Bryan Lessard named a species of <a href="/facts/Horse-fly/KxJ9nrem">horse-fly</a> found in <a href="/facts/North_Queensland/eHBabKME">North Queensland</a>, Australia, <a href="/facts/Scaptia_beyonceae/qq0104Rq">Scaptia beyonceae</a>, after her, due to the insect's distinctive golden hairs on its <a href="/facts/Abdomen/HcTzDFL0">abdomen</a>.<a class="footnote-ref" id="fnref:572" href="#fn:572">572</a> Several <a href="/facts/Wax_figure/h63IQz86">wax figures</a> of Beyoncé are found at <a href="/facts/Madame_Tussaud%2527s_Wax_Museum/qDA1XxBM">Madame Tussauds Wax Museums</a> in major cities around the world.<a class="footnote-ref" id="fnref:573" href="#fn:573">573</a> In <a href="/facts/Minnesota/ncgVuC4Q">Minnesota</a>, May 23 is designated as "Beyoncé Day" to mark the same day she performed the Formation World Tour in the state in 2016.<a class="footnote-ref" id="fnref:574" href="#fn:574">574</a><a class="footnote-ref" id="fnref:575" href="#fn:575">575</a>

<h2 id="achievements">Achievements</h2>
See also: <a href="/facts/List_of_awards_and_nominations_received_by_Beyonc%25C3%25A9/15t37vtm">List of awards and nominations received by Beyoncé</a> and <a href="/facts/List_of_awards_and_nominations_received_by_Destiny%2527s_Child/lLIShkAX">List of awards and nominations received by Destiny's Child</a>
<a href="/facts/List_of_awards_and_nominations_received_by_Beyonc%25C3%25A9/15t37vtm">Beyoncé has received numerous awards</a> and is the most-awarded female artist of all time.<a class="footnote-ref" id="fnref:576" href="#fn:576">576</a> Having sold over 200 million records worldwide (and an additional 60 million with Destiny's Child), she is one of the <a href="/facts/List_of_best-selling_music_artists/LnwvfKQU">best-selling music artists of all time</a>.<a class="footnote-ref" id="fnref:577" href="#fn:577">577</a><a class="footnote-ref" id="fnref:578" href="#fn:578">578</a> The <a href="/facts/Recording_Industry_Association_of_America/8a7K0Ubf">Recording Industry Association of America</a> (RIAA) listed Beyoncé as the top certified artist of the 2000s decade, with a total of 64 <a href="/facts/RIAA_certification/TWwUbkQP">certifications</a>.<a class="footnote-ref" id="fnref:579" href="#fn:579">579</a><a class="footnote-ref" id="fnref:580" href="#fn:580">580</a>

Beyoncé has won 35 <a href="/facts/Grammy_Award/2bxYJjPV">Grammy Awards</a>—both as a solo artist and member of Destiny's Child and the Carters—making her the <a href="/facts/Grammy_Award_records/bMFNe1dB">most honored individual by the award show</a>.<a class="footnote-ref" id="fnref:581" href="#fn:581">581</a><a class="footnote-ref" id="fnref:582" href="#fn:582">582</a> She is also the most nominated artist in Grammy Award history with 99 nominations.<a class="footnote-ref" id="fnref:583" href="#fn:583">583</a><a class="footnote-ref" id="fnref:584" href="#fn:584">584</a> She set the record for the most <a href="/facts/Grammy_Award_records/bMFNe1dB">Grammy Awards won by a female artist in one night</a> in 2010 with six awards.<a class="footnote-ref" id="fnref:585" href="#fn:585">585</a><a class="footnote-ref" id="fnref:586" href="#fn:586">586</a> Beyoncé has won 30 <a href="/facts/MTV_Video_Music_Awards/F9H94We9">MTV Video Music Awards</a> (VMAs), tying Taylor Swift for the most in the award show's history.<a class="footnote-ref" id="fnref:587" href="#fn:587">587</a><a class="footnote-ref" id="fnref:588" href="#fn:588">588</a> In 2016, she matched Lady Gaga's 2010 record for the most VMAs won in a single night by a female artist, with eight wins.<a class="footnote-ref" id="fnref:589" href="#fn:589">589</a> 
Beyoncé has the most <a href="/facts/Soul_Train_Music_Awards/2hUDpjro">Soul Train Music Awards</a> with 25 wins—21 as a solo artist and four with Destiny's Child—and is the most awarded artist in <a href="/facts/NAACP_Image_Awards/WcjtyMTU">NAACP Image Awards</a> history, earning 27 wins solo and five with Destiny's Child.<a class="footnote-ref" id="fnref:590" href="#fn:590">590</a><a class="footnote-ref" id="fnref:591" href="#fn:591">591</a><a class="footnote-ref" id="fnref:592" href="#fn:592">592</a> At the <a href="/facts/2011_Billboard_Music_Awards/a8gvYmTF">2011 Billboard Music Awards</a>, she was honored with the <a href="/facts/Billboard_Millennium_Award/Hr5HGUBW">Billboard Millennium Award</a>.<a class="footnote-ref" id="fnref:593" href="#fn:593">593</a><a class="footnote-ref" id="fnref:594" href="#fn:594">594</a> Billboard later ranked her as a soloist at number three on its 2025 "Top 100 Women Artists of the 21st Century" list and as part of Destiny's Child, which was listed at number 17.<a class="footnote-ref" id="fnref:595" href="#fn:595">595</a>
For her role in Dreamgirls, Beyoncé was nominated for <a href="/facts/Golden_Globe_Award_for_Best_Original_Song/pn0pPjgg">Best Original Song</a> for "Listen" and <a href="/facts/Golden_Globe_Award_for_Best_Actress_%25E2%2580%2593_Motion_Picture_Musical_or_Comedy/N0svKsDz">Best Actress</a> at the <a href="/facts/Golden_Globe_Awards/1v50C2Tb">Golden Globe Awards</a>.<a class="footnote-ref" id="fnref:596" href="#fn:596">596</a> Beyoncé won two awards at the <a href="/facts/12th_Critics%2527_Choice_Awards/Bwc91v55">Broadcast Film Critics Association Awards 2006</a>; Best Song for "Listen" and Best Original Soundtrack for Dreamgirls: Music from the Motion Picture.<a class="footnote-ref" id="fnref:597" href="#fn:597">597</a> In 2001, she became the first Black woman—and only the second female lyricist overall—to win <a href="/facts/ASCAP_Pop_Music_Awards/CdIrEsnT">ASCAP's Pop Songwriter of the Year</a> award.<a class="footnote-ref" id="fnref:598" href="#fn:598">598</a><a class="footnote-ref" id="fnref:599" href="#fn:599">599</a> The film <a href="/facts/Lemonade_(2016_film)/j4RCSMY2">Lemonade</a> won a <a href="/facts/Peabody_Award/pC7Q1kqp">Peabody Award</a> in 2017.<a class="footnote-ref" id="fnref:600" href="#fn:600">600</a> In 2022, "<a href="/facts/Be_Alive/JkC1IJPQ">Be Alive</a>" was nominated for the <a href="/facts/Academy_Award_for_Best_Original_Song/DzpS6KsM">Academy Award for Best Original Song</a>,<a class="footnote-ref" id="fnref:601" href="#fn:601">601</a> the <a href="/facts/Critics%2527_Choice_Movie_Award_for_Best_Song/zKj8kHxH">Critics' Choice Movie Award for Best Song</a>,<a class="footnote-ref" id="fnref:602" href="#fn:602">602</a> and the <a href="/facts/Golden_Globe_Award_for_Best_Original_Song/pn0pPjgg">Golden Globe Award for Best Original Song</a>.<a class="footnote-ref" id="fnref:603" href="#fn:603">603</a>

<h2 id="other-ventures">Other ventures</h2>
<h3>Politics</h3>
Beyoncé performed "<a href="/facts/America_the_Beautiful/b6SpMKl6">America the Beautiful</a>" at <a href="/facts/President_of_the_United_States/oMsfmLb1">President</a> <a href="/facts/Barack_Obama/76wUMgL1">Barack Obama</a>'s <a href="/facts/First_inauguration_of_Barack_Obama/RTUbVB7B">2009 presidential inauguration</a> and "<a href="/facts/At_Last/2WeR3eR5">At Last</a>" during the first inaugural dance.<a class="footnote-ref" id="fnref:604" href="#fn:604">604</a> She held a fundraiser for <a href="/facts/Barack_Obama_2012_presidential_campaign/esFENkqE">President Obama's 2012 presidential campaign</a><a class="footnote-ref" id="fnref:605" href="#fn:605">605</a><a class="footnote-ref" id="fnref:606" href="#fn:606">606</a> and voted for him in the <a href="/facts/2012_United_States_presidential_election/aNbvykA0">2012 presidential election</a>.<a class="footnote-ref" id="fnref:607" href="#fn:607">607</a> She performed "<a href="/facts/The_Star-Spangled_Banner/GrMnRnSd">The Star-Spangled Banner</a>", the national anthem of the United States, at his <a href="/facts/Second_inauguration_of_Barack_Obama/j6qVQqop">second inauguration</a> in January 2013.<a class="footnote-ref" id="fnref:608" href="#fn:608">608</a> In May 2015, Beyoncé attended a celebrity <a href="/facts/Fundraising/63QtXeVr">fundraiser</a> for <a href="/facts/2016_United_States_presidential_election/Bs9DUEoc">2016 presidential</a> nominee <a href="/facts/Hillary_Clinton/dPzm9ru4">Hillary Clinton</a><a class="footnote-ref" id="fnref:609" href="#fn:609">609</a> and headlined in a concert for Clinton the weekend before the election.<a class="footnote-ref" id="fnref:610" href="#fn:610">610</a> She endorsed the bid of <a href="/facts/Beto_O%2527Rourke/senwk9cX">Beto O'Rourke</a> during the <a href="/facts/2018_United_States_Senate_election_in_Texas/RgusEAAj">2018 United States Senate election in Texas</a>.<a class="footnote-ref" id="fnref:611" href="#fn:611">611</a> Beyoncé endorsed <a href="/facts/Joe_Biden/fe2ThfUp">Joe Biden</a> for president during the <a href="/facts/2020_United_States_presidential_election/nkvkv6U8">2020 election</a>.<a class="footnote-ref" id="fnref:612" href="#fn:612">612</a> In 2024, she gave <a href="/facts/Vice_President_of_the_United_States/tYWUGv0A">Vice President</a> <a href="/facts/Kamala_Harris/hqeaVyFQ">Kamala Harris</a> permission to use "<a href="/facts/Freedom_(Beyonc%25C3%25A9_song)/t4R9m5fK">Freedom</a>" as the official song for <a href="/facts/Kamala_Harris_2024_presidential_campaign/YCWYQxby">her presidential campaign</a><a class="footnote-ref" id="fnref:613" href="#fn:613">613</a><a class="footnote-ref" id="fnref:614" href="#fn:614">614</a> and endorsed Harris for president.<a class="footnote-ref" id="fnref:615" href="#fn:615">615</a>

<h3>Activism</h3>

In a 2013 interview with <a href="/facts/Vogue_(magazine)/7jzxDTb4">Vogue</a>, Beyoncé stated that she considered herself "a <a href="/facts/Fourth-wave_feminism/wpSsedAn">modern-day feminist</a>".<a class="footnote-ref" id="fnref:616" href="#fn:616">616</a> Her self-identification incited debate about whether her feminism is aligned with older, more established feminist ideals; <a href="/facts/Annie_Lennox/KeGC5laL">Annie Lennox</a> referred to her use of the word feminist as "feminist lite".<a class="footnote-ref" id="fnref:617" href="#fn:617">617</a> Beyoncé publicly aligned with feminism by sampling <a href="/facts/Chimamanda_Ngozi_Adichie/Pzn6sfHJ">Chimamanda Ngozi Adichie</a>'s 2013 <a href="/facts/TEDx/Sc3JxnA1">TEDx</a> speech "We should all be feminists" in "<a href="/facts/Flawless_(Beyonc%25C3%25A9_song)/gSGaDmfk">Flawless</a>", released later that year.<a class="footnote-ref" id="fnref:618" href="#fn:618">618</a> She performed at the 2014 <a href="/facts/MTV_Video_Music_Awards/F9H94We9">MTV Video Music Awards</a> before a giant "Feminist" backdrop.<a class="footnote-ref" id="fnref:619" href="#fn:619">619</a>
In December 2012, Beyoncé joined a coalition of celebrities in the "Demand a Plan" campaign—an initiative led by U.S. mayors to urge federal action on gun control legislation following the <a href="/facts/Sandy_Hook_Elementary_School_shooting/7PwjHVSe">Sandy Hook Elementary School shooting</a>.<a class="footnote-ref" id="fnref:620" href="#fn:620">620</a><a class="footnote-ref" id="fnref:621" href="#fn:621">621</a><a class="footnote-ref" id="fnref:622" href="#fn:622">622</a> In 2013, she endorsed <a href="/facts/Same-sex_marriage/J2dpSgaV">same-sex marriage</a> via Instagram<a class="footnote-ref" id="fnref:623" href="#fn:623">623</a><a class="footnote-ref" id="fnref:624" href="#fn:624">624</a> and voiced opposition to North Carolina's <a href="/facts/Public_Facilities_Privacy_%2526_Security_Act/LQtKMhjq">Public Facilities Privacy & Security Act</a>, a law criticized for discriminating against the <a href="/facts/LGBT_community/LpXxRsVU">LGBT community</a>.<a class="footnote-ref" id="fnref:625" href="#fn:625">625</a><a class="footnote-ref" id="fnref:626" href="#fn:626">626</a> In February 2017, she supported <a href="/facts/Transgender_youth/dJelnrr9">transgender youth</a> following <a href="/facts/Donald_Trump/pqqKY21P">Donald Trump</a>'s federal rollback of protections for <a href="/facts/Transgender/LuADj6gz">transgender</a> students in public schools.<a class="footnote-ref" id="fnref:627" href="#fn:627">627</a><a class="footnote-ref" id="fnref:628" href="#fn:628">628</a>
Beyoncé has spoken against <a href="/facts/Police_brutality_in_the_United_States/vG04q9MY">police brutality</a> toward <a href="/facts/African_Americans/pTgcAdo8">Black Americans</a>.<a class="footnote-ref" id="fnref:629" href="#fn:629">629</a><a class="footnote-ref" id="fnref:630" href="#fn:630">630</a><a class="footnote-ref" id="fnref:631" href="#fn:631">631</a> She attended a 2013 rally after the acquittal of <a href="/facts/George_Zimmerman/e01YxhAQ">George Zimmerman</a> in <a href="/facts/Killing_of_Trayvon_Martin/6amsPt3m">the killing</a> of <a href="/facts/Trayvon_Martin/Mvfpyjo9">Trayvon Martin</a>,<a class="footnote-ref" id="fnref:632" href="#fn:632">632</a><a class="footnote-ref" id="fnref:633" href="#fn:633">633</a> and featured the mothers of Martin, <a href="/facts/Killing_of_Michael_Brown/8uwxSvxs">Michael Brown</a>, and <a href="/facts/Killing_of_Eric_Garner/gkCXRhnb">Eric Garner</a> holding photos of their deceased sons in the music video for "<a href="/facts/Freedom_(Beyonc%25C3%25A9_song)/t4R9m5fK">Freedom</a>".<a class="footnote-ref" id="fnref:634" href="#fn:634">634</a><a class="footnote-ref" id="fnref:635" href="#fn:635">635</a> Her 2016 single "<a href="/facts/Formation_(song)/Vu1noMsL">Formation</a>" was interpreted as a critique of law enforcement, though she clarified it was a celebration of her heritage.<a class="footnote-ref" id="fnref:636" href="#fn:636">636</a> Performing the song during the <a href="/facts/Super_Bowl_50_halftime_show/9MtWhVIn">2016 Super Bowl halftime show</a>, with dancers dressed in outfits referencing the <a href="/facts/Black_Panther_Party/lKRoINcE">Black Panther Party</a>, sparked backlash from <a href="/facts/Conservatism_in_the_United_States/ye90yMMJ">conservative</a> figures and law enforcement groups.<a class="footnote-ref" id="fnref:637" href="#fn:637">637</a> Beyoncé responded to the criticism by selling "Boycott Beyoncé" merchandise on her tour.<a class="footnote-ref" id="fnref:638" href="#fn:638">638</a><a class="footnote-ref" id="fnref:639" href="#fn:639">639</a><a class="footnote-ref" id="fnref:640" href="#fn:640">640</a>

<h3>Philanthropy</h3>
In 1999, Beyoncé, her mother Tina Knowles, and former Destiny's Child bandmate Kelly Rowland established the Knowles-Rowland Center for Youth.<a class="footnote-ref" id="fnref:641" href="#fn:641">641</a> Following <a href="/facts/Hurricane_Katrina/EflS9fkS">Hurricane Katrina</a> in 2005, Beyoncé, Solange, Tina, and Rowland co-founded the Survivor Foundation to offer transitional housing for displaced families and support the construction of new homes.<a class="footnote-ref" id="fnref:642" href="#fn:642">642</a> They extended aid after <a href="/facts/Hurricane_Ike/QzU9RzYG">Hurricane Ike</a> in 2008, with Beyoncé donating $100,000 to the Gulf Coast Ike Relief Fund.<a class="footnote-ref" id="fnref:643" href="#fn:643">643</a> In 2007, she launched the Knowles-Temenos Place Apartments, a housing development that accommodates 43 displaced individuals.<a class="footnote-ref" id="fnref:644" href="#fn:644">644</a><a class="footnote-ref" id="fnref:645" href="#fn:645">645</a>

After learning about <a href="/facts/Phoenix_House/klaTIUHG">Phoenix House</a>—a nonprofit focused on drug and alcohol rehabilitation—during the filming of Cadillac Records in 2008, Beyoncé donated her entire $4 million salary from the film to the organization.<a class="footnote-ref" id="fnref:646" href="#fn:646">646</a><a class="footnote-ref" id="fnref:647" href="#fn:647">647</a> She later founded the Beyoncé Cosmetology Center, a program at Phoenix House that provides a cosmetology training course.<a class="footnote-ref" id="fnref:648" href="#fn:648">648</a><a class="footnote-ref" id="fnref:649" href="#fn:649">649</a> In April 2011, Beyoncé participated in the National Association of Broadcasters Education Foundation's campaign against <a href="/facts/Child_obesity/I3msk5fD">child obesity</a> by reworking her single "<a href="/facts/Get_Me_Bodied/mvMHaCna">Get Me Bodied</a>".<a class="footnote-ref" id="fnref:650" href="#fn:650">650</a><a class="footnote-ref" id="fnref:651" href="#fn:651">651</a> She was an ambassador for the 2012 <a href="/facts/World_Humanitarian_Day/kT4FaEFa">World Humanitarian Day</a> campaign,<a class="footnote-ref" id="fnref:652" href="#fn:652">652</a> and took part in <a href="/facts/Gucci/IIQLxq2m">Gucci</a>'s 2013 "Chime for Change" initiative to promote global female empowerment.<a class="footnote-ref" id="fnref:653" href="#fn:653">653</a>
Beyoncé and Jay-Z donated tens of thousands of dollars to post bail for <a href="/facts/Black_Lives_Matter/vdpHmDVV">Black Lives Matter</a> (BLM) protesters in <a href="/facts/Baltimore/ncJvTzBU">Baltimore</a> and <a href="/facts/Ferguson%2c_Missouri/LL5wTvE0">Ferguson</a>, and contributed to building the infrastructure needed to establish BLM chapters across the United States.<a class="footnote-ref" id="fnref:654" href="#fn:654">654</a> In 2016 she pledged to fund ten college scholarships for students in financial need.<a class="footnote-ref" id="fnref:655" href="#fn:655">655</a> In June 2016, she donated over $82,000 to the <a href="/facts/United_Way/W28kKW7y">United Way</a> of <a href="/facts/Genesee_County%2c_Michigan/SNPQMtX1">Genesee County</a> to assist victims of the <a href="/facts/Flint_water_crisis/w5AgWJga">Flint water crisis</a> and provided financial support for fourteen Michigan students pursuing higher education.<a class="footnote-ref" id="fnref:656" href="#fn:656">656</a> That August, Beyoncé and Jay-Z donated $1.5 million to civil rights organizations including BLM, <a href="/facts/Hands_Up_United/wF4Gm7MQ">Hands Up United</a>, and Trayvon Martin Foundation.<a class="footnote-ref" id="fnref:657" href="#fn:657">657</a>
In August 2017, during <a href="/facts/Hurricane_Harvey/yFBjfnqT">Hurricane Harvey</a>, Beyoncé launched <a href="/facts/BeyGood/2VhMSI69">BeyGood</a> Houston to support those affected and donated $75,000 worth of new mattresses to survivors.<a class="footnote-ref" id="fnref:658" href="#fn:658">658</a><a class="footnote-ref" id="fnref:659" href="#fn:659">659</a> Later that month, she released a remix of <a href="/facts/J_Balvin/0I3pMv3v">J Balvin</a> and <a href="/facts/Willy_William/4r2sEFtb">Willy William</a>'s "<a href="/facts/Mi_Gente/5DnHYm6U">Mi Gente</a>", pledging all proceeds to disaster relief efforts across Puerto Rico, Mexico, the U.S., and the Caribbean in response to Hurricanes Harvey, <a href="/facts/Hurricane_Irma/lALmyvyl">Irma</a>, and <a href="/facts/Hurricane_Maria/cYmIC6wY">Maria</a>, as well as the <a href="/facts/2017_Chiapas_earthquake/8KczvYsE">Chiapas</a> and <a href="/facts/2017_Puebla_earthquake/sjn96GKr">Puebla</a> earthquakes.<a class="footnote-ref" id="fnref:660" href="#fn:660">660</a> In April 2020, Beyoncé donated $6 million to the National Alliance on Mental Illness, <a href="/facts/UCLA/KwPz7AK1">UCLA</a>, and local community-based organizations to provide mental health and wellness services for essential workers during the <a href="/facts/COVID-19_pandemic/0xTsh7Ut">COVID-19 pandemic</a>.<a class="footnote-ref" id="fnref:661" href="#fn:661">661</a><a class="footnote-ref" id="fnref:662" href="#fn:662">662</a> She featured on the remix of <a href="/facts/Megan_Thee_Stallion/yEdmUUQ9">Megan Thee Stallion</a>'s "<a href="/facts/Savage_(Beyonc%25C3%25A9_remix)/Tgdumkk4">Savage</a>" (2020), with proceeds supporting Bread of Life Houston's COVID-19 relief efforts.<a class="footnote-ref" id="fnref:663" href="#fn:663">663</a><a class="footnote-ref" id="fnref:664" href="#fn:664">664</a>
Beyoncé worked with the <a href="/facts/Feminist_Coalition/1LwRb3Q6">Feminist Coalition</a> in the <a href="/facts/End_SARS/0DEUvcl6">End SARS</a> movement in Nigeria to cover medical costs for injured protestors, legal fees for arrested protestors, and resources to those in need. Beyoncé also supports the <a href="/facts/Anglophone_Crisis/w2pfDTHs">Anglophone Crisis</a> in Cameroon, <a href="/facts/ShutItAllDown/WjCmQfKe">ShutItAllDown</a> in Namibia, <a href="/facts/Zimbabwean_Lives_Matter/joEHE5hh">Zimbabwean Lives Matter</a> in Zimbabwe and the Rape National Emergency in Liberia.<a class="footnote-ref" id="fnref:665" href="#fn:665">665</a> In December 2020, Beyoncé donated $500,000 to alleviate the housing crisis in the U.S. caused by the cessation of the <a href="/facts/COVID-19_eviction_moratoriums_in_the_United_States/yGk9qJet">eviction moratorium</a>.<a class="footnote-ref" id="fnref:666" href="#fn:666">666</a> In January 2025, she donated $2.5 million to Los Angeles fire relief funds amidst the <a href="/facts/January_2025_Southern_California_wildfires/16tdpKEb">wildfires that month in Southern California</a>.<a class="footnote-ref" id="fnref:667" href="#fn:667">667</a>

<h2 id="business-endeavors">Business endeavors</h2>
In 2008, Beyoncé founded <a href="/facts/Parkwood_Entertainment/jXlnT4Xx">Parkwood Entertainment</a>, an entertainment company established as an imprint of <a href="/facts/Columbia_Records/yV1YYE69">Columbia Records</a>.<a class="footnote-ref" id="fnref:668" href="#fn:668">668</a><a class="footnote-ref" id="fnref:669" href="#fn:669">669</a><a class="footnote-ref" id="fnref:670" href="#fn:670">670</a> Parkwood has since grown to include a music division, signing artists such as <a href="/facts/Chloe_x_Halle/pPm4kh95">Chloe x Halle</a>.<a class="footnote-ref" id="fnref:671" href="#fn:671">671</a> In February 2024, Beyoncé launched <a href="/facts/C%25C3%25A9cred/DfHcX2Br">Cécred</a>, a hair care line designed to serve a wide range of hair textures.<a class="footnote-ref" id="fnref:672" href="#fn:672">672</a><a class="footnote-ref" id="fnref:673" href="#fn:673">673</a> In partnership with BeyGood, in 2024, she introduced an annual grant program to support cosmetology students and professional hair stylists with financial assistance.<a class="footnote-ref" id="fnref:674" href="#fn:674">674</a>

<h3>Endorsements and partnerships</h3>
Beyoncé began her partnership with <a href="/facts/Pepsi/4ntWzEI9">Pepsi</a> in 2002.<a class="footnote-ref" id="fnref:675" href="#fn:675">675</a> In 2004, she starred in a <a href="/facts/Gladiator/DHpeML6Q">gladiator</a>-themed commercial for the company alongside <a href="/facts/Britney_Spears/uVJDxNtm">Britney Spears</a>, <a href="/facts/Pink_(singer)/N58KXpSH">Pink</a>, and <a href="/facts/Enrique_Iglesias/bYQSs7dx">Enrique Iglesias</a>.<a class="footnote-ref" id="fnref:676" href="#fn:676">676</a> Beyoncé signed a $50 million endorsement deal with Pepsi in 2012.<a class="footnote-ref" id="fnref:677" href="#fn:677">677</a> Beyoncé has also collaborated with <a href="/facts/Tommy_Hilfiger/X3cemnDD">Tommy Hilfiger</a> for the fragrances <a href="/facts/True_Star_(perfume)/HqEqUXrM">True Star</a>—for which she recorded a cover of "<a href="/facts/Wishing_on_a_Star/YmJXeUzx">Wishing on a Star</a>"—and True Star Gold.<a class="footnote-ref" id="fnref:678" href="#fn:678">678</a><a class="footnote-ref" id="fnref:679" href="#fn:679">679</a> In 2007, she promoted Emporio Armani's Diamonds fragrance.<a class="footnote-ref" id="fnref:680" href="#fn:680">680</a> Beyoncé launched her own fragrance line with <a href="/facts/Heat_(fragrance)/Qso56nEx">Heat</a> in 2010, followed by <a href="/facts/Heat_(fragrance)/Qso56nEx">Heat Rush</a> in 2011 and Pulse later in the same year.<a class="footnote-ref" id="fnref:681" href="#fn:681">681</a><a class="footnote-ref" id="fnref:682" href="#fn:682">682</a><a class="footnote-ref" id="fnref:683" href="#fn:683">683</a> Beyoncé also has had deals with <a href="/facts/American_Express/3W30blIe">American Express</a>,<a class="footnote-ref" id="fnref:684" href="#fn:684">684</a> <a href="/facts/Nintendo_DS/4uVHPrnp">Nintendo DS</a>,<a class="footnote-ref" id="fnref:685" href="#fn:685">685</a> and a long-standing endorsement deal with <a href="/facts/L%2527Or%25C3%25A9al/pUkFnueA">L'Oréal</a> since she was 18.<a class="footnote-ref" id="fnref:686" href="#fn:686">686</a>
In March 2015, Beyoncé became a co-owner of the music streaming platform <a href="/facts/Tidal_(service)/w5dTu6IN">Tidal</a>, alongside several other artists.<a class="footnote-ref" id="fnref:687" href="#fn:687">687</a> In November 2020, she entered a multi-year partnership with fitness and media company <a href="/facts/Peloton_Interactive/mRWxBXJr">Peloton</a>.<a class="footnote-ref" id="fnref:688" href="#fn:688">688</a> In 2021, Beyoncé and Jay-Z partnered with <a href="/facts/Tiffany_%2526_Co./yKNRwewI">Tiffany & Co.</a> for the company's "About Love" campaign. Beyoncé became the fourth woman, and first Black woman, to wear the 128.54-carat <a href="/facts/Tiffany_Yellow_Diamond/7UHMoBG3">Tiffany Yellow Diamond</a>.<a class="footnote-ref" id="fnref:689" href="#fn:689">689</a> The campaign drew criticism, as the diamond is considered a blood diamond and a symbol of British colonial exploitation in Africa.<a class="footnote-ref" id="fnref:690" href="#fn:690">690</a><a class="footnote-ref" id="fnref:691" href="#fn:691">691</a><a class="footnote-ref" id="fnref:692" href="#fn:692">692</a> On August 20, 2024, Beyoncé announced <a href="/facts/SirDavis/kL36XETW">SirDavis</a>, a <a href="/facts/Whiskey/sfmuHmyL">whiskey</a> in collaboration with <a href="/facts/Mo%25C3%25ABt_Hennessy/8XqsN8TW">Moët Hennessy</a> developed for years prior and co-founded with <a href="/facts/Master_distiller/9qaPkIRV">master distiller</a> Dr. Bill Lumsden.<a class="footnote-ref" id="fnref:693" href="#fn:693">693</a> In October 2024, <a href="/facts/Levi%2527s/7Ppo1YMC">Levi's</a> launched a four-part global campaign titled "Reiimagine" with Beyoncé, spotlighting women's history with the company and featuring her Cowboy Carter track "<a href="/facts/Levii%2527s_Jeans/PVJoYplT">Levii's Jeans</a>".<a class="footnote-ref" id="fnref:694" href="#fn:694">694</a>

<h3>Fashion lines</h3>
In 2005, Beyoncé and Tina launched <a href="/facts/House_of_Der%25C3%25A9on/n31NjHWo">House of Deréon</a>, a women's fashion line inspired by three generations of women in their family. The brand's name honors Beyoncé's grandmother, seamstress Agnèz Deréon.<a class="footnote-ref" id="fnref:695" href="#fn:695">695</a><a class="footnote-ref" id="fnref:696" href="#fn:696">696</a><a class="footnote-ref" id="fnref:697" href="#fn:697">697</a> The two also established Beyond Productions to handle licensing and brand management for House of Deréon and its junior line, Deréon.<a class="footnote-ref" id="fnref:698" href="#fn:698">698</a> The collection features sportswear, denim offerings with fur, outerwear and accessories like handbags and footwear.<a class="footnote-ref" id="fnref:699" href="#fn:699">699</a> In 2005, Beyoncé partnered with House of Brands, a footwear company, to produce a range of shoes for House of Deréon.<a class="footnote-ref" id="fnref:700" href="#fn:700">700</a> In January 2008, <a href="/facts/Starwave/ty3x411R">Starwave Mobile</a> launched Beyoncé Fashion Diva, a <a href="/facts/Mobile_game/H3e7p0K7">mobile game</a> with a social networking component, featuring the House of Deréon collection.<a class="footnote-ref" id="fnref:701" href="#fn:701">701</a> In July 2009, Beyoncé and her mother launched a junior apparel label, Sasha Fierce for Deréon, for the back-to-school season. The collection included sportswear, outerwear, handbags, footwear, eyewear, lingerie and jewelry.<a class="footnote-ref" id="fnref:702" href="#fn:702">702</a>
In April 2016, Beyoncé launched <a href="/facts/Ivy_Park/TILUNcA3">Ivy Park</a>, a 50–50 joint venture with fashion retailer <a href="/facts/Topshop/FEs06oys">Topshop</a>. The brand's name was inspired by her daughter, Blue Ivy, Beyoncé's favorite number, four (IV), and the park where she used to run in Texas.<a class="footnote-ref" id="fnref:703" href="#fn:703">703</a> Following allegations that Topshop owner <a href="/facts/Philip_Green/YhqI9n85">Philip Green</a> had sexually harassed, bullied, and racially abused employees, Beyoncé bought out his 50 percent stake in the company.<a class="footnote-ref" id="fnref:704" href="#fn:704">704</a><a class="footnote-ref" id="fnref:705" href="#fn:705">705</a> In April 2019, she partnered with <a href="/facts/Adidas/CNIQeaXj">Adidas</a> as a creative collaborator to relaunch Ivy Park and develop new apparel and footwear, with the first collection debuting in January 2020.<a class="footnote-ref" id="fnref:706" href="#fn:706">706</a><a class="footnote-ref" id="fnref:707" href="#fn:707">707</a> The brand struggled financially and by March 2023, Beyoncé and Adidas mutually ended their partnership.<a class="footnote-ref" id="fnref:708" href="#fn:708">708</a><a class="footnote-ref" id="fnref:709" href="#fn:709">709</a> That same month, Beyoncé collaborated with <a href="/facts/Balmain_(fashion_house)/TwPYEXm9">Balmain</a> creative director <a href="/facts/Olivier_Rousteing/tqVzkDL9">Olivier Rousteing</a> on a couture collection inspired by her Renaissance album. With sixteen looks—one for each track—it was the first time a Black woman led the design of a Parisian couture house collection.<a class="footnote-ref" id="fnref:710" href="#fn:710">710</a>

<h2 id="discography">Discography</h2>
Main articles: <a href="/facts/Beyonc%25C3%25A9_albums_discography/hwqvVnuV">Beyoncé albums discography</a>, <a href="/facts/Beyonc%25C3%25A9_singles_discography/rNSFXBVB">Beyoncé singles discography</a>, and <a href="/facts/List_of_songs_recorded_by_Beyonc%25C3%25A9/s7IoT9st">List of songs recorded by Beyoncé</a>

<table><tbody><tr><td>Solo studio albums<ul><li><a href="/facts/Dangerously_in_Love/bRl4Ip5Q">Dangerously in Love</a> (2003)</li><li><a href="/facts/B%2527Day/mvzxqBy0">B'Day</a> (2006)</li><li><a href="/facts/I_Am..._Sasha_Fierce/Cv5V2txL">I Am... Sasha Fierce</a> (2008)</li><li><a href="/facts/4_(Beyonc%25C3%25A9_album)/fnkx0b3R">4</a> (2011)</li><li><a href="/facts/Beyonc%25C3%25A9_(album)/7FhLdAaS">Beyoncé</a> (2013)</li><li><a href="/facts/Lemonade_(album)/dNEjoGAQ">Lemonade</a> (2016)</li><li><a href="/facts/Renaissance_(Beyonc%25C3%25A9_album)/w0eHE4UX">Renaissance</a> (2022)</li><li><a href="/facts/Cowboy_Carter/3crgGhGb">Cowboy Carter</a> (2024)</li></ul></td><td>with <a href="/facts/Destiny%2527s_Child/DL7PMfx4">Destiny's Child</a>Main articles: <a href="/facts/Destiny%2527s_Child_discography/sjAG8UAX">Destiny's Child discography</a> and <a href="/facts/List_of_Destiny%2527s_Child_songs/aAnsaIj8">List of Destiny's Child songs</a><ul><li><a href="/facts/Destiny%2527s_Child_(album)/c22Ln2jY">Destiny's Child</a> (1998)</li><li><a href="/facts/The_Writing%2527s_on_the_Wall/z59sxYRB">The Writing's on the Wall</a> (1999)</li><li><a href="/facts/Survivor_(Destiny%2527s_Child_album)/U44yu8EM">Survivor</a> (2001)</li><li><a href="/facts/8_Days_of_Christmas/37yG6pve">8 Days of Christmas</a> (2001)</li><li><a href="/facts/Destiny_Fulfilled/1NgrMQwq">Destiny Fulfilled</a> (2004)</li></ul>with <a href="/facts/The_Carters/MnEgRVsk">the Carters</a>Main article: <a href="/facts/The_Carters/MnEgRVsk">The Carters discography</a><ul><li><a href="/facts/Everything_Is_Love/0s14La4H">Everything Is Love</a> (2018)</li></ul>Soundtrack albums<ul><li><a href="/facts/The_Lion_King%3a_The_Gift/QLVIsNDl">The Lion King: The Gift</a> (2019)</li></ul></td></tr></tbody></table>
<h2 id="filmography">Filmography</h2>
Main article: <a href="/facts/Beyonc%25C3%25A9_videography/rC5dI0er">Beyoncé videography § Film</a>
This section lists select works only. Refer to the main article for further information.

<table><tbody><tr><td>Films starred<ul><li><a href="/facts/Carmen%3a_A_Hip_Hopera/dhcQgf8P">Carmen: A Hip Hopera</a> (2001)</li><li><a href="/facts/Austin_Powers_in_Goldmember/89QrFVvA">Austin Powers in Goldmember</a> (2002)</li><li><a href="/facts/The_Fighting_Temptations/Vqv3NGWN">The Fighting Temptations</a> (2003)</li><li><a href="/facts/Fade_to_Black_(2004_film)/0f5Mfj8K">Fade to Black</a> (2004)</li><li><a href="/facts/The_Pink_Panther_(2006_film)/CXWUQjqL">The Pink Panther</a> (2006)</li><li><a href="/facts/Dreamgirls_(film)/4bbjfdwG">Dreamgirls</a> (2006)</li><li><a href="/facts/Cadillac_Records/lAe5GJ6J">Cadillac Records</a> (2008)</li><li><a href="/facts/Obsessed_(2009_film)/lqQbChPc">Obsessed</a> (2009)</li><li><a href="/facts/Epic_(2013_film)/5gATM4cf">Epic</a> (2013)</li><li><a href="/facts/Lemonade_(2016_film)/j4RCSMY2">Lemonade</a> (also director) (2016)</li><li><a href="/facts/The_Lion_King_(2019_film)/9B57cVvI">The Lion King</a> (2019)</li><li><a href="/facts/Black_Is_King/cFpjKvzb">Black Is King</a> (also director) (2020)</li><li><a href="/facts/Mufasa%3a_The_Lion_King/DNRCMUck">Mufasa: The Lion King</a> (2024)</li></ul></td><td>Documentaries<ul><li><a href="/facts/Live_at_Wembley_(Beyonc%25C3%25A9_album)/WseY6Vp7">Live at Wembley</a> (2004)</li><li><a href="/facts/The_Beyonc%25C3%25A9_Experience_Live/SE88xlV9">The Beyoncé Experience Live</a> (2007)</li><li><a href="/facts/I_Am..._Yours%3a_An_Intimate_Performance_at_Wynn_Las_Vegas/knoUng61">I Am... Yours</a> (2009)</li><li><a href="/facts/I_Am..._World_Tour_(album)/qD6EkMq1">I Am... World Tour</a> (also director) (2010)</li><li><a href="/facts/Live_at_Roseland%3a_Elements_of_4/yteGhkSQ">Live at Roseland: Elements of 4</a> (also director) (2011)</li><li><a href="/facts/Life_Is_But_a_Dream_(film)/e2Dxw2rV">Life Is But a Dream</a> (also director) (2013)</li><li><a href="/facts/Live_in_Atlantic_City_(Beyonc%25C3%25A9_video)/lN0H0wCP">Live in Atlantic City</a> (also director) (2013)</li><li><a href="/facts/On_the_Run_Tour%3a_Beyonc%25C3%25A9_and_Jay-Z_(TV_program)/QGUercgH">On the Run Tour</a> (2014)</li><li><a href="/facts/Homecoming%3a_A_Film_by_Beyonc%25C3%25A9/forTVqBe">Homecoming: A Film by Beyoncé</a> (also director) (2019)</li><li><a href="/facts/Renaissance%3a_A_Film_by_Beyonc%25C3%25A9/uUsJT90e">Renaissance: A Film by Beyoncé</a> (also director) (2023)</li></ul></td></tr></tbody></table>
<h2 id="tours-and-residencies">Tours and residencies</h2>
Main article: <a href="/facts/List_of_Beyonc%25C3%25A9_live_performances/rL1Bzcws">List of Beyoncé live performances</a>

<table><tbody><tr><td>Headlining tours<ul><li><a href="/facts/Dangerously_in_Love_Tour/lyyJ1LeR">Dangerously in Love Tour</a> (2003)</li><li><a href="/facts/The_Beyonc%25C3%25A9_Experience/Kk1AgEYg">The Beyoncé Experience</a> (2007)</li><li><a href="/facts/I_Am..._(Beyonc%25C3%25A9_tour)/aREugpvK">I Am... Tour</a> (2009–2010)</li><li><a href="/facts/The_Mrs._Carter_Show_World_Tour/mvCBL3yA">The Mrs. Carter Show World Tour</a> (2013–2014)</li><li><a href="/facts/The_Formation_World_Tour/AHAMLH6Q">The Formation World Tour</a> (2016)</li><li><a href="/facts/Renaissance_World_Tour/8MUSFA7t">Renaissance World Tour</a> (2023)</li><li><a href="/facts/Cowboy_Carter_Tour/cnj0Uyat">Cowboy Carter Tour</a> (2025)</li></ul>Co-headlining tours<ul><li><a href="/facts/Verizon_Ladies_First_Tour/wM41PUaa">Verizon Ladies First Tour</a> (with <a href="/facts/Alicia_Keys/AD1wndRx">Alicia Keys</a> and <a href="/facts/Missy_Elliott/IU21WmBV">Missy Elliott</a>) (2004)</li><li><a href="/facts/On_the_Run_Tour_(Beyonc%25C3%25A9_and_Jay-Z)/o70hogDt">On the Run Tour</a> (with <a href="/facts/Jay-Z/8j905fCC">Jay-Z</a>) (2014)</li><li><a href="/facts/On_the_Run_II_Tour/jVt15F6P">On the Run II Tour</a> (with Jay-Z) (2018)</li></ul></td><td>Residencies<ul><li><a href="/facts/I_Am..._Yours/cbh4Iplr">I Am... Yours</a> (2009)</li><li><a href="/facts/4_Intimate_Nights_with_Beyonc%25C3%25A9/CjTnvVjN">4 Intimate Nights with Beyoncé</a> (2011)</li><li><a href="/facts/Revel_Presents%3a_Beyonc%25C3%25A9_Live/cnauED98">Revel Presents: Beyoncé Live</a> (2012)</li></ul></td></tr></tbody></table>
<h2 id="see-also">See also</h2>
<ul><li><a href="/facts/Forbes_list_of_highest-earning_musicians/EYudQBqz">Forbes list of highest-earning musicians</a></li>
<li><a href="/facts/European_Hot_100_Singles/8b4H0Bl4">List of artists with the most number-one European singles</a></li>
<li><a href="/facts/List_of_Billboard_Social_50_number-one_artists/ul4x2PaM">List of Billboard Social 50 number-one artists</a></li>
<li><a href="/facts/List_of_Black_Golden_Globe_Award_winners_and_nominees/RW83HWYE">List of Black Golden Globe Award winners and nominees</a></li>
<li><a href="/facts/List_of_highest-grossing_live_music_artists/oXMdYhsV">List of highest-grossing live music artists</a></li>
<li><a href="/facts/List_of_most-followed_Instagram_accounts/MHEljy74">List of most-followed Instagram accounts</a></li></ul>

<h2 id="notes">Notes</h2>

<h3>Citations</h3>

<h3>Print sources</h3>

<ul><li>Abbey, Cherie D. (2010). <a href="https://archive.org/details/biographytodayge0000unse_h7i3">Biography Today</a>. <a href="/facts/Omnigraphics/RbEwnNcz">Omnigraphics</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-7808-1058-7.</li>
<li>Arenofsky, Janice (2009). Beyoncé Knowles. <a href="/facts/Bloomsbury_Publishing/TSWtV2Bl">Bloomsbury Publishing</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 979-8-216-05273-9.</li>
<li>Avery, Allison F. (2017). "African Americans and Jungian Psychology: Leaving the Shadows". Journal of Analytical Psychology. 62 (5). <a href="/facts/John_Wiley_%2526_Sons/53g3LqJc">John Wiley & Sons</a>. <a href="/facts/Doi_(identifier)/muM9Etpq">doi</a>:<a href="https://doi.org/10.1111%2F1468-5922.12364">10.1111/1468-5922.12364</a>. <a href="/facts/ISSN_(identifier)/DPAflDvU">ISSN</a> <a href="https://search.worldcat.org/issn/0021-8774">0021-8774</a>.</li>
<li>Baade, Christina; McGee, Kristin A. (2021). Beyoncé in the World. <a href="/facts/Wesleyan_University_Press/jh6zlo1y">Wesleyan University Press</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-8195-7993-5.</li>
<li><a href="/facts/Daphne_Brooks/CYHEQCed">Brooks, Daphne</a> (2008). "'All That You Can't Leave Behind': Black Female Soul Singing and the Politics of Surrogation in the Age of Catastrophe". Meridians. 8 (1). <a href="/facts/Duke_University_Press/g17FW49q">Duke University Press</a>: 196. <a href="/facts/Doi_(identifier)/muM9Etpq">doi</a>:<a href="https://doi.org/10.2979%2FMER.2008.8.1.180">10.2979/MER.2008.8.1.180</a>. <a href="/facts/JSTOR_(identifier)/YTeVmaJ7">JSTOR</a> <a href="https://www.jstor.org/stable/40338916">40338916</a>.</li>
<li>Brooks, Kinitra D.; Martin, Kameelah L. (2019). The Lemonade Reader. <a href="/facts/Routledge_Publishing/aSwcES11">Routledge Publishing</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-429-94597-7.</li>
<li>Colbert, Soyica Diggs (2017). Black Movements. <a href="/facts/Rutgers_University_Press/Y1UYJcap">Rutgers University Press</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-8135-8854-4.</li>
<li>Elliott, Alan (2022). Dreams That Built America. <a href="/facts/Thomas_Nelson_(publisher)/P9YU68ye">Thomas Nelson</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-7852-9699-7.</li>
<li>Farley, Christopher John (2002). Aaliyah. <a href="/facts/Simon_and_Schuster/pESq8Dxl">Simon and Schuster</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-7434-5566-4.</li>
<li>Fine, Kerry (2025). Hell-Bent for Leather. <a href="/facts/University_of_Nebraska_Press/pUx1cI4q">University of Nebraska Press</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-1-4962-4194-8.</li>
<li>Fonseca, Anthony J.; Goldsmith, Melissa Ursula Dawn (September 9, 2021). Listen to Hip Hop!. <a href="/facts/Bloomsbury_Publishing/TSWtV2Bl">Bloomsbury Publishing</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 979-8-216-11194-8.</li>
<li>Harper, Paula (2019). "Beyoncé: Viral Techniques and the Visual Album". Popular Music & Society. 42 (1). <a href="/facts/Taylor_%2526_Francis/tLDanRJg">Taylor & Francis</a>. <a href="/facts/Doi_(identifier)/muM9Etpq">doi</a>:<a href="https://doi.org/10.1080%2F03007766.2019.1555895">10.1080/03007766.2019.1555895</a>.</li>
<li>Hill, Z.B. (2014). Beyonce. <a href="/facts/Simon_and_Schuster/pESq8Dxl">Simon and Schuster</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-1-4222-9212-9.</li>
<li>Iddon, Martin; Marshall, Melanie L. (2020). Beyoncé. <a href="/facts/Indiana_University_Press/rSAxbGec">Indiana University Press</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-253-05283-4.</li>
<li>Lordi, Emily J. (2020). The Meaning of Soul. <a href="/facts/Duke_University_Press/g17FW49q">Duke University Press</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-1-4780-1224-5.</li>
<li>Lester, Neal (2024). "Beyoncé's 'Break My Soul': An Anthem of Courage, Resistance, Peace, and Community". <a href="/facts/Journal_of_Popular_Culture/uB496WJg">Journal of Popular Culture</a>. 57 (5/6). <a href="/facts/John_Wiley_%2526_Sons/53g3LqJc">John Wiley & Sons</a>: 320–335. <a href="/facts/Doi_(identifier)/muM9Etpq">doi</a>:<a href="https://doi.org/10.1111%2Fjpcu.13374">10.1111/jpcu.13374</a>.</li>
<li>Măda, Stanca (2015). "Building Identity in Humorous Media Interactions". Language & Dialogue. 5 (1): 115. <a href="/facts/Doi_(identifier)/muM9Etpq">doi</a>:<a href="https://doi.org/10.1075%2Fld.5.1.06mad">10.1075/ld.5.1.06mad</a>. <a href="/facts/ISSN_(identifier)/DPAflDvU">ISSN</a> <a href="https://search.worldcat.org/issn/2210-4119">2210-4119</a>.</li>
<li>Peñate, Patricia (June 2022). "From Lemonade to Homecoming: Beyoncé's Visual Spaces". Atlantis. 44 (1). <a href="/facts/JSTOR_(identifier)/YTeVmaJ7">JSTOR</a> <a href="https://www.jstor.org/stable/27226255">27226255</a>.</li>
<li>Perricone, Kathleen (2024). Beyoncé Is Life. <a href="/facts/Quarto_Publishing/Ecn3jFez">Quarto Publishing</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-7603-9314-7.</li>
<li>Phillips, Lior (2023). South African Popular Music. <a href="/facts/Bloomsbury_Publishing/TSWtV2Bl">Bloomsbury Publishing</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-1-5013-8344-1.</li>
<li>Pointer, Anna (2014). <a href="https://www.worldcat.org/title/893327856">Beyoncé: Running the World</a>. <a href="/facts/Hodder_%2526_Stoughton/XzutdWuL">Hodder & Stoughton</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-1-4736-0732-3. <a href="/facts/OCLC_(identifier)/Yqad8waq">OCLC</a> <a href="https://search.worldcat.org/oclc/893327856">893327856</a>. Retrieved May 17, 2025.</li>
<li>Princiotti, Nora (2025). Hit Girls. <a href="/facts/Random_House/NcR9r1F1">Random House</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-593-72508-5.</li>
<li>Rodrigues, Sara; Przybylo, Ela (2018). On the Politics of Ugliness. <a href="/facts/Springer_Publishing/JfRev59b">Springer Publishing</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-3-319-76783-3.</li>
<li>Sudhinaraset, Pacharee (2018). "'We Are Not an Organically City People': Black Modernity and the Afterimages of Julie Dash's Daughters of the Dust". <a href="/facts/The_Black_Scholar/5670ms7y">The Black Scholar</a>. 48 (3). <a href="/facts/JSTOR_(identifier)/YTeVmaJ7">JSTOR</a> <a href="https://www.jstor.org/stable/48538202">48538202</a>.</li>
<li><a href="/facts/J._Randy_Taraborrelli/NsBh9pAg">Taraborrelli, J. Randy</a> (October 27, 2015). Becoming Beyoncé: The Untold Story. <a href="/facts/Grand_Central_Publishing/ENrCGYcE">Grand Central Publishing</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-1-4555-9034-6.</li>
<li>Thompson, Sheneese (2025). Oshun, Lemonade, and Intertextuality. <a href="/facts/University_Press_of_Florida/K3VfgQAR">University Press of Florida</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-8130-7938-7.</li>
<li>Trier-Bieniek, Adrienne (2016). The Beyonce Effect. <a href="/facts/McFarland_%2526_Company/UGcW6D1h">McFarland & Company</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-1-4766-2558-4.</li>
<li>Tunca, Daria (2016). "Chimamanda Ngozi Adichie as Chinua Achebe's (Unruly) Literary Daughter: The Past, Present, and Future of 'Adichebean' Criticism". <a href="/facts/Research_in_African_Literatures/KTFeYxpu">Research in African Literatures</a>. 49 (4). <a href="/facts/Indiana_University_Press/rSAxbGec">Indiana University Press</a>. <a href="/facts/JSTOR_(identifier)/YTeVmaJ7">JSTOR</a> <a href="https://www.jstor.org/stable/10.2979/reseafrilite.49.4.08">10.2979/reseafrilite.49.4.08</a>.</li>
<li>Watson, Tom (2016). North American Perspectives on the Development of Public Relations. <a href="/facts/Palgrave_Macmillan/RsEUnRce">Palgrave Macmillan</a>. <a href="/facts/Doi_(identifier)/muM9Etpq">doi</a>:<a href="https://doi.org/10.1057%2F978-1-349-95044-7_7">10.1057/978-1-349-95044-7_7</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-1-349-95043-0.</li>
<li>Weidhase, Nathalie (2015). <a href="http://eprints.bournemouth.ac.uk/33131/3/Beyonc%C3%A9%20Feminism%20NWeidhase.pdf">"'Beyoncé Feminism' and the Contestation of the Black Feminist Body"</a> (PDF). <a href="/facts/Celebrity_Studies/41nL9n0D">Celebrity Studies</a>. 6 (1). <a href="/facts/Doi_(identifier)/muM9Etpq">doi</a>:<a href="https://doi.org/10.1080%2F19392397.2015.1005389">10.1080/19392397.2015.1005389</a>. <a href="/facts/ISSN_(identifier)/DPAflDvU">ISSN</a> <a href="https://search.worldcat.org/issn/1939-2397">1939-2397</a>. <a href="/facts/S2CID_(identifier)/ldJsHa2Y">S2CID</a> <a href="https://api.semanticscholar.org/CorpusID:144898561">144898561</a>.</li>
<li>Welang, Nahum N. (2022). The Affirmative Discomforts of Black Female Authorship. <a href="/facts/Bloomsbury_Publishing/TSWtV2Bl">Bloomsbury Publishing</a>. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-1-6669-0715-5.</li></ul>

<h2 id="external-links">External links</h2>

<ul><li><a href="https://beyonce.com/">Official website</a></li>
<li><a href="https://www.allmusic.com/artist/p349078">Beyoncé</a> at <a href="/facts/AllMusic_(identifier)/Hb8cU8Fb">AllMusic</a></li>
<li><a href="https://music.amazon.com/artists/B000T2D81C">Beyoncé</a> at <a href="/facts/Amazon_Music/WzvCzmNr">Amazon Music</a></li></ul>
<ul><li><a href="https://www.discogs.com/artist/Beyonc%C3%A9">Beyoncé</a> discography at <a href="/facts/Discogs/wdyMoREv">Discogs</a></li>
<li><a href="https://www.imdb.com/name/nm0461498/">Beyoncé</a> at <a href="/facts/IMDb_(identifier)/uWrqVYVy">IMDb</a></li></ul>

<h2 id="references">References</h2>

<ol>
<li id="fn:1">Wells, John C. (December 19, 2008). "Beyoncé". John Wells's phonetic blog. Archived from the original on August 10, 2022. Retrieved August 22, 2022 – via University College London. <a href="/wiki/John_C._Wells" target="_blank">/wiki/John_C._Wells</a> <a href="#fnref:1" class="footnote-back-ref">↩</a></li>
<li id="fn:2">Sources for Beyoncé being one of the most influential artists of all time:

Haigh, Susan (November 12, 2024). "Queen Bey and Yale: The Ivy League university is set to offer a course on Beyoncé and her legacy". Associated Press. Archived from the original on November 16, 2024. Retrieved November 22, 2024. With [...] acclaim as one of the most influential artists in music history, pop superstar Beyoncé and her expansive cultural legacy will be the subject of a new course at Yale University.
Schewitz, Brett (June 15, 2021). "#32 Beyoncé, 'Lemonade' (2016)". Rolling Stone. Retrieved December 5, 2024. Beyoncé is one of the most influential musicians of all time
Powell, Jon (2025). "Check out these moments when Beyoncé rapped harder than husband JAY-Z". Revolt. Archived from the original on June 12, 2025. Retrieved December 9, 2024. [Beyoncé is] one of the most influential and multifaceted artists of all time
Mariah, D. (March 28, 2024). "Run The World: Why Beyoncé Is One Of The Most Influential Women In Music History". Grammy Awards. Archived from the original on November 26, 2024. Retrieved November 22, 2024.
Grady, Constance (August 15, 2022). "How Beyoncé turned herself into a pop god". Vox. Archived from the original on August 27, 2022. Retrieved November 22, 2024.
McClay, Caché (May 1, 2024). "Beyoncé is the most thankful musician followed by Victoria Monét, according to new study". USA Today. Retrieved November 22, 2024.
Fekadu, Mesfin (December 13, 2019). "'Lemonade' by Beyoncé is named the AP's album of the decade". Associated Press. Archived from the original on May 12, 2022. Retrieved November 22, 2024.
Smith, Caspar Llewellyn (November 29, 2009). "Beyoncé: artist of the decade". The Guardian. ISSN 0261-3077. Archived from the original on November 30, 2009. Retrieved November 22, 2024.
 <a href="https://apnews.com/article/beyonce-yale-college-class-music-politics-60ed2a72ea8975b95586119337607f9c" target="_blank">https://apnews.com/article/beyonce-yale-college-class-music-politics-60ed2a72ea8975b95586119337607f9c</a> <a href="#fnref:2" class="footnote-back-ref">↩</a></li>
<li id="fn:3">Taraborrelli 2015, p. 28. - Taraborrelli, J. Randy (October 27, 2015). Becoming Beyoncé: The Untold Story. Grand Central Publishing. ISBN 978-1-4555-9034-6. <a href="#fnref:3" class="footnote-back-ref">↩</a></li>
<li id="fn:4">Garcia, Patricia (September 4, 2014). "Bow Down: In Honor of Beyoncé's 33rd Birthday, 33 of Her Most Memorable Moments". Vogue. Retrieved May 17, 2025. <a href="https://www.vogue.com/article/beyonce-birthday-33-best-moments" target="_blank">https://www.vogue.com/article/beyonce-birthday-33-best-moments</a> <a href="#fnref:4" class="footnote-back-ref">↩</a></li>
<li id="fn:5">Knowles, Tina (April 21, 2025). "'You Make Clothes for Them? They Will Do Anything For You': Tina Knowles Remembers Beyoncé and Solange's Beloved Uncle Johnny". Vogue. Retrieved May 17, 2025. <a href="https://www.vogue.com/article/tina-knowles-uncle-johnny" target="_blank">https://www.vogue.com/article/tina-knowles-uncle-johnny</a> <a href="#fnref:5" class="footnote-back-ref">↩</a></li>
<li id="fn:6">Lee, Michelle (February 20, 2025). "Beyoncé's Mom, Tina Knowles, Treats the Singer's Dance Captain to a Cécred Hair Transformation". People. Retrieved May 17, 2025. <a href="https://people.com/beyonces-dance-captain-gets-cecred-hair-makeover-from-tina-knowles-video-11683489" target="_blank">https://people.com/beyonces-dance-captain-gets-cecred-hair-makeover-from-tina-knowles-video-11683489</a> <a href="#fnref:6" class="footnote-back-ref">↩</a></li>
<li id="fn:7">Gabbatt, Adam (October 30, 2015). "Can Beyoncé's dad make me a star? Inside a one-day fame 'bootcamp'". The Guardian. Retrieved May 17, 2025. <a href="https://www.theguardian.com/music/2015/oct/30/can-beyonce-mathew-knowles-make-me-a-star" target="_blank">https://www.theguardian.com/music/2015/oct/30/can-beyonce-mathew-knowles-make-me-a-star</a> <a href="#fnref:7" class="footnote-back-ref">↩</a></li>
<li id="fn:8">Andrews, Travis M.; Ferguson, Amber (February 5, 2018). "Beyoncé's Father Takes on 'Colorism': He Dated Her Mother Because He Thought She Was White". The Washington Post. Retrieved May 17, 2025. <a href="https://www.washingtonpost.com/news/morning-mix/wp/2018/02/05/beyonces-father-airs-colorism-he-dated-her-mother-because-he-thought-she-was-white/" target="_blank">https://www.washingtonpost.com/news/morning-mix/wp/2018/02/05/beyonces-father-airs-colorism-he-dated-her-mother-because-he-thought-she-was-white/</a> <a href="#fnref:8" class="footnote-back-ref">↩</a></li>
<li id="fn:9">Armstrong, Jenice (March 30, 2018). "Beyonce's father talks about racism, colorism and rumors about who bit his daughter's face". The Philadelphia Inquirer. Retrieved May 17, 2025. <a href="https://www.inquirer.com/philly/columnists/jenice_armstrong/who-bit-beyonce-mathew-knowles-racism-music-industry-jenice-armstrong-20180330.html" target="_blank">https://www.inquirer.com/philly/columnists/jenice_armstrong/who-bit-beyonce-mathew-knowles-racism-music-industry-jenice-armstrong-20180330.html</a> <a href="#fnref:9" class="footnote-back-ref">↩</a></li>
<li id="fn:10">Hawgood, Alex (March 29, 2024). "In Beyoncé's Country, All Are Welcome". W. Retrieved May 17, 2025. <a href="https://www.wmagazine.com/culture/beyonce-cowboy-carter-cover-story-photos" target="_blank">https://www.wmagazine.com/culture/beyonce-cowboy-carter-cover-story-photos</a> <a href="#fnref:10" class="footnote-back-ref">↩</a></li>
<li id="fn:11">Beresford, Jack (September 4, 2018). "Beyoncé's little-known Irish heritage revealed". The Irish Post. Retrieved May 17, 2025. <a href="https://www.irishpost.com/entertainment/beyonce-irish-159300" target="_blank">https://www.irishpost.com/entertainment/beyonce-irish-159300</a> <a href="#fnref:11" class="footnote-back-ref">↩</a></li>
<li id="fn:12">Knoop, Iris; Gall, Nicholas (March 31, 2025). "Solange Knowles revealed she suffers with Pots – a condition she called 'debilitating, confusing and lonely'". The Conversation. Retrieved May 17, 2025. <a href="https://theconversation.com/solange-knowles-revealed-she-suffers-with-pots-a-condition-she-called-debilitating-confusing-and-lonely-243878" target="_blank">https://theconversation.com/solange-knowles-revealed-she-suffers-with-pots-a-condition-she-called-debilitating-confusing-and-lonely-243878</a> <a href="#fnref:12" class="footnote-back-ref">↩</a></li>
<li id="fn:13">Aizin, Rebecca (September 3, 2023). "Beyoncé and Solange Knowles: Inside Their Sibling Relationship Over the Years". People. Retrieved May 17, 2025. <a href="https://people.com/all-about-beyonce-solange-knowles-sister-relationship-7568318" target="_blank">https://people.com/all-about-beyonce-solange-knowles-sister-relationship-7568318</a> <a href="#fnref:13" class="footnote-back-ref">↩</a></li>
<li id="fn:14">Smolenyak, Megan (January 12, 2012). "A Peek into Blue Ivy Carter's Past". HuffPost. Archived from the original on October 27, 2021. Retrieved January 30, 2012. <a href="https://huffingtonpost.com/megan-smolenyak-smolenyak/a-peek-into-blue-ivy-cart_b_1200346.html" target="_blank">https://huffingtonpost.com/megan-smolenyak-smolenyak/a-peek-into-blue-ivy-cart_b_1200346.html</a> <a href="#fnref:14" class="footnote-back-ref">↩</a></li>
<li id="fn:15">Quinn, Gwendolyn (September 10, 2017). "Beyoncé teams up with Houston pastor to help Harvey survivors". NBC News. Retrieved May 17, 2025. <a href="https://www.nbcnews.com/news/nbcblk/houston-pastor-beyonc-team-help-harvey-survivors-n799006" target="_blank">https://www.nbcnews.com/news/nbcblk/houston-pastor-beyonc-team-help-harvey-survivors-n799006</a> <a href="#fnref:15" class="footnote-back-ref">↩</a></li>
<li id="fn:16">Sewing, Joy (September 28, 2023). "Sewing: Beyoncé's homecoming is symbol of pride for Third Ward community". Houston Chronicle. Retrieved May 17, 2025. <a href="https://www.houstonchronicle.com/lifestyle/article/beyonce-third-ward-pride-18392518.php" target="_blank">https://www.houstonchronicle.com/lifestyle/article/beyonce-third-ward-pride-18392518.php</a> <a href="#fnref:16" class="footnote-back-ref">↩</a></li>
<li id="fn:17">Laird, Cheryl (November 11, 1990). "A Knowles Family Christmas". Houston Chronicle. Archived from the original on October 27, 2021. Retrieved March 15, 2021. <a href="https://www.houstonchronicle.com/entertainment/music/article/A-Knowles-family-Christmas-5475839.php" target="_blank">https://www.houstonchronicle.com/entertainment/music/article/A-Knowles-family-Christmas-5475839.php</a> <a href="#fnref:17" class="footnote-back-ref">↩</a></li>
<li id="fn:18">Devaney, Susan; Seth, Radhika (July 27, 2022). "9 Things You Probably Didn't Know About Beyoncé". Vogue. Retrieved May 17, 2025. <a href="https://www.vogue.com/article/beyonce-things-you-didnt-know" target="_blank">https://www.vogue.com/article/beyonce-things-you-didnt-know</a> <a href="#fnref:18" class="footnote-back-ref">↩</a></li>
<li id="fn:19">Abbey 2010, p. 10. - Abbey, Cherie D. (2010). Biography Today. Omnigraphics. ISBN 978-0-7808-1058-7. <a href="https://archive.org/details/biographytodayge0000unse_h7i3" target="_blank">https://archive.org/details/biographytodayge0000unse_h7i3</a> <a href="#fnref:19" class="footnote-back-ref">↩</a></li>
<li id="fn:20">"Beyoncé Knowles: Biography – Part 1". People. Archived from the original on April 26, 2007. <a href="http://www.people.com/people/beyonce_knowles/biography" target="_blank">http://www.people.com/people/beyonce_knowles/biography</a> <a href="#fnref:20" class="footnote-back-ref">↩</a></li>
<li id="fn:21">Ellen, Barbara (February 14, 2016). "Beyoncé: the superstar who brought black power to the Super Bowl". The Guardian. Retrieved May 17, 2025. <a href="https://www.theguardian.com/music/2016/feb/14/beyonce-profile-black-power-super-bowl-civil-rights" target="_blank">https://www.theguardian.com/music/2016/feb/14/beyonce-profile-black-power-super-bowl-civil-rights</a> <a href="#fnref:21" class="footnote-back-ref">↩</a></li>
<li id="fn:22">Pointer 2014, p. 26. - Pointer, Anna (2014). Beyoncé: Running the World. Hodder & Stoughton. ISBN 978-1-4736-0732-3. OCLC 893327856. Retrieved May 17, 2025. <a href="https://www.worldcat.org/title/893327856" target="_blank">https://www.worldcat.org/title/893327856</a> <a href="#fnref:22" class="footnote-back-ref">↩</a></li>
<li id="fn:23">Simmerman, Alexis (September 4, 2024). "Happy birthday Beyoncé! Houston native turns 43 amid busy year". Austin American-Statesman. Retrieved May 17, 2025. <a href="https://www.statesman.com/story/news/state/2024/09/04/beyonce-birthday-texas-houston-native-43-sir-davis-whiskey-cowboy-carter/75069068007/" target="_blank">https://www.statesman.com/story/news/state/2024/09/04/beyonce-birthday-texas-houston-native-43-sir-davis-whiskey-cowboy-carter/75069068007/</a> <a href="#fnref:23" class="footnote-back-ref">↩</a></li>
<li id="fn:24">Quinn, Gwendolyn (September 10, 2017). "Beyoncé teams up with Houston pastor to help Harvey survivors". NBC News. Retrieved May 17, 2025. <a href="https://www.nbcnews.com/news/nbcblk/houston-pastor-beyonc-team-help-harvey-survivors-n799006" target="_blank">https://www.nbcnews.com/news/nbcblk/houston-pastor-beyonc-team-help-harvey-survivors-n799006</a> <a href="#fnref:24" class="footnote-back-ref">↩</a></li>
<li id="fn:25">"Cameo: Fat Joe Interviews Beyoncé and Mike Epps". MTV News. Archived from the original on February 24, 2008. <a href="https://web.archive.org/web/20080224081629/http://www.mtv.com/onair/moviehouse/cameo/16/index.jhtml" target="_blank">https://web.archive.org/web/20080224081629/http://www.mtv.com/onair/moviehouse/cameo/16/index.jhtml</a> <a href="#fnref:25" class="footnote-back-ref">↩</a></li>
<li id="fn:26">Yamada, Haley (May 16, 2023). "Beyonce Shares Glam Photo Celebrating Her 'Hair Journey,' Teases Upcoming Project". ABC News. Retrieved July 6, 2025. <a href="https://abcnews.go.com/GMA/Style/beyonce-shares-glam-photo-celebrating-hair-journey-teases/story" target="_blank">https://abcnews.go.com/GMA/Style/beyonce-shares-glam-photo-celebrating-hair-journey-teases/story</a> <a href="#fnref:26" class="footnote-back-ref">↩</a></li>
<li id="fn:27">Kaufman, Gil (June 13, 2005). "Destiny's Child's Long Road to Fame (The Song Isn't Called 'Survivor' for Nothing)". MTV News. Archived from the original on January 30, 2012. <a href="http://www.webcitation.org/654NZ02Cg" target="_blank">http://www.webcitation.org/654NZ02Cg</a> <a href="#fnref:27" class="footnote-back-ref">↩</a></li>
<li id="fn:28">"Beyoncé Knowles: Biography – Part 1". People. Archived from the original on April 26, 2007. <a href="http://www.people.com/people/beyonce_knowles/biography" target="_blank">http://www.people.com/people/beyonce_knowles/biography</a> <a href="#fnref:28" class="footnote-back-ref">↩</a></li>
<li id="fn:29">"Kelly Rowland". CNN. February 27, 2006. Archived from the original on February 1, 2012. <a href="http://www.webcitation.org/657eCCCDw" target="_blank">http://www.webcitation.org/657eCCCDw</a> <a href="#fnref:29" class="footnote-back-ref">↩</a></li>
<li id="fn:30">Farley, Christopher John (January 15, 2001). "Music: Call of the Child". Time. Archived from the original on November 30, 2007. <a href="https://web.archive.org/web/20071130020409/http://www.time.com/time/magazine/article/0,9171,998976,00.html" target="_blank">https://web.archive.org/web/20071130020409/http://www.time.com/time/magazine/article/0,9171,998976,00.html</a> <a href="#fnref:30" class="footnote-back-ref">↩</a></li>
<li id="fn:31">Elliott 2022, p. 3. - Elliott, Alan (2022). Dreams That Built America. Thomas Nelson. ISBN 978-0-7852-9699-7. <a href="#fnref:31" class="footnote-back-ref">↩</a></li>
<li id="fn:32">Kaufman, Gil (June 13, 2005). "Destiny's Child's Long Road to Fame (The Song Isn't Called 'Survivor' for Nothing)". MTV News. Archived from the original on January 30, 2012. <a href="http://www.webcitation.org/654NZ02Cg" target="_blank">http://www.webcitation.org/654NZ02Cg</a> <a href="#fnref:32" class="footnote-back-ref">↩</a></li>
<li id="fn:33">Kim, Michelle (April 25, 2016). "A Brief History of Beyoncé and Her Father, Mathew Knowles". The Fader. Archived from the original on February 26, 2020. Retrieved May 17, 2025. <a href="https://www.thefader.com/2016/04/25/beyonce-mathew-knowles-daddy-lessons-lemonade" target="_blank">https://www.thefader.com/2016/04/25/beyonce-mathew-knowles-daddy-lessons-lemonade</a> <a href="#fnref:33" class="footnote-back-ref">↩</a></li>
<li id="fn:34">Hall, James (May 16, 2023). "How Beyoncé makes her fortune – and how she spends it". The Daily Telegraph. Retrieved May 17, 2025. <a href="https://www.telegraph.co.uk/music/artists/beyonce-billions-how-she-makes-it-spends-it/" target="_blank">https://www.telegraph.co.uk/music/artists/beyonce-billions-how-she-makes-it-spends-it/</a> <a href="#fnref:34" class="footnote-back-ref">↩</a></li>
<li id="fn:35">Kaufman, Gil (June 13, 2005). "Destiny's Child's Long Road to Fame (The Song Isn't Called 'Survivor' for Nothing)". MTV News. Archived from the original on January 30, 2012. <a href="http://www.webcitation.org/654NZ02Cg" target="_blank">http://www.webcitation.org/654NZ02Cg</a> <a href="#fnref:35" class="footnote-back-ref">↩</a></li>
<li id="fn:36">Robinson, Lisa (September 30, 2013). "Beyoncé Knowles Profile". Vanity Fair. Retrieved May 18, 2025. <a href="https://www.vanityfair.com/culture/2005/11/beyonce-knowles-profile-music-career" target="_blank">https://www.vanityfair.com/culture/2005/11/beyonce-knowles-profile-music-career</a> <a href="#fnref:36" class="footnote-back-ref">↩</a></li>
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<li id="fn:38">Abbey 2010, p. 10. - Abbey, Cherie D. (2010). Biography Today. Omnigraphics. ISBN 978-0-7808-1058-7. <a href="https://archive.org/details/biographytodayge0000unse_h7i3" target="_blank">https://archive.org/details/biographytodayge0000unse_h7i3</a> <a href="#fnref:38" class="footnote-back-ref">↩</a></li>
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<li id="fn:502">Rose, Lacey (September 22, 2008). "World's Best-Paid Music Stars". Forbes. Archived from the original on April 7, 2009. <a href="https://web.archive.org/web/20090407042329/http://www.forbes.com/2008/09/19/music-beyonce-timberlake-forbeslife-cx_lr_0922lifestyle.html" target="_blank">https://web.archive.org/web/20090407042329/http://www.forbes.com/2008/09/19/music-beyonce-timberlake-forbeslife-cx_lr_0922lifestyle.html</a> <a href="#fnref:502" class="footnote-back-ref">↩</a></li>
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<li id="fn:505">"The Celebrity 100 | 2010". Forbes. June 28, 2010. Archived from the original on December 27, 2010. <a href="https://web.archive.org/web/20101227125827/https://www.forbes.com/lists/2010/53/celeb-100-10_The-Celebrity-100.html" target="_blank">https://web.archive.org/web/20101227125827/https://www.forbes.com/lists/2010/53/celeb-100-10_The-Celebrity-100.html</a> <a href="#fnref:505" class="footnote-back-ref">↩</a></li>
<li id="fn:506">"The World's Most Powerful Celebrities". Forbes. 2013. Archived from the original on May 18, 2012. <a href="https://www.forbes.com/celebrities/list/" target="_blank">https://www.forbes.com/celebrities/list/</a> <a href="#fnref:506" class="footnote-back-ref">↩</a></li>
<li id="fn:507">Pomerantz, Dorothy (June 30, 2014). "Beyoncé Knowles Tops the Forbes Celebrity 100 List". Forbes. Archived from the original on October 27, 2021. Retrieved July 11, 2014. <a href="https://www.forbes.com/sites/dorothypomerantz/2014/06/30/beyonce-knowles-tops-the-forbes-celebrity-100-list/" target="_blank">https://www.forbes.com/sites/dorothypomerantz/2014/06/30/beyonce-knowles-tops-the-forbes-celebrity-100-list/</a> <a href="#fnref:507" class="footnote-back-ref">↩</a></li>
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<li id="fn:509">Greenburg, Zack O'Malley (December 23, 2019). "From Taylor Swift to Dr. Dre: The 10 Top-Earning Musicians of the Decade". Forbes. Archived from the original on December 30, 2019. Retrieved May 20, 2025. <a href="https://www.forbes.com/sites/zackomalleygreenburg/2019/12/23/from-beyonc-to-paul-mccartney-the-10-top-earning-musicians-of-the-decade/" target="_blank">https://www.forbes.com/sites/zackomalleygreenburg/2019/12/23/from-beyonc-to-paul-mccartney-the-10-top-earning-musicians-of-the-decade/</a> <a href="#fnref:509" class="footnote-back-ref">↩</a></li>
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<li id="fn:514">Sources for Beyoncé being one of the most influential artists of all time:

Sources for Beyoncé's songs being the greatest in history:
"The 500 Greatest Songs of All Time". Rolling Stone. February 16, 2024. Retrieved November 22, 2024.
Barker, Emily (January 31, 2014). "The 500 Greatest Songs Of All Time: 100-1". NME. Retrieved December 5, 2024.
McCormick, Neil (June 22, 2018). "The 100 Greatest Songs of All Time". The Daily Telegraph. ISSN 0307-1235. Retrieved December 5, 2024.

Sources for Beyoncé's music videos being the greatest in history:
Sager, Jessica (October 22, 2024). "The 102 Best Music Videos of All Time". Parade. Retrieved November 22, 2024.
"The 35 Best Music Videos of All Time". Esquire. May 30, 2023. Retrieved December 5, 2024.
"The 100 Greatest Music Videos of All Time". Slant. November 15, 2021. Retrieved December 5, 2024.

Sources for Beyoncé's performances being the greatest in history:
"The 50 Greatest Concerts of the Last 50 Years". Rolling Stone. June 12, 2017. Retrieved December 5, 2024.
Partridge, Kenneth (July 17, 2017). "The 50 Greatest Festival Performances of All Time". Billboard. Retrieved December 5, 2024.
Wright, Lisa (March 25, 2015). "50 Of The Best Festival Performances Ever". NME. Retrieved December 5, 2024.
Ryan, Patrick. "Greatest Grammy Performances Ever, Including Beyoncé, Michael Jackson and Demi Lovato". USA Today. Retrieved December 5, 2024.
 <a href="https://www.rollingstone.com/music/music-lists/best-albums-of-all-time-1062063/jay-z-the-blueprint-3-1063183" target="_blank">https://www.rollingstone.com/music/music-lists/best-albums-of-all-time-1062063/jay-z-the-blueprint-3-1063183</a> <a href="#fnref:525" class="footnote-back-ref">↩</a></li>
<li id="fn:526">Unterberger, Andrew (December 3, 2024). "Billboard's Greatest Pop Stars of the 21st Century: No. 1 — Beyoncé". Billboard. Retrieved January 2, 2025. <a href="https://www.billboard.com/music/pop/beyonce-greatest-pop-stars-21st-century-1235842572/" target="_blank">https://www.billboard.com/music/pop/beyonce-greatest-pop-stars-21st-century-1235842572/</a> <a href="#fnref:526" class="footnote-back-ref">↩</a></li>
<li id="fn:527">Benitez-Eves, Tina (April 1, 2024). "4 Ways Beyoncé Transformed the Music Industry". American Songwriter. Retrieved January 2, 2025. <a href="https://americansongwriter.com/4-ways-beyonce-transformed-the-music-industry/" target="_blank">https://americansongwriter.com/4-ways-beyonce-transformed-the-music-industry/</a> <a href="#fnref:527" class="footnote-back-ref">↩</a></li>
<li id="fn:528">Cragg, Michael. "How 4 Was Beyoncé's Low-Key Revinvention". The Fader. Retrieved April 11, 2021. <a href="https://www.thefader.com/2016/06/28/beyonce-4-essay-anniversary" target="_blank">https://www.thefader.com/2016/06/28/beyonce-4-essay-anniversary</a> <a href="#fnref:528" class="footnote-back-ref">↩</a></li>
<li id="fn:529">Cox, Jamieson (April 25, 2016). "Beyoncé's 'Visual Album' Lemonade Sets a New Standard for Pop Storytelling". The Verge. Retrieved June 7, 2020. <a href="https://www.theverge.com/2016/4/25/11503124/beyonce-lemonade-visual-album-format-bjork-rihanna" target="_blank">https://www.theverge.com/2016/4/25/11503124/beyonce-lemonade-visual-album-format-bjork-rihanna</a> <a href="#fnref:529" class="footnote-back-ref">↩</a></li>
<li id="fn:530">Henry, Phillip (December 13, 2018). "Five Years Later, "Beyoncé" Is Still One of the Most Important Moments in Music". Teen Vogue. Retrieved April 9, 2021. <a href="https://www.teenvogue.com/story/beyonce-surprise-album-five-year-anniversary" target="_blank">https://www.teenvogue.com/story/beyonce-surprise-album-five-year-anniversary</a> <a href="#fnref:530" class="footnote-back-ref">↩</a></li>
<li id="fn:531">Unterberger, Andrew (December 3, 2024). "Billboard's Greatest Pop Stars of the 21st Century: No. 1 — Beyoncé". Billboard. Retrieved January 2, 2025. <a href="https://www.billboard.com/music/pop/beyonce-greatest-pop-stars-21st-century-1235842572/" target="_blank">https://www.billboard.com/music/pop/beyonce-greatest-pop-stars-21st-century-1235842572/</a> <a href="#fnref:531" class="footnote-back-ref">↩</a></li>
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<li id="fn:533">Menza, Kaitlin (December 12, 2014). "One Year Later: How Beyoncé's Surprise Album Ended up Changing the Music Industry Forever". Marie Claire. Retrieved April 11, 2021. <a href="https://www.marieclaire.com/culture/news/a12729/how-beyonces-surprise-album-changed-music-industry-forever/" target="_blank">https://www.marieclaire.com/culture/news/a12729/how-beyonces-surprise-album-changed-music-industry-forever/</a> <a href="#fnref:533" class="footnote-back-ref">↩</a></li>
<li id="fn:534">"From Bowie to Bieber: The Under-Appreciated Art of the Music Video". ABC News. August 25, 2016. Retrieved June 28, 2025. <a href="https://www.abc.net.au/news/2016-08-26/the-under-appreciated-art-of-the-music-video/7785692" target="_blank">https://www.abc.net.au/news/2016-08-26/the-under-appreciated-art-of-the-music-video/7785692</a> <a href="#fnref:534" class="footnote-back-ref">↩</a></li>
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<li id="fn:536">Starling, Lakin (June 7, 2021). "Beyoncé Is A Great Rapper and Always Has Been". The Fader. Archived from the original on October 27, 2021. Retrieved August 3, 2021. <a href="http://www.thefader.com/2017/02/17/beyonce-great-rapper-history" target="_blank">http://www.thefader.com/2017/02/17/beyonce-great-rapper-history</a> <a href="#fnref:536" class="footnote-back-ref">↩</a></li>
<li id="fn:537">Williams, Aaron (April 18, 2021). "What Genre Is Beyonce?". Uproxx. Archived from the original on October 27, 2021. Retrieved August 3, 2021. <a href="https://uproxx.com/music/what-genre-is-beyonce/" target="_blank">https://uproxx.com/music/what-genre-is-beyonce/</a> <a href="#fnref:537" class="footnote-back-ref">↩</a></li>
<li id="fn:538">"When Did Rappers Start Singing?". Slate. June 18, 2021. Archived from the original on October 27, 2021. Retrieved August 3, 2021. <a href="https://slate.com/podcasts/hit-parade/2021/06/beyonce-jay-z-when-rappers-started-to-sing" target="_blank">https://slate.com/podcasts/hit-parade/2021/06/beyonce-jay-z-when-rappers-started-to-sing</a> <a href="#fnref:538" class="footnote-back-ref">↩</a></li>
<li id="fn:539">Lang, Cady (March 28, 2024). "How Beyoncé Changed the Music Industry". Time. Retrieved November 30, 2024. <a href="https://time.com/6961069/beyonce-music-industry/" target="_blank">https://time.com/6961069/beyonce-music-industry/</a> <a href="#fnref:539" class="footnote-back-ref">↩</a></li>
<li id="fn:540">Hilton, Robin; Powers, Ann; Carmichael, Rodney; Madden, Sidney (October 15, 2019). "The 2010s: 5 Ways Beyoncé Defined the Decade in Music". NPR. Retrieved May 21, 2025. <a href="https://www.npr.org/2019/10/07/767903285/the-2010s-5-ways-beyonc-defined-the-decade-in-music" target="_blank">https://www.npr.org/2019/10/07/767903285/the-2010s-5-ways-beyonc-defined-the-decade-in-music</a> <a href="#fnref:540" class="footnote-back-ref">↩</a></li>
<li id="fn:541">Harris, LaTesha (June 24, 2021). "Beyoncé's '4' Taught Me How To Become And Embrace Being An Emotional Woman". NPR. Retrieved June 9, 2025. <a href="https://www.npr.org/2021/06/24/1009395575/lessons-on-becoming-an-emotional-woman-from-beyonces-4" target="_blank">https://www.npr.org/2021/06/24/1009395575/lessons-on-becoming-an-emotional-woman-from-beyonces-4</a> <a href="#fnref:541" class="footnote-back-ref">↩</a></li>
<li id="fn:542">Nanji, Noor (March 29, 2024). "Beyoncé: Singer praised for 'impressive' country album Cowboy Carter". BBC News. Retrieved June 9, 2025. <a href="https://www.bbc.com/news/entertainment-arts-68691977" target="_blank">https://www.bbc.com/news/entertainment-arts-68691977</a> <a href="#fnref:542" class="footnote-back-ref">↩</a></li>
<li id="fn:543">Nash, William (December 3, 2024). "With Beyoncé's Foray Into Country Music, the Genre May Finally Break Free From the Stereotypes That Have Long Dogged It". The Conversation. Retrieved June 9, 2025. <a href="https://theconversation.com/with-beyonces-foray-into-country-music-the-genre-may-finally-break-free-from-the-stereotypes-that-have-long-dogged-it-223831" target="_blank">https://theconversation.com/with-beyonces-foray-into-country-music-the-genre-may-finally-break-free-from-the-stereotypes-that-have-long-dogged-it-223831</a> <a href="#fnref:543" class="footnote-back-ref">↩</a></li>
<li id="fn:544">Burton, David (May 5, 2025). "Disco ain't dead: how Beyoncé resurrected dance music and its queer history for Renaissance". The Conversation. Retrieved June 9, 2025. <a href="https://theconversation.com/disco-aint-dead-how-beyonce-resurrected-dance-music-and-its-queer-history-for-renaissance-188431" target="_blank">https://theconversation.com/disco-aint-dead-how-beyonce-resurrected-dance-music-and-its-queer-history-for-renaissance-188431</a> <a href="#fnref:544" class="footnote-back-ref">↩</a></li>
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<li id="fn:690">Mined under harsh conditions during colonial rule in South Africa, the diamond is considered a "blood diamond". Some critics deemed it insensitive to wear a gem associated with oppression.[658][659][660] <a href="#fnref:690" class="footnote-back-ref">↩</a></li>
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</ol>

Beyoncé open-in-new

Beyoncé