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Lorde
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<h2 id="life-and-career">Life and career</h2> <h3>1996–2008: Early life</h3> <p>Ella Marija Lani Yelich-O'Connor<a class="footnote-ref" id="fnref:4" href="#fn:4"><sup>4</sup></a><a class="footnote-ref" id="fnref:5" href="#fn:5"><sup>5</sup></a> was born on 7 November 1996<a class="footnote-ref" id="fnref:6" href="#fn:6"><sup>6</sup></a><a class="footnote-ref" id="fnref:7" href="#fn:7"><sup>7</sup></a><a class="footnote-ref" id="fnref:8" href="#fn:8"><sup>8</sup></a> in <a href="/facts/Takapuna/PxJQpzg2">Takapuna</a>, a suburb of <a href="/facts/Auckland/wRcayHa2">Auckland</a>, New Zealand,<a class="footnote-ref" id="fnref:9" href="#fn:9"><sup>9</sup></a><a class="footnote-ref" id="fnref:10" href="#fn:10"><sup>10</sup></a> to poet <a href="/facts/Sonja_Yelich/1IrK2lL7">Sonja Yelich</a> (<a href="/facts/Croatian_language/o2Y8WHuy">Croatian</a>: <i>Jelić</i>) and civil engineer Vic O'Connor.<a class="footnote-ref" id="fnref:11" href="#fn:11"><sup>11</sup></a> Her mother was born to <a href="/facts/Croatian_New_Zealanders/8JXFxuv4">Croatian</a> immigrants from the region of <a href="/facts/Dalmatia/nstFC7cc">Dalmatia</a>, while her father is of <a href="/facts/Irish_New_Zealanders/rjdU05nV">Irish</a> descent.<a class="footnote-ref" id="fnref:12" href="#fn:12"><sup>12</sup></a> They announced their engagement in 2014, after a 30-year relationship,<a class="footnote-ref" id="fnref:13" href="#fn:13"><sup>13</sup></a> and they married in a 2017 private ceremony on <a href="/facts/Cheltenham_Beach/WeGHr87M">Cheltenham Beach</a>.<a class="footnote-ref" id="fnref:14" href="#fn:14"><sup>14</sup></a> Lorde holds dual <a href="/facts/New_Zealand_nationality_law/zxHnuTHT">New Zealand</a> and <a href="/facts/Croatian_citizenship/kUL0P79D">Croatian citizenship</a>.<a class="footnote-ref" id="fnref:15" href="#fn:15"><sup>15</sup></a> </p><p>Lorde is the second of four children: she has an elder sister Jerry, a younger sister India, and a younger brother Angelo.<a class="footnote-ref" id="fnref:16" href="#fn:16"><sup>16</sup></a> They were raised in Auckland's <a href="/facts/North_Shore%2c_New_Zealand/yK2EEx1g">North Shore</a> suburbs of <a href="/facts/Devonport%2c_New_Zealand/WeGHr87M">Devonport</a> and <a href="/facts/Bayswater%2c_New_Zealand/6cVRuoWb">Bayswater</a>.<a class="footnote-ref" id="fnref:17" href="#fn:17"><sup>17</sup></a><a class="footnote-ref" id="fnref:18" href="#fn:18"><sup>18</sup></a> At age five, she joined a drama group and developed <a href="/facts/Public_speaking/MQejeEC0">public speaking</a> skills.<a class="footnote-ref" id="fnref:19" href="#fn:19"><sup>19</sup></a> Her mother encouraged her to read a range of genres, which Lorde cited as a lyrical influence. More specifically, she cites the <a href="/facts/Young_adult_literature/0MYR9L8o">young adult</a> <a href="/facts/Utopian_and_dystopian_fiction/0qyBpohr">dystopian</a> novel <i><a href="/facts/Feed_(Anderson_novel)/JtXSa2EG">Feed</a></i> (2002) by <a href="/facts/M._T._Anderson/2R5Iq0xp">M. T. Anderson</a> as well as authors <a href="/facts/J._D._Salinger/uetQdLPh">J. D. Salinger</a>, <a href="/facts/Raymond_Carver/aE7h8Tz7">Raymond Carver</a> and <a href="/facts/Janet_Frame/JEcA8V2S">Janet Frame</a> for influencing her songwriting.<a class="footnote-ref" id="fnref:20" href="#fn:20"><sup>20</sup></a> </p><p>After a suggestion from a teacher at her school, her mother had her take the <a href="/facts/Woodcock%25E2%2580%2593Johnson_Tests_of_Cognitive_Abilities/DvDKQrCX">Woodcock–Johnson Tests of Cognitive Abilities</a> to determine her intelligence. The results concluded that Lorde, age six, was a <a href="/facts/Gifted/4MdSLo9d">gifted</a> child.<a class="footnote-ref" id="fnref:21" href="#fn:21"><sup>21</sup></a> She was briefly enrolled at <a href="/facts/George_Parkyn_Centre/1sKWRAlL">George Parkyn Centre</a>, a <a href="/facts/Gifted_education/9rLLeWdg">gifted education</a> organisation. Sonja unenrolled her, however, citing <a href="/facts/Social_emotional_development/qtrTGw9d">social development</a> concerns.<a class="footnote-ref" id="fnref:22" href="#fn:22"><sup>22</sup></a> As a child, Lorde attended <a href="/facts/Vauxhall_School/5b83c6d4">Vauxhall School</a> and then <a href="/facts/Belmont_Intermediate_School/nK9lGvT0">Belmont Intermediate School</a>.<a class="footnote-ref" id="fnref:23" href="#fn:23"><sup>23</sup></a> While attending Vauxhall, she placed third and first respectively in the North Shore Primary Schools' Speech competition, a national contest, in 2006 and 2007.<a class="footnote-ref" id="fnref:24" href="#fn:24"><sup>24</sup></a><a class="footnote-ref" id="fnref:25" href="#fn:25"><sup>25</sup></a> </p> <h3>2009–2012: Career beginnings</h3> <p>Lorde and her Belmont team were named the runner-up in the 2009 <a href="/facts/Kids%2527_Lit_Quiz/hh54c3MA">Kids' Lit Quiz</a> World Finals, a global literature competition for students aged 10 to 14.<a class="footnote-ref" id="fnref:26" href="#fn:26"><sup>26</sup></a> In May 2009, Lorde and her friend Louis McDonald won the Belmont Intermediate School annual talent show as a duo.<a class="footnote-ref" id="fnref:27" href="#fn:27"><sup>27</sup></a> In August that year, Lorde and McDonald made a guest appearance on <a href="/facts/Jim_Mora_(broadcaster)/CE5dYPz9">Jim Mora</a>'s <i>Afternoons</i> show on <a href="/facts/Radio_New_Zealand/RHHBJFYI">Radio New Zealand</a>. There, they performed <a href="/facts/Cover_version/77Teealn">covers</a> of <a href="/facts/Pixie_Lott/5ksX9Vhx">Pixie Lott</a>'s "<a href="/facts/Mama_Do_(Uh_Oh%2c_Uh_Oh)/z3Y4M993">Mama Do (Uh Oh, Uh Oh)</a>" and <a href="/facts/Kings_of_Leon/hpcBJLU2">Kings of Leon</a>'s "<a href="/facts/Use_Somebody/FfyfnrlT">Use Somebody</a>".<a class="footnote-ref" id="fnref:28" href="#fn:28"><sup>28</sup></a> McDonald's father then sent his recordings of the duo covering "Mama Do" and <a href="/facts/Duffy_(singer)/0ew513NS">Duffy</a>'s "<a href="/facts/Warwick_Avenue_(song)/7u5eyeu4">Warwick Avenue</a>" to <a href="/facts/Universal_Music_Group/VufxcUef">Universal Music Group</a> (UMG)'s <a href="/facts/A%2526R/VwWpkYku">A&R</a> executive Scott Maclachlan.<a class="footnote-ref" id="fnref:29" href="#fn:29"><sup>29</sup></a> Maclachlan subsequently signed her to UMG for development.<a class="footnote-ref" id="fnref:30" href="#fn:30"><sup>30</sup></a> </p> <p>Lorde was also part of the Belmont Intermediate School band Extreme; the band placed third in the North Shore Battle of the Bands finals at the <a href="/facts/Auckland_Live/ggsdGBjp">Bruce Mason Centre</a>, Takapuna, Auckland on 18 November 2009.<a class="footnote-ref" id="fnref:31" href="#fn:31"><sup>31</sup></a> In 2010, Lorde and McDonald formed a duet called "Ella & Louis" and performed covers live on a regular basis at local venues, including cafés in Auckland and the Victoria Theatre in Devonport.<a class="footnote-ref" id="fnref:32" href="#fn:32"><sup>32</sup></a> In 2011, UMG hired vocal coach <a href="/facts/Frances_Dickinson_(musician)/UMvp6MUa">Frances Dickinson</a> to give her singing lessons twice a week for a year.<a class="footnote-ref" id="fnref:33" href="#fn:33"><sup>33</sup></a> During this time, Maclachlan attempted to partner Lorde with several different producers and songwriters, but without success.<a class="footnote-ref" id="fnref:34" href="#fn:34"><sup>34</sup></a><a class="footnote-ref" id="fnref:35" href="#fn:35"><sup>35</sup></a> As she began writing songs, she learned how to "put words together" by reading <a href="/facts/Short_fiction/KU6X7XWI">short fiction</a>.<a class="footnote-ref" id="fnref:36" href="#fn:36"><sup>36</sup></a> </p><p>Lorde performed her original songs for the first time at the Victoria Theatre in November 2011.<a class="footnote-ref" id="fnref:37" href="#fn:37"><sup>37</sup></a> In December, Maclachlan paired Lorde with <a href="/facts/Joel_Little/mpfuq7qp">Joel Little</a>, a songwriter, record producer, and former <a href="/facts/Goodnight_Nurse/b0yoGhLv">Goodnight Nurse</a> lead singer. The pair recorded five songs for an <a href="/facts/Extended_play/Eh0xpDPY">extended play</a> (EP) at Little's Golden Age Studios in <a href="/facts/Morningside%2c_Auckland/rDy2I9te">Morningside, Auckland</a>, and finished within three weeks.<a class="footnote-ref" id="fnref:38" href="#fn:38"><sup>38</sup></a> While working on her music career, she attended <a href="/facts/Takapuna_Grammar_School/fFFf37HY">Takapuna Grammar School</a> from 2010 to 2013, completing <a href="/facts/Year_Twelve/0QE3hxC3">Year 12</a>.<a class="footnote-ref" id="fnref:39" href="#fn:39"><sup>39</sup></a> She later chose not to return in 2014 to attend <a href="/facts/Year_Thirteen/K4pW1LXv">Year 13</a>.<a class="footnote-ref" id="fnref:40" href="#fn:40"><sup>40</sup></a> </p> <h3>2013–2015: <i>Pure Heroine</i></h3> <p class="note">Main article: <a href="/facts/Pure_Heroine/y7LUGqRs">Pure Heroine</a></p> <p>When Lorde and Little had finished their first collaborative effort, <i><a href="/facts/The_Love_Club_EP/DLkynhmB">The Love Club EP</a></i>, Maclachlan applauded it as a "strong piece of music", but worried if the EP could profit because Lorde was obscure at the time.<a class="footnote-ref" id="fnref:41" href="#fn:41"><sup>41</sup></a> In November 2012, the singer self-released the EP through her <a href="/facts/SoundCloud/ed7sgTI1">SoundCloud</a> account for free download.<a class="footnote-ref" id="fnref:42" href="#fn:42"><sup>42</sup></a> UMG commercially released <i>The Love Club</i> in March 2013 after it had been downloaded 60,000 times, which signalled that Lorde had attracted a range of audiences.<a class="footnote-ref" id="fnref:43" href="#fn:43"><sup>43</sup></a><a class="footnote-ref" id="fnref:44" href="#fn:44"><sup>44</sup></a> It peaked at number two in New Zealand and Australia.<a class="footnote-ref" id="fnref:45" href="#fn:45"><sup>45</sup></a> "<a href="/facts/Royals_(Lorde_song)/JC3jNgwq">Royals</a>", the EP's single, helped Lorde rise to prominence after it became a critical and commercial success, selling more than 10 million units worldwide.<a class="footnote-ref" id="fnref:46" href="#fn:46"><sup>46</sup></a> It peaked at number one on the <a href="/facts/Billboard_Hot_100/gwKl8VL9"><i>Billboard</i> Hot 100</a>, making Lorde, then aged 16, the youngest artist to earn a number-one single in the United States since <a href="/facts/Tiffany_Darwish/pz2cqKkH">Tiffany</a> in 1987,<a class="footnote-ref" id="fnref:47" href="#fn:47"><sup>47</sup></a> and has since been certified <a href="/facts/RIAA_certification/TWwUbkQP">diamond</a> by the <a href="/facts/Recording_Industry_Association_of_America/8a7K0Ubf">Recording Industry Association of America</a> (RIAA).<a class="footnote-ref" id="fnref:48" href="#fn:48"><sup>48</sup></a> The track won two <a href="/facts/Grammy_Awards/2bxYJjPV">Grammy Awards</a> for <a href="/facts/Best_Pop_Solo_Performance/yLUeSX3e">Best Pop Solo Performance</a> and <a href="/facts/Grammy_Award_for_Song_of_the_Year/zFgkyQB5">Song of the Year</a> at the <a href="/facts/56th_Annual_Grammy_Awards/9KIabjua">56th ceremony</a>,<a class="footnote-ref" id="fnref:49" href="#fn:49"><sup>49</sup></a> and was named <a href="/facts/Aotearoa_Music_Award_for_Single_of_the_Year/2ax47U1v">Single of the Year</a> at the <a href="/facts/2013_New_Zealand_Music_Awards/60Nmfxn3">2013 New Zealand Music Awards</a>.<a class="footnote-ref" id="fnref:50" href="#fn:50"><sup>50</sup></a> From late 2013 to early 2016, Lorde was in a relationship with New Zealand photographer James Lowe.<a class="footnote-ref" id="fnref:51" href="#fn:51"><sup>51</sup></a> </p><p>Lorde's debut studio album <i><a href="/facts/Pure_Heroine/y7LUGqRs">Pure Heroine</a></i> containing the single "Royals" was released in September 2013 to critical acclaim;<a class="footnote-ref" id="fnref:52" href="#fn:52"><sup>52</sup></a> it appeared on several year-end best album lists.<a class="footnote-ref" id="fnref:53" href="#fn:53"><sup>53</sup></a> The album received considerable attention for its portrayal of suburban teenage disillusionment and critiques of mainstream culture.<a class="footnote-ref" id="fnref:54" href="#fn:54"><sup>54</sup></a> In the United States, the album sold over one million copies in February 2014, becoming the first debut album by a female artist since <a href="/facts/Adele/FGoB5wNL">Adele</a>'s 2008 album <i><a href="/facts/19_(Adele_album)/9rJIXVf6">19</a></i> to achieve the feat.<a class="footnote-ref" id="fnref:55" href="#fn:55"><sup>55</sup></a> <i>Pure Heroine</i> earned a Grammy nomination for <a href="/facts/Best_Pop_Vocal_Album/DEofaLlo">Best Pop Vocal Album</a><a class="footnote-ref" id="fnref:56" href="#fn:56"><sup>56</sup></a> and had sold four million copies worldwide as of May 2017.<a class="footnote-ref" id="fnref:57" href="#fn:57"><sup>57</sup></a> Three other singles were released from the album: "<a href="/facts/Tennis_Court_(song)/k3Gf4Ndo">Tennis Court</a>" reached number one in New Zealand,<a class="footnote-ref" id="fnref:58" href="#fn:58"><sup>58</sup></a> while "<a href="/facts/Team_(Lorde_song)/hGk2AvJP">Team</a>" charted at number six in the United States,<a class="footnote-ref" id="fnref:59" href="#fn:59"><sup>59</sup></a> and "<a href="/facts/Glory_and_Gore/dEvaepMw">Glory and Gore</a>" was released exclusively to US radio.<a class="footnote-ref" id="fnref:60" href="#fn:60"><sup>60</sup></a> At the <a href="/facts/2014_New_Zealand_Music_Awards/kSnWtpp0">2014 New Zealand Music Awards</a>, Lorde won six awards: <a href="/facts/Aotearoa_Music_Award_for_Album_of_the_Year/pJYozkA6">Album of the Year</a> and Best Pop Album for <i>Pure Heroine</i>, Single of the Year for "Team", <a href="/facts/Aotearoa_Music_Awards_for_Highest_Selling_New_Zealand_Artist/mbeQ63kU">Highest Selling New Zealand Single</a> for "Royals", Best Female Solo Artist, and the <a href="/facts/Aotearoa_Music_Award_for_International_Achievement/7RTqlnp9">International Achievement Award</a>.<a class="footnote-ref" id="fnref:61" href="#fn:61"><sup>61</sup></a> </p><p>In November 2013, Lorde signed a publishing deal with <a href="/facts/Songs_Music_Publishing/US2sDjhE">Songs Music Publishing</a>, worth a reported US$2.5 million, after a bidding war between companies, including <a href="/facts/Sony_Music_Entertainment/G2expBwI">Sony Music Entertainment</a> and her label UMG. The agreement gave the publisher the right to license Lorde's music for films and advertising.<a class="footnote-ref" id="fnref:62" href="#fn:62"><sup>62</sup></a> Later that month, Lorde was featured on the <a href="/facts/The_Hunger_Games%3a_Catching_Fire_%25E2%2580%2593_Original_Motion_Picture_Soundtrack/Awms2f0S">soundtrack</a> for the 2013 film <i><a href="/facts/The_Hunger_Games%3a_Catching_Fire/oQ60ro62">The Hunger Games: Catching Fire</a></i>, performing a cover of <a href="/facts/Tears_for_Fears/eVqUEUXC">Tears for Fears</a>' 1985 song "<a href="/facts/Everybody_Wants_to_Rule_the_World/md0CAKf5">Everybody Wants to Rule the World</a>".<a class="footnote-ref" id="fnref:63" href="#fn:63"><sup>63</sup></a> <i><a href="/facts/Time_(magazine)/N4FXc99l">Time</a></i> included her on their lists of the most influential teenagers in the world in 2013 and 2014.<a class="footnote-ref" id="fnref:64" href="#fn:64"><sup>64</sup></a><a class="footnote-ref" id="fnref:65" href="#fn:65"><sup>65</sup></a> <i><a href="/facts/Forbes/lyULpGhW">Forbes</a></i> also placed her on their 2014 edition of <a href="/facts/30_Under_30/gJvacfgg">30 Under 30</a>; she was the youngest individual to be featured.<a class="footnote-ref" id="fnref:66" href="#fn:66"><sup>66</sup></a> <i><a href="/facts/Billboard_(magazine)/CVruQGq5">Billboard</a></i> featured her on their 21 Under 21 list in 2013,<a class="footnote-ref" id="fnref:67" href="#fn:67"><sup>67</sup></a> 2014,<a class="footnote-ref" id="fnref:68" href="#fn:68"><sup>68</sup></a> and 2015.<a class="footnote-ref" id="fnref:69" href="#fn:69"><sup>69</sup></a> </p><p>In the first half of 2014, Lorde performed at several music festivals, including the <a href="/facts/Laneway_Festival/NdYAr3Jw">Laneway Festival</a> in Sydney,<a class="footnote-ref" id="fnref:70" href="#fn:70"><sup>70</sup></a> the three South American editions of <a href="/facts/Lollapalooza/K81SW6o5">Lollapalooza</a>—<a href="/facts/Lollapalooza_Chile/PSCBx1AJ">Chile</a>,<a class="footnote-ref" id="fnref:71" href="#fn:71"><sup>71</sup></a> Argentina,<a class="footnote-ref" id="fnref:72" href="#fn:72"><sup>72</sup></a> Brazil<a class="footnote-ref" id="fnref:73" href="#fn:73"><sup>73</sup></a>—and the <a href="/facts/Coachella_Festival/LYcmg4QJ">Coachella Festival</a> in California.<a class="footnote-ref" id="fnref:74" href="#fn:74"><sup>74</sup></a> She subsequently embarked on an <a href="/facts/Pure_Heroine_Tour/ez5npTGI">international concert tour</a>, commencing in North America in early 2014.<a class="footnote-ref" id="fnref:75" href="#fn:75"><sup>75</sup></a> Amidst her solo activities, Lorde joined the surviving members of <a href="/facts/Nirvana_(band)/LB38lBz8">Nirvana</a> to perform "<a href="/facts/All_Apologies/AXyoNbkP">All Apologies</a>" during the band's induction ceremony at the <a href="/facts/Rock_and_Roll_Hall_of_Fame/6hRagsTD">Rock and Roll Hall of Fame</a> in April 2014.<a class="footnote-ref" id="fnref:76" href="#fn:76"><sup>76</sup></a> Band members <a href="/facts/Krist_Novoselic/JalCTSFb">Krist Novoselic</a> and <a href="/facts/Dave_Grohl/4hfo7b6w">Dave Grohl</a> explained that they selected Lorde because her songs represented "Nirvana aesthetics" for their perceptive lyrics.<a class="footnote-ref" id="fnref:77" href="#fn:77"><sup>77</sup></a> Lorde also curated the accompanying <a href="/facts/The_Hunger_Games%3a_Mockingjay%2c_Part_1_(soundtrack)/tvuIIKxM">soundtrack</a> for the 2014 film <i><a href="/facts/The_Hunger_Games%3a_Mockingjay_%25E2%2580%2593_Part_1/XlDDG37a">The Hunger Games: Mockingjay – Part 1</a></i>, overseeing the collation of the album's content as well as recording four tracks, including its lead single "<a href="/facts/Yellow_Flicker_Beat/mXVcMnKQ">Yellow Flicker Beat</a>".<a class="footnote-ref" id="fnref:78" href="#fn:78"><sup>78</sup></a> In 2015, the track earned Lorde a <a href="/facts/Golden_Globe/1v50C2Tb">Golden Globe</a> nomination for <a href="/facts/Golden_Globe_Award_for_Best_Original_Song/pn0pPjgg">Best Original Song</a>,<a class="footnote-ref" id="fnref:79" href="#fn:79"><sup>79</sup></a> and won Single of the Year at the <a href="/facts/2015_New_Zealand_Music_Awards/UofJGJs4">2015 New Zealand Music Awards</a>, marking her third consecutive win in the category.<a class="footnote-ref" id="fnref:80" href="#fn:80"><sup>80</sup></a> Later that year, she was featured on British electronic duo <a href="/facts/Disclosure_(band)/ys9ge4YK">Disclosure</a>'s song "<a href="/facts/Magnets_(song)/UdkhxpaT">Magnets</a>" off their 2015 album <i><a href="/facts/Caracal_(album)/PVA4oeIq">Caracal</a></i>.<a class="footnote-ref" id="fnref:81" href="#fn:81"><sup>81</sup></a> </p> <h3>2016–2018: <i>Melodrama</i></h3> <p class="note">Main article: <a href="/facts/Melodrama_(Lorde_album)/J37xBFLj">Melodrama (Lorde album)</a></p> <p>In January 2016, Lorde relocated to <a href="/facts/Ponsonby%2c_New_Zealand/NXyYpYdI">Ponsonby</a>, an inner-city suburb of Auckland.<a class="footnote-ref" id="fnref:82" href="#fn:82"><sup>82</sup></a><a class="footnote-ref" id="fnref:83" href="#fn:83"><sup>83</sup></a> At the <a href="/facts/2016_Brit_Awards/9VbXSEy6">2016 Brit Awards</a> in February, Lorde and <a href="/facts/David_Bowie/7nMplAnf">David Bowie</a>'s final touring band gave a tribute performance of his 1971 song "<a href="/facts/Life_on_Mars_(song)/GX7mqJYo">Life on Mars</a>".<a class="footnote-ref" id="fnref:84" href="#fn:84"><sup>84</sup></a> Pianist <a href="/facts/Mike_Garson/cCUIAj7P">Mike Garson</a>, a frequent band member for Bowie, explained that Bowie's family and management selected Lorde because he admired her and felt she was "the future of music".<a class="footnote-ref" id="fnref:85" href="#fn:85"><sup>85</sup></a> Her cover was widely acknowledged as one of the finest performances in tribute to Bowie.<a class="footnote-ref" id="fnref:86" href="#fn:86"><sup>86</sup></a> Later that year, Lorde co-wrote "<a href="/facts/Heartlines/0N8Ga0nm">Heartlines</a>", a song by New Zealand music duo <a href="/facts/Broods/ArKmjQjQ">Broods</a> from their 2016 album <i><a href="/facts/Conscious_(Broods_album)/nHIDcesz">Conscious</a></i>.<a class="footnote-ref" id="fnref:87" href="#fn:87"><sup>87</sup></a> </p><p>The lead single from her second studio album <i><a href="/facts/Melodrama_(Lorde_album)/J37xBFLj">Melodrama</a></i>, "<a href="/facts/Green_Light_(Lorde_song)/zxllvkmg">Green Light</a>",<a class="footnote-ref" id="fnref:88" href="#fn:88"><sup>88</sup></a> was released in March 2017 to critical acclaim; several publications ranked it as one of the best songs of the year, <i><a href="/facts/NME_Single_of_the_Year/G53JGYW6">NME</a></i> and <i><a href="/facts/The_Guardian/H84wwJYM">The Guardian</a></i> placing it in the top spot on their respective lists.<a class="footnote-ref" id="fnref:89" href="#fn:89"><sup>89</sup></a> It achieved moderate commercial success, reaching number one in New Zealand, number four in Australia and number nine in Canada.<a class="footnote-ref" id="fnref:90" href="#fn:90"><sup>90</sup></a> Later that month, she co-wrote and provided background vocals for American indie pop band <a href="/facts/Bleachers_(band)/M50gsbWz">Bleachers</a>'s song "<a href="/facts/Don%2527t_Take_the_Money/nJU6rB18">Don't Take the Money</a>",<a class="footnote-ref" id="fnref:91" href="#fn:91"><sup>91</sup></a> taken from their 2017 record <i><a href="/facts/Gone_Now/6YAT24e2">Gone Now</a></i>.<a class="footnote-ref" id="fnref:92" href="#fn:92"><sup>92</sup></a> </p><p>On <i>Melodrama</i>, Lorde's songwriting showed signs of maturity with introspective, post-breakup lyrics.<a class="footnote-ref" id="fnref:93" href="#fn:93"><sup>93</sup></a><a class="footnote-ref" id="fnref:94" href="#fn:94"><sup>94</sup></a> The album was released in June 2017 to widespread critical acclaim; <a href="/facts/Metacritic/Wve8EJFd">Metacritic</a> placed it second on their list of the best-received records of 2017 based on inclusions in publications' year-end lists, behind <a href="/facts/Kendrick_Lamar/NPWURsoA">Kendrick Lamar</a>'s <i><a href="/facts/Damn_(Kendrick_Lamar_album)/2FSspGy3">Damn</a></i>.<a class="footnote-ref" id="fnref:95" href="#fn:95"><sup>95</sup></a> It debuted at number one on the US <a href="/facts/Billboard_200/XtbnoFSM"><i>Billboard</i> 200</a>, giving Lorde her first number-one album on the chart,<a class="footnote-ref" id="fnref:96" href="#fn:96"><sup>96</sup></a> and on record charts of Australia, Canada and New Zealand.<a class="footnote-ref" id="fnref:97" href="#fn:97"><sup>97</sup></a> It earned a Grammy nomination for <a href="/facts/Grammy_Award_for_Album_of_the_Year/N7gTMqGf">Album of the Year</a> at the <a href="/facts/60th_Annual_Grammy_Awards/QqA8NgJ5">60th ceremony</a>,<a class="footnote-ref" id="fnref:98" href="#fn:98"><sup>98</sup></a> and won six awards at the <a href="/facts/2017_New_Zealand_Music_Awards/KFRvVsfW">2017 New Zealand Music Awards</a>, including Album of the Year, Single of the Year for "Green Light", <a href="/facts/Aotearoa_Music_Award_for_Best_Solo_Artist/l3TMY7GJ">Best Solo Artist</a>, Best Pop Artist, the <a href="/facts/Aotearoa_Music_People%2527s_Choice_Award/DAr5Gvs5">People's Choice Award</a>, and the International Achievement Award.<a class="footnote-ref" id="fnref:99" href="#fn:99"><sup>99</sup></a> Two other singles from the album were released: "<a href="/facts/Perfect_Places/mdF1vFoY">Perfect Places</a>" and a remix of "<a href="/facts/Homemade_Dynamite/dDjAr8ag">Homemade Dynamite</a>" featuring <a href="/facts/Khalid_(American_singer)/RzlnuynQ">Khalid</a>, <a href="/facts/Post_Malone/rFdm1Q4S">Post Malone</a> and <a href="/facts/SZA/M2JtIDTD">SZA</a>.<a class="footnote-ref" id="fnref:100" href="#fn:100"><sup>100</sup></a> </p><p>To promote <i>Melodrama</i>, Lorde embarked on an <a href="/facts/Melodrama_World_Tour/eSl0S8ty">international concert tour</a>, the first leg of which took place in Europe in late 2017, featuring Khalid as the supporting act.<a class="footnote-ref" id="fnref:101" href="#fn:101"><sup>101</sup></a> She later announced the North American leg, held in March 2018, with <a href="/facts/Run_the_Jewels/JfndEVPI">Run the Jewels</a>, <a href="/facts/Mitski/UF4hogUB">Mitski</a> and <a href="/facts/Tove_Styrke/eJYUdhej">Tove Styrke</a> as opening acts.<a class="footnote-ref" id="fnref:102" href="#fn:102"><sup>102</sup></a> A <a href="/facts/Melodrama_World_Tour/eSl0S8ty">political controversy</a> occurred in December 2017 when Lorde cancelled her scheduled June 2018 concert in Israel following an online campaign by Palestinian solidarity activists supporting the <a href="/facts/Boycott%2c_Divestment_and_Sanctions/JbfSAt8V">Boycott, Divestment and Sanctions</a> (BDS) campaign.<a class="footnote-ref" id="fnref:103" href="#fn:103"><sup>103</sup></a> While Lorde did not explicitly indicate her reasons for the cancellation, she admitted that she had been unaware of the political turmoil there and "the right decision at this time is to cancel".<a class="footnote-ref" id="fnref:104" href="#fn:104"><sup>104</sup></a> Pro-Palestine groups welcomed her decision,<a class="footnote-ref" id="fnref:105" href="#fn:105"><sup>105</sup></a> while pro-Israel groups were critical of the cancellation.<a class="footnote-ref" id="fnref:106" href="#fn:106"><sup>106</sup></a> <i>Billboard</i> included Lorde on their 2017 edition of 21 Under 21,<a class="footnote-ref" id="fnref:107" href="#fn:107"><sup>107</sup></a> while <i>Forbes</i> included her in their 30 Under 30 Asia list.<a class="footnote-ref" id="fnref:108" href="#fn:108"><sup>108</sup></a> </p> <h3>2019–2023: <i>Solar Power</i></h3> <p class="note">Main article: <a href="/facts/Solar_Power_(album)/dtfjrkR2">Solar Power (album)</a></p> <p>Lorde revealed on 20 May 2020 that she started working on her third studio album with <a href="/facts/Jack_Antonoff/WqXRlE4r">Jack Antonoff</a> following the death of her dog Pearl.<a class="footnote-ref" id="fnref:109" href="#fn:109"><sup>109</sup></a> In November 2020, she announced the release of <i><a href="/facts/Going_South_(book)/kTYNrDhV">Going South</a></i>, a book documenting her January 2019 visit to <a href="/facts/Antarctica/bEM5Lem5">Antarctica</a> with photos taken by photographer Harriet Were.<a class="footnote-ref" id="fnref:110" href="#fn:110"><sup>110</sup></a> </p><p>On 25 May 2021, Lorde was announced as a headlining act for <a href="/facts/Primavera_Sound/euVv4jtw">Primavera Sound</a>'s <a href="/facts/Primavera_Sound_2022/5ojlYDgo">June 2022 festival</a>, her first live show performance in over two years.<a class="footnote-ref" id="fnref:111" href="#fn:111"><sup>111</sup></a> On 7 June, Lorde posted an image on her website with the caption "Solar Power", along with the message: "Arriving in 2021 ... Patience is a virtue."<a class="footnote-ref" id="fnref:112" href="#fn:112"><sup>112</sup></a> "<a href="/facts/Solar_Power_(song)/ErwYNbfg">Solar Power</a>" was released on 10 June,<a class="footnote-ref" id="fnref:113" href="#fn:113"><sup>113</sup></a> as the lead single from her third studio album <a href="/facts/Solar_Power_(album)/dtfjrkR2">of the same name</a>, which was released on 20 August to mixed reviews.<a class="footnote-ref" id="fnref:114" href="#fn:114"><sup>114</sup></a><a class="footnote-ref" id="fnref:115" href="#fn:115"><sup>115</sup></a> Lorde later described the response to the record as "really confounding," and "painful".<a class="footnote-ref" id="fnref:116" href="#fn:116"><sup>116</sup></a> "<a href="/facts/Stoned_at_the_Nail_Salon/3HYYEbzY">Stoned at the Nail Salon</a>" and "<a href="/facts/Mood_Ring_(Lorde_song)/tRKo8R9T">Mood Ring</a>" were released as the album's second and third singles on 21 July and 17 August, respectively.<a class="footnote-ref" id="fnref:117" href="#fn:117"><sup>117</sup></a><a class="footnote-ref" id="fnref:118" href="#fn:118"><sup>118</sup></a> </p><p>Lorde released <i><a href="/facts/Te_Ao_M%25C4%2581rama_(EP)/ryyh559n">Te Ao Mārama</a></i> on 9 September 2021 as a companion piece to <i>Solar Power</i>. The EP is sung entirely in <i><a href="/facts/Te_Reo_M%25C4%2581ori/pVhKfILB">Te Reo Māori</a></i>, and was translated by Hana Mereraiha. Other translators included <a href="/facts/T%25C4%25ABmoti_K%25C4%2581retu/Szztcm93">Sir Tīmoti Kāretu</a> and Hēmi Kelly. The project was led by <a href="/facts/Hinewehi_Mohi/o3zw45Em">Dame Hinewehi Mohi</a>.<a class="footnote-ref" id="fnref:119" href="#fn:119"><sup>119</sup></a> All proceeds from the album are going towards two New Zealand-based charities: <a href="/facts/Forest_%2526_Bird/6N9jvAGq">Forest & Bird</a> and Te Hua Kawariki.<a class="footnote-ref" id="fnref:120" href="#fn:120"><sup>120</sup></a> In August 2023, Lorde debuted the songs "Silver Moon" and "Invisible Ink" during her concert at the <a href="/facts/Boardmasters_Festival/CDqWxHK5">Boardmasters Festival</a> in <a href="/facts/Cornwall/9A3TftFP">Cornwall</a>, England.<a class="footnote-ref" id="fnref:121" href="#fn:121"><sup>121</sup></a> </p> <h3>2024–present: <i>Virgin</i></h3> <p class="note">Main article: <a href="/facts/Virgin_(Lorde_album)/n2tJUMQX">Virgin (Lorde album)</a></p> <p>In early 2024, Lorde began teasing her upcoming fourth studio album in a series of cryptic <a href="/facts/Instagram/33s91jnV">Instagram</a> posts.<a class="footnote-ref" id="fnref:122" href="#fn:122"><sup>122</sup></a> Several posts included English record producer <a href="/facts/Dev_Hynes/4kKsceRK">Dev Hynes</a>.<a class="footnote-ref" id="fnref:123" href="#fn:123"><sup>123</sup></a> In March 2024, Lorde covered <a href="/facts/Talking_Heads/crAFIjpD">Talking Heads</a>' "<a href="/facts/Take_Me_to_the_River_(Talking_Heads_song)/jaJFW8j2">Take Me to the River</a>" as the third single from <a href="/facts/A24_Music/nGJ8WKCz">A24 Music</a>'s <i><a href="/facts/Everyone%2527s_Getting_Involved%3a_A_Tribute_to_Talking_Heads%2527_Stop_Making_Sense/n0Wv84Nj">Everyone's Getting Involved: A Tribute to Talking Heads' Stop Making Sense</a></i>.<a class="footnote-ref" id="fnref:124" href="#fn:124"><sup>124</sup></a> In June 2024, Lorde collaborated with <a href="/facts/Charli_XCX/vzAKA4vE">Charli XCX</a> on a <a href="/facts/Girl%2c_So_Confusing/jLWe2kl3">remix version</a> of the song "<a href="/facts/Girl%2c_So_Confusing/jLWe2kl3">Girl, So Confusing</a>".<a class="footnote-ref" id="fnref:125" href="#fn:125"><sup>125</sup></a> Lorde performed "Girl, So Confusing" alongside Charli XCX in surprise appearances at Charli XCX's <a href="/facts/Madison_Square_Garden/l9uUocnH">Madison Square Garden</a> <a href="/facts/Sweat_(concert_tour)/X5wSLdXu">concert</a> and the <a href="/facts/Coachella/uqD95II2">Coachella music festival</a> in September 2024 and April 2025, respectively.<a class="footnote-ref" id="fnref:126" href="#fn:126"><sup>126</sup></a><a class="footnote-ref" id="fnref:127" href="#fn:127"><sup>127</sup></a> In September 2024, <a href="/facts/Universal_Music_Publishing_Group/QJEqdNTW">Universal Music Publishing</a> executive VP and co-head of U.S. A&R Jennifer Knoepfle, stated that they had "signed Lorde earlier this year" and that the "Girl, So Confusing" remix was her first release as a UMPG song writer.<a class="footnote-ref" id="fnref:128" href="#fn:128"><sup>128</sup></a> </p><p>In April 2025, Lorde cleared her Instagram feed and posted a snippet of new music onto TikTok,<a class="footnote-ref" id="fnref:129" href="#fn:129"><sup>129</sup></a> which was subsequently labelled "WWT", short for "What Was That".<a class="footnote-ref" id="fnref:130" href="#fn:130"><sup>130</sup></a> On 22 April, Lorde played the track in full to a crowd at <a href="/facts/Washington_Square_Park/lSjkF5Xj">Washington Square Park</a>, <a href="/facts/New_York_City/YlyvFmVC">New York City</a>, following a planned pop-up event that was shut down by the <a href="/facts/New_York_City_Police_Department/hKR106kT">NYPD</a>.<a class="footnote-ref" id="fnref:131" href="#fn:131"><sup>131</sup></a><a class="footnote-ref" id="fnref:132" href="#fn:132"><sup>132</sup></a> On 24 April, "<a href="/facts/What_Was_That/hxkgQuNG">What Was That</a>" was released along with its music video;<a class="footnote-ref" id="fnref:133" href="#fn:133"><sup>133</sup></a> the track presents a <a href="/facts/Synth-pop/ejVwqcNb">synth-pop</a> style reminiscent of <i>Melodrama</i> (2017).<a class="footnote-ref" id="fnref:134" href="#fn:134"><sup>134</sup></a> On 30 April, Lorde announced that her fourth studio album, <i><a href="/facts/Virgin_(Lorde_album)/n2tJUMQX">Virgin</a></i>, would be released on 27 June 2025.<a class="footnote-ref" id="fnref:135" href="#fn:135"><sup>135</sup></a> She revealed on 8 May that she would support the album with the <a href="/facts/Ultrasound_World_Tour/QtJeVBXU">Ultrasound World Tour</a>, set to begin in September 2025.<a class="footnote-ref" id="fnref:136" href="#fn:136"><sup>136</sup></a> The album's second single, "<a href="/facts/Man_of_the_Year_(Lorde_song)/a4kxX7Tu">Man of the Year</a>", and its accompanying music video, were released on 29 May.<a class="footnote-ref" id="fnref:137" href="#fn:137"><sup>137</sup></a> On the same day, Lorde attended the <a href="/facts/Aotearoa_Music_Awards/LxhN33bp">2025 Aotearoa Music Awards</a>, where she received the award for Single of the Year for the "Girl, So Confusing" remix.<a class="footnote-ref" id="fnref:138" href="#fn:138"><sup>138</sup></a><a class="footnote-ref" id="fnref:139" href="#fn:139"><sup>139</sup></a> On 18 June, Lorde announced via social media that the third single from <i>Virgin</i> would be "<a href="/facts/Hammer_(Lorde_song)/XjX7BBgC">Hammer</a>".<a class="footnote-ref" id="fnref:140" href="#fn:140"><sup>140</sup></a> On 20 June 2025, "Hammer" was released along with its music video.<a class="footnote-ref" id="fnref:141" href="#fn:141"><sup>141</sup></a> </p> <h2 id="artistry">Artistry</h2> <h3>Influences</h3> <p>Lorde grew up listening to American <a href="/facts/Jazz/lmUzXGq8">jazz</a> and <a href="/facts/Soul_music/y68RPFIa">soul</a> musicians <a href="/facts/Billie_Holiday/ammW1oYr">Billie Holiday</a>, <a href="/facts/Sam_Cooke/RQSCwLnd">Sam Cooke</a>, <a href="/facts/Etta_James/2DKsnj4K">Etta James</a>, and <a href="/facts/Otis_Redding/30uk9haj">Otis Redding</a>, whose music she admires for "harvesting their suffering".<a class="footnote-ref" id="fnref:142" href="#fn:142"><sup>142</sup></a> She also listened to her parents' favourite records by musicians including <a href="/facts/Cat_Stevens/j8V6CJE2">Cat Stevens</a>, <a href="/facts/Neil_Young/6HHMQEYg">Neil Young</a>, and <a href="/facts/Fleetwood_Mac/IXSSdJ1f">Fleetwood Mac</a> in her early years.<a class="footnote-ref" id="fnref:143" href="#fn:143"><sup>143</sup></a> During production of <i>Pure Heroine</i>, Lorde cited influences from <a href="/facts/Electronic_music/zfGNfUvR">electronic music</a> producers,<a class="footnote-ref" id="fnref:144" href="#fn:144"><sup>144</sup></a> including <a href="/facts/SBTRKT/cT36rgyX">SBTRKT</a>, <a href="/facts/Grimes/Kq6NDnBI">Grimes</a>,<a class="footnote-ref" id="fnref:145" href="#fn:145"><sup>145</sup></a> and <a href="/facts/Sleigh_Bells_(band)/mlyyoNTS">Sleigh Bells</a>,<a class="footnote-ref" id="fnref:146" href="#fn:146"><sup>146</sup></a> impressed by "their vocals in a really interesting way, whether it might be chopping up a vocal part or really lash or layering a vocal."<a class="footnote-ref" id="fnref:147" href="#fn:147"><sup>147</sup></a> She also stated that she was inspired by the initially hidden identities of <a href="/facts/Burial_(musician)/gNklow0q">Burial</a> and <a href="/facts/The_Weeknd/Nw5tlcvs">the Weeknd</a>, explaining, "I feel like mystery is more interesting."<a class="footnote-ref" id="fnref:148" href="#fn:148"><sup>148</sup></a> Other inspirations include <a href="/facts/Katy_Perry/0lcTBtRT">Katy Perry</a>,<a class="footnote-ref" id="fnref:149" href="#fn:149"><sup>149</sup></a> <a href="/facts/Grace_Jones/YBQtXJ0q">Grace Jones</a>,<a class="footnote-ref" id="fnref:150" href="#fn:150"><sup>150</sup></a> <a href="/facts/James_Blake_(musician)/yMxIHIbD">James Blake</a>, <a href="/facts/Yeasayer/r2Dy02UW">Yeasayer</a>, <a href="/facts/Animal_Collective/wgLeXHUm">Animal Collective</a>, <a href="/facts/Bon_Iver/KdX4IutF">Bon Iver</a>,<a class="footnote-ref" id="fnref:151" href="#fn:151"><sup>151</sup></a> <a href="/facts/The_Smiths/LoJpDj7X">the Smiths</a>,<a class="footnote-ref" id="fnref:152" href="#fn:152"><sup>152</sup></a> <a href="/facts/Arcade_Fire/rmFrJbmz">Arcade Fire</a>,<a class="footnote-ref" id="fnref:153" href="#fn:153"><sup>153</sup></a> <a href="/facts/Laurie_Anderson/oV94W7fg">Laurie Anderson</a>,<a class="footnote-ref" id="fnref:154" href="#fn:154"><sup>154</sup></a> <a href="/facts/Kanye_West/9AptrF4P">Kanye West</a>, <a href="/facts/Prince_(musician)/cSkbYHIA">Prince</a>,<a class="footnote-ref" id="fnref:155" href="#fn:155"><sup>155</sup></a> and David Bowie.<a class="footnote-ref" id="fnref:156" href="#fn:156"><sup>156</sup></a> </p><p>Lyrically, Lorde cited her mother, a poet, as the primary influence for her songwriting.<a class="footnote-ref" id="fnref:157" href="#fn:157"><sup>157</sup></a> She also named several authors, including <a href="/facts/Kurt_Vonnegut/sPmWap62">Kurt Vonnegut</a>,<a class="footnote-ref" id="fnref:158" href="#fn:158"><sup>158</sup></a> <a href="/facts/Raymond_Carver/aE7h8Tz7">Raymond Carver</a>,<a class="footnote-ref" id="fnref:159" href="#fn:159"><sup>159</sup></a> <a href="/facts/Wells_Tower/TmRum5hK">Wells Tower</a>,<a class="footnote-ref" id="fnref:160" href="#fn:160"><sup>160</sup></a> <a href="/facts/Tobias_Wolff/j6kX3foC">Tobias Wolff</a>,<a class="footnote-ref" id="fnref:161" href="#fn:161"><sup>161</sup></a> <a href="/facts/Claire_Vaye_Watkins/EzLpYrDB">Claire Vaye Watkins</a>,<a class="footnote-ref" id="fnref:162" href="#fn:162"><sup>162</sup></a> <a href="/facts/Sylvia_Plath/EThUabbj">Sylvia Plath</a>,<a class="footnote-ref" id="fnref:163" href="#fn:163"><sup>163</sup></a> <a href="/facts/Walt_Whitman/dGugaxdb">Walt Whitman</a>,<a class="footnote-ref" id="fnref:164" href="#fn:164"><sup>164</sup></a> and <a href="/facts/T._S._Eliot/7GTE9As8">T. S. Eliot</a> as lyrical inspirations, particularly noting their <a href="/facts/Sentence_structure/6PxSV98p">sentence structures</a>.<a class="footnote-ref" id="fnref:165" href="#fn:165"><sup>165</sup></a> </p><p>When writing her second album, <i>Melodrama</i>, Lorde took inspiration from the melodic styles of a variety of musicians, including <a href="/facts/The_1975/7Bu4Ikrz">the 1975</a>–especially their song "<a href="/facts/Somebody_Else_(The_1975_song)/5IGqRJL3">Somebody Else</a>",<a class="footnote-ref" id="fnref:166" href="#fn:166"><sup>166</sup></a> <a href="/facts/Phil_Collins/fJ4ccc0D">Phil Collins</a>,<a class="footnote-ref" id="fnref:167" href="#fn:167"><sup>167</sup></a> <a href="/facts/Don_Henley/gl6IQzaz">Don Henley</a>,<a class="footnote-ref" id="fnref:168" href="#fn:168"><sup>168</sup></a> <a href="/facts/Rihanna/SVplktjf">Rihanna</a>,<a class="footnote-ref" id="fnref:169" href="#fn:169"><sup>169</sup></a> <a href="/facts/Florence_and_the_Machine/W6Nq5PNe">Florence and the Machine</a>,<a class="footnote-ref" id="fnref:170" href="#fn:170"><sup>170</sup></a> <a href="/facts/Tom_Petty/mBmQSI7e">Tom Petty</a>,<a class="footnote-ref" id="fnref:171" href="#fn:171"><sup>171</sup></a> <a href="/facts/Joni_Mitchell/BzoEuUpT">Joni Mitchell</a>, <a href="/facts/Leonard_Cohen/m0G88n2L">Leonard Cohen</a>,<a class="footnote-ref" id="fnref:172" href="#fn:172"><sup>172</sup></a> and <a href="/facts/Robyn/TMfgBT0t">Robyn</a>.<a class="footnote-ref" id="fnref:173" href="#fn:173"><sup>173</sup></a> During the recording process, she stated that <a href="/facts/Frank_Ocean/sBuucjm2">Frank Ocean</a>'s 2016 album <i><a href="/facts/Blonde_(Frank_Ocean_album)/wEtERGRJ">Blonde</a></i> inspired her to eschew "traditional song structures."<a class="footnote-ref" id="fnref:174" href="#fn:174"><sup>174</sup></a> She frequently listened to <a href="/facts/Paul_Simon/DHvKq33X">Paul Simon</a>'s 1986 album <i><a href="/facts/Graceland_(Paul_Simon_album)/XEGDSjI3">Graceland</a></i> while riding subways in New York City and on taxi rides on the way home from parties in her hometown of Auckland.<a class="footnote-ref" id="fnref:175" href="#fn:175"><sup>175</sup></a> She cited the 1950 science fiction short story "<a href="/facts/There_Will_Come_Soft_Rains_(short_story)/3Ba3sP7U">There Will Come Soft Rains</a>" by <a href="/facts/Ray_Bradbury/zN4vIQnN">Ray Bradbury</a> as inspiration for much of <i>Melodrama</i>'s story, relating it to her own realities she faced.<a class="footnote-ref" id="fnref:176" href="#fn:176"><sup>176</sup></a> </p> <h3>Musical style and songwriting</h3> <p>Lorde is noted for her unconventional pop sound and introspective songwriting.<a class="footnote-ref" id="fnref:177" href="#fn:177"><sup>177</sup></a> In a 2017 interview with <i><a href="/facts/NME/EAscmwXq">NME</a></i>, she declared "I don't think about staying in my genre lane".<a class="footnote-ref" id="fnref:178" href="#fn:178"><sup>178</sup></a> <a href="/facts/AllMusic/Hb8cU8Fb">AllMusic</a>'s <a href="/facts/Stephen_Thomas_Erlewine/7HnXs404">Stephen Thomas Erlewine</a> characterised her style as primarily <a href="/facts/Electropop/kJlnJCgB">electropop</a>,<a class="footnote-ref" id="fnref:179" href="#fn:179"><sup>179</sup></a> while scholar Tony Mitchell categorized her as an <a href="/facts/Alt-pop/7xRALNsG">alt-pop</a> singer.<a class="footnote-ref" id="fnref:180" href="#fn:180"><sup>180</sup></a> Upon the release of <i>Pure Heroine</i>, music critics described her music as electropop,<a class="footnote-ref" id="fnref:181" href="#fn:181"><sup>181</sup></a> <a href="/facts/Art_pop/CLAUoDBP">art pop</a>,<a class="footnote-ref" id="fnref:182" href="#fn:182"><sup>182</sup></a> <a href="/facts/Dream_pop/bgYA9bVu">dream pop</a>,<a class="footnote-ref" id="fnref:183" href="#fn:183"><sup>183</sup></a> <a href="/facts/Indie_pop/BERqJEEV">indie pop</a>,<a class="footnote-ref" id="fnref:184" href="#fn:184"><sup>184</sup></a> and <a href="/facts/Indie-electro/WwHEa2bQ">indie-electro</a>,<a class="footnote-ref" id="fnref:185" href="#fn:185"><sup>185</sup></a> with influences of <a href="/facts/Hip_hop/7HjAPIEh">hip hop</a>.<a class="footnote-ref" id="fnref:186" href="#fn:186"><sup>186</sup></a> <i>Melodrama</i> was a departure from the hip hop-oriented minimalist style of its predecessor, incorporating piano instrumentation and <a href="/facts/Maximalism/nFY6ufyQ">maximalist</a> electronic beats.<a class="footnote-ref" id="fnref:187" href="#fn:187"><sup>187</sup></a> </p><p>Lorde possesses a <a href="/facts/Contralto/PmhLXIze">contralto</a> vocal range.<a class="footnote-ref" id="fnref:188" href="#fn:188"><sup>188</sup></a><a class="footnote-ref" id="fnref:189" href="#fn:189"><sup>189</sup></a> Before <i>Melodrama</i>, Lorde only sang and did not play musical instruments on her records or onstage, saying, "[My] voice needs to have the focus. My vocal-scape is really important".<a class="footnote-ref" id="fnref:190" href="#fn:190"><sup>190</sup></a> <i><a href="/facts/PopMatters/AJeW11gx">PopMatters</a></i> described Lorde's vocals as "unique and powerfully intriguing",<a class="footnote-ref" id="fnref:191" href="#fn:191"><sup>191</sup></a> while <i>Billboard</i> characterised her voice as "dynamic, smoky and restrained".<a class="footnote-ref" id="fnref:192" href="#fn:192"><sup>192</sup></a> For the Melodrama World Tour, however, she played a drum pad <a href="/facts/Sampler_(musical_instrument)/BVGHPATc">sampler</a>,<a class="footnote-ref" id="fnref:193" href="#fn:193"><sup>193</sup></a> and <a href="/facts/Xylophone/3nI7DPvU">xylophone</a> onstage in some performances.<a class="footnote-ref" id="fnref:194" href="#fn:194"><sup>194</sup></a> Shortly after finishing her tour, Lorde said she had started learning to play the piano.<a class="footnote-ref" id="fnref:195" href="#fn:195"><sup>195</sup></a> <i><a href="/facts/Vice_(magazine)/cfPWAE8z">Vice</a></i> noted that her songs incorporated the <a href="/facts/Mixolydian_mode/4CmY3oSv">mixolydian mode</a>, a melodic structure used in "<a href="/facts/Blues/f2WSr9QQ">blues</a>-based and <a href="/facts/Alternative_rock/7xRALNsG">alternative rock</a>" music, which set her songs apart from those in pop music for not fitting a common <a href="/facts/Major_chord/RwuuqKYS">major</a> or <a href="/facts/Minor_chord/XdLGImHS">minor</a> chord.<a class="footnote-ref" id="fnref:196" href="#fn:196"><sup>196</sup></a> </p><p>Regarding her songwriting process, Lorde explained that the foundation to her songs began with the lyrics, which could sometimes stem from a singular word meant to summarise a specific idea she had tried to identify.<a class="footnote-ref" id="fnref:197" href="#fn:197"><sup>197</sup></a> For "Tennis Court", Lorde wrote the music before lyrics.<a class="footnote-ref" id="fnref:198" href="#fn:198"><sup>198</sup></a> She stated that the songwriting on <i>Pure Heroine</i> developed from the perspective of an observer.<a class="footnote-ref" id="fnref:199" href="#fn:199"><sup>199</sup></a> Similarly, in an interview with <i>NME</i>, Lorde acknowledged that she used words of inclusion throughout her debut album, while her follow-up <i>Melodrama</i> presented a shift to <a href="/facts/First-person_narrative/xN0HgEEL">first-person narrative</a>, employing more introspective lyrics inspired by Lorde's personal struggles post-breakup and viewpoints on post-teenage maturity.<a class="footnote-ref" id="fnref:200" href="#fn:200"><sup>200</sup></a> Lorde's neurological condition <a href="/facts/Chromesthesia/ujPLzgga">chromesthesia</a> influenced her songwriting on the album; it led her to arrange colours according to each song's theme and emotion.<a class="footnote-ref" id="fnref:201" href="#fn:201"><sup>201</sup></a> </p> <h2 id="public-image-and-influence">Public image and influence</h2> <p>Lorde's stage name illustrates her fascination with "<a href="/facts/Royal_family/cjN7Nbw7">royals</a> and <a href="/facts/Aristocracy_(class)/Ij9GVxCE">aristocracy</a>"; she added an "e" after the name Lord, which she felt was too masculine, to make it more feminine.<a class="footnote-ref" id="fnref:202" href="#fn:202"><sup>202</sup></a> She described her public image as something that "naturally" came to her and was identical to her real-life personality.<a class="footnote-ref" id="fnref:203" href="#fn:203"><sup>203</sup></a> Lorde identifies as a <a href="/facts/Feminist/RRqUvGmk">feminist</a>.<a class="footnote-ref" id="fnref:204" href="#fn:204"><sup>204</sup></a> <i><a href="/facts/The_New_Zealand_Herald/YB9ledeR">The New Zealand Herald</a></i> opined that her feminist ideology was different from her contemporaries due to Lorde's disinterest in sexualised performances.<a class="footnote-ref" id="fnref:205" href="#fn:205"><sup>205</sup></a> She proclaimed herself in an interview with <i><a href="/facts/V_(American_magazine)/GXb6getK">V</a></i> magazine as a "hugely <a href="/facts/Sex-positive/VhLdxmej">sex-positive</a> person", saying, "I have nothing against anyone getting naked. ... I just don't think it really would complement my music in any way or help me tell a story any better".<a class="footnote-ref" id="fnref:206" href="#fn:206"><sup>206</sup></a> </p><p>Critical reception of Lorde is generally positive, with praise concentrated on her maturity both musically and lyrically.<a class="footnote-ref" id="fnref:207" href="#fn:207"><sup>207</sup></a> <i><a href="/facts/The_New_York_Times/T9marWVX">The New York Times</a></i> called her "the pop prodigy" who was not conformed to boundaries and always sought experimentation.<a class="footnote-ref" id="fnref:208" href="#fn:208"><sup>208</sup></a> <i>Billboard</i> recognised Lorde as a spokesperson for a "female rock resurgence" by introducing her works to rock and alternative radio, which had seen a traditional male dominance.<a class="footnote-ref" id="fnref:209" href="#fn:209"><sup>209</sup></a> The publication also named her the "<a href="/facts/Honorific_nicknames_in_popular_music/hFc1V7E6">New Queen of Alternative</a>" in a 2013 cover story.<a class="footnote-ref" id="fnref:210" href="#fn:210"><sup>210</sup></a> Journalist <a href="/facts/Robert_Christgau/0U1Du9U9">Robert Christgau</a> was less enthusiastic towards Lorde's styles, labelling the singer as "a pop property" that was indistinguishable from other mainstream artists.<a class="footnote-ref" id="fnref:211" href="#fn:211"><sup>211</sup></a> </p><p>Lorde's critiques of mainstream culture on <i>Pure Heroine</i> earned her the title "the voice of her generation",<a class="footnote-ref" id="fnref:212" href="#fn:212"><sup>212</sup></a> a label she dismissed, saying that "young people have never needed a specialised spokesperson".<a class="footnote-ref" id="fnref:213" href="#fn:213"><sup>213</sup></a> <a href="/facts/Jon_Caramanica/nShQXBHK">Jon Caramanica</a>, writing for <i>The New York Times</i>, credited Lorde for bringing forth a "wave of female rebellion" to mainstream audiences that embraced an "anti-pop" sentiment.<a class="footnote-ref" id="fnref:214" href="#fn:214"><sup>214</sup></a> Sharing a similar viewpoint, <i><a href="/facts/Rolling_Stone/HhCFoJ9F">Rolling Stone</a></i> and <a href="/facts/NPR/BohIW9Xg">NPR</a> credited her debut studio album <i>Pure Heroine</i> as the foundation of that transformation.<a class="footnote-ref" id="fnref:215" href="#fn:215"><sup>215</sup></a> Several analysts also noted Lorde's influence on the <a href="/facts/2010s_in_music/od985sX4">music trends of the 2010s</a>,<a class="footnote-ref" id="fnref:216" href="#fn:216"><sup>216</sup></a> and have credited the singer with paving the way for the current generation of alternative-leaning pop artists.<a class="footnote-ref" id="fnref:217" href="#fn:217"><sup>217</sup></a> She placed at number 12 on NPR's 2018 readers poll of the most influential female musicians of the 21st century.<a class="footnote-ref" id="fnref:218" href="#fn:218"><sup>218</sup></a> Her work has influenced various artists, including <a href="/facts/Billie_Eilish/RYpjnAMX">Billie Eilish</a>,<a class="footnote-ref" id="fnref:219" href="#fn:219"><sup>219</sup></a> <a href="/facts/Olivia_Rodrigo/vEK3amfD">Olivia Rodrigo</a>,<a class="footnote-ref" id="fnref:220" href="#fn:220"><sup>220</sup></a> <a href="/facts/Sabrina_Carpenter/MbFqMSak">Sabrina Carpenter</a>,<a class="footnote-ref" id="fnref:221" href="#fn:221"><sup>221</sup></a> <a href="/facts/Conan_Gray/9rDmjyIR">Conan Gray</a>,<a class="footnote-ref" id="fnref:222" href="#fn:222"><sup>222</sup></a> and <a href="/facts/Troye_Sivan/ojuj3HFm">Troye Sivan</a>.<a class="footnote-ref" id="fnref:223" href="#fn:223"><sup>223</sup></a> </p><p>Her onstage persona, particularly her signature unchoreographed dancing, has polarised audiences. Her detractors have described her dance moves as "awkward" in comparison to other stage performers.<a class="footnote-ref" id="fnref:224" href="#fn:224"><sup>224</sup></a> <i><a href="/facts/The_Fader/SJ8qCseG">The Fader</a></i> expressed that she should be celebrated for her dancing as it is "more freeform and spontaneous" than structured choreography and "speaks an entirely different expressive language". The publication further elaborated that her "stage presence [is] more impactful than the average pop performance".<a class="footnote-ref" id="fnref:225" href="#fn:225"><sup>225</sup></a> Lorde was parodied in the <i><a href="/facts/South_Park/1gvjuzwN">South Park</a></i> episodes "<a href="/facts/The_Cissy/EmgjKuVm">The Cissy</a>" and "<a href="/facts/Rehash_(South_Park)/2lctGY56">Rehash</a>", broadcast in October and December 2014, respectively.<a class="footnote-ref" id="fnref:226" href="#fn:226"><sup>226</sup></a> </p><p>During the buildup to, and during the rollout of Lorde's fourth album <i>Virgin</i>, her gender identity was speculated on, following a shifting in her dress sense, as well as posts on social media.<a class="footnote-ref" id="fnref:227" href="#fn:227"><sup>227</sup></a> Lorde later told <a href="/facts/Emma_Chamberlain/K4fRHt4Q">Emma Chamberlain</a> in an interview at the 2025 <a href="/facts/Met_Gala/UJVqn8xa">Met Gala</a> that she felt "like a man and a woman",<a class="footnote-ref" id="fnref:228" href="#fn:228"><sup>228</sup></a> and later revealed to <i>Rolling Stone</i> that she identifies as "in the middle, gender-wise." In the same interview, she described herself as a "wealthy, cis, white woman" while discussing trans rights and the privilege her identity confers.<a class="footnote-ref" id="fnref:229" href="#fn:229"><sup>229</sup></a> </p> <h2 id="philanthropy">Philanthropy</h2> <p>Lorde has been involved in several philanthropic causes. "<a href="/facts/The_Love_Club/DLkynhmB">The Love Club</a>" was included in the 2013 charity album <i><a href="/facts/Songs_for_the_Philippines/8z9LfvxA">Songs for the Philippines</a></i> to support the people in the Philippines who suffered from <a href="/facts/Typhoon_Haiyan/0QobQQng">Typhoon Haiyan</a>.<a class="footnote-ref" id="fnref:230" href="#fn:230"><sup>230</sup></a> In 2015, Lorde recorded "<a href="/facts/Team_Ball_Player_Thing/efuEnNWf">Team Ball Player Thing</a>", a <a href="/facts/Charity_single/CC6vSu0c">charity single</a>, as part of the <a href="/facts/Supergroup_(music)/c5CqVYa9">supergroup</a> Kiwis Cure Batten. All sales from the song went towards research for the cure of <a href="/facts/Batten_disease/2BtmtF9h">Batten disease</a>, a fatal <a href="/facts/Neurodegenerative/HTDrVEqc">neurodegenerative</a> disorder.<a class="footnote-ref" id="fnref:231" href="#fn:231"><sup>231</sup></a> Later that year, the singer was featured in the compilation album <i>The Art of Peace: Songs for Tibet II</i> to raise funds for the preservation of the <a href="/facts/Tibetan_culture/0x8pz7uT">Tibetan culture</a>.<a class="footnote-ref" id="fnref:232" href="#fn:232"><sup>232</sup></a> The following year, Lorde made a <a href="/facts/NZ%24/P1zTELpH">NZ$</a>20,000 donation to Fuel the Need, a New Zealand charity that provides lunches for underprivileged schoolchildren.<a class="footnote-ref" id="fnref:233" href="#fn:233"><sup>233</sup></a> In 2018, she donated NZ$5,000 to <a href="/facts/Starship_Hospital/7ptafP3x">Starship Hospital</a> to fund the purchase of "five new portable <a href="/facts/Intraoperative_neurophysiological_monitoring/bAD3qSdv">neurology monitors</a>".<a class="footnote-ref" id="fnref:234" href="#fn:234"><sup>234</sup></a> Lorde became a patron of MusicHelps, formerly the New Zealand Music Foundation, a musical charity helping New Zealanders who are vulnerable to or experiencing serious health issues, in November 2018.<a class="footnote-ref" id="fnref:235" href="#fn:235"><sup>235</sup></a> </p> <h2 id="achievements">Achievements</h2> <p class="note">Main article: <a href="/facts/List_of_awards_and_nominations_received_by_Lorde/1lFcgXGt">List of awards and nominations received by Lorde</a></p> <p>After her breakthrough, Lorde won four <a href="/facts/Aotearoa_Music_Awards/LxhN33bp">New Zealand Music Awards</a> at the <a href="/facts/2013_New_Zealand_Music_Awards/60Nmfxn3">2013 ceremony</a>.<a class="footnote-ref" id="fnref:236" href="#fn:236"><sup>236</sup></a> The single "Royals" earned the <a href="/facts/APRA_Awards_(New_Zealand)/lJIRHyv1">APRA Silver Scroll Award</a>,<a class="footnote-ref" id="fnref:237" href="#fn:237"><sup>237</sup></a> and two Grammy Awards for Best Pop Solo Performance and Song of the Year.<a class="footnote-ref" id="fnref:238" href="#fn:238"><sup>238</sup></a> In <a href="/facts/72nd_Golden_Globe_Awards/w7IGRzsg">2015</a>, she received a Golden Globe nomination for Best Original Song as a songwriter for "Yellow Flicker Beat".<a class="footnote-ref" id="fnref:239" href="#fn:239"><sup>239</sup></a> Her second studio album <i>Melodrama</i> received a Grammy nomination for <a href="/facts/Grammy_Award_for_Album_of_the_Year/N7gTMqGf">Album of the Year</a> at the <a href="/facts/60th_Annual_Grammy_Awards/QqA8NgJ5">60th ceremony</a>.<a class="footnote-ref" id="fnref:240" href="#fn:240"><sup>240</sup></a> Lorde has received two <a href="/facts/Brit_Awards/bxtQ4aR2">Brit Awards</a> for <a href="/facts/Brit_Award_for_International_Female_Solo_Artist/oWITjEaj">International Female Solo Artist</a>.<a class="footnote-ref" id="fnref:241" href="#fn:241"><sup>241</sup></a> The singer has also won two <a href="/facts/Billboard_Music_Awards/D2TyHa1P"><i>Billboard</i> Music Awards</a>, one <a href="/facts/MTV_Video_Music_Award/F9H94We9">MTV Video Music Award</a> and three <a href="/facts/World_Music_Awards/vQu1oADp">World Music Awards</a>.<a class="footnote-ref" id="fnref:242" href="#fn:242"><sup>242</sup></a> She had sold over five million albums worldwide as of June 2017<a class="footnote-ref" id="fnref:243" href="#fn:243"><sup>243</sup></a> and 15 million certified single units in the United States.<a class="footnote-ref" id="fnref:244" href="#fn:244"><sup>244</sup></a> <i>Billboard</i> ranked Lorde at number 44 on its 2025 "Top 100 Women Artists of the 21st Century" list.<a class="footnote-ref" id="fnref:245" href="#fn:245"><sup>245</sup></a> </p> <h2 id="discography">Discography</h2> <p class="note">Main articles: <a href="/facts/Lorde_discography/ucXo3IR7">Lorde discography</a> and <a href="/facts/List_of_songs_recorded_by_Lorde/L14kRGUx">List of songs recorded by Lorde</a></p> <ul><li><i><a href="/facts/Pure_Heroine/y7LUGqRs">Pure Heroine</a></i> (2013)</li> <li><i><a href="/facts/Melodrama_(Lorde_album)/J37xBFLj">Melodrama</a></i> (2017)</li> <li><i><a href="/facts/Solar_Power_(album)/dtfjrkR2">Solar Power</a></i> (2021)</li> <li><i><a href="/facts/Virgin_(Lorde_album)/n2tJUMQX">Virgin</a></i> (2025)</li></ul> <h2 id="written-works">Written works</h2> <ul><li><i><a href="/facts/Going_South_(book)/kTYNrDhV">Going South</a></i> (2021)<a class="footnote-ref" id="fnref:246" href="#fn:246"><sup>246</sup></a></li></ul> <h2 id="filmography">Filmography</h2> List of television appearances<table><tbody><tr><th>Year</th><th>Title</th><th>Role</th><th>Notes</th></tr><tr><td>2017</td><td><i><a href="/facts/Saturday_Night_Live/LM8etPx8">Saturday Night Live</a></i></td><td>Herself</td><td>Episode: "<a href="/facts/Scarlett_Johansson/BLEDlMMx">Scarlett Johansson</a> / Lorde"<a class="footnote-ref" id="fnref:247" href="#fn:247"><sup>247</sup></a></td></tr></tbody></table> <h2 id="tours">Tours</h2> <ul><li><a href="/facts/Pure_Heroine_Tour/ez5npTGI">Pure Heroine Tour</a> (2013–2014)</li> <li><a href="/facts/Melodrama_World_Tour/eSl0S8ty">Melodrama World Tour</a> (2017–2018)</li> <li><a href="/facts/Solar_Power_Tour/6l1t6ra4">Solar Power Tour</a> (2022–2023)</li> <li><a href="/facts/Ultrasound_World_Tour/QtJeVBXU">Ultrasound World Tour</a> (2025)</li></ul> <h2 id="see-also">See also</h2> <ul> <li>Biography portal</li><li>Pop music portal</li><li>New Zealand portal</li></ul> <ul><li><a href="/facts/List_of_New_Zealand_Grammy_Award_winners_and_nominees/Iyc7dJNU">List of New Zealand Grammy Award winners and nominees</a></li> <li><a href="/facts/List_of_New_Zealand_musicians/LH7YpUtT">List of New Zealand musicians</a></li> <li><a href="/facts/List_of_best-selling_singles/wP7Ak2lq">List of best-selling singles</a></li></ul> <h2 id="notes">Notes</h2> <h2 id="external-links">External links</h2> <ul><li><a href="https://www.lorde.co.nz/">Official website</a> </li> <li><a href="https://www.discogs.com/artist/Lorde">Lorde</a> discography at <a href="/facts/Discogs/wdyMoREv">Discogs</a></li> <li><a href="https://musicbrainz.org/artist/8e494408-8620-4c6a-82c2-c2ca4a1e4f12">Lorde</a> discography at <a href="/facts/MusicBrainz/o57LNX6D">MusicBrainz</a> </li> <li><a href="https://www.imdb.com/name/nm5941025/">Lorde</a> at <a href="/facts/IMDb_(identifier)/uWrqVYVy">IMDb</a></li> <li><a href="https://www.audioculture.co.nz/profile/lorde">Lorde</a> at <a href="/facts/AudioCulture/M5PcKvfD">AudioCulture</a></li> <li><a href="https://www.youtube.com/channel/UCOxhwqKKlVq_NaD0LVffGuw">Lorde's channel</a> on <a href="/facts/YouTube_channel_(identifier)/db276jst">YouTube</a></li></ul> <h2 id="references">References</h2> <ol> <li id="fn:1"><p>Multiple sources: Lipshutz, Jason (6 September 2013). 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