In 1939, Mansfield's widowed mother married sales engineer Harry Lawrence Peers, and the family moved to Dallas, Texas. As a girl Jayne was known as Vera Jayne Peers. As a child, she wanted to be a Hollywood star like Shirley Temple. At age 12, she took ballroom dance lessons. She graduated from Highland Park High School in 1950. While in high school, she took violin, piano, and viola lessons. She also studied Spanish and German.
Lumet helped Mansfield get her first screen test at Paramount in April 1954. She moved with Paul and daughter Jayne Marie to Los Angeles that year. Mansfield worked various odd jobs, including selling popcorn at the Stanley Warner Theatre, teaching dance, selling candy at a movie theater, modeling part-time at the Blue Book Model Agency, and working as a photographer at Esther Williams's Trails Restaurant.
In 1952, while in Dallas, she and Paul Mansfield participated in small local-theater productions of The Slaves of Demon Rum and Ten Nights in a Barroom. They also appeared in Anything Goes in Camp Gordon, Georgia. After he left for military service, she made her first significant stage appearance in a production of Arthur Miller's Death of a Salesman on October 22, 1953, with the players of the Knox Street Theater, headed by Lumet. While at UCLA, she entered the Miss California contest (hiding her marital status), and won the local round before withdrawing.
Early in Mansfield's career, some advertisers considered her prominent breasts undesirable. She lost her first professional assignment, a General Electric commercial featuring young women in bathing suits relaxing around a pool. Emmeline Snively, head of the Blue Book Model Agency, had sent Mansfield to photographer Gene Lester, which led to her short-lived assignment in the commercial.
The Mansfields had divorced. In August 1956, Paul Mansfield sought custody of his daughter, alleging that Jayne was an unfit mother because she appeared nude in Playboy. In 1964, the magazine repeated the 1955 pictorial. Playboy later reprinted photos from that pictorial issue, with titles such as December 1965s "The Playboy Portfolio of Sex Stars", and January 2000s "Centerfolds of the Century".
In February 1955, James Byron, her manager and publicist, negotiated a seven-year contract with Warner Brothers, whose decisionmakers were intrigued by her publicity antics. The contract initially paid her $250 a week ($3,000 in 2024 dollars) and landed her two films, one with an insignificant role and one that was unreleased for two years. She filed for separation from Paul Mansfield that January. Mansfield was given bit parts in Pete Kelly's Blues (1955), starring Jack Webb, and Hell on Frisco Bay (1955), starring Alan Ladd. She acted in one more movie for Warner Brothers—another small but significant role opposite Edward G. Robinson in the courtroom drama Illegal (1955).
Mansfield got out of her Warner contract just in time to star on Broadway opposite Walter Matthau. Mansfield's agent, William Shiffrin, signed her to play fictional film star Rita Marlowe in the Broadway play Will Success Spoil Rock Hunter? with Orson Bean and Walter Matthau. The part was offered to her after Mamie Van Doren rejected it.
She was successful in this straight dramatic role, though most of her subsequent film appearances were comedic or capitalized on her sex appeal. It was Kellman's first major venture, and he claimed to have "discovered" Mansfield.
Soon afterward, Fox started promoting Mansfield as "Marilyn Monroe king-sized", attempting to coerce Monroe to return to the studio and complete her contract.
With a decreased demand for big-breasted, blonde bombshells and an increasing backlash against her excessive publicity, Mansfield became a box-office has-been by the early 1960s. She was still a celebrity, able to attract attention and large crowds for her lucrative and successful nightclub acts, including appearances in Las Vegas. She earned "$200,000 for ten weeks of work."
Fox stopped viewing her as a major Hollywood star and started loaning her and her likeness out to foreign productions in England and Italy, respectively, until the end of her contract in 1962. Many of her English/Italian films are regarded as obscure and some are considered lost.
Mansfield's wardrobe relied on the shapeless styles of the 1960s to hide her weight gain after the birth of her fifth child. Despite career setbacks, she remained a highly visible celebrity in the early 1960s through her publicity stunts and stage performances. In early 1967, Mansfield filmed her last role, a cameo in A Guide for the Married Man, a comedy starring Walter Matthau, Robert Morse, and Inger Stevens. The opening credits listed Mansfield as one of the technical advisers, along with other star names.
By 1958, she earned $20,000 per episode for television performances ($218,000 in 2024 dollars). In 1964, Mansfield turned down the role of Ginger Grant on the sitcom Gilligan's Island. Although her acting roles were becoming marginalized, Mansfield rejected the part as it epitomized the stereotype she wished to leave behind. The part went to Tina Louise. A widespread rumor that Mansfield had a breast-flashing dress mishap at the 1957 Academy Awards was later found to be baseless by Academy researchers.
As late as the mid-1980s, Mansfield as a figure drew audiences on television in fictional dramas portraying her and documentary productions with historic footage. In 1980, The Jayne Mansfield Story aired on CBS, starring Loni Anderson as Mansfield and Arnold Schwarzenegger as Mickey Hargitay. It was nominated for three Emmy Awards. The A+E Networks TV series Biography featured her in the episode Jayne Mansfield: Blonde Ambition. It won an Emmy Award in the outstanding nonfiction TV series category in 2001. A&E also dramatized her life in the TV serial, Dangerous Curves, in 1999. In 1988, her story and archival footage were part of the TV documentary Hollywood Sex Symbols.
Her wardrobe for the shows at Tropicana and Dunes featured a gold mesh dress with sequins to cover her nipples and pubic region. The controversial dress was called "Jayne Mansfield and a few sequins". In early 1963, she performed in her first club engagement outside Las Vegas, at the Plantation Supper Club in Greensboro, North Carolina, earning $23,000 in a week ($236,000 in 2024 dollars), and then at Iroquois Gardens in Louisville, Kentucky. She returned to Las Vegas in 1966, but her show was staged on Fremont Street, away from the Strip where the Tropicana and Dunes were. Her last nightclub act, French Dressing, was at the Latin Quarter in New York in 1966, also repeated at the Tropicana. It was a modified version of the Tropicana show and ran for six weeks with fair success.
Her nightclub career inspired films, documentaries, and a musical album. 20th Century Fox Records recorded "The House of Love" for the album Jayne Mansfield Busts Up Las Vegas in 1962. She played the roles of burlesque entertainer Midnight Franklin in Too Hot to Handle (1960) and Las Vegas showgirl Tawni Downs in The Las Vegas Hillbillys (1966). In 1967, the independent documentary Spree (alternative title Las Vegas by Night), about the antics of Las Vegas entertainers, was released. The film, narrated as a part of a travelogue of Vic Damone and Juliet Prowse, featured Mansfield, Hargitay, Constance Moore, and Clara Ward as guest stars. Mansfield strips and sings "Promise Her Anything" from the film Promises! Promises! A court order prohibited using any of the guest stars to promote the film.
Later in her career, Mansfield was busier on stage, performing and making appearances with her nightclub acts, club engagements, and performance tours. By 1960, she had made personal appearances for everything from supermarket promotions to drugstore openings, at $10,000 per appearance ($106,000 in 2024 dollars).
Mansfield had classical training in piano and violin. She sang in film soundtracks and on stage for her theatrical and nightclub performances, and released singles and albums. After her death, she became an inspiration for punk-rock musicians.
Mansfield was allegedly intimately involved with many men, including Claude Terrail (owner of the Paris restaurant Tour d'Argent), Robert F. Kennedy, John F. Kennedy, Brazilian billionaire Jorge Guinle, producer Enrico Bomba, and her attorney Samuel S. Brody. She met John F. Kennedy through his brother-in-law Peter Lawford in Palm Springs, California, in 1960, but their alleged affair did not last. In 1967, film critic Whitney Williams wrote of Mansfield in Variety: "her personal life out-rivaled any of the roles she played".
Jayne Palmer met Paul Mansfield at a party on Christmas Eve in 1949; she was a popular student at Highland Park High School, and he at Sunset High School in Dallas. On May 6, 1950, they married in Fort Worth, Texas. At the time of their marriage, Jayne was 17 and three months pregnant, and Paul was 20. (Some sources say the marriage was on May 10). According to biographer Raymond Strait, she had an earlier "secret" marriage on January 28, after which she conceived her first child. On November 8, 1950, Mansfield gave birth to her daughter, Jayne Marie Mansfield. Some sources say Paul Mansfield was her child's father; others say the pregnancy was the result of date rape.
In 1952, she juggled motherhood and classes at the University of Texas. Early in 1952, Paul was called to the United States Army Reserve for the Korean War. While he served in the army, she spent a year at Camp Gordon, Georgia. Her life became easier with Paul's army allotment. Paul Mansfield hoped their child's birth would discourage Jayne's interest in acting. When it did not, he agreed to move to Los Angeles in 1954 after returning from the Korean War to further her career. Once in California, he took a job with a small newspaper in East Los Angeles and lived in a small apartment in Van Nuys, Los Angeles, with Jayne and her pets—a Great Dane, three cats named Sabina, Romulus, and Ophelia, two chihuahuas, a poodle dyed pink, and a rabbit. She left Jayne Marie with her maternal grandparents and spent the summer semester at UCLA.
After a series of arguments about Jayne's ambitions, infidelity, and animals, Paul and Jayne decided to dissolve the marriage. It was a long process. In February 1955, Jayne filed for separate maintenance, and in August 1956 Paul filed for custody of their daughter. Jayne filed for divorce in California in 1956; Paul filed for divorce in 1957 in Texas, citing mental cruelty, and they received their divorce papers on January 8, 1958. After the divorce, she kept "Mansfield" as her professional name. Paul Mansfield remarried, settled into the public relations business, and moved to Chattanooga, Tennessee, but failed to win custody of Jayne Marie or restrain her from traveling abroad with her mother.
After turning 18, Jayne Marie complained that she had not received her inheritance from the Mansfield estate or heard from her father since her mother's death.
After Mansfield returned from her 40-day European tour, Hargitay proposed to her on November 6, 1957, with a $5,000 10-carat diamond ring ($56,000 in 2024 dollars). On January 13, 1958 (days after her divorce from Paul Mansfield was finalized), Mansfield married Hargitay at the Wayfarers Chapel in Rancho Palos Verdes, California. The unique glass chapel made public and press viewing of the wedding easy. Mansfield wore a pink, skin-tight wedding gown made of sequins with a 30 yd (27 m) flounce of pink tulle (designed by a 20th Century-Fox costume designer), and at the reception she had Hargitay drink pink champagne.
Mansfield and Hargitay had two sons: Miklós "Mickey" Hargitay, Jr. (b. 1958) and Zoltán Hargitay (b. 1960).
Mansfield and Hargitay made personal appearances on television shows such as the Bob Hope Specials. They had a number of business holdings, including the Hargitay Exercise Equipment Company, Jayne Mansfield Productions, and Eastland Savings and Loan. She co-wrote the autobiographical book Jayne Mansfield's Wild, Wild World with Hargitay. It contained 32 pages of black-and-white photographs from the film printed on glossy paper.
After divorcing Hargitay, Mansfield discovered she was pregnant. Being an unwed mother would have endangered her career, so she and Hargitay announced that they were still married. A daughter, Mariska Hargitay, was born on January 23, 1964, after the divorce was finalized but before California ruled it valid. Mariska later revealed that Sardelli is her biological father. Mansfield sued to get the Juarez divorce declared legal after Mariska was born, and the divorce was recognized on August 26, 1964.
A court decree in June 1967 made Hargitay the guardian of Mickey, Zoltan, and Mariska, though they continued to live with Mansfield. He married airline stewardess Ellen Siano in 1968, and she accompanied him to New Orleans when he picked up his children after Mansfield's death. Shortly after her funeral, Hargitay sued his ex-wife's estate for more than $275,000 ($2.60 million in 2024 dollars) to support the children, as he and Ellen would raise them, but he lost the suit. Mansfield once told Hargitay on a television talk show that she was sorry for all the trouble she had caused him.
In July 1966, Mansfield started living with her attorney, Sam Brody, who had frequent drunken brawls with her and mistreated her daughter Jayne Marie. Sam's wife, Beverly Brody, filed for divorce, calling Mansfield the "41st other woman" in Sam's life.
Mansfield's son Zoltán made news when a lion attacked him and bit his neck while he and his mother visited the theme park Jungleland USA in Thousand Oaks, California, on November 23, 1966. He suffered severe head trauma, underwent three surgeries at Community Memorial Hospital in Ventura, California, including a six-hour brain surgery, and contracted meningitis. He recovered, and Brody sued the theme park on the family's behalf for $1.6 million ($15.1 million in 2024 dollars). The publicity led to the theme park's closure.
Two weeks before her mother's death in 1967, 16-year-old Jayne Marie accused Brody of beating her. Her statement to the Los Angeles Police Department implicated her mother in encouraging the abuse, and days later a juvenile court judge awarded temporary custody of Jayne Marie to Paul Mansfield's uncle William W. Pigue and his wife Mary.
Mansfield was a major Hollywood sex symbol of the 1950s and early 1960s and 20th Century Fox's alternative to Marilyn Monroe. She came to be known as the "Working Man's Monroe". She was one of Hollywood's original blonde bombshells, and remains one of the most recognizable icons of 1950s celebrity culture.
Mansfield and Monroe have been described as representations of a historical juncture of sexuality in comedy and popular culture. Academics have also named Anita Ekberg and Bettie Page as catalysts of the trend of exaggerated female sexuality. M. Thomas Inge describes Mansfield, Monroe, and Jane Russell as personifications of the bad girl in popular culture. Judy Holliday and Goldie Hawn have also been said to have established the "dumb blonde" stereotype, typified by overt sexuality and apparent inability to understand everyday life. Instead of the asexualized and virginal "nice girls" of earlier films, the pneumatic blonde bombshells took over the screen in the 1950s and have been consistently emulated since. Social historian Joan Jacobs Brumberg called the 1950s as "an era distinguished by its worship of full-breasted women" and attributes the paradigm shift to Mansfield and Monroe. Patricia Vettel-Becker specifically attributed the phenomenon to Playboy magazine and Mansfield's and Monroe's appearances in it.
Newspapers in the 1950s routinely published Mansfield's body measurements, which once led evangelist Billy Graham to exclaim, "This country knows more about Jayne Mansfield's statistics than the Second Commandment." Mansfield proclaimed a 41-inch bust line and a 22-inch waist when she made her Broadway debut in 1955, though some scholars dispute those figures. She was known as "the Cleavage Queen" and "the Queen of Sex and Bosom".
It was said that her breasts fluctuated in size from her pregnancies and nursing her five children. Her smallest bust measurement was 40-D (102 cm), which was constant throughout the 1950s, and her largest was 46-DD (117 cm), measured by the press in 1967. According to Playboy, her vital statistics were 40D-21-36 (102–53–91 cm) on her 5 ft 6 in (1.68 m) frame.
Mansfield's drive for publicity was one of the strongest in Hollywood. She gave up all privacy, her doors always open to photographers. On Christmas Eve 1954, she walked into publicist James Byron's office with a gift and asked him to oversee her publicity, which he did, for the most part, until the end of 1961. Byron appointed most of the people on her team—William Shiffrin (press agent), Greg Bautzer (attorney), and Charles Goldring (business manager)—and constantly planted publicity material in the media. She appeared in about 2,500 newspaper photographs, and had about 122,000 lines of newspaper copy written about her between September 1956 and May 1957.
Because of this media blitz, she achieved international renown. On October 10, 1959, she visited White Hart Lane, England, and watched the Tottenham Hotspur versus Wolverhampton Wanderers FC football match. By 1960, Mansfield had topped press polls for most words in print, made more personal appearances than any political candidate, and was regarded as the world's most-photographed Hollywood celebrity. She made news on a regular basis, for malfunctioning dresses, clothing that burst strategically at the seams, and low-cut dresses without a bra. Things worsened when she took charge of her own publicity without advice. According to Shiffrin, "She became a freak." James Bacon wrote in the Los Angeles Herald-Examiner in 1973: "Here was a girl with real comedy talent, spectacular figure and looks and yet ridiculed herself out of business by outlandish publicity."
Mansfield received her first truly negative publicity after she and Hargitay pleaded poverty when his first wife, Mary Hargitay, whom he divorced on September 6, 1956, requested additional child support for their first child, Tina, in September 1958. Mansfield said she slept on the floor of her mansion, was unable to buy furniture, and spent only $71 on her daughter Jayne Marie ($1,000 in 2024 dollars). During this marriage she had three children, Miklós Jeffrey Palmer Hargitay (born December 21, 1958), Zoltán Anthony Hargitay (born August 1, 1960), and Mariska (born January 23, 1964), the biological daughter of Nelson Sardelli.
In January 1955, Mansfield appeared at a Silver Springs, Florida, press junket promoting the film Underwater!, starring Jane Russell. She purposely wore a too-small red bikini lent to her by photographer friend Peter Gowland. When she dived into the pool for photographers, her top came off, creating a burst of media attention. The ensuing publicity led Warner Bros. and Playboy to approach her with offers. On June 8 of that year, her dress fell down to her waist twice in a single evening, once at a movie party and later at a nightclub. In February 1958, she was topless at a Carnival party in Rio de Janeiro. She shimmied out of her polka-dot dress in a Rome nightclub in June 1962. In the three years since making her Broadway debut in Will Success Spoil Rock Hunter?, Mansfield had become the most controversial star of the decade.
In April 1957, her breasts were the focus of a publicity stunt intended to deflect media attention from Sophia Loren during a dinner party in Loren's honor. Photographs of them were published around the world. The best-known showed Loren gazing at Mansfield's cleavage (she was seated between Loren and her dinner companion, Clifton Webb) when Mansfield leaned over the table, allowing her breasts to spill over her low neckline, exposing one of her nipples. The photo was a UPI sensation, appearing in newspapers and magazines with the word "censored" hiding Mansfield's nipple.
At the same time, the media were quick to condemn Mansfield's stunts. One editorial columnist wrote: "We are amused when Miss Mansfield strains to pull in her stomach to fill out her bikini better; but we get angry when career-seeking women, shady ladies, and certain starlets and actresses ... use every opportunity to display their anatomy unasked." By the late 1950s, Mansfield began to generate a great deal of negative publicity because of repeated exposure of her breasts in carefully staged public "wardrobe accidents". Richard Blackwell, her wardrobe designer (who also designed for Jane Russell, Dorothy Lamour, Peggy Lee and Nancy Reagan), dropped her from his client list because of this. In April 1967, the Los Angeles Times wrote: "She confuses publicity and notoriety with stardom and celebrity and the result is very distasteful to the public."
Mansfield adopted pink as her color in 1954, and was associated with it for the rest of her career. Her original choice was purple, but she thought it too close to lavender, Kim Novak's signature color. "It must have been the right decision," she said, "because I got more column space from pink than Kim Novak ever did from lavender." In November 1957, shortly before their marriage, using money from an inheritance, Mansfield bought the 40-room Mediterranean-style mansion (formerly owned by Rudy Vallée) at 10100 Sunset Boulevard in the Holmby Hills section of Los Angeles. Mansfield had the house painted pink, with cupids surrounded by pink fluorescent lights, pink fur in the bathrooms, a pink heart-shaped bathtub, and a fountain spurting pink champagne; she then dubbed it the "Pink Palace". Hargitay (a plumber and carpenter before taking up bodybuilding) built the pink heart-shaped swimming pool. The year after reconstructing the "Pink Palace" as a "pink landmark", she began riding in a pink Cadillac Eldorado Biarritz convertible with tailfins, then the only pink Cadillac in Hollywood.
Throughout her career, Mansfield was compared by the media to the reigning sex symbol of the period, Marilyn Monroe. 20th Century Fox groomed her and Sheree North to substitute for Monroe, their resident blonde bombshell, while Universal Pictures launched Van Doren as its substitute. The studio launched Mansfield with a grand 40-day tour of England and Europe from September 25 to November 6, 1957. She adopted Monroe's vocal mannerisms instead of her original husky voice and Texas accent, performed in two plays that were based on Monroe vehicles, Bus Stop and Gentlemen Prefer Blondes, and her role in The Wayward Bus was strongly influenced by Monroe's character in Bus Stop.
Mansfield's body was flown from New Orleans to New York and a private funeral took place on July 3 at the chapel of the Pullis Funeral Home in Pen Argyl, Pennsylvania, officiated by a pastor of the Zion Methodist Church who had known Mansfield since her childhood. Mansfield was buried in Fairview Cemetery next to her father. Mickey Hargitay was the only ex-husband of Mansfield present at the funeral.
In 1968, two wrongful-death lawsuits were filed on behalf of Mansfield and ex-husband Matt Cimber. After a 16-day trial in 1971, the jury found that Harrison, the driver of the car, was negligent, that Richard Rambo, the driver of the truck into which Mansfield crashed, was not negligent, and that James McLelland, the driver of the fog-spraying truck, was negligent but his negligence was not a proximate cause of the accident; a rehearing was denied.
The crashed car was saved by a private collector in Florida, where it became a roadside attraction in the 1970s, then was on display by the Dearly Departed Tours & Artifact Museum until the COVID-19 pandemic, when it went into storage.
Mansfield left behind five children and a crumbling estate, including the Pink Palace.
After Mansfield's death, Hargitay, Cimber, Vera Peers (Mansfield's mother), William Pigue (Jayne Marie's legal guardian), and Charles Goldring (Mansfield's business manager), as well as Bernard B. Cohen and Jerome Webber (both administrators of the estate) filed unsuccessful suits to gain control of her estate. Mansfield's estate was appraised initially at $600,000 ($4.7 million in 2024 dollars), including the Pink Palace, estimated at $100,000 ($780,000 in 2024 dollars), a sports car sold for $7,000 ($54,000 in 2024 dollars), her jewelry, and Sam Brody's $185,000 estate left to her in his last will ($1,440,000 in 2024 dollars). In 1971, Beverly Brody sued the Mansfield estate for $325,000 ($2,520,000 in 2024 dollars) worth of presents and jewelry given to Mansfield by Sam Brody; the suit was settled out of court. However, her four eldest children (Jayne Marie, Mickey, Zoltan, and Mariska) went to court in 1977 to find that approximately $500,000 in debt that Mansfield had incurred ($3.9 million in 2024 dollars), including $11,000 for lingerie ($85,000 in 2024 dollars), $11,600 for plumbing of the heart-shaped swimming pool ($90,000 in 2024 dollars), and litigation had left the estate insolvent.
Scott, Mike (June 28, 2017). "Remembering the tragic death of Jayne Mansfield, 50 years later". The Times-Picayune/The New Orleans Advocate. https://www.nola.com/300/article_f67ff581-2b55-5118-8d41-fb30a8a8d41e.html
Golden, Eve (June 29, 2021). Jayne Mansfield: The Girl Couldn't Help It. University Press of Kentucky. ISBN 978-0-8131-8098-4. Jayne was actually born in Bryn Mawr—the Bryn Mawr Hospital to be precise. ... Why Jayne was born in Bryn Mawr is a mystery, as her parents lived in Pen Argyll, ... 978-0-8131-8098-4
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Mansfield's mother's full name before marriage was Vera Jeffrey Palmer. Jeffrey is not her "maiden name", it is a family name Vera inherited from her mother (Jayne Mansfield's grandmother), Beatrice (Jeffrey) Palmer. So, Jayne's mother's full name, including her "born as" last name, was Vera Jeffrey Palmer Palmer.[6]
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Jayne Mansfield Interview Clip 1960. June 19, 2012. Archived from the original on March 13, 2025. Retrieved March 13, 2025 – via YouTube. https://www.youtube.com/watch?v=O7RmQbzhfcI
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Bahiana, Ana Maria (December 29, 2017). "Golden Globe Moment: Jayne Mansfield Is Back In Town, 1956". Golden Globe Awards. Retrieved May 17, 2025. after a tentative start with Warner Brothers, who signed her for a seven year contract in 1955, Mansfield had changed her mind when her two initial projects proved to be less than ideal. She had the contract rescinded and fled for Broadway, where she starred alongside Walter Matthau in a successful production of George Axelrod's comedy Will Success Spoil Rock Hunter? https://goldenglobes.com/articles/golden-globe-moment-jayne-mansfield-is-back-in-town-1956/
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Crowther, Bosley (February 9, 1957). "Screen: One-Track Film; 'Girl Can't Help It' Has a Mansfield Mania". The New York Times. Retrieved June 28, 2024. https://www.nytimes.com/1957/02/09/archives/screen-onetrack-film-girl-cant-help-it-has-a-mansfield-mania.html
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"Jayne Mansfield Dies in New Orleans Car Crash". The New York Times. June 30, 1967. p. 33.(subscription required) https://www.nytimes.com/1967/06/30/archives/jayne-mansfield-dies-in-new-orleans-car-crash-actress-parlayed.html
"Will Success Spoil Rock Hunter?". The New Yorker. https://www.newyorker.com/goings-on-about-town/origin-01-22-24
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During the early 1960s Mansfield also appeared in the German films Heimweh nach St. Pauli (1963) aka Homesick for St. Pauli in English and Einer frisst den anderen (1964).
/wiki/Heimweh_nach_St._Pauli
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"Jayne Mansfield for President". November 8, 2014. Archived from the original on October 18, 2015. Retrieved September 11, 2015. http://flashbak.com/jayne-mansfield-and-her-puppies-campaigned-to-be-us-president-in-1964-24692/
Golden, Eve (June 29, 2021). Jayne Mansfield: The Girl Couldn't Help It. University Press of Kentucky. ISBNÂ 978-0-8131-8098-4. Single Room Furnished had a very limited release in 1966. 978-0-8131-8098-4
Rosenbaum, Jonathan (October 26, 1985). "Las Vegas Hillbillys". chicagoreader.com. Chicago Reader. Retrieved June 29, 2025. https://chicagoreader.com/film-tv/las-vegas-hillbillys/
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Parsons, Louella O (June 7, 1956). "Jayne Mansfield's Billing Now Above That of Play". St. Petersburg Times. p. 9. /wiki/St._Petersburg_Times
Original text from Hamlet (Act I, Scene II):"O, that this too too solid flesh would melt,Thaw, and resolve itself into a dew." /wiki/Hamlet
"Fat for Britains". Titusville Herald. September 30, 1957. p. 1.
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"Dinan 'Undecided' On His Next Move". Sunday Herald. December 31, 1961. p. 39. https://news.google.com/newspapers?nid=2229&dat=19611231&id=WwIzAAAAIBAJ&pg=5936,7653478
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"Jayne Mansfield "Concerto No. 6 in a Minor" on the Ed Sullivan Show". August 16, 2024 – via YouTube. https://www.youtube.com/watch?v=rFEIOO8YIWY
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Winchell, Walter (June 23, 1958). "Jayne Asks $20,000 Per TV Performance". Star-News. p. 6. /wiki/Star-News
Logan, Anika. "Jayne Mansfield – The Poor Man's Marilyn Monroe". Rewind the Fifties. Archived from the original on March 5, 2017. Retrieved August 2, 2007. https://web.archive.org/web/20170305044712/http://www.loti.com/jayne_mansfield.htm
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Original text of To the Virgins, to Make Much of Time by Robert Herrick:"Gather ye rosebuds while ye may,Old Time is still a-flying;And this same flower that smiles today,Tomorrow will be dying." /wiki/To_the_Virgins,_to_Make_Much_of_Time
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Carrol, Harrison (January 2, 1958). "Behind Scenes in Hollywood". The Billings County Pioneer. p. 2.
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