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HIStory: Past, Present and Future, Book I
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<h2 id="background">Background</h2> <p>Starting in the late 1980s, Jackson and the <a href="/facts/Tabloid_journalism/uoEdrrBn">tabloid press</a> had a difficult relationship. In 1986, tabloids claimed that Jackson slept in a <a href="/facts/Hyperbaric_medicine/AjJVW8Qs">hyperbaric oxygen chamber</a> and had offered to buy the bones of <a href="/facts/Joseph_Merrick/GV455Iql">Joseph Merrick</a> (the "Elephant Man"), both of which Jackson vehemently denied.<a class="footnote-ref" id="fnref:1" href="#fn:1"><sup>1</sup></a><a class="footnote-ref" id="fnref:2" href="#fn:2"><sup>2</sup></a> These stories inspired the derogatory nickname "Wacko Jacko", which Jackson despised. He stopped leaking untruths to the press,<a class="footnote-ref" id="fnref:3" href="#fn:3"><sup>3</sup></a> and the media began creating their own stories.<a class="footnote-ref" id="fnref:4" href="#fn:4"><sup>4</sup></a> In 1989, Jackson released "<a href="/facts/Leave_Me_Alone_(Michael_Jackson_song)/4zrHfJll">Leave Me Alone</a>", a song about the victimization he felt by the press.<a class="footnote-ref" id="fnref:5" href="#fn:5"><sup>5</sup></a> </p><p>In 1993, the relationship between Jackson and the press collapsed when he was <a href="/facts/1993_child_sexual_abuse_accusations_against_Michael_Jackson/G6aDyB4Y">accused of child sexual abuse</a>. Although he was not charged, Jackson was subject to intense media scrutiny while the criminal investigation took place. Media coverage included misleading and sensational headlines;<a class="footnote-ref" id="fnref:6" href="#fn:6"><sup>6</sup></a> paying for stories of Jackson's alleged criminal activity<a class="footnote-ref" id="fnref:7" href="#fn:7"><sup>7</sup></a> and confidential material from the police investigation;<a class="footnote-ref" id="fnref:8" href="#fn:8"><sup>8</sup></a> using unflattering pictures of Jackson;<a class="footnote-ref" id="fnref:9" href="#fn:9"><sup>9</sup></a> and using headlines that strongly implied Jackson's guilt.<a class="footnote-ref" id="fnref:10" href="#fn:10"><sup>10</sup></a> In 1993, a <i><a href="/facts/The_Daily_Express/MFvRB4bb">Daily Express</a></i> headline read "Drug Treatment Star Faces Life on the Run", while a <i><a href="/facts/News_of_the_World/tfpQXM9m">News of the World</a></i> headline accused Jackson of being a <a href="/facts/Fugitive/5zceTggG">fugitive</a>; these tabloids also falsely alleged that Jackson had traveled to Europe to have <a href="/facts/Cosmetic_surgery/zLCAX9hN">cosmetic surgery</a> that would make him unrecognizable on his return.<a class="footnote-ref" id="fnref:11" href="#fn:11"><sup>11</sup></a> The same year, the <i><a href="/facts/Daily_Mirror/FBWIoqsP">Daily Mirror</a></i> held a "Spot the Jacko" contest, offering readers a trip to <a href="/facts/Disney_World/fqeJkejj">Disney World</a> if they could correctly predict where Jackson would appear next.<a class="footnote-ref" id="fnref:12" href="#fn:12"><sup>12</sup></a> In early November 1993, talk show host <a href="/facts/Geraldo_Rivera/vy5j0Xpz">Geraldo Rivera</a> set up a <a href="/facts/Mock_trial/6IqQ4SIb">mock trial</a> with a jury of audience members, though Jackson had not been charged with a crime.<a class="footnote-ref" id="fnref:13" href="#fn:13"><sup>13</sup></a> In 1994, Jackson said of the media coverage: "I am particularly upset by the handling of the matter by the incredible, terrible mass media. At every opportunity, the media has dissected and manipulated these allegations to reach their own conclusions."<a class="footnote-ref" id="fnref:14" href="#fn:14"><sup>14</sup></a> </p><p>Jackson began taking <a href="/facts/Painkiller/xLj4XBcq">painkillers</a>, <a href="/facts/Valium/h7lIGqkM">Valium</a>, <a href="/facts/Alprazolam/nfMPlLFa">Xanax</a> and <a href="/facts/Ativan/59gNSrMN">Ativan</a> to deal with the stress of the allegations.<a class="footnote-ref" id="fnref:15" href="#fn:15"><sup>15</sup></a> A few months after the allegations became news, Jackson stopped eating.<a class="footnote-ref" id="fnref:16" href="#fn:16"><sup>16</sup></a> Soon after, Jackson's health deteriorated to the extent that he canceled the remainder of his <a href="/facts/Dangerous_World_Tour/mnCmeKmP">Dangerous World Tour</a> and went into rehabilitation.<a class="footnote-ref" id="fnref:17" href="#fn:17"><sup>17</sup></a><a class="footnote-ref" id="fnref:18" href="#fn:18"><sup>18</sup></a> Jackson booked the whole fourth floor of a clinic and was put on Valium IV to wean him from painkillers.<a class="footnote-ref" id="fnref:19" href="#fn:19"><sup>19</sup></a><a class="footnote-ref" id="fnref:20" href="#fn:20"><sup>20</sup></a> </p> <h2 id="content">Content</h2> <p><i>HIStory</i> was Jackson's first studio album since his 1991 album <i><a href="/facts/Dangerous_(Michael_Jackson_album)/FhpnBq6D">Dangerous</a></i> and his first new material after being accused of child sexual abuse.<a class="footnote-ref" id="fnref:21" href="#fn:21"><sup>21</sup></a> The album comprises two discs. The first, <i>HIStory Begins,</i> is a compilation of songs from Jackson's albums <i><a href="/facts/Off_the_Wall_(album)/hqXzrYxF">Off the Wall</a></i> (1979), <i><a href="/facts/Thriller_(Michael_Jackson_album)/x5Nus6lN">Thriller</a></i> (1982), <i><a href="/facts/Bad_(album)/F34rPK1r">Bad</a></i> (1987) and <i><a href="/facts/Dangerous_(Michael_Jackson_album)/FhpnBq6D">Dangerous</a></i> (1991). The second, <i>HIStory Continues,</i> comprises new material recorded from January 1994 to March 1995,<a class="footnote-ref" id="fnref:22" href="#fn:22"><sup>22</sup></a> although one of the songs (a cover of <a href="/facts/The_Beatles/2syHWLcM">the Beatles</a>' "<a href="/facts/Come_Together/sEzw95UF">Come Together</a>") had been recorded as early as 1986.<a class="footnote-ref" id="fnref:23" href="#fn:23"><sup>23</sup></a> Jackson co-wrote and co-produced a majority of the new songs; other writers include <a href="/facts/Jimmy_Jam_and_Terry_Lewis/qABgU860">Jimmy Jam and Terry Lewis</a>, <a href="/facts/Dallas_Austin/33D74mvV">Dallas Austin</a>, <a href="/facts/The_Notorious_B.I.G./ERt0hQtu">the Notorious B.I.G.</a>, <a href="/facts/Bruce_Swedien/nFtQlj8g">Bruce Swedien</a>, <a href="/facts/R._Kelly/2vr0zwhU">R. Kelly</a> and <a href="/facts/Ren%C3%A9_Moore/DRVLNclC">René Moore</a>, and other producers include <a href="/facts/David_Foster/UnTJXtnC">David Foster</a> and <a href="/facts/Bill_Bottrell/u0WmJpXo">Bill Bottrell</a>.<a class="footnote-ref" id="fnref:24" href="#fn:24"><sup>24</sup></a> Some reviewers commented on the unusual format of a new studio album being accompanied by a "greatest hits" collection, with <i><a href="/facts/Q_magazine/7NU1c3Gm">Q</a></i> magazine saying "from the new songs' point of view, it's like taking your dad with you into a fight."<a class="footnote-ref" id="fnref:25" href="#fn:25"><sup>25</sup></a> </p> <p>Similarly to <i>Thriller</i> and <i>Bad</i>, <i>HIStory</i> contains lyrics that deal with paranoia. Several of the album's 15 new songs pertain to the child sexual abuse allegations made against him in 1993<a class="footnote-ref" id="fnref:26" href="#fn:26"><sup>26</sup></a> and Jackson's perceived mistreatment by the media, mainly the tabloids.<a class="footnote-ref" id="fnref:27" href="#fn:27"><sup>27</sup></a> Because of this, the album has been described as being Jackson's most "personal".<a class="footnote-ref" id="fnref:28" href="#fn:28"><sup>28</sup></a> Two of the album's new tracks are covers.<a class="footnote-ref" id="fnref:29" href="#fn:29"><sup>29</sup></a> The genres of the songs on the album span <a href="/facts/Contemporary_R%26B/rsafQLga">R&B</a>, <a href="/facts/Pop_music/kgshFE5B">pop</a>, and <a href="/facts/Hip_hop_music/0lsHpwAD">hip hop</a> with elements of <a href="/facts/Hard_rock/yC1FkQcC">hard rock</a> ("<a href="/facts/D.S._(song)/GyMwhLvx">D.S.</a>") and <a href="/facts/Funk_rock/lCLLWHpT">funk rock</a> ("<a href="/facts/Scream_(Michael_Jackson_and_Janet_Jackson_song)/uqK9Fyuu">Scream</a>"), and ballads.<a class="footnote-ref" id="fnref:30" href="#fn:30"><sup>30</sup></a><a class="footnote-ref" id="fnref:31" href="#fn:31"><sup>31</sup></a><a class="footnote-ref" id="fnref:32" href="#fn:32"><sup>32</sup></a><a class="footnote-ref" id="fnref:33" href="#fn:33"><sup>33</sup></a> The lyrics pertain to isolation, greed, environmental concerns, injustice. "Scream" is a duet with Jackson's sister <a href="/facts/Janet_Jackson/J4ACIKyy">Janet</a>; with "spitting"<a class="footnote-ref" id="fnref:34" href="#fn:34"><sup>34</sup></a> lyrics about injustice.<a class="footnote-ref" id="fnref:35" href="#fn:35"><sup>35</sup></a> </p><p>The lyrics for the R&B ballad "You Are Not Alone", written by R. Kelly, pertain to isolation.<a class="footnote-ref" id="fnref:36" href="#fn:36"><sup>36</sup></a> Two Belgian songwriters, brothers Eddy and Danny Van Passel, claimed to have written the melody in 1993. In September 2007, a Belgian judge ruled the song had been plagiarized from the Van Passel brothers, and it was banned from radio play in Belgium.<a class="footnote-ref" id="fnref:37" href="#fn:37"><sup>37</sup></a><a class="footnote-ref" id="fnref:38" href="#fn:38"><sup>38</sup></a> "D.S.", a hard rock song, has lyrics about a "cold man" named "Dom S. Sheldon". Critics interpreted it as an attack on district attorney <a href="/facts/Thomas_W._Sneddon_Jr./Hwqram33">Thomas Sneddon</a>, who had led the investigations into the allegations against Jackson.<a class="footnote-ref" id="fnref:39" href="#fn:39"><sup>39</sup></a><a class="footnote-ref" id="fnref:40" href="#fn:40"><sup>40</sup></a><a class="footnote-ref" id="fnref:41" href="#fn:41"><sup>41</sup></a><a class="footnote-ref" id="fnref:42" href="#fn:42"><sup>42</sup></a> </p><p>"Money" was interpreted as being directed at Evan Chandler, the father of the boy who accused Jackson of child sexual abuse.<a class="footnote-ref" id="fnref:43" href="#fn:43"><sup>43</sup></a> The lyrics of "Childhood" pertain to Jackson's childhood.<a class="footnote-ref" id="fnref:44" href="#fn:44"><sup>44</sup></a> Similar to "Scream", the lyrics to "They Don't Care About Us" pertain to injustice, as well as racism. In "This Time Around", Jackson asserts himself as having been "falsely accused".<a class="footnote-ref" id="fnref:45" href="#fn:45"><sup>45</sup></a> The song includes a guest rap by <a href="/facts/The_Notorious_B.I.G./ERt0hQtu">the Notorious B.I.G.</a> (a.k.a. Biggie Smalls).<a class="footnote-ref" id="fnref:46" href="#fn:46"><sup>46</sup></a> "Earth Song" was described as a "slow blues-operatic",<a class="footnote-ref" id="fnref:47" href="#fn:47"><sup>47</sup></a> and its lyrics pertain to environmental concerns. On <i>HIStory</i>, Jackson covered <a href="/facts/Charlie_Chaplin/24P6I5lz">Charlie Chaplin</a>'s "<a href="/facts/Smile_(Charlie_Chaplin_song)/zIM0nL19">Smile</a>" and <a href="/facts/The_Beatles/2syHWLcM">the Beatles</a>' "<a href="/facts/Come_Together/sEzw95UF">Come Together</a>".<a class="footnote-ref" id="fnref:48" href="#fn:48"><sup>48</sup></a> </p><p>"2 Bad" was influenced by hip-hop, with a sample of <a href="/facts/Run%E2%80%93D.M.C./AHXV1Jtp">Run–D.M.C.</a>'s "<a href="/facts/King_of_Rock_(song)/tKVLml1j">King of Rock</a>" and another guest rap verse by <a href="/facts/Shaquille_O%27Neal/YFkJjg1J">Shaquille O'Neal</a>. The similarity in lyrics and name have led to some seeing it as a spiritual successor to Jackson's 1987 track, "<a href="/facts/Bad_(Michael_Jackson_song)/PvdNatX7">Bad</a>".<a class="footnote-ref" id="fnref:49" href="#fn:49"><sup>49</sup></a> "Stranger in Moscow" is a pop ballad that is interspersed with sounds of rain,<a class="footnote-ref" id="fnref:50" href="#fn:50"><sup>50</sup></a> in which Jackson references a "swift and sudden fall from grace".<a class="footnote-ref" id="fnref:51" href="#fn:51"><sup>51</sup></a> "Tabloid Junkie" is a hard funk song<a class="footnote-ref" id="fnref:52" href="#fn:52"><sup>52</sup></a> with lyrics instructing listeners to not believe everything they read in the media and tabloids.<a class="footnote-ref" id="fnref:53" href="#fn:53"><sup>53</sup></a><a class="footnote-ref" id="fnref:54" href="#fn:54"><sup>54</sup></a> The album's title track, "HIStory" contained multiple samples, including <a href="/facts/Martin_Luther_King_Jr./dhWS0DP0">Martin Luther King Jr.</a>'s "<a href="/facts/I_Have_a_Dream/zQfb2CGL">I Have a Dream</a>" speech.<a class="footnote-ref" id="fnref:55" href="#fn:55"><sup>55</sup></a> "HIStory" was not released as a single from <i>HIStory</i>, but a remix of the song was included on <i><a href="/facts/Blood_on_the_Dance_Floor:_HIStory_in_the_Mix/hSofFPAx">Blood on the Dance Floor: HIStory in the Mix</a></i> and released as a single in 1997. </p><p>As an introduction for "Little Susie", Jackson used his own variation of "Pie Jesu" from <a href="/facts/Requiem_(Durufl%C3%A9)/xK4UyAqh">Maurice Duruflé's Requiem</a>. The song's accompanying album artwork resembles the painting "Beautiful Victim" by <a href="/facts/Gottfried_Helnwein/C61DaCXM">Gottfried Helnwein</a>, which may have inspired the song.<a class="footnote-ref" id="fnref:56" href="#fn:56"><sup>56</sup></a> Jackson admired Helnwein's work and had purchased some of his paintings. Helnwein later painted a portrait of Jackson.<a class="footnote-ref" id="fnref:57" href="#fn:57"><sup>57</sup></a> </p> <h2 id="controversy">Controversy</h2> <h3>Accusations of antisemitism</h3> <p>On June 15, 1995, <i><a href="/facts/The_New_York_Times/T9marWVX">The New York Times</a></i> said that "They Don't Care About Us" contained <a href="/facts/Antisemitism_in_the_United_States/30LHGEPB">antisemitic</a> slurs in the lines "Jew me, sue me, everybody do me / Kick me, <a href="/facts/Kike/VNkVewoa">kike</a> me, don't you black or white me".<a class="footnote-ref" id="fnref:58" href="#fn:58"><sup>58</sup></a> In a statement, Jackson responded: </p> <p>The idea that these lyrics could be deemed objectionable is extremely hurtful to me, and misleading. The song, in fact, is about the pain of prejudice and hate and is a way to draw attention to social and political problems. I am the voice of the accused and the attacked. I am the voice of everyone. I am the skinhead, I am the Jew, I am the black man, I am the white man. I am not the one who was attacking. It is about the injustices to young people and how the system can wrongfully accuse them. I am angry and outraged that I could be so misinterpreted.<a class="footnote-ref" id="fnref:59" href="#fn:59"><sup>59</sup></a></p> <p>Jackson's manager and record label said the lyrics opposed prejudice and had been taken out of context.<a class="footnote-ref" id="fnref:60" href="#fn:60"><sup>60</sup></a> The following day, David A. Lehrer and Rabbi Marvin Hier, leaders of two Jewish organizations, stated that Jackson's attempt to make a song critical of <a href="/facts/Discrimination/B2M2HqxR">discrimination</a> had backfired. They felt the lyrics might be ambiguous and were unsuitable for young audiences because they might not understand the song's context. They acknowledged that Jackson meant well and suggested that he write an explanation in the album booklet.<a class="footnote-ref" id="fnref:61" href="#fn:61"><sup>61</sup></a> In his review of <i>HIStory</i>, <a href="/facts/Jon_Pareles/oXB8qNzB">Jon Pareles</a> of <i>The New York Times</i> wrote that the song "gives the lie to his entire catalogue of brotherhood anthems with a burst of anti-Semitism".<a class="footnote-ref" id="fnref:62" href="#fn:62"><sup>62</sup></a> </p><p>On June 17, Jackson promised that future copies of the album would include an apology.<a class="footnote-ref" id="fnref:63" href="#fn:63"><sup>63</sup></a> On June 23, Jackson announced that he would alter the offending wording on future copies of the album. He reiterated his acceptance that the song was offensive to some.<a class="footnote-ref" id="fnref:64" href="#fn:64"><sup>64</sup></a><a class="footnote-ref" id="fnref:65" href="#fn:65"><sup>65</sup></a> It was reported that "Jew me" and "Kike me" would be substituted with "do me" and "strike me", however, the offending words were instead covered up with loud, abstract noises drowning them out.<a class="footnote-ref" id="fnref:66" href="#fn:66"><sup>66</sup></a><a class="footnote-ref" id="fnref:67" href="#fn:67"><sup>67</sup></a> Remixes of the song that were later released instead use repeated words ("Jew me, sue me" being replaced with "Sue me, sue me").<a class="footnote-ref" id="fnref:68" href="#fn:68"><sup>68</sup></a> An apology was included in later issues of the album: </p> <p>There has been a lot of controversy about my song, "They Don't Care About Us". My intention was for this song to say "No" to racism, anti-Semitism and stereotyping. Unfortunately, my choice of words may have unintentionally hurt the very people I wanted to stand in solidarity with. I just want you all to know how strongly I am committed to tolerance, peace and love, and I apologize to anyone who might have been hurt.</p>— Michael Jackson<a class="footnote-ref" id="fnref:69" href="#fn:69"><sup>69</sup></a> <p><a href="/facts/Spike_Lee/dnlj0aM0">Spike Lee</a> defended Jackson's use of the word, by mentioning the <a href="/facts/Double_standard/nqRBH62R">double standard</a> from the media. "While <i>The New York Times</i> asserted the use of racial slurs in 'They Don't Care About Us', they were silent on other racial slurs in the album. <a href="/facts/The_Notorious_B.I.G./ERt0hQtu">The Notorious B.I.G.</a> says 'nigga' on '<a href="/facts/This_Time_Around_(Michael_Jackson_song)/AzW6Ah23">This Time Around</a>', another song on the <i>HIStory</i> album, but it did not attract media attention, as well as, many years before, <a href="/facts/Woman_is_the_nigger_of_the_world/gqkl9oFg">use in lyrics of word</a> 'nigger' by <a href="/facts/John_Lennon/voXHuusf">John Lennon</a>."<a class="footnote-ref" id="fnref:70" href="#fn:70"><sup>70</sup></a> </p> <h2 id="music-videos">Music videos</h2> <p class="note">See also: <a href="/facts/Video_Greatest_Hits_%E2%80%93_HIStory/Lfu00gm0">Video Greatest Hits – HIStory</a> and <a href="/facts/HIStory_on_Film,_Volume_II/v5dd4QJw">HIStory on Film, Volume II</a></p> <p><i>HIStory</i>'s music videos displayed different themes and elements, while some of them encouraged awareness of poverty and had a positive effect on their shooting locations. The promo video for "<a href="/facts/They_Don%27t_Care_About_Us/A7CzLzQY">They Don't Care About Us</a>" was directed by Spike Lee; Jackson said that Lee chose to direct the video because the song "has an edge, and Spike Lee had approached me. It's a public awareness song and that's what he is all about. It's a protest kind of song... and I think he was perfect for it."<a class="footnote-ref" id="fnref:71" href="#fn:71"><sup>71</sup></a> Jackson also collaborated with 200 members of the cultural group <a href="/facts/Olodum/Nbp0Rrr7">Olodum</a>, who played music in the video.<a class="footnote-ref" id="fnref:72" href="#fn:72"><sup>72</sup></a> The resulting media interest exposed Olodum to 140 countries, bringing them worldwide fame and increasing their status in Brazil.<a class="footnote-ref" id="fnref:73" href="#fn:73"><sup>73</sup></a> Lúcia Nagib, of <i>The New Brazilian Cinema</i>, said of the music video: </p><p>"When Michael Jackson decided to shoot his new music video in a <a href="/facts/Favela/hqzLRaP3">favela</a> of <a href="/facts/Rio_de_Janeiro/AVPTJJ2C">Rio de Janeiro</a>... he used the favela people as extras in a visual super-spectacle... All the while there is a vaguely political appeal in there... The interesting aspect of Michael Jackson's strategy is the efficiency with which it gives visibility to poverty and social problems in countries like Brazil without resorting to traditional political discourse. The problematic aspect is that it does not entail a real intervention in that poverty."<a class="footnote-ref" id="fnref:74" href="#fn:74"><sup>74</sup></a></p> <p>In 2009, <i>Billboard</i> described the area as "now a model for social development" and stated that Jackson's influence was partially responsible for this improvement.<a class="footnote-ref" id="fnref:75" href="#fn:75"><sup>75</sup></a> For the first time in Jackson's career, he made a second music video for a single.<a class="footnote-ref" id="fnref:76" href="#fn:76"><sup>76</sup></a> This second version was filmed in a prison with cellmates; the video shows Jackson handcuffed and contains real footage of police attacking African Americans, the <a href="/facts/Ku_Klux_Klan/gTyz2sld">Ku Klux Klan</a>, genocide, execution, and other human rights abuses.<a class="footnote-ref" id="fnref:77" href="#fn:77"><sup>77</sup></a> Jackson's music video for "Earth Song" received praise for its environmental recognition. In 1995, the video received a <a href="/facts/Genesis_Awards/GqCoQHwH">Genesis Award</a> for <a href="/facts/Doris_Day/uCCfCqEc">Doris Day Music Award</a>, given each year for animal sensitivity.<a class="footnote-ref" id="fnref:78" href="#fn:78"><sup>78</sup></a> In 2008, a writer for the Nigeria Exchange said that "'Earth Song' drew the world's attention to the degradation and bastardization of the earth as a fall out of various human activities".<a class="footnote-ref" id="fnref:79" href="#fn:79"><sup>79</sup></a> </p><p>Two other music videos from <i>HIStory</i> have been influential. Jackson's "Stranger In Moscow" music video influenced the advertising campaign for <a href="/facts/ICC_Champions_Trophy_2004/fwpJbQs9">International Cricket Council Champions Trophy 2004</a>, which featured "a series of smart outdoor ads and a classy TV spot".<a class="footnote-ref" id="fnref:80" href="#fn:80"><sup>80</sup></a> The television commercial was inspired by "Stranger In Moscow"s video where "the maiden in black splash about in the rain, with kids playing cricket for company".<a class="footnote-ref" id="fnref:81" href="#fn:81"><sup>81</sup></a> "Scream" was a creative influence on other music videos such as "<a href="/facts/No_Scrubs/GjkaY1P6">No Scrubs</a>" (1999) by <a href="/facts/TLC_(band)/C161c4dW">TLC</a>.<a class="footnote-ref" id="fnref:82" href="#fn:82"><sup>82</sup></a> This influence was also present on the 2008 release of "<a href="/facts/Shawty_Get_Loose/lgncCEUG">Shawty Get Loose</a>" by rapper <a href="/facts/Lil_Mama/hKw3nEFn">Lil Mama</a>.<a class="footnote-ref" id="fnref:83" href="#fn:83"><sup>83</sup></a> </p> <h2 id="promotion">Promotion</h2> <p class="note">See also: <a href="/facts/HIStory_World_Tour/w74DJ8G1">HIStory World Tour</a></p> <p><a href="/facts/Sony_Music/G2expBwI">Sony Music</a> spent $30 million to promote the album,<a class="footnote-ref" id="fnref:84" href="#fn:84"><sup>84</sup></a> one of the <a href="/facts/List_of_most_expensive_albums/hogwHwHx">most expensive promotional campaigns</a> ever for an album. They expected the album to generate eight or more singles and sell 20 million copies worldwide.<a class="footnote-ref" id="fnref:85" href="#fn:85"><sup>85</sup></a> <i>HIStory</i> was concurrently released in six formats: vinyl record, compact disc, cassette, VHS, laser disc, and mini disk.<a class="footnote-ref" id="fnref:86" href="#fn:86"><sup>86</sup></a> The music press were anticipating how well it would sell. One analyst for <a href="/facts/SoundScan/vnNMy1at">SoundScan</a> expressed the opinion that the press was out of touch with the public when it came to Jackson; the public liked him, while the press did not.<a class="footnote-ref" id="fnref:87" href="#fn:87"><sup>87</sup></a> He believed that "naysayers" in the media would be left surprised with the commercial reception.<a class="footnote-ref" id="fnref:88" href="#fn:88"><sup>88</sup></a> </p><p>During this period of time, Jackson made a series of public appearances, becoming the first time that he faced the public eye following the allegations. On June 14, 1995, Jackson was interviewed with his then wife <a href="/facts/Lisa_Marie_Presley/2hoXIJgj">Lisa Marie Presley</a> by <a href="/facts/Diane_Sawyer/slfbURbt">Diane Sawyer</a> for a television special. It was watched by 60 million in the United States and 500 million worldwide, but received mixed reviews from critics. On September 7, 1995, he opened the <a href="/facts/MTV_Video_Music_Awards/F9H94We9">MTV Video Music Awards</a> with a 15 minute long medley.<a class="footnote-ref" id="fnref:89" href="#fn:89"><sup>89</sup></a><a class="footnote-ref" id="fnref:90" href="#fn:90"><sup>90</sup></a><a class="footnote-ref" id="fnref:91" href="#fn:91"><sup>91</sup></a> </p><p>"<a href="/facts/This_Time_Around_(Michael_Jackson_song)/AzW6Ah23">This Time Around</a>" and "<a href="/facts/Smile_(Charlie_Chaplin_song)/zIM0nL19">Smile</a>" were released as promotional singles in December 1995 and December 1997 respectively. Due to lack of radio airplay, "Smile" did not chart on any music charts worldwide until 2009.<a class="footnote-ref" id="fnref:92" href="#fn:92"><sup>92</sup></a><a class="footnote-ref" id="fnref:93" href="#fn:93"><sup>93</sup></a><a class="footnote-ref" id="fnref:94" href="#fn:94"><sup>94</sup></a><a class="footnote-ref" id="fnref:95" href="#fn:95"><sup>95</sup></a> "This Time Around", was released as a radio-only single in the United States in December 1995. The song peaked at number 23 on the <i>Billboard</i> <a href="/facts/Hot_R%26B/Hip-Hop_Songs/830VoC96">Hot R&B Singles</a> chart and at number 18 on the <i>Billboard</i> <a href="/facts/Hot_Dance_Music/Club_Play/TNav6YJl">Hot Dance Music/Club Play</a> chart solely off radio airplay.<a class="footnote-ref" id="fnref:96" href="#fn:96"><sup>96</sup></a> </p><p>To promote the album, Jackson embarked on the <a href="/facts/HIStory_World_Tour/w74DJ8G1">HIStory World Tour</a>, which grossed $165 million (equivalent to $268 million in 2019).<a class="footnote-ref" id="fnref:97" href="#fn:97"><sup>97</sup></a> It was Jackson's third and final concert tour as a solo artist. The tour, beginning in <a href="/facts/Prague,_Czech_Republic/txpRNTUE">Prague, Czech Republic</a> on September 7, 1996, attracted more than 4.5 million fans from 58 cities in 35 countries around the world. The average concert attendance was 54,878 and the tour lasted 82 tour dates. Jackson performed no concerts in the United States, besides two concerts in January 1997 in Hawaii at the <a href="/facts/Aloha_Stadium/jwm8qXbh">Aloha Stadium</a>, to a crowd of 35,000 each; he was the first artist to sell out the stadium.<a class="footnote-ref" id="fnref:98" href="#fn:98"><sup>98</sup></a><a class="footnote-ref" id="fnref:99" href="#fn:99"><sup>99</sup></a> VIP seats cost, on average, $200 per person.<a class="footnote-ref" id="fnref:100" href="#fn:100"><sup>100</sup></a> Each concert lasted an estimated two hours and ten minutes.<a class="footnote-ref" id="fnref:101" href="#fn:101"><sup>101</sup></a> The tour concluded in <a href="/facts/Durban,_South_Africa/ADRqGHGy">Durban, South Africa</a> on October 15, 1997.<a class="footnote-ref" id="fnref:102" href="#fn:102"><sup>102</sup></a> </p><p>The album cover depicts a 10-foot <a href="/facts/Sculpture/F01q8gtb">sculpture</a> of Jackson in a "warrior-like" pose, created in 1994 by <a href="/facts/Diana_Walczak/r05Tj8Lo">Diana Walczak</a>.<a class="footnote-ref" id="fnref:103" href="#fn:103"><sup>103</sup></a> To promote the tour, Epic placed ten 30-foot replicas of the statue in locations around the world,<a class="footnote-ref" id="fnref:104" href="#fn:104"><sup>104</sup></a> including the <a href="/facts/River_Thames/XnQWN52L">River Thames</a> in London, <a href="/facts/Alexanderplatz/7pFhsrBJ">Alexanderplatz</a> in Berlin, <a href="/facts/Eindhoven/7ngIHCVT">Eindhoven</a> in the Netherlands, and the pedestal of the destroyed <a href="/facts/Stalin_Monument_(Prague)/Y5awaRct">Stalin Monument</a> in Prague.<a class="footnote-ref" id="fnref:105" href="#fn:105"><sup>105</sup></a> The statues were built over three months by a team of 30, made from steel and fiberglass, and weighed around 20,000 pounds each.<a class="footnote-ref" id="fnref:106" href="#fn:106"><sup>106</sup></a> Another statue, built from wood and plaster, was placed at the Los Angeles <a href="/facts/Tower_Records/4YM4CA8B">Tower Records</a> store.<a class="footnote-ref" id="fnref:107" href="#fn:107"><sup>107</sup></a> In 2016, the original statue was installed at the <a href="/facts/Mandalay_Bay/PpDrVtb9">Mandalay Bay</a> casino in Las Vegas.<a class="footnote-ref" id="fnref:108" href="#fn:108"><sup>108</sup></a> </p> <h2 id="singles">Singles</h2> <p>Five singles were released from <i>HIStory</i>. "<a href="/facts/Scream_(Michael_Jackson_and_Janet_Jackson_song)/uqK9Fyuu">Scream</a>"/"<a href="/facts/Childhood_(Michael_Jackson_song)/nKQtt5fA">Childhood</a>" was the first single released in May 1995. "Scream" was sung and performed by Jackson and his sister <a href="/facts/Janet_Jackson/J4ACIKyy">Janet Jackson</a>. The single had the best ever debut at number five—where it peaked, on the <a href="/facts/Billboard_Hot_100/gwKl8VL9"><i>Billboard</i> Hot 100</a>.<a class="footnote-ref" id="fnref:109" href="#fn:109"><sup>109</sup></a> The song received a Grammy nomination for "Best Pop Collaboration with Vocals".<a class="footnote-ref" id="fnref:110" href="#fn:110"><sup>110</sup></a><a class="footnote-ref" id="fnref:111" href="#fn:111"><sup>111</sup></a> The music video for "Scream" is one of Jackson's most critically acclaimed videos, receiving numerous awards. With a US$9 million music video production budget, "Scream" is the <a href="/facts/List_of_most_expensive_music_videos/JPPbbM7X">most expensive music video ever made</a> as of 2025.<a class="footnote-ref" id="fnref:112" href="#fn:112"><sup>112</sup></a> </p><p>"<a href="/facts/You_Are_Not_Alone/a4dEP1fd">You Are Not Alone</a>" was the second single released from <i>HIStory</i>. Having debuted at number one on the <i>Billboard</i> Hot 100 on September 2, 1995,<a class="footnote-ref" id="fnref:113" href="#fn:113"><sup>113</sup></a> it became the first song to debut at number one on the chart, succeeding the record previously held from Jackson's "Scream" single.<a class="footnote-ref" id="fnref:114" href="#fn:114"><sup>114</sup></a> "You Are Not Alone" was released in August 1995, and it topped the charts in various international markets, including the United Kingdom,<a class="footnote-ref" id="fnref:115" href="#fn:115"><sup>115</sup></a> France, and Spain.<a class="footnote-ref" id="fnref:116" href="#fn:116"><sup>116</sup></a> The song was seen as a major artistic and commercial success.<a class="footnote-ref" id="fnref:117" href="#fn:117"><sup>117</sup></a> </p><p>"<a href="/facts/Earth_Song/wXFleSzA">Earth Song</a>" was the third single released in November 1995. "Earth Song" did not chart on <i>Billboard</i> 100. Internationally, the song topped four countries' charts, as well as charting within the top-ten in nine other nations.<a class="footnote-ref" id="fnref:118" href="#fn:118"><sup>118</sup></a> The song topped the <a href="/facts/UK_Singles_Chart/s2yyGUlD">UK Singles Chart</a> for six weeks over Christmas in 1995 and sold one million copies there, making it his most successful United Kingdom single, surpassing the success of "<a href="/facts/Billie_Jean/YczPUNLp">Billie Jean</a>".<a class="footnote-ref" id="fnref:119" href="#fn:119"><sup>119</sup></a> </p><p>"<a href="/facts/They_Don%27t_Care_About_Us/A7CzLzQY">They Don't Care About Us</a>" was the fourth single. "They Don't Care About Us" peaked at number thirty on the <i>Billboard</i> 100, and it charted within the top-ten of <i>Billboard</i>'s Hot Dance Music and Hot R&B Singles Charts.<a class="footnote-ref" id="fnref:120" href="#fn:120"><sup>120</sup></a> The song charted better in other countries compared to the United States, managing to chart within the top-ten in fourteen countries. "They Don't Care About Us" topped the German Singles chart for three weeks,<a class="footnote-ref" id="fnref:121" href="#fn:121"><sup>121</sup></a> while peaking at number two in Spain, number three in Austria, Sweden, and Switzerland, as well as charting at number four in France, the United Kingdom and the Netherlands.<a class="footnote-ref" id="fnref:122" href="#fn:122"><sup>122</sup></a> </p><p>"<a href="/facts/Stranger_in_Moscow/s8IuCVWD">Stranger in Moscow</a>" was released as the fifth and final single in November 1996. The song was well received by critics. In the United States, the song peaked at number ninety one on the <i>Billboard</i> Hot 100.<a class="footnote-ref" id="fnref:123" href="#fn:123"><sup>123</sup></a> Outside of the United States, the song was a success, topping in Spain and Italy, while peaking within the top-ten in the United Kingdom, Switzerland, and New Zealand, among others.<a class="footnote-ref" id="fnref:124" href="#fn:124"><sup>124</sup></a><a class="footnote-ref" id="fnref:125" href="#fn:125"><sup>125</sup></a> </p><p>"<a href="/facts/This_Time_Around_(Michael_Jackson_song)/AzW6Ah23">This Time Around</a>" was released as a promotional single in the United States on December 26, 1995, with a guest rap by <a href="/facts/The_Notorious_B.I.G./ERt0hQtu">the Notorious B.I.G.</a> Tag lines for a December 1995 HBO special were heavily marketed on the copies of this promo, but the special was canceled after Jackson had fallen ill. </p><p>"<a href="/facts/Smile_(Charlie_Chaplin_song)/zIM0nL19">Smile</a>" was released as a promotional single, although it was originally intended to be the album's final single, and was to be released in CD and 12" format on December 28, 1997. However, the release was canceled, with only a few promotional copies sent out for airplay. </p> <h2 id="commercial-performance">Commercial performance</h2> <p><i>HIStory</i> debuted at number one on the <a href="/facts/Billboard_200/XtbnoFSM"><i>Billboard</i> 200</a> and <a href="/facts/Top_R%26B/Hip-Hop_Albums/3K17jrMS">Top R&B/Hip-Hop Albums</a> charts selling over 391,000 copies in its first week.<a class="footnote-ref" id="fnref:126" href="#fn:126"><sup>126</sup></a><a class="footnote-ref" id="fnref:127" href="#fn:127"><sup>127</sup></a> In its second week, the album stayed at the top with 263,000 copies sold, a decline of 33%.<a class="footnote-ref" id="fnref:128" href="#fn:128"><sup>128</sup></a> In its third week, it slipped to number 2 with 142,000 copies sold, a 46% decline.<a class="footnote-ref" id="fnref:129" href="#fn:129"><sup>129</sup></a> However, the album spent just six weeks at the top 10, selling over one million copies in total.<a class="footnote-ref" id="fnref:130" href="#fn:130"><sup>130</sup></a> Controversy with the album came with Jackson having to rerecord some lyrics in "They Don't Care About Us" after he was accused of <a href="/facts/Antisemitism_in_the_United_States/30LHGEPB">antisemitism</a>, and contributor <a href="/facts/R._Kelly/2vr0zwhU">R. Kelly</a> was accused of having <a href="/facts/Plagiarism/TH7uwspJ">plagiarized</a> one of the album's songs, "You Are Not Alone", leading to its banning on Belgian radio. </p><p>According to SoundScan by March 1998, the album had sold more than 2.2 million units.<a class="footnote-ref" id="fnref:131" href="#fn:131"><sup>131</sup></a> According to SoundScan, the set fell short of many observers' expectations.<a class="footnote-ref" id="fnref:132" href="#fn:132"><sup>132</sup></a><a class="footnote-ref" id="fnref:133" href="#fn:133"><sup>133</sup></a> The album has further sold 730,000 copies through BMG music club as of February 2003.<a class="footnote-ref" id="fnref:134" href="#fn:134"><sup>134</sup></a> The album was certified eight times platinum by the <a href="/facts/Recording_Industry_Association_of_America/8a7K0Ubf">Recording Industry Association of America</a> (RIAA) on August 23, 2018, in the United States.<a class="footnote-ref" id="fnref:135" href="#fn:135"><sup>135</sup></a> Because <i>HIStory</i> is a double disc album, its CDs are therefore counted separately for certification purposes, meaning the album achieved platinum status in the United States after 500,000 copies were shipped, not one million. </p><p>However, the album was a massive success in other countries. In Europe, before it was released, three million copies were shipped, breaking records as the most shipped album ever.<a class="footnote-ref" id="fnref:136" href="#fn:136"><sup>136</sup></a> The <a href="/facts/International_Federation_of_the_Phonographic_Industry/h3f3zMVv">International Federation of the Phonographic Industry</a> certified <i>HIStory</i> six times platinum, denoting six million shipments within the continent, including 1.5 million in Germany and 1.2 million shipments in the United Kingdom.<a class="footnote-ref" id="fnref:137" href="#fn:137"><sup>137</sup></a><a class="footnote-ref" id="fnref:138" href="#fn:138"><sup>138</sup></a> In the United Kingdom, the album debuted at number one and sold 100,000 copies in just two days. It was certified 4× platinum by the BPI.<a class="footnote-ref" id="fnref:139" href="#fn:139"><sup>139</sup></a> Eventually, it sold 1.6 million copies.<a class="footnote-ref" id="fnref:140" href="#fn:140"><sup>140</sup></a> In Australia, an advance order of 130,000 copies was the largest initial shipment in Sony Australia's history. In first two days <i>HIStory</i> sold 30,000 units in Spain and 75,000 units in Italy.<a class="footnote-ref" id="fnref:141" href="#fn:141"><sup>141</sup></a> In Spain, <i>HIStory</i> was the 20th best selling album of 1995 and the 12th best selling album by a foreign artist.<a class="footnote-ref" id="fnref:142" href="#fn:142"><sup>142</sup></a> In Chile, the album topped the charts and broke all sales records in the country when it sold 25,000 units within 72 hours of its release on June 16.<a class="footnote-ref" id="fnref:143" href="#fn:143"><sup>143</sup></a> In Colombia, 150,000 copies (300,000 equivalent units) were shipped.<a class="footnote-ref" id="fnref:144" href="#fn:144"><sup>144</sup></a> As of November 1996, History reached 11 million copies worldwide.<a class="footnote-ref" id="fnref:145" href="#fn:145"><sup>145</sup></a> According to Sony, the album was shipping as many as 100,000 copies weekly by the end of 1996.<a class="footnote-ref" id="fnref:146" href="#fn:146"><sup>146</sup></a> </p><p><i>HIStory: Past, Present and Future, Book I</i> has sold over 20 million copies worldwide,<a class="footnote-ref" id="fnref:147" href="#fn:147"><sup>147</sup></a><a class="footnote-ref" id="fnref:148" href="#fn:148"><sup>148</sup></a> making it simultaneously one of the best-selling multiple-disc releases and one of the best-selling albums of all time.<a class="footnote-ref" id="fnref:149" href="#fn:149"><sup>149</sup></a> The greatest hits disc was reissued as a single disc on November 13, 2001, under the title <i>Greatest Hits: HIStory, Volume I</i> and had sold four million copies worldwide by 2010.<a class="footnote-ref" id="fnref:150" href="#fn:150"><sup>150</sup></a> The second disc was released separately in some European countries in 2011. </p> <h2 id="critical-reception">Critical reception</h2> Professional ratings<table><tbody><tr><th scope="col" colspan="2">Review scores</th></tr><tr><th scope="col">Source</th><th scope="col">Rating</th></tr><tr><td><a href="/facts/AllMusic/Hb8cU8Fb">AllMusic</a></td><td><a class="footnote-ref" id="fnref:151" href="#fn:151"><sup>151</sup></a></td></tr><tr><td><i><a href="/facts/Christgau%27s_Consumer_Guide/6auDy2NN">Christgau's Consumer Guide</a></i></td><td><a href="/facts/Christgau%27s_Consumer_Guide:_Albums_of_the_%2790s/6auDy2NN"></a><a href="/facts/Christgau%27s_Consumer_Guide:_Albums_of_the_%2790s/6auDy2NN"></a><a class="footnote-ref" id="fnref:152" href="#fn:152"><sup>152</sup></a></td></tr><tr><td><i><a href="/facts/Entertainment_Weekly/BhADudJx">Entertainment Weekly</a></i></td><td>B<a class="footnote-ref" id="fnref:153" href="#fn:153"><sup>153</sup></a></td></tr><tr><td><i><a href="/facts/Q_(magazine)/7NU1c3Gm">Q</a></i></td><td><a class="footnote-ref" id="fnref:154" href="#fn:154"><sup>154</sup></a></td></tr><tr><td><i><a href="/facts/Rolling_Stone_(magazine)/HhCFoJ9F">Rolling Stone</a></i></td><td><a class="footnote-ref" id="fnref:155" href="#fn:155"><sup>155</sup></a></td></tr><tr><td><i><a href="/facts/The_Rolling_Stone_Album_Guide/RRNrAt8J">The Rolling Stone Album Guide</a></i></td><td><a class="footnote-ref" id="fnref:156" href="#fn:156"><sup>156</sup></a></td></tr><tr><td><i><a href="/facts/Smash_Hits/Wl66TDUC">Smash Hits</a></i></td><td><a class="footnote-ref" id="fnref:157" href="#fn:157"><sup>157</sup></a></td></tr></tbody></table><p><i>HIStory</i> received positive reviews. In a glowing review, <a href="/facts/Jon_Pareles/oXB8qNzB">Jon Pareles</a> of <i><a href="/facts/The_New_York_Times/T9marWVX">The New York Times</a></i> praises <i>HIStory Continues</i> as "meticulous, sumptuous, [and] musically ingenious".<a class="footnote-ref" id="fnref:158" href="#fn:158"><sup>158</sup></a> James Hunter of <i><a href="/facts/Rolling_Stone/HhCFoJ9F">Rolling Stone</a></i> gave <i>HIStory</i> four-out-of-five stars and found that it "unfolds in Jackson's outraged response to everything he has encountered in the last year or so." He described "This Time Around" as a "dynamite jam" that was "ripe for remixes", and "Scream" and "Tabloid Junkie" as "adventurous". According to Hunter, "Earth Song" had "noble sentiments" and sounded "primarily like a showpiece".<a class="footnote-ref" id="fnref:159" href="#fn:159"><sup>159</sup></a> However, Hunter felt <i>HIStory Continues</i> was an "odd, charmless second chapter" compared to Jackson's earlier hits.<a class="footnote-ref" id="fnref:160" href="#fn:160"><sup>160</sup></a> Fred Shuster of the <i><a href="/facts/Daily_News_of_Los_Angeles/hCWUmdad">Daily News of Los Angeles</a></i> described "This Time Around", "Money" and "<a href="/facts/D.S._(song)/GyMwhLvx">D.S.</a>" as "superb slices of organic funk that will fuel many of the summer's busiest dance floors".<a class="footnote-ref" id="fnref:161" href="#fn:161"><sup>161</sup></a> Chris Willman of the <i><a href="/facts/Los_Angeles_Times/jFHbcmb9">Los Angeles Times</a></i> also highlighted "This Time Around" as "a tough, rhythm-guitar-driven track" that is one of the album's standout songs.<a class="footnote-ref" id="fnref:162" href="#fn:162"><sup>162</sup></a> </p><p>Jim Farber of the <i><a href="/facts/Daily_News_(New_York)/3QE3DzVE">New York Daily News</a></i> gave the album a mixed review, criticising the new material for having too many melodies and arrangements that sound like "shuffled versions" of songs off Jackson's previous three albums.<a class="footnote-ref" id="fnref:163" href="#fn:163"><sup>163</sup></a> <a href="/facts/Stephen_Thomas_Erlewine/7HnXs404">Stephen Thomas Erlewine</a> of <a href="/facts/AllMusic/Hb8cU8Fb">AllMusic</a> gave <i>HIStory</i> three-out-of-five stars, commenting that it was a "monumental achievement" of Jackson's ego.<a class="footnote-ref" id="fnref:164" href="#fn:164"><sup>164</sup></a> Erlewine remarked that on the <i>HIStory Begins</i> CD, it contains "some of the greatest music in pop history" but that it leaves some hits out, citing "Say Say Say" and "Dirty Diana" — commenting that "yet it's filled with enough prime material to be thoroughly intoxicating".<a class="footnote-ref" id="fnref:165" href="#fn:165"><sup>165</sup></a> Erlewine noted that <i>HIStory Continues</i> is "easily the most personal album Jackson has recorded" and that its songs' lyrics referencing the molestation accusations create a "thick atmosphere of paranoia".<a class="footnote-ref" id="fnref:166" href="#fn:166"><sup>166</sup></a> He cited "You Are Not Alone" and "Scream" as being "well-crafted pop that ranks with his best material", but concludes that "nevertheless, <i>HIStory Continues</i> stands as his weakest album since the mid-'70s."<a class="footnote-ref" id="fnref:167" href="#fn:167"><sup>167</sup></a> <a href="/facts/David_Browne_(journalist)/bb0CF3mU">David Browne</a> of <i><a href="/facts/Entertainment_Weekly/BhADudJx">Entertainment Weekly</a></i>, gave "HIStory Begins" an "A−" grade but the album's new material a "C−", which "winds up a B" for the entire album.<a class="footnote-ref" id="fnref:168" href="#fn:168"><sup>168</sup></a> Browne commented that the music "rarely seems to transport him (and thereby us) to a higher plane."<a class="footnote-ref" id="fnref:169" href="#fn:169"><sup>169</sup></a> </p> <h3>Awards</h3> <p><i>HIStory</i> was nominated for six <a href="/facts/Grammy_Award/2bxYJjPV">Grammy Awards</a> at the <a href="/facts/38th_Grammy_Awards/xF0DqUD4">1996</a> and <a href="/facts/39th_Grammy_Awards/NKGXXAzY">1997</a> ceremonies respectively, winning one award. "You Are Not Alone" was nominated for <a href="/facts/Grammy_Award_for_Best_Male_Pop_Vocal_Performance/c9tjyxhT">Best Pop Vocal Performance – Male</a> and for <a href="/facts/Grammy_Award_for_Song_of_the_Year/zFgkyQB5">Song of the Year</a>. "Scream" was nominated for <a href="/facts/Grammy_Award_for_Best_Pop_Collaboration_with_Vocals/B38aSz92">Best Pop Collaboration with Vocals</a> and "Scream" won <a href="/facts/Grammy_Award_for_Best_Short_Form_Music_Video/elRA7dMk">Best Music Video - Short Form</a> and "Earth Song" was nominated for the same award the following year. The album itself was nominated for <a href="/facts/Grammy_Award_for_Album_of_the_Year/N7gTMqGf">Album of the Year</a>. At the <a href="/facts/1995_MTV_Video_Music_Awards/pmHYeTQ8">1995 MTV Video Music Awards</a>, "Scream" received ten nominations, winning in three categories.<a class="footnote-ref" id="fnref:170" href="#fn:170"><sup>170</sup></a> In 1998, the album was ranked at number 96 in <a href="/facts/BBC/qFateIz8">BBC</a>'s Music of the Millennium, a list of 100 albums chosen by <a href="/facts/Channel_4/qosXcrpc">Channel 4</a> viewers, <i><a href="/facts/The_Guardian/H84wwJYM">The Guardian</a></i> readers and <a href="/facts/HMV/M5AuvxSu">HMV</a> customers as the best of the millennium.<a class="footnote-ref" id="fnref:171" href="#fn:171"><sup>171</sup></a> </p> <h2 id="track-listing">Track listing</h2> Disc one: <i>HIS</i>tory Begins/<i>Greatest Hits: HIStory, Volume I</i><table><tbody><tr><th scope="col">No.</th><th scope="col">Title</th><th scope="col">Writer(s)</th><th scope="col">Producer(s)</th><th scope="col">Length</th></tr><tr><th scope="row">1.</th><td>"<a href="/facts/Billie_Jean/YczPUNLp">Billie Jean</a>" (Single version) (from <i><a href="/facts/Thriller_(Michael_Jackson_album)/x5Nus6lN">Thriller</a></i>, 1982)</td><td><a href="/facts/Michael_Jackson/LLa098zX">Michael Jackson</a></td><td><ul><li><a href="/facts/Quincy_Jones/cNDqEm1X">Quincy Jones</a></li><li>M. Jackson[a]</li></ul></td><td>4:54</td></tr><tr><th scope="row">2.</th><td>"<a href="/facts/The_Way_You_Make_Me_Feel/QK4ByqB1">The Way You Make Me Feel</a>" (Album version #2) (from <i><a href="/facts/Bad_(Michael_Jackson_album)/F34rPK1r">Bad</a></i>, 1987)</td><td>M. Jackson</td><td><ul><li>Jones</li><li>M. Jackson[a]</li></ul></td><td>4:58</td></tr><tr><th scope="row">3.</th><td>"<a href="/facts/Black_or_White/r5SYTMhJ">Black or White</a>" (from <i><a href="/facts/Dangerous_(Michael_Jackson_album)/FhpnBq6D">Dangerous</a></i>, 1991)</td><td><ul><li>M. Jackson</li><li><a href="/facts/Bill_Bottrell/u0WmJpXo">Bill Bottrell</a></li></ul></td><td><ul><li>M. Jackson</li><li>Bottrell</li></ul></td><td>4:16</td></tr><tr><th scope="row">4.</th><td>"<a href="/facts/Rock_with_You/1rhPaYcK">Rock with You</a>" (Album version #2) (from <i><a href="/facts/Off_the_Wall_(album)/hqXzrYxF">Off the Wall</a></i>, 1979)</td><td><a href="/facts/Rod_Temperton/eFxkLfUx">Rod Temperton</a></td><td>Jones</td><td>3:40</td></tr><tr><th scope="row">5.</th><td>"<a href="/facts/She%27s_Out_of_My_Life/6cCW3k55">She's Out of My Life</a>" (from <i>Off the Wall</i>)</td><td><a href="/facts/Tom_Bahler/vFdf8mvC">Tom Bahler</a></td><td>Jones</td><td>3:38</td></tr><tr><th scope="row">6.</th><td>"<a href="/facts/Bad_(Michael_Jackson_song)/PvdNatX7">Bad</a>" (7" single mix) (from <i>Bad</i>)</td><td>M. Jackson</td><td><ul><li>Jones</li><li>M. Jackson[a]</li></ul></td><td>4:07</td></tr><tr><th scope="row">7.</th><td>"<a href="/facts/I_Just_Can%27t_Stop_Loving_You/Gc64UIs0">I Just Can't Stop Loving You</a>" (7" edit) (from <i>Bad</i>)</td><td>M. Jackson</td><td><ul><li>Jones</li><li>M. Jackson[a]</li></ul></td><td>4:13</td></tr><tr><th scope="row">8.</th><td>"<a href="/facts/Man_in_the_Mirror/hc48SCdK">Man in the Mirror</a>" (from <i>Bad</i>)</td><td><ul><li>Siedah Garrett</li><li><a href="/facts/Glen_Ballard/cy6mmatN">Glen Ballard</a></li></ul></td><td><ul><li>Jones</li><li>M. Jackson[a]</li></ul></td><td>5:19</td></tr><tr><th scope="row">9.</th><td>"<a href="/facts/Thriller_(song)/yNUXoIM9">Thriller</a>" (from <i>Thriller</i>)</td><td>Temperton</td><td>Jones</td><td>5:58</td></tr><tr><th scope="row">10.</th><td>"<a href="/facts/Beat_It/1y9L9Dfu">Beat It</a>" (from <i>Thriller</i>)</td><td>M. Jackson</td><td><ul><li>Jones</li><li>M. Jackson[a]</li></ul></td><td>4:18</td></tr><tr><th scope="row">11.</th><td>"<a href="/facts/The_Girl_Is_Mine/kGyM1WIp">The Girl Is Mine</a>" (duet with <a href="/facts/Paul_McCartney/TfhC0oaF">Paul McCartney</a>) (from <i>Thriller</i>)</td><td>M. Jackson</td><td><ul><li>Jones</li><li>M. Jackson[a]</li></ul></td><td>3:42</td></tr><tr><th scope="row">12.</th><td>"<a href="/facts/Remember_the_Time/QzrhS1vY">Remember the Time</a>" (from <i>Dangerous</i>)</td><td><ul><li><a href="/facts/Teddy_Riley/IkFk84eN">Teddy Riley</a></li><li>M. Jackson</li><li><a href="/facts/Bernard_Belle/R7FcvIp9">Bernard Belle</a></li></ul></td><td><ul><li>M. Jackson</li><li>Riley</li></ul></td><td>4:00</td></tr><tr><th scope="row">13.</th><td>"<a href="/facts/Don%27t_Stop_%27Til_You_Get_Enough/np3fuShy">Don't Stop 'Til You Get Enough</a>" (from <i>Off the Wall</i>)</td><td>M. Jackson</td><td><ul><li>Jones</li><li>M. Jackson[a]</li></ul></td><td>6:06</td></tr><tr><th scope="row">14.</th><td>"<a href="/facts/Wanna_Be_Startin%27_Somethin%27/RCJlEWDy">Wanna Be Startin' Somethin'</a>" (from <i>Thriller</i>)</td><td>M. Jackson</td><td><ul><li>Jones</li><li>M. Jackson[a]</li></ul></td><td>6:03</td></tr><tr><th scope="row">15.</th><td>"<a href="/facts/Heal_the_World/Pp6NoGm6">Heal the World</a>" (from <i>Dangerous</i>)</td><td>M. Jackson</td><td><ul><li>M. Jackson</li><li><a href="/facts/Bruce_Swedien/nFtQlj8g">Bruce Swedien</a>[a]</li></ul></td><td>6:25</td></tr><tr><th colspan="4" scope="row">Total length:</th><td>71:37</td></tr></tbody></table> Disc two: <i>HIS</i>tory Continues<table><tbody><tr><th scope="col">No.</th><th scope="col">Title</th><th scope="col">Writer(s)</th><th scope="col">Producer(s)</th><th scope="col">Length</th></tr><tr><th scope="row">1.</th><td>"<a href="/facts/Scream_(Michael_Jackson_and_Janet_Jackson_song)/uqK9Fyuu">Scream</a>" (duet with <a href="/facts/Janet_Jackson/J4ACIKyy">Janet Jackson</a>)</td><td><ul><li><a href="/facts/Jimmy_Jam_and_Terry_Lewis/qABgU860">James Harris III</a></li><li><a href="/facts/Jimmy_Jam_and_Terry_Lewis/qABgU860">Terry Lewis</a></li><li>M. Jackson</li><li>J. Jackson</li></ul></td><td><ul><li><a href="/facts/Jimmy_Jam_and_Terry_Lewis/qABgU860">Jimmy Jam</a></li><li>Lewis</li><li>M. Jackson</li><li>J. Jackson</li></ul></td><td>4:38</td></tr><tr><th scope="row">2.</th><td>"<a href="/facts/They_Don%27t_Care_About_Us/A7CzLzQY">They Don't Care About Us</a>"</td><td>M. Jackson</td><td>M. Jackson</td><td>4:44</td></tr><tr><th scope="row">3.</th><td>"<a href="/facts/Stranger_in_Moscow/s8IuCVWD">Stranger in Moscow</a>"</td><td>M. Jackson</td><td>M. Jackson</td><td>5:44</td></tr><tr><th scope="row">4.</th><td>"<a href="/facts/This_Time_Around_(Michael_Jackson_song)/AzW6Ah23">This Time Around</a>"</td><td><ul><li>M. Jackson</li><li><a href="/facts/Dallas_Austin/33D74mvV">Dallas Austin</a></li><li>Swedien</li><li><a href="/facts/Ren%C3%A9_Moore/DRVLNclC">Rene</a></li><li><a href="/facts/The_Notorious_B.I.G./ERt0hQtu">Christopher Wallace</a></li></ul></td><td><ul><li>Austin</li><li>M. Jackson</li><li>Swedien[a]</li><li>Rene[a]</li></ul></td><td>4:21</td></tr><tr><th scope="row">5.</th><td>"<a href="/facts/Earth_Song/wXFleSzA">Earth Song</a>"</td><td>M. Jackson</td><td><ul><li>M. Jackson</li><li><a href="/facts/David_Foster/UnTJXtnC">David Foster</a></li><li>Bottrell[a]</li></ul></td><td>6:48</td></tr><tr><th scope="row">6.</th><td>"<a href="/facts/D.S._(song)/GyMwhLvx">D.S.</a>"</td><td>M. Jackson</td><td>M. Jackson</td><td>4:49</td></tr><tr><th scope="row">7.</th><td>"Money"</td><td>M. Jackson</td><td>M. Jackson</td><td>4:42</td></tr><tr><th scope="row">8.</th><td>"<a href="/facts/Come_Together/sEzw95UF">Come Together</a>"</td><td><ul><li><a href="/facts/John_Lennon/voXHuusf">John Lennon</a></li><li><a href="/facts/Paul_McCartney/TfhC0oaF">Paul McCartney</a></li></ul></td><td><ul><li>M. Jackson</li><li>Bottrell</li></ul></td><td>4:03</td></tr><tr><th scope="row">9.</th><td>"<a href="/facts/You_Are_Not_Alone/a4dEP1fd">You Are Not Alone</a>"</td><td><a href="/facts/R._Kelly/2vr0zwhU">R. Kelly</a></td><td><ul><li>Kelly</li><li>M. Jackson</li></ul></td><td>5:45</td></tr><tr><th scope="row">10.</th><td>"<a href="/facts/Childhood_(Michael_Jackson_song)/nKQtt5fA">Childhood</a>"</td><td>M. Jackson</td><td><ul><li>M. Jackson</li><li>Foster</li></ul></td><td>4:28</td></tr><tr><th scope="row">11.</th><td>"<a href="/facts/Tabloid_Junkie/TMRy1NBd">Tabloid Junkie</a>"</td><td><ul><li>M. Jackson</li><li>Harris III</li><li>Lewis</li></ul></td><td><ul><li>M. Jackson</li><li>Jimmy Jam</li><li>Lewis</li></ul></td><td>4:33</td></tr><tr><th scope="row">12.</th><td>"2 Bad"</td><td><ul><li>M. Jackson</li><li>Swedien</li><li>Rene</li><li>Austin</li></ul></td><td><ul><li>M. Jackson</li><li>Jimmy Jam</li><li>Lewis</li><li>Swedien</li><li>Rene</li></ul></td><td>4:50</td></tr><tr><th scope="row">13.</th><td>"<a href="/facts/HIStory_(song)/vJlpnSYd">HIStory</a>"</td><td><ul><li>M. Jackson</li><li>Harris III</li><li>Lewis</li></ul></td><td><ul><li>M. Jackson</li><li>Jimmy Jam</li><li>Lewis</li></ul></td><td>6:38</td></tr><tr><th scope="row">14.</th><td>"Little Susie / Pie Jesu"</td><td>M. Jackson</td><td>M. Jackson</td><td>6:15</td></tr><tr><th scope="row">15.</th><td>"<a href="/facts/Smile_(Charlie_Chaplin_song)/zIM0nL19">Smile</a>"</td><td><ul><li><a href="/facts/John_Turner_(lyricist)/aqhPA513">John Turner</a></li><li><a href="/facts/Geoffrey_Claremont_Parsons/6NJ8vn1Y">Geoffrey Parsons</a></li><li><a href="/facts/Charlie_Chaplin/24P6I5lz">Charlie Chaplin</a></li></ul></td><td><ul><li>Foster</li><li>M. Jackson</li></ul></td><td>4:56</td></tr><tr><th colspan="4" scope="row">Total length:</th><td>77:14</td></tr></tbody></table> Notes <ul><li>^[a] signifies a co-producer</li> <li>Three songs contain uncredited guest appearances. "Black or White" features <a href="/facts/Bill_Bottrell/u0WmJpXo">L.T.B.</a>, "This Time Around" features <a href="/facts/The_Notorious_B.I.G./ERt0hQtu">The Notorious B.I.G.</a>, and "2 Bad" features <a href="/facts/Shaquille_O%27Neal/YFkJjg1J">Shaquille O'Neal</a>.</li> <li>Early CD pressings of German, French and Dutch editions of the album contain a special voice message recorded by Jackson to address gratitude towards fans as a hidden track. The message recorded for German market is also available on a rare "Scream" single.</li> <li>Reissues of the album contain several changes when compared to the original 1995 US release: <ul><li>"They Don't Care About Us" – "Jew me" and "Kike me" would be drowned out by loud, electronic noises in most re-releases of the song, including later pressings of the album, single version and two video versions.<a class="footnote-ref" id="fnref:172" href="#fn:172"><sup>172</sup></a></li> <li>"HIStory" – original musical compositions sampled include "Beethoven Lives Upstairs" and "The Great Gate of Kiev" from <i>Pictures at an Exhibition</i>, but in reissues of the album, the <i>Pictures at an Exhibition</i> piece was replaced by a similar improvised orchestra piece.<a class="footnote-ref" id="fnref:173" href="#fn:173"><sup>173</sup></a></li></ul></li></ul> <h2 id="personnel">Personnel</h2> <p>Adapted from the album's liner notes and AllMusic.<a class="footnote-ref" id="fnref:174" href="#fn:174"><sup>174</sup></a><a class="footnote-ref" id="fnref:175" href="#fn:175"><sup>175</sup></a> </p> <ul><li>Gary Adante – keyboards, synthesizer</li> <li>Yannick Allain – staff</li> <li>Trini Alvarez Jr. – assistant engineer</li> <li>Maxi Anderson – choir conductor</li> <li>Rob Arbitter – keyboards, synthesizer</li> <li>Ryan Arnold – assistant engineer</li> <li>Gloria Augustus – background vocals</li> <li>Dallas Austin – arranger, keyboards, producer, synthesizer</li> <li>John Bahler – vocal arrangement, background vocals</li> <li>John Bahler Singers – background vocals</li> <li>Tom Bahler – synclavier</li> <li>Bettye Bailey – staff</li> <li><a href="/facts/Glen_Ballard/cy6mmatN">Glen Ballard</a> – keyboards, rhythm arrangements, synthesizer, synthesizer arrangements</li> <li>Brian Banks – keyboards, synthesizer, synthesizer programming</li> <li>John Barnes – keyboards, piano, synthesizer, vocal arrangement</li> <li>Elmer Bernstein – conductor, orchestral arrangements</li> <li>Emily Bernstein – orchestration</li> <li>Tony Duino Black – assistant engineer</li> <li><a href="/facts/Michael_Boddicker/5IsA2tLK">Michael Boddicker</a> – choir conductor, keyboards, programming, sound design, synthesizer, synthesizer programming</li> <li>Bill Bottrell – drums, engineer, guitar, keyboards, mixing, percussion, producer, synthesizer</li> <li>Jeff Bova – programming, synthesizer programming</li> <li>Crystal Bowers – executive assistant</li> <li><a href="/facts/Boyz_II_Men/XAbKTVKY">Boyz II Men</a> – guest artist, background vocals</li> <li>Miko Brando – staff</li> <li>Bobby Brooks – drums, engineer, percussion, programming, sound design, synthesizer programming</li> <li><a href="/facts/Ollie_E._Brown/Rl8vSz4M">Ollie E. Brown</a> – percussion</li> <li>Chauna Bryant – children's chorus, choir/chorus</li> <li>Rodger Bumpass – background vocals, voiceover</li> <li><a href="/facts/Brad_Buxer/MNdC9ofM">Brad Buxer</a> – arranger, keyboards, orchestration, percussion, piano, programming, sequencing arranger, sound effects, soundscape, synthesizer, synthesizer programming</li> <li>Caleena Campbell – children's chorus, choir/chorus</li> <li>Bruce Cannon – effects, special effects</li> <li>Larry Carlton – guitar</li> <li>Reeve Carney – children's chorus, choir/chorus</li> <li>Reagans Carter – artwork, photography</li> <li>Lafayette Carthon – keyboards, synthesizer</li> <li>Jim Champagne – assistant engineer</li> <li>Leon "Ndugu" Chancler – drums</li> <li>Charlie Chaplin – tributee</li> <li>Rosemary Chavira – staff</li> <li>Wayne Cobham – synthesizer programming</li> <li>Lester Cohen – artwork, photography</li> <li>David Coleman – art direction</li> <li><a href="/facts/Funkmaster_Flex/gI5o7Qzs">Funkmaster Flex</a> – turntables</li> <li>Jesse Corti – background vocals, voiceover</li> <li>Richard Cottrell – engineer</li> <li><a href="/facts/Andra%C3%A9_Crouch/vMlhYv8D">Andraé Crouch</a> – vocal arrangement, background vocals</li> <li>The Andraé Crouch Singers – background vocals</li> <li><a href="/facts/Sandra_Crouch/pKIdV4bn">Sandra Crouch</a> – background vocals</li> <li>Christopher Currell – guitar, percussion, rhythm arrangements, synclavier</li> <li><a href="/facts/Paulinho_Da_Costa/pIIKRzMT">Paulinho Da Costa</a> – percussion</li> <li>Rick Dasher – assistant engineer</li> <li>Eddie DeLena – engineer, mixing</li> <li>Jeff DeMorris – assistant engineer</li> <li>Carol Dennis – background vocals</li> <li>Carolyn Dennis – background vocals</li> <li>Nancy Donald – art direction</li> <li><a href="/facts/Nathan_East/eGnafGXg">Nathan East</a> – bass</li> <li><a href="/facts/Sheila_E./RDfGn6rh">Sheila E.</a> – percussion</li> <li>Bill Easystone – assistant engineer</li> <li>Felipe Elgueta – engineer</li> <li>Sam Emerson – artwork, photography</li> <li>Jonathan Exley – artwork, photography</li> <li>Ashley Farrell – voiceover</li> <li><a href="/facts/Steve_Ferrone/XBAabdBq">Steve Ferrone</a> – drums, percussion</li> <li>Angela Fisher – children's chorus, choir/chorus</li> <li>Matt Forger – engineer, sound effects, soundscape, technical director</li> <li><a href="/facts/David_Foster/UnTJXtnC">David Foster</a> – keyboards, orchestral arrangements, piano, producer, synthesizer, synthesizer arrangements</li> <li>Jania Foxworth – children's chorus, choir/chorus</li> <li>Simon Franglen – drums, keyboards, percussion, programming, synclavier programming, synthesizer, synthesizer programming</li> <li>Leah Frazier – soloist</li> <li>Harrison Funk – artwork, photography</li> <li><a href="/facts/Eric_Gale/aVwDVXUF">Eric Gale</a> – guitar</li> <li>Gus Garces – assistant engineer</li> <li>Siedah Garrett – duet, guest artist, performer, primary artist, vocal harmony</li> <li>Humberto Gatica – engineer</li> <li>Peter Germansen – assistant engineer</li> <li>Douglas Getschall – drum programming, programming</li> <li>Kevin Gilbert – engineer, synthesizer programming</li> <li><a href="/facts/Jim_Gilstrap/8Nhagyoq">Jim Gilstrap</a> – background vocals</li> <li>Nate Giorgio – artwork, photography</li> <li>Carl Glanville – assistant engineer</li> <li>Greg Gorman – artwork, photography</li> <li>Jackie Gouché – background vocals</li> <li>Geoff Grace – orchestration</li> <li>Crystal Grant – children's chorus</li> <li>Gary Grant – flugelhorn, horn, trumpet</li> <li>Nikisha Grier – children's chorus, choir/chorus</li> <li>Doug Grigsby – bass</li> <li>Bernie Grundman – mastering</li> <li>Stephanie Gylden – assistant engineer</li> <li><a href="/facts/Omar_Hakim/2NqHy8u5">Omar Hakim</a> – drums, percussion</li> <li>Natalia Harris – children's chorus</li> <li>Amy Hartman – staff</li> <li>Gary Hearne – staff</li> <li>Richard Heath – percussion</li> <li>Gorrfried Helnwein – artwork, photography</li> <li>Marlo Henderson – guitar</li> <li><a href="/facts/Jerry_Hey/1g9gBNco">Jerry Hey</a> – conductor, flugelhorn, horn, horn arrangements, string arrangements, synthesizer arrangements, trumpet</li> <li>Steve Hodge – engineer, mixing</li> <li>Rob Hoffman – assistant engineer, engineer, guitar, programming, synthesizer programming</li> <li>Jean Marie Horvat – Engineer</li> <li>Rhonda Hoskins – children's chorus</li> <li>How Now Brown Cow – percussion</li> <li><a href="/facts/Dann_Huff/buVe0jBl">Dann Huff</a> – guitar</li> <li>Bunny Hull – background vocals</li> <li>Kim Hutchcroft – flute, horn, saxophone</li> <li>James Ingram – background vocals</li> <li>Crystal Jackson – children's chorus, choir/chorus</li> <li>Janet Jackson – duet vocals, producer, vocal arrangement, background vocals</li> <li>Michael Jackson – arranger, director, drums, executive producer, guitar, horn arrangements, keyboard arrangements, keyboards, liner notes, percussion, primary artist, producer, rhythm arrangements, sequencing arranger, string arrangements, synthesizer, synthesizer arrangements, vocal arrangements, vocals, background vocals</li> <li><a href="/facts/Paul_Jackson_Jr./xvNm0IyH">Paul Jackson Jr.</a> – guitar</li> <li>Randy Jackson – percussion</li> <li>Terry Jackson – bass</li> <li>Jimmy Jam – arranger, drum programming, drums, keyboards, percussion, producer, programming, synthesizer, synthesizer bass, synthesizer programming, vocal arrangement</li> <li>Mortonette Jenkins – background vocals</li> <li>Augie Johnson – background vocals</li> <li>Craig Johnson – assistant technical director, engineer, technical director</li> <li>Kandy Johnson – children's chorus, choir/chorus</li> <li>Kimberly Johnson – children's chorus, choir/chorus</li> <li>Louis Johnson – bass</li> <li>Marcus Johnson – staff</li> <li>Brian Jones – children's chorus, choir/chorus</li> <li>Caryn Jones – children's chorus</li> <li><a href="/facts/Quincy_Jones/cNDqEm1X">Quincy Jones</a> – producer, rhythm arrangements, synthesizer arrangements, vocal arrangement</li> <li>Nathan Kaproff – orchestral coordinator</li> <li>Suzie Katayama – conductor</li> <li><a href="/facts/R._Kelly/2vr0zwhU">R. Kelly</a> – arranger, keyboards, producer, synthesizer, background vocals</li> <li>Jacqueline Kennedy – liner notes</li> <li><a href="/facts/Randy_Kerber/Kngmd9H0">Randy Kerber</a> – keyboards, synthesizer</li> <li>Donn Landee – engineer</li> <li>Christa Larson – background vocals</li> <li>Julie Last – assistant engineer</li> <li><a href="/facts/Annie_Leibovitz/UMRTCMMC">Annie Leibovitz</a> – artwork, photography</li> <li>Jen Leigh – guitar</li> <li>Jesse Levy – orchestral coordinator</li> <li>Terry Lewis – arranger, drum programming, drums, keyboards, percussion, producer, programming, synthesizer, synthesizer bass, synthesizer programming, vocal arrangement</li> <li>Becky Lopez – background vocals</li> <li><a href="/facts/Bryan_Loren/fscWmL1Q">Bryan Loren</a> – drums, percussion, synthesizer bass, background vocals</li> <li>Ron Lowe – assistant engineer</li> <li>L.T.B. – rap, voiceover</li> <li>Jeremy Lubbock – arranger, conductor</li> <li><a href="/facts/Steve_Lukather/nNtKoTTb">Steve Lukather</a> – bass, guitar</li> <li>Jonathan Mackey – piano</li> <li>Brian Malouf – engineer</li> <li>Johnny Mandel – arranger, string arrangements</li> <li>Gregg Mangiafico – programming, synthesizer programming</li> <li>Maurice La Marche – voiceover</li> <li>Glen Marchese – assistant engineer</li> <li>Anthony Marinelli – synthesizer programming</li> <li>Gregory Martin – background vocals, voiceover</li> <li><a href="/facts/Jasun_Martz/NfmtBqyF">Jasun Martz</a> – keyboards, synthesizer</li> <li>Harry Maslin – engineer</li> <li>Anna Mathias – background vocals, voiceover</li> <li>Coi Mattison – children's chorus</li> <li><a href="/facts/Paul_McCartney/TfhC0oaF">Paul McCartney</a> – duet vocals, vocal harmony</li> <li>Michael McCary – background vocals</li> <li>Linda McCrary – background vocals</li> <li>Andres McKenzie – voiceover</li> <li>Dawn McMillan – voiceover</li> <li>Paulette McWilliams – background vocals</li> <li>Daniel Medvedev – narrator</li> <li>Jason Miles – programming, synthesizer programming</li> <li>Jeff Mirinov – guitar</li> <li>Peter Mokran – drum programming, engineer, programming, synthesizer programming</li> <li>Nathan Morris – background vocals</li> <li>Wanya Morris – background vocals</li> <li>Wayne Nagin – staff</li> <li>Carl Nappa – assistant engineer</li> <li>David Nordahl – artwork, photography</li> <li><a href="/facts/The_Notorious_B.I.G./ERt0hQtu">The Notorious B.I.G.</a> – guest artist, rap</li> <li>David Nottingham – assistant engineer</li> <li><a href="/facts/Shaquille_O%27Neal/YFkJjg1J">Shaquille O'Neal</a> – guest artist, rap</li> <li>Gary Olazabal – engineer</li> <li>Claudio Ordenes – engineer</li> <li><a href="/facts/David_Paich/3xpVzujC">David Paich</a> – bass, keyboards, piano, rhythm arrangements, synthesizer, synthesizer arrangements</li> <li>Marty Paich – conductor, orchestral arrangements</li> <li>Chris Palmaro – synthesizer programming</li> <li><a href="/facts/Dean_Parks/A7bdXv5T">Dean Parks</a> – guitar</li> <li>Paul Peabody – soloist, violin</li> <li><a href="/facts/Wayne_Pedzwater/3zpLWtvH">Wayne Pedzwater</a> – bass</li> <li><a href="/facts/Greg_Phillinganes/1AulcYoD">Greg Phillinganes</a> – fender rhodes, keyboards, rhythm arrangements, synthesizer, synthesizer bass</li> <li><a href="/facts/Tim_Pierce/kKAb60GR">Tim Pierce</a> – guitar</li> <li>Scott Pittinsky – sound design, synthesizer programming</li> <li><a href="/facts/Jeff_Porcaro/UrxgzB66">Jeff Porcaro</a> – drums</li> <li><a href="/facts/Steve_Porcaro/TjwREsAW">Steve Porcaro</a> – keyboards, orchestral realizations, programming, synthesizer, synthesizer programming</li> <li>Crystal Pounds – children's chorus, choir/chorus</li> <li><a href="/facts/Guy_Pratt/Bj2JkgwS">Guy Pratt</a> – bass</li> <li>Markita Prescott – soloist</li> <li><a href="/facts/Vincent_Price/BtF6Ysyh">Vincent Price</a> – rap</li> <li>Phil Proctor – background vocals</li> <li>Phillip G. Proctor – voiceover</li> <li><a href="/facts/Trevor_Rabin/LomlomeM">Trevor Rabin</a> – guitar</li> <li><a href="/facts/Ronald_Reagan/z6AaKAad">Ronald Reagan</a> – quotation author</li> <li>William Frank "Bill" Reichenbach Jr. – horn, trombone</li> <li>Rene – drums, keyboards, percussion, producer, synthesizer</li> <li>Seth Riggs – vocal consultant</li> <li>Teddy Riley – engineer, keyboards, mixing, producer, rhythm arrangements, synthesizer, synthesizer arrangements</li> <li>Chris Roberts – assistant engineer</li> <li><a href="/facts/John_Robinson_(drummer)/XjCFBRMT">John Robinson</a> – drums</li> <li><a href="/facts/Nile_Rodgers/NwdqF5t5">Nile Rodgers</a> – guitar</li> <li>Matthew Rolston – artwork, photography</li> <li>Bill Ross – conductor, orchestral arrangements</li> <li>Darryl Ross – sound design, synthesizer programming</li> <li>William Ross – conductor</li> <li>Keith Rouster – bass</li> <li>Thom Russo – technical director</li> <li>Grace Rwaramba – staff</li> <li><a href="/facts/Annette_Sanders/kTwfnUxb">Annette Sanders</a> – choir conductor</li> <li>Andrew Scheps – drum programming, engineer, programming, sound effects, soundscape, synclavier programming, synthesizer programming</li> <li>Arnie Schulze – programming, synthesizer programming</li> <li>Seawind Horns – horn</li> <li>Jamie Seyberth – assistant engineer</li> <li>Scott "House" Shaffer – staff</li> <li>Joshua Shapera – assistant engineer</li> <li>Alan Shearman – background vocals, voiceover</li> <li>Rick Sheppard – programming, synthesizer programming</li> <li>Susan Silo – voiceover</li> <li><a href="/facts/Slash_(musician)/oqz9DDaR">Slash</a> – guest artist, guitar</li> <li>Greg Smith – keyboards, synthesizer</li> <li><a href="/facts/Jimmy_Smith_(musician)/nwFot93f">Jimmy Smith</a> – hammond b3, organ (hammond), soloist</li> <li>Rachel Smith – production coordination</li> <li><a href="/facts/Steven_Spielberg/KeqLPKoS">Steven Spielberg</a> – liner notes</li> <li>Tracy Spindler – children's chorus, choir/chorus</li> <li>Brandi Stewart – children's chorus, choir/chorus</li> <li>Shawn Stockman – background vocals</li> <li>Brad Sundberg – engineer, mixing, technical director</li> <li>Gabriel Sutter – assistant engineer</li> <li>Bruce Swedien – arranger, drums, effects, engineer, liner notes, mixing, percussion, producer, sound effects, soundscape, special effects</li> <li>Roberta Swedien – sound design, synthesizer programming</li> <li>Evvy Tavasci – assistant, executive administrator</li> <li><a href="/facts/Elizabeth_Taylor/Ur7qy9lK">Elizabeth Taylor</a> – liner notes, quotation author</li> <li>Jeff Taylor – assistant engineer</li> <li><a href="/facts/Rod_Temperton/eFxkLfUx">Rod Temperton</a> – keyboards, rhythm arrangements, synthesizer, synthesizer arrangements, vocal arrangement</li> <li>Chris Theis – assistant engineer</li> <li><a href="/facts/Michael_Thompson_(guitarist)/Buxc2I8h">Michael Thompson</a> – guitar</li> <li>Jonathon Ungar – children's chorus</li> <li><a href="/facts/Eddie_Van_Halen/AezgN14d">Eddie Van Halen</a> – guest artist, guitar</li> <li>John VanNest – engineer</li> <li>Llyswen Vaughan – sample clearance</li> <li>Suzy Vaughan – sample clearance</li> <li>Stephan Vaughn – artwork, photography</li> <li><a href="/facts/Tata_Vega/NNTptgwk">Tata Vega</a> – background vocals</li> <li>Brian Vibberts – assistant engineer</li> <li>Gerald Vinci – concert master</li> <li>Diana Walczak – sculpture</li> <li><a href="/facts/Randy_Waldman/SVBXbbLm">Randy Waldman</a> – keyboards, synthesizer</li> <li>Stephen Walker – art direction</li> <li>Ben Wallach – assistant engineer</li> <li>Dan Wallin – engineer</li> <li>Julia Waters – background vocals</li> <li>Maxine Waters – background vocals</li> <li>Oren Waters – background vocals</li> <li>Bobby Watson – bass</li> <li>Dave Way – engineer, mixing</li> <li><a href="/facts/Steven_Paul_Whitsitt/SHBjb0nr">Steven Paul Whitsitt</a> – artwork, photography</li> <li>Ed Wiesnieski – narrator</li> <li><a href="/facts/Chuck_Wild/u2d6u7EF">Chuck Wild</a> – drums, keyboards, percussion, programming, sound design, sound effects, soundscape, synthesizer, synthesizer programming</li> <li>Maxine Willard Waters – background vocals</li> <li>Buddy Williams – drums, percussion</li> <li>David Williams – guitar</li> <li>Larry Williams – flute, horn, saxophone, synthesizer programming</li> <li>Zedric Williams – background vocals</li> <li><a href="/facts/The_Winans/DCYtI0Ff">The Winans</a> – background vocals</li> <li>Hattie Winston – background vocals, voiceover</li> <li>Colin Wolfe – bass</li> <li>Bill Wolfer<a class="footnote-ref" id="fnref:176" href="#fn:176"><sup>176</sup></a> – keyboards, synthesizer, synthesizer programming</li> <li>David "Hawk" Wolinski – fender rhodes</li> <li>Ben Wright – string arrangements</li> <li>James "Big Jim" Wright – organ, piano</li> <li>Jimmy Wright – organ, piano</li> <li>Charity Young – children's chorus, choir/chorus</li></ul> <h2 id="charts">Charts</h2> <table><tbody><tr><td><h3>Weekly charts</h3><table><tbody><tr><th>Chart (1995–2009)</th><th>Peakposition</th></tr><tr><th scope="row">Argentinian Albums (<a href="/facts/Argentine_Chamber_of_Phonograms_and_Videograms_Producers/wqywh5mm">CAPIF</a>)<a class="footnote-ref" id="fnref:177" href="#fn:177"><sup>177</sup></a></th><td>2</td></tr><tr><th scope="row">Australian Albums (<a href="/facts/ARIA_Charts/aUXUHRK7">ARIA</a>)<a class="footnote-ref" id="fnref:178" href="#fn:178"><sup>178</sup></a></th><td>1</td></tr><tr><th scope="row">Austrian Albums (<a href="/facts/%C3%963_Austria_Top_40/3B0L8Tj0">Ö3 Austria</a>)<a class="footnote-ref" id="fnref:179" href="#fn:179"><sup>179</sup></a></th><td>2</td></tr><tr><th scope="row">Belgian Albums (<a href="/facts/Ultratop/z8s4xXqw">Ultratop</a> Flanders)<a class="footnote-ref" id="fnref:180" href="#fn:180"><sup>180</sup></a></th><td>1</td></tr><tr><th scope="row">Belgian Albums (<a href="/facts/Ultratop/z8s4xXqw">Ultratop</a> Wallonia)<a class="footnote-ref" id="fnref:181" href="#fn:181"><sup>181</sup></a></th><td>1</td></tr><tr><th scope="row">Brazilian Albums (<a href="/facts/Associa%C3%A7%C3%A3o_Brasileira_dos_Produtores_de_Discos/MUKSA0sq">ABPD</a>)<a class="footnote-ref" id="fnref:182" href="#fn:182"><sup>182</sup></a></th><td>1</td></tr><tr><th scope="row">Canadian Albums (<i><a href="/facts/RPM_(magazine)/FqFN5o4x">RPM</a></i>)<a class="footnote-ref" id="fnref:183" href="#fn:183"><sup>183</sup></a></th><td>1</td></tr><tr><th scope="row">Canadian Albums (<i><a href="/facts/The_Record_(magazine)/NG442mKV">The Record</a></i>)<a class="footnote-ref" id="fnref:184" href="#fn:184"><sup>184</sup></a></th><td>1</td></tr><tr><th scope="row">Chilean Albums (<a href="/facts/International_Federation_of_the_Phonographic_Industry/h3f3zMVv">IFPI</a>)<a class="footnote-ref" id="fnref:185" href="#fn:185"><sup>185</sup></a></th><td>1</td></tr><tr><th scope="row">Czech Albums (<a href="/facts/International_Federation_of_the_Phonographic_Industry/h3f3zMVv">IFPI</a>)<a class="footnote-ref" id="fnref:186" href="#fn:186"><sup>186</sup></a></th><td>13</td></tr><tr><th scope="row">Danish Albums (<a href="/facts/Tracklisten/7q6gfh8P">Hitlisten</a>)<a class="footnote-ref" id="fnref:187" href="#fn:187"><sup>187</sup></a></th><td>1</td></tr><tr><th scope="row">Dutch Albums (<a href="/facts/Dutch_Album_Top_100/dG4dLtW3">Album Top 100</a>)<a class="footnote-ref" id="fnref:188" href="#fn:188"><sup>188</sup></a></th><td>1</td></tr><tr><th scope="row"><a href="/facts/European_Top_100_Albums/GHvJAu6Y">European Albums</a> (<i><a href="/facts/Billboard_(magazine)/CVruQGq5">Billboard</a></i>)<a class="footnote-ref" id="fnref:189" href="#fn:189"><sup>189</sup></a></th><td>1</td></tr><tr><th scope="row">Finnish Albums (<a href="/facts/Suomen_virallinen_lista/c0yxEQtC">Suomen virallinen albumilista</a>)<a class="footnote-ref" id="fnref:190" href="#fn:190"><sup>190</sup></a></th><td>2</td></tr><tr><th scope="row">French Albums (<a href="/facts/Syndicat_National_de_l%27%C3%89dition_Phonographique/lT0tPFLb">SNEP</a>)<a class="footnote-ref" id="fnref:191" href="#fn:191"><sup>191</sup></a></th><td>1</td></tr><tr><th scope="row">German Albums (<a href="/facts/GfK_Entertainment/bGrgjxKn">Offizielle Top 100</a>)<a class="footnote-ref" id="fnref:192" href="#fn:192"><sup>192</sup></a></th><td>1</td></tr><tr><th scope="row">Hungarian Albums (<a href="/facts/Association_of_Hungarian_Record_Companies/V1g7VheF">MAHASZ</a>)<a class="footnote-ref" id="fnref:193" href="#fn:193"><sup>193</sup></a></th><td>4</td></tr><tr><th scope="row">Irish Albums (<a href="/facts/Irish_Recorded_Music_Association/4tG1LIBY">IRMA</a>)<a class="footnote-ref" id="fnref:194" href="#fn:194"><sup>194</sup></a></th><td>1</td></tr><tr><th scope="row">Italian Albums (<a href="/facts/Federazione_Industria_Musicale_Italiana/FDJwQrpX">FIMI</a>)<a class="footnote-ref" id="fnref:195" href="#fn:195"><sup>195</sup></a></th><td>1</td></tr><tr><th scope="row">Japanese Albums (<a href="/facts/Oricon/MG3yvbdP">Oricon</a>)<a class="footnote-ref" id="fnref:196" href="#fn:196"><sup>196</sup></a></th><td>3</td></tr><tr><th scope="row">Mexican Albums (<a href="/facts/Top_100_Mexico/uvJ9Bnkz">Top 100 Mexico</a>)<a class="footnote-ref" id="fnref:197" href="#fn:197"><sup>197</sup></a></th><td>9</td></tr><tr><th scope="row">New Zealand Albums (<a href="/facts/Official_New_Zealand_Music_Chart/Ukp3oqXG">RMNZ</a>)<a class="footnote-ref" id="fnref:198" href="#fn:198"><sup>198</sup></a></th><td>1</td></tr><tr><th scope="row">Norwegian Albums (<a href="/facts/VG-lista/gHbBmrR7">VG-lista</a>)<a class="footnote-ref" id="fnref:199" href="#fn:199"><sup>199</sup></a></th><td>1</td></tr><tr><th scope="row">Portuguese Albums (<a href="/facts/Associa%C3%A7%C3%A3o_Fonogr%C3%A1fica_Portuguesa/NfqwCKAK">AFP</a>)<a class="footnote-ref" id="fnref:200" href="#fn:200"><sup>200</sup></a></th><td>2</td></tr><tr><th scope="row"><a href="/facts/Scottish_Singles_and_Albums_Charts/cTBm6vqg">Scottish Albums</a> (<a href="/facts/Official_Charts_Company/42Rz2PXj">OCC</a>)<a class="footnote-ref" id="fnref:201" href="#fn:201"><sup>201</sup></a></th><td>1</td></tr><tr><th scope="row">Spanish Albums (<a href="/facts/Productores_de_M%C3%BAsica_de_Espa%C3%B1a/shAF30pQ">PROMUSICAE</a>)<a class="footnote-ref" id="fnref:202" href="#fn:202"><sup>202</sup></a></th><td>2</td></tr><tr><th scope="row">Swedish Albums (<a href="/facts/Sverigetopplistan/Br6GrFEd">Sverigetopplistan</a>)<a class="footnote-ref" id="fnref:203" href="#fn:203"><sup>203</sup></a></th><td>3</td></tr><tr><th scope="row">Swiss Albums (<a href="/facts/Swiss_Hitparade/GsbuC0fn">Schweizer Hitparade</a>)<a class="footnote-ref" id="fnref:204" href="#fn:204"><sup>204</sup></a></th><td>1</td></tr><tr><th scope="row"><a href="/facts/UK_Albums_Chart/h1hyzP13">UK Albums</a> (<a href="/facts/Official_Charts_Company/42Rz2PXj">OCC</a>)<a class="footnote-ref" id="fnref:205" href="#fn:205"><sup>205</sup></a></th><td>1</td></tr><tr><th scope="row"><a href="/facts/UK_R%26B_Chart/nBnpJLjL">UK R&B Albums</a> (<a href="/facts/Official_Charts_Company/42Rz2PXj">OCC</a>)<a class="footnote-ref" id="fnref:206" href="#fn:206"><sup>206</sup></a></th><td>1</td></tr><tr><th scope="row">Uruguayan Albums (<a href="/facts/C%C3%A1mara_Uruguaya_de_Productores_de_Fonogramas_y_Videogramas/opATF9Eo">CUD</a>) <a class="footnote-ref" id="fnref:207" href="#fn:207"><sup>207</sup></a></th><td>6</td></tr><tr><th scope="row">US <a href="/facts/Billboard_200/XtbnoFSM"><i>Billboard</i> 200</a><a class="footnote-ref" id="fnref:208" href="#fn:208"><sup>208</sup></a></th><td>1</td></tr><tr><th scope="row">US <a href="/facts/Top_R%26B/Hip-Hop_Albums/3K17jrMS">Top R&B/Hip-Hop Albums</a> (<a href="/facts/Billboard_(magazine)/CVruQGq5"><i>Billboard</i></a>)<a class="footnote-ref" id="fnref:209" href="#fn:209"><sup>209</sup></a></th><td>1</td></tr></tbody></table></td><td><h3>Year-end charts</h3><table><tbody><tr><th>Chart (1995)</th><th>Position</th></tr><tr><th scope="row">Australian Albums (ARIA)<a class="footnote-ref" id="fnref:210" href="#fn:210"><sup>210</sup></a></th><td>4</td></tr><tr><th scope="row">Austrian Albums (Ö3 Austria)<a class="footnote-ref" id="fnref:211" href="#fn:211"><sup>211</sup></a></th><td>18</td></tr><tr><th scope="row">Belgian Albums (Ultratop Flanders)<a class="footnote-ref" id="fnref:212" href="#fn:212"><sup>212</sup></a></th><td>12</td></tr><tr><th scope="row">Belgian Albums (Ultratop Wallonia)<a class="footnote-ref" id="fnref:213" href="#fn:213"><sup>213</sup></a></th><td>3</td></tr><tr><th scope="row">Canadian Albums (<i>RPM</i>)<a class="footnote-ref" id="fnref:214" href="#fn:214"><sup>214</sup></a></th><td>11</td></tr><tr><th scope="row">Dutch Albums (Album Top 100)<a class="footnote-ref" id="fnref:215" href="#fn:215"><sup>215</sup></a></th><td>13</td></tr><tr><th scope="row">European Top 100 Albums (<i>Music & Media</i>)<a class="footnote-ref" id="fnref:216" href="#fn:216"><sup>216</sup></a></th><td>8</td></tr><tr><th scope="row">French Albums (<a href="/facts/SNEP/lT0tPFLb">SNEP</a>)<a class="footnote-ref" id="fnref:217" href="#fn:217"><sup>217</sup></a></th><td>3</td></tr><tr><th scope="row">German Albums (Offizielle Top 100)<a class="footnote-ref" id="fnref:218" href="#fn:218"><sup>218</sup></a></th><td>12</td></tr><tr><th scope="row">New Zealand Albums (RMNZ)<a class="footnote-ref" id="fnref:219" href="#fn:219"><sup>219</sup></a></th><td>5</td></tr><tr><th scope="row">Swedish Albums (Sverigetopplistan)<a class="footnote-ref" id="fnref:220" href="#fn:220"><sup>220</sup></a></th><td>35</td></tr><tr><th scope="row">Swiss Albums (Schweizer Hitparade)<a class="footnote-ref" id="fnref:221" href="#fn:221"><sup>221</sup></a></th><td>8</td></tr><tr><th scope="row">UK Albums (OCC)<a class="footnote-ref" id="fnref:222" href="#fn:222"><sup>222</sup></a></th><td>5</td></tr><tr><th scope="row">US <i>Billboard</i> 200<a class="footnote-ref" id="fnref:223" href="#fn:223"><sup>223</sup></a></th><td>32</td></tr><tr><th scope="row">US Top R&B/Hip-Hop Albums (<i>Billboard</i>)<a class="footnote-ref" id="fnref:224" href="#fn:224"><sup>224</sup></a></th><td>28</td></tr></tbody></table><table><tbody><tr><th>Chart (1996)</th><th>Position</th></tr><tr><th scope="row">Australian Albums (ARIA)<a class="footnote-ref" id="fnref:225" href="#fn:225"><sup>225</sup></a></th><td>13</td></tr><tr><th scope="row">Austrian Albums (Ö3 Austria)<a class="footnote-ref" id="fnref:226" href="#fn:226"><sup>226</sup></a></th><td>23</td></tr><tr><th scope="row">Dutch Albums (Album Top 100)<a class="footnote-ref" id="fnref:227" href="#fn:227"><sup>227</sup></a></th><td>7</td></tr><tr><th scope="row">European Top 100 Albums (<i>Music & Media</i>)<a class="footnote-ref" id="fnref:228" href="#fn:228"><sup>228</sup></a></th><td>7</td></tr><tr><th scope="row">French Albums (<a href="/facts/Institut_fran%C3%A7ais_d%27opinion_publique/VMpU8hhk">IFOP</a>)<a class="footnote-ref" id="fnref:229" href="#fn:229"><sup>229</sup></a></th><td>8</td></tr><tr><th scope="row">German Albums (Offizielle Top 100)<a class="footnote-ref" id="fnref:230" href="#fn:230"><sup>230</sup></a></th><td>11</td></tr><tr><th scope="row">New Zealand Albums (RMNZ)<a class="footnote-ref" id="fnref:231" href="#fn:231"><sup>231</sup></a></th><td>13</td></tr><tr><th scope="row">Swedish Albums (Sverigetopplistan)<a class="footnote-ref" id="fnref:232" href="#fn:232"><sup>232</sup></a></th><td>85</td></tr><tr><th scope="row">Swiss Albums (Schweizer Hitparade)<a class="footnote-ref" id="fnref:233" href="#fn:233"><sup>233</sup></a></th><td>15</td></tr><tr><th scope="row">US <i>Billboard</i> 200<a class="footnote-ref" id="fnref:234" href="#fn:234"><sup>234</sup></a></th><td>177</td></tr></tbody></table><table><tbody><tr><th>Chart (1997)</th><th>Position</th></tr><tr><th scope="row">Australian Albums (ARIA)<a class="footnote-ref" id="fnref:235" href="#fn:235"><sup>235</sup></a></th><td>66</td></tr><tr><th scope="row">Belgian Albums (Ultratop Flanders)<a class="footnote-ref" id="fnref:236" href="#fn:236"><sup>236</sup></a></th><td>79</td></tr><tr><th scope="row">Belgian Albums (Ultratop Wallonia)<a class="footnote-ref" id="fnref:237" href="#fn:237"><sup>237</sup></a></th><td>65</td></tr><tr><th scope="row">Dutch Albums (Album Top 100)<a class="footnote-ref" id="fnref:238" href="#fn:238"><sup>238</sup></a></th><td>57</td></tr><tr><th scope="row">European Top 100 Albums (<i>Music & Media</i>)<a class="footnote-ref" id="fnref:239" href="#fn:239"><sup>239</sup></a></th><td>90</td></tr><tr><th scope="row">French Albums (SNEP)<a class="footnote-ref" id="fnref:240" href="#fn:240"><sup>240</sup></a></th><td>40</td></tr><tr><th scope="row">German Albums (Offizielle Top 100)<a class="footnote-ref" id="fnref:241" href="#fn:241"><sup>241</sup></a></th><td>80</td></tr><tr><th scope="row">New Zealand Albums (RMNZ)<a class="footnote-ref" id="fnref:242" href="#fn:242"><sup>242</sup></a></th><td>35</td></tr></tbody></table><table><tbody><tr><th>Chart (2003)</th><th>Position</th></tr><tr><th scope="row">UK Albums (OCC)<a class="footnote-ref" id="fnref:243" href="#fn:243"><sup>243</sup></a></th><td>119</td></tr></tbody></table><table><tbody><tr><th>Chart (2009)</th><th>Position</th></tr><tr><th scope="row">German Albums (Offizielle Top 100)<a class="footnote-ref" id="fnref:244" href="#fn:244"><sup>244</sup></a></th><td>87</td></tr></tbody></table></td></tr></tbody></table> <h2 id="certifications-and-sales">Certifications and sales</h2> <table><tbody><tr><th scope="col">Region</th><th scope="col">Certification</th><th scope="col"><a href="/facts/List_of_music_recording_certifications/6CPQFNNn">Certified units</a>/sales</th></tr><tr><th scope="row">Argentina (<a href="/facts/Argentine_Chamber_of_Phonograms_and_Videograms_Producers/wqywh5mm">CAPIF</a>)<a class="footnote-ref" id="fnref:245" href="#fn:245"><sup>245</sup></a></th><td>Platinum</td><td>60,000^</td></tr><tr><th scope="row">Australia (<a href="/facts/Australian_Recording_Industry_Association/tg97mRCL">ARIA</a>)<a class="footnote-ref" id="fnref:246" href="#fn:246"><sup>246</sup></a></th><td>8× Platinum</td><td>560,000^</td></tr><tr><th scope="row">Austria (<a href="/facts/International_Federation_of_the_Phonographic_Industry/h3f3zMVv">IFPI</a> Austria)<a class="footnote-ref" id="fnref:247" href="#fn:247"><sup>247</sup></a></th><td>2× Platinum</td><td>100,000*</td></tr><tr><th scope="row">Belgium (<a href="/facts/Belgian_Entertainment_Association/KY1D9hdn">BEA</a>)<a class="footnote-ref" id="fnref:248" href="#fn:248"><sup>248</sup></a></th><td>5× Platinum</td><td>250,000*</td></tr><tr><th scope="row">Brazil (<a href="/facts/Pro-M%C3%BAsica_Brasil/MUKSA0sq">Pro-Música Brasil</a>)<a class="footnote-ref" id="fnref:249" href="#fn:249"><sup>249</sup></a></th><td>Gold</td><td>350,000<a class="footnote-ref" id="fnref:250" href="#fn:250"><sup>250</sup></a></td></tr><tr><th scope="row">Canada (<a href="/facts/Music_Canada/aLB7HHJo">Music Canada</a>)<a class="footnote-ref" id="fnref:251" href="#fn:251"><sup>251</sup></a></th><td>5× Platinum</td><td>500,000^</td></tr><tr><th scope="row">Chile</th><td>—</td><td>25,000<a class="footnote-ref" id="fnref:252" href="#fn:252"><sup>252</sup></a></td></tr><tr><th scope="row">Czech Republic<a class="footnote-ref" id="fnref:253" href="#fn:253"><sup>253</sup></a></th><td>Platinum</td><td> </td></tr><tr><th scope="row">Colombia</th><td>—</td><td>120,000<a class="footnote-ref" id="fnref:254" href="#fn:254"><sup>254</sup></a></td></tr><tr><th scope="row">Denmark (<a href="/facts/IFPI_Danmark/GXuA0t2n">IFPI Danmark</a>)<a class="footnote-ref" id="fnref:255" href="#fn:255"><sup>255</sup></a></th><td>11× Platinum</td><td>220,000‡</td></tr><tr><th scope="row">Finland (<a href="/facts/Musiikkituottajat/S0Dz4fkr">Musiikkituottajat</a>)<a class="footnote-ref" id="fnref:256" href="#fn:256"><sup>256</sup></a></th><td>Platinum</td><td>61,352<a class="footnote-ref" id="fnref:257" href="#fn:257"><sup>257</sup></a></td></tr><tr><th scope="row">France (<a href="/facts/Syndicat_National_de_l%27%C3%89dition_Phonographique/lT0tPFLb">SNEP</a>)<a class="footnote-ref" id="fnref:258" href="#fn:258"><sup>258</sup></a></th><td>Diamond</td><td>1,400,000<a class="footnote-ref" id="fnref:259" href="#fn:259"><sup>259</sup></a></td></tr><tr><th scope="row">Germany (<a href="/facts/Bundesverband_Musikindustrie/atSuKXIG">BVMI</a>)<a class="footnote-ref" id="fnref:260" href="#fn:260"><sup>260</sup></a></th><td>3× Platinum</td><td>1,500,000^</td></tr><tr><th scope="row">Italy (<a href="/facts/Federazione_Industria_Musicale_Italiana/FDJwQrpX">FIMI</a>)<a class="footnote-ref" id="fnref:261" href="#fn:261"><sup>261</sup></a><i> sales since 2009 </i></th><td>Gold</td><td>35,000*</td></tr><tr><th scope="row">Japan (<a href="/facts/Recording_Industry_Association_of_Japan/dpTRNAPv">RIAJ</a>)<a class="footnote-ref" id="fnref:262" href="#fn:262"><sup>262</sup></a></th><td>2× Platinum</td><td>400,000^</td></tr><tr><th scope="row">Mexico (<a href="/facts/Asociaci%C3%B3n_Mexicana_de_Productores_de_Fonogramas_y_Videogramas/PYMN7sbr">AMPROFON</a>)<a class="footnote-ref" id="fnref:263" href="#fn:263"><sup>263</sup></a></th><td>Gold</td><td>100,000^</td></tr><tr><th scope="row">Netherlands (<a href="/facts/NVPI/wMF5hU7M">NVPI</a>)<a class="footnote-ref" id="fnref:264" href="#fn:264"><sup>264</sup></a></th><td>3× Platinum</td><td>350,000<a class="footnote-ref" id="fnref:265" href="#fn:265"><sup>265</sup></a></td></tr><tr><th scope="row">New Zealand (<a href="/facts/Recorded_Music_NZ/KlQ6jDS4">RMNZ</a>)<a class="footnote-ref" id="fnref:266" href="#fn:266"><sup>266</sup></a></th><td>9× Platinum</td><td>135,000^</td></tr><tr><th scope="row">Norway (<a href="/facts/International_Federation_of_the_Phonographic_Industry/h3f3zMVv">IFPI</a> Norway)<a class="footnote-ref" id="fnref:267" href="#fn:267"><sup>267</sup></a></th><td>Platinum</td><td>50,000*</td></tr><tr><th scope="row">Poland (<a href="/facts/Polish_Society_of_the_Phonographic_Industry/aUmzJ1aF">ZPAV</a>)<a class="footnote-ref" id="fnref:268" href="#fn:268"><sup>268</sup></a></th><td>Platinum</td><td>100,000*</td></tr><tr><th scope="row">Singapore (<a href="/facts/Recording_Industry_Association_Singapore/ELorIh3K">RIAS</a>)<a class="footnote-ref" id="fnref:269" href="#fn:269"><sup>269</sup></a></th><td>Platinum</td><td>10,000*</td></tr><tr><th scope="row">South Korea</th><td>—</td><td>300,000<a class="footnote-ref" id="fnref:270" href="#fn:270"><sup>270</sup></a><a class="footnote-ref" id="fnref:271" href="#fn:271"><sup>271</sup></a></td></tr><tr><th scope="row">Spain (<a href="/facts/Productores_de_M%C3%BAsica_de_Espa%C3%B1a/shAF30pQ">PROMUSICAE</a>)<a class="footnote-ref" id="fnref:272" href="#fn:272"><sup>272</sup></a></th><td>3× Platinum</td><td>300,000^</td></tr><tr><th scope="row">Sweden (<a href="/facts/Swedish_Recording_Industry_Association/E9QJ4wh1">GLF</a>)<a class="footnote-ref" id="fnref:273" href="#fn:273"><sup>273</sup></a></th><td>Platinum</td><td>100,000^</td></tr><tr><th scope="row">Switzerland (<a href="/facts/International_Federation_of_the_Phonographic_Industry/h3f3zMVv">IFPI</a> Switzerland)<a class="footnote-ref" id="fnref:274" href="#fn:274"><sup>274</sup></a></th><td>3× Platinum</td><td>150,000^</td></tr><tr><th scope="row">Taiwan (<a href="/facts/Recording_Industry_Foundation_in_Taiwan/Rhjz0xXP">RIT</a>)<a class="footnote-ref" id="fnref:275" href="#fn:275"><sup>275</sup></a></th><td>4× Platinum+Gold</td><td>239,365<a class="footnote-ref" id="fnref:276" href="#fn:276"><sup>276</sup></a></td></tr><tr><th scope="row">United Kingdom (<a href="/facts/British_Phonographic_Industry/G1QjcwBq">BPI</a>)<a class="footnote-ref" id="fnref:277" href="#fn:277"><sup>277</sup></a></th><td>4× Platinum</td><td>1,500,000<a class="footnote-ref" id="fnref:278" href="#fn:278"><sup>278</sup></a></td></tr><tr><th scope="row">United Kingdom (<a href="/facts/British_Phonographic_Industry/G1QjcwBq">BPI</a>)<a class="footnote-ref" id="fnref:279" href="#fn:279"><sup>279</sup></a><i> Greatest Hits: History Volume 1 </i></th><td>Gold</td><td>100,000^</td></tr><tr><th scope="row">United States (<a href="/facts/Recording_Industry_Association_of_America/8a7K0Ubf">RIAA</a>)<a class="footnote-ref" id="fnref:280" href="#fn:280"><sup>280</sup></a></th><td>8× Platinum</td><td>4,000,000‡</td></tr><tr><th scope="row">United States (<a href="/facts/Recording_Industry_Association_of_America/8a7K0Ubf">RIAA</a>)<a class="footnote-ref" id="fnref:281" href="#fn:281"><sup>281</sup></a><i> Greatest Hits: History Volume 1 </i></th><td>Platinum</td><td>1,000,000^</td></tr><tr><th scope="col" colspan="3">Summaries</th></tr><tr><th scope="row">Europe (<a href="/facts/International_Federation_of_the_Phonographic_Industry/h3f3zMVv">IFPI</a>)<a class="footnote-ref" id="fnref:282" href="#fn:282"><sup>282</sup></a></th><td>6× Platinum</td><td>6,000,000*</td></tr><tr><td colspan="3"><p>* Sales figures based on certification alone.^ Shipments figures based on certification alone.‡ Sales+streaming figures based on certification alone.</p></td></tr></tbody></table> <h2 id="see-also">See also</h2> <ul><li><a href="/facts/HIStory_World_Tour/w74DJ8G1">HIStory World Tour</a></li> <li><a href="/facts/List_of_most_expensive_albums/hogwHwHx">List of most expensive albums</a></li> <li><a href="/facts/List_of_best-selling_albums/6btu6YSd">List of best-selling albums</a></li> <li><a href="/facts/List_of_best-selling_albums_in_Colombia/kIK3SEUs">List of best-selling albums in Colombia</a></li> <li><a href="/facts/List_of_best-selling_albums_in_Europe/PIytP3tb">List of best-selling albums in Europe</a></li> <li><a href="/facts/List_of_best-selling_albums_in_France/JpQRMav1">List of best-selling albums in France</a></li> <li><a href="/facts/List_of_best-selling_albums_in_Germany/UtWK9Ee8">List of best-selling albums in Germany</a></li> <li><a href="/facts/List_of_number-one_albums_of_1995_(U.S.)/4kcaxx1I">List of number-one albums of 1995 (U.S.)</a></li> <li><a href="/facts/List_of_number-one_R%26B_albums_of_1995_(U.S.)/GStwsrHf">List of number-one R&B albums of 1995 (U.S.)</a></li></ul> Bibliography <ul><li>Campbell, Lisa D. (September 1994). <a href="https://books.google.com/books?id=n1S4bMjM8LoC"><i>Michael Jackson: The King of Pops Darkest Hour</i></a>. Branden Books. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-0-8283-2003-0. Retrieved September 22, 2011.</li> <li><a href="/facts/Nelson_George/BQgADPdI">George, Nelson</a> (2004). <i><a href="/facts/Michael_Jackson:_The_Ultimate_Collection/bAk49hLy">Michael Jackson: The Ultimate Collection</a></i>. <a href="/facts/Sony_BMG/ppgz8esd">Sony BMG</a>.</li> <li>Grant, Adrian (2009). <i>Michael Jackson: The Visual Documentary</i>. Omnibus Press. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 978-1-84938-261-8.</li> <li>Pratt, Douglas (2005). <i>Doug Pratt's DVD: Movies, Television, Music, Art, Adult, and More!</i>. UNET 2 Corporation. <a href="/facts/ISBN_(identifier)/15AdSPa9">ISBN</a> 1-932916-01-6.</li></ul> <h2 id="external-links">External links</h2> <ul><li><i><a href="https://www.discogs.com/master/66271">HIStory: Past, Present and Future, Book I</a></i> at <a href="/facts/Discogs/wdyMoREv">Discogs</a> (list of releases)</li></ul> <h2 id="references">References</h2> <ol> <li id="fn:1"><p>Ken Tucker (June 25, 2009). "Beyond the Pale". EW.com. Time Warner Inc. Archived from the original on April 21, 2009. Retrieved January 27, 2010. <a href="https://ew.com/article/2009/06/25/uncovering-michael-jackson/" target="_blank">https://ew.com/article/2009/06/25/uncovering-michael-jackson/</a> <a href="#fnref:1" class="footnote-back-ref">↩</a></p></li> <li id="fn:2"><p>Taraborrelli 2004, pp. 355–361 - Taraborrelli, J. Randy (2004). The Magic and the Madness. Headline. p. [page needed]. ISBN 0-330-42005-4. <a href="#fnref:2" class="footnote-back-ref">↩</a></p></li> <li id="fn:3"><p>Taraborrelli 2004, pp. 370–373 - Taraborrelli, J. Randy (2004). The Magic and the Madness. Headline. p. [page needed]. ISBN 0-330-42005-4. <a href="#fnref:3" class="footnote-back-ref">↩</a></p></li> <li id="fn:4"><p>Taraborrelli 2004, pp. 370–373 - Taraborrelli, J. Randy (2004). The Magic and the Madness. Headline. p. [page needed]. ISBN 0-330-42005-4. <a href="#fnref:4" class="footnote-back-ref">↩</a></p></li> <li id="fn:5"><p>Taraborrelli 2004, p. 36 - Taraborrelli, J. Randy (2004). The Magic and the Madness. Headline. p. [page needed]. ISBN 0-330-42005-4. <a href="#fnref:5" class="footnote-back-ref">↩</a></p></li> <li id="fn:6"><p>Campbell 1994, pp. 42–45 - Campbell, Lisa D. (September 1994). Michael Jackson: The King of Pops Darkest Hour. Branden Books. ISBN 978-0-8283-2003-0. Retrieved September 22, 2011. <a href="https://books.google.com/books?id=n1S4bMjM8LoC" target="_blank">https://books.google.com/books?id=n1S4bMjM8LoC</a> <a href="#fnref:6" class="footnote-back-ref">↩</a></p></li> <li id="fn:7"><p>Campbell 1994, pp. 77–80 - Campbell, Lisa D. (September 1994). Michael Jackson: The King of Pops Darkest Hour. Branden Books. ISBN 978-0-8283-2003-0. Retrieved September 22, 2011. <a href="https://books.google.com/books?id=n1S4bMjM8LoC" target="_blank">https://books.google.com/books?id=n1S4bMjM8LoC</a> <a href="#fnref:7" class="footnote-back-ref">↩</a></p></li> <li id="fn:8"><p>Campbell 1994, pp. 47–50 - Campbell, Lisa D. (September 1994). Michael Jackson: The King of Pops Darkest Hour. Branden Books. ISBN 978-0-8283-2003-0. Retrieved September 22, 2011. <a href="https://books.google.com/books?id=n1S4bMjM8LoC" target="_blank">https://books.google.com/books?id=n1S4bMjM8LoC</a> <a href="#fnref:8" class="footnote-back-ref">↩</a></p></li> <li id="fn:9"><p>Taraborrelli 2004, pp. 500–507 - Taraborrelli, J. Randy (2004). The Magic and the Madness. Headline. p. [page needed]. ISBN 0-330-42005-4. <a href="#fnref:9" class="footnote-back-ref">↩</a></p></li> <li id="fn:10"><p>Taraborrelli 2004, pp. 500–507 - Taraborrelli, J. Randy (2004). The Magic and the Madness. Headline. p. [page needed]. ISBN 0-330-42005-4. <a href="#fnref:10" class="footnote-back-ref">↩</a></p></li> <li id="fn:11"><p>Campbell 1994, pp. 89–93 - Campbell, Lisa D. (September 1994). Michael Jackson: The King of Pops Darkest Hour. Branden Books. ISBN 978-0-8283-2003-0. Retrieved September 22, 2011. <a href="https://books.google.com/books?id=n1S4bMjM8LoC" target="_blank">https://books.google.com/books?id=n1S4bMjM8LoC</a> <a href="#fnref:11" class="footnote-back-ref">↩</a></p></li> <li id="fn:12"><p>Campbell 1994, pp. 89–93 - Campbell, Lisa D. (September 1994). Michael Jackson: The King of Pops Darkest Hour. Branden Books. ISBN 978-0-8283-2003-0. Retrieved September 22, 2011. <a href="https://books.google.com/books?id=n1S4bMjM8LoC" target="_blank">https://books.google.com/books?id=n1S4bMjM8LoC</a> <a href="#fnref:12" class="footnote-back-ref">↩</a></p></li> <li id="fn:13"><p>Campbell 1994, pp. 104–106 - Campbell, Lisa D. (September 1994). Michael Jackson: The King of Pops Darkest Hour. Branden Books. ISBN 978-0-8283-2003-0. Retrieved September 22, 2011. <a href="https://books.google.com/books?id=n1S4bMjM8LoC" target="_blank">https://books.google.com/books?id=n1S4bMjM8LoC</a> <a href="#fnref:13" class="footnote-back-ref">↩</a></p></li> <li id="fn:14"><p>"Michael Jackson speaks: 'I am totally innocent of any wrongdoing.'". Jet. January 10, 1994. Archived from the original on October 1, 2009. Retrieved August 3, 2008. <a href="http://arquivo.pt/wayback/20091001092802/http://findarticles.com/p/articles/mi_m1355/is_n10_v85/ai_14947357?tag=artBody;col1" target="_blank">http://arquivo.pt/wayback/20091001092802/http://findarticles.com/p/articles/mi_m1355/is_n10_v85/ai_14947357?tag=artBody;col1</a> <a href="#fnref:14" class="footnote-back-ref">↩</a></p></li> <li id="fn:15"><p>Taraborrelli 2004, pp. 518–520 - Taraborrelli, J. Randy (2004). The Magic and the Madness. Headline. p. [page needed]. ISBN 0-330-42005-4. <a href="#fnref:15" class="footnote-back-ref">↩</a></p></li> <li id="fn:16"><p>Taraborrelli 2004, pp. 514–516 - Taraborrelli, J. Randy (2004). The Magic and the Madness. Headline. p. [page needed]. ISBN 0-330-42005-4. <a href="#fnref:16" class="footnote-back-ref">↩</a></p></li> <li id="fn:17"><p>Campbell 1994, pp. 89–93 - Campbell, Lisa D. (September 1994). Michael Jackson: The King of Pops Darkest Hour. Branden Books. ISBN 978-0-8283-2003-0. Retrieved September 22, 2011. <a href="https://books.google.com/books?id=n1S4bMjM8LoC" target="_blank">https://books.google.com/books?id=n1S4bMjM8LoC</a> <a href="#fnref:17" class="footnote-back-ref">↩</a></p></li> <li id="fn:18"><p>Taraborrelli 2004, pp. 524–528 - Taraborrelli, J. Randy (2004). The Magic and the Madness. Headline. p. [page needed]. ISBN 0-330-42005-4. <a href="#fnref:18" class="footnote-back-ref">↩</a></p></li> <li id="fn:19"><p>Campbell 1994, pp. 89–93 - Campbell, Lisa D. (September 1994). Michael Jackson: The King of Pops Darkest Hour. Branden Books. ISBN 978-0-8283-2003-0. Retrieved September 22, 2011. <a href="https://books.google.com/books?id=n1S4bMjM8LoC" target="_blank">https://books.google.com/books?id=n1S4bMjM8LoC</a> <a href="#fnref:19" class="footnote-back-ref">↩</a></p></li> <li id="fn:20"><p>Taraborrelli 2004, pp. 524–528 - Taraborrelli, J. Randy (2004). The Magic and the Madness. Headline. p. [page needed]. ISBN 0-330-42005-4. <a href="#fnref:20" class="footnote-back-ref">↩</a></p></li> <li id="fn:21"><p>Stephen Thomas Erlewine. "HIStory: Past, Present and Future, Book I". AllMusic. Rovi Corporation. Archived from the original on February 23, 2023. Retrieved February 1, 2010. <a href="https://www.allmusic.com/album/r216079" target="_blank">https://www.allmusic.com/album/r216079</a> <a href="#fnref:21" class="footnote-back-ref">↩</a></p></li> <li id="fn:22"><p>Lecocq, Richard; Allard, François (2018). Michael Jackson All the Songs: The Story Behind Every Track. London, England: Cassell. ISBN 978-1-78840-057-2. <a href="978-1-78840-057-2" target="_blank">978-1-78840-057-2</a> <a href="#fnref:22" class="footnote-back-ref">↩</a></p></li> <li id="fn:23"><p>HIStory: Past, Present and Future, Book I liner notes Epic Records (1995). <a href="/wiki/Epic_Records" target="_blank">/wiki/Epic_Records</a> <a href="#fnref:23" class="footnote-back-ref">↩</a></p></li> <li id="fn:24"><p>HIStory: Past, Present and Future, Book I liner notes Epic Records (1995). <a href="/wiki/Epic_Records" target="_blank">/wiki/Epic_Records</a> <a href="#fnref:24" class="footnote-back-ref">↩</a></p></li> <li id="fn:25"><p>"Album Review: HIStory" Q Magazine". Bauer Media Group. June 1995. Retrieved on February 1, 2010. <a href="/wiki/Q_Magazine" target="_blank">/wiki/Q_Magazine</a> <a href="#fnref:25" class="footnote-back-ref">↩</a></p></li> <li id="fn:26"><p>Patrick Macdonald (June 21, 1995). 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Type Michael Jackson in the box under the ARTISTA column heading and HIStory: Past, Present and Future, Book I in the box under the TÍTULO column heading. <a href="https://amprofon.com.mx/es/pages/certificaciones.php" target="_blank">https://amprofon.com.mx/es/pages/certificaciones.php</a> <a href="#fnref:263" class="footnote-back-ref">↩</a></p></li> <li id="fn:264"><p>"Dutch album certifications – Michael Jackson – HIStory: Past, Present and Future, Book I" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Retrieved October 26, 2014. Enter HIStory: Past, Present and Future, Book I in the "Artiest of titel" box. <a href="https://www.goudplatina.nl/database" target="_blank">https://www.goudplatina.nl/database</a> <a href="#fnref:264" class="footnote-back-ref">↩</a></p></li> <li id="fn:265"><p>Newman, Melinda (June 21, 1997). "Int'I Sales Outpace U.S. Numbers For Jackson Set". Billboard. p. 92. ISSN 0006-2510. 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Retrieved October 26, 2014. <a href="https://web.archive.org/web/20121105012246/http://www.ifpi.no/sok/lst_trofeer_sok.asp?type=artist" target="_blank">https://web.archive.org/web/20121105012246/http://www.ifpi.no/sok/lst_trofeer_sok.asp?type=artist</a> <a href="#fnref:267" class="footnote-back-ref">↩</a></p></li> <li id="fn:268"><p>"Wyróżnienia – Platynowe płyty CD - Archiwum - Przyznane w 1996 roku" (in Polish). Polish Society of the Phonographic Industry. December 30, 1996. Archived from the original on December 3, 2024. Retrieved April 18, 2021. <a href="https://web.archive.org/web/20241203204734/http://bestsellery.zpav.pl/wyroznienia/platynoweplyty/cd/archiwum.php?year=1996" target="_blank">https://web.archive.org/web/20241203204734/http://bestsellery.zpav.pl/wyroznienia/platynoweplyty/cd/archiwum.php?year=1996</a> <a href="#fnref:268" class="footnote-back-ref">↩</a></p></li> <li id="fn:269"><p>"Singapore album certifications – Michael Jackson – HIStory - Past, Present and Future - Book I". Recording Industry Association Singapore. Retrieved February 18, 2023. <a href="https://www.rias.org.sg/rias-accreditations/" target="_blank">https://www.rias.org.sg/rias-accreditations/</a> <a href="#fnref:269" class="footnote-back-ref">↩</a></p></li> <li id="fn:270"><p>Korea Chart1 Archived March 10, 2017, at the Wayback Machine, February 29, 1996 <a href="http://newslibrary.naver.com/viewer/index.nhn?articleId=1996022900209129001&editNo=45&printCount=1&publishDate=1996-02-29&officeId=00020&pageNo=29&printNo=23125&publishType=00010" target="_blank">http://newslibrary.naver.com/viewer/index.nhn?articleId=1996022900209129001&editNo=45&printCount=1&publishDate=1996-02-29&officeId=00020&pageNo=29&printNo=23125&publishType=00010</a> <a href="#fnref:270" class="footnote-back-ref">↩</a></p></li> <li id="fn:271"><p>Korea Sales Archived March 10, 2017, at the Wayback Machine, December 26, 1996 <a href="http://newslibrary.naver.com/viewer/index.nhn?articleId=1996122600209127001&editNo=45&printCount=1&publishDate=1996-12-26&officeId=00020&pageNo=27&printNo=23407&publishType=00010" target="_blank">http://newslibrary.naver.com/viewer/index.nhn?articleId=1996122600209127001&editNo=45&printCount=1&publishDate=1996-12-26&officeId=00020&pageNo=27&printNo=23407&publishType=00010</a> <a href="#fnref:271" class="footnote-back-ref">↩</a></p></li> <li id="fn:272"><p>Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (in Spanish) (1st ed.). Spain: Fundación Autor-SGAE. p. 942. ISBN 84-8048-639-2. <a href="84-8048-639-2" target="_blank">84-8048-639-2</a> <a href="#fnref:272" class="footnote-back-ref">↩</a></p></li> <li id="fn:273"><p>"Guld- och Platinacertifikat − År 1987−1998" (PDF) (in Swedish). IFPI Sweden. Archived from the original (PDF) on May 17, 2011. Retrieved October 26, 2014. <a href="https://web.archive.org/web/20110517224028/http://www.ifpi.se/wp/wp-content/uploads/guld-platina-1987-1998.pdf" target="_blank">https://web.archive.org/web/20110517224028/http://www.ifpi.se/wp/wp-content/uploads/guld-platina-1987-1998.pdf</a> <a href="#fnref:273" class="footnote-back-ref">↩</a></p></li> <li id="fn:274"><p>"The Official Swiss Charts and Music Community: Awards ('History')". IFPI Switzerland. Hung Medien. Retrieved October 26, 2014. <a href="http://www.swisscharts.com/search_certifications.asp?search=History" target="_blank">http://www.swisscharts.com/search_certifications.asp?search=History</a> <a href="#fnref:274" class="footnote-back-ref">↩</a></p></li> <li id="fn:275"><p>認證紀錄 [Certifications Awarded] (in Chinese). Recording Industry Foundation in Taiwan. <a href="認證紀錄" target="_blank">認證紀錄</a> <a href="#fnref:275" class="footnote-back-ref">↩</a></p></li> <li id="fn:276"><p>認證紀錄 [Certifications Awarded] (in Chinese). Recording Industry Foundation in Taiwan. <a href="認證紀錄" target="_blank">認證紀錄</a> <a href="#fnref:276" class="footnote-back-ref">↩</a></p></li> <li id="fn:277"><p>"British album certifications – Michael Jackson – HIStory: Past, Present and Future, Book I". British Phonographic Industry. Retrieved October 26, 2014. <a href="https://www.bpi.co.uk/award/2895-2659-2" target="_blank">https://www.bpi.co.uk/award/2895-2659-2</a> <a href="#fnref:277" class="footnote-back-ref">↩</a></p></li> <li id="fn:278"><p>"Michael Jackson has the whole world in his hands, says Elizabeth Day". TheGuardian.com. March 16, 2008. Archived from the original on December 7, 2021. Retrieved December 7, 2021. <a href="https://www.theguardian.com/music/2008/mar/16/features.musicmonthly20#article_continue" target="_blank">https://www.theguardian.com/music/2008/mar/16/features.musicmonthly20#article_continue</a> <a href="#fnref:278" class="footnote-back-ref">↩</a></p></li> <li id="fn:279"><p>"British album certifications – Michael Jackson – Greatest Hits - History Vol 1". British Phonographic Industry. Retrieved October 26, 2014. <a href="https://www.bpi.co.uk/award/9268-2659-2" target="_blank">https://www.bpi.co.uk/award/9268-2659-2</a> <a href="#fnref:279" class="footnote-back-ref">↩</a></p></li> <li id="fn:280"><p>"American album certifications – Michael Jackson – HISTORY". Recording Industry Association of America. Retrieved October 10, 2019. <a href="https://www.riaa.com/gold-platinum/?tab_active=default-award&ar=Michael+Jackson&ti=HISTORY&format=Album&type=#search_section" target="_blank">https://www.riaa.com/gold-platinum/?tab_active=default-award&ar=Michael+Jackson&ti=HISTORY&format=Album&type=#search_section</a> <a href="#fnref:280" class="footnote-back-ref">↩</a></p></li> <li id="fn:281"><p>"American album certifications – Michael Jackson – Greatest Hits: History Volume 1". Recording Industry Association of America. Retrieved October 26, 2014. <a href="https://www.riaa.com/gold-platinum/?tab_active=default-award&ar=Michael+Jackson&ti=Greatest+Hits%3A+History+Volume+1&format=Album&type=#search_section" target="_blank">https://www.riaa.com/gold-platinum/?tab_active=default-award&ar=Michael+Jackson&ti=Greatest+Hits%3A+History+Volume+1&format=Album&type=#search_section</a> <a href="#fnref:281" class="footnote-back-ref">↩</a></p></li> <li id="fn:282"><p>"IFPI Platinum Europe Awards – 1996". International Federation of the Phonographic Industry. <a href="https://web.archive.org/web/20131224215935/http://www.ifpi.org/content/section_news/plat1996.html" target="_blank">https://web.archive.org/web/20131224215935/http://www.ifpi.org/content/section_news/plat1996.html</a> <a href="#fnref:282" class="footnote-back-ref">↩</a></p></li> </ol>