In addition to Gian, Suneo, and Shizuka, Dorami and Hidetoshi Dekisugi are also recurring characters. Dorami is Doraemon's younger sister, and Dekisugi is a gifted student boy who as Shizuka's close friend, frequently attracts the jealousy of Nobita.
In order to underline the crucial role of the young generation in society, the manga's creator chose to have the act carried out in a "children's domain" where young people can live with happiness, freedom and power without adult's interference. As Saya S. Shiraishi noted, the existence of the "domain" helped Doraemon to have a strong appeal in various Asian countries. During Doraemon's development, Fujio did not express a change in characters; he said, "When a manga hero become a success, the manga suddenly stops being interesting. So the hero has to be like the stripes on a barber pole; he seems to keep moving upward, but actually he stays in the same place."
According to Zensho Ito, Fujio's former student, the "length" of time in the universe is one of the ideas that inspired Fujio to make Doraemon. Frequently displayed in its stories is Nobita's desire to control time, and there exist time-control gadgets that he uses to satisfy that desire, particularly the "Time Machine", which lies in his desk drawer. Unlike Western works on science fiction, the manga did not explain the theory nor the applied technology behind these tools, but instead focusing on how the characters exploit their advantages, making it more children-friendly.
The name "Doraemon" can be roughly translated to "stray". Unusually, the name "Doraemon" (ドラえもん) is written in a mixture of two Japanese scripts: Katakana (ドラ) and Hiragana (えもん). "Dora" derives from "dora neko" (どら猫; stray cat), and is a corruption of nora (stray), while "-emon" (in kanji 右衛門) is an old-fashioned suffix for male names (for example, as in Ishikawa Goemon). Nobita's home address in Tsukimidai ("moon-view-heights"), Nerima refers to Fujimidai ("Fuji-view-heights"), where Osamu Tezuka's residence and animation studio is based. The name "Nobita Nobi" refers to "nobi nobi", meaning "the way a young child grows up free, healthy, and happy, unrestrained in any sense".
Gadgets, or "himitsu dōgu" (ひみつ道具), are Doraemon's tools from the future, usually used to help the characters. Fujio said that Doraemon has a total of 1,293 gadgets; according to a 2004 analysis by Yasuyuki Yokoyama of Toyama University, there are 1,963 gadgets found in 1,344 sketches. The most important gadgets include "Take-Copter", a small piece of headgear made out of bamboo that can allow its users to fly; "Time Machine", a machine used for time travel; "Anywhere Door", a pink-colored door that allows people to travel according to the thoughts of the person who turns the knob; "Time Kerchief", a handkerchief which can turn an object new or old or a person young or old; "Translator Tool", a cuboid jelly that allow one to converse in any language; and "Designer", a camera used to instantly dress-up the user.
Saya S. Shiraishi wrote that most of the gadgets were "an impressive testimony to the standards of quality control and innovation that exist in the twenty-second century". The gadgets were an essential part of the series so as to reflect a positive point of view about the association of technology in children, and to express the wishes of modern society.
The series ceased its original run in 1994 and was not given an ending before Fujimoto's death in 1996; this has since aroused numerous urban legends throughout the years. One of the most well-known "endings" of the manga was by an amateur manga cartoonist under the pen name "Yasue T. Tajima", first appeared on the Internet in 1998 and made up into a manga in 2005. The story takes place when Doraemon's battery dies, and Nobita later grows up becoming a robot engineer, potentially revive Doraemon and live a happy life. Tajima issued an apology in 2007, and the profits were shared with Shogakukan and the copyright owner, Fujiko F. Fujio Pro.
There have been two series of bilingual, Japanese and English, volumes of the manga by Shogakukan English Comics under the title Doraemon: Gadget Cat from the Future, and two audio versions. The first series has ten volumes and the second one has six. 21st Century Publishing House released bilingual English-Chinese versions in mainland China, and Chingwin Publishing Group released bilingual English-Chinese versions in Taiwan.
In July 2013, Fujiko F. Fujio Pro announced that they would be collaborating with ebook publisher Voyager Japan and localization company AltJapan Co., Ltd. to release an English-language version of the manga in full color digitally via the Amazon Kindle platform in North America. Shogakukan released the first volume in November 2013; by 2016, a total of 200 volumes have been published. This English version incorporates a variety of changes to character names; Nobita is "Noby", Shizuka is "Sue", Suneo is "Sneech", and Gian is "Big G", while dorayaki is "Yummy Bun/Fudgy Pudgy Pie". Also, by 2016, four volumes of the manga have been published in English in print by Shogakukan Asia.
Shogakukan started digital distribution of all forty-five original volumes throughout Japan from July 16, 2015.
The anime has also been aired in over sixty countries worldwide. It premiered in Thailand in 1982, the Philippines in 1999, India in 2005, and Vietnam in 2010. Other Asian countries that broadcast the series include China, Hong Kong, Singapore, Taiwan, Malaysia, Indonesia, and South Korea. The series is licensed in EMEA regions by LUK International; it premiered in Spain in 1993 and France in 2003. It has also been distributed in South American countries, including Brazil, Colombia, and Chile. In 2017, POPS Worldwide, a Vietnamese multimedia company, collaborated with TV Asahi to release the anime series on YouTube and other digital platforms.
The soundtrack of the 1973 anime series was composed by Nobuyoshi Koshibe, who also arranged the opening theme song "Doraemon" (ドラえもん) and the ending theme song "Doraemon Rumba" (ドラえもん ルンバ), both performed by Harumi Naitō. For the 1979 anime, Shunsuke Kikuchi was the composer, who arranged "Doraemon no Uta" (ドラえもんのうた); it had been performed by numerous singers, including Kumiko Ōsugi and Satoko Yamano. When the anime got a reboot in 2005, Kan Sawada was the composer of the series. There are four other opening themes, including an instrumental version of "Doraemon no Uta" performed by Twelve Girls Band; "Hagushichao" (ハグしちゃお) performed by Rimi Natsukawa; "Yume wo Kanaete Doraemon" (夢をかなえてドラえもん), the opening theme broadcast from 2007 to 2018; and "Doraemon" performed by Gen Hoshino, broadcast since October 2019.
Numerous collections of theme songs of the anime series and feature films were initially available in cassettes. Since the 1990s, Doraemon songs have been released in CD, under the type of singles and compilation albums. Soundtracks of Doraemon feature films have been released by Nippon Columbia since 2001 in the album series "Doraemon Soundtrack History" (ドラえもんサウンドトラックヒストリー).
Some critics considered that Nobita's flawed personality and modest background is different from the special or extraordinary characteristics usually seen in other typical anime and manga protagonists; this portrayal has been seen as reasons of its appeal as well as the contrary, especially in the United States. According to the Italian Parents Movement (Moige), in the manga, "the lazy Nobita does not know any kind of appreciable evolution", though there are still good points including "the criticism of bullying, the goodness that transpires from the little Nobita and the positive figure of Shizuka".
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This meaning is explained by Nobita's father in "ぼくの生まれた日" [The Day I Was Born]. ドラえもん 2 [Doraemon 2] (in Japanese). Shogakukan (published August 26, 1974). September 1974. p. 56. ISBN 4091400027. Archived from the original on April 23, 2016. Retrieved January 13, 2022. 4091400027
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"「Jack Bunny!!」と人気キャラクター「ドラえもん」とのコラボがパワーアップして登場! サングラスをしたドラえもんアイテムなど限定品が発売 8月9日(金)からは「ドラえもん祭り」を開催!" [A collaboration between "Jack Bunny!!" and the popular character "Doraemon" has been enhanced! Limited items such as Doraemon items wearing sunglasses will be on sale. The "Doraemon Festival" will be held from August 9th (Friday)!] (in Japanese). PR Times. August 5, 2019. Archived from the original on November 2, 2021. Retrieved November 2, 2021. https://prtimes.jp/main/html/rd/p/000000006.000036213.html
"ゴルフアパレルブランド「Jack Bunny!!」から、いつものゴルフを「ドラえもん」と楽しく過ごせるコラボアイテムが今年も登場!発売を記念して8月7日(金)からは「ドラえもん祭り」を開催!" [From the golf apparel brand "Jack Bunny!!", collaboration items that allow you to enjoy your usual golf with "Doraemon" will be released this year as well! To commemorate the release, the "Doraemon Festival" will be held from August 7th (Friday)!] (in Japanese). PR Times. July 31, 2020. Archived from the original on November 5, 2021. Retrieved November 2, 2021. https://prtimes.jp/main/html/rd/p/000000034.000009786.html
"「DORAEMON JackBunny!! FESTIVAL'21」8/6(金)~の8/22(日)開催!" ["DORAEMON Jack Bunny !! FESTIVAL'21" will be held from August 6th (Friday) to August 22nd (Sunday)!] (in Japanese). PR Times. August 4, 2021. Archived from the original on November 5, 2021. Retrieved November 2, 2021. https://prtimes.jp/main/html/rd/p/000000118.000009786.html
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"「LINE POP2」に「ドラえもん」たちが登場!『映画ドラえもん のび太の宝島』とコラボレーション開始!" ["Doraemon" and others have appeared in "LINE POP2"! Collaboration with "Doraemon: Nobita's Treasure Island" has started!] (in Japanese). PR Times. March 20, 2018. Archived from the original on November 5, 2021. Retrieved November 2, 2021. https://prtimes.jp/main/html/rd/p/000001013.000001594.html
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ドラえもん、誕生50周年にビックリ新刊!「第0巻」27日発売 [Doraemon, surprise new publication on the 50th anniversary! "Volume 0" released on the 27th of November]. サンスポ (in Japanese). Sankei Digital, Inc. November 27, 2019. Retrieved March 30, 2022. ドラえもん、誕生50周年にビックリ新刊!「第0巻」27日発売
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Doraemon licensed merchandise sales:
Royalties (1979–1994) – ¥15.3 billion ($153 million)[174]
Japan (1999–2000, 2003, 2005, 2007, 2010) – ¥223.75 billion ($2.549 billion)[187]
1999 – ¥84.21 billion[188]
2000 – ¥50 billion[189]
2003 – ¥30 billion[189]
2005 – ¥24.96 billion[190]
2007 – ¥17.6 billion[191]
2010 – ¥16.98 billion[192]
Worldwide (2015–2016) – $1.108 billion
2015 – $557 million[193]
2016 – $551 million[193]
Japan (2018–2019) – ¥64.01 billion[194][195][196] ($587 million)
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